The Role of Emotion in Marketing
The Role of Emotion in Marketing
The Role of Emotion in Marketing
Richard P. Bagozzi
University of Michigan
Mahesh Gopinath
Tulane University
Prashanth U. Nyer
Chapman University
Emotions are mental states of readiness that arise from appraisals of events or one 's own thoughts. In this article, the
authors discuss the differentiation of emotions from affect,
moods, and attitudes, and outline an appraisal theory of
emotions. Next, various measurement issues are considered. This is followed by an analysis of the role of arousal
in emotions. Emotions as markers, mediators, and moderators of consumer responses are then analyzed. The
authors turn next to the influence of emotions on cognitive
processes, which is followed by a study of the implications
of emotions for volitions, goal-directed behavior, and decisions to help. Emotions and customer satisfaction are
briefly explored, too. The article closes with a number of
questions for future research.
Definitions
The term affect will be conceived herein as an umbrella
for a set of more specific mental processes including emotions, moods, and (possibly) attitudes. Thus, affect might
be considered a general category for mental feeling
processes, rather than a particular psychological process,
per se.
By emotion, we mean a mental state of readiness that
arises from cognitive appraisals of events or thoughts; has
a phenomenological tone; is accompanied by physiological processes; is often expressed physically (e.g., in gestures, posture, facial features); and may result in specific
actions to affirm or cope with the emotion, depending on
its nature and meaning for the person having it. For a similar perspective, see Lazarus (1991) and Oatley (1992).
The line between an emotion and mood is frequently
difficult to draw but often by convention involves conceiving of a mood as being longer lasting (from a few hours up
to days) and lower in intensity than an emotion. Yet, exceptions to this construal can be found. Still another distinction
Organizing Framework
Above we noted that emotions are mental states of
readiness. But so, too, are moods and attitudes. How then
might we distinguish between these affective states? For
one thing, the state of readiness characterized by an emotion tends to be more intense than that characterized by
moods or attitudes. It is more intense in the sense of
186
FIGURE 1
Roseman's (1991) Appraisal
Theory of Emotions
Posiuve Emotions
Motive-Consistent
NegativeEmotions
Motive-lnconslstent
unee~
Anger
Strong
Shame, Guilt
Weak
Regret
Strong
Self-caused
uncertain
certain
uncertain
c~l'tain
Pride
SOURCE:Roseman(1991:193). Reprintedwithpermission.
consistent/motive inconsistent (i.e., positive emotions versus negative emotions), appetitive/aversive (i.e., presence
of a reward vs. absence of a punishment), agency (i.e., outcome is perceived caused by impersonal circumstances,
some other person, or the self), probability (i.e., an outcome is certain or uncertain), and power (i.e., strong versus weak coping potential).
For example, pride occurs when one evaluates his or her
own performance of an action or achievement of an outcome in a positive light (e.g., a feeling of having done
well). Here the positive emotion is motive consistent,
either appetitive (e.g., having attained a positive goal) or
aversive (e.g., having avoided a punishment), selfproduced under weak or low coping potential, and either
certain or uncertain, depending on the circumstances. Sadness happens when one experiences a loss for which one
recognizes that nothing can be done to restore it. The loss,
which is of something or someone valued, is experienced
negatively and with high certainty under conditions of low
coping power. It is perceived to be caused by impersonal
circumstances.
One value of appraisal theories is that it is possible to
account for most emotions. Indeed, subtle combinations of
appraisals yield discrete emotional responses. Anger and
regret, for example, differ primarily in only one type of
appraisal and share in the other four, namely, anger occurs
when a person sees another person as the source of injury
to oneself or to another person viewed as a victim of injustice, whereas regret results when one's negative outcome
is attributed to actions or inactions of the self.
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Not every emotion is accounted for by Roseman's
framework (or by any other framework for that matter).
For instance, pride is regarded as a positive emotion in
Roseman's framework, yet excessive or exaggerated pride
(sometimes termed hubris) can invite retribution. Likewise, shame and guilt are thought by Roseman to be produced by similar appraisals, but other researchers have
found important distinctions between shame, guilt, and
embarrassment (e.g., Lewis 1993). Likewise, disgust has
been studied extensively and found to differ from distress
(e.g., Rozin, Haidt, and McCauley 1993). Nevertheless, in
contrast to other theories of emotion that conceive of it in
bipolar terms (e.g., pleasure-displeasure and high
arousal-low arousal [Russell 1980] or high negative
affect-low negative affect and high positive affect-low
positive affect [Watson and Tellegen 1985]), Roseman's
framework and other appraisal theories not only allow for
many discrete emotions but specify conditions for their
occurrence.
An elaboration of appraisal theories that is especially
relevant for marketing is the treatment of goals, which may
be defined as "internal representations of desired states,
where states are broadly defined as outcomes, events, or
processes" (Austin and Vancouver 1996:338). Oatley and
Johnson-Laird (1987) proposed what they termed a communicative theory of emotions wherein events are evaluated in relation to a person's goals. Emotions are thought
to function to coordinate parts of one's cognitive system so
as to manage responses to events and in so doing change
from ongoing to new activities or to maintain desired states
or activities. The self-regulation of goals is believed to be
the main function of emotions:
Each goal and plan has a monitoring mechanism that
evaluates events relevant to it. When a substantial
change in probability occurs of achieving an important goal or subgoal, the monitoring mechanism
broadcasts to the whole cognitive system a signal
that can set it into readiness to respond to this
change. Humans experience these signals and the
states of readiness they induce as emotions. (Oatley
1992:50)
According to Oatley and Johnson-Laird (1987), emotions
are evoked "at a significant juncture of a p l a n . . , typic a l l y . . , when the evaluation (conscious or unconscious)
of the likely success of a plan changes" (p. 35). Positive
emotions (e.g., happiness, elation, joy) are associated with
the attainment of a (sub)goal, which usually leads to a decision to continue with the plan, whereas negative emotions (e.g., frustration, disappointment, anxiety) result
from problems with ongoing plans and failures to achieve
desired goals (see also Stein, Liwag, and Wade 1996).
Emotions have implications for action and goal attainment. Lazarus (1991) identifies coping responses as
action
" arousal
Much as emotions arise in response to patterns of appraisals, Frijda (1986; Frijda et al. 1989) has shown that patterns of action readiness correspond to distinct emotion
188
MEASUREMENT OF EMOTIONS
The measurement of emotions could focus on a full set
of signs or evidence, including evaluative appraisals, subjective feelings, body posture and gestures, facial expressions, physiological responses, action tendencies, and
overt actions. Whatever measurements one uses should, of
course, be tied to an underlying theory of emotions.
Some authors (e.g., most appraisal theorists) construe
emotions as mental states or processes, and thus it would
be prudent to directly measure the cognitive activities
comprising the emotional content of these states or
processes, from this perspective. Self-reports of one's subjective experiences constitute the most frequently used
procedures in this regard, although other methods for indicating emotional memory processes might be used as well
(e.g., response time, subliminal priming). From the point
of view of mental conceptualizations of emotions,
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physiological, motor, or biological indicators would be at
best considered correlates or indirect measures of
emotions.
Other researchers who interpret emotions in broader
terms, as either the whole process from the coding of
events to action responses (e.g., Frijda 1986) or as complex patterns of physiological responses (e.g., Cacioppo,
Bemtson, and Klein 1992 maintain that emotional experience is a function of somatoviscerai activation, afferentiation, and cognitive operations; LeDoux 1996 emphasizes
brain processes, especially the role of the amygdala) stress
the need for measurement processes going beyond selfreports. Depending on the theorist, overt behaviors or
physiological reactions may be considered either a part of
what it means to have an emotion or antecedents, concomitants, or possibly even effects of an emotion. More behaviorally or physiologically oriented researchers obviously
employ measures of emotions consistent with these
interpretations.
Marketers have tended to take an empirical approach to
the measurement of emotions and to rely on self-reports
(i.e., either unipolar or bipolar items on questionnaires). In
the typical application, many items cutting across numerous positive and negative emotions are administered to
measure reactions to a stimulus, and such methods as factor analysis, multidimensional scaling, or cluster analysis
are used to identify the underlying emotional dimensions
for the sample at hand. The number of items investigated in
this regard has been as large as 180 (Aaker, Stayman, and
Vezina 1988), while a paper-and-pencil technique (basically a single item measured continuously while viewing
an ad) has even been suggested to register "warmth"
toward a stimulus ad (Aaker, Stayman, and Hagerty 1986;
see also Russell, Weiss, and Mendelsohn 1989).
Two influential studies in the measurement of emotional responses toward advertisements are those by Edell
and Burke (1987) and Holbrook and Batra (1987). Edell
and Burke (see also Burke and Edell 1989) developed a
52-item scale for measuring emotions towards ads, while
Holbrook and Batra worked with a 94-item scale, which
was later reduced to 34 items (Batra and Holbrook 1990).
With so many items measuring emotions, a question
arises whether a small number of basic dimensions underlie people's responses. Edell and Burke (1987) analyzed
the items in their scale and found three factors: upbeat feelings, negative feelings, and warm feelings. Likewise, Holbrook and Batra (1987) used factor analysis, but in a
slightly different way. Their 94 items were first generated
a priori to measure 29 emotional indices. For example,
joyful, happy, delighted, and pleased were hypothesized to
indicate a joy index, and ashamed, embarrassed, and
humiliated were hypothesized to indicate a shame index.
Then, based on factor analyses of the 29 indices, a threefactor solution for emotions was found: pleasure, arousal,
and domination. Similarly, Batra and Holbrook (1990)
FIGURE 2
Watson and Tellegen's Two-Factor
Structure of Affect
189
CONSENSUALMOODSTRUCTURE
~Gt4 pOSItIVE AFF~CCT
a~ve
elaled
enthu~bc
excited
pepp
"kindly
$1rofl
Ist~d
warmhearted
J
dlstrUSed
lit rlist
hos~ie
jl
nervous
rli~xed
~ , , <;
, ~Z
~ Z
i
O~
~.
o~nl
qu~ol
9 111111
dull
Iklepy
LOwPOSITIVEAFF~.C~
SOURCE: Watson and Teilegen (1985:225). Copyright 9 1985 by the
American Psychological Association. Reprinted with permission.
affect and high negative affect-low negative affect. Russell's interpretation is essentially the same as Watson and
Tellegen's pleasantness-unpleasantness and strong
engagement-disengagement axes, which are rotated 45
degrees from their primary axes (but see Larsen and
Diener 1992).
The idea behind the circumplex model is that emotions
exist in bipolar categories (e.g., happy-sad, nervousrelaxed) and can be arranged in a continuous order around
the perimeter of a two-factor space. The closer emotions
are to each other on the perimeter, the more similar they
are. For example, excited and aroused are more similar
than are content and aroused (see Figure 2). The origin or
center of the circumplex is thought to represent a neutral
point or adaptation level.
The circumplex model is appealing because it is intuitive, simple, and provides a description of which emotions
are similar and which are dissimilar. However, it has drawbacks. The most serious limitation is that it is based on
empirical associations among experienced emotions and
has nothing to say about the conditions (e.g., appraisals)
producing emotions. Then, too, the circumplex model can
obscure subtle differences in emotions. Depending on
eliciting conditions and people's appraisals, each of the
emotions grouped together within any particular category
on the circumplex can be distinct from its cocategory
members. For example, it is possible to feel fearful without
190
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AROUSAL
An early, influential point of view on emotions was professed by James ([1890] 1950) who claimed that "bodily
changes follow directly the perception of the exciting fact,
and.., ourfeeling of the same changes as they occur lS the
emotion" (p. 449, emphasis in original). For James, different stimuli lead to different bodily responses (e.g., sweaty
palms, racing heart, etc.), these physiological responses
are then detected as bodily sensations in our mind, and the
result is interpreted by us as emotional experiences. But it
is important to note that James reserved this interpretation
for what he termed the "coarser" emotions (e.g., "grief, fear,
rage, love"), which involve strong bodily perturbations; he
was less clear about what he termed the "subtler" emotions
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to awareness of the meaningful stimuli. Repeated exposure to a meaningful stimulus can lead to increased or
decreased positive or negative feelings, depending on its
meaning. Mere exposure, thus, loses its utility in such
cases, both as a theory and a practical tactic.
Based loosely on the notion that emotions or moods
induced by one stimulus become attached to another, some
researchers have investigated the effects of (a) music on
length of stay and money spent in supermarkets and restaurants (e.g., Milliman 1982, 1986) and (b) affective tone
of stores on purchase intentions (e.g., Donovan and Rossiter 1982) and evaluations (e.g., Gardner and Simokos
1986). How can the observed attachment of affect from
one stimulus to another be explained? Shimp (1991)
reviews seven studies in consumer research that test various facets of classical conditioning explanations. The idea
behind classical conditioning is that the repeated pairing
of a conditioned stimulus (e.g., a new brand name) with an
unconditioned stimulus (e.g., an attractive spokesperson)
will eventually lead to the new brand name, on its own,
stimulating the unconditioned response (e.g., positive
affect) originally induced by the unconditioned stimulus.
Very few studies have been performed in marketing that
conform to the conditions required to test classical conditioning. It is unclear whether classical conditioning studies
can be designed to rule out such rival explanations as
demand characteristics or cognitive interpretations of the
results. Allen and Janiszewski (1989) provide some evidence that at least one type of cognitive mediation is necessary for classical conditioning to occur: namely, subject
awareness of the contingency between the conditioned
stimulus and unconditioned stimulus. On the other hand,
classical conditioning, particularly for fear responses, has
been shown to involve unconscious arousal processes connected with the amygdala (LeDoux 1996).
Another way to explain the observed attachment of
affect from one stimulus to another is by Zillman's (1971)
excitation-transfer model. Briefly, Zillman proposed that
exposure to one stimulus may produce arousal. If a second
stimulus is presented close on that also is capable of producing arousal on its own, the two sources of arousal may
combine to produce intensely experienced arousal. Under
certain conditions (e.g., unawareness of the source of
arousal from the first stimulus, recency of the second), a
person may attribute the arousal to the second stimulus.
Zillman (1983) interpreted arousal as undifferentiated
sympathetic activation.
An issue in need of resolution is whether emotions can
occur without arousal. Cognitive theories of emotions
(e.g., appraisal theories) seem to allow that emotions can
be produced by cognition alone, without arousal (e.g., Parrott 1988). But does arousal always accompany the experience of emotions?
Recent research suggests that arousal is an essential
component of emotion and is manifest in neural systems in
194
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196
Retrieval effects. Affect has been shown to influence retrieval of information, whereby persons in a positive mood
state at the time of retrieval have been found to show superior recall of positive material learned during encoding,
relative to neutral or negative material (Isen, Shalker,
Clark, and Karp 1978; Laird, Wagener, Halal, and Szegda
1982; Nasby and Yando 1982; Teasdale and Russell 1983).
For example, Isen et al. (1978) had respondents study positive, negative, and neutral words. Either positive, neutral,
or negative mood states were induced in these respondents. Respondents in the positive-mood condition retrieved more positive words compared with neutral or
negative words. Isen et al. (1978) suggest that thinking
about mood-incongruent material involves shifting one's
focus, which is cognitively taxing, and therefore people
are more likely to focus on mood-congruent material. Another mechanism proposed to explain the retrieval effects
of positive affect suggests that positive mood at the time of
retrieval functions as a cue that primes the positive material in memory, making these material more accessible
(Isen 1989; Isen et al. 1978; also see Tulving and Pearlstone 1966 for a discussion on the effects of priming on accessibility). The easier accessibility of positive material
may then influence other cognitive processes such as
evaluations and decision making, and also subsequent behaviors. While retrieval effects have been replicated by
many researchers using different mood induction and testing techniques, a few prominent studies have failed to detect retrieval effects (Bower, Monteiro, and Gilligan 1978;
Bower, Gilligan, and Monteiro 1981), leading Isen (1984)
to speculate that this failure may have been caused by the
specific material and induction methods (such as hypnosis) used in these studies.
Encoding effects. Mood states have also been shown to
exhibit encoding effects whereby the affective state at the
time of learning is associated with superior memory for
similarly valenced material (Bower and Cohen 1982; Forgas and Bower 1987). Nasby and Yando (1982) found that
positive mood at the time of learning led to an improved recall of positive material at a later point in time regardless of
the mood state at the time of recall. Bower et al. (1981)
found evidence for the encoding effect of both positive and
negative affect. Respondents were made to feel happy or
sad and then read descriptions of various psychiatric interviews. Happy respondents learned many more happy facts
than sad facts, while sad respondents learned many more
sad facts than happy facts.
How can the encoding effects of mood be explained?
Bower and colleagues (e.g., Bower and Cohen 1982) have
suggested that mood-congruent material is likely to be
more semantically elaborated relative to moodincongruent material. Forgas and Bower (1987) found that
in impression formation situations, sad individuals spent
more time examining negative rather than positive
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information, and they subsequently recalled the negative
information better. Conversely, happy individuals spent
more time on the positive information and recalled that
better at a later time. The greater levels of associations
evoked by mood-congruent material may have caused a
more extensive elaboration, which, in turn, requires more
time. However, Isen et al. (1978) and Srull (1983) failed to
find any encoding effects of affect.
State-dependent learning effects. A third memory effect of mood is the state-dependent learning effect of affect, where any material regardless of its affective valence
learned under a particular mood state is recalled better
when the person is again in that affective state (Bartlett,
Burleson, and Santrock 1982; Bartlett and Santrock 1979;
Bower, Monteiro, and Gilligan 1978; Bower, Gilligan, and
Monteiro 1981). Bower et al. (1978) had respondents learn
two sets of words, one while they were in a positive affective state and the other in a negative mood. When respondents who learned the two lists in different moods recalled
the words in the wrong mood (e.g., when words learned in
a positive mood were recalled while respondents were in a
negative mood), they experienced interference and the average recall rate was less than 50 percent. When respondents who learned two lists in different moods recalled the
words in the correct mood, the average recall rate was
more than 70 percent. Control respondents who learned
and recalled both lists while in the same mood showed an
average recall rate between 50 and 60 percent. Bower and
Cohen (1982) suggest that the respondents' mood at the
time of learning becomes associated with the learned material and that these associations facilitate the recall of
learned material when the mood state at recall matches the
mood state at encoding (also see Bower 1981 for a description of his semantic-network theory).
Evidence for mood state-dependent learning has been
ambiguous. Many studies have failed to find any statedependent effects of mood state (Bower and Mayer 1985;
Isen et al. 1978; Laird et al. 1982; Nasby and Yando 1982).
Eich and Birnbaum (1982) and Isen (1984, 1989) have
suggested that when the material to be learned has semantic meaning, the stimulus will be encoded according to this
meaning, and the influence of the mood state in the encoding and subsequent retrieval processes will be minimal.
However, when the stimulus lacks meaning, contextual
cues such as affective states at the time of learning may be
more strongly encoded with the learned material. At the
time of retrieval, these memory items, which have few
semantic associations, are more primed by the matching
affective state at recall.
Asymmetric effects of positive and negative moods.
While positive affective states have been shown to have
significant influences on recall, negative affect has sometimes been found to have either no effect or a much smaller
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JOURNALOFTHEACADEMYOF MARKETINGSCIENCE
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Kommer, and Wagner (1987). We discuss this and other
related issues in greater detail later in this article.
200
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202
CONCLUSIONS
Emotions are ubiquitous throughout marketing. They
influence information processing, mediate responses to
persuasive appeals, measure the effects of marketing stimuli, initiate goal setting, enact goal-directed behaviors, and
serve as ends and measures of consumer welfare. Yet, we
are only beginning to understand the role of emotions in
marketing.
The following areas constitute opportunities for future
research:
Area No. 1. Exactly how are appraisals conducted and
how do they lead to emotional reactions in consumers? In
what sense are appraisals conscious and purposive versus
automatic? What is the role of the amygdala, hippocampus, and other neural systems in appraisals? What are the
essential elements of cognitive appraisals in emotional
behavior and how can they be influenced by marketing
stimuli?
Area No. 2. Related to No. 1, but also more generally
throughout the processes involved in emotional responses,
what role does arousal play? What is physiological arousal
and how does it relate to appraisals, coping responses,
action tendencies, and behavior? What do self-reports of
arousal really indicate? Is arousal an essential component
of emotions? If so, how can marketers develop theories of
emotions, better incorporating arousal, and how should
arousal be measured?
Area No. 3. How do emotions affect information processing in consumer decision making? In what ways do
emotions influence the encoding, storage, and retrieval of
information? What contribution do emotions make to consumer decision making and choice?
Area No. 4. Are emotional reactions universal? In what
ways do emotions differ across cultures? What role do
socialization, ethnicity, and culture play in the representation, experience, and effects of emotions?
Area No. 5. Under what conditions do emotions function in discrete categories and what are the implications of
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discrete emotions for consumer behavior? When do emotions function in clusters or as homogeneous groups, such
as positive and negative categories?
Area No. 6. How do emotions function to influence the
behavior of salespeople and managers? When are they
functional or dysfunctional?
Area No. 7. How do consumers and managers control
their emotions to advantage? What role do emotions play
in self-regulation?
Area No. 8. How should emotions be measured in marketing? When are self-reports appropriate and inappropriate? How can physiological measures be incorporated?
What are the consequences of treating emotions as unipolar versus bipolar responses?
Area No. 9. What are the distinctions between and relationships among emotions, affect, feelings, evaluations,
moods, and attitudes?
Area No. 10. How are distinct emotions related to each
other? Under what conditions, for example, does frustration lead to dissatisfaction? Shame lead to anger? Or love
lead to happiness?
Area No. 11. An area neglected by marketers, but at the
heart of the discipline, is the role of emotions in marketing
exchanges and relationships. How do emotions initiate,
maintain, or sever marketing relationships? Can emotions
and marketing relationships be studied more dynamically
as they evolve in real time and in context? What are the
implications of treating emotions in marketing as social
p h e n o m e n a as opposed to strictly intrapsychic
phenomena?
Area No. 12. Finally, is customer satisfaction a unique
phenomenon or is it a subcategory of positive emotions?
Likewise, is dissatisfaction a unique phenomenon, the
polar opposite of satisfaction, or a subcategory of negative
emotions? How do satisfaction/dissatisfaction and other
emotions relate to customer loyalty, complaint behavior,
and word-of-mouth behavior? What role do emotions play
in the diffusion of innovations?
ACKNOWLEDGMENTS
The authors would like to thank Professor Julie Ruth
for her comments on this article.
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ABOUTTHEAUTHORS
is the Dwight F. Benton Professor of Behavioral Science in Management at the University of Michigan Business School. He is a graduate of Northwestern University and has
been a faculty member at the University of California-Berkeley,
the Massachusetts Institute of Technology, and Stanford University. He is currently doing research in emotions, goal-directed behavior, and social identity theory.
Richard E Bagozzi
Prashanth U. Nyer