Theory Culture Society 2016 Van Dooren 29 52
Theory Culture Society 2016 Van Dooren 29 52
Theory Culture Society 2016 Van Dooren 29 52
Authentic Crows:
Identity, Captivity and
Emergent Forms of Life
Abstract
For over a decade the Hawaiian crow (Corvus hawaiiensis), or alala, has been extinct
in the wild, the only remaining birds living their lives in captivity. As the time for
possible release approaches, questions of species identity in particular focused on
how birds have been changed by captivity have become increasingly pressing. This
article explores how identity is imagined and managed in this programme to produce
authentic crows. In particular, it asks what possibilities might be opened up by a
move beyond relatively static notions of how these birds ought to be, towards more
performative understandings of species identity. This shift in focus prompts us to ask
how we might take up the task of learning to be part of these birds own experiments
in emergent forms of crow-ness, so that we might begin to craft vital new forms of
polite conservation in this era of incredible biodiversity loss.
Keywords
conservation, humananimal relations, performativity
On the island of Hawaii, near the top of Kilauea, sits a small collection
of buildings that house some of the rarest birds on earth. Here, at the
Keauhou Bird Conservation Center (KBCC), forest birds like the Maui
Parrotbill and the Palila spend their lives in small wooded aviaries.1
These captive birds are simultaneously an insurance policy against further loss of genetic diversity and breeding populations producing young
to be released back into the wider world. Among the birds housed at
KBCC are around 60 Hawaiian crows, known locally as alala (Corvus
hawaiiensis) (see Figure 1). While all the birds at KBCC are rare, this
species is particularly so. Extinct in the wild since 2002, largely as a result
of habitat loss and recently arrived predators and diseases, this small
captive population along with another even smaller population at a
sister facility on Maui is now all that remains of the species. While the
Corresponding author: Thom van Dooren. Email: [email protected]
Extra material: http://theoryculturesociety.org/
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Figure 1. A captive Hawaiian crow (Corvus hawaiiensis) at the Keauhou Bird Conservation
Center, Hawaii
Source: Photo by author.
alala project has certainly had its fair share of problems, and so far
release eorts have been unsuccessful, the simple fact is that without
these captive facilities this species would now be extinct like the vast
majority of other endemic Hawaiian birds.2
This article takes alala as a guide into some of the complex practical
and ethical dimensions of conservation. The particular focus is the captive breeding facility.3 Alongside programmes for alala and these other
Hawaiian birds, captive breeding and release programmes have also
sprung up in many other places around the world, in particular in the
last few decades. Despite their huge nancial costs and signicant practical diculties including very low success rates (Bowkett, 2009; Fischer
and Lindenmayer, 2000; Snyder et al., 1996) these programmes are
today an increasingly common response to conserving critically endangered species.4 In addition, with the growth of interest in cloning and
related de-extinction techniques, these facilities may well take on
increased importance in years to come (primarily because cloned animals
will often need to be bred and reared in captivity before release).
Working within this space, this article focuses on a particular set of
questions about identity: how it is imagined, valued and managed in the
captive breeding facility. Much is at stake in this seemingly simple set of
questions. In order for this project to have succeeded in conserving
alala for conservation to be conservation at all the birds that are
held within the facility, and hopefully one day released from it, must in
some sense be equivalent to those that went in. Otherwise, in an
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important sense surely conservation has failed and we are left with a new,
albeit similar, species. In this context, equivalence can be thought about
in a range of dierent ways, but my focus here is on behaviour. In particular, a high premium is often placed on ensuring that captive-bred
birds behave authentically that is, as their free-living ancestors once
did. Focusing on a few key discussions about eating and being eaten (or
rather, avoiding being eaten), this paper explores how alala behaviour is
imagined and managed to produce authentic crows.5
Finally, this article asks what it might mean to move beyond authenticity to explore more performative (Barad, 2003; Butler, 1990) notions of
species identity. How does the planned soft release of alala already
embrace more interesting notions of what these birds are and how they
might become with a little support from dedicated people? In asking this
question, the article explores some of the challenges and possibilities that
a polite conservation, in Vinciane Desprets sense of the term (2006,
2013), might open up for the increasingly popular practice of captive
breeding: what might it mean to do conservation in a way that takes
seriously what matters to the conserved, in a way that provides these
others with the space and the resources to craft their own vital new
forms of life for this era of incredible anthropogenic change and biodiversity loss?
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might threaten survival do occur, eorts are often made to undo them.
For example, it now seems likely that in the lead up to their release, alala
will be required to undertake some form of predator avoidance training
to instil in them the knowledge that they ought to avoid the Hawaiian
hawk.9 During the last attempted releases it seems that captive reared
alala did not avoid io or work together to mob them as biologists suspect they once did. In this context, training is viewed as the reinstatement
of a lost knowledge/behaviour.10
A second key reason for desired similarity is also broadly pragmatic:
ecological function. Here, alala oer us another important example.
During their time in captivity, these birds have been introduced to a
range of native plants, seeds and owers (Culliney et al., 2012). In part
this focus on the native seems to be grounded in a view that these are
the foods proper to alala, but it seems that some conservationists also
view this familiarity as a core part of ensuring that released birds resume
the important ecological role that their species once played in dispersing
seeds for these plants.11 In acting as seed dispersers, these authentic
crows will help to maintain authentic Hawaiian forests.
The nal broad reason for desired similarity is more nebulous. I refer
to it here as essence and, like most things with this label, it is hard to
pin down. Beyond practical concerns with the survival of the species and
the fullment of its ecological functions, this more essentialist perspective
values behavioural stasis for the simple reason that behaviour is a key
part of the identity of the species. If released alala fail to act as their
forebears did, in what sense would they be the same species? This concern with identity came to the fore at a few key points in my conversations with conservationists. For example, in a discussion about the
captive breeding of alala with John Marzlu, a former member of the
ocial alala recovery team and a recognized expert on crow biology and
behaviour, he noted that:
We made a conscious decision not to make those birds garbage
birds. We could have easily trained them to feed at the dumpster
down at Costco in Kona. But the committee, the recovery team,
made a very conscious eort to say this is not what were trying to
do here; were trying to make these crows as wild, and frugivorous,
and forest loving, as possible. And I think thats still the right
approach, but it does make it more dicult.12
Here, the conventional behaviour of the species may even be at odds with
survival, but it is valued because it is a core part of species identity of
what is unique and precious about alala.
Of course, the conservation community is a diverse one. Dierent
people take dierent approaches to these questions of stasis and authenticity. For some, any change is a change too much. For others, a little
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too are part of the eld of agencies that are at play in the particular
(entangled) processes of materialization (Barad, 2003) that produce
bodies and worlds.24
A similarly performative notion of species is embraced by Sarah
Whatmore and Lorraine Thorne (2000) in their discussion of elephants,
and by Kersty Hobson (2007) in her discussion of moon bears rescued
from a bile farm in China. In both cases, what is at stake is an understanding of what it means to be a particular kind of animal that moves
beyond static and xed identities to embrace an attentiveness to the way
in which these animals themselves exert their own agency in remaking
what counts as natural behaviour for a being of their kind (?). Here, we
see that natural behaviour is like most things with the designation
natural always up for grabs, always being remade and newly pieced
together, and not just by people. The task here is not to look deeper and
deeper for the real natural behaviour and so essential identity but to
recognize that these identities are always being performatively reiterated
in ways that dip into and out of our knowledge.
Vinciane Despret (2008) oers a complementary account of animal life
in her discussion of Irene Pepperbergs work with Alex, a grey parrot of
Gabon. Despret insists that Alex, who learned to talk working with
Pepperberg, does not authorize some sort of new understanding of
what, or who, parrots fundamentally are.
I cannot . . . arm that all parrots talk, nor that all the grey parrots
of Gabon talk. Alex is not representative of parrots; no parrot could
be. The givens appear to us instead as a means of sketching out the
competences that can, with the appropriate environmental support,
gure in the list of capacities of the species. Here then is not what
parrots are but what they might be rendered capable of. (Despret,
2008: 127)
For Despret, as for Pepperberg, what a parrot is, what Alex is, is not
xed once and for all, but the emergent achievement of interwoven histories of interaction over evolutionary and personal timeframes, histories
that are by denition ongoing. Here, an assemblage constructed by a
particular human, a particular parrot and a range of other experimental
devices creates a specic environment (an apparatus in Desprets terms).
In this context, Alexs speech is no longer expressed in terms of what
parrots are, but in terms of the possibilities that the apparatus could
actualize (Despret, 2008: 128).
One important consequence of this understanding of identity is that it
thrusts us into the realms of politics and ethics. As Arun Agrawal (2005:
171) notes: It is this recognition of contingency that introduces the register of the political in the creation of the subject. In this context, the
questions that emerge are not about authenticity or even how much
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lion, is whether other lions would: What matters, from the point of view
of a lion, to make it say to another lion you are still one of us.27
Posing the question in this way reminds us that a performative understanding of identity is one in which the agency of not only individual
animals, but that of their broader social circles, comes to matter profoundly. As humans involved in these processes of becoming, making
room for others to explore and perform their own identities in company
with others of their kind (as determined by them) is an important part
of a polite conservation (Despret, 2006). Despret espouses the virtue of
a particular form of politeness in our experimental interactions with nonhuman animals. This politeness is grounded in a practice of asking what
counts for others? (Despret, 2006, 2013). Desprets focus is on experimental interactions aimed at producing knowledge about/with animals
(and their scientists), but this virtue of politeness might also be employed
in the kind of experiments for life being undertaken in captive breeding
and release programmes around the world.
To some extent current release plans for alala enable precisely these
possibilities. In interviews both Switzer and Lieberman emphatically
noted that released groups of alala would need to be given space and
support to adapt to and learn about their new environment. In the case
of past releases this kind of support hasnt always been provided and sta
are now planning a soft release for the future. In Liebermans words:
Instead of just closing the aviary and saying Now youre an alala,
be free, if they get sick they [will] know that they can come back
and get food. The rst generation is going to be a real interesting
generation. Like school kids going to school for a long time. Its not
a three-month release but a three-year release.
This process requires signicant preparation and investment. According
to Switzer, as part of the soft release we have them in aviaries for a few
weeks. They get xed on that spot and they know that its a food source.
After release the aviary is left in place and supplementary food is made
available to birds. In addition, it is likely that the alala programme will
also oer veterinary care to released birds, requiring sta to live out in
the forest for a time at the release site. This more intensive form of soft
release is not yet mainstream, as Switzer put it: It is amazing how little
post-release veterinary care has been considered in a lot of species recovery programmes. But Switzer would like to go further still:
A few years down the track, if youve got an alala nest with three
chicks in it, why not move a food pan to the bottom of the tree so
that the parent can come down and feed their chicks the perfect
alala diet? Giving them the best chance of survival. Or, if one of
those chicks is struggling, how about bringing it into a quarantine
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of practices that seek to create the conditions for other species to explore
and develop their own emergent forms of life. This is work that will
always be situated in a dicult space of constitutive withdrawal that
negotiates diverse forms of involvement and absence, of holding on and
letting go, with all of their many consequences (Reinert, 2013).
Importantly, it is also work that only becomes conceivable once we
learn to value and understand species like alala as adaptive, emergent,
ongoing achievements more than their genes or any given behavioural
repertoire. It is only in this way that we can begin to seriously take up the
challenge of thinking with alala about how we might help them to stick
around in the world a little longer.
Acknowledgements
The author would like to thank the people in Hawaii who agreed to share their ideas and
insights, in particular Alan Lieberman, Paul Banko, Cynnie Salley, Rick Switzer and the
many other sta at the Keauhou Bird Conservation Center. This article also beneted
from input from a number of colleagues including Deborah Bird Rose, Eben Kirksey and
Matthew Chrulew. An earlier draft of this article was presented at a workshop on cryopolitics at the University of Melbourne, organized by Joanna Radin and Emma Kowal
(Defrost: New Perspectives on Time, Temperature, and Survival). This research was
funded by an Australian Research Council Discovery Project grant (DP110102886).
Notes
1. KBCC is run by the San Diego Zoo and funded by the zoo, the State
Government of Hawaii and the US Federal Government.
2. Of the 113 endemic bird species present just prior to human arrival in the
islands, almost two-thirds are now extinct. Of the 42 species that remain, 31
are federally listed under the Endangered Species Act (Leonard, 2008). With
these statistics in mind it isnt hard to see why Hawaii is considered to be one
of the extinction capitals of the world.
3. I have written in detail elsewhere about some of the many other political and
ethical aspects of Hawaiian conservation (with a particular focus on the
alala). See, for example, van Dooren (2014a, 2014b).
4. For example, Snyder et al. (1996) report that in the early 1990s captive
breeding was recommended by the International Union for the
Conservation of Nature (IUCN) for half of the worlds parrot species, as
well as in 64 percent of all approved recovery plans for threatened and endangered species in the USA. Also see the current work of the Conservation
Breeding Specialist Group of the IUCN (http://www.cbsg.org/).
5. Although this article seeks to contribute to a broader conversation about the
work of captive breeding, its focus is this particular project. Each captive
breeding programme has its own complexities. The chances of successfully reestablishing free-living populations differ markedly, depending on the developmental nature of the species in question and the possibility of managing
wider threats to the species in the release environment, including possible
threats from human communities, as in this case (van Dooren, 2014b).
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6. For obvious reasons, this potential for loss is even clearer in the case of
extinct species for which banked DNA is all that remains. In this context,
viable storage of DNA is one thing; reanimation in the basic sense is another
(perhaps achievable through SCNT [somatic cell nuclear transfer] or a
related technology); getting from a single individual to a viable genetically
diverse population is then another obstacle. But even if all of these challenges can be met, will the resulting animals act and live as their forebears
did, will they possess the necessary behaviours to survive? Depending on the
species in question, a great deal of this diversity simply is not coded in the
DNA. In this context, the simplistic but popular notion that cells provide
complete instructions for an organism of that species as recently stated by
Oliver Ryder, the Director of Genetics at the San Diego Zoo is a key part
of the problem (see: http://longnow.org/revive/tedxdeextinction/geneticrescue-and-biodiversity-banking).
7. The term retain is very problematic in this context, implying that there is
an authentic blueprint of each species (morphological and behavioural)
that is in each case either realized or not in the next generation.
Nonetheless, this is the way that behaviour is normally spoken about in
this context. I will revisit this framing in a more critical mode below.
8. All references to Lieberman refer to an interview conducted by the author
with Alan Lieberman, then Director of Regional Conservation Programs at
the Institute for Conservation Research, San Diego Zoo, on 1 December
2010.
9. Interview with Rich Switzer. All references to Switzer refer to interviews
conducted by the author with Rich Switzer on 18 December 2011 and
22 January 2013. Switzer is an aviculturist who was at the time
heading the alala captive breeding programme as part of his more general coordination of the San Diego Zoos Hawaii Endangered Bird
Conservation Program.
10. In reality, however, things are more complex than this. In many cases, species have ended up in these dire situations precisely because their previous
behaviours were not working for them. In some of these cases, conservationists have introduced training regimes that aim to teach captive animals
better roosting strategies or anti-predator behaviour (especially important
when a new predator has been introduced to an environment and the endangered species has no effective way of living with it). Here survival requires
change, not stasis, but these kinds of approaches are usually minimal and
often controversial (largely because survival is not the only imperative guiding this desire for stasis).
11. This statement draws on interviews with several biologists/conservationists
conducted by the author in January and February 2013, including Rich
Switzer, Paul Banko and staff at KBCC.
12. Unless otherwise specified, all references to Marzluff refer to an interview
conducted by the author with John Marzluff on 13 November 2010.
Marzluff is a professor in the School of Environmental and Forest
Sciences at Washington University.
13. There are some important similarities between the ways that authentic
notions of species identity and authentic notions of human cultural identity
are often understood and managed. In both cases there is a tendency to
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14.
15.
16.
17.
18.
19.
20.
21.
22.
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