XXX JUNIOR SCHOOL ART PLANNING

YEAR FIVE
UNIT ONE
NATIVE AMERICAN ART
LEARNING OBJECTIVES
To research and collect
information about art from a
different culture

Fabric and Thread

TEACHING ACTIVITIES
Begin by locating North America on a globe and use an atlas to
make comparisons to the U.K. Use the internet to research the
Native Americans and discover what life was like for them. Use
any notes to create a bank of information and ideas in their
sketchbooks.

Drawing

Construction

LEARNING OUTCOMES
Notes and annotated sketches
about N.American Art

Refer to pack Art of the Americas and use postcards within the
pack with the children. The first three pages of postcards relate
to North American art, which the children will be focusing on in
this unit. Ask the children to sort the postcards into sets and
discuss why they have chosen to sort them in this way.
Suggestions for sorting are:
Materials wood, clay, metal, leather, stone, cloth, bone
Function clothing, containers, musical instruments, ritual
objects, documents
Technique woven, carved, cast, sewn, painted
Pattern/design geometric, symmetric, naturalistic and
repeating patterns
Children should be encouraged to discuss why or why not each
object will fall into a set and suggest ideas of their own for
creating sets according to different criteria.
To use notes and sketches to
inform own designs. To be able to
state reasons for choices

Investigate use of totem poles and significance to Native

Americans. Ask children to plan a felt square in their sketchbook
about themselves to go on class totem pole.

Assessment opportunities in bold type

Sketches and plans of panel for

totem pole

LEARNING OBJECTIVES
To investigate and combine visual
and tactile qualities of materials
and processes and to match these
qualities to the purpose of the
work.
To look critically at own work an
evaluate and suggest ways of
improving

TEACHING ACTIVITIES

LEARNING OUTCOMES

Make a felt panel using sewing, gluing and a selection of fabrics

and shapes to go on class totem pole.

Felt square with details

significant to pupil

Totem poles Ask the children to take a digital photograph of

their design and annotate it by reflecting on the ideas and
meaning they wanted to convey with their totem pole. Which
materials and textiles did they use? Ask them to consider the
impact of their design on others and whether they have
realised their ideas.

Evaluation of own work in

sketchbooks

Totem Poles

Peoples on the Northwest American coast, cut off from the rest of the continent
by the Rocky Mountains, and developed a unique culture and complex society, based
on animal ancestors. The spirit powers of the ancestors, such as the raven, bear or
beaver, were associated with heroic stories. All people sharing the same animal
totem pole would welcome and protect each other. Totem poles also showed the
status of families by recording family trees. The design would incorporate ancestor
figures, crests, mythical or historical events, marriage alliances and family
occasions.

To follow instructions and modify

to construct an object

To use artwork as a starting point

for imaginative writing

Use instructions for making a dream catcher to make another

significant element of Native American culture and discuss
construction techniques
Dream Catcher Ask the children to write imaginative dreams
for their dream catchers in their sketchbooks.
Dream Catcher
The dream catcher of the woodland peoples was hung near an open window. It was
thought that good dreams know the way through the web and slip through the hole
in the centre so they can be dreamed again. Bad dreams do not know the secret of
the web, so get caught and burn off in the morning sun.

Assessment opportunities in bold type

Dream catcher

Written story

XXX JUNIOR SCHOOL ART PLANNING

YEAR FIVE
UNIT TWO
THEATRE MASKS
LEARNING OBJECTIVES

CONSTRUCTION

PAINTING

TEACHING ACTIVITIES

COLLAGE

PASTELS AND CRAYONS

LEARNING OUTCOMES

N.B. Children need t bring in cereal box thickness card to make

masks
To investigate the uses and designs
of masks and headwear in
different times and cultures

Look at masks and headwear from around the world and different
times, e.g. Mexican death masks, Italian masquerade masks, ballet
costumes (e.g. swan lake). Collect examples either by researching
on internet or magazines, and draw or collage in sketchbooks.

To design a mask based on images

from a story.

Look at a story and identify key characters, use images from

storybooks where available. Children to draw examples of masks
or headwear for each character in sketchbook. Examples of
stories could be Midsummer Nights Dream (or other Shakespeare
play to link with Tudors) Alice in Wonderland or a Fairy Tale.

To use investigation and

modification to design a suitable
frame for a mask/headwear

Children to spend time working out different ways of attaching

masks and headwear to head using newspaper mock ups, thinking
about eye holes, attaching around head with string, how much face
should be covered.

To plan and select materials fit for

purpose

Work on final sketch for chosen mask/headwear using annotations

and suggestions for colours, materials. Think about bold colours to
stand out on a theatre stage.

To refine and develop making skills,

making alterations to design as
necessary

Make mask and add details such as paint, feathers, glitter,

ensuring headwear will fit on designers head/face.

Assessment opportunities in bold type

A selection of different
sketches of headwear and
masks

Several coloured sketches of

different designs for different
characters headwear

Draft models of mask design

Annotated sketch of final

design

Mask for chosen character

LEARNING OBJECTIVES

TEACHING ACTIVITIES

LEARNING OUTCOMES

To identify key elements of design

and create further work based on
findings

Photograph mask/ headwear and stick into sketchbook.

Children to draw accompanying costume in sketchbook to show
they have thought about character and how to complement
original design.

Whole costume design for

selected character

To evaluate own work and suggest

improvements

If time, act out scene from story mask is based from, and children
can comment in sketchbooks or verbally how easy/ difficult it was
to perform with mask and what they would change in future.

Evaluation piece about mask

Assessment opportunities in bold type

XXX JUNIOR SCHOOL ART PLANNING

YEAR FIVE
UNIT THREE
LANDSCAPES
LEARNING OBJECTIVES
To compare ideas, methods and
approaches in others work.

To make detailed observational

drawings of the environment.
To annotate work with information
that will be useful at a later stage

Collage

Working with an artist

TEACHING ACTIVITIES

Painting

Drawing

Pastels and Crayons

LEARNING OUTCOMES

Look at works by Claude Monet of Rivers, and Paul Cezannes work

on landscapes. Discuss similarities and differences in both artists
approaches to landscape. Encourage the children to carefully
observe the paintings and then ask the following questions:
How has the artist used colour and pattern in the work?
Do the colours blend or do they contrast?
Which direction did the light come from?
What materials were used?
What techniques and skills has the artist used?
Do you think the artist used sketches?
Is there any feeling of life and nature in the work?
Use sketchbooks to note down the answers to some of these
questions.

Notes and sketches consisting

of details of how artists work

Use the environment to inspire sketching and recording. This may

be as part of a river study or alternatively, the use of the school
grounds and wild area. Ask children to sketch interesting features
they may find in the environment, fields, walls, river banks,
hedges, waterways etc. Encourage the children to use a range of
drawing materials and also to make notes on their sketches about
interesting patterns, textures and colours. Collect samples of
leaves, plants and flowers and stick into sketchbook as an aid to
colours in nature later in project.

Observational Sketches

Assessment opportunities in bold type

LEARNING OBJECTIVES

TEACHING ACTIVITIES

LEARNING OUTCOMES

To develop a composition based on

sketches.
To work in the style of an artist,
and develop greater control of
medium of either paint or pastel.

On A3 paper, loosely sketch either a river scene or a woodland

scene that they have collected in their sketchbooks twice. On
the first design, use oil pastels or water colours to work in the
style of Claude Monet, building up colours in small blocks and
mixing tones.

Landscape work based on work

of Claude Monet

To work in the style of an artist,

and develop greater control of
medium of collage

On second sketch, use small pieces of tissue paper (flat not

scrunched) and overlay them over design in the style of Cezanne,
building up design in slightly larger blocks of colour.

Landscape work based on work

of Paul Cezanne

To evaluate their own work by

identifying aspects of composition
and technique that has been
successful.

Ask the children to talk about their work using the vocabulary
they have learnt. What ideas have been incorporated into their
work? Why have they selected a particular method or approach?
How does it match their ideas? How have they used information
collected in their sketchbooks together with their study of the
work of Monet and Cezanne to inform their work? How well have
they communicated their ideas about the environment in their
work?
Ask the children to say how they would adapt their work in ways
that would improve it. The children can record their thoughts in
their sketchbooks along with a digital camera image of their
finished pictures. Children could progress to create an art gallery
on the school website.

Assessment opportunities in bold type

Critical evaluation of own work

XXX JUNIOR SCHOOL ART PLANNING

YEAR FIVE

Unit of work
YEAR FIVE
UNIT ONE
NATIVE AMERICAN ART

YEAR FIVE
UNIT TWO
THEATRE MASKS
YEAR FIVE
UNIT THREE
LANDSCAPES

Assessment opportunities
Totem poles Ask the children to take a digital photograph of their
design and annotate it by reflecting on the ideas and meaning they
wanted to convey with their totem pole. Which materials and textiles did
they use? Ask them to consider the impact of their design on others and
whether they have realised their ideas.
Dream Catcher Ask the children to write imaginative dreams for their
dream catchers in their sketchbooks.
Photograph mask/ headwear and stick into sketchbook. Children to draw
accompanying costume in sketchbook to show they have thought about
character and how to complement original design.
Ask the children to talk about their work using the vocabulary they have
learnt. What ideas have been incorporated into their work? Why have
they selected a particular method or approach? How does it match their
ideas? How have they used information collected in their sketchbooks
together with their study of the work of Monet and Cezanne to inform
their work? How well have they communicated their ideas about the
environment in their work?
Ask the children to say how they would adapt their work in ways that
would improve it. The children can record their thoughts in their
sketchbooks along with a digital camera image of their finished pictures

ASSESSMENT

Assessment opportunities in bold type

YEAR FIVE
UNIT ONE
NATIVE AMERICAN
ART
YEAR FIVE
UNIT TWO
THEATRE MASKS

YEAR FIVE
UNIT THREE
LANDSCAPES

CONCEPTS

TALK ABOUT ART ,CRAFT

AND DESIGN

SKILLS AND PROCESSES

COLOUR
FORM
TEXTURE
SHAPE
SPACE
SHAPE
SPACE
TEXTURE
FORM
PATTERN

OTHER CULTURES

DRAWING IN A
SKETCHBOOK
FABRIC AND THREAD
CONSTRUCTION

THE PAST
HERE AND NOW
OUR CULTURE

COLOUR
LINE AND MARK
TONE

HERE AND NOW

WORKING WITH AN
ARTIST

DRAWING IN A
SKETCHBOOK
CONSTRUCTION
COLLAGE
PAINTING
PASTELS AND CRAYONS
DRAWING IN A
SKETCHBOOK
COLLAGE
PAINTING
PASTELS AND CRAYONS

OVERVIEW OF KEY SKILLS

Assessment opportunities in bold type