A World of Rhythms
A World of Rhythms
A World of Rhythms
There is music wherever there is rhythm, as there is life wherever there beats a pulse.
- Igor Stravinsky
Beats
and
bars consiste trouver la pulsation (temps ou batteLa premire chose 2.
faire,
pour lire
un rythme,
ment). La pulsation, en musique, est constante, comme les battements de votre coeur ou le tic-tac
dune horloge. Le rythmeMusic
dun morceau
de musique
est bas
une unit deregular
temps quipulses
sentend(Pulsationen)
et
moves
to a series
ofsur
repeating,
that divide
se sent. Lorsque, en coutant de la musique anime, vous vous mettez taper du pied en rythme,
into equal lengths. Each pulsation is also called a beat (Grundschlag). The beat
cest que vous ressentez cette unit de temps et que vous la marquez du pied. Ce battement peut
your heartbeat,
which
lasts
throughout
a piece of music.
tre reprsent regular
au moyen pulse,
de notes like
de musique
places intervalles
gaux,
comme
ceci:
time
is a
| | | | | | | | | | | |
*1 Frappez ces pulsations (temps ou battements) sur une table ou sur vos genoux. Frappez une fois
pour chaque note.
La premire chose faire, pour lire un rythme, consiste trouver la pulsation (temps ou batteIn written
music, these
are grouped
into
or bars (Takte), which at
ment). La pulsation, en musique,
est constante,
comme beats
les battements
de votre coeur
ou measures
le tic-tac
dune horloge. their
Le rythme
morceau
de musique
sur une
unit de temps
qui sentend
turndun
are
separated
by est
barbas
lines
(Taktstriche).
The
doubleetbar line marks the end of a
se sent. Lorsque, en coutant de la musique anime, vous vous mettez taper du pied en rythme,
section, or the end of a song. It has a regular-sized line in addition to a thicker line close
cest que vous ressentez cette unit de temps et que vous la marquez du pied. Ce battement peut
by to the right:
tre reprsent au moyen de notes de musique places intervalles gaux, comme ceci:
| | | | | | | | | | | |
3. Time signature
In printed music, right after the clef at the beginning of the staff, youll see a pair of
numbers, one written over the other.
* Les chiffres encadrs correspondent aux sections du CD. Chaque exemple commence par une
mesure de claquements rythmiques.
The pair of numbers is called the time signature (Taktart) and it tells you two things:
1. The top number tells you how many beats will be in each bar. So, in the examples
above, in 4/4 time, there will be 4 beats in each measure; in 3/4 time there will be three
beats in each measure, and in 2/4 time there will be two beats in each measure.
2. The bottom number tells you which note gets one beat. Remember fractions? Another
way of saying 1/4 is one quarter. And so:
-> with a 4 in the bottom of the time signature, you know that the quarter note
receives one beat.
-> with a 8 in the bottom of the time signature, you know that the eighth note
receives one beat.
-> with a 2 in the bottom of the time signature, you know that the half note receives
one beat.
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Page 18
18has a head.
An eighth
note (the
Figure 2-2:
third one
Every note
shown here)
has a head.
has all three
An eighth
possible
note (the
components
third one
shown
of a note: here)
has all three
the head,
possible
The
note head / Der
the stem,
components
and theNotenkopf
flag.
of a note:
The stem /
Der Notenhals
The flag
the head,
the stem,
and the By
flag.the
way, stems can point either up or down, depending where on the staff
they appear (pointing up or down makes no difference in the value of the
By the way, stemsnote
canpoint
either
upout
orall
down,
where
and youll
find
aboutdepending
staffs in Chapter
7).they
Only appear.
eighth notes
By the way, stems can point either up or down, depending where on the staff
and no
smaller
notes
have
flags.
Quarter
notes
and
half
notes
have
Pointing up or down makes
difference
in
the
value
of
the
note.
Only
eighth
notes
and but no
they appear (pointing up or down makes no difference in the value of stems
the
flags.note
Whole
notes
have
neither
stems
nor
flags.
and youll find out all about staffs in Chapter 7). Only eighth notes
smaller notes have flags. Quarter notes and half notes have stems but no flags. Whole
and smaller notes have flags. Quarter notes and half notes have stems but no
notes have neither stemsInstead
nor flags.
flags.
neither
stems
nor flags.
ofWhole
each notes
note have
getting
a flag,
though,
notes with flags can also be con-
j j jj
Figure 2-3:
Figure 2-3:
Eighth notes
Eighth notes
can becan be
connected
connected
together
together
with beams
with beams
of
insteadinstead
of
having
having
individual
individual flags.
flags.
==
The beam
5. Note values
In music the official reason for notes is to explain exactly how long a specific pitch
should be held by the voice or instrument.
Each note comes with its own value. The value of a half note is half that of a whole note,
the value of a quarter note is a quarter that of a whole note, and so on. Each level of the
tree of notes is equal to the others:
Whole
Half
Quarter
Eighth
Sixteenth
Another way to think of notes that you may find helpful is to imagine a whole note
as a pie, which is easy because it is round. To divide up the pie into quarter notes, cut it
in quarters. Cutting the pie into eight pieces gives you eighth notes, and so on.
Treble Clef
Bass Clef
Depending on the time signature of the piece of music, the number of beats per
note varies. In the most
time signature,
4/4 time,
Alsocommon
called G-clef,
Also called
F-clef,also called common time, a
whole note is held for
four
beats,
a
half
note
is
held
for
two, and a quarter note lasts one
this is the top hand
this is the bottom
beat. An eighth note
lasts
half a beatorand a sixteenth
note
justora quarter of a beat in 4/4
clef
for instruments
hand clef for
notes
time.
notes of higher pitch.
instruments of lower
pitch.
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Page 17
6. What does the lower number of the time signature give us?
7. Name the three elements that form a note!
j j j j j j j j
r r r rr rr r r r r r r r r r
Another way to think of notes that you may find helpful is to imagine a whole
note as a pie, which is easy because it is round. To divvy up the pie into quarter notes, cut it in quarters. Cutting the pie into eight pieces gives you eighth
notes, and so on.
Depending on the time signature of the piece of music (see Chapter 4), the
number of beats per note varies. In the most common time signature, 4/4
time, also called common time, a whole note is held for four beats, a half note
is held for two, and a quarter note lasts one beat. An eighth note lasts half a
beat and a sixteenth note just a quarter of a beat in 4/4 time.
Often, the quarter note equals one beat. If you sing, MA-RY HAD A LIT-TLE
17
Revision exercise
Mark the name and the length in beats of each note value in the right box. The time
signature is 4/4.
Whole Note
Half Note
Quarter Note
Eighth Note
Sixteenth Note
Whole Rest
Half Rest
Quarter Rest
Eighth Rest
Sixteenth Rest