Bizarre Silk: From Wikipedia, The Free Encyclopedia

Bizarre silk
From Wikipedia, the free encyclopedia
Bizarre silk of circa 1715 features a geometric, diagonal design overlaid with stylized flowers and
leaves. Silk satin with supplementary weft patterning bound in twill(lampas). Detail of a sleeved
waistcoat, Los Angeles County Museum of Art, M.2007.211.40.
Bizarre silks are a style of figured silk fabrics popular in Europe in the late 17th and early 18th
centuries. Bizarre silks are characterized by large-scale, asymmetrical patterns featuring geometrical
shapes and stylized leaves and flowers, influenced by a wave of Asian textiles and decorative objects
reaching the European market in these decades. Bizarre silks were used for both clothing and
furnishings.[1][2] As a description, the term was first used by Dr. Vilhelm Sloman in the title of a
book, Bizarre Designs in Silks published in 1953 in Copenhagen.[3]
Contents
[hide]
1Development
2Technique and applications
3Gallery
4Notes
5References
6External links
Development[edit]
The modern name "bizarre silk" reflects the bold colors and lavish use of textured gold and silver threads
as well as the distinctive elongated asymmetrical patterns of silk fabrics woven in France, Italy and
Britain from about 1695 to 1720.[1][4] Woven silk designs of the 1670s had featured patterns of decorated
stripes, but in the 1680s and 1690s these were replaced by the earliest "proto-bizarre" patterns, which
featured exotic elements based on artifacts imported from the East
Indies, China and India "indiscriminately combined with the current European taste for
bulbous Baroque scrolls."[5] At their most extreme, from 1700 to 1705, bizarre silks feature "some of the
most extraordinary shapes to be introduced into silk design" before the development of Art Nouveau in
the early 20th century.[5] Characteristics of these designs include diagonal emphasis with stretched and
distorted botanical motifs.[1][5]
The development of bizarre designs among the English silk weavers of Spitalfields can be dated quite
closely based on surviving textiles and documents. Around 1707 and 1708, bizarre designs combined
distorted florals with architectural elements such as arches, canopies, pergolas, and diagonal fences.
[6]
From 170910, the scale of the patterns was reduced and elements
of chinoiserie and japonaiserie appeared. After 1710, the bizarre shapes are deemphasized in favor of
"increasingly profuse semi-naturalistic flowers".[7] The bizarre period ended with the new fashion for lacepatterned textiles and naturalistic florals in the 1720s.[7]
Technique and applications[edit]

Bizarre silks were woven on the drawloom, and the colorful patterns were brocaded or created with
floating pattern wefts (lampas). At the height of the fashion, the average repeat of a bizarre silk pattern
was 27 inches (69 cm) high and ten inches (26 cm) wide, repeating twice across the width of the fabric.
[4]
These large-scale designs were perfectly suited to the popular mantua, a woman's gown with long,
flowing lines and few seams, and were also popular for men's waistcoats and furnishings.[1][4]
Gallery[edit]
The strong reds, yellows and oranges in textile design drawings of this period are codes for various
types of metallic threads.[8]
[2]
Bizarre silk waistcoat with sleeves, France, c. 1715. LACMAM.2007.211.40
Christopher Baudouin, design for woven silk textile, 1707. Victoria and Albert Museum.
James Leman, design for woven silk textile, 1710. Victoria and Albert Museum.
Joseph Dandridge, design for woven silk textile, 1718. Victoria and Albert Museum.
Media related to Bizarre silks at Wikimedia Commons
Notes[edit]
1.
^ Jump up to:a b c d Takedo and Spilker (2010), p. 209
2.
^ Jump up to:a b Takedo and Spilker (2010), p. 52
3.
Jump up^ Museum studies, vol. 18 (1992), p. 92. Art Institute of Chicago.
4.
^ Jump up to:a b c Sewell (2010), p. 497
5.
6.
^ Jump up to:a b c Rothstein (1994), p. 11

Jump up^ "Panel of bizarre silk satin : Chinese Export for the European Market,
ca. 170810". Cora Ginsburg. Retrieved April 11, 2012.
7.
^ Jump up to:a b Rothstein (1994), p. 12
8.
Jump up^ Brown (1996), p. 7
References[edit]
Brown, Clare. Silk Designs of the Eighteenth Century from the Victoria and Albert Museum,
Thams and Hudson, 1996, ISBN 0-500-27880-6.
Takeda, Sharon Sadako, and Kaye Durland Spilker. Fashioning Fashion: European Dress in
Detail, 1700 - 1915, LACMA/Prestel USA 2010, ISBN 978-3-7913-5062-2.
Rothstein, Natalie. Woven Textile Design in Britain to 1750 (The Victoria and Albert Museum's
Textile Collections series), Canopy Books, 1994, ISBN 1-55859-849-9.
Sewell, Dennita. "Mantua." In Valerie Steele, editor. The Berg Companion to Fashion. Berg
Publishers, 2010, ISBN 978-1-84788-592-0.
(in German) Ackermann, Hans Christoph. Seidengewebe des 18. Jahrhunderts I. Bizarre
Seiden. Abegg-Stiftung, 2000, ISBN 3-905014-16-5.
External links[edit]
Mantua in salmon-pink and green bizarre silk, 1708, Metropolitan Museum of Art
James Leman's album has designs for a number of bizarre silks, Victoria & Albert Museum.
Views of the exhibition Bizarre Silks: An Exoticism from around 1700, Abegg Foundation (2000)

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Bizarre silk

From Wikipedia, the free encyclopedia

2Technique and applications

Technique and applications[edit]

Bizarre silk waistcoat with sleeves, France, c. 1715. LACMAM.2007.211.40

^ Jump up to:a b c d Takedo and Spilker (2010), p. 209

^ Jump up to:a b Takedo and Spilker (2010), p. 52

^ Jump up to:a b c Sewell (2010), p. 497

^ Jump up to:a b c Rothstein (1994), p. 11

^ Jump up to:a b Rothstein (1994), p. 12

Jump up^ Brown (1996), p. 7

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