Etudes

I-VI-II-V
cycle forwith
V diminished
A tritone sub
Bflat
tritonedimroot
for cycle
A7 with companions-------------------------

D7 B9 E9 E13 C7(b5) F7(b9) G7






5 9 5 8 3 5 5 3

7 7 7 7 6 5 3 3
6 7 7 6 4 3 3 3
5 5 5 2 7 5 3
5 7 6 4
7 2

C9 D7 B9 E9 E13 D7(13)

tritone sub

RIT
6 5 5 0 2 2 8 6 7 7 19

8 7 2 3 0
7 6 2 0 6 6 18
8 5 19
7 5 2 6 17
0

I-IV-V7 with counterpoint

G7 C

shape for previous

two bars
BC F G7 C A F


15

VI for I
7 0 5 3 5 7 8 10 8

0 1 3 1 3 3 5 5 5 6 8 8
6 0 2 4 5 5 5 5 10 9
7 2 3 3 5 9 8 7 6 7 9 12 10
5

expanding
with and contracting
closechromatic
position triad chord scales
passing tones
C
F G7(b9) C


C C A F G7 D E

18

VI for I top voice moves, them bottom

7 0 5 5 3 3 0 0 1

8 8 3 8 5 5 5 0 3 2 3 2 4
7 5 4 7 5 7 5 5 1 0 1 1 3 3
10 7 3 5 7 3 3 3 2 3 4 3 4
8 7 3
2

in reverse

C

F G B A
C D D



21

6 7 7 7 8 9 9 10 11 11 12 13 13 14 14 14 14 13 13 13 12 12
5 5 6 6 8 8 4 10 10 6 11 11 8 13 13 13 8 11 11 6
6 568 7 8 10 8 11 10 13 12 15 15 14 13 12

D F7

diad blues in F

25 B A G F E D


8

11 10 10 9 8 8 7 6 6 6 5 5 4 3 3 2 6 6
10 10 4 8 8 6 6 5 5 3 3 1
11 10 10 9 8 8 7 6 6 5 4 4 3 2 3 7 7 7 7
6 6 6 6

C7

B7 F7 F7 B7
29


7 6 6 7 6

9 6 6 11 9 6 6 9 6
9 8 8
6 6 6 6 7 7 8 8 7 7 7 7 6 6 6 6
5 5 5 5 6 6 7 7 6 6 6 6 5 5 5 5
B7

F7 E7 E7 D7(#9) G7

33

7 10 10 10 10 11 11 8 8 13 10 8

13 12 13 13 12 13 11 10 8
6 6 6 6 11 11 10 10 8 8 8 8
5 5 5 5 12 12 11 11 10 10 9 9 8 8 8 8
11 11 10 10

C7(#9) E7(b5) A7(b9) D7(b5) G7(b9) F13(#11)

RH

C# Diminished
11 9 8 11 9 7 6

11 10 11 13 14 13 11 10 8 7 0
11 12 9 7
8 8 8 8 12 12 11 11 9 9 8 8 7
7 7 7 7 10 10 10 10 7 7 7 7 6
1
 Counterpoint 2 tomaj
diatonic system, 1 ratio
tonaluty 3

E

41

8 10 10 8 8 0
7 9 7 5 7 7 5 0
9 10 9 10 9 5 7 9 7 5 7 5 2 0
10 7 10 10 7 10 8 7 7 7 7 7
8 8 7 5 8 8 5 1

45

3 5 0 0 0
2 4 5 5 2
3 5 5 3 5 3
2 5 5 2 3
3 3