Sharing Realities 09 Polyphonic Knowledge
Sharing Realities 09 Polyphonic Knowledge
Sharing Realities 09 Polyphonic Knowledge
Richard Ostrofsky
Copyright © Richard Ostrofsky, 2000
ISBN:1-894537-00-9
9. Polyphonic Knowledge
Considering the mind-boggling scope and volume of what is known, and
the resources committed to learning more, the condition of knowledge is
paradoxical today. As the result, in part, of its quality and its sheer mass,
the foundations and moral authority of knowledge have never seemed
shakier. The knowledge in our libraries seems helpless to inform either
our public choices or our serious private ones. Outside the “hard”
sciences, the progress of knowledge seems to bring confusion rather than
certainty. It does not liberate us from superstition as the Enlightenment
philosophes had hoped; nor does it guide us toward wise and confident
choices. Rather, it seems to multiply the confusions and anxieties. “There
is an over-production of Truth that cannot be consumed”, as Otto Rank
once put it – and the literatures in every field have only swollen since
Rank’s time, while the tempo of knowledge production is many times
faster.
But volume and tempo are not the real problems. The whole idea
of knowledge involves a concept of intellectual authority that has become
politically suspect – even as our addiction to specialized knowledge has
continued to increase. In an increasingly technologized society with a
depleting environment that must be exploited ever more intensively and
with much more stewardship than in the past, we rely ever more heavily
on expert knowledge and on the good faith of experts. From a public
viewpoint, the case is worse: Non-sectarian education and rational,
democratic government and are not possible, not even intelligible, unless
policies and curriculum choices can be grounded in secure, impartial
knowledge. Without a valid concept of authoritative public knowledge,
notions of objective decision-making, impartial government, public
education, and even honest news reporting, are scarcely tenable.
Since a lifetime is not long enough to learn more than a fraction of
the skills and knowledge that actually run today’s society, we are
increasingly dependent on specialized experts, who advise and perform
their functions from within the paradigms and institutional frameworks of
their respective disciplines. Inevitably, these experts will be influenced by
the interests that fund their work, and by their own interests as well. Often
too, they become committed to one side or another in the political
conflicts of their time. Whether as draftees, mercenaries or true believers,
experts will find themselves pulled in different directions, and will rarely
advise on any issue with a single voice. Paradoxically, they become
increasingly less able to do so, the more they come to know.
Indeed, experts can always be found on every side of every
important question we put to it. This has become something of a joke to
the man-in-the-street; and for decision-makers, it is a source of frustration.
That, indeed, was the starting point of our discussion: We are forced to
grapple with the ambiguities of polyphonic knowledge because it is the
only honest knowledge we can hope for.
1 Thus, we would disagree with the more extreme structuralists that a culture (or
language) is intelligible in purely synchronic terms, as a static framework of
ideas and symbols in relationship to one another. That the synchronic
viewpoint adds a dimension to the understanding of a culture or language, is not
denied. What is affirmed, however, is that the diachronic view also gives its
insights, and should not be rejected from political motives. Those who long for
the Revolution diminish its prospects greatly by ignoring the evolutionary
continuities of history in their wish to emphasize its moments of radical
displacement and change.
whatever.
The more symmetrical two knowledge cultures are in their
resource requirements and offerings, the sharper competition and
comparisons between them are likely to be. However, it is not true that
competition and comparison must lead to a convergence of differing
knowledge cultures. To be sure, there will be mutual emulation and
learning. But what seems to happen usually, is that one of the competing
cultures comes to dominate the field, while the others take refuge in
specialization, each adapting itself to some particular niche where it
enjoys competitive advantage.
No doubt, each culture should be appreciated in the light of its own
values. But refusal of invidious comparison among them can last no
longer than our academic detachment. If you are in the market for
something that two different knowledge cultures compete in providing, or
if you are thinking of making a career in one or the other, then some
comparisons will have to be made. Inevitably, we make our choices by
what these cultures mean to us, and not just by what they mean to
themselves2.
How then might the relationship amongst competing knowledge
cultures be characterized, granting both their intrinsic, inward-looking
aspects (what they mean to their own members), but also the face they
present to outsiders? I think we want to say that in their interaction and
dealings with their publics, they create what could be termed a context of
comparison between them.
The different styles of budo (martial arts) afford an interesting
example of such a context – each being, of course, a distinct knowledge
culture in its own right. Yet, in every major city today, instructors of these
styles are in competition for prestige and students. There is a common
public of potential beginners whose interest must be stimulated and whose
concerns and curiosity satisfied. There are military, police and private
security forces whose members are given some unarmed combat training
by their organizations, or are required to take such training on their own
time. There are media (movies, TV, magazines, etc.) which thrive by
collecting audiences. Taken together, all these provide a cross-cultural
context in which the character, strengths and weaknesses of the various
martial arts traditions are constantly subjected to comparison.
The last paragraph might just as well have been written about
dance, music, pottery-making, cuisine, or any other traditional art. In each
case we find a great many styles, each with its local episteme – its
2 Again, it is true that our perceptions and values are not entirely our own – that
they are subject to manipulation by skilful propaganda and advertising, i.e. to
specious forms of value-argument. But the possibility of such influence does
nothing to help the relativist case. It merely shifts the zone of competition to a
cognitive playing field. In their struggle for market-share, the contenders must
compete for position in people’s fields of attention, in their memories, in their
chains of association, in their loyalties; and their fitness for this competition
becomes just one more ground for comparison.
standard of value and competence, which can be viewed as autonomous
only so long as their masters are not in competition for customers and
pupils.