Macloaed Only Examination

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General examination

1. Measure the respiratory rate in all patients with breathlessness

Note if the patient is breathless at rest and count the


respiratory rate (breaths/min) for 3060 seconds while you
feel the pulse and assess chest movements.

2. Notice if the patient is using the accessory muscles of respiration.

3. Ask the patient to cough and then breathe deeply in and out with
the mouth wide open. Listen closely to the patients mouth, for
stridor.
4. Lips and tongue : Ask the patient to open his mouth and look at
the lips and the underside of the tongue for a purplish blue
discoloration in natural light .
5. Measure blood pressure and check the pulse

6. Ask the patient to hold out his arms with the hands extended at the
wrists. Look for a jerky, flapping tremor (asterixis). Alternatively,
ask the patient to squeeze your index and middle fingers and
maintain this for 3060 seconds. Patients with a flapping tremor
cannot maintain their grip.

7. Look for enlargement of the cervical, supraclavicular and scalene


lymph nodes
8. Palpate the neck : Note the size and consistency of any palpable
node and whether it is fixed to surrounding structures.
9. Look for enlargement of the cervical, supraclavicular and scalene
lymph nodes.
10. Palpate the neck : Note the size and consistency of any palpable
node and whether it is fixed to surrounding structures.

Palpation
1. With the patient looking directly forwards, look for any deviation
of the trachea.

2. Gently place the tip of your right index finger into the
suprasternal notch and palpate the trachea (Fig. 7.15). This can
be uncomfortable; be gentle and explain what you are doing.
Slight displacement to the right is common in healthy people.

3. Measure the distance between the suprasternal notch and


cricoid cartilage, normally 34 finger breadths; any less suggests
lung hyperinflation.

4. Stand behind the patient and assess expansion of the upper


lobes by watching the clavicles during tidal breathing.
5. Assess expansion of the lower lobes by placing your hands
firmly on the chest wall. Extend your fingers around the sides of
the patients chest (Fig. 7.16). Your thumbs should almost meet
in the midline and hover just off the chest so they can move
freely with respiration.

6. Ask the patient to take a deep breath. Your thumbs should move
symmetrically apart by at least 5 cm.

7. With the patient supine, look for paradoxical inward movement


of the abdomen during inspiration.

Percussion

1. Place the palm of your left hand on the chest, with your fingers
slightly separated (Fig. 7.18C).
2. Press the middle finger of your left hand firmly against the chest,
aligned with the underlying ribs over the area to be percussed.
3. Strike the center of the middle phalanx of your left middle finger
with the tip of your right middle finger, using a loose swinging
movement of the wrist and not the forearm.
4. Remove the percussing finger quickly so the note generated is not
dampened.
5. Percuss the lung apices by placing the palmar surface of your left
middle finger across the anterior border of the trapezius muscle,
overlapping the supraclavicular fossa and percussing downwards.
6. Percuss the clavicle directly over the medial third, as percussing
laterally is dull over the shoulder muscles.
7. Ask the patient to fold the arms across the front of the chest,
moving the scapulae laterally and percuss the upper posterior chest.
Do not percuss near the midline, as solid structures of the thoracic
spine and paravertebral musculature produce a dull note.
8. Map out abnormal areas by percussing from resonant to dull.
Percuss each side alternately and compare the note.
9. Place the palm of your left hand on the chest, with your fingers
slightly separated (Fig. 7.18C).
10. Press the middle finger of your left hand firmly against the chest,
aligned with the underlying ribs over the area to be percussed.
11. Strike the centre of the middle phalanx of your left middle finger
with the tip of your right middle finger, using a loose swinging
movement of the wrist and not the forearm.
12. Remove the percussing finger quickly so the note generated is not
dampened.
13. Percuss the lung apices by placing the palmar surface of your left
middle finger across the anterior border of the trapezius muscle,
overlapping the supraclavicular fossa and percussing downwards.
14. Percuss the clavicle directly over the medial third, as percussing
laterally is dull over the shoulder muscles.
15. Ask the patient to fold the arms across the front of the chest,
moving the scapulae laterally and percuss the upper posterior chest.
Do not percuss near the midline, as solid structures of the thoracic
spine and paravertebral musculature produce a dull note.
16. Map out abnormal areas by percussing from resonant to dull.
Percuss each side alternately and compare the note.

Auscultation
1. Listen with the patient relaxed and breathing deeply through his
open mouth. Avoid asking him to breathe deeply for prolonged
periods, as this causes giddiness and even tetany. Auscultate each
side alternately, comparing findings over a large number of
equivalent positions to ensure that you do not miss localized
abnormalities.
2. Listen: anteriorly from above the clavicle down to the sixth rib
laterally from the axilla to the eighth rib posteriorly down to the
level of the 11th rib.
3. Assess the quality and amplitude of the breath sounds. Identify any
gap between inspiration and expiration, and listen for added sounds.
Avoid auscultation within 3 cm of the midline anteriorly or
posteriorly, as these areas may transmit sounds directly from the
trachea or main bronchi.
4. Listen with the patient relaxed and breathing deeply through his
open mouth. Avoid asking him to breathe deeply for prolonged
periods, as this causes giddiness and even tetany. Auscultate each
side alternately, comparing findings over a large number of
equivalent positions to ensure that you do not miss localized
abnormalities.
5.

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