Teachers Guide

Teachers Guide
FOREWORD
Try out these riddles and see if you can answer them.
1. A woman shoots her husband. Then she holds him under water for over five minutes.
Finally, she hangs him.
Five minutes later, they both go out for a meal together. How can this be?
2. Children aged between 4 and 6 can solve this problem in 5 minutes. 95% of adults cant.
Can you?
8898=7
4566=2
1203=1
2313=0
4566=2
7774=0
1003=2
4500=? The answers to both riddles are at the back of this book on page 314.
I must confess. I didnt get either of them. Was it because I think in a certain way without
seeing other possibilities? Is it because I dont spend enough time problem solving with
riddles and brain teasers? It could well be. I would feel confident after seeing the answers that
I would not be caught out with these types of riddles again.
The question is; do the students in our care deserve the same platform of thinking? They have
been born on the cusp of a century that has seen three technological leaps. These are:
1. Long distance communication: a faster postal service, the telephone and the mobile phone.
2. Transport: the car, the engine-powered ship and the airplane.
3. The storing of knowledge on computers; the modern phones are more powerful than the
best computer available to George Bush Sr.
They are going to have to work in a century which will see nine or more. The modern
workplace shall need students who are problem solvers, who interact well with others and
who are creative and open minded about huge changes in both the workplace and society.
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Teachers Guide
Bearing this in mind, Blue-Sky Thinking is designed to rise to the challenges thrown down
by the introduction of technology. More and more, students are asking how class lessons are
relevant to them.
This Teachers Guide hopes to make life as easy as possible for the teachers who use it. This
will benefit the students by having structured, interesting and comprehensive monthly
modules for them to enjoy. The first 2 months of lesson plans are completed as are the first
11 poetry lessons. The other lesson plans may be filled in by the teacher with the minimum of
fuss. Each pre-planned lesson should only take 5-10 minutes to fill in. Furthermore, most
lessons have a recommended site to visit in order to provide an extra visual/aural stimulation.
I am well aware that each teacher has his/her own, unique brand of magic to a classroom.
That is why the lesson content is designed to focus in on the paradigms of English that all
students should know. There are personal statements, success maps, Latin phrases on living
life well, a points reward system for descriptions, grammar lessons and even a formula for
poetry. The pre-planned structure gives the teacher a great opportunity. They can discuss with
their students the modules that will be covered in the month, the term and the year ahead.
This strategy gives the students a sense of ownership in the process. There are also revision
exercises at the end of each monthly module designed to keep the students on their toes!
There are nine characteristics that good learners share. This book attempts to fuse as many of
them as possible into its content and its lesson plans. The nine characteristics are:
1. Open-mindedness.
2. Self-awareness.
3. Tolerance.
4. An alert mind.
5. Good energy levels.
6. An ability to set goals.
7. A willingness to take risks.
8. Self-discipline.
9. The capacity to value, accept and undergo change.
Points 4 and 5 are interesting. That is why diet and nutrition are covered in a manner where
the students can subtly discover for themselves the benefits of healthy eating. This is a book
which encourages paired/team work also. It is student-friendly yet it will also challenge them
in so many ways. It is a book which requires rigour from the students and a degree of
flexibility and imagination from the teacher. I hope you and your students enjoy the challenge
Blue-Sky Thinking throws at you. Hopefully, the Teachers Guide will make it pleasurable.
Finally, I am mindful that some teachers may have 6 periods of English a week whereas
others may have anything between 3 and 5. The class duration may be 30 minutes to one
hour. That is why there are more than enough lessons per month to accommodate everyone.
If you feel there are too many lesson plans for you to cover in a given month, there are
templates on pages 309-312 to make out your own Monthly and Yearly Plans. You may
simply pick which weekly units you would like to use and put them in.
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Teachers Guide
TABLE OF CONTENTS
SEPTEMBER: DESCRIBING A BEACH JANUARY: DESCRIBING MOUNTAINS
Creative grid: Full stops: Latin abbreviations Creative grid: Different narrative styles
Capital letters: Bullet points: Story-fizzers Personal pronouns, subjects and objects
Descriptive grid: The importance of gratitude Descriptive grid: Adverbs: Colour grid
Punctuation: Wordsearch: Using a storychain The Blood Rain of India: Past simple tense
Metaphors: Crossword: Similes Past continuous tense: Present simple tense
Mindfulness: The macro and micro in writing Frogs, fish, cows and coal falling from skies?
Descriptive writing: Planning a reading day Present continuous: Future simple
Interrogative words: Punctuation Future continuous: Assonance: Flash fiction
Making a portfolio template: Informal letters Taste and smells grid: Using pulse words
Texture: Nutrition and diet: Recap on module Associative learning: Crossword: Fun quiz
OCTOBER: DESCRIBING A LAKE FEBRUARY: FEMALES AND MALES
Creative grid: There/their/theyre: Commas 1st grid describing females: 2nd grid females
Onomatopoeia: Achieving success in life Writing a story with character descriptions
Constructing a Life Map to success 3rd grid females: Writing a horror story
Multi-sensory grid: Direct speech 4th grid females: The beauty and the beastly
Crossword: Direct to indirect speech 5th grid females: Make a crossword
Wordsearch: The structure of an essay 1st grid describing males: 2nd grid males
Writing a diary: The Great Famine 2nd grid males: Writing a battle scene
Having fun with colours: Personal statements 3rd grid males: Describing the desert
Mission statements: Associative learning 4th grid males: Writing a sports essay
Nutrition and diet: Why not fizzy drinks? 5th grid: Female and male wordsearches
NOVEMBER: DESCRIBING A FOREST MARCH: INTRODUCING POETRY
Creative grid: Colons: Descriptive grid Introduction to poetry module
Apostrophes: Plural possession: Semicolons The history of poetry using anthropology
The 14 punctuation marks in English The importance of linking music to poetry
Adjectives, nouns and verbs: Sample essay The secret to great poetry with Venn diagram
Magical words grid: Crossword Nursery rhymes and Rule of Three patterns
Fun quiz to recap on module: Mnemonics The Fog by Carl Sandburg
Onomatopoeia: David and Goliath story The Eagle by Lord Alfred Tennyson
Using Point of View in a story: Colour chart The Splendour Falls by Tennyson
The history of English: Greek culture The Stolen Child by W.B. Yeats
Associative learning: Suffixes: Texting The Lake Isle of Innisfree by Yeats
DECEMBER: DESCRIBING XMAS APRIL: ANALYSING POETRY
Creative grid: Colour grid: Descriptive grid The Road not Taken by Robert Frost
Personification: Synonyms: Descriptive grid Stopping by Woods by Frost
The genesis gene that exists in all of us Rime of the Ancient Mariner: ST Coleridge
Descriptive grid: Using Point of View If by Rudyard Kipling
Xmas external scene: Planning a short story The Cottage in the Grove by Liam O Flynn
Sample short story: Associative learning Do not stand at my grave and weep: Frye
Revision grid: Make an Xmas crossword EXTRA CLASSES pages 270-308
Note from author: I strongly recommend that you read pages 278-285 before using this book.
It explains how the learning styles of your students may be guided by their multiple
intelligence strengths and weaknesses. I hope it will be of invaluable assistance to you.
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Teachers Guide
The greatest danger for most of us is not that our aim is too high and we miss it, but
that it is too low and we hit it. Michelangelo
SEPTEMBER MONTHLY PLAN

WEEK ONE INTRODUCTION: how aiming high is beneficial: discuss wellbeing,
mindfulness, empathy and why you need to get on with classmates
Lesson 1 Read page 1 : how spellings are earned, not learned: spelling P45:
pneumonoultramicroscopicsilicovolcanoconiosis
Lesson 2 Discuss patterns in descriptive writing: fill in 1st grid as a class
Lesson 3 Rules for full stops in writing: Latin abbreviations: discuss project work
and the importance of portfolios
Lesson 4 Fill in 2nd grid: making up a story from words in grid: Pele quote
Lesson 5 Discuss communication: rules for capital letters: practise capital letters
WEEK TWO
Lesson 6 Fill in 3rd grid: devising class management system for weaker students
Lesson 7 Writing a story in bullet points for weaker students: practice on task
Lesson 8 Punctuation and 15 blues Wordsearch: discuss poverty and gratitude
Lesson 9 Fill in 4th grid as teamwork activity: using magical words in writing
Lesson 10 Archaic words and using metaphors: discuss Muhammed Ali quote
WEEK THREE
Lesson 11 Having fun with crosswords: using mnemonics to remember similes
Lesson 12 Introduction to similes: Using riddles to improve thinking
Lesson 13 Punctuating a passage: recap on using patterns in English idea
Lesson 14 Fill in 5th grid: team activity: make class grid on words
Lesson 15 End of beach module: 1st portfolio assignment
WEEK FOUR
Lesson 16 READING DAY
Lesson 17 Using interrogative words to generate stories
Lesson 18 Read and punctuate: establish range of diction: establish mechanics
Lesson 19 Designing a PORTFOLIO TEMPLATE suitable for their needs
Lesson 20 Introduction to writing an informal letter: discuss first letter
WEEK FIVE
Lesson 22 Read letters 2 and 3: on task questions discussed/finished in class
Lesson 23 Looking ahead at describing a forest: complete texture grids
Lesson 24 Using texture in writing: the sensory value of it: fill in the grids
Lesson 25 The relationship between triathletes and a nutritional diet/hard work
EXTRAS
Lesson 26 Internet work if possible on filling in nutrition grids: homework if not
Lesson 27 Associative learning on task in groups of four
Lesson 28 Life advice from 11 and 12-year-olds: coping with the modern world
Lesson 29 Advice from 11 and 12-year-olds on life: peer pressure and coping
Lesson 30 Recap on class ideas: most beautiful sentences: make posters
Always aim for the moon; even if you miss, youll land among the stars.
W. Clement Stone
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Teachers Guide
HOW TO USE THE GRIDS
I had a little difficulty making out the plan for the structure of this book. I tried to envision a
way that the students could come into the class and know their roles yet still feel energised by
the freshness of a new topic to explore. I have already used the grid system for Writing with
Stardust and the feedback is very promising.
This is not the type of book that I wish to paint words by numbers, however. It is a book
that explores patterns and structures in many areas but it is not supposed to be formulaic. It is
meant to provide the base from which the students can mentally scaffold their way to
building a creative, questing and fertile mind. I want the students to be able to discuss life,
investigate issues, channel their creative energy, plan for the future and still have a technical
platform for success.
To that end, the grid system tries to distil their writing towards clarity of thought and an
appreciation of the 5 senses. I picture a teacher who walks into the class and the students are
working in pairs to test one anothers spellings. A mental challenge takes place, either
written or oral, and a dictionary is used to find any new words occurring in the class that day.
I cannot stress enough how important dictionary/thesaurus work is for the students, especially
the weaker ones. Dictionary work (i.e. with regular prizes) will instil a love for the bible of
English and helps their alphabetical, verbal and neural pathways to flourish. The class then
discusses the Latin quote and how relevant it may be to their development as students of life.
When the grids are filled in and the score is added up, the following ideas may be considered:
1) Make up a story using a specified number of words from the grid.
2) Make up a story using synonyms for the words in the grid (i.e. thesaurus work).
3) Use a story-fizzer (page 22) to make up a plot involving the words in the grid.
4) Divide the class into 2/3 groups. Challenge them to build a rich plot using the words.
5) Use the whole class and create a storychain. Everyone has to contribute one sentence.
6) Make posters of the scene from the word grids. Attach herbs, spices and flowers to them.
7) Search Google for the scene that best captures the words in the grid. Then make a word
cloud using words not mentioned in the grids.
8) Make up an imaginary dialogue between two people they can visualise in the scene.
9) Pick a word from the grid. Give the students 10 minutes in pairs or teams to see how many
words they can make from it. Solverscrabble.com can make 77 from the word garden!
10) Explore concepts of rising tension and climax by inserting a sinister character.
Finally, type in Word Games to: americanenglish.state.gov for a fertile hunting ground of
word games made up on worksheets. It gives a remarkable range of ideas and styles.
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Teachers Guide
Date: __/__/__ Title: SPELLINGS ARE EARNED Lesson number: 1
Definition: Dare to be wise.
Spelling revision New words Dictionary definitions, corrections and synonyms.

P45 pneumonoultramicroscopicsilicovolcanoconiosis
pneumono
ultra meaning extremely or a lot of (from Latin)
microscopic
silico
volcano
coniosis
clouds a bird seagulls flock attacking you

the sun an aeroplane a kite airplane with letters
the stars thunderclouds a hang glider tern/cormorant/raven
the moon a named star a parachute swan/herring gull
nothing-youre blind tsunami wave a body falling any blue adjective
world ending comet nuclear mushroom an alien spacecraft super student ideas
AIMS AND OBJECTIVES INTERNET RESOURCES

1) To dispel any previous low expectations. 1) YouTube: Listen to Malcolm
2) To promote the value of good spellings. Gladwells audio book on the
3) Learning spellings is fun and rewarding. Spellings formula for success:
are earned, not learned. This is done by hard work. TI: The 10,000 Hour Rule: Run
it from 4 minutes 35 seconds until
it finishes at 11 mins 10 secs.
TI= TYPE IN
MAIN LESSON OTHER RESOURCES
1) pneumonoultramicroscopicsilicovolcanoconiosis 1) Dictionary
2) Put on the board and watch their reaction. 2) Correct spellers of
3) Break down into 6 word stems. pneumonoultramicroscopic etc.
4) Inform them such spellings will become easy by Make a poster of the word with the
going through the process and a degree of rigour. time it took them to spell it.
5) Let students learn spelling in pairs.
6) Discuss how sportspeople break down performance.
7) Watch Why People Succeed on YouTube.
PLENARY/LEARNING OUTCOMES HOMEWORK IF REQUIRED
1) What has been learned today? Write out 5 points on the link
2) Ask for evidence of rigour in their lives/sport/school. between work, breaking down
3) Who is the ultimate high achiever? Mothers? work into processes, and reward.
4) Give pear drops/praise/homework off as reward. Learn spelling of Pneumono-ultra-
5) 40 mins a day in school over 5 years =10, 000 hours? microscopic-silico-volcano-
Add in primary school hours and average reading daily. coniosis
OBSERVATIONS:
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Teachers Guide
Date: __/__/__ Title: DESCRIBING A BEACH: 1st GRID Lesson number: 2
Definition: Dare to be wise.

P45 image pneumonoultramicroscopicsilicovolcanoconiosis
pneumono perma tan
ultra sprinkling
microscopic braying
silico lolling
volcano plumb line
coniosis adjective
clouds a bird seagulls flock attacking you

the sun an aeroplane a kite airplane with letters
the stars thunderclouds a hang glider tern/cormorant/raven
the moon a named star a parachute swan/herring gull
nothing-youre blind tsunami wave a body falling any blue adjective
world ending comet nuclear mushroom an alien spacecraft super student ideas

1) Spell pneumonomicro.Call it mental challenge. 1) TI: Goa, India-Quest for the
2) To enable the metacognitive-thinking about perfect beach to YouTube.
thinking- and rewarding higher order thinking. It is 3 mins 35 seconds long and
3) Discuss the importance of patterns in English. gives enough imagery and surf
sounds to generate ideas.
TI= TYPE IN
1) Introduce an image or a riddle or a mystery. 1) Dictionary for help with grids.
2) Murder mystery: Jose Matada fell from the sky and
landed on a street in London. The police were baffled at If the students ever ask why they
first. are doing something from this
3) Fill in grids individually. book, tell them: Wisdom that
4) Let students fill in grids. Promote/reward point total. comes early has deeper roots but
5) Walk around/encourage/give 1 answer per student. wisdom that comes late has
6) Provide 2/3 quietly for weakest: establish trust link. greener shoots!
7) Add up points and let students record them.
1) Relate answers in grid to higher order thinking. Think of and write, perhaps with
2) Ask for any other ideas/what they have learned. their parents, 5 other possibilities
3) Establish struggling students with intention of pairing to put into the grid. Explain that
with quicker students. this is called creative thinking.
OBSERVATIONS:
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Teachers Guide
Date: __/__/__ Title: FULL STOPS/ABBREVIATIONS Lesson number: 3
Today is an opportunity to establish the importance of mechanics. In this case, it is full stops.
Ask for verbal feedback on the 10 ideas they came up with for homework. Go through the
most creative answers and give verbal praise. Write down the best answers on the board
(either blackboard or whiteboard). Explain that this is called brainstorming. Let the class
decide which one is the best idea.
They must write a short passage based on this idea. When they are finished (5/10 minutes),
ask them to take out the full stops while rewriting it. Then ask one student to read the work of
another student without pausing. Although it should be humorous as it is a breathless rush, it
should validate your message on full stops. Passages of writing become cumbersome,
unwieldy and unreadable without full stops. Fill in the full stop exercise in the book.
Then move onto the Latin abbreviations. Why are they in there? Doing project work may
require more use of these than was the case in previous educational curriculums. Their
portfolios may need the key words: ibid, et al, N.B. etc. by Christmas next year.
It is best to have a chat on the importance of student responsibility when it comes to portfolio
work. Explain that tomorrows lesson includes a paired spelling test where they will be
expected to test and grade each other. The results shall be logged in the front of their portfolio
and signed by you. You are establishing behaviour norms that may take time to develop.

1) Emphasise the importance of full stops. 1) Capital letters exercise:
2) Establish the importance of project/portfolio work. firstschoolyears.com
3) Generate acceptable behaviour norms in 2) Google Latin abbreviations and
single/paired/team and whole-class work. military ranks in class as on task
activity.
1) Previous days spellings corrected verbally. 1) Let the students make up a
2) Brainstorming/assessing best ideas. mnemonic from the military rank:
3) Writing exercise with full stops/without full stops.
4) Fill in workbook exercises. Please Can Somebody Let Captain
5) Discuss project work/Latin abbreviations. Major and Lieutenant Colonel
6) Google Latin abbreviations. Collect the Lieutenant Generals
7) Google military ranks as abbreviation exercise. Generator?
1) Why is individual ownership of behaviour important? 1) Assign Latin abbreviations if

2) Why is individual ownership of portfolio important? there are time constraints.
3) Single/paired/team/whole-class work predicated on 2) Assign military rank exercise if
individual discipline, application and motivation. not done in class. Spellings of
same to be learned also.
OBSERVATIONS:
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Teachers Guide
Date: __/__/__ Title: DESCRIBING A BEACH: 2nd GRID Lesson number: 4
Definition: A problem shared is a problem halved.
Spelling revision New words Dictionary definitions, corrections, and synonyms.

image barbecues p_e_m_n_ul_t_m_cr_sc_p_cs_l_cov_lc_n_c_n_osis
perma tan lolling
sprinkling perma tans
braying lagoon
lolling brochure
plumb line gurgling
adjective crescent
children playing donkeys braying sizzling barbecues yachts lolling

boats bobbing perma tan tourists pillars of sunshine plumb line horizon
butterfly-blue cocktail-blue brochure-blue Jerusalem-blue
jewel-blue neon-blue electric-blue Bermuda-blue
the sprinkling waves the gurgling of waves the ebbing tide murmuring sea
the sea song of waves the humming sea the trembling sea gently exhaling

1) Reinforcing behaviour norms: paired spelling tests do 1) TI: 10 most beautiful beaches
not equate to messing. It involves responsibility. to:
2) The importance of using colour and sound in writing. YouTube
3) Emphasise importance of full stops with exercise. It shows still images of 10 jaw-
dropping beaches.
1) Paired spelling test with students grading each other. 1) Spelling posters/materials.
2) Verbal censures to those who treat it flippantly.
3) Relate to new J. Cycle-onus of responsibility on 2) TI: Beautiful wallpapers:
students to record/log progress on front of file also. Pictures of beautiful beaches to:
4) Fill in grids individually-establish weaker students. Beautifulwallpapers.blogspot.ie
5) Spend 10 minutes discussing grids and developing a
story with words from the last two grids. Ask the students which beach they
6) Base homework on words in last two grids. would put as wallpaper on their
7) Discuss Pele quote as exemplar of success. phone or where they would live
out their days in retirement/peace.
1) What other patterns may arise in next grid? Write a passage using a
2) Colour and sound as touchstones for a reader. combination of words from the
3) Is success a formula and what is the formula? two grids already completed.
OBSERVATIONS:
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Teachers Guide
Date: __/__/__ Title: CAPITAL LETTERS Lesson number: 5
Do you think you should use capital letters in your writing? List three reasons why.
1. I should use capital letters because
CORRECTIONS BY STUDENTS
1. Use a capital letter for the first word of a sentence. Change both these sentences!
4 a) John Murphy is my neighbour.
b) The Gruffalos dont scare me anymore.
c) The Simpsons are an American family on television.

1) Why capital letters? 1) TI: Capitalization worksheets
2) Establish where and when exactly they are to be to:
used. havefunteaching.com
3) Establish importance of same. It gives a very comprehensive list
of worksheets to choose from.
1) Ask volunteer students to read out homework 1) Any book/newspaper as
passages. evidence of capital letters if
2) Ask class to critique them with possible grade, internet unavailable.
brainstorming good points on board. 2)
3) Collect homework for correction.
4) Start and complete capital letters exercise.
5) Focus in on rules 4, 6 and 10.
Assign internet homework. Ask
1) What constitutes good writing? them to find a site with a full stop
2) What constitutes good imagination and best practise? exercise and complete the first 10
3) Relate to Pele quote yesterday on: sacrifice, love of questions: give them the
subject and hard work. responsibility for homework.
OBSERVATIONS:
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Teachers Guide
Date: __/__/__ Title: DESCRIBING A BEACH: 3rd GRID Lesson number: 6
Definition: For those who arrive late, only the bones.

barbecues beeswax
lolling ore
perma tans earthshine
lagoon molten
brochure arc
gurgling sickle
crescent scythe
powder-white starbeam-gold whalebone-white molten-gold

oyster-white beeswax-gold ore-gold earthshine-gold
an arc a hook sickle shaped a half moon
a bow a horseshoe scythe shaped a crescent moon
skin tingling parched throat feet like hot coals stabbed by sun spears
skin burning dehydrated face like Greek fire scraped by sandpaper

1) Paired work: best students with weaker ones. 1) The Beach trailer YouTube
2) Class management system to seating arrangements. with Leonardo DiCaprio.
3) Emphasis on value of physical sensations in writing. 2) TI: Describing a beach to:
markedbyteachers.com
It has a report for teachers with it.
1) Peer correcting of previous days homework. 1) Travel magazines/catalogues.
2) Teacher observes and corrects any errors. 2) Photographs
3) Pair up best students with weaker ones. 3) Internet copying and pasting of
4) Pairs of students attempt grids. excellent beach imagery.
5) Results on front of folders: evidence of progress?
6) Quick oral spelling emphasis.
7) Discuss new vocabulary/dictionary work.
1) What value do physical sensations have in writing? Locate pictures of beaches to be

2) What value has student collegiality to learning? put into portfolio. Call into travel
3) Discuss tomorrows lesson: Writing a story in points. shop in the next week to get same.
Spellings to be learned orally.
OBSERVATIONS:
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Teachers Guide
Date: __/__/__ Title: USING BULLET POINTS Lesson number: 7 (a)
WRITING A STORY IN POINTS
1. I walked on the earthshine-gold beach. COLOUR
2. It was pillow soft. TEXTURE
3. The song of the sea was a hushed murmur. SOUND
4. It was a scythe shaped beach. SHAPE
5. The crests of the waves were rolling like a line of horses. ACTION
6. Pillars of sunshine moved across the water. IMAGE
7. The clouds in the sky were elf-mist white. METAPHOR
8. My face felt like it was stabbed by sun spears. SENSATION
9. There was a smell. The aroma of brine was in the sea air. SMELL
10. I ate a charcoaled tuna steak and it was delicious. TASTE
Now write two more stories in bullet point by choosing from a selection of these words.
1. COLOUR (ore-gold/molten-gold/starbeam-gold)
2. TEXTURE (cotton soft/downy soft/eider soft)
3. SOUND (gurgling sea/humming sea/ebbing sea)
4. SHAPE (an arc/a half moon/a horseshoe)
5. ACTION (tumbling waves/cascading waves/curling waves)
6. IMAGE (seagulls dive bombing/coconut trees swaying/boats bobbing)
7. METAPHOR (pillars of sunshine/streams of light/lanterns of light)
8. SENSATION (skin tingling/parched throat/skin burning)
9. SMELL (oily/fishy/salty)
10. TASTE (spicy chicken/yummy hot dogs/flame grilled meat)
OBSERVATIONS:
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Teachers Guide
Date: __/__/__ Title: USING BULLET POINTS Lesson number: 7 (b)
This is a lesson where the guile and craft of a teacher comes in. The first is to devolve
conditional power to the class. They may work in ones, twos, teams, or a class group. If the
level of disruption taken to do the exercise is unacceptable, stop immediately and explain you
are reverting to an individual test. Say it with regret and with sympathy for them. Repeat this
in the weeks ahead. They will then begin to regulate and admonish themselves.
The second is to incorporate a story-fizzer into a beach story. It will be used in the second
paragraph of an essay. It will also lengthen their essays considerably while they are happy to
do it! Underneath is a sample of what might be expected. Use these in the next few weeks:
the unusual find message in a bottle a Millennium capsule a genies lamp

the life-changers engraved golden ring old Roman coins a treasure chest
the mysterious and tsunami wreckage driftwood with unknown, giant sea
creative find with amazing objects handcuffed arm on it creature washed up
the dangerous find WW1 bomb invading frogmen shark circling you

1) Full pattern of beach writing revealed in lesson. 1) Images of millennium capsule
2) Debate/discuss if pattern is too confining. or examples from internet.
3) Exploring alternative to patterns with story-fizzers 2) Images of a treasure chest
as a means of expression, creativity and originality. always get the endorphins going!
1) Correct spellings and recap on previous ideas about 1) Make out list of objects likely to
patterns in English. be put into a family capsule from
2) Ask students which is preferred: individual/paired or someone terrified of invaders from
team attempt on exercise. different periods: The Celts in
3) Correct exercise verbally: introduce story-fizzers 2,000 BC, Rome in 0BC, England
idea in a subliminal manner: What would make this in 1066, Ireland during famine etc.
pattern better in order to develop it? Coax the answers you know are
4) Have higher order discussion on benefits of same. correct from the students. Keep the
5) Reward creative answers with homework off. rest of these anthropological
6) Brainstorm 10 best answers and put on board. fizzers for later classes. The
7) Inform class they will be using them in the following historical periods above shall be
lessons in their writing: compliment them for being relevant later.
such a creative class!
1) How to incorporate story-fizzers into a beach story. Write a beach story using both the
2) Class management hierarchy being established. patterns of colour, sound etc. and a
3) Introduction to intelligence as having 8 components. fizzer such as: an unexpected
The 9th and 10th are existential and a lifelong zest for character, a treasure chest etc.
learning. Adaptability, which is often overlooked, finds
favour also.
OBSERVATIONS:
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Teachers Guide
Date: __/__/__ Title: GRATITUDE AND PUNCTUATION Lesson number: 8 (a)
Punctuate the following and correct the 10 misspellings by rewriting it in a copy book.
If you have food in your fridge, clothes on your back, a roof over your head and a place to
sleep, you are richer than 75% of the world. If you have money in the bank, money in your
wallet and some spare change, you are among the top 8% of the worlds wealthy. If you
woke up this morning with more health than illness, you are more blessed than the million
people who will not survive this week. If you have never experienced the danger of battle,
the agony of imprisonment or torture, or the horrible pangs of starvation, you are luckier
than 500 million people alive and suffering. If you can read this message, you are more
fortunate than the 3 billion people in the world today who cannot read at all.
Questions:
1. Do you think all of this is true or just some of it? Why? Why not?
2. Does anything about this surprise or shock you? Why? Why not?
3. If you could help with one of the problems above, what would it be, and why?
4. Can you think of anyone in your community who might have some of these problems?
How can you help that person or is it someone elses responsibility?
5. How important is it to appreciate a good education?
15 BLUES COLOUR SEARCH: There are 10 across and 5 down.
l a g o o n
n
e i j
b r o c h u r e e
n e r l
l a k e u b e
s u c
b e r m u d a t t
c o c k t a i l t r
e e i
g a l a x y m r c
p o w d e r f
l
j e w e l y
z e u s t e a l
OBSERVATIONS:
14
Teachers Guide
Date: __/__/__ Title: EMPATHY AND PUNCTUATION Lesson number: 8 (b)
This is a lesson that mixes gravitas, empathy and fun. Start the class by recapping on the key
points of a story-fizzer. Listen to a random cross-section of homework stories being read
out. Take note of those who are reluctant to stand in front of the class and read. They will
have to be given the tongue-twister lesson soon.
Read the quote. It comes from The United nations World Census Reports originally but it is
unclear who penned it. Discuss how gratitude for what we have is very important in the
modern world. Try to tease out the difference between empathy and sympathy by using a
dictionary. Gunfire is the number 2 killer of American youth, apparently. Discuss how Irish
children may not have the issues that other countries have. Optional work is available in grid.
Let them punctuate the article in twos in order to engender confidence and co-operation
skills.
The discussion may not give adequate time to do the colour Wordsearch. This can be kept for
another day as filler for a lesson. If it is a one-hour class, it should be started within the
class time parameters.

1) To define empathy and discuss it. 1) innertalk.com TI: the first ten
2) To establish if gratitude is important in every words of the quote and the
environment and society (and possibly if stress comes underlined site. Bill Gates gives a
from a lack of it sometimes). harsher view on gaining success.
3) To instil confidence in punctuation. No one is trying 2) TI: A summary of the world by
to expose them; it is merely work needed to be done. Forrest Felling. Food for thought
for students and teachers.
1) Recap on 8 intelligence forms and homework. Allow 1) TI:
for homework to be read out. Is empathy an emotional posters for good tumblr.com
intelligence needed in the workplace also? to see examples of poster work.
2) Read the quote and discuss. 2) TI: elephantjournal.ie
3) Punctuate quote. It has some excellent posts on
4) Correct in class. everything from nutrition to a
5) Option to fill colour chart or look at grid resources. different world view. It is an
award-winning indie journal.
1) How can empathy help you be a good work leader?
2) Does appreciating what we have or have not help us Any of: Why gratitude is a gift or
to slack off or work harder? Why empathy matters or make a
3) Should we ignore other peoples expectations if they poster with captions on poverty.
are less than our own?
OBSERVATIONS:
15
Teachers Guide
Date: __/__/__ Title: USING A STORYCHAIN: 4th GRID Lesson number: 9
Definition: Deep thinking leads to deep understanding.

beeswax simile comparing two things using as or like
ore dome
earthshine metaphor comparing two things without using as or like
molten fleece
arc anvil
sickle medallion
scythe Titan
the sweep of sky the arch of sky the unending sky the infinite sky
the dome of sky the span of sky the endless sky the cathedral of sky
like fairy smoke like puffballs like fleece like airy anvils
like elf-mist like puffy plates like fluffy cotton like heavenly hoods
a fiery ball in the sky a golden globe Gods daystar a glowing medallion
a glowing orb Gods golden eye Gods morning star Titans fiery wheel
bliss-blue divine the soughing sea ultramarine-blue
starry the lucid light the sorcery of the sea spellbinding

1) Main emphasis on rate of progress in filling grids. 1) At this point, you may want to
2) Observations of dictionary work: is it helping the look up hltmag.co.uk to get ideas
cognitive functions of best and weaker students? on metaphors as mnemonics,
3) Awareness of language register in grids: at the right Limericks, creating grammatical
pitch for everyone to thrive and distil writing? mnemonics, use of metalanguage
etc. Excellent ideas for teachers.
1) Recap on homework with discussion of empathy. 1) See back of this book for an
2) Try the grids individually with progress in file. extra lesson on Describing the
3) Use a storychain method with the words in grid. Sun.
Explain homework off if class treats it with fun but with Taken from Writing with
a degree of commitment to story and concentration also. Stardust and may be used as a
4) Recap with story-fizzer to be introduced into the supplementary aid for other classes
storychain. also.
5) Homework off for most imaginative sentences.
1) The fun of creating a storychain. Use storychain as basis for
2) What is a metaphor and does it improve a passage? homework. Assign homework off
3) First storychain may be chaotic to a neutral observer! if the class is responsive and
attentive to the new idea of a
storychain.
OBSERVATIONS:
16
Teachers Guide
Date: __/__/__ Title: INTRODUCTION TO METAPHORS Lesson number: 10
MAKE A METAPHOR
FIRST IDEA SECOND IDEA FIRST IDEA SECOND IDEA

Stars are the magicians dust of the sky the canvas of the Gods
sky.
ears He had seashell ears. drugs a disease in society
A waterfall is the silver loom of the forest the moon a pale coin/sovereign
Twitter is the telephone of the 21st c. television the drug of a nation
The rain was ice cold mist gun smoke
Knowledge is the salvation of mankind trees heads of broccoli
The sky was a cloudscape of colours the sun a gold coin
John is the alpha male waves washing up liquid of
A mnemonic is mental Velcro. darkness mans enemy
Pollen is the moondust of the air sunbeam shape laths of gold
Mary is the apple of her teachers eye The cottage of the damned
A dictionary is the Bible of English fame sweet honey of success
Mountains are cathedrals of the skyline monsters eyes spider cold
Deserts are a sauna of heat rain crystal tacks of the sky

1) To introduce the concept of metaphor as meat for 1) YouTube Muhammed Ali
the bones of the English skeleton. talking and training, if time
2) To engender creative thinking and concepts. permits. Notice the high twitch
3) To introduce the word archaic. physical actions, the tempo of his
4) To introduce a mnemonic as mental Velcro. speech and electric personality.
1) Recap on storychain homework if applicable. 1) Discuss Muhammed Ali as a
2) Quiz class on knowledge of definition of metaphors. man with a moral compass (the
3) Read out and discuss metaphors/William Prynne draft/Vietnam), a man of principle,
quote. Discuss archaic words and elicit examples. and unshakeable conviction.
4) Allow class to fill in grid on left in pairs or teams. 2) Discuss as an exemplar of man
5) Correct grids and class and file points total. who cast aside the shackles of his
6) Enable class to cope with grid on right with direction. upbringing. Discuss being refused
7) Read Muhammed Alis quote and recap on lesson. in restaurant after winning
Olympic gold for America.
1) Is meat for bones a mnemonic technique? Any assignment related to
2) What is the value of mnemonics/nursery rhymes as Muhammed Ali as a man who
metaphors? broke the mould. He is a living
3) Define impossible as related to ambition: a life metaphor for daring to aim high
choice or reality for some? and goal-setting with hard work.
Consider giving the right side of
the grid as homework.
OBSERVATIONS:
17
Teachers Guide
Date: __/__/__ Title: CROSSWORDS AS COGNITIVE AID Lesson number: 11
S T P
L I D E S T N
U U E
M N U
B E E S W A X M
E X M O
R H K I T E N
I A O
N L E T A L
G I R C
N R R
G S O U G H
J N
E V E S C Y T H E
W P M
E S P A N L
L O T U
I I C E
A R C H A I C I
L D
ACROSS DOWN
4 That is to say (2, 3) 1 A party to go to sleep at (10)
5 Honey gold buzzing in your ear? (7) 2 It causes huge waves (7)
7 Stop flying it! (4) 3 Latin stems for influenza and one (8)
8 Shorter version of and others (2, 2) 6 Breathing out gently (8)
10 The long, low sigh of the sea (5) 8 To forgive is divine (3)
12 Michelle is not the only First Lady! (3) 9 To shorten a word to its initials (7)
13 The shape of a dangerous beach (6) 11 A gem of a blue colour (5)
14 A large expanse of sky (4) 13 A special sort of intelligence (7)
16 The coldest blue of them all (3) 14 The smallest of conjunctions (2)
17 An old, arcane word (7) 15 Clear of thought and colour (5)
Let the students make their own crossword. The whole point of the crossword is that it is an
exercise in frustration and failure. It will take time to perfect but here are few better exercises
to fuse the spatial, linguistic, logical and kinaesthetic intelligences.
18
Teachers Guide
Date: __/__/__ Title: INTRODUCTION TO SIMILES Lesson number: 12
The purpose of this lesson is two-fold; an introduction to similes and how to distinguish a
simile from a metaphor. There are 10 simile sentences to fill in. Let the students attempt these
in pairs. Discuss the best similes and consider putting one of them into the last page of the
September module, the CLASS IDEAS REVISION GRID.
Move onto the grid on the second page and let them fill it in with a different partner. Discuss
language register and how the metaphors and similes move up in complexity. If time
permits, let them start a story for homework using the words in the grid. The LEVEL 1, 2 or 3
they attempt should be their choice. Then let them have fun trying to guess the riddle answer.
a feast of stars in the sky (M) a galaxy of stars overhead a constellation of stars hung
like shiny dust (S) like glitter on black velvet like anvil sparks
nights black cloak closed in nights inky robe covered all nights dark shroud appeared
as quiet as a church as quiet as a convent as still as a tomb
the old-gold moon the ore-gold moon the molten-gold moon
the soft song of the sea the gentle opera of the sea the hushed lullaby of the sea
beams of light on the water spears of light on the water lances of light on the surface
wind felt like warm silk wind felt like warm satin wind felt like a veil of velvet
a soup of smells a brew of scents a broth of aromas
dawn sun like a glowing orb sun was Gods golden eye Gods morning star rose

1) Introduction to similes: get dictionary definition. 1) TI: List of best similes to:
2) How similes and metaphors add sparkle. englishclub.com
3) How to distinguish between metaphor and simile. It gives 100 simple similes to
choose from.
1) Correct crossword if not already done. 1) Posters on best similes and
2) Explore definition of simile/metaphor. metaphors to be exhibited in
3) Class on task in paired assignment. classroom.
4) Teacher guides and lends assistance/encouragement. 2)
5) Recap on 10 sentences answer.
6) Class attempt grids with different partner.
7) Recap on grid answers and simile/metaphor
differentiation.
1) What do similes add to a passage of writing? Write a story based on the words
2) What do metaphors add to a passage of writing? in LEVEL 1, 2 or 3.
3) Discuss the use of reverse logic after they attempt
the riddle answer and breaking down a problem into its
individual components. Very few students can do this.
OBSERVATIONS:
19
Teachers Guide
Date: __/__/__ Title: JOHN LENNON AND HAPPINESS Lesson number: 13
FILL IN THE BLANKS
1. The beach was earthshine-gold. COLOUR
2. We heard the snoozy sea lap gently. SOUND
3. We walked on a bow of beach. SHAPE/MOTION
4. Cylinders of light moved across the sea. METAPHOR
5. The other tourists were leather-brown. TANS
6. The horizon was threaded with a border of silver. HORIZON
7. Children were squealing on the beach. OTHER IMAGES
8. The sun toasted our skin. SENSATION
9. The sea air smelled of chlorine. SMELL
10. The spicy sausages in the burger burned our tongues. TASTE

1) The importance of punctuating a text. 1) TI: Where the hell is Matt 2006
2) The importance of happiness in school/workplace. into YouTube
3) Recap on formula for descriptive writing. 2) TI: Where the hell is Matt 2008
into YouTube
1) Read out quote. Discuss in detail. Relate to 1) TI: Where the hell is Matt 2012
life/school. into YouTube
2) Students on task for punctuation.
3) Play Where the hell is Matt 2006 and discuss. It is his best video.
4) Students fill in the blanks in pairs. Discuss formula.
5) Recap on formula/concept of minding oneself.
1) Who defines happiness? Us or others? A short assignment on the nature

2) Happiness is 50% your own choice, 40% genetics of wellbeing, minding oneself and
and 10% external events, according to new research. happiness. Bring in one unusual
3) Formula in grids/module concluded tomorrow. object of touch and smell for
tomorrows class. Read Other
Resources on next page.
OBSERVATIONS:
20
Teachers Guide
Date: __/__/__ Title: DESCRIBING A BEACH: 5th GRID Lesson number: 14
Definition: The eye looks but it is the mind that sees.

metaphor saline
dome barbecued
pantheon soothing
fleece lulling
anvil tangy
medallion charcoaled
Titan kelp
heart warming spirit lifting soul refreshing soul nourishing

heart comforting spirit raising soul soothing soul lulling
oily fishy smell of kelp saline
salty seaweed smell of brine pelagic
yummy hot dogs spicy chicken flame grilled meat sizzling steak
delicious burgers barbecued sausages coal-fired onions charcoaled tuna

1) To reinforce the concept of working at something 1) Reward with a pre-arranged clip
well reaps rewards. Discuss the improvement in their of film about nature (i.e. wildlife
writing compared to the 1st lesson. Congratulate them. documentary on the sea)
2) To inform students the information in the 5 grids will 2) The Living Planet YouTube
be tested at the end of September and to revise them. opening sequence with the whale
3) Mentally chart the increase in dictionary motor- is spectacular.
neuron skills.
1) Discuss/aurally correct homework assignment. 1) Let the class bring in one object
2) Check spelling assignments from yesterday. of touch and smell each. The smell
3) Finish grid individually/pairs/teams. could be a leaf, a blade of grass, a
4) Praise class for upward graph of improvement. scented candle like pomegranate
5) Reward with documentary as module is complete. etc. and blindfold members of the
6) Inform them final recap will be tomorrow. class to guess it. They will
7) Enjoy the documentary. remember this class all their lives.
1) How much have the patterns helped them? Are they Homework off at end of all
more focused and less scatty in their writing? modules.
2) Has their writing been distilled into beautiful phrases, Contributing to their portfolio
enjoyable to read and write and impactful? work is an ongoing option if they
3) What have they learned from this module? Have they wish.
enjoyed it? Does the multi-sensory formula make
sense?
OBSERVATIONS:
21
Teachers Guide
Date: __/__/__ Title: USING MICRO WITH MACRO Lesson number:15
Mention has been made of a story-fizzer in previous lessons. Best practise in cognitive
thinking, use of the imagination and patterns of English have been established. These are the
macro areas that all teachers aspire to impart to their students. The micro details can be
worked on now in more depth.
Attention must also be drawn to laser-eyed attention to detail also. This separates the truly
gifted pupil from the rest. A gifted student will take one of the scenarios below and come up
with a creativity that can astound you. The rest of the students need to develop the mental
scaffolding needed to get to this level. It is a process of osmosis rather than overnight genius,
but the sparks will start the fire. With the right questioning and higher order prompts, they too
will achieve their potential. Explain that objects that lead to a fascinating story are priceless!
Youre walking on the beach when you spy a tidal pool or lagoon. Whats in the pool?
1 POINT scuttling crabs turbo charged shrimp nickel-silver fish

5 POINTS message in a bottle a Millennium capsule a genies lamp
5 POINTS engraved golden ring a stash of Roman coins a treasure chest
5 POINTS tsunami wreckage driftwood with an arm unknown giant sea
with strange objects handcuffed to it creature
5 POINTS unexploded WW2 invading frogmen from a a bull shark circling a
bomb foreign land surfer

1) Moving from the macro pattern to the micro detail. 1)
2) How to use story fizzers and laser-eyed attention to
detail to build a story/plotline. 2)
3) Writing a detailed plot/unexpected twist in teams of 4

1) Discuss quality of ideas given by them in their 1) Ask them to think of a plot from
homework assignments so far. a great film and mirror it in their
2) Let them read page in workbook regarding the micro story if they are stuck.
and macro. 2)
3) Grids to be filled in with pairs/teams.
4) Let pairs/teams pick one scenario and develop it.
5) Best team oral story gets a prize.
6) Recap on ideas and story fizzers.
1) What are examples of laser-eyed attention to detail? Essay for portfolio based on first
2) What constitutes creative stories? module. Title optional: My beach
3) Difference between micro and macro. adventure or A day in the life of
a Roman coin.
OBSERVATIONS:
22
Teachers Guide
Date: __/__/__ Title: ORGANISING A READING DAY Lesson number:16
Many schools have a library. Many do not. If you are lucky, your school will be able to
provide you with the chance to bring your class there. If not, create your own library.
I had a reading day every Monday with all my classes, including the Leaving Certs. For them,
I would bring in 5 copies of The Sunday Times and 5 copies of Mondays Examiner. I
would lay out the different sections of the paper on the desk neatly and expect them to put
them back the way they received them. It gave me the chance to take 20 minutes down time
every Monday and I would check their files and their homework assignments. Sometimes I
even got valuable time to fine tune the plan for the week ahead or to catch up on corrections.
The reason both the students and I loved it was because it was:
1) A mutually co-operative atmosphere at the start of the week. I helped them to get
organised for the week ahead and they helped me to do the same.
2) It established the tone of the class as one of calm and peace. This set the expectation for
the week ahead. They read quietly. For the last ten minutes, I would ask higher order
questions at random on plot, characters, anti-heroes, best phrases, new words etc. It benefitted
them in so many ways. I found the weakest students would improve gradually but steadily.
3) It had a purpose. With the Leaving Certs, we could discuss topical events, areas of debate
and controversy, current affairs, sport and politics. They still had to find 5 new words every
Reading Day and put the dictionary definition in their vocabulary notebooks. They could thus
(all classes) do Mondays homework in class, if they wished, and they loved that aspect of it.
With the rise of the internet, Kindle, Goodreads etc. it may be possible to do all this without
moving class. I would recommend organising a school or first year book donation if not.
Build up your own class library slowly. St. Vincent de Paul also sells books at greatly
reduced prices. Why not organise a class no-uniform day to pay for this and have a Reading
Day designated for every Monday? It is the best, low-cost pedagogical technique of them all.

1) Set template for calm class mood to enable learning. 1) Kindle
2) Increase diction/mechanics/awareness of plot lines. 2) gutenberg.org
3) Engender a lifelong love of reading.
1) Organise book collection, magazines, encyclopedias. 1) Any book which is suitable for
2) Set ground rules. Students stand up if misbehaving. their age.
3) Foster calm atmosphere by speaking quieter. 2) National Geographic
4) 7 new words every week in vocabulary notebook. magazines, spare dictionaries,
5) Homework allowed in class if students co-operative. encyclopaedias, free brochures
6) Higher order questions by teacher at end of class. from Travel agents and novels.

1) Lifelong love of learning/reading/calm atmosphere. To be completed in class.
23
Teachers Guide
Date: __/__/__ Title: INTERROGATIVE WORDS Lesson number: 17
An interrogative word is a word which normally starts a question. It is called an interrogative

word because it comes from the word interrogation. This means to question. You have
probably arrived home late sometime and a parent says loudly: Where were you? Now you
can say to that parent that theyre very interrogative, though it is not recommended!
Interrogative word examples include:
1. What 4. Who
2. Where 5. Why
3. When 6. How

1) Readings of the portfolio essay on beach in class. 1) BBCs Manhunters:
2) Getting students used to class readings. Series1 Episode 2 or
3) Introducing interrogative words. The man-eating lions of Njombe
Both are on
YouTube
1) Let volunteers read out portfolio assignment essay. 1) Jim Corbetts autobiographical
2) This may take 20-25 minutes. The other students book about hunting man-eaters is
should listen and make OBSERVATIONS: on the best called:
phrases, ideas and sentences in their copies/ vocabulary Maneaters of Kumaon.
notebook. It is available to read free on:
3) Praise all volunteers and possibly give oral grade gutenberg.org
from listening. Students should accept your own
critique or mild peer criticism where the essay may be Read passage from page 29 to get
improved. Work on a 5-praise values/1-criticism value background of story. Read pages
at start of year. 39 and 40 to the class and apply
4) Move on to interrogative words sheet. Discuss and interrogative questions to the
help students with small on task assignments. concept of hunting a man-eater.
5) If time allows, have a George Rushby discussion and Corbetts legendary dog, Robin,
what it would be like to hunt a man-eater. deserts him on pages 39-40.
1) What constitutes a good essay? Imagination or Research George Rushby, Jim

structure? Flair or using grid skills? Corbett or Colonel John Patterson
2) How can self confidence in front of groups carry on Wikipedia.com etc.
forward into life? Ghosts in the Darkness is a
3) Does the x-factor mean singing or being able to write particularly powerful film about
and present a great English essay? Use a drumroll John Patterson hunting lions.
before they read.
OBSERVATIONS:
24
Teachers Guide
Date: __/__/__ Title: READ AND PUNCTUATE Lesson number: 18
It was lava hot on a summers day. I decided to go for a ramble on the beach with my friend,
Laura. When we got there, the sky was an unending arch of neon-blue. The clouds looked
like fairy smoke and drifted slowly.
The beach was shaped like a scythe and it felt feather soft. It was gleaming like melted gold.
Yachts were lolling in the distance and the horizon was a perfect plumb line of silver.
The soft ballad of the sea washed over us and we could hear the waves gurgling. Chords of
sunlight arrowed down from the blue arch of the sky. Lots of tourists passed us sporting deep,
perma tans.
Are you hungry? Laura asked me. My stomach growled.
Yes, I replied. I could eat a hippopotamus.

The sun beat down on us, making us parched as well.
The smell of those spicy chickens is making me famished as well, she said. Lets go get
some.
We bit into the steak and it was scrumptious.
Its the most divine steak Ive ever tasted, Laura said.
We walked home as the sun set. It was like a golden eye in the sky getting dimmer. Just then,
we heard a whistling sound and a body dropped from the sky. It hit the sand with a mighty
thump and was still. We looked at each other, horrified and stunned.

1) Measure upward graph of student punctuation. 1) TI: How to teach punctuation
2) Observe difficulty substituting words (i.e. diction). to: theguardian.com

1) Test the definition of their reading day words orally 1)
from their vocabulary notebooks. Be very strict on this.
2) Read the story. Get feedback on whether it is too
short.
3) Individual or paired on task activity punctuating
and substituting words for each other.
4) Assisting weak students with advice/encouragement.
5) Recap with oral presentation from student volunteers.
1) Has their range of diction, ability to correct Punctuation exercises and quiz on:
mechanical errors, level of ideas etc. improved? eslcafe.com
25
Teachers Guide
Date: __/__/__ Title: PORTFOLIO TEMPLATE Lesson number: 19 (a)
Date: __/__/__ PORTFOLIO EXERCISE: 1st DRAFT LESSON: 19

STUDENT ASSIGNMENT: Write a story about being INTERNET
OBSERVATIONS hunted by a lion. RESOURCES
AND AND OTHER
PULSE WORDS RESOURCES
My first trip to Africa was not a happy one. It I read pages 9-15
beeswax-yellow started so well but I am not sure if I will ever of Jim Corbetts
doom-black return. it is a soul-withering place for children Maneaters of
magma-red I can still smell the heat from the baked earth of Kumaon.
Africa It is a smell of brown grass, animal dung
shuffling and musty animal fur. The sun is a burning, I looked up the
roaring beeswax-yellow by day and the nights are doom- free site on The
snarling black and scary. The stars are like dream-dust on Gutenberg Project
a roll of black velvet but the lions use the light to in order to do this.
hunt.
spine-tingling we knew we were in trouble when we heard the I also looked at a
soul-withering roaring and snarling. I was terrified when I heard short clip of a lion
the rusteling in the bushes. We only had a tent to charge on
relieved keep them away from us. The whole night was YouTube. It was
spent in a spine-tingling panic. They padded terrifying! It gave
moth-flutter around the tents all night and seemed to be me ideas for my
hunting us. Then the ranger fired a warning shot homework story.
and they disapeared. We were relieved.
The sound of moth-flutter returned as pace took I also used pulse
over again. the sunrise was a beautiful, magma- words from my
red but I found Africa to be terrifying. workbook to add
colour and sound.
SPELLINGS SYNTAX ERRORS PUNCTUATION
rustling It is a soul-withering place for children. I can still smell the

disappeared We knew we were in trouble when we heard the heat from the
peace roaring and snarling. baked earth of
terrifying The sunrise was a beautiful, magma-red but I Africa.
found Africa to be terrifying.

1) To create a suite of portfolio templates. 1)
1) Show template to class. 1) Blank copy of this template at
2) Ask them to generate ideas/changes/other templates the end of this book.
by changing the structure and design of the above
template if needed.
1) Each student may devise their own template with Devise a portfolio template
help from parents/siblings/other teachers/mentor commensurate to their ability and
students/researching the internet. dictates.
26
Teachers Guide
Date: __/__/__ Title: PORTFOLIO TEMPLATE Lesson number: 19(b)
Date: __/__/__ PORTFOLIO EXERCISE: 1st RE-DRAFT LESSON: 19

STUDENT ASSIGNMENT: To redraft my original INTERNET
OBSERVATIONS: assignment on being hunted by a lion. RESOURCES
AND PULSE AND OTHER
WORDS RESOURCES
My first trip to Africa was not a happy one. It I read pages 9-15
beeswax-yellow started so well but I am not sure if I will ever of Jim Corbetts
doom-black return. It is a soul-withering place for children. Man of Kumaon.
magma-red I can still smell the heat from the baked earth of
Africa. It is a smell of brown grass, animal dung I looked up the
shuffling and musty animal fur. The sun is a burning, free site on The
roaring snarling beeswax-yellow by day and the nights are doom- Gutenberg Project
black and scary. The stars are like dream-dust on in order to do this.
a roll of black velvet but the lions use the light to
spine-tingling hunt. I also looked at a
soul-withering We knew we were in trouble when we heard the short clip of a lion
roaring and snarling. I was terrified when I heard charge on
relieved the rustling in the bushes. We only had a tent to YouTube. It was
keep them away from us. The whole night was terrifying! It gave
moth-flutter spent in a spine-tingling panic. They padded me ideas for my
around the tents all night and seemed to be homework story.
hunting us. Then the ranger fired a warning shot
and they disappeared. We were relieved. I also used pulse
The sound of moth-flutter returned as peace took words from my
over again. The sunrise was a beautiful, magma- workbook to add
red but I found Africa to be terrifying. colour and sound.
SPELLINGS SYNTAX ERRORS: PUNCTUATION
Corrected Corrected

1) To create a suite of portfolio templates. 1)
1) Show template to class. 1)
2) Ask them to generate ideas/changes/other templates.
3) Ask them to design a portfolio template and print out
the number of copies required for the year.
1) Each student must be made aware that an English Devise a portfolio template
assignment consists of two parts, a draft and a redraft. commensurate to their ability and
dictates.
27
Teachers Guide
Date: __/__/__ Title: INFORMAL LETTER 1 Lesson number: 20
http://germanhistorydocs.ghi-dc.org/sub_document.cfm?document_id=3716
The link above will take to you a site where a beautiful letter awaits. It is written in 1530
and penned by Martin Luther. Did you know he invented Kris Kringle as an antidote to the
Papist Santa Claus?! Im sure the students would like to know also.
You can read either letter first and ask them to guess the date it was written. When they listen
to the letter, it should be fascinating to see if they can guess within 400 years! The lute and
the small crossbow give it away to a degree, but they may not notice. Promise them
homework off if they get the year correct. This way, they will listen to the actual language
register. Now is the time to introduce that phrase to them (i.e. language register). Give
homework off to the closest.
It is a beautiful and simple letter. Perhaps it would be a good time to discuss symbolism
also. The garden he refers to may be Paradise; either the paradise of knowledge and a pious
life, or the hereafter reward in the next.

1) Get the students to understand the function, use of, 1) TI: From Fitzgerald to Reagan
and structure of a formal letter. at:
2) Introduce language register as a phrase. brainpickings.org
3) Facilitate the life advice in letter to be discussed. It gives five letters from fathers to
their children.
1) Check punctuation homework. 1) The letter from Scott F.
2) Discuss what an informal letter is and what situations Fitzgerald to his daughter, Scottie,
might require it. was published in The New York
3) Let them read letter silently as it is more effective Times on August 8, 1933. It can
when it is read, not listened to. be argued from this that he was a
4) Discuss contents of the letter and life advice given. good or bad father, depending on
5) Questions in book to be discussed before attempted. whether she was asked for his
6) Questions in book to be attempted individually in permission to publish it. Would an
class or for homework. 11-year-old want that attention?
7) Read Martin Luther letter if time permits. The full letter is available on:
nytimes.com
1) What constitutes good parenting? Reach a consensus. The questions in the book or ask
This may be applicable for the nutrition module. Be them to write to their five-year-old
sensitive on this issue self with advice on how to live
2) Ability to define and recognise language register. their life until they are 11 or 12.
3) Ability to define and recognise symbolism.
OBSERVATIONS:
28
Teachers Guide
Date: __/__/__ Title: READING DAY Lesson number: 21

1) Foster peaceful, calm atmosphere conducive to silent 1) gutenberg.org
reading.
2) Enable students to appreciate the value of stillness
and no distractions while working. Some may find this
difficult at first. Take this opportunity to explain again
that doing homework with the television on is not wise.
3) Set ground rules and how this class runs itself with
expected behaviour patterns.
1) Explain that Mondays are sacred. They are an oasis 1) Ask students to keep bringing in
of peace in a stormy world. Set down expected books and ephemera for the class
behaviour patterns to your satisfaction. library.
2) Check homework as they are reading. Move around
to claim the space and whisper suggestions on 2) Consider making posters with
homework as they read. reviews of the books they are
3) For the first few reading days, the teacher should reading.
pick a book from the library and read also. Exemplar is Although there is a class novel to
the best form of encouragement. Explain to those be studied in first year, I would not
talking that they are cutting across you reading and you attempt this until March/April after
will have to take steps to check their behaviour if they the mental scaffolding of
keep disturbing you. You are articulating what the rest punctuation, grammar and thought
of the class are thinking. processes have been established.
4) With ten minutes to go, ask simple questions to These months also give an
individuals about their book: characters, plot, whether opportunity to take a class outside
they are enjoying it etc. Remarkably, the other students once or twice in the good weather.
become used to this and it does not affect their They always tend to associate
concentration. They become absorbed in the books after English class with good memories,
a time. a degree of autonomy and an
5) Repeat the deal on offer. They can look up 5 new empathetic teacher if they are
words in their dictionary as they are reading their allowed to do this.
material. Some of the best students prefer an unbroken Do they learn much academically
reading session and love to write reviews instead. On a in these al fresco classes? Possibly,
Monday, it might be best to have a menu of choices for but what price a student/teacher
them. That way they feel as if they are taking ownership bond where they do not wish to
of the process. Posters can be made for those students ever leave you down?
who come across a dynamite or 10/10 book. Learning to be a child in school
6) Recap on whether they enjoyed the peaceful and enjoying it is in itself a lesson
atmosphere and explain that you can embed the class for some in these classes.
into their English timetable if they wish.

1) Getting a routine of calmness established. To be done in class if students
2) Discovering the wonder of books. want to: look up new words.
OBSERVATIONS:
29
Teachers Guide
Date: __/__/__ Title: INFORMAL LETTERS Lesson number: 22

1) Discussing life advice from successful people like 1) Show a clip from YouTube on
Stephen King. any of Stephen Kings films:
2) Discuss the advice of Einstein on studying. The Green Mile, The Shawshank
3) Establish best father from 3 letters and how empathy Redemption, Stand By Me etc.
is a powerful tool.
2) The Albert Einstein
Stephen Kings advice to writers is seen as one of the documentary by Michio Kaku on
most powerful books on the subject. Theres a very YouTube: 1hour 29 minutes long
simplified but brilliant version that even 1st year Show the first 15 minutes of it.
students can read on:
grammar.about.com Brilliant clip and it makes
or you could read 134 quotes of his on: Einsteins theories accessible to
thegutenbergproject.com students.
1) Recap on new words in vocabulary notebook. 1) Read an extract from any novel
Establish peer and pair testing of definitions in from Stephen King.
notebooks.
2) Read Stephen King letter. 2) Michio Kaku on YouTube:
3) Explore the advice he gives and whether it is actually All kids are born geniuses but are
good advice for a 12-year-old. Answer questions orally crushed by society: 1 min 41
as preparation for homework. seconds long. Fascinating and
4) Focus in on the benefit of the mnemonic advice as a students will love the concept.
way to remember the template of a formal letter.
5) Read letter from Einstein to his son. This letter tends 3) Michio Kaku on why UFOs are
to have a powerful impact on people. Is it because it is real: YouTube: 3mins. 31 secs.
tender, because he is so erudite, or because it could be long
written by anyone?
6) Discuss questions and why his language register Set up a debate around this for a
shows awareness and empathy. future date and get the students to
7) Recap on lesson and assign homework. research the evidence for their
portfolio. Did Einstein believe in
God or UFOs? YouTube has
some excellent documentaries on
all these questions.
1) How to write the template of an informal letter. Questions to be completed on
2) Why language register is important in a letter. either one or both of the letters.
3) The nature of intelligence and how all humans who
can interact and thrive in society are geniuses (if the
class time permits). Are we all geniuses?
OBSERVATIONS:
30
Teachers Guide
Date: __/__/__ Title: DESCRIBING A FOREST Lesson number: 23
FOREST COLOURS nut-brown oak-brown bark-brown

FOREST SOUNDS creaking trees shuffling animals cracking twigs
FOREST IMAGES canopy of leaves pools of light twisted limbs of tree
ACTION IN FOREST yipping foxes screeching owls grunting badgers
METAPHORS ribbons of moonlight pipe smoke of fog cat-light of the night
SENSATION ghostly cobwebs squelching feet mist like sea spray
SMELLS IN FOREST pine honeysuckle woody
FOREST TASTES delicious berries juicy fruits crunchy nuts

1) To establish the progression of the class in focusing 1) TI: 10 top colours to:
and distilling their thoughts down to 10 simple merriam-webster.com
considerations when writing a descriptive passage. You will get a slideshow with 10
2) To introduce a story fizzer into a passage of writing beautiful-sounding colours and
in order to make the plot dynamic. their etymology.
3) To prepare the students for tomorrows lesson on 2) TI: Ecuador-Life at its Purest
texture by bringing in simple objects: flowers, liquids into YouTube
etc. and applying a word of texture/sensation to those IT shows a clip 7 mins (it is
objects. actually only 5 mins) long by its
tourism ministry and shows some
beautiful vignettes of beach, forest
and mountain.
The clip can be used to discuss
advertising also at a later date.
1) Recap on letter questions homework. 1)
2) Ensure students give you the objects without others
seeing it. If not possible, provide them yourself.
3) Get students to link words of sensation and feeling
with the objects. 2)
4) Let teams of 4 try to attempt the grid.
5) Discuss best answers/homework off for best effort.
6) Insert story fizzer with grid words for homework.
7) Discuss plot of possible stories and recap on lesson.

1) Fusing grid words with story fizzer plot. Portfolio work: Essay on My
2) Discuss aesthetic language if class suitable. Forest Adventure before forest
3) Using imagination to construct best story possible. module is attempted in October.
Ask students to bring in texture
objects tomorrow for blindfold
experiment on how things feel.
OBSERVATIONS:
31
Teachers Guide
Date: __/__/__ Title: TEXTURE Lesson number: 24
NOUN/IMAGE SOFT TEXTURE NOUN/IMAGE HARD TEXTURE
dough doughy enamel enamelled

eiderdown like eiderdown flint flinty
feather feathery glass glassy
fleece fleecy gravel gravelly
fluff fluffy grime grimy
gossamer like gossamer grit gritty
satin satin soft leather leathery
silk silky metal metallic
velvet velvety stone stony
lambs wool like lambs wool stubble stubbly
soft sand powdery hard sand gritty

grass like fleece leaves feathery
hailstones glassy nails sleet liquid frost
sunlight a veil of warm satin moonlight a veil of silk
rocks like tree bark/old bread crusts the wind a cool hairdryer
snow cold foam fog a layer/film of gauze
soft rain gossamer flowers eiderdown
mist cold honey/sea spray tree bark stubble

1) Relate a noun or image to a specific texture. 1) TI: list of textures and look at:
2) Discuss how impactful this textural technique would learnrv.com website
be in an essay. Specifically, how it allows you to share It has a word list for all of the
your world with the reader as a sensory bridge. senses and, interestingly,
dimensions and temperature.
1) Recap on yesterdays essays if they have them 1) Whatever objects the students
completed. Some students may need a few days. can think of.
2) Blindfold students and present unusual objects.
Award points for excellent parallels between objects
and textural diction used.
3) Fill in grids in pairs or teams.
4) Start story on texture only in class. Having fun and
mining them for ideas is paramount. Do in pairs or
teams if they are finding it difficult.
5) Recap on the sensory bridge that texture builds.
1) How using texture is a cunning technique in a story. A short passage using the words
2) How multi-sensory writing teleports the reader into in the second grid. The passage is
your world. to include all the textural words.
32
Teachers Guide
Date: __/__/__ Title: NUTRITION AND DIET Lesson number: 25
A TRIATHLETES DAILY DIET: AILEEN MORRISON

breakfast pancakes/butter/water/sports drink
breakfast porridge with blueberries, nuts and honey/protein drink
snacks bar while on the bike/coffee/big scone
lunch toasted sandwich or wrap with spinach and chicken
snacks apple/protein bar
lunch wrap with spinach and chicken or coffee and scone
dinner meat and vegetables or stir fry/chicken and salad or steak and salad
supper bowl of cereal
snacks chocolate treat

1) Establish the importance of diet and nutrition. 1) TI: The 26 healthiest foods to:
2) Establish what an alpha sports person eats. innerglow.ca and
3) Make students reflect on their food intake and habits.
1) Recap on texture homework. 1) TI: The 5 best foods on the
2) Students write down yesterdays food intake in planet into YouTube
detail.
3) Read Aileen Morrisons intake. Discuss. Fill in grid. 2) Consider showing a survival
4) Read Rob Heffernans intake. Discuss. video from YouTube on catching
5) Read Gavin Nobles intake. Fill in grid and discuss fish or TI:
all three in relation to what the students eat. Commercial fishing with a 12 foot
6) Extend over 2 classes if time constraints develop. cast net: It is 3mins and 41secs.
7) Recap on the importance of nutrition. long.
1) What can one do to change habits? Is it willpower or All the questions on the 3 pages
simply awareness of the need to? need to be answered in time.
SUPER FOOD BENEFITS SUPER FOOD BENEFITS

coconut oil slows Alzheimers coffee slows heart disease
wild salmon sweet potatoes
almonds walnuts
tomatoes red peppers
sea vegetables blueberries
papaya apple cider vinegar
kiwis kale
yoghurt acia berries
radishes water
spirulina mangos
organic vegetables avacadoes
flax and hemp seeds spinach
cacao beans (chocolate) olive oil
33
Teachers Guide
Date: __/__/__ Title: NUTRITION AND DIET Lesson number: 26
ITEM POINTS/BENEFITS ITEM POINTS/BENEFITS

almonds kefir
apples lentils
artichoke hearts oatmeal
avocado olive oil
beetroot oranges
beans pistachios
bell peppers pomegranate
black/rasp/berries potatoes
black tea quinoa
blueberries red wine
broccoli salmon
brown rice sardines
Brussels sprouts seaweed
cherries shiitake mushrooms
chia seeds skim milk
coffee spinach
cranberries strawberries
dark chocolate sunflower sprouts
Edamame sweet potatoes
eggs tomatoes
flax seeds turmeric
ginger tuna
Greek yoghurt walnuts
green tea water
kale white tea

1) Make students think about nutrition in a meaningful 1) TI: Healthy food: 50 of the best
way and have fun doing it. in the world to
2) Introduce them to new foods in a school environment huffingtonpost.com for the
and help them appreciate alternatives to their diet. answers to the above grid
1) Recap on yesterdays nutrition class. 1) TI: naturalnews.com for Mike
2) Let the students have fun looking up the benefits. Adams, the controversial Health
3) Get pairs to orally present their findings. Ranger.
4) Try to cross-reference this grid with yesterdays.
5) Recap and why arent bananas on the grids?!!!

1) What 5 foods would they pick to survive for a year?
2) Award points for best foods in nutrition grids.
OBSERVATIONS:
34
Teachers Guide
Date: __/__/__ Title: ASSOCIATIVE LEARNING Lesson number: 27
1. Waves are to the sea as stars are to the sky. Link word-in.
2. Volcano is to meadow as mountain is to fountain. Link word-rhyme.
3. Lolling is to rolling as tumbling is to somersaulting. Link word-motion.
4. Sun spears are to sun lances as moon arrows are to moon daggers. Link word-weapons.
5. Lagoon is to lake as stream is to river. Link word-water.
6. Sickle is to scythe as hook is to horseshoe. Link word-shape.
7. Glint is to gleam as glitter is to glimmer. Link word-reflection.
8. Rough is to soft as bark is to cotton. Link word-texture.
9. Nights cloak is to nights robe as nights veil is to nights shroud. Link word-metaphor.
10. A soup of smells is to broth as a stew of smells is to goulash. Link word-metaphor.
11. Oily is to fishy as salty is to briny. Link word-smell.
12. Informal is to formal as black is to white. Link word-opposites.
13. Stone is to flint as eiderdown is to feather. Link word-texture.
14. King is to breakfast as pauper is to dinner. Link word-eating.
15. Molten is to ore as Eden is to Jurassic. Link word-colours.
16. Almond is to walnut as salmon is to sardine. Find the link.
17. Vampire is to zombie as warlock is to witch. Find the link.
18. Crystal is to ice as flame is to fire. Find the link.
19. Orb is to eye as globe is to circle. Find the link
20. Parched is to dehydrated as tingling is to burning. Find the link.

1) Introduce concept of associative learning. 1) See below for teaching ideas.
MAIN LESSON HOMEWORK
1) Recap on nutrition grids and homework. 1) Follow up on nutrition lesson:
2) Discuss A.L. future benefits and link to intelligence TI: artofmanliness.com to see
3) Leave students have fun by filling in the grids in how Benjamin Franklin targeted
pairs. Award one point per word and a 5-point bonus for one aspect of his life each week
each sentence of 4 words they get right. and sought to improve it.
4) Recap by counting scores + promoting competition.
35
Teachers Guide
Date: __/__/__ Title: ADVICE FOR 11-12 YEAR-OLDS Lesson number: 28
This could be the most important lesson in the book. A lot of children do not get the guidance
they require at the crucial, early phase of their development. The best and most accurate
quote about children is from Francis Xavier: Give me a child until he is seven and I will
show you the man.
After this age, many behaviours, habits and routines are embedded, or at least imprinted. If
they are bad habits, there may be no-one in their lives who has the capacity or inclination to
change them. Whether it is sport, reading books, or study/diet attitudes, it is beholden on you
to gently guide them to the point where they decide living well is a choice. It is important to
be non-judgemental and to leave them talk about and discover the information for
themselves. Teachers try to improve lives. If that statement runs contrary to advice the
children are being given elsewhere, that is unfortunate. It shouldnt deter you from trying.

1) Establish the quality of advice given and tease out 1) TI: Best advice for a 12-year-
their views and reaction to it. old
2) Decide what the best advice given was. Richard Branson etc. will pop up.
3) Decide the worst or most contentious and ignore it! 2) TI: Best advice for 12-year-olds
to: yahooanswers.com
1) Recap on associative learning. 1) Read 7UP by Michael Apted on
2) Ask the class what it is like to be an 11or 12-year-old Wikipedia.
and explore the difficulties: life, school, relationships It was a type of social experiment
etc. Brainstorm the answers on the board. Do not let documenting the lives of 14 seven
them mention individual teachers. They will have more year olds from England every 7
respect for you in the long term. This exercise may take years. They are now 56 and it is
some time! based on the quote of Francis
3) Ask them to think of themselves as 30 years of age. Xavier that it is difficult to escape
Let them visualise either a positive or negative future the bonds of societal position and
for themselves and write back with 3 pieces of advice to upbringing.
their 12-year-old self. Some episodes/clips are available
4) Brainstorm the most common answers among them. on YouTube. It would enthral the
5) Read the first 8 pieces of advice from the book. first years and make them think
6) Discuss the merits and demerits of the advice. See if about having a linear route that is
any of them match their answers. mapped out (or one they should
7) Recap and make them aware tomorrows topic is the map towards themselves).
same.
1) Is it more difficult now to be a 12-year-old than What have I learned in class
before? today?
2) What can they do to sift out good and bad advice? A simple but effective question.
3) Is it worth mapping out a plan to succeed?
OBSERVATIONS:
36
Teachers Guide
Date: __/__/__ Title: ADVICE FOR 11-12 YEAR-OLDS Lesson number: 29

1) To explore how the class feels about the advice given 1) TI: Inspiring quotes for kids to
and if it is valid. see to:
2) To explore if the techniques suggested have any pinterest.com for a wonderful
relevance to their lives: alcohol, drugs, peer pressure exhibit of quotes displayed on
etc. posters for students. This is a
must-see site.
1) Recap on yesterdays theme and let students 1) New scientific evidence claims
volunteer to read out homework to the class. that happiness/moods etc.is 50%
2) Critique homework presentations and discuss the genetic, 40% personal choice and
ideas generated. 10% external factors.
3) Let class read advice numbers 9 to 20. Controversial, but ask the class to
4) They may discuss the advice and rate these from best research it.
to worst or the top 5 best tips. This can be done in pairs
or teams also. This will challenge them to come to a
consensus.
5) Establish if there is one piece of advice that stands
out. Challenge them in this instance with your own
favourite and mention the Socratic method for the first
time.
6) Brainstorm what numbers 1-20 have left out and use
it for next years class.
7) Explain how to make out simple debating points.

1) Establishing parameters for being well. Ask them to formulate points for a
2) Establishing best practise when approaching lifes debate: That living well is an
challenges (if they agree!). individuals choice. Bring in
3) Genesis of debating skills being formed. sweets for end of module reward.
Call it a working lunch or a
working breakfast. Alternatively,
have a healthy eating day with
prizes for the healthiest
breakfast/lunch.
OBSERVATIONS:
37
Teachers Guide
Date: __/__/__ Title: RECAP ON CLASS IDEAS Lesson number: 30
IMAGES FOR A BEACH
SKY COLOUR
CALM SEA SOUNDS
COLOUR OF THE SAND
SHAPE OF THE BEACH
PHYSICAL SENSATIONS

1) Recap on full module and ask students about their 1)
favourite/least favoured aspects of module.
2) Note any lessons that were unchallenging for them.
1) Recap on yesterdays homework. 1) Perhaps take a look at a
2) Todays lesson may be completed with sweets as a flipped class sometime. A
reward. flipped class is a podcast or
3) Students on task to put the best words or sentences YouTube upload by another
from their portfolio into the grid. Fill in grid template. teacher. Maybe the two teachers
4) Portfolios to be updated and all drafts/redrafts could take one anothers classes
checked. some day and share the benefit of
5) Congratulate students on effort to date and ask them experience.
to comment/write down what aspects they enjoyed.
1) What has been the value of the entire module so far? Optional: what mini-module did
2) Are they happy with their individual progress? they most like and dislike?
38
Teachers Guide
The best time to plant a tree was twenty years ago. The next best time is now.
Chinese proverb
OCTOBER MONTHLY PLAN

WEEK ONE DESCRIBING A FOREST AND LIFE SKILLS
Lesson 31 Read The Painter in the Forest: pre-module discussion and ideas
Lesson 32 Fill in 1st grid: dictionary work: explore other creative ideas
Lesson 33 Discuss Maya Angelou quote: There/their/theyre: complete exercise
Lesson 34 Fill in 2nd grid: write descriptive forest exercise in class using words
Lesson 35 Rules on using commas: introduction to onomatopoeia
WEEK TWO
Lesson 37 Complete onomatopoeia (a.k.a. echoism) exercise: sounds of the forest
Lesson 38 Fill in 3rd grid: add paragraph to descriptive forest exercise
Lesson 39 Achieving success in life: is it a formula: do good habits lead to success
Lesson 40 Class exercise on task adding to advice given: internet research
WEEK THREE
Lesson 42 Fill in 4th grid: explore other interesting phrases in groups:
Lesson 43 Using direct speech: using internet for other exercises
Lesson 44 Fill in 5th grid: multi-sensory aspects of the forest: crossword in class
Lesson 45 Fill in fun crossword and get class to make one
WEEK FOUR
Lesson 47 Direct to indirect speech: internet exercises for homework
Lesson 48 Recap on lessons: Wordsearch: making a waterfall grid
Lesson 49 Writing an essay: structure and patterns: changing the diction
Lesson 50 Writing an essay: on task in class: redraft with peer correcting
WEEK FIVE
Lesson 52 Writing a diary entry introduction: dos and donts: on task entries
Lesson 53 The Great Famine as a mode for diary entries: coping with grief
Lesson 54 Read sample diary entry: discuss and explore solutions to famine
Lesson 55 Fill in colour chart: Describing a Lake introduction
EXTRAS
Lesson 56 Making a personal statement: how life requires a strategy to thrive
Lesson 57 Making a class mission statement:
Lesson 58 Making a daily nutrition grid: diet and the problem with information
Lesson 59 Planning a success map: avoiding negative patterns
Lesson 60 Associative learning and recap: nutrition patterns: class ideas grid:
The vision of a champion is someone who is bent over, drenched in sweat, at the point
of exhaustion, when no-one else is watching. Anson Dorrance
39
Teachers Guide
THE PAINTER IN THE FOREST
The Latin phrases provide a great store of knowledge with the least amount of words. There
is a great story from Pliny the Elder, a Roman writer and philosopher. It tells of a shoemaker
(i.e. cobbler) who approached a master painter pointing out a mistake he had made when
drawing a sandal in his masterpiece. The painter had the wisdom and grace to agree with him
and changed it. Encouraged by his success, the cobbler began to criticise other aspects of the
painting. At this point, the painter, Apelles of Kos, said:
Sutor, ne ultra crepidam. (Cobbler, not above the sandal.)
If you can understand what this quote means in later life, you are on the path to wisdom. For
students, however, they should always question why something is presented as best practise.
For that reason, picture yourself walking in a forest. You see a painter working in a clearing.
He has filled in a beautiful scene. Titans fiery wheel hangs in the sky. Fingers of light poke
through the trees and touch the shadows, making the earth steam. The leaves are hanging
silently, dressed in their small, green slippers. A waterfall falls down into a bliss-pool and an
otter is eating a fish on the bank. The colours he uses are deep in places, a light pastel in
others.
Stick to the painting, you tell him. You wouldnt be able to get a job as a writer.
Why would you say such a thing? Maybe it is because you can do things as a writer that he
can never do. You have to visualise a scene also, just like he does. More than that, though,
your job is to make it come alive for the reader with words. In your wisdom, you know that
describing a wide, open scene like a beach is based mainly on the visual sense. For an
enclosed space like a forest, that wont be enough. You need to use other techniques in order
to catapult the reader into your world. You write down a list and give it to him. This is it:
COLOUR: The sun is a glowing ball of nectar-gold.
METAPHOR: The mist is soundless, voiceless and soulless.
COLOUR: The leaves are mint-green and the waterfall is neon-blue.
TEXTURE: The leaves feel like satin and the water feels like warm, rippling velvet.
ONOMATOPEIA: The waterfall is tumbling and the otter is crunching the bones.
ACTION: The otter plunges into the pool when he sees you and slaps his tail in warning.
SENSATION: The scene is soul nourishing.
SMELL: The earthy cologne of the forest drifts all around you.
TASTE: You eat some wild berries and they taste tutti-fruity, like little pearls of heaven.
Painter, not above the grass, you say, and you walk away, leaving him staring at the list..
40
Teachers Guide
Date: __/__/__ Title: PRE-MODULE IDEAS Lesson number: 31

1) Ask the students which part of last months module 1) TI: Top 7 places to visit before
they enjoyed the most. Base their homework on this. you die to:
2) Inform the students what aspects of this module can YouTube
be covered. Ask them to share ideas on what aspects
they would like to see included or left out. Take their It is 6 mins. 23 secs. long
ideas on board.
3) Outline your vision and expectations for this months It features some stunning (and
module. Affirm the need for high expectations and almost alien in places) imagery.
application to the task.
4) Stress that their education includes their decision- This is an option at the end of the
making as part of the process. Remind them that class. The opening sequence is a
everything in the chapter, especially in the grids, will place you wouldnt believe exists
need to be studied for the end-of-module assessments. on earth!

1) Do the exercises above. 1)
2) Read The Painter in the Forest out loud before they
get to read it. Ask for their ideas on the use of
colour/the senses/the quote given etc.
3) Ask them to write down the best phrase they can 2)
remember.
4) Take a sneak peek at the grids for tomorrows lesson.
5) Revise orally the main aims for the month ahead.
Then ask them to write them down.

1) A sense of inclusivity by the pupils in the decision- What was the most enjoyable part
making process. of Septembers module? What was
the least enjoyable? What was the
2) Planning ahead is a crucial part of the education most difficult but rewarding? Are
process. It is best practice for life also. Discuss how this they enjoying English? Give
can benefit their lives and job prospects if there is time. reasons for all these questions.
OBSERVATIONS:
41
Teachers Guide
Date: __/__/__ Title: DESCRIBING A FOREST: 1st GRID Lesson number: 32
Definition: Doctors cure, nature saves.

microscopic glade
narrator surreal dreamlike
parachute frogman
hang glider gingerbread
brochure Eden
barbecues Jurassic
molten Everglades
trees specific animals glades/groves moonlight

animals nothing-you are blind sunlight starlight
a fire a unicorn a magic castle an evil magician
a river specific forest birds a lost world an evil witch
a serial killer vampires/zombies a gingerbread house a dead frogman
a troll anything surreal a waterfall/ rock pool super student ideas
a silent Eden wood sorrel beryl-green alluring
silk soft leaves cloudberries jasper-green potpourri of scents

1) Introduction to first grid and to promote creativity 1)
through the prism of the forest grids.
2) Engendering familiarity with dictionary
work/spellings/grammar exercises.
1) Ask students to fill in Latin quote, its meaning and 1) TI: Planet earth amazing nature
the grids. Emphasise that the points system is for fun scenery to:
but that it also has an educational purpose. YouTube
2) Let them use the dictionary for any new words and It is 13 mins. 29 secs. long and
discuss their ideas for the super student ideas grid. shows 5 different clips:
3) Discuss Maya Angelou quote and move on to 1) The Arctic: Start-1:37 secs.
there/their/theyre exercise, time permitting. 2) Mountains 1:38-4:29 secs.
4) Suggest Maya Angelou as a possible project topic. 3) Forests 4:30-7:50 secs.
5) Revise lesson and go through there/their/theyre 4) Waterfalls: 7:51-10:20 secs.
corrections. 5) Deserts 10:21-The end.
1) Using grid exercises to broaden their imagination and Spellings to be learned off. Other
creativity. homework optional.
2) Emphasising the importance of grammar in
conjunction with creativity. Each has equal value is the
subliminal hint.
OBSERVATIONS:
42
Teachers Guide
Date: __/__/__ Title: THERE/THEIR/THEYRE Lesson number: 33
1. The forest over there is tropical-green. COLOUR
2. The twigs were crunching under their feet. SOUND
3. Theyre called the swaying towers of the forest. What are they? SHAPE/MOTION
4. I heard a badger snuffling over there. ANIMAL SOUNDS
5. Theyre looking up and the stars are shining like silver petals. STARS
6. Theyre the green skyscrapers of the forest. What are they? METAPHORS
7. The ferns over there are Jurassic tall. IMAGERY
8. Their experience of the forest was heart haunting. SENSATION
9. The forest over there smells pulpy and loamy. SMELL
10. Theyre going to the forest to taste the sherry sweet cloudberries. TASTE

1) Finish lesson if not already completed. 1) 5 extra fill in the blank qs at:
2) Underline the importance of grammar by linking it grammar.ccc.commnet.edu
with the creativity exercises.
TI: The difference between there,
their and theyre.
1) Recap on yesterdays spelling homework. 1) Make out other sample
2) Ensure students write down the location/possession sentences if they are needed.
rules and difference in their copybooks. 2)
3) Allow students to attempt the 10 fill in the blanks
questions. Answers above.
4) Recap on same. Ask them to make up their own
sentences containing there/their/theyre if time permits.
1) The importance of grammar. Ask them to make up 10
2) Everythere is everywhere is an important sentences containing
mnemonic. there/their/theyre. Parental or
sibling help would be welcome.
OBSERVATIONS:
43
Teachers Guide
Date: __/__/__ Title: DESCRIBING A FOREST: 2nd GRID Lesson number: 34
Definition: Believe that you have it and you do.

glade onomatopoeia
surreal echoism
frogman crinkly
gingerbread rustling
Eden clacking
Jurassic guardians
Everglades pulsing
jade-green postcard-green carnival-green Amazon-green

Everglades-green velvet-green Eden-green Jurassic--green
creaking trees crinkly leaves clacking boughs rustling foliage
crunching twigs crispy grass crackly ferns phut-phutting nuts
castles high rises caretakers sleeping soul
towers skyscrapers guardians pulsing heart

1) The importance of colour/sound/metaphors to 1) TI: 101 examples of
increase the quality of their writing. onomatopoeia in sentences to:
2) Discussing the Latin quote as a template for success vapingo.com
in life. Believing you can do something is one of the
key steps to achieving it. 2)
3) Cooperative and complementary work skills
enhanced.
1) Check spellings from previous class orally/written. 1)
2) Let students use dictionary or computer dictionary to
fill in the meanings of the new words.
3) Assign the challenge of filling in the grids
individually, paired or in teams. 2)
4) If they are using the dictionary, the main focus on the
lesson should be cooperation. One student can look up a
word while another student writes down the definition.
Then they can reverse roles for the next word. This type
of complementary strategy maximises their learning and
productivity skills.
1) Multi-tasking together in a calm and productive way.
2) Long-term aim of enabling on task project and
portfolio work to be second nature to them.
OBSERVATIONS:
44
Teachers Guide
Date: __/__/__ Title: USING COMMAS Lesson number: 35
Whats the difference between a cat and a comma?
Mnemonic: One has CLAWS at the end of its PAWS and the other has a PAUSE at the end
of its CLAUSE!

1) Learn the mnemonic of the cat and the comma. 1) TI: How to teach punctuation:
2) Underline the importance of the comma in theguardian.com
punctuation.
3) To introduce punctuation work as being beneficial It gives the best resources to teach
and fun-filled. Punctuation work is not a snore, a chore punctuation on the web. Teachers
or a bore. It is a door to success. share punctuation cards, rhymes,
games etc. but you may have to
register first.
1) Let students write down two reasons why the poor 1) Perhaps use newspapers, books
comma should be saved. etc. to locate commas in sentences.
2) Give the mnemonic and assign time for them to learn Then get the students to see which
it. This plays a crucial role in building their of the 5 basic rules of the comma
metacognitive skills. that particular sentence is obeying.
3) Read through the rules on using a comma. Discuss
the Oxford comma and while it is not necessary to use 2) Introduce a murder mystery
it, it is good to be aware of it. game. Call the students
4) Let students attempt the 10 sentences for Rule No.4. punctuation detectives and make
5) If time permits, access the Guardian website for extra a game of it. Tell them a murder
exercises. Then recap on the rules of the comma and the has been committed, the murder of
lesson. Ask them to learn the rules of the comma if the grammar in the English language,
students ability permits this. If not, ask them to learn and only they can solve it!
the 3 you think are the most important. 2)
6) Time can be assigned at the end of class to begin
learning the rules of the comma.

1) Using mnemonics is a fun way of learning. Learn some or all of the 5 comma
2) Learning the punctuation rules can be fun and is rules.
doesnt have to be excessively rigorous or challenging.
3) Distilling complicated grammar rules down to their
essence is best practice for children.
OBSERVATIONS:
45
Teachers Guide

1) 1)
2)

1) 1)
2)
3)
4)
5)

1)
2)
OBSERVATIONS:
46
Teachers Guide
Date: __/__/__ Title: ONOMATOPOEIA Lesson number: 37
animal onomatopoeia sound motion
bear growls rooargh shambles

bee buzzes biiiiiiiiz surfs
bull bellows burooou charges
cat mewls meeeow pads
cow lows arrruuum wanders
dog (big) barks rufffruff clumps
donkey brays heeeaaaaw trots
duck quacks grackgrack waddles
elephant trumpets buurrrrrrrrr lumbers
frog croaks ribbitribbit leaps
magpie chatters kakkakkak swoops
monkey screams ooohahahah climbs
mouse squeaks weakweak scurries
owl hoots toohootoohoo ghosts
peregrine falcon whines waaaaaaaaaa dive bombs
pig grunts hokkkhokkk ambles
robin carols feekeekeefee flits
raven croaks graawkgraawk soars
serpent hisses sssssssssssssss slithers
wolf howls owuuuuuuuuu lopes
ACTION SOUND ACTION SOUND
a twig breaking cracking lightning in the sky sissing

a badger moving shuffling a rodent running skittering
a stream gurgling a flood river roaring
a soft wind sighing a loud wind keening
a squirrel running scampering deer hooves clopping
a jay on alert screeching a dragonflys wings whirring
conkers falling thunking thunder in the sky rumbling
a bees nest droning a lake rippling ebbing
a small waterfall cascading a large waterfall plummeting
a wildcat slinking a troll yelling in pain yowling

1) Embed definition/use of onomatopoeia. 1)
1) Let students recreate the animal sounds. They will 1) Write a story using 20 of the
want to make lots of noise and articulate the guttural words above.
and high pitched sounds in this class. Let them! TI: 100 examples of onomatopoeia
2) This is a great class for phonetics and an opportunity to:
to coax shy children out of their self-imposed shells. noisehelp.com
1) Onomatopoeia is fun!!! Base homework on onomatopoeia
47
Teachers Guide
Date: __/__/__ Title: DESCRIBING A FOREST: 3rd GRID Lesson number: 38
Definition: Fear the man of one book.

onomatopoeia gnarled
echoism canopy
crinkly tannin
rustling almond
clacking grove
guardians hoary
pulsing mystique
bark-brown conker-brown teak-brown umber-brown

bamboo-brown nut-brown tannin-brown almond-brown
a dome of trees a moss veiled trail gnarled trunks a canopy of leaves
a leaf carpeted path secret groves hoary boughs a leafy curtain
a glowing orb a glinting halo a blood moon a Harvest moon
a gleaming globe a glittering ring a pagan moon a Hunters moon
the owl light of dusk placid rivers moon-splashed trees misty mystique of
chiming songbirds sleek rivers glimmering light the lavish forest

1) Keep students on alert for their spellings-they 1)
should be revising them in study periods/free classes etc
1) Give sneak mental challenge on the spellings from 1) See back of this book for an
the last two grids. It is not a test as they are sick of extra lesson on Describing the
hearing that word from teachers all day and it has very Moon.
negative connotations for them. The message here is Taken from Writing with
that English is unique, fun and vibrant. They will Stardust and may be used as a
always see the humour of you trying to pull the wool supplementary aid for other classes
over their eyes with a mental challenge. In reality, it is also.
a test but dont ever, ever, ever admit it!
2) Let students attempt grids individually/in pairs/in
teams.
3) Students look up dictionary words and meanings.
4) Recap with a discussion of the magical words and
how they might add to a story.
1) Making students aware that mental challenges are
likely to be sprung on them. Ergo, spellings are to be
learned with a long-term goal, not a short-term one.
OBSERVATIONS:
48
Teachers Guide
Date: __/__/__ Title: ACHIEVING SUCCESS IN LIFE Lesson numbers: 39/40

1) Is there a formula for success? Yes there is! 1)
Explain that all the formula for success is a simple one 1) TI: Advice- Formula for success
but it requires vision, planning, rigour and attention to to:
detail. All successful people do most or all of these: drphil.com
1) They believe in themselves more than others do.

2) Theyve a vision of what they are going to do in life. It gives very concise and excellent
3) They will form (and usually write down) a short, a advice on how to be successful. It
medium and a long-term plan. Sometimes the micro- also gives some ideas not covered
detail involved in this can shock their peers. by this book. Worth taking a look
4) They will make everyday decisions that will bring at for your senior classes also as it
them closer to achieving their vision. is advice for adults.
5) They are prepared to work harder than anyone else to
achieve this. They can mentally picture their
competitors working and it spurs them on. They will The key point of this lesson is to
never tire of the process of this work even though it impart to them the key strategies in
may seem repetitive and monotonous to others. being successful. You can decide
6) They will see failure as a short-term tactical loss in a which of the formula on the left is
long-term strategic game. It doesnt deter them. appropriate to the language
7) They will learn from these failures. Indeed, they will register and ability of your class. I
embrace them as merely another lesson learned. tend to break it down into 5 key
8) They will keep a diary, journal or notebook in order points for 11-12-year-olds:
to log successes, milestones and failures. Some will use
it to keep looking back at what did and didnt work. 1. Have a vision.
9) They are prepared to embrace change as a friend, not 2. Have a plan to reach your
an enemy. They learn to become as adaptable as they vision.
need to be. 3. Live it, act it and work towards
10) Nothing, no-one, no circumstance will deter them. it every day.
They are tenacious, enduring and confident in this one 4. Work harder than anyone else
aspect of their lives. This can manifest in insecurity and attack the process with zeal.
outside this environment sometimes. 5. Use setbacks as a motivator and
dont leave others deter you.
A teachers role is to encourage them in their dreams. It The nail in my wall would no
is also to make sure that they understand that the longer support the weight of the
visualisation, the planning and the working harder rejection slips impaled on it. I
than anyone else part must be adhered to. replaced the nail with a spike
Helping them map a plan of goals towards their and kept on writing.
destination is giving them a gift. It may be just the
platform they need, and you the voice, to start turning Stephen King, the worlds most
them from dreamers into achievers. successful writer, at age 14.
1) Giving them the gift of wisdom and explaining that
wisdom, like success, is a carefully-built bridge, not an
epiphany. It has to be learned and earned.
49
Teachers Guide
Date: __/__/__ Title: ACHIEVING SUCCESS IN LIFE Lesson numbers: 39/40

1) To implement a formula for success in life and the 1) TI: B2 Road Map to success to:
workplace over 2 class periods. collegetools.berkeley.edu
2) To introduce the concept that successful people share
the same traits and mental processes. It has a lesson plan made out with
3) To enable the students to map out a route to success a wonderful success map to fill in
by devising a plan to reach their goals. and a questionnaire already done
out for your students!
The document is in PDF.
1) Read the quote from William W. Purkey as a fun 1) TI: Life Mapping: envision your
introduction to how life can be lived. success to:
2) Read the first 3 points on achieving success and martinamcgowan.com
discuss the merits of them. It is perfectly fine for them
to argue against these points. New ideas take time to It gives an interesting, extended
ferment and organically grow. metaphor on travelling to success
3) Read points 4 and 5. Repeat Socratic method of and breaks down goal-setting into
arguing and reaching a common consensus. 5 easy steps.
4) Read points 6 and 7. Ask them to write down the
most interesting or beneficial points and why they liked
that particular one.
5) Ask the class if it is better to plan a road map to
success or to simply drift like a log through life. If they
think a plan is better, ask them if they should make out
one in tomorrows class.

1) Enabling students to develop the mind fitness Ask them to write out their top 3
needed for success. dream jobs in life (or 1 if they
2) Establishing that rigour is a crucial component of already know it). They must write
success. out 5-10 ways they can improve in
3) Generate ideas how the practicalities of this formula order to reach this goal: diet, sleep
can be applied immediately to their roles as students. patterns, sports, hobbies, school
subjects to focus on, improving
their personality, making a
planning road map, writing a
diary/journal, points needed for
college, saving money etc.
When it comes to the future, there are three kinds of people: those who let it happen,
those who make it happen, and those who wonder what happened.
Professor John M. Richardson
OBSERVATIONS:
50
Teachers Guide

1) 1)
2)
3)

1) 1)
2)
3)
4)
5)

1)
2)
3)
OBSERVATIONS:
51
Teachers Guide
Date: __/__/__ Title: DESCRIBING A FOREST: 4th GRID Lesson number: 42
Definition: And knowledge itself, is power.

gnarled mellow
canopy asters
tannin balm
almond suede
grove pentagram
hoary ballad
mystique basil
moth flutter of dawn beards of moss suede soft flowers a ballad of birdsong
witch light of dusk knotted arms of trees Garden of Eden a mossy mattress
ripe nuts juicy berries wild basil stinging nettle
delicious mushrooms mellow fruit wild garlic healing balm
like flashing petals like silver pin pricks like diamond dust like fairy fire
like silver snowflakes like sparkling asters like fiery pentagrams like wizard dust

1) To continue building their diction base with an 1)
exercise which awards points for success.

1) Recap by giving an oral test on the 7 spellings they 1) See back of this book for an
had to learn. extra lesson on Describing the
2) Recap on the module for achieving success and Stars.
correct the homework by listening to their ideas. Taken from Writing with
3) Allow students to fill in Latin phrase. Discuss it in Stardust and may be used as a
the context of the last lesson. supplementary aid for other classes
4) Allow students to fill in the dictionary definitions of also.
the new words and the grids. Separate into pairs or
teams if you feel it will help.
5) Ask them for their favourite words/phrases from the
grids as a continuation of the English is wonderful
enthusiasm they ought to be developing by now.
1) Recapping on previous lesson on achieving success. Ask students to put 10 of the 24
2) Increasing their range of vocabulary with the grids words/phrases into a short passage
and continuing the importance of spellings. on Life in the forest. They may
include previous words/phrases
from the book if they wish.
OBSERVATIONS:
52
Teachers Guide
Date: __/__/__ Title: USING DIRECT SPEECH Lesson number: 43
Punctuate the following using the above rule:
1. What is a hunters moon? she asked.
2. I love the owl light of the forest at dusk, he said.
3. Look at the stars glimmering! he shouted.
4. The misty mystique of an autumn forest is special, he declared.
5. Can you hear the birds chiming? she questioned.
6. This dark forest gives me goose bumps! he yelled.
7. Listen to the snapping branches! she shrieked. There must be trolls in here!
8. Rivers are the motorways of the forest, he said.
9. Doesnt the mist look like a magicians smoke? he asked.
10. A blood moon hung over the forest last night, she said. It was eerie.

1) To introduce the importance of quotation marks 1) TI: Punctuation exercises for
when inserting direct speech in a passage. students to:
2) To do so through the prism of descriptive writing in englishforeveryone.org
order to make it more relevant and interesting for them.
It gives excellent printable
worksheets and even quizzes.

1) Recap by giving oral/written test on 7 spellings from 1)
previous class.
2) Correct homework by getting students to swop
copies and put a grade on each others work. Each
student should correct a minimum of three of their
peers. Let volunteers read their homework and praise
the good points while pointing out any errors of
expression orally.
3) Let students attempt direct speech exercise in pairs.
4) Correct errors on the blackboard/whiteboard.
5) Get students to redraft any incorrect sentences.
1) Stressing the importance of grammar and punctuation Give homework assignment based
in their writing with a short, sharp exercise. on the website above.
53
Teachers Guide
Date: __/__/__ Title: DESCRIBING A FOREST: 5th GRID Lesson number: 44
Definition: Nature is mightier than education.

mellow clay
asters loam
balm mulch
suede organic
pentagram incense
ballad deciduous
basil cologne
hair raising eye opening goose bumps heart thumping

jaw dropping eye widening skin tingling heart clenching
clay rich smell oaken aroma mulchy fragrance woody incense
earthy scent organic waft peaty perfume loamy cologne
fruity strawberries orchard sweet berries sherry sweet berries fruitcake rich
sharp tasting berries meadow sweet trifle sweet berries windfall sweet apples

1) To finish the forest grids and recap on the forest 1) Show clip from YouTube below
module. as a reward for finishing the 5
2) To inform the students that the words/phrases will be forest grids and learning their
tested at the end of October and to revise them in any spellings.
free classes/study periods they might have in school.
1) Recap on previous spellings. This may be the 7 ) TI: Planet earth amazing nature
spellings for homework or 20 of the 35 spellings scenery to: YouTube
learned from the 5 grids.
2) Allow students to fill in Latin phrase and discuss it. It shows the Arctic, mountains,
3) Allow students to fill in dictionary words and grids. forests, waterfalls and the desert in
4) Ask them to put selected words/phrases into a 5 different montages. The forest
sentence, either orally or to be written down. scene runs from 4:30 mins.to 7:40
5) Recap on lesson and show YouTube clip if possible. mins.
6) Praise students for applying themselves to the It might be worthwhile to run it as
descriptive grids and get feedback on what they are they are doing the grids. Its a
learning as they move through the modules. Remind valuable lesson that you cant
them that there is a lot of hard work ahead for the rest of work and watch TV at the same
the October module but that it will be interesting. time!

1) Recap on module and discuss the noticeable Written exercise on words from
improvements in their writing skills. the 5 grids.
OBSERVATIONS:
54
Teachers Guide
Date: __/__/__ Title: Lesson number: 45
P U L S I N G
E U N
N E A
T D R
A S T E R L O A M
G Y U
R S L
A M B L E S U C
M C R H
H O A R Y
C O E
O I B A L M
L S L
O M G
G R
N E T T L E O
E I V
O I N C E N S E
R
B O U G H F L I T
ACROSS DOWN
1 Stars flickering with light 1 A magicians star
4 Type of flower or shape of star 2 Type of soft fabric
5 Like clay 3 Crooked fingers or trees
8 Walks casually like a pig 6 Wet leaves decomposing
10 Grey-haired or ancient 7 Not unreal, not real, but bizarre
12 Plant used for healing 9 Onomatopoeia
14 Plant used by Romans for soup 11 Metaphor for forest aftershave
17 Metaphor for forest perfume 13 A small wood without undergrowth
18 The limb of a tree 15 A type of silver metal. Not expensive
19 A robin might make this motion 16 As round as a globe
OBSERVATIONS: (Let the students make their own crossword. They can get common
words from the dictionary or use any word from their workbooks. It will take time but there
are few better exercises to fuse the spatial, linguistic, logical and kinaesthetic intelligences).
55
Teachers Guide

1) 1)
2)

1) 1) The easiest site for making an
interactive crossword seems to be:
2) edtools.mankind.forward.com
Simply type in :
3) Make an online crossword. I still
prefer to do crosswords manually
4) with my own classes, however. It
is a valuable lesson in patience and
5) planning for them and the
satisfaction they get on completion
6) is immense. Consider starting one
during a reading day and let them
7) finish it in the next days lesson.
1)
2)
OBSERVATIONS:
56
Teachers Guide
Date: __/__/__ Title: DIRECT TO INDIRECT SPEECH Lesson number: 47
Changing from direct speech to indirect speech
The following words change tense when you are changing from direct speech to indirect
speech.
IS---------------------WAS or AM ARE-----------------WERE
MAY-----------------MIGHT CAN-----------------COULD
DO/DID-------------DID/HAD DONE WILL----------------WOULD
WAS-----------------WAS/WERE SHALL--------------WOULD
Now try to change these sentences from direct to indirect sentences in your copybook:
1. She said they might listen to the dawn chorus.
2. He asked if she could smell the rich perfume of the forest.
3. He said he would go while the witchery of the morning was there.
4. She said there was an alien beauty to a lavish forest.
5. He said they would visit the willowy waterfall.
6. She said they were going to see the lush forest.
7. They said they did a tour of the enchanting forest.
8. He said there was an old yew tree in the forest.

1) To stress the importance of having the tools and 1) See below.
knowledge to change direct speech into indirect speech.
1) Do exercise a), b) and c). 1) TI: Worksheets direct to
2) Get students to write the direct to indirect conversion indirect speech to:
words into their copies. busyteacher.org
3) Let students attempt exercises 1-8 individually or in
pairs. They must redraft any sentences they got wrong. Excellent worksheets and rules.
1) Adding to their repertoire of grammatical ability. Take homework from website.
OBSERVATIONS:
57
Teachers Guide
Date: __/__/__ Title: WORDSEARCH Lesson number: 48
a l l u r i n g
s o r g a n i c
t l o a m
e g n a r l e d
e r o l
n s w c l a y l
c o l o g n e o e
h l b d w l
a s i p e a t f
n c g h o a r y m m
t y h e r y s o i
i t t d c l t l s
n h e h a t t
g e n r e
d i v i n e
ACROSS (9) DOWN (11)

alluring enchanting
organic asters
loam scythe
gnarled owl light
clay Eden
cologne arch
peat beryl
hoar daystar
divine mellow
molten
elf-mist
COLOUR dew-silver aquarium-blue foam-white

SOFT SOUNDS sprinkling spluttering swishing
LOUD SOUNDS thundering whooshing smashing onto rocks
ACTION swooped tumbled toppled
IMAGES any student ideas
IMAGES any student ideas
SOUND OF RAIN plinking clinking chinking
THE POOL a bliss pool an eternity pool an infinity pool
58
Teachers Guide
Date: __/__/__ Title: WRITING AN ESSAY Lesson numbers: 49/50
INTRODUCTION: SETTING THE SCENE
The clouds began to cover the beeswax-gold sun and it gave off a strange, zombie glow. The
last of the leaves dangled from the trees like little flags. Nights inky shroud was closing in
around us and we were getting nervous. We could hear weird noises coming from the
undergrowth. Both of us had that skin itching sensation that we were being watched.
PARAGRAPH 1: DEVELOP THE PLOT
The local rumour was that a wicked witch lived in the forest. She had a house made of candy
and caramel and her eyes glowed like hellfire. I knew we should not be here on Halloween
night, but we were hopelessly lost in this maze of trees. A low, sad moan came from the
bushes in front of us and the hairs on the back of my neck stood up. What could cause such a
noise? Then we laughed as beams from the Hunters moon spilled through the trees to reveal
a glass bottle. The wind was making the bottle wail like a child!
PARAGRAPH 2: ADD A CRISIS TO THE PLOT (AND DIRECT SPEECH)
Then we had a branch crack and a rustling sound and we both feared the witch was coming to
get us.
Lets run, Laura hissed.
It was too late. I had already beaten her to it.
My heart thumped in my chest as we ran for our lives. It was dark and murky in the forest.
The hoary branches of the trees looked like human arms trying to reach out for us. The stars
looked like diamond fire through the bear trees. They were spellbinding and it made our
situation seem bizarre. Then, up ahead, we saw a large figure blocking the path. He raised his
large arms.
Its a troll, Laura screamed. Were finished.
Then she fainted and collapsed in a heap leaving me to kill the troll on my own. I picked up a
large stone and threw it at him but he ducked. Now were for it, I thought to myself. The troll
seemed to loom over even larger over us and I thought to myself: this is it. Its the end of life
as you know it. I decided to throw a rock at him. If i was going to die, I was to go out in
style.
PARAGRAPH 3: THE PLOT DEVELOPS
The spooky light of the moon shone on the trolls face. It was maw-black and his nose was
large and misshapen. He smiled and his teeth were as jagged as a line of broken glass.
He spoke and his voice was like the rumble of an earthquake.
59
Teachers Guide
What are you doing in my forest?! he roared.
Then he smiled and took out a mouth guard. His skin was covered in the black paint a hunter
might put on.
Just joking, kiddo he said. It is Halloween after all, isnt it?
It turned out that he was badger watching and his name was Jim. He was a cheerful fellow
and explained that he had cracked a couple of teeth and broken his nose while walking in the
dark the week previously. That was why his nose was bandaged up and he had put his old
rugby mouth guard over his teeth.
CONCLUSION: LINK TO INTRODUCTION
Until that night, I had seen forests as places of Eden-green magic and secrets. Now I know
that they can be places of danger also. And what happened to Laura? After Jim carried her to
the edge of the forest and into the ambulance, I never saw her again. Her father said I should
have looked after her better!

1) Introduce class to the benefit of a rich vocabulary 1) Encourage use of internet
and synonyms. thesaurus to find synonyms.
2) Punctuate passage and recap on words learned.

1) Check homework and read the story to the class 1) Encourage use of a thesaurus.
before they attempt the exercise.
2) Discuss tension in a passage of writing. Does it come 2) TI: How to write a descriptive
from a dark setting, a dangerous character or the fear of essay to:
the unknown? Could it be best practice to use all three? time4writing.com
3) Discuss the clear paragraph structure given for the
story. It explains the Show. dont tell
4) Let students attempt the exercise with a thesaurus. rule briefly in a nice grid. I
5) Listen to their ideas/synonyms and praise their ideas. enjoyed reading the 5-step process
6) Recap and discuss the 3 quotes as an exemplar of the it has and the language register is
link between success and failure. easy for the students to understand.
1) Introduction to a long passage of writing and Finish the story by rewriting it
building tension in a story. and inserting the correct
2) Discussing how the structure of a story is as punctuation. It is unlikely they will
important as its content. achieve this in the class.
OBSERVATIONS:
60
Teachers Guide

1) 1)
2)

1) 1)
2)
3)
4)
5)

1)
2)
OBSERVATIONS:
61
Teachers Guide
Date: __/__/__ Title: WRITING A DIARY Lesson number: 52
JUMBLE BOX OF EMOTIONS TO USE IN A DIARY
The emotions below may be started with: I was.
HAPPINESS ANGER SADNESS SURPRISED
glad/delighted annoyed/furious crushed/downhearted stunned/gobsmacked

overjoyed/ecstatic irritated/raging broken hearted/wretched startled/amazed
LONELINESS SHAME FEAR ENTHUSIASM
lonely/lonesome ashamed/humbled nervous/frightened eager/longing to

abandoned/ isolated embarrassed/aghast anxious/terrified looking forward to

1) Introduce the class to the general structure and 1) TI: Lawrence Oates to
tone/techniques of a diary. en.wikipedia.org
2) How diaries are a repository of (often raw) emotions Explains how the myth may not be
and private feelings. true about him leaving the tent
3) How the diary can be viewed in the same way as you with the words: I am going
would your dog. outside and may be some time.
1) Recap on homework lesson by correcting the 1)
punctuation exercise. This will require a lot of time.
2) Use a lead question by asking the students what a
diary and a dog have in common.
3) Go through the list of dos/do nots in a diary.
4) Get students to transcribe the list into their
copybooks for reinforcement.
5) Fill in the jumble box of emotion grid and recap on
the lesson.

1) How to approach writing a diary. A diary should be Write the diary entry of an Arctic
given the same trust as telling your dog something. or jungle explorer from (let class
2) A structured and novel way to broach the topic of pick date) a specified time period.
diary writing. Let the class make up an imaginary
conversation with their dog in as to how their day has
gone so far. This conversation will be remarkably close
in language register and tone to a diary entry.
OBSERVATIONS:
62
Teachers Guide
Date: __/__/__ Title: THE GREAT FAMINE Lesson number: 53
Bronnie Ware is an Australian nurse who spent several years working in palliative care,
caring for patients in the last 12 weeks of their lives. Here is how she articulates the acute
clarity of vision people gain at the end of their lives. She recorded the top five regrets of the
dying in her blog and it gathered so much attention, it became a book: The Top Five Regrets
of the Dying.
1) I wish Id had the courage to live a life true to myself, not the life others expected of me.
2) I wish I hadnt worked so hard (i.e. if it came at the cost of relationships).
3) I wish Id had the courage to express my feelings.
4) I wish I had stayed in touch with my friends.
5) I wish Id let myself be happier.
Consider discussing in a very sensitive manner the wisdom in these sayings. Coping with life
is difficult. Having regrets at the end of a persons life is the greatest tragedy of them all.

1) Enabling the topic of tragedy and death to be 1) TI: The top five regrets of the
discussed in an abstract, one step removed way. dying to:
2) Using The Great Famine as a portal to discuss theguardian.com
empathy and discovering how difficult it was to live in or go to the original blog at:
previous eras compared to modern society. inspirationandchai.com

1) Recap on homework by listening to their diary 1) TI: historical documents famine
entries orally. Praise their imagination and creativity. to:
2) Ask the class what they know about the Great attymass.ie
Famine/The Great Hunger and what they have learned
about it in History class.
3) Read the 2 pages. Stop after each quote given and
discuss how they feel about the suffering it caused.
4) Discuss the possible causes of the famine and how
Ireland was changed because of it.
5) Recap by asking the students if there are any
countries in the world facing problems like that today.

1) Giving students an appreciation of how comfortable Ask the students to write a diary
modern life is in the context of historical hardships. entry or story about one day in
2) Applying the lessons of The Great Famine to how we their life in 1845. If it is a story,
can avoid the same mistakes in modern countries. they should put in descriptions.
OBSERVATIONS:
63
Teachers Guide
Date: __/__/__ Title: DIARY ENTRY Lesson number: 54

1) Explore (and students to make a list of) the range of 1) TI: How to write a diary entry
emotions referred to in the diary entry. to:
2) Is the diary entry the best genre to elicit a response remembary.com
from the reader? Probably, but let the students come to
their own conclusions by discussing this entry. It gives great advice and links
writing a diary to using your social
media sites/mobile phone. A very
modern and practical site.
1) Recap on previous class by listening to their work 1)
orally. Let them also peer review one anothers
homework. Each student ought to read 3 samples and
write a positive comment for each.
2) Read diary entry. Discuss the language register and
the list of emotions used in it. Make them note that
there is an absence of long descriptions in this diary
entry. Emotions take precedence.
3) Let students answer the questions on the diary in the
class. These are to be written down in their copies.
4) If the resources of the class allow, ask them to look
up areas of famine in the modern world.
5) This may be a short class so look ahead to
tomorrows class on the lake/colours if necessary.

1) Exemplar of diary writing to be looked at and Ask students to get 10-15 unusual
analysed as best practice. facts about The Great Famine from
2) The link between diary entries and emotions should the internet.
be clearly established.
OBSERVATIONS:
64
Teachers Guide
Date: __/__/__ Title: DESCRIBING A LAKE/COLOURS Lesson number: 55
LAKE COLOURS salmon-silver mirror-silver platinum-silver

LAKE SOUNDS lapping soundless noiseless
LAKE IMAGES shreds of mist wisps of fog gently steaming mist
LAKE SILENCE lonely silence eerie silence haunting silence
METAPHORS womb of the mountains a moon-mirror surface a star blanket
SENSATIONS Arctic-cold water iceberg cold glacial
LAKE SMELLS minty pine trees medicinal
WATER TASTES fresh crisp nectar of the Gods
FILL IN THE COLOUR CHART
BLUE SILVER GREEN BLACK

alpine-blue aluminium-silver Amazon-green abyss-black
aquarium-blue argent-silver carnival-green basalt-black
astral-blue beryllium-silver celery-green bat-black
bilberry-blue bubble-silver Eden-green cat-black
brochure-blue chainmail-silver fern-green cave-black
butterfly-blue chrysalis-silver forest-green cellar-black
chemical-blue dew glint-silver garnish-green cobalt-black
cocktail-blue diamond flame-silver grape-green cobra-black
cosmic-blue dragon scale-silver glade-green coral-black
crystal-blue frazil-silver jade-green corbie-black
dragonfly-blue glitter-silver juicy-green crow-black
duck-egg blue hoarfrost-silver lake-green devils cloak-black
electric-blue ice-silver marble-green devils heart-black
gasflame-blue mere-silver meadow-green devils soul-black
gemstone-blue moon glow-silver milky-green doom-black

1) To establish if the knowledge the students have 1) TI: Using colour in creative
gleaned can enable them to describe a lake. writing to:
2) To show them the wonder of using colours. descriptivewriting.wordpress.com
This is one of my blog posts.

1) Recap on diary/story homework. 1)
2) Let students fill in Lake grid in pairs.
3) Discuss best ideas and let students fill in colour grid.
1) A range of colours available to students to be used Set an exercise that requires them
in future descriptive assignments. to use a minimum of 10 colours.
OBSERVATIONS:
65
Teachers Guide
Date: __/__/__ Title: MAKING A PERSONAL STATEMENT Lesson number: 56

1) To enable the students to find a quote/mantra which 1) TI: Top 100 inspirational quotes
they can use when times get tough or for when they to:
need inspiration. forbes.com
2) To impress upon them the need for an identity core
which no-one should be allowed to change. It gives short quotes/personal
statements from famous people.
1) Recap on previous class and homework on colours. 1) TI: 60 personal mantras to:
2) Let students read the personal statements on their pinterest.com
own.
3) Ask them which most applies to them and let them It gives excellent posters with
answer question on bottom of workbook page. some eye-opening personal
statements.
1) Awareness by the students that having a core identity Students to ask other students and
is extremely important. teachers what statement best
defines them and write them down.
OBSERVATIONS:
Date: __/__/__ Title: MAKING A MISSION STATEMENT Lesson number: 57

1) To form a class mission statement for the year ahead. 1) TI: Mission statements for
2) To stress the need for planning and cooperative aims. classrooms to:
The choice of statement will be voted upon by the class. google.ie and look at the images.
It gives a lot of impressive exs.

1) Recap on personal statement homework. 1) Yesterday is history,
2) Ask class what a mission statement might be. tomorrow is a mystery, today is
3) Read page in workbook with class. a gift from God, which is why we
4) Look up internet site recommended above right. call it the present.
5) Discuss merits/demerits of exs. given in google. Bill Keane
6) Reach consensus on statement and praise them.
1) Recap on importance of the democratic process when No homework tonight as a reward
it comes to making class decisions. for their willingness to embrace
new ideas and co-operate as a team
OBSERVATIONS:
66
Teachers Guide
Date: __/__/__ Title: DAILY NUTRITION GRID Lesson number: 58

1) To consider the link between eating the right foods 1) The information supplied in the
and general wellbeing. grids is more than enough
2) To stress the importance of a healthy diet as part of information for them to digest.
the armoury of a productive student.
1) Recap on personal/mission statements and form a 1)
link between saying it and doing it (i.e. living well).
2) Ask students to write down their perfect meal,
perhaps even on death row. Do not mention nutrition.
3) Separate the good diet from the bad diet. If they
argue it doesnt matter on death row, tell them the
Governor might give them a stay of execution!
4) Let students attempt grids and enjoy the sensory
pleasure of smelling good foods with memory.
5) Recap on class after grid assignment finished with
simple question about what they learned today.
1) An increased awareness of the correlation between Get students to write out the 10
healthy lifestyle/general wellbeing and foods. best food combinations for
2) An awareness of the destruction a bad diet can cause breakfast and the 10 worst. Get a
down the road. class consensus 1st if time permits.
The food you eat can be either the safest and most powerful form of medicine or the
slowest form of poison. Ann Wigmore
There are few chemicals that we as a people are exposed to that have as many far-
reaching physiological effects on living beings as Monosodium Glutamate does. MSG
directly causes obesity, diabetes, triggers epilepsy, destroys eye tissues, is genotoxic in
many organs and is the probable cause of ADHD and Autism. Considering that its only
reported role in food is flavour enhancer, is that use worth the risk of the myriad
physical ailments associated with it? Does the public really want to be tricked into
eating more food and faster by a food additive? John E. Erb
We can, and must, develop dialogue and relatedness with our body because its talking
to us all the time. And please remember, your body loves you. It does everything it can
to keep you alive and functioning. You can feed it garbage, and it will take it and digest
it for you. You can deprive it of sleep, but still it gets you up and running next
morning..It loves you unconditionally and does its best to allow you to live the life you
came here for. The real issue in this relationship is not whether your body loves you, but
whether you love your body. Joshua Rosenthal
67
Teachers Guide
Date: __/__/__ Title: PLANNING A SUCCESS MAP Lesson number: 59

1) Moving from a discussion of best practice with 1) TI: Improving emotional health
food/good habits etc. to giving them ownership of it. to:
2) Enabling students to self-reflect, then write down, the helpguide.org
priorities needed for a success map.
3) To make out a life map using the resource on Gives the full range of tips for
intelligence and learning styles at the end of this book. students to listen to as teacher
reads it. Excellent summation and
advice for wellbeing.
1) Recap on best/worst breakfast homework orally. 1) Use the intelligence grids at the
2) Have a general discussion on the challenges the end of this book to enable the
students face in the modern world (social media students to perceive their strengths
bullying/pace of change in society/increasing pressures and weaknesses as learners. The
to have virtual friends etc.). Ask for solutions to combat best site on the net for learning
the problems. styles and intelligence tests for 11-
3) Let students fill in grids and prioritise the points. 15-year-olds is:
4) Ask them for their points ratings for each individual cteresource.org
grid and explore why they rated them as they did.
5) Ask them to fill in the intelligence grids available at It is a truly exceptional site and
the back of Blue-Sky Thinking or this book. provides all the information you
6) Discuss the implications of the grids for their career will need.
choices.
7) Try out an intelligence test for young teens at Talent is cheaper than table
cteresource.org. salt. What separates the talented
8) Recap by asking them what they got out of todays individual from the successful
lesson. one is a lot of hard work.
Aut viam inveniam aut facium. Stephen King
Ill either find a way or make one. Latin proverb Read out this quote to the class
and add in that planning to be
successful is just as important.
1) An increased awareness of how a myriad of factors Write out the 10 sentences they
combine to make a successful student. gave 10 points to and zero points
2) Encouraging students to take ownership of their to.
health, both mental and physical.
3) To enable the students to make out a life map by
using the intelligence grids at the end of this book.
OBSERVATIONS:
68
Teachers Guide
Date: __/__/__ Title: ASSOCIATIVE LEARNING Lesson number: 60 (a)
1. Eden is to Jurassic as Everglades is to Amazon. colour
2. Glade is to grove as meadow is to valley. open/closed spaces
3. Crinkly is to crispy as is to crackly is to rustles. sounds
4. Castles is to tower as high rises is to skyscraper. tree metaphors
5. Growl is to bellow as grunt is to bark. warning sounds
6. Squeak is to scream as buzz is to hiss. opposite sounds
7. Ambles is to shambles as lopes is to lumbers. same motions
8. Soars is to swoops as surfs is to dive bombs. air motions
9. Scrambling is to scurrying as scampering is to skittering. rodents
10. Droning is to buzzing as humming is to bumbling. bees
11. Bark is to bamboo as teak is to tannin. colour
12. Dome is to arch as ceiling is to canopy. leaf cover
13. Lush is to plush as rich is to lavish. a deluxe forest
14. Calm is to placid as sleek is to lithe. rivers
15. Delighted is to ecstatic as crushed is to wretched. emotions
16. Petal is to snowflake as aster is to pentagram. Find the link.
17. Waft is to fragrance as incense is to cologne. Find the link.
18. Sherry is to trifle as fruity is to fruitcake. Find the link.
19. Earthy is to loamy as woody is to mulchy. Find the link.
20. Alpine is to astral as crystal is to cosmic. Find the link.

1) Apply learned knowledge to critical thinking. 1)
1) Recap on previous lesson about the success map. 1) TI: Games that stimulate
2) Leave students have fun by filling in the grids in creativity-exercise 1 to:
pairs. Award one point per word and a 5-point bonus for glencoe.com
each sentence of 4 words they get right. 10 qs. on associative learning
1) Enjoying the mental challenge of revision. None. Praise their work ethic.
69
Teachers Guide
Date: __/__/__ Title: NUTRITION PATTERNS Lesson number: 60(b)
BREAKFAST LUNCH DINNER SNACKS

MONDAY eggs
MONDAY porridge
MONDAY natural juice
TUESDAY
TUESDAY
TUESDAY
WEDNESDAY
WEDNESDAY
WEDNESDAY
THURSDAY
THURSDAY
THURSDAY
FRIDAY
FRIDAY
FRIDAY
SATURDAY
SATURDAY
SATURDAY
SUNDAY
SUNDAY
SUNDAY
The average recommended exercise for everyone is 30 minutes a day. In a lot of cases,
walking to and from school might give you all the exercise you require. If you are the sporty
type, dont burn yourself out by over training and playing too many sports. Try every sport
and enjoy them, but pick your favourite after 14/15 years of age and stick to it. You will find
that your health may suffer in old age if you overexpose yourself constantly to Irish weather.
Less than 30 minutes More than 30 minutes More than 1 hour

MONDAY
TUESDAY
WEDNESDAY
THURSDAY
FRIDAY
SATURDAY
SUNDAY
There are spare lesson plans at the back to fill in if necessary. The teacher should take a break
today, however! Forget the lesson plan for one day and enjoy a relaxed and fun-filled class
discussing The Problem with Information with the students. Ask them to comment on the
fizzy drink grid. Chat about how fizzy drinks are great as a treat but can be destructive to the
human body if over-indulged. Congratulate them on their work for this module. It is finished.
70
Teachers Guide
Date: __/__/__ Title: FIZZY DRINK GRID Lesson number: 60(c)
The grid below is based on an article published by The Irish Independent on Tuesday,
December 3rd, 2013.
FIZZY sugar amount in SMOOTHIES sugar amount in

DRINKS per 200ml sugar cubes per 200ml sugar cubes
Lucozade 34.4g xxxxxxx Juice Press 30.4g xxxxxx
raspberry
Club Orange 26g xxxxx Naked orange 23.8g xxxxx
juice
Fanta Orange 24g xxxxx Innocent orange 21.8g xxxx
and passion fruit
7up 22.4g xxxx Tesco strawberry 19.2g xxxx
and banana
Coca Cola 21.2g xxxx
Pepsi 21.2g xxxx
Sprite 13.2g xxx
HIGH FRUIT JUICE
FRUIT
SQUASH
CORDIAL
Royal Orchard 27.4g xxxxx Del Monte 23.6g xxxxx
(Lidl)
Royal Orchard xxx Cranberry classic 22g xxxx
Tesco High xxx
Juice
REGULAR UNSWEETENED
SQUASH FRUIT JUICE
CORDIAL
Ribena 21g xxxx Jaffa Gold orange 22.4g xxxx
juice
Vimto 8.5g xx Copella 20g xxxx
Original
Squash
Mi Wadi 4.5g x Tropicana 20g xxxx
Orange
Robinsons 3.7g x Sqeez 18.2g xxxx
Dunnes Stores 1.6g o Innocent 16.4g xxx
orange squash
Write down what you have learned from the information given in the last two pages.
What surprised you the most? Do you agree that researching something for yourself is the
best way of finding out the truth about what is good and bad for you?
Do a research project on one aspect of your health or lifestyle and include a facts grid.
71
Teachers Guide
Date: __/__/__ Title: SCRIBBLE BOX FOR BEST IDEAS Lesson number: 60(d)
THE COLOUR GREEN
ONOMATOPOEIC SOUNDS
METAPHORS FOR THE TREES
OBSERVATIONS ON FULL MODULE:
72
Teachers Guide
The farther backward you can look the farther forward you are likely to see.
Winston Churchill
NOVEMBER MONTHLY PLAN

WEEK ONE DESCRIBING A LAKE AND ANCIENT CULTURES
Lesson 61 Read The Student by the Lake: pre-module discussion and ideas
Lesson 62 Fill in 1st grid: dictionary work: explore other creative ideas
Lesson 63 Rules for colons: attempt exercises: internet work for other exercises
Lesson 64 Fill in 2nd grid: write descriptive lake exercise in class using words
Lesson 65 Rules for apostrophes: class exercise on task: mnemonic hint
WEEK TWO
Lesson 67 Fill in 3rd grid: Rules for semicolons: copy punctuation chart into folio
Lesson 68 Fill in 4th grid: explore other interesting phrases in groups
Lesson 69 Adjectives, nouns and verbs: fill in grids
Lesson 70 Read Lake story and complete assignment on task in pairs
WEEK THREE
Lesson 72 Magical words and phrases grid to be completed in teams of four
Lesson 73(a)+(b) Fill in 5th grid: multi-sensory aspects of the lake: crossword in class
Lesson 74 Fun quiz to recap on module: mnemonics revision recap test
Lesson 75 Mnemonic quiz recap: The Guardian on grammar mnemonics
WEEK FOUR
Lesson 77 Planning a story with onomatopoeia: patterns of onomatopoeia
Lesson 78 David and Goliath in the Valley of Elah: questions in class
Lesson 79 Point of view in literature: Read and discuss Heroes and Villains
Lesson 80 The colours red and grey: Looking ahead at describing a mountain
WEEK FIVE
Lesson 81 The history of English: read The Battle of Stamford Bridge
Lesson 82 Read the Berserker on the Bridge story: discuss themes/
Lesson 83 A quick history of English: CLASS PROJECT FOR MID TERM
Lesson 84 CLASS PROJECT: JUNIOR CYCLE GRADES AWARDED
Lesson 85 CLASS PROJECT: JUNIOR CYCLE GRADES AWARDED
EXTRAS
Lesson 86 What the Greeks can teach us: living a happy life
Lesson 87 Associative learning for revision
Lesson 88 The Berserker on the Bridge conclusion
Lesson 89(a)+(b) Greek Gods: Greek and Latin stems
Lesson 90 Text messaging and newest English words: Class ideas revision grid
History will be kind to me for I intend to write it. Winston Churchill
73
Teachers Guide
THE STUDENT BY THE LAKE WITH WRITERS BLOCK
You are walking in the forest when you suddenly break free from its leafy umbrella. Ahead
of you is a wide expanse of water. It is a very calm lake and it is large. In the distance there is
a mountain range and its reflection is painted on the surface. Then you notice a young man
sitting on a rock. He has a thick mop of hobbit-curls over an artists face, and eyes of the
clearest, nomad-blue. He is staring at the lake with longing and he looks sad. He has a
notebook and pen in his hand but the pages are empty. You decide to approach him.
Good morning, you say. You look sad. Is something the matter?
Yes, he says. I am trying to describe the lake but I fear I have writers block. I cant do it.
Fiddlesticks, you say to him.
Excuse me? he splutters. Writers block can happen to any student. It comes and goes.
Bah! Humbug! Balderdash and claptrap too! If you took care to look at the patterns of nature
and writing, you would be able to finish your observations in a jiffy.
What patterns are you talking about?
Every aspect of describing nature requires a different set of skills. If you feel that the lake
does not give enough detail for inspiration, make it up yourself. Visualise it. However, all
lakes have patterns that anyone can write about. They all share some basic characteristics. I
will help you to get started by writing down the pattern and one phrase to go with it.
COLOUR: mirror-silver
SILENCE: church-quiet
SOUNDS OF FISH: plopping
THE MIST: gauzy
THE CLEARNESS OF THE WATER: glass-clear
THE REFLECTION OF THE MOUNTAIN: stamped onto the lake
THE IMAGES: geese honking and flying in a V formation like a Celtic fairy tale
THE RAIN: clinking off the lake
THE SENSATION OF THE BREEZE: refreshing
THE SMELL OF THE FLOWERS: a bouquet of sweet scents
THE TASTE OF WATER: the peaty taste of lake water
Thank you, he says, and you whistle as you make your way towards the mountains.
74
Teachers Guide
Date: __/__/__ Title: PRE-MODULE IDEAS Lesson number: 61

1) 1)
2)

1) 1)
2)
3)
4)
5)

1)
2)
OBSERVATIONS:
75
Teachers Guide
Date: __/__/__ Title: DESCRIBING A LAKE: 1st GRID Lesson number: 62
Definition: Newly risen, how brightly you shine.

clay fringed
loam feng shui
mulch currach
organic ticker tape
incense alder
deciduous colon
water animals geese/swans/ducks a cloud of flies

a boat birds otters/beavers fishermen
hazel/alder trees an island a currach/canoe a sail boat
reed fringed a misty island a kayak a cruise liner
a whirlpool a lake monster police scuba divers long lost cousin
a waterspout pack of wolves/bear police ticker tape super student ideas
a glassy lake moonshine clear God-goldened light feng shui silent
pin cushion reeds moonlight pale lilies heaven-spilling light rain-pearled grass

1) 1) TI: Beautiful lake images to:
google.ie
2) and press more beautiful images
for a soul-stirring collage of
images you can base a story on.
1) 1)
2)
3)
4)
5)
1)
2)
OBSERVATIONS:
76
Teachers Guide
Date: __/__/__ Title: RULES FOR COLONS Lesson number: 63

1) 1) TI: Best worksheets for colons
to:
2) worksheetplace.com
for a range of excellent worksheets
1) 1)
2)
3)
4)
5)

1)
2)
OBSERVATIONS:
77
Teachers Guide
Date: __/__/__ Title: DESCRIBING A LAKE: 2nd GRID Lesson number: 64
Definition: Take up and read! Take up and read!

fringed semicolon used for
feng shui hoarfrost
currach chrysalis
ticker tape apostrophe used for
alder spangle
colon thunking
deciduous plunking
DESCRIBING A LAKE
dew-silver starflame-silver skyline-silver hoarfrost-silver

dragon scale-silver moonbeam-silver spangle-silver chrysalis-silver
cave quiet nunnery quiet womb quiet catacomb quiet
church quiet monastery quiet tomb quiet confessional quiet
flopping flip-flopping plopping plunking
slapping thunking plip-plopping ker-plunking
ghost-grey spook-grey voiceless soulless
ghoul-grey spectre-grey soundless bloodless

1) 1) TI: Amazing photos of lakes
and beautiful places to:
2) YouTube
It is 3 mins. 37 secs.
1) 1)
2)
3)
4)
5)
1)
2)
OBSERVATIONS:
78
Teachers Guide
Date: __/__/__ Title: RULES FOR APOSTROPHES Lesson number: 65
RULES FOR APOSTROPHES
N.B every correct sentence in the grids is worth one point.
1. An apostrophe can take the place of one letter. These are called contractions.
contraction put into a sentence contraction put into a sentence
alls All is not well. isnt He is not wise.

cant I cannot stand up. theyre They are not kind.
couldnt I could not stop. wasnt I was not there.
didnt I did not do it. were We are not doing it.
doesnt He does not care. wouldnt I would not mind.
Im I am not afraid. youre You are not going.
2. An apostrophe can take the place of more than one letter. These are called contractions.
contraction put into a sentence contraction put into a sentence
hed He would be a great scholar. shell She will not be leaving soon.
hell He will be a super parent. theyd They would be great parents.
Id I would be happy to do it. theyll They will be here soon.
Ill I will be there presently. well We will vote for you.
Ive I have no idea. whove Who have you seen?
shant I shall not be going. youll You will be a success.
3. An apostrophe is used to show possession of one thing. This is called singular possession.
singular possession explaining the sentence (one forest etc.)
The forests lake was mirror-silver. The lake in the forest was mirror-silver.
The mountains peak was heaven swept. The peak of the mountain was heaven swept.
The moons rays were like lasers. The rays of the moon were like lasers.
The stars light was brilliant. The light of the stars was brilliant.
The suns glow was radiant. The glow of the sun was radiant.
The valleys colour was mint-green. The colour of the valley was mint-green.
4. An apostrophe is used to show possession of many things. This is called plural

possession. When this happens, it comes at the end of the word.
singular possession plural plural possession (more than one forest)
(apos. before last letter) (no apos.) (apos. after last letter)
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Teachers Guide
The forests lake many forests The forests lakes were salmon-silver.
The mountains peak many mountains The mountains peaks were heaven touched.
The cats eyes many The cats eyes were luminous.
The lions fur many The lions fur was tawny-yellow.
The waterfalls edge many The waterfalls edges were laced with white.
The meadows grass many The meadows grass was garnish-green.
The rivers bank many The rivers banks were burst.
The clouds colour many The clouds colour was gloss-black.
The streams rocks many The streams rocks were torn away by the flood.
The trees leaves many The trees leaves were hanging sadly.
5. There are many exceptions to the rule. If in doubt, just put an apostrophe afters for
plurals. An example is below. You will be right over 90% of the time!
MNEMONIC HINT
Think of an apos-trophe as the apostles trophy.
If trophies ends with ans, it is the apostles trophies.
EXCEPTIONS
SINGULAR PLURAL PLURAL POSSESSION
words ending in S Christmas 2 Christmases Christmases past

words ending in ES spectacles 2 pairs of spectacles the spectacles cracks
words ending in CH church 2 churches the churches doors
words ending in O volcano 2 volcanoes the volcanoes fires
words ending in X box 2 boxes the boxes holes
words ending in F loaf 2 loaves the loaves price
compound nouns mother-in-law 2 mothers-in-law mother-in-laws sons

1) 1)
1) 1)
2)
3)
1)
OBSERVATIONS:
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Teachers Guide

1) 1)
2)

1) 1)
2)
3)
4)
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1)
2)
OBSERVATIONS:
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Date: __/__/__ Title: DESCRIBING A LAKE: 3rd GRID Lesson number: 67(a)
Definition: Words fly, written stays.

semicolon minted
hoarfrost dew pond
chrysalis lichen
apostrophe tattooed
spangle feral
thunking quill
plunking decanter
duck pond round glassy lake reflections minted on hidden heart of lake
dew pond round crystal lake reflections tattooed fathomless depth of
pane clear gin clear varnish clear moonshine clear
window clear vodka clear diamond clear decanter clear
crumbling castle reed fringed island a galaxy of flies feral goats
weather beaten boat quill shaped reeds a platoon of flies lichen encrusted rock
wispy mist cedar sweet smells monk hum of bees the necromancy of
nectar of the Gods poltergeist white mist bumbling bees burbling streams

1) 1)
2)
1) 1) TI: Visit Greece: lakes
reflecting beauty to:
2) visitgreece.gr
and read out some of the passages.
3) Ask the students to write down a
selection of the most beautiful and
4) impactful words they are listening
to as you read. Call them:
5) 1) pulse words
2) wow words
3) brain-flash words
4) epiphany words
5) eureka words
1)
2)
OBSERVATIONS:
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Teachers Guide
Date: __/__/__ Title: THE SEMI-COLON Lesson number: 67(b)
RULES FOR SEMICOLONS (a.k.a. the super comma)
There is only one rule to a semicolon; dont use it! The other rule is underneath.
1. The reason a semicolon is used, in general, is to link two related sentences (or clauses). If
they are not related to each other, they dont take a semicolon. Think of a semi-detached
house as a mnemonic to remember it. A semi-detached house is related (i.e. joined) to another
one but they are still separate houses. Which of these sentences should take a semicolon?
a) The thunderclouds started to appear; it rained like a winters day.
b) Dogs can jump. Mountains have snow.
As you can see, both of these sentences would be more effective with a full stop. Therefore,
dont use a semicolon! Why do writers use them? It is an effective technique (and a stylish
one) if you are using long-winded sentences. As a young student, however, you should keep
your sentences short. Use the K.I.S.S philosophy- Keep It Simple, Student!
Below are three sentences that could use either a semicolon or a full stop. Put in a full stop.
a) The lake was womb quiet. Plopping trout broke the silence.
b) The surface of the lake was pane clear. It was like something out of a fairytale.
c) The cedar sweet smell of the trees was refreshing. The air was nirvana pure.
The 14 punctuation marks in English
PUNCTUATION MARK EXAMPLE PUNCTUATION MARK EXAMPLE

apostrophe braces {}
comma , brackets []
colon : dash __
exclamation mark ! ellipses ..
full stop/period . hyphen -
question mark ? parentheses ()
semicolon ; quotation marks
OBSERVATIONS:
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Teachers Guide
Date: __/__/__ Title: DESCRIBING A LAKE: 4th GRID Lesson number: 68
Definition: How well you live is the secret, not how long.

minted alleluia
dew pond Tolkien
lichen idyllic
tattooed yogi
feral winkled
quill amphitheatre
decanter Buddha
rain winkled grass avenue of pine trees heaven leaking light natures amphitheatre
dragonflies whirring Tolkien-esque ferns idyllic scene alleluia moment
statue still yogi still vault still feng shui still
shrine still Buddha still crypt still Zen still
beads of rain dewdrops of rain pregnant drops of diamonds of stinging
pearls of rain droplets of rain teardrops of rain jewels of sharp rain
airy drizzling tinkling mizzling
mist like spraying sprinkling like a Scottish smirr

1) 1)
2)
1) 1) TI: Images for enchanted lake
to:
2) google.ie
and ask them to construct a story
3) (fantasy/fable etc.) from one of
these surreal and evocative
4) images.

1)
2)
OBSERVATIONS:
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Teachers Guide
Date: __/__/__ Title: ADJECTIVES/NOUNS/VERBS Lesson number: 69
ADJECTIVES, NOUNS AND VERBS
You may have noticed that the three terms above are listed in alphabetical order. That is
because most sentences containing all three tend to have them in that sequence. Read the
rules below and see if you agree. A good mnemonic for adjective is that it is descriptive.
ADJECTIVES
An adjective is a word that describes a noun. Fill in the grid with describing words.
oxblood-red
glinting stars
singing rills
megawatt smiles
NOUNS
A noun is a person, idea, place or thing. A good mnemonic is the word PIPIT.
Lets try to figure out the person, place, thing or idea first. Fill in the rest of the grid. Do not
put in any words that take a capital. Each word in the grids for the next two pages is a point.
person place thing idea
man snow
love
forest bone
godfather friendship
A proper noun gives us the actual name of this person, place, thing or title. A proper noun
always takes a capital letter so it is easy to spot. Make up a mnemonic for: P, P, T and T.
Name of person Name of place Name of thing Name of title

Hips Dont Lie
English
Miami Blue-Sky Thinking
Shakira Halloween
Jaws
Friday
The Field
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Teachers Guide
A good way to remember it is to shout out to a friend: Youre a Proper Noun, you are!
Did you know? Scientists have discovered that raindrops are shaped like hamburgers.
VERBS
A verb is an action word. It adds energy to a sentence so the mnemonic is vibrant verbs.
Fill in the grid below.
VIBRANT VERBS
LIGHT REFLECTING MIST MOVING RIVERS OVER ROCKS BEE MUSIC

gleaming crept danced humming
glimmering crawled leaped droning
glinting glided skipped mumbling
glistering sailed hurdled bumbling
glittering floated vaulted murmuring
VERBS FOR DIRECT SPEECH
added babbled chuckled grumbled

announced barked complained hissed
answered bawled crowed marvelled
argued boasted declared protested
asked boomed drawled sighed
The story below has 20 underlined words. Write in A, N or V after each one. If you think it
could be an adjective and a verb, for example, write in B (i.e. for both adjective and verb).
Punctuate the story after you read it once. Then rewrite it and change the adjective, noun or
verb for a similar word or phrase.

1) 1) TI: English grammar worksheet
to: ezscool.com
1) 1) A mnemonic poem for nouns,
verbs and adjectives is at the back of
2) this book.
3)
1)
OBSERVATIONS:
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Teachers Guide
Date: __/__/__ Title: DESCRIPTIVE ESSAY WRITING Lesson number: 70
INTRODUCTION: SETTING THE SCENE
Never argue with an idiot; he has the benefit of experience. Thats what my grandfather,
God rest his immortal soul, told me many years ago. Its a pity that I didnt heed his advice. I
wouldnt have ended up in hospital listening to the cheep-cheep of a heart monitor.
PARAGRAPH ONE: DEVELOP THE PLOT
The day started like all horror stories do. Titans hot wheel was rising in the sky and I let the
opera of birdsong wash over me. My nostrils inhaled the fresh, crisp scent of pine and I
admired the sky punching mountains in the distance. They reared over us, us being my
English class. We were here to describe Gods garden, or so my teacher called it. In reality,
it was a sprawling forest of leaf and limb. We were supposed to find the lake in the centre of
this forest by using a map and compass. He called the lake Gods teardrop, even though I
discovered it was sausage shaped later.
PARAGRAPH TWO: ADD A CRISIS (AND DIRECT SPEECH)
We split up into groups of three and off we went on our stroll. It was going great until I
decided we should try to find the old, Roman fort rumoured to be in the forest.
That would be a history class then, wouldnt it? barked John. This is English.
I had never liked John. He had a squint in one eye and was always punching me.
Yes, but theres a trove of treasure buried underneath it, I complained.
Then that would be a science class, wouldnt it? Kate babbled.
I remembered my grandfathers quote and stopped arguing. I just grabbed my bag and
stormed off. Thirty minutes later, I opened the bag. It had mascara, a hair brush and lipstick
in it. There was no food, no water, no map and no compass. I felt like a right prat. I
backtracked the way I had come but I lost my bearings. I shouted out time and again but no
one answered. I wasnt too worried because I watch Bear Grylls on The Discovery Channel.
PARAGRAPH THREE: THE PLOT DEVELOPS
Then I remembered that we were on a school tour to Norway and I thought of the bears and
wolves. The shadows started to grow longer and I decided to clamber up a tree. I reached the
top and looked around as the dusk of the evening arrived. I could see the lake twinkling with
the last of the light. It was a fulgent, star flame-silver and looked like it was miles away. I
heard a noise beneath me, and to my horror, a brown bear was shuffling his way along the
path. He didnt see me but I promised I wasnt climbing down until the morning. In a bizarre
way, the stars kept me company that night. They looked like the forgotten souls of the world,
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Teachers Guide
blinking at me as if we shared the same fate. I must have fallen asleep at some stage because
a noisy crack woke me up.
CONCLUSION: LINK TO INTRODUCTION
It was the park ranger. He didnt look happy. He explained that a helicopter was waiting in a
nearby clearing with medical supplies in case I had hypothermia. We had to take it as part of
procedure.
Its hot dog shaped, I yelled as we passed over the lake.
Are all Irish people as idiotic as you? he asked. The only reason we found you is that
youre wearing a white jacket.
Only the adults, I declared.
..in the summer. In Norway. Clinging to the top of a swinging pine tree."
I thought of my grandfathers quote and promised that I would never argue with myself
again. The only fool in this story is me.

1) 1) TI: How to write a descriptive
essay to:
2) irsc.edu
It gives a good sample essay with
advice and notes in the margin.

1) 1)
2)
3)
4)

1)
2)
OBSERVATIONS:
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1) 1)
2)

1) 1)
2)
3)
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Date: __/__/__ Title: MAGICAL WORDS GRID Lesson number: 72
*See the back of this book for 200 magical words you can use with your classes.
stars like pixie dust

glistering
lambent
postcard perfect
gloaming
diamond clear lakes
cascaded
fluting song birds
juicy berries
mystical
picture perfect
magenta
fulgent
argent-silver
lithe rivers
opaline moons
cerise
lemongrass
a-flash
a waterscape of freeze-frame perfect

1) 1)

1) 1) Look at pages 307 and 308 in
2) this book for a list of 200 magical
3) words.

1)
OBSERVATIONS:
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Teachers Guide
Date: __/__/__ Title: DESCRIBING A LAKE: 5th GRID Lesson number: 73(a)
Definition: Whatever you learn, you learn it for yourself.

alleluia aloe Vera
Tolkien crystalline
idyllic ruffling
yogi sprite
winkled salve
amphitheatre myrrh
Buddha calamine
a cool sensation a soothing sensation the refreshing wind the ruffling wind
a pleasant sensation a salving sensation hair tousling wind the caressing wind
air was petal sweet blossom sweet calamine sweet myrrh sweet
air was pollen rich aloe Vera sweet honeysuckle sweet jasmine sweet
crisp glassy crystalline mountain pure
spring fresh tasted of sprite sprightly tundra pure
silver nails of hissing witch-spit Amazonian rain Noahs-Ark-heavy
silver crystals of the billion-fold ping fountain from heaven Armageddon rain

1) 1)
2)

1) 1) Ask the students to collect the
most beautiful lake images they
2) can and they can be put into a
portfolio during class time with
3) relaxing music in the background.
When they have completed their
4) task, the class can describe the
most beautiful imagery from the
5) photographs/images. Brochures
are free in travel shops for them.
1)
2)
OBSERVATIONS:
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Teachers Guide
Date: __/__/__ Title: CROSSWORD AS COGNITIVE AID Lesson number: 73(b)
FUN REVISION CROSSWORD
F A T H O M L E S S
E
N E C R O M A N C Y
G E
S S P E C T R E
H P I
U A L D E R S
I R O N E
G
A L I C H E N
L E R L
L M Y R R H
E S O
L T N
U A D
I V L F
A L O E L I T H E
A R I E R
M I A N A A
B E L L
ACROSS DOWN
1 Bottomless, as in sea (10) 1 A type of Oriental meditation (4,4)
2 Wizardry of the black sort (10) 3 A pink colour (6)
4 Not quite a wraith, but alike (7) 4 A glitter of bracelet (7)
5 Trees that live near water (6) 7 Praise the Lord (8)
6 A type of metal (4) 9 The taste of water (11)
8 Not quite moss, but alike (6) 10 The head of the wizards in T. L. of the Rings.
11 A biblical scent (4) 12 A healing plant to finish 14 across (4)
14 First part of a healing plant (4) 13 Wild and free (5)
16 Slim and supple (5) 15 A spring animal (4)
18 Acronym for a missing soldier 17 A type of blue colour and a type of duck (4)
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Teachers Guide
Date: __/__/__ Title: FUN QUIZ TO RECAP Lesson number: 74
1. To loll or lolling.
2. Plumb-line.
3. Earthshine.
4. Any two from the grid below:
skin tingling parched throat feet like hot coals stabbed by sun spears
skin burning dehydrated face like Greek fire scraped by sandpaper
5. Any two from the grid below:
a fiery ball in the sky a golden globe Gods daystar a glowing medallion
a glowing orb Gods golden eye Gods morning star Titans fiery wheel
6. The 8 forms of intelligence:
inner self bodily logical nature

people language musical spatial
7. A flutter-by.
8. True.
9. Adams ale and the elixir of life or the elixir of the Gods.
10. Pelagic.
11. Lulling.
12. A type of seaweed.
13. Jasper, jewel and jade.
14. People will always remember how you make them feel.
15. Gnarled and hoary.
16. Harvest moon and Hunters moon.
17. A calm, quiet or serene river.
18. True.
19. A flower or a cellular structure shaped like a star.
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Teachers Guide
20. Scent, aroma, fragrance, waft, bouquet, cologne, whiff or perfume.
21. True.
22. An underground cemetery with tombs.
23. Any two from below:
flopping flip-flopping plopping plunking

slapping thunking plip-plopping ker-plunking
24. Ghost-grey/ghoul-grey/spook-grey/spectre-grey.
25. It means wind-water and it is the practice of arranging objects in a way that is pleasing.

1) 1) TI: Best quizzes for kids to:
allthetests.com
2) It gives 10 age-relevant multiple
choice questions.
1) 1)
2)
3)
4)
5)

1)
2)
OBSERVATIONS:
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Teachers Guide
Date: __/__/__ Title: MNEMONICS REVISION Lesson number: 75
1. Make the structure of an army command using a mnemonic of your choice.
2. What is the mnemonic for and definition of a metaphor?
3. What is the mnemonic for and definition of a simile?
4. Give the mnemonic for the word there and put it into a sentence.
5. Give the mnemonic for the word their and put it into a sentence.
6. What word can be used to replace a colon and what was the mnemonic for a semicolon?
7. What is the mnemonic for using both adjectives and apostrophes?
8. What is the mnemonic for both a noun and a proper noun?
Can you see how the phrases below are mnemonic and help with your spellings? Learn 5
today and 5 for the next 2 days. Try to change the wording to form your own mnemonics.
1. Argu lost an e in his argument.
2. Never believe a lie.
3. Dara checked the calendar every day.
4. Eileen found her es in cemetery.
5. Emma faced a dilemma.
6. Im really red and embarrassed. So sorr (drop the e for embarrassment).
7. A new environment will iron me out.
8. Goofy Greg loved to exaggerate.
9. Generally, a general is your best ally.
10. Mom ate immediately.
11. An island is land surrounded by water.
12. Miss Pell never misspells.
13. It is better to give than to receive.
14. Rhythm helps your two hips move.
15. Sep was the farmers wife. She saw a rat. Sep. A rat. E! she squeaked.
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Teachers Guide

1) 1)
2)

1) 1)
2)
3)
4)
5)

1)
2)
OBSERVATIONS:
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Teachers Guide
Date: __/__/__ Title: PATTERNS OF ONOMATOPOEIA Lesson number: 77
When a writer uses onomatopoeia, the reader is catapulted into the world of the writers
creation (without having a choice). The sounds used imprint heavily on the readers mind.
Onomatopoeia is the whizzing, silver bullet of writing techniques and is used to create
atmosphere and action.
In the next two sample stories, onomatopoeia is needed to give a mood of calm, followed by
men banging their swords and spears off their shields. Look at the grid below to see which
words you would choose.
SOFT WINDS LOUD WINDS HARSH ng SOUNDS DEEP nk SOUNDS

breathing mewling clanging clanking
exhaling shrieking clangourous clonking
sighing screaming gonging clunking
soughing screeching jangling plunking
whispering wailing twang thunking
murmuring snarling SOFT ng SOUNDS MUSICAL nk SOUNDS
suspiring howling dinging chinking
whimpering yowling jingling clinking
gasping keening pinging plinking
puffing caterwauling ringing tinkling
ARROWS THROUGH THE AIR FAST WORDS WITH DOUBLE LETTERS

buzzing humming hissing
fizzing strumming sissing
fizzling (for fire arrows) thrumming purring
sizzling whirring whooshing
whizzing zooming zapping/zinging

1) 1) TI: Onomatopoeia worksheets
and activities to:
ereadingworksheets.com
It has 25 sentences to fill in.
1) 1)
2)
3)
1)
OBSERVATIONS:
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Teachers Guide
Date: __/__/__ Title: DAVID AND GOLIATH: PART 1 Lesson number: 78
DAVID AND GOLIATH IN THE VALLEY OF ELAH
David, the little shepherd boy, faced the mighty Goliath of Gath, but he was not afraid.
The whispering wind twirled a few grains of sand as he bent down to pick up a stone from the
brook. The water felt like warm silk on his hand and he looked up to the heavens as he rose.
The sky was cosmic-blue, but he could not see anyone up there who could help him. A few
ragged clouds of oyster-white were all that he had for inspiration. The breathing of the wind
was warm and the stillness was eerie.
Across from the stream, he could see Goliath sizing him up. Behind Goliath, a great army of
men stood in silence looking at him. Their armour flashed with sardine-silver and bronze
colours and only the plumes on their helmets moved limply in the breeze. Then Goliath
laughed, a deep, booming sound like the rumbling of bottled thunder, and the silence was
shattered.
The Philistine army laughed also and clashed their weapons off their shields. The sound of
the clanking and clanging caused a few vultures to rise up in surprise and David watched
them soar into the sky. Goliath stood in front of the men like a myth from an old book. He
was 6 cubits and a span, 99 from toe to tip. He was an oak amongst a forest of holly trees
and Davids mouth became dry and his palms sweated.
Do not look for the sky to help you, boy. My Gods dont like it! Goliath bellowed. He
slashed his huge sword twice through the air and David could hear it whistling from where he
stood.
David summoned up the courage to defy him and it was as if someone else was answering.
This day Jehovah will deliver you into my hand, and I will strike you down; and I will give
the dead bodies of the host of the Philistines this day to the birds of the air and to the wild
beasts of the earth; that all the earth may know that there is a God in Israel.
Then David bent down to pick up four more stones, one for each of Goliaths brothers.
Goliath the Brute roared and charged at him. David could feel the vibrations of the giant
through his sandals. Slowly and deliberately, he chose the most perfectly smoothed stone. He
placed it carefully into his sling and the sling hummed as it swished around and around his
head. His 53 frame needed all the energy he could muster.
He let fly as Goliath neared the brook. The stone hissed through the air and caught Goliath
right in the centre of his forehead. Goliath stopped, stumbled, swayed on his feet, tottered,
and crashed to the ground with a howl of outrage. He twitched twice and died.
Silence returned to the Valley of Elah. The murmur of the brook was the only sound that
reached the ears of the stunned armies. Then a great cry rose up from the Israelites behind
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Teachers Guide
David and he had never felt so alive. He strode across the brook and chopped off the head of
Goliath.
David! David! David! the Israelites roared as he held the bloody head up to the sky.
Did you like this story? Give your reasons why or why not.
Who do you think is the hero and who is the villain in this story? Is it very obvious?
Do you feel glad that David killed the giant Goliath? Do you have any sympathy for
Goliath? Why? Why not?
Make a list of all the onomatopoeic words used in this passage. Do you think they helped
the story? Write down as many ways as possible they added to the story.
What is the best image in this story, in your opinion? Did you notice any metaphors or
similes? Make a list of those also.
Rewrite the story using the words and phrases in the grid below. Why not let Goliath win?
galaxy-blue sky voice rumbling like a volcano

sighing wind a sissing stone
like soft velvet swayed and collapsed
hushed silence jerked once
host of men a pregnant silence
salmon-silver lopped off his head
thunderclap raised it aloft
clattered Victory! he screamed.

1) 1) TI: Battles B.C- David the giant
slayer to:
YouTube
Run the first 15 mins.
1) 1)
2)
3)
1)
OBSERVATIONS:
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Teachers Guide
Date: __/__/__ Title: POINT OF VIEW Lesson number: 79
David, the kings weapons bearer, looked at the hulking figure of Goliath the Philistine and
laughed. He wasnt the little boy that Goliath thought he was. He was a veteran of many
battles and all his enemies had fallen like skittles at his feet. True, he was only 53, but that
was quite tall for 1,015 B.C. Goliath was only a head taller at four cubits and a span.
This guy isnt even worth a sword stroke, he thought, as he bent down to pick up five
stones from the brook. The cool water felt like satin on his hand and the puffing wind swirled
a few dust grains as he picked the best stones. Goliath, his cousin from his mothers side, had
four brothers. If they felt like a blood feud after he butchered Goliath, he would cut off their
heads too.
He looked up to the sky. Not because he was looking for help, but because he could see
Goliath was favouring his right hand and was slow and clumsy. The sky was brochure-blue
with a few wispy clouds and David thought he would take a holiday after today. The Lord
above knew he needed it. His life up to now had been a never ending series of blood and
battles. His mouth was dry but that was because they were in the middle of a heat wave.
And to think none of the Israelites will fight this oaf, David thought, as Goliath the Village
Idiot boomed out some words in that alien accent of his. David couldnt understand a word he
said, but it must have been funny because the Philistine army laughed like braying donkeys.
Then they smote their weapons against their armour and all the clunking and clonking nearly
caused him a headache.
Lets get it over with! he screamed because his patience was running out. Goliath pounded
the ground with his feet and David could swear he could feel the vibrations through his
sandals. He took a round, oval stone and placed it in his sling. He twirled the sling in neat
circles around his head, waiting for the right moment. Goliath was nearly inside the kill zone
and he didnt want to have to fight him. The day was just too hot. The sling whirred and
strummed with the violence of his hand. Then he released it and the stone fizzed through the
air like a hummingbirds wings.
A hit! It had struck him in the centre of his forehead. David couldnt believe it. What
happened next stunned him even more. Goliath groaned and staggered backwards. His huge
legs buckled underneath him and he collapsed onto his knees. He tried to rise, but there were
blood bubbles coming from his mouth. He fell forward. His face hit the sand. He twitched
once and was still.
A pregnant silence descended on the battlefield. The only sound was the burbling of the
brook and the scream of a happy vulture. Then a roar arose from the vast, Israelite army
behind him and David felt proud of himself. He had never seen anyone dying from a
slingshot before.
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Teachers Guide
Right. Lets go get that head, I suppose, he said out loud. And if those brothers of his want
it back, theres another four stones where that one came from.
Has your opinion of David changed from the first story? What do you think is the
reason for that? Discuss your answer and refer to the term point of view in your answer
(see page 59).
Which of these stories is closer to what happened in 1015 B.C. in your opinion?
Do you feel any sympathy for Goliath in the second story? Make a list of the words and
phrases used to describe him in the first and second stories. Is there a big difference?

1) 1) TI: Battles B.C- David the giant
slayer to:
2) YouTube
Run mins. 15-30.
1) 1)
2)
3)
4)
5)

1)
2)
OBSERVATIONS:
101
Teachers Guide
Date: __/__/__ Title: THE COLOURS RED AND GREY Lesson number: 80
GREY RED OTHER GREYS OTHER REDS

ash-grey berry-red battleship-grey balefire-red
cinder-grey blood-red charcoal-grey blossom-red
clay-grey bonfire-red dusty-grey brazier-red
flint-grey claret-red fey-grey brimstone-red
goose-grey crimson-red gunmetal-grey claret-red
grate-grey devil-red lead-grey glow worm-red
granite-grey devil blood-red loam-grey inferno-red
gravel-grey dragon blood-red lupine-grey lava-red
gravestone-grey dragon flame-red mousy-grey magma-red
grizzled-grey ember-red shale-grey mercury-red
hill mist-grey fireball-red smoky-grey molten-red
iron-grey fire flame-red sombre-grey oxblood-red
tombstone-grey hellhound-red stone-grey Titian-red
undead-grey holly-red werewolf-grey windfall-red
wolf-grey poppy-red zombie-grey wine-red
DESCRIBING A MOUNTAIN
MOUNTAIN COLOURS polar-white ermine-white zombie-white

MOUNTAIN SOUNDS crashing avalanche thunderous snowfall rumbling
MOUNTAIN IMAGES suns corona an eagle circling snow monster
MOUNTAIN SIMILES like rose thorns like broken fangs like arrow tips
MOUNTAIN METAPHORS a row of shark fins steeples of the sky Gods backyard
MOUNTAIN SENSATIONS frostbite hypothermia benumbing
MOUNTAIN SMELLS sweat and oil meaty Bovril bubbling broth
MOUNTAIN TASTES heavenly chocolate divine Arcadian

1) 1)

1) 1) TI: 25 beautiful wallpapers of
2) Get students to look up colours on the internet or to mountains and rivers to:
bring in paint catalogues. Discuss best colours to put in guidingtech.com
the workbook. The clarity of the photos is superb.
3) Discuss them with the class and
ask them to write about one.
1)
OBSERVATIONS:
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Teachers Guide
Date: __/__/__ Title: THE HISTORY OF ENGLISH: 3 DAYS Lesson number: 81
It is September 25th and the Battle of Stamford Bridge is underway. It is not Chelsea versus
Arsenal. The screams and war cries of men fill the length of the meadow. The smoke is thick
from fire arrows and they fizz and frizzle as they whine through the air. Steel rings, swords
bite and men die.
The flowers are still fresh on the grave of Edward the Confessor, but the battle to be the next
king of England has started. On one side of the river is the Anglo-Saxon army led by Harold
Godwinson, the new English king. He has 7,000 men, but they are exhausted. They have just
marched an incredible 185 miles in 4 days to get here. They were carrying heavy armour on
this miracle march and it has taken its toll. The year is 1066.
On the other side of the river is the Viking army of Harald Hardrada, King of Norway. He has
10,000 men. Unfortunately, the other half of his army is a days march away, so only 5,000
are with him. They are resting up on their 300 ships as no one expected Godwinson to get
here so soon. The bad news for Harald is that most of the armour is back with the ships as
well. This September has been unnaturally hot and the men were happy to discard their
armour. The sun beats down on their bare flesh as they lounge around, laughing and donkey
calling each other.
Godwinsons army streams up from the south and the Vikings are stunned. How did he
manage to arrive so quickly? Although his men are bone tired, Godwinson launches into
battle. The Vikings on the west side of the bridge are quickly overcome by the front of
Godwinsons army. The rest flee over the bridge and gather more forces. They stop to get
weapons and what armour they can. Then they face Godwinsons army again. This time they
will fight on the bridge. The bridge has only enough room for 4 men across and that suits the
big, bloodthirsty men of the North.
An hour later, Godwinson shouts out: In the name of all thats holy, what is happening up
there?
He knows the Vikings have sent word to the ships and that more men are on the way. It is
vital that they get over the bridge and defeat this half of the Viking army before the
reinforcements come. It is a lot easier to defeat 5,000 men in two separate battles than 10,000
in one. His horse is jittery but he reaches up on his stirrups and strains his neck to see. There
must be a hundred of his men pressed together on the bridge. They are fighting in deadly
hand-to-hand-combat and the sounds drifting back to him are sickening: bones cracking,
shields splitting and flesh slicing. Then he sees what the holdup is.
There is one man on the bridge who is a head taller than the next tallest man. He is a titan of a
man, a true giant, and he is causing havoc. This man would not have put on his armour even
if he had it. He is a Viking berserker, a special breed of warrior who doesnt care whether he
lives or dies. His berserker name comes from two Norse words, berr (bare) and serkr
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Teachers Guide
(shirt). He is the lunatic on the bridge and, besides the battle axe he wields, he also has the
fate of the English language gripped in those huge, clumpy paws of his.

1) 1)
2)

1) 1) ) TI: The battle of Stamford
Bridge to:
2) google.ie
and press More Images when the
3) images flash up. The students
should be encouraged to make up a
4) story from the hundreds of images
shown.
5) They can discuss the weapons, the
armour, the sounds of battle, the
smells of battle etc.

1)
2)
OBSERVATIONS:
104
Teachers Guide
Date: __/__/__ Title: THE BERSERKER ON THE BRIDGE Lesson number: 82
His axe smoked with steam and blood. He was weary beyond measure but they kept coming.
The Vikings around him had withdrawn from the bridge because he was swinging his weapon
in such huge arcs. He was also blood-drunk and they knew better than to be around him.
The world had narrowed down to two slits in the helmet he wore. It was an old bear skull
fitted with metal plates and his fathers father had worn it before him. He was proud of his
ancestors. He wanted to meet them with pride in his heart when he walked to the gates of
Valhalla. That would be today, he knew, but he did not mind. He was born for this life of
fighting and he would die well today no matter what happened.
His great chest heaved like a bellows as he drew in horse-breaths of air. The English dogs
were moving back from the bridge! Then he saw the size of the men who were replacing
them. His heart sank as he realised they were sending all their champions at once to face him.
He knew his time was short so he took one last look around.
The trees were a-fire in a patchwork of colour and the light-haze of the sun on the corn was
spectacular. Then the sun dimmed behind the hills and the Technicolor faded. COLOUR
The noise of battle turned down like a switch as the two armies waited to see what would
happen. A Viking titan fighting against the best of the Saxon army. A pin drop silence
descended. There was no insect-hum, no leaf-rustle, no wind-music. SOUND
He touched the cold, smooth steel of his axe head as he sharpened the edge of the blade with
his whetstone. It felt like pond ice. He laughed at the memory of his father falling into the
frozen pond when the snow dragon had come in May all those years ago. TEXTURE
The memory released his tension and he inhaled the sweet, September air for the last time.
Above the stench of horse bowels and blood, pollen drifted in the air. Air gold, the Viking
women called it, but gold didnt smell of red poppies and white lilies. SMELL
The Saxon champions were ready. The last one was clomping up in his battle boots and they
were forming in line to face him. He looked down and saw a sleek trout lazing in the river. Its
spots were blue and red and white and he knew he would look like that tonight. IMAGE
He only knew one Latin phrase. His son in Norway had it now. It was hundreds of years old
and it was engraved on a Roman coin. It was a metaphor for how his family had lived its life.
Melium est nomen bonum quam divitae multae, he whispered and charged up the bridge.
Will I be remembered? he wondered, as he swung his axe in frenzy. Voices rang, swords
sang and men died. METAPHOR
Find out what happened next by typing it into Google. Then write the ending once you get all
the facts. What is for certain is that the Battle of Stamford Bridge had the potential to change
the direction of the English language. Less than 3 weeks later, the winner of this battle fought
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Teachers Guide
the king of France in the Battle of Hastings to see who would rule England for once and for
all. You should consider doing a project on these battles and relating them to English class.

1) 1)
2)

1) 1) TI: The battle of Stamford
Bridge-1066 A.D. to:
2) woodlandresources.junior.kent
and a brief explanation with a map
3) comes up.
The site will lead the students to
4) an explanation of the Normans, the
Bayeux Tapestry etc. if they want
5) to delve further into history.
6)
7)
1)
2)
OBSERVATIONS:
106
Teachers Guide
Fill in the blanks by researching the times, customs, words and legacy the following tribes
left behind them. Put an extra column in your copybook for the second grid.
CELTS ROMANS ANGLES

Dates of arrival 500-100 B.C. A.D. 43
Famous for Queen Bouddica Julius Caesar
Famous for druids Coliseum
Traditions fighting naked the legions standard
Battle traditions woad tattoos the tortoise
Festivals/Names Halloween January/March
Technology introduced swords/glass beads indoor plumbing
Technology introduced bronze mirrors 53,000 miles of road
Technology introduced hair gel (limewater) public libraries
Technology introduced harvesting machine cement/bricks
Food introduced cheese stinging nettle/peas
Animals introduced hens cats/fallow deer
other facts heads on doorways Rome population 1m
other facts swords in rivers decimate a legion
words basket/bog
words bother/clan
words glen/ keening
words poteen/slob
words whiskey/uisce beatha
SAXONS JUTES VIKINGS NORMANS
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Teachers Guide

1) 1) TI: Food in Roman Britain to:
resourcesforhistory.com
2)
A very readable site for students.
1) 1) The Romans also introduced:
2) apples, asparagus, pears, garlic,

onion, parsley, celery, cabbage,
3) leeks, turnips, shallots, lettuce,
radishes, bay, basil, rosemary,
4) savoury mint, thyme, sweet
chestnuts, walnuts, grapes,
5) cherries, mulberries, the brown
hare, chickens, rabbits, the
peacock, guinea fowl and
pheasants.

1)
2)
OBSERVATIONS:
108
Teachers Guide

1) 1)
2)

1) 1) TI: Anglo-Saxons: A brief
history to:
2) history.org.uk
3)
4)
5)
6)
7)

1)
2)
OBSERVATIONS:
109
Teachers Guide
Date: __/__/__ Title: WHAT THE GREEKS CAN TEACH US Lesson number: 86

1) 1)
2)

1) 1) TI: Daily life in ancient Greece
to:
2) tes.co.uk
You will have to register on this
3) site first but it is quick and easy. It
has thousands of worksheets for all
4) topics.
5)

1)
2)
OBSERVATIONS:
110
Teachers Guide
1. Ghost is to ghoul as spook is to spectre. fog
2. Nunnery is to monastery as catacomb is to crypt. silence
3. Voiceless is to soundless as bloodless is to soulless. fog
4. Mizzling is to drizzling as spraying is to sprinkling. rain
5. Plunking is to thunking as flopping is to plopping. fish
6. Minted is to tattooed as painted is to engraved. reflections
7. A platoon is to a legion as a cluster is to a galaxy. flies
8. Statue is to shrine as yogi is to Buddha. stillness
9. Beads are to pearls as diamonds are to jewels rain
10. Cool is to pleasant as ruffling is to caressing. wind
11. Petal is to pollen as myrrh is to jasmine. flowers
12. Crisp is to crystalline as mountain is to tundra. water purity
13. Buzzing is to fizzing as sizzling is to frizzling. arrows
14. Cinder is to grate as gravel is to gravestone. colour
15. Gin is to glass as vodka is to decanter. water clarity
16. Humming is to thrumming as whirring is to whizzing. Find the link.
17. Claret is to crimson as fireball is to hellhound. Find the link.
18. Glassy is to crystal as pane is to window. Find the link.
19. Skipped is to leaped as hurdled is to vaulted. Find the link.
20. Crept is to crawled as sailed is to floated. Find the link.

1) 1)

1) 1) TI: Play the memory trainer to:
2) learnmyself.com

1)
111
Teachers Guide
Date: __/__/__ Title: THE BERSERKER ON THE BRIDGE Lesson number: 88
The titan was dying. The coppery taste of blood was in his mouth and his arms were covered
in wounds.
A Harvest moon hung in the sky, casting splinters of Solomon-gold down onto the bridge.
The men were bathed in its cold glow and their bellows rang into the blanket of darkness
that covered the sky. Try as they might, they couldnt dislodge this insane Northman from
the bridge. A pile of corpses blocked them from getting to him. Every time someone tried to
move them out of the way, he cut them down like wheat under a scythe.
His voice was harsh and cracked through the air like a whip, screaming at them and daring
them to be next to fight him. He looked like a troll from an old fairytale, waving his axe like
a madman and gritting his teeth at them if tried to advance. That great axe he wielded
glittered as cold as mountain frost and his hair was clotted with blood.
Godwinson called out an order and a blizzard of arrows buzzed and hummed into the
doom-black sky. The berserker grabbed a shield from the dead hand of one of the slain men
and laughed as they thumped into its metal surface.
Fight me like men, he screamed and stood up again when the volley was over.
He bashed his axe against the shield and let it drop to the ground with a clang. He had held
his ground for nearly an hour and he was mortally tired. His heart pounded against his rib
cage and his neck hairs felt like pins with the adrenaline pumping through him. Gashes
covered his face, his arms and his bare body. Two of the fingers on his right hand were
lacerated beyond use and that entire side of his body was numb from a spear thrust.
He stood up for the last time.
Just let me hold it for five more minutes, he whispered. Then he leaned his head back and
let out an animal scream that terrified the Anglo-Saxon army opposite him. Three more
men came towards him, scrambling to climb over the heap of corpses. He rushed towards
them and the axe came down. The first man let out a howl as the weapon smashed into his
helm. It buckled the metal and the man fell. He swung it around again using his weaker left
hand but his opponent blocked it easily. Titan jumped onto the man with the full force of his
weight. The man wasnt expecting it and whimpered when the berserker grabbed a dagger
from the ground and plunged it into him.
The last man was looming over him. Quick as a flash, Titan raised the dead man above his
head and flung him into the last warrior left. Both of them crashed to the ground and Titan
sprang like a tiger to finish him off. He was the last man standing. He felt invincible.
Just then he felt a sharp, painful jab on the inside of his thigh. It was as if Greek fire had
been poured all over it. He looked down and saw the wicked tip of a spear sticking through.
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Teachers Guide
He collapsed onto the bridge and lay his head down. Through the planks of wood, he saw a
man on a barrel floating away. Diabolical, he thought, as he waited for Valhalla to appear.

1) 1)
2)

1) Recap on homework if homework assigned. Teacher 1) TI: The Viking at the battle of
reads the full text without the students looking at the Stamford bridge to
workbook. Ask higher order questions on the badassof theweek.com
conclusion of the story; the plot, empathy for the
berserker, the description of the battle etc. Im recommending this site for the
teachers to read, not the students.
2) The second reading should let them concentrate on Its so gory and the descriptions so
the missing words while reading the text from the creative, its actually quite
workbook. humorous. Take a break from the
books, relax and enjoy this
3) description of the battle.
4)
5)

1)
2)
OBSERVATIONS:
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Teachers Guide
Date: __/__/__ Title: GREEK AND LATIN SUFFIXES Lesson number: 89
SUFFIX MEANING WORDS MADE UP FROM

able, -ible able, capable remarkable, visible
-ade result of action parade
-age
-algia
-ian
-ance
-ary,-ery,-ory
-cian
-cy
-dom
MORE SUFFIXES
-er one who baker, builder

-ence
-escent
-ess
-ful
-ice
-ine
-ion, -sion, -tion
-ure
-y
FILL IN THE GREEK AND LATIN GODS/GODDESSES
NAME GREEK GOD OF ROMAN GOD OF

Aphrodite=Venus
Apollo=Apollo
Ares=Mars
Eros=Cupid
Hades=Pluto
Hephaistos=Vulcan
Hermes=Mercury
Kronos=Saturn
Poseidon=Neptune
Zeus=Jupiter
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Teachers Guide
prefix Greek meaning Latin meaning etymology find two words

athl- prize athlos athlete/pentathlon
aqu- water aqua aquarium/aquamarine
audi-
bibl-
bi-
bio-
cogn-
dul-
dexter-
galact-
gen-
gramm-
inter-
intra-
kine-
libr-
ling-
luc-
lumin-
mus-
nat-
neg-
phot-
plur-
post-
semi-
spa-
sub-
tele-
viv-

1) 1) TI: Greek and Latin suffixes to:
en.wikipedia.org
for a comprehensive list.

1) 1)
2)
3)
1)
115
Teachers Guide
Date: __/__/__ Title: TEXT MESSAGING/NEW WORDS Lesson number: 90
New word Meaning New word Meaning

chillaxing nail tat
chick lit newbie
cloud computing nevertiree
daycation podcast
flame war screenager
frenemy smirt
funkinetics snail mail
Glamazonian solopreneur
mailbomb trolling
meh webinar
Alexander 9 Mohammed 4 Washington 6 Jefferson 10 Napoleon 2

Abe Lincoln 5 Adolf Hitler 7 Aristotle 8 Jesus 1 Shakespeare 3
THE COLOUR SILVER
THE SILENT LAKE
FISH SOUNDS
THE MIST ON THE LAKE
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Teachers Guide
LIST OF MOST HATED WORDS 2014 FROM LAKE SUPERIOR STATE UNIVERSITY
selfie -ageddon (smowmageddon)
hashtag -pocalypse (icepocalypse)
twittersphere intellectually bankrupt
Mister Mom adversity
newbie (anything) on steroids

1) 1)
2)

1) 1) I would be very wary about
looking up sites with the class that
2) involve new words. Even the
Oxford English Dictionary has a
3) huge cache of swear words etc. It
might be better to screen any sites
4) first.
5)

1)
2)
OBSERVATIONS:
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Teachers Guide
Live as if you were to die tomorrow. Learn as if you were to live forever.
Mahatma Gandhi
DECEMBER MONTHLY PLAN

WEEK ONE DESCRIBING CHRISTMAS: INTERNAL AND EXTERNAL
Lesson 91 Read Whats on the Ground: Fill in 1st grid: on task ex. based on grid
Lesson 92 Fill in white, yellow, brown and orange with dictionary: Google others
Lesson 93 Fill in 2nd grid: fill in personification grid and find other ex.s on internet
Lesson 94 Fill in 3rd grid: Internal scene of Christmas: write multi-sensory passage
Lesson 95 Read Christmas Tree essay: explore cave art as medium of expression:
Assign portfolio essay homework: My Life in 10,000 B.C.
WEEK TWO
Lesson 97 Students to read homework essay in front of class: concentrate on oral
presentation: discuss posture/addressing audience with eye contact etc.
Lesson 98 Fill in 4th grid on external scene: discuss ideas for point of view essay
Lesson 99 Complete POV essay on task in class: Let students read their exercise
out in class after this: let their ideas bounce off each other
Lesson 100 Fill in 5th grid: Discuss How to plan a short story and read short story:
Assign portfolio short story for homework: A Christmas nightmare
WEEK THREE
Lesson 101 READING DAY or STUDY WORKBOOK FOR CHRISTMAS TEST
Lesson 102 Students to read homework in front of class: concentrate on tempo of
presentation: fluency of word-scanning/use of pauses after sentences
Lesson 103 Fill in associative learning grid and class ideas revision grid
Lesson 104 Make a Christmas crossword: 1st attempt (it may take two full days)
Lesson 105 Make a Christmas crossword: 2nd attempt: redraft and refine
WEEK FOUR REVISION WEEK
Lesson 106 Teacher gives menu of options about what may be on Christmas Test:
Expectations for students are made clear: what type of study is required
Lesson 107 Students to look over portfolios and redraft/refine/revise lessons missed
with help of study buddy. Add in photos/pictures if necessary
Lesson 108 All portfolios to be inspected by teacher and signed by parents. Students
revise mnemonics/key words in modules/punctuation rules/letters etc.
Lesson 109 Focus on spellings for Christmas Test: students practise paired spelling
Lesson 110 Final day of term should include some type of class reward for effort
Education: the path from cocky ignorance to miserable understanding. Mark Twain
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Teachers Guide
WHATS ON THE GROUND?
You are walking towards the mountains. The snow is glinting like angel fire and the
mountains are shaped like the crooked teeth of a hag. Thats when you see the man in the
mercury-red suit. He is on the ground holding his head and he is moaning. A short distance
away, you see a broken sled and dead reindeer litter the ground.
Goddamned geese! he roars at the sky. Came out of nowhere like fluffy bullets and
smashed into us. What the hell is wrong with people these days?
He is not a happy man. His neck is bulging and the vein on his forehead is throbbing. Flecks
of spittle are foaming at his mouth and his fists are clenching and unclenching. His eyes are
looking this way and that and then he sees a bundle of white feathers sticking up from the
snow. He kicks them and a shower of blood stains the snow red. You fear he is going to get a
banger so you try to calm him down.
Ice in the hands, you tell him. Just think of having ice in your hands.
Am I getting this correct? he asks. Im just after falling 16,000 feet to the ground, all my
reindeer are dead, Im in shock and suffering from hypothermia in the middle of a prison of
freezing snow-and you want me to imagine myself having ice cream in my hands? He put
his hands to his head in distress. I need a snow day, he said as he sat down. Then he began
to cry. Its the constant stress he sobbed. Its too much.
There, there, you tell him.
My arse is getting too fat, he continues. If my farts werent like thunderclaps, Id never
get back up all those chimneys. Its too much for one man to take. Its just too much. He
buried his bushy beard in his chest and rubbed his face in distress. His chest heaved up and
down and tear-streaks lined his cheeks.
Your mascara is running, you tell him.
Is it? He suddenly becomes alert. That wont do. Im supposed to be on Jay Leno later
tonight. Thanks for the heads up. He takes out a mobile and rings for a back-up sleigh.
While he is on the phone, he is professional and business-like. Yeah. Just under the
mountains that look like an old crones teeth. Where? How the hell do I know? The sat nav is
broken. Just do it. Thanks. And bring some more deer. Later. Bye.
Sorted, he says. Then his eyes narrow. Do I know you? he asks suspiciously.
Youre Santa. You know everyone, you tell him.
Harrumph! he coughs. Of course I am. Took a bang on the old noggin, you know. Now I
have you. Youre the lad who visualised the geese in the last chapter. You caused this. Youd
better do something to make up for it. Why not describe Xmas for me while were waiting?
You sigh. Christmas in the house or outside the house? you ask. Both, he says.
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Teachers Guide
Date: __/__/__ Title: DESCRIBING CHRISTMAS: 1st GRID Lesson number: 91
Definition: He who wishes to give little shouldnt ask for much.

aloe Vera swag bag
crystalline warbling
ruffling frankincense
sprite Yuletide
salve whiteout
myrrh winterscape
calamine St. Nicholas
turkey sizzling decorations on tree presents under tree crackers exploding

Christmas tree angel on tree tinsel and lights robins warbling
the manger holly berries Christmas pudding a blackout
baby in a crib the North star mistletoe a whiteout
myrrh frozen ponds scented candles Yuletide logs
frankincense winterscape of snow Jack Frost super student ideas

1) 1) TI: Christmas cottage with Yule
log fireplace to:
2) YouTube
It is 3 mins. 12 secs. long and
gives a scene they can write about.
1) 1)
2)
3)
4)
5)

1)
2)
OBSERVATIONS:
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Teachers Guide
Date: __/__/__ Title: WHITE/YELLOW/BROWN/ORANGE Lesson number: 92
THE COLOURS WHITE, YELLOW, BROWN AND ORANGE
WHITE YELLOW BROWN ORANGE

archangel-white buttercup-yellow almond-brown amber-orange
jasmine-white citrus-yellow autumn-brown blazing-orange
marble-white gold seam-yellow bark-brown boiling-orange
orb-white honeycomb-yellow caramel-brown burning-orange
orchid-white lemon-yellow cinnamon-brown ember-orange
oyster-white lightning-yellow coconut-brown glowing-orange
pristine-white melon-yellow conker-brown feverish-orange
seashell-white moon beam-yellow copper-brown fiery-orange
skull-white saffron-yellow mahogany-brown hot-orange
snowdrop-white sun flash-yellow monk-brown ochre-orange
swan-white sunrise-yellow russet-brown scorching-orange
tallow-white syrup-yellow tannin-brown smouldering-orange
unicorn-white yam-yellow teak-brown sunset-orange
whalebone-white yolk-yellow toast-brown sweltering-orange
waterlily-white zesty-yellow walnut-brown vulpine-orange
TRY TO GET SIX MORE OF EACH AS A CLASS
WHITE YELLOW BROWN ORANGE

1) 1)

1) 1) Ask the students to cut out
examples of these 4 colours from
2) any source. They should paste tiny
strips of each in their portfolios as
3) a visual aid to remembering them.

1)
OBSERVATIONS:
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Teachers Guide
Date: __/__/__ Title: INTERNAL SCENE: 2nd GRID Lesson number: 93
Definition: Where there is life, there is hope.

swag bag sorcery
warbling dreamscape
frankincense magnesium
Yuletide hamlet
whiteout glistering
winterscape cinnamon
St. Nicholas hearth
flashing gleaming glinting glimmering

flickering glowing glittering glistering
sparklers fizz crackers explode glasses clink laughter rings
lights hum oven purrs presents rustle kettles hiss and boil
Christmas socks silver glitter fire licking hearth magnesium bright
large pine cones candles twinkling jolly jig of the fire star-bright angel
the jingle of the sled chiming bells snow like angel fire sleepy hamlets
sherbet sweet treats cinnamon smells the sorcery of Xmas dreamscape of snow
USING PERSONIFICATION IN YOUR WRITING
Personification is giving non-human things human terms. The key to understanding it lies in
its name: personification. It is one of the most powerful weapons in your English armoury.
Explain why the following sentences use personification. The first two are done for you.
1. The pellucid-blue river jumped over the rocks.
This river is personified because jumping is a human term and the river is not human.
2. The saffron-yellow stars smiled down at me.
The stars are personified because smiling is a human term and stars are not human.
3. The spring wind exhaled gently.
The wind is personified because exhaling is a human term and the wind is not human.
4. The mountains stared down at me.
The mountains are personified because staring is a human term and the mountains are not
human.
5. The flowers were nodding their heads at me.
The flowers are personified because nodding is a human term and the flowers are not human.
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Teachers Guide
Put the following words into a sentence. Then find a synonym (similar word) for each word.
synonyms
The lake naked bare The lake lay naked under the wolf moon.
The sea roared billowed The churning sea roared out its rage.
The heavens wept cried
The sun kissed smooched
The moon blessed consecrated
The trees shivered quivered
The beach ran to rushed to
The desert cooked us baked us
The rain spat gobbed/hawked The sky hawked and the rain gobbed.
The lightning flung cast its spears
The mist crawled crept
The waterfall sang crooned
Spring gleeful mirthful/joyful
Summer smiling beaming
Autumn ghostly spectral
Winters icy grip frozen claws of

1) 1) TI: 50 exs of personification to:
ereadingworksheets.com
2)

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3)
4)
5)

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Date: __/__/__ Title: INTERNAL SCENE: 3rd GRID Lesson number: 94
Definition: He who lives on hope alone will die of hunger.

sorcery cloves
dreamscape tannins
magnesium jig
hamlet sulphur
glistering citrus
cinnamon exotic
hearth gamy
the sunrise glow of the dancing fire tongues of flame bathed in warmth
wall shadows chase a blazing jig of fire fire licks the hearth cackling and spitting
happy cheery joyful mirthful
jolly merry peaceful gleeful
spicy beef pine tree aromas sulphur of crackers oaken oven smells
peppery scents sharp smell of cloves rose scented candles exotic stove smells
buttery potatoes heavy fruitcake tea tannins herb-stuffed duck
plummy pudding gamy goose citrus drinks thyme-filled turkey

1) 1) TI: The 12 smells of Christmas
to:
2) ourfriendben.wordpress.com
for some more lovely scents.
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3)
4)
5)

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Date: __/__/__ Title: THE CHRISTMAS TREE Lesson number: 95
THE CHRISTMAS TREE AND THE GENESIS GENE IN ALL OF US
Frost-spikes hang off the window sill like a phantoms glassy fingers. The pine sweet smell
of the tree ghosts through the room, mixing with the oaken oven scents.
The star-flash of tinsel glitters brightly and ribbons of flame dance in the hearth of the fire.
They chase away the burglar-black wall shadows and you sink deeper into the couch. A
sunrise warmth heats up the room and you are content. Your eyes drift up to the angel at the
top of the tree. It reflects like river-light and you wonder why it stirs up memories you never
knew you had.
Outside the window, the world is a moonscape of white. Jack Frosts fangs have bitten deep
into the flesh and blood of the earth, leaving it clay-cold and drained. The night before he was
out, plunging his vampire-white teeth into whats left of natures trembling, dying heart.
There is no bird song, no grass whisper, no footfall. Jack hates every living thing. He seems
to swoop down quietly from the iron sky and strangles the world into silence. His cold gleam
and icy eye polish everything with glassy hatred. Then his undead fingers creep and crawl
across the land, leaving it as pale and drawn as a zombies face.
You hear a sound, however, and you go to the window. The noise of feet on the powdery
snow is like muffled grenades. It is your dog and he is rolling around the snow. There is a
rabbit lifeless on the ground and he rolls on him too. The faint crackling of turkey juices
dripping onto tinfoil can be heard from the kitchen. Its unique smell of McDonalds paper
mixed with a delicious, gamy scent swirls around the room. The exotic whisper of stuffing
and parsley burning into the flesh makes your stomach rumble and your mouth water. The
sweet, cedar fragrance of the Christmas tree wafts around the room and it conjures up a
memory you never thought you had.
There are between 30 and 40 of the Magdalenian tribe sitting around the fire and they are
happy. It is Christmas Eve, 11,000 B.C. and they are at the foothills of the Pyrenees
Mountains in Northern Spain. They are the first humans to look and think exactly as we do
today: homo sapiens sapiens (man wise wise). Their long hair is not the Rapunzel-gold of
fairy tales. It is caramel-brown, long and glossy from a diet of eggs, nuts, fish and fruit. They
hunt wild boar, reindeer, wild goats, horses, bison and aurochs. Aurochs are the biggest bulls
that have ever lived and the only herbivore which will stalk and kill the hunters if given the
chance.
The women wear animal skins which look exactly like the expensive fur coats we wear. They
love the white fur of the Arctic wolf, fox and hare, but the Ice Age has just ended in Europe
and these animals are getting hard to find. They make seashell necklaces and bracelets and
their shoes are made from tough leather lined with fur. The men wear carnivore teeth from
lions, bear and lynx. They punch holes through them with ivory pins to wear them around
their neck. The more you wear, the higher your status as a hunter.
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A few wild turkeys are roasting on the fire. They have already killed 3 wild boars and eaten
them and the turkeys are for the eldest and the youngest in the tribe. Theres an assortment of
other small animals ready to roast for dessert: hare, squirrels, snowy owl, hedgehog, badger,
weasel, gopher and dormouse. In 11,000 years time, Julius Caesar will find that the only
Spanish tribe he cannot conquer are the descendants of the Magdalenians. However, the
Magdalenians and the Romans have one thing in common; a love of stuffed dormice served
with honey, herbs and pine cone seeds.
The Magdalenians are ferocious, as Julius Caesar will find out. They also love their children,
are very caring towards the elderly and are Europes first cave artists. The men wear beards
for the winter and ignore the huge, dark shapes prowling around the campfire. These are the
hunting wolves of the Magdalenians and they are strong and fierce also. The men can relax in
this wooded glade while the wolves are patrolling. Watchful eyes, none of them friendly, lurk
elsewhere in this forest. The human race in Europe numbers only 3 million souls, but most of
the tribes are warlike and savage.
The dripping blood from the turkey makes the fire spit, hiss and cackle. It is a cold, starry
night and it is as if dream dust has been sprinkled in the sky. The Bethlehem star shines
above one cypress tree and the women point to it and call it a good omen. They do not
believe in angels, but if they did, they would call it one. Tongues of flame dart up from the
fires, banishing the bat-black shadows.
There is no light pollution here and the moons dazzling brilliance flings spears of light into
the holly glade. Five juicy salmon, fished from the River Elbo, are skewered on sticks next to
the boar. Their silver skin blisters and sizzles over the fire. A pot is on the boil next to them
containing wild mushrooms, periwinkles, thyme and almonds. Dinner tonight is a surf n turf
delight. The mint-fresh lungs of the Magdalenians inhale deeply and take in the fragrances of
the forest. A phantom of smells lingers in the air: grilled meat, charred cedar boughs and the
sap-sweet smell of burning wood. The river glitters like jewels in the cat-light of the night.
The wolves roll over the cast away carcasses of the boar and reindeer. It will help them to
disguise their musty smell when they are hunting game tomorrow. The Magdalenian men
know this and laugh at their behaviour. They are happy, contented and proud of their tribe.
The forests they live in are a real danger and challenge, but they are beginning to conquer
those challenges. Little do they know it, but their genes will soon be travelling over to refresh
the newly-thawed lands of England and Ireland.
Back in the present, you open your eyes and let the ghost of Christmas smells waft up your
nostrils. The scene you had of a tribe in a forest came and went so quickly, you have
forgotten it already. The glossy-green holly stirs up a memory again, but you cant recall it:
the smell of your new, leather shoes: the amber scent of the tree sap: the fresh, crisp smell of
the pine needles. They all scream at you to remember your genesis gene. You dont know it,
but the Christmas tree is a gateway to the past, an anchor of the present and a bookmark for
the future that family comes above all else. That is why the Magdalenian gene still exists.
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You look out the window and you see the dog rolling around. Now whats gotten into him?
you mutter. Just then you hear the greatest sound in the world. The bell chimes for dinner. A
boom of heat and a carnival of laughter greet you as you open the door to the kitchen..............

1) 1)
2)

1) 1) Most of the sites are very
technical and scientific for the
2) students. The most comprehensive
site about them is to be found by
3) typing in: The Magdalenians to:
uiowa.edu
4) Perhaps you can give read it and
extract some more information
5) about them for your students. It
covers their art, their views on the
6) afterlife and their hunting
methods.
7) A much easier read for the
students is to be found by typing in
The Magdalenians to:
lookandlearn.com
and the students will find this
interesting.
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OBSERVATIONS:
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OBSERVATIONS:
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Teachers Guide
Date: __/__/__ Title: PRESENTATION OF ESSAYS Lesson number: 97

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Teachers Guide
Date: __/__/__ Title: EXTERNAL SCENE: 4th GRID Lesson number: 98
Definition: We are not born for ourselves alone.

cloves festooned
tannins draped
jig rasp
sulphur encased
citrus wreathed
exotic screak
gamy mantled
dove-white flour-white halo-white putty-white

dough-white goose-white hailstone-white powder-white
creaking trees crackling snow thump of snowshoes the rasp of gates
cracking ice the hiss of sleds swishing skates the screak of hinges
snow veiled snow cloaked snow draped snow festooned
snow carpeted snow curtained snow mantled snow wreathed
the polished ice Jack Frosts fangs stabbed by ice spears encased in ice
icy breath of winter glassy fingers of ice surgeons coat of a snowdrift

1) 1)
2)

1) 1) TI: Giant tip-up Laker (Part 2 of
3) to:
2) YouTube
It will be a different experience
3) and they can see how other people
like to spend Christmas. If needs
4) be, they can describe the landscape
around the lake, but I would just
5) let them enjoy the video.

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OBSERVATIONS:
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Teachers Guide
Date: __/__/__ Title: POINT OF VIEW SAMPLE Lesson number: 99
The sleepy hamlet was tucked away among the mountains. The North Star flashed like a
neon-blue petal and the smoke from the chimney pots rose to meet it. The lemon-yellow
moonbeams cut through the frigid air and washed the village with their brilliance. The
icebound lake glittered silver among the pine trees. They wore a butchers coat of snow and
red pine cones and they creaked and cracked under the weight of it.
Tomorrow, laughter will ring all around this lake, but for now it is silent. Sleds will hiss as
they kiss the snow and skim down the hills tomorrow. Skates will swish and screak as they
fizz on the ice. Then the ice will collapse in the centre like an overburdened tray and the
laughter will ring louder. It is Christmas Eve, 1825, and the world is quiet.
The silence is broken by a lone robin, however. His voice cuts through the air with the
clearness of a champagne glass pinging. His lava-red breast puffs out as he sings his lonely
ballad. Then he is answered by his beaked companions. The dawn chorus has arrived and the
stillness of the world is shattered. The sound of bells jingling can be heard in the distance.
Inside the house, the fire is crackling and sissing. The lambent light of the fire chases away
the velvet-black shadows. The Christmas tree fills up the room with its minty breath and the
tinsel glistens in silver glee. The Christmas presents are wrapped in a rainbow of colour and a
candle winks slowly on the window sill. The angel looks down on it all, silent and peaceful.
In a few hours, the children will rush in, their faces full of joy and their eyes filled with the
light of the stars. They will rip open their presents and whoop with surprise and ecstasy. The
Yuletide logs will exhale a mix of wood and resin. The fleshy, sandalwood scent of the
turkey and goose will flood the house and the sound of them sizzling on the fire will cheer
everyone. Christmas day will be a happy one in this house.
Its the night before Christmas and all through the house, not a creature is stirring, not even a
mouse. Actually, thats not true. There is a mouse in the corner of the room. The burglar-
black shadows of the fire have caught him and his reflection on the wall seems huge. The
shadows say he is a monster, possibly a squint-eyed troll. That is how myths are started; by a
lack of understanding and superstition. The dove in the cage looks like a dragon and the cat
watching the mouse is a sabre-toothed lion.
The church bell rings at 12 oclock and Christmas Day arrives. The world is at peace.

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Date: __/__/__ Title: EXTERNAL SCENE: 5th GRID Lesson number: 100
Definition: Misfortune comes on horseback and leaves on foot.

festooned sombre
draped corona
rasp cinder
encased doleful
wreathed bling
screak shackle
mantled quivering
empty sky bleak sky haunting sky cinder-grey

lonely sky bitter sky wan sky shackle-grey
nose-icicles plum-purple sky bling-silver stars pearly moons
starving birds Lapland-white prison trees like skeletons the moons corona
old lonely sorrow mournful
cold woe sombre doleful
shivering bodies stiff limbs chattering teeth skin-seeping cold
quivering bodies sore joints tingling fingertips snuffling noses
HOW TO PLAN A SHORT STORY
The short story can be a very rewarding genre (i.e. style) to write in. Every novel is cut down
to between an hour and half to three hours when it is put on the big screen. Think of the short
story as being five minutes of action on You Tube. You need to get your story across in a
short time. How do you do that? It is very simple. HAVE A PLAN! The plan is underneath:
1. Introduce your setting and the weather.
Will your story start in a dark forest, a city or inside a house? Give the details required to
paint a scene for the reader. Is it raining or misty? Is the sunny or gloomy? Are the stars out
or are they peeping from behind the clouds? Give the sort of detail that this book encourages
but dont waste time giving too much.
2. Introduce a character.
Will your central character be a hero, a villain or an anti-hero (i.e. a man who may do bad
things but can is essentially a good person)? Is he young or old, strong or weak? Give some
physical details if you think they are needed. You can also make yourself the hero or villain.
3. Start the action (i.e. rising action).
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In a short story, something dramatic or life changing usually happens. Start the action flowing
by introducing a problem. It could be a burglary you happen upon, an event like a tsunami or
an accident you caused yourself.
4. Give the story a climax.
The high point of the story should be dramatic and unusual. This should be pre-planned and
keep the reader guessing as to what will happen.
5. Falling action.
The action is still taking place but the crisis is over. If it was a burglary, the police could have
arrested the burglar but are still taking statements, for example. For a tsunami, the land is
flooded and you are describing the devastation it caused.
6. The resolution.
The effect of this unusual climax should be outlined. How did it affect you? How did it affect
others in the story? Is there a moral to your story and was your central character a winner or a
loser in all this?
The art of the short story takes time and practise in order to get it right. Look out for unusual
things that happen in your school day or your life outside school. If anything dramatic,
impactful or unique happens, put it in your notebook. Jot down how people responded to the
crisis. Write out the exact words they used. That is your dialogue taken care of. All the great
writers keep a notebook close at hand for ideas. If you are serious about writing, you will too.
It is the tale. Not he who tells it. Stephen King
A CHRISTMAS SHORT STORY
INTRODUCTION:
Reading the newspaper today made me laugh out loud. It also brought back a memory that I
thought had been buried forever. Let me paint the scene for you
It was roughly fifteen years ago on Christmas Eve. The snow was falling in a cloud of
Merlin-white and the air was beautifully cold. The sky was bleak and cinder-grey. It wasnt
the skin-seeping pinch of a windy day, more like the powdery cold of a crisp, Alaskan
whiteout. I was standing outside the front entrance of a shopping mall in New York, enjoying
the high spirits of the shoppers as they swarmed around me. My mother was inside getting
some Christmas presents. I suppose I was about twelve at the time.
INTRODUCE CHARACTER:
There was a homeless man in the middle of the street weaving his way through the traffic. I
could only assume that he was homeless as his actions and clothes were bizarre. He held a
brown paper bag in one hand and he would occasionally put it to his mouth to take a drink
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from the bottle within. The other hand was being used to make rude gestures and to thump
the bonnets of the honking cars. All the while he let loose a string of swear words and vile
curses. Not just your ordinary curses either. This guy was threatening the motorists that the
milk would curdle in their fridges, their food would turn to sawdust and that he would make
them infertile for eternity. He was like a one man comedy show with the outrageousness of
his performance.
He had a strange appearance, almost as if it was made up. His hair was wizened and straw-
like, nearly fossilized it was so dry. He had the sad eyes of a basset hound and a distinctive
beard. It wasnt a thick, captain Ahab beard but rather something a lunatic might have: bushy
and spittle flecked. His face was toil worn and tanned from exposure to the elements and he
walked with a weary, sad air until he would suddenly explode in a burst of rage. His fingers
were gnarled and knobbly and the clothes he wore were musty and smelly judging by the
reaction of the people he passed. Their noses would crinkle in disgust and they would peel
away from his presence. I dont want to sound pass remarkable, but he was a truly unpleasant
character. What made it worse is that he made a beeline to where I was standing.
RISING ACTION:
I shuffled uncomfortably as he approached. His eyes seemed to laser in on me as if I was his

target for the day. His voice was surprising, a gravel-and-gravy mix of whiskey roughness
and educated accent.
Hey kid. Gotta buck to spare?
He seemed very gentle, a complete contrast to the South Park character I had witnessed
earlier. I normally didnt entertain vagrants or weirdoes but I was so grateful he wasnt
shouting at me that I gave him the first note out of my pocket. It was twenty bucks. I felt a
pang of regret then as it was part of my money to get Christmas presents. He looked at the
note and I remember that he said: Youre a nugget, kid. God bless all generous and good
looking people.
With that he was off. He zigzagged his way across the street, screaming at anyone who
honked. I saw him going across to another shop front and some old lady gave him money.
That was the last I ever saw of him.
CLIMAX:
Now my eyes drifted to an article in the Obituary column of the New York Times. The
caption was New Yorks Unlikeliest Billionaire.
Died Monday, aged 65: Lloyd The Tramp Carson, heir to the Carson Steel Empire, and
notorious practical joker. Lloyd, who was a dedicated actor and keen observer of human life,
liked nothing better than to dress up as a vagrant and shout insults at his fellow New Yorkers.
Although knocked down twice as a result of these escapades, he played out the role until his
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last day on this earth. His last words were known to be: Youre a nugget, man. God bless all
good looking people. Indeed, these are the exact words which shall be on his epitaph as per
his wishes.
It is believed that Mr. Carson has left an estate worth north of $1.7 bn. As he does not have
any immediate family, speculation is mounting as to who shall be named in his will. Rumours
are rife that he had a team of private detectives following him. Apparently, they would
discover the identities of people who were particularly generous to Mr. Carsons alter ego. It
may be another urban myth, of which New Yorkers are particularly fond of, but sources at
the New York Times are adamant that Mr. Carson intended to pay back those who had a
generous spirit.
FALLING ACTION:
I laughed out loud again as I finished the article. He was most definitely a character, this guy.
I had to hand it to him. He knew how to get a kick out of life.
RESOLUTION:
I thought nothing more of it until a letter arrived three months later. Then I didnt laugh at
all. I cried with happiness.
Did you like this story? Do you think it is better to give to those less fortunate than you or to
ignore them? Can you think of any practical way you could help people in your community?
Are there people in your community who are alone and who your class could help?

1) 1) TI: How to write a short story
to:
2) wikihow.com
It is excellent and there is a link to
writing a short horror story.
1) 1)
2)
3)
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5)
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1) 1)
2)

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OBSERVATIONS:
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Date: __/__/__ Title: PRESENTATION OF SHORT STORY Lesson number: 102

1) 1)
2)
3)

1) 1) The short story should be
redrafted at least twice; once for
2) plot and structural changes and
another for mechanical/spelling
3) errors.
4)
5)

1)
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OBSERVATIONS:
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1. Winterscape is to whiteout as snowscape is to dreamscape. dreamy scene
2. Myrrh is to frankincense as cinnamon is to sandalwood. smells
3. Jasmine is to orchid as snowdrop is to waterlily. flowers
4. Berries are to robin as turkey is to humans. eating
5. Frozen is to freezing as encased is to icebound. icy
6. Almond is to caramel as teak is to mahogany. colours
7. Clinking is to ringing as humming is to purring. sounds
8. Dancing is to jig as tongues are to ribbons. fire
9. Jolly is to merry as mirthful is to gleeful. emotions
10. Pine is to peppery as oaken is to exotic. scents
11. Buttery is to plummy as gamy is to thyme. tastes
12. Creaking is to crackling as rasp is to screak. sounds
13. Cloaked is to carpeted as wreathed is to festooned. snow
14. Glinting is to glittering as glimmering is to glistering. light
15. Santa is to Kris Kringle as puddings are to Yuletide logs. symbols of Xmas
16. Empty is to lonely as bleak is to bitter. Find the link
17. Sorrow is to sombre as mournful is to doleful. Find the link
18. Shivering is to quivering as chattering is to snuffling. Find the link
19. Polished is to icy as glassy is to encased. Find the link
20. Dove is to dough as putty is to powder. Find the link
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Teachers Guide
Date: __/__/__ Title: REVISION GRID Lesson number: 104
The grid below can be filled in as the class is doing a creative page of fill in the blanks. It
may also be used at the end of the module for revision purposes. The teacher might also
decide to put different headings in the grid. The template for the first two pages is done for
you. The rest needs to be filled in by the student.
CHRISTMAS LIGHTS REFLECTING
SOUNDS IN THE HOUSE
IMAGES IN THE HOUSE
MAGICAL WORDS GRID
THE CHRISTMAS FIRE
EMOTIONAL SENSATIONS
SMELL
TASTE
OBSERVATIONS:
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Teachers Guide
Date: __/__/__ Title: MAKE A CHRISTMAS CROSSWORD Lesson number: 105
Ask your teacher for guidance if you need it. This exercise should be done with a partner.
One of the easiest sites for making an interactive crossword seems to be:
edtools.mankind.forward.com
Simply type in: Make an online crossword. I still prefer to do crosswords manually with my
own classes, however. It is a valuable lesson in patience and planning for them and the
satisfaction they get on completion is immense. Consider starting one during a reading day
and let them finish it in the next days lesson.
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Non scholae sed vitae discimus. We learn not for school, but for life.
JANUARY MONTHLY PLAN

WEEK ONE
Lesson 106 Fill in 1st grid on mountains: rules for personal pronouns
Lesson 107 Fill in 2nd grid on mountains: rules for using adverbs
Lesson 108 Using colours: pink, gold and purple
Lesson 109 The Blood Rain of Kerala, India: investigating unexplained events
Lesson 110 Fill in 3rd grid on mountains: Using the infinitive
WEEK TWO
Lesson 111 Using the past continuous tense
Lesson 112 Fill in 4th grid on mountains: using the present simple tense
Lesson 113 Getting students to think: whats falling from the sky and why?
Lesson 114 Writing a newspaper report
Lesson 115 Using the present continuous tense
WEEK THREE
Lesson 116 Fill in 5th grid on mountains: Using the future simple tense
Lesson 117 Using the future continuous tense: revision of tenses
Lesson 118 Using assonance as an expressive tool in writing
Lesson 119 What is flash fiction?
Lesson 120 Using tastes and smells in your writing
WEEK FOUR
Lesson 121 Using impactful pulse words
Lesson 122 Using associative learning to revise module
Lesson 123 Using a scribble box for revising best ideas
Lesson 124 Make a mountain crossword
Lesson 125 True or false quiz
There are some subtle changes occurring in the January module. They are required to fill in
the grids in a quicker fashion now that they have had a lot of practice with them. Most of the
lesson plans incorporate two tasks from now on, a grid and a grammar exercise. It is also
possible some teachers may want to cherry-pick certain lessons on grammar from this module
and leave others out. That may be the case with more advanced classes. There is a Reading
Day template at the back of the book for those teachers who want to continue with it this
term. I have taken it out of these monthly plans for space and formatting reasons. My advice
is to keep devoting one day per week to reading until the summer.
I am also weaning out the points system for the grids as the year goes on. The challenge of
filling them in and learning from them should be replacing ego-orientated achievement. It is
preferable to try out task-orientated achievement and see how they respond. If the class is
weak, you may consider awarding the points yourself.
Omne ignotum pro magnifico. Everything unknown seems magnificent.
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Date: __/__/__ Title: DESCRIBING MOUNTAINS: 1st GRID Lesson number: 106
Definition: Forewarned is forearmed.

sombre covenant
corona Shangri-La
cinder abominable
doleful feral
bling mythical
shackle yeti
quivering fungus
snow fog eagle/named bird deer/feral goats

the world beneath mist bear/named animal rare snow leopard
a village abominable man crashed aeroplane cave of treasure
village not on map yeti/giant footprints helicopter falling named colours
Shangri-la caterpillar fungus abandoned village Arc of the Covenant
mythical snow worm undiscovered animal man with broken leg super student ideas
DIFFERENT NARRATIVE STYLES
First person narration occurs when a story is written from the point of view of the character
in a story. The personal pronouns I, my and me are used for this.
Second person narration is rare and involves the personal pronoun you and your (singular).
Third person narration is also known as the fly-on-the-tree technique. Imagine a fly on
the top of a tree. He can see, hear, smell, taste and sense everything going on in the forest.
His job as narrator is to communicate this to the reader. He will use the personal pronouns he,
she, it, they, them and your (plural) to write his story. Put the flys personal pronouns in the
grid below.
1st PERSON
2nd PERSON
3rd PERSON he/she
PERSONAL PRONOUNS
A personal pronoun indicates the person: a) Speaking (I, me, we, us)
b) Spoken to (you, your)
c) Spoken about (he, she, it, they, him, her, them).
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Personal pronouns are divided into singular (one person) and plural (more than one person).
They are further divided into whether they are the subject or the object of a sentence.
The subject of a sentence is usually the person or thing being talked about in a sentence. It is
also the person or thing performing an action. The subject is usually a noun. The verb (i.e.
predicate) follows the subject. Underline the subject and verb below.
The mountain soared.
The eagle swooped.
The object is usually the person or thing receiving the action and follows the verb (i.e.
predicate). An easy way to remember it is this; a subject needs an object. In this case:
Subject is the subject. Needs is the verb. Object is the object.
Try to identify the subject, verb and object for the sentences below.
The snowmelt ran down the mountain.
The mountain soared into the sky.
The eagle swooped towards me.
PRONOUNS AS SUBJECTS AND OBJECTS
The sentences in the last page have used nouns in their examples. A pronoun can also take the
place of a noun and be the subject or the object. For example, you could say:
I am going to the mountain.
In this case, I is the subject and the mountain is the object.
You could also say:
He threw the snowball at me.
In this case, He is the subject and me is the object as you are receiving the ball.
Underneath is a grid where personal pronouns are explained in simple terms. Ask your
teacher to go through the grid in detail.
singular person subject object

1st I me
2nd you you
3rd he/she/it him/her/it
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Teachers Guide
plural person subject object

1st we us
2nd you you
3rd they them
The difference between I and me
I is the first person singular. It is also the subject pronoun. This means it refers to the
person performing the action.
Examples: I want to leave. You and I are going now. John and I are going away.
Me is the object pronoun. It refers to the person the action of the verb is being done to.
Examples: He gave me a book. He should agree with John and me.
If you are ever in doubt, just split the two sentences in your mind. For example, if the
sentence is: He told John and (I/ me?) to get a shovel.
He told I to get a shovel? NO
He told me to get a shovel? YES
Practice this with 10 sentences from a newspaper and write them out using the I/me formula.

1) 1)
2)

1) 1) TI: Planet earth: amazing nature
scenery to:
2) YouTube
The clip is 13 mins. 29 secs.
3) Play it from the start if you wish.
The mountain imagery runs from
4) 1:38 mins. to 4:29 mins.
5)

1)
2)
OBSERVATIONS:
144
Teachers Guide
Date: __/__/__ Title: DESCRIBING MOUNTAINS: 2nd GRID Lesson number: 107
Definition: The only stupid question is the one not asked.

covenant enwrapped
Shangri-la polar
abominable bellowing
feral grumbling
mythical porcelain
yeti Arctic
fungus piercing
angel-white bone-white polar-white vampire-white

Arctic-white bleach-white phantom-white porcelain-white
crashing roaring growling booming
clapping rumbling grumbling bellowing
sky punching sky stabbing heaven touching snow enwrapped
sky piercing sky spearing heaven kissing snow lordly
ADVERBS
An adverb is used to modify a verb. They tell us when, where, how, in what manner, or to
what extent, an action is performed. Here are some examples:
When: He ran yesterday.
Where: He ran here.
How: He ran quickly
In what manner: He ran barefoot.
To what extent: He ran fastest.
Although most adverbs are easily spotted, some can sneak in unnoticed to a sentence.
Examples are given in the grid below.
Adverbs of time Adverbs of place Adverbs of manner Adverbs of degree

tomorrow there angrily very
soon everywhere badly least
now around calmly more
never here correctly less
sometimes far easily most
always inside elegantly lots
forever towards joyfully so
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Teachers Guide
It is indeed true that many adverbs end in ly. Some do not, however. In order to spot an
adverb, ask yourself 3 questions.
HOW? How does he run? He runs perfectly.
WHERE? Where does he run? He runs here.
WHEN? When does he run? He runs sometimes.
Make a list of adverbs in the grid that end in ly. Put in the question they answer after them.
WHEN HOW adverbs to avoid HOW WHEN

daily carefully very gently (how) usually
nightly (when) poorly quite softly normally
weekly casually really smoothly regularly (when)
monthly joyfully (how) severely mildly constantly
yearly loudly extremely beautifully frequently

1) 1) TI: Mountain images to:
google.ie
2) and press More images
You will get a visual feast of
mountain scenery.
1) 1)
2)
3)
4)
5)

1)
2)
OBSERVATIONS:
146
Teachers Guide
Date: __/__/__ Title: USING COLOURS Lesson number: 108
THE COLOURS PINK, GOLD AND PURPLE
PINK GOLD PURPLE

blossom-pink Arc-of-Covenant gold bird-of-paradise purple
a blushing, pilgrim-pink beeswax-gold bishops mitre-purple
calamine-pink chrome-gold heather-purple
candyfloss-pink flaxen-gold indigo-purple
cerise-pink harpstring-gold (for sunbeams) juniper-purple
dawn-pink honeycomb-gold lavender-purple
diamond-pink honeydew-gold lilac-purple
dusky-pink lightning-gold magenta-purple
flamingo-pink molten-gold monarchy-purple
fuchsia-pink moonglow-gold mulberry-purple
peony-pink nectar-gold orpine-purple
petal-pink Nordic-gold peacock-purple
sorbet-pink starbeam-gold plum-purple
sunrise-pink Teutonic-gold royal-purple
orchid-pink Valkyrie-gold violet-purple
TRY TO GET FIVE MORE OF EACH AS A CLASS

1) 1)

1) 1) TI: List of pink and purple
colours to:
2) google.ie
Try to apply the names in the grid
3) to the different shades on Google.
4)

1)
OBSERVATIONS:
147
Teachers Guide
Date: __/__/__ Title: THE BLOOD RAIN OF KERALA Lesson number: 109
CAN YOUR CLASS SOLVE THE MYSTERY OF THE BLOOD RAIN?
On November 14th, 2012, red rain fell from the sky in Sri Lanka. On December 25th, yellow
rain fell and on December 30th, green rain fell. Scientists say that it is more than likely caused
by a type of bacteria from the soil. It may have been carried up on winds and fell as rain.
Much more curious, however, is the blood rain which fell on Kerala, India, from July 25th to
September 23rd, 2001. It fell after a loud thunderclap and a flash of light. After DNA analysis
was carried out, scientists discovered that the rain contained red blood cells. These blood
cells do not contain DNA, however, which means they cannot have come from Earth. The
cells, therefore, seem alien and must come from outer space. Some scientists speculate that a
comet exploded and deposited a ton of red space dust which came down with the rain. This
does not explain how the dust could fall over such a period of time. The fact that blood rain
fell in Kerala in 1896 may rule out any chemicals from factories causing it. Other scientist
claimed it was from lichen spores. The same scientists admit that this theory is improbable.
The lichen spores would have to be released from July to September and many days didnt
have any wind to carry them. The story is made more bizarre by the fact it happened again
from November 15th to December 27th, 2012. Look up en.wikipedia.org or YouTube for
more.

1) 1) TI: The blood rain of Kerala to:
YouTube
2)

1) 1) en.wikipedia.org
2)
3)
4)
5)

1)
2)
OBSERVATIONS:
148
Teachers Guide
Date: __/__/__ Title: DESCRIBING MOUNTAINS: 3rd GRID Lesson number: 110
Definition: Who writes, reads twice.

enwrapped easel
polar grizzled
bellowing rugose
grumbling iridescent
porcelain spectrum
Arctic harpoon
piercing kaleidoscope
like arrow tips like a saws teeth like a dragons back like a hags teeth
like sharks fins like harpoon tips like a row of thorns like a trolls teeth
crinkled craggy gnarled rumpled
wrinkled crumpled grizzled rugose
ghost-grey mist weeping waterfall screaming eagle necklace of snow
bliss-blue lake lonely sky insect-like figures iridescent rainbow
a carnival of colour a riot of colour a prism of an easel of
a festival of colour a rainbow of colour a spectrum of a kaleidoscope
PAST SIMPLE
How many tenses are there in the English language? The answer is two. They are the present
tense and the past tense. The future tense is not, technically, a tense as it uses a verb form in
order to complete it. There are, however, thirteen different ways to express an intent using
time. Therefore, there are thirteen tense forms in English. We will start with the past tense
simple. It is used for something that happened sometime in the past.
PAST PARTICIPLE THE INFINITIVE PAST TENSE SIMPLE

jumping to jump He jumped
roaring to roar She roared
asking to ask He asked
shattering to shatter We shattered
sleeping to sleep I slept
studying to study They studied
crashing to crash He crashed
walloping to wallop You walloped
guessing to guess He guessed
sitting to sit We sat
carrying to carry They carried
joking to joke I joked
fishing to fish He fished
playing to play She played
chopping to chop They chopped
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Teachers Guide
Try to remember the infinitive with a mnemonic. You could try the catch-phrase of Buzz
Lightyear in order to do this. Can you remember his phrase? The infinitive is TO INFINITY
and beyond. Now you should remember that the infinitive takes a to before it in order to
work it out. A split infinitive is to put a word between the infinitives (i.e. to boldly go).
Write out the following sentences in the past tense simple form.
1. I (walked) to the shop.
2. He (visited) the cinema yesterday.
3. They (shouted) at the man to be careful of the ice.
4. We (blinked) in surprise when he told me that.
5. The water (dribbled) onto the floor while we were out.

1) 1) TI: Free mountain essays to:
descriptivewriting.wordpress.com
2) This is my blog site.

1) 1)
2) The answers to the riddle of the

polar bear can be Pressure but the
3) real answer to the riddle is No. I
cant.
4)
5)

1)
2)
OBSERVATIONS:
150
Teachers Guide
Date: __/__/__ Title: THE PAST CONTINUOUS Lesson number: 111
PAST CONTINUOUS
The past continuous is used for actions happening at some time in the past. It is easy to
recognise as it normally uses the words was, were, wasnt or werent when it is being
formed.
Try to fill in the rest of the grid with the help of a teacher.
PAST SIMPLE INFINITIVE PAST CONTINUOUS

laughed to laugh I was laughing.
danced to dance We were dancing.
climbed to climb He wasnt climbing.
looked to look She wasnt looking.
ate to eat They ate.
went to go You went.
Try to identify the past simple and the past continuous tense in the sentences below by
rewriting them. Put in a PS (past simple) or PC (past continuous) after each tense.
1. You phoned (PS) while I was raking (PC) the leaves from the grass.
2. John laughed (PS) when I was painting (PC) the house.
3. When the river flooded (PS) the town, the noise was deafening (PC).
4. You were joking (PC) when you said (PS) the rabbit hopped (PS) over the car.
5. What were you doing (PC) when the storm arrived (PS)?
6. Jane saw (PS) Robert and then she was trying (PC) to catch his attention.
7. We werent working (PC) when you showed (PS) up.
8. Why werent you driving (PC) the car when the police came (PS)?
9. I wasnt fooling (PC) when I said (PS) that you looked (PS) tired.
10. I ate (PS) the sandwich that you were keeping (PC) for me.
151
Teachers Guide
Date: __/__/__ Title: DESCRIBING MOUNTAINS: 4th GRID Lesson number: 112
Definition: Rest is the best medicine.

easel ermine
grizzled sombre
rugose quicklime
iridescent kerosene
spectrum brooding
harpoon zephyr
kaleidoscope Cossack
a wave of white the sombre mountain thermometer plunged Frankenstein cold

a tsunami of snow brooding mountains zephyr haunted peaks Cossack cold
your own stale breath waft of armpits kerosene pong of stale clothes
oiled leather whiff of perspiration musty huskies toxic socks
blew towards us drifted towards us floated towards us ghosted towards us
carried to us drafted towards us glided towards us strayed towards us
bleach-white marble-white orchid-white zombie-white
fang-white seashell-white ermine-white quicklime-white
PRESENT SIMPLE
The present simple is used for things that happen every day, all the time or as part a routine
(i.e. regularly). For example, you could say: I jump.
Fill in the grid below for the past simple rule. The first 8 verbs are regular and the next 6 are
irregular.
VERB INFINITIVE (REG.) I/You/We/They PRE. SIMPLE He/She/It PRE. SIMPLE

to run I run He runs
to play You play She plays
to appear We appear It appears
to battle They battle He battles
to hope I hope She hopes
to dance You dance It dances
to follow We follow He follows
to enjoy They enjoy She enjoys
VERB INFINITIVE (IRR.) I/You/We/They PRE. SIMPLE He/She/It PRE. SIMPLE
to go I go He goes
to do You do She does
to have We have It has
to be They are He is
to catch I catch She catches
to flee You fly He flies
152
Teachers Guide
Make 5 of your own sentences in the present simple tense.
1.
2.
3.
4.
5.

1) 1) TI: Verb tense worksheets to:
englishforeveryone.org
2) It has some very simple
worksheets to fill in.
1) 1) Get the students to collect the
most beautiful images of
2) mountains they can find. Then ask
them to write an assignment
3) entitled: Danger on the
mountain. This can be written
4) under the images after the redrafts
are done.
5)

1)
2)
OBSERVATIONS:
153
Teachers Guide
Date: __/__/__ Title: GETTING STUDENTS TO THINK Lesson number: 113
First things first. The Japanese trawler story is a myth, even though mainstream newspapers
were left as red-faced as the general after printing it.
As for the sprats, it is possible that a waterspout did carry them into the sky and drop them
onto the village. It is much more likely, however, that seagulls were to blame. I say this
because if youve ever seen sprats in August, their peak time, they come into harbours and
coves. They do not stay in the open sea where predators such as mackerel and bass can easily
kill them. A waterspout can only suck water (apparently) to a depth of one metre. Sprats do
not swim at the surface of the sea out of habit. They would only do this if they were being
hunted, forming a bait ball that was pushed up to the surface by predators. It would seem
like an extraordinary coincidence if they were scooped up at that exact moment in August.
The second most plausible explanation is that a neighbour did it. It is a fishing town, after
all, with no lack of fish to spread about. It is important to note that no-one saw the sprats fall
from the sky. Why a neighbour would do it I leave up to you. Maybe as a drunken joke..
The third most plausible explanation is that someone (or the town) is seeking publicity.
Greater Yarmouth is now considered the town in England most likely to have an object fall
on your head!
There are many towns in America who have grown rich from supernatural or oddly curious
events. Bigfoot, the Jersey Devil, the Chupacabra etc. have all driven tourists in droves
towards places so remote that seeing an airplane would be newsworthy. It is healthy to retain
a degree of scepticism whenever one person and his friend/friends see a miraculous event.
For what it is worth, this is my theory on frogs and fishes:
Nearly all these events can be explained by birds dropping them. Lets look at birds dropping
fish first. If you have ever seen a crow chase a starling or a blackbird, it is because they want
them to drop their food. It is ingrained in birds to flee from predators and get away. If you
had a flock of birds being hunted by an eagle or large hawk, odds are that they would
disgorge their food in order to become more manoeuvrable.
The same would occur if a large flock of nesting birds were carrying fish back to nesting
sites for their chicks. They would definitely drop the fish in order to outmanoeuvre a hawk as
their first instinct. In many parts of the world, large water birds fly up to fifty miles away
from their nesting sites to find fish and frogs. Imagine the heights they climb to in order to
return home with fish. If they did drop them in terror, by the time the fish hit the ground, the
birds would be long gone from human eyesight.
Many larger birds such as cranes, storks and pelicans prey in swampy environments. They
can achieve colossal flocks in countries such as America, Asia, Africa and Europe. In the
case of seagulls, this is true of Great Britain and Ireland also. It doesnt seem like too much of
a coincidence that it is fish and frogs falling from the sky and not eels. Eels do not congregate
in breeding sites in large numbers like frogs do and in large shoals like fish.
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Teachers Guide
It wouldnt take a hawk for them to drop the fish either. Many of the examples given in the
book refer to a storm in the distance. If a flock of birds saw that a storm was unavoidable,
they would try to rise above it. If they were bloated from fish or frogs, they would inevitably
disgorge them in order to become lighter. If they were caught unawares in a storm, they
would do the same from a sense of self-preservation. If they were actually carrying the fish
for their chicks, it would make even more sense. Hence the fact that many people report the
fish being alive. Most birds would rather their young eat live fish and carry them that way
back to the nest.
The final point is on the issue of the frogs. Frogs have one trait that is almost unique to them.
It is the fact that chemicals and toxins leak straight through their skin. If a large flock of birds
were to descend on a group of sick (but alive) frogs, they would gobble them up. It mightnt
be until they are in the air much later that the stomachs of the birds rebel against them. Then
they wouldnt have any choice in heaving them up. In many countries, chemicals from dams,
mining, factories and general construction leak into the waterways. Where other amphibians
and fish survive, frogs get sick and weak. A group of birds like storks and pelicans wouldnt
be able to tell the difference. The last point on frogs is a simple one.
Frogs gather in large numbers to breed. They are much easier to pick off in these numbers by
birds. Nature compensates them by allowing them to spawn up to 20,000 eggs in a week. The
point is that birds can undergo a glut of feasting during this frog-breeding period. If the frogs
are naturally poisonous to them, they will also disgorge them. Sometimes they will be far up
in the air before their stomachs realise it.
In summation then, this is why birds, even a large flock, would drop fish/frogs from the sky:
1) A predator is hunting them and they drop the fish/frogs they are carrying to a nesting site.
2) A predator is hunting them and they disgorge the fish/frogs.
3) An approaching storm is unavoidable and they want to rise above it.
4) They are caught unawares in a storm (a normal occurrence) and they disgorge the
fish/frogs in terror.
5) The fish/frogs they ate were alive but poisoned (usually in a shallow pool of water) by
chemicals.
6) They are seagulls and they are playing or being mischievous. This has been documented.
7) A member of an aircraft is sick of the smell of rotting fish. He decides to jettison one box
as it might affect the sale price when they land. I believe this happened in 1947 in the U.S.
8) Point number 7 above will also explain why tomatoes and coal are falling from the sky. Is
it so implausible that crew members would also try to rise above a storm by pressing an eject
button? Anything non-natural falling from the sky since 1930 should be treated as a bizarre
set of events surrounding an airplane rather than as a tornado.
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Teachers Guide
It is baffling that no-one will take the time to collate the facts surrounding these
inexplicable events. They are all credited with being the by-product of a tornado which is
proving less and less likely as we study tornadoes. A great project lies in store after this
module for your students. They should investigate each story and explain it by asking these
questions for each event:
1) What was the year, the month and the date involved?
2) What country was it?
3) What type of fish-eating birds lives in or visits these countries? Separate the two categories
and make a list of the times migrating birds visit.
4) What time of year do they breed?
5) Which of these birds flock together? Cormorants and herons, for example, do not flock
together. They can therefore be ruled out of large numbers of fish dropping.
6) What type of frog or fish dropped from the sky?
7) Work out the nearest body of water to that town or city with Google. Then cross-check if
the breeding site/body of water is on the same flight path as the town.
8) What type of raptors and predatory birds are native to this area?
9) Was there a storm in the distance? How far away was it and would it tally with birds
dropping fish to escape it?
10) Did the people report fish falling from the sky or did they assume they fell from the sky?
Where is the hard evidence? Surely people would hear fish thumping off their roofs and rush
out en masse to investigate? If it was post-1990, why wasnt it recorded on a mobile phone?
Finally, let us go through each incident from the book. It would be nice to explain it to the
students after they have done their project. Let them be the investigators first and it will teach
them a valuable lesson about gathering evidence before coming to conclusions. Let us start
by assuming that tornadoes didnt drop the fish and frogs. How then do we explain the
examples in the book?
1. Pliny the Elder: They didnt fall from the sky. He assumed they did. With a lack of suitable
evidence, that is all we can conclude. If they were catfish, no-one back then knew they
hibernated in mud and could come out of the ground in epidemic proportions.
2. 1794. The French soldiers saw toads falling from the sky. Many toads are poisonous. Is it
possible that birds ate them by mistake and regurgitated them? The other possibility is that
toads were hibernating and when the heavy rain fell, they emerged from the ground. The
French soldiers then jumped to the conclusion that they must have come from the sky as there
were so many and their appearance was a mystery.
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Teachers Guide
3) 1861. Singapore. The internet doesnt report any evidence they came from the sky in any
report. Catfish in Africa can walk miles going from a dried-up pond to a fresh one. Then they
bury themselves in mud until the rain comes and hits their dry skin underground. It is
interesting that there was an earthquake followed by 3 days of heavy rain. If anything would
get the catfish to arouse from their slumber that would be it!
4) 1864. Canada. A small frog is found inside a hailstone. This is one case where a frog was
probably swept up into a tornado and froze inside it.
5) 1873. Frogs dropped from the sky during a hailstorm. The birds caught in the hail were
terrified and dropped the frogs.
6) 1876. Small chunks of meat fell from the sky. This was proven to be either a vulture or a
buzzard. I wouldnt have wanted to be the two neighbours who ate some of the venison!
7) 1900. Rhode Island. Little perch and bull spout are spread out over a number of blocks.
This was most definitely birds dropping them from the sky. The farther out the fish are
spread, the more likely it is that birds are the case.
8) 1901. Minnesota. Frogs to a depth of several inches are reported, so much so that walking
was impossible without killing them. I believe they emerged from the ground after a bumper
year. It would be interesting to check if it was in the spring but I couldnt find the date.
Maybe your students could and they should check if a period of heavy rain preceded it.
9) 1930. An 8-inch turtle falls during a Mississippi rainstorm. This is the classic case of a
bird, probably a raptor, being terrified of a storm. Either that or a crow was frightened by a
swooping raptor.
10) June 16th, 1940. A shower of 16th century coins falls on the village of Meschara, Russia.
Whatever caused this, it wasnt a tornado. These came from an airplane. It was the height of
WW2 and there are a number of reasons why gold would have been transported in panic
across Russia.
11) October, 1947, Louisiana. Black bass, minnows and sunfish rained down in front of U.S.
biologist Alan Bajikov. One report mentions that some of them were frozen and some were
rotten. Thats enough evidence to suggest they came from an airplane. A sunfish can grow up
to 11 feet long and is ocean-going! That seems to conclude the argument.
12) 1966. Father Bourne is dashing across a courtyard when a large fish fell from the sky,
according to him. It didnt. Someone threw it at him as a prank. The word courtyard infers
walls or a building with height from where to throw it.
13) 1976. Blackbirds and pigeons rained down from the sky for two days in California. They
were poisoned as California grows all sorts of fruity delectable and these birds are considered
pests by farmers.
14) 1981. Greece. Frogs native to North Africa rained down on the village of Naphlion in
Greece. Migrating birds caused this to happen. Raptors will actually wait for them along
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Teachers Guide
specific routes and attack them in numbers. They regurgitated or dropped their newly-eaten
frogs in panic. Get your students to check the distances involved and the migratory habits of
birds in this area.
15) 1989. Australia. 800 sardines pelted the front lawn of a couples house during a light rain
shower. Interestingly, the distance from Ipswich to the sea is the same approximately as the
distance from Ipswich to Eagle Heights. This seems to suggest a lot of eagles in the area. One
flock of terrified birds could have caused this. Get your students to investigate the distances
and answer the 10 questions.
16) 2005. Serbia. Thousands of frogs bombarded the village of Odzaci. Because they are not
native to the area, scientists put it down to a tornado. This is unlikely. As we have said
before, a tornado would spit them out in different directions. It might also shred them to
pieces. Get your students to check the nearest swamp, marsh etc. and also where these frogs
came from. Sometimes different flocks of birds will attack each other for food. It doesnt
always have to be raptors.
17) February, 2010. Lajamaun, Australia. 2010. Hundreds of spangled perch are still alive
when they hit the ground. The photographs are on the internet. This also happened in the
1980s, according to local resident Les Dillon, who saw them drop from the sky while exiting
a bar! The fact the perch dropped twice in the same place would seem to rule out an airplane.
This is the most interesting case.
The spangled perch is the most widely distributed freshwater fish in Australia. It is believed
to be aestivate (i.e. can survive prolonged periods of drought by burying itself). This
species is often found in large numbers only a few days after rain in locations that were
dry just prior to the rain and which have no connection with permanent water. (Report
available at: www.nativefish.asn.au)
That seems to suggest that they share the same qualities as catfish in turning up at the most
unusual places. The spangled perch is one of the most resilient fish in the world and can
survive the most hostile water conditions. It cannot be kept in an aquarium because of its
aggressive nature to other fish. This final quote from the Australian government report on it
seems to give the answer to the riddle:
During heavy rain, spangled perch have been seen swimming across flooded fields and
along wheel ruts in road trenches. (Report available at: www.fish.wa.gov.au) .
It is now under an aquatic biodiversity alert in Australia and the governments advice is to
kill it if you come across one. Conclusion: This super-successful fish crawls like a catfish at
night across fields and drains in order to colonise other places. It is genetically programmed
to. It didnt fall from the sky but its achievements in arid Australia are just as remarkable.
The dates in December for the dead birds are revealing. They were roosting in large numbers
when fireworks went off. They panicked and torpedoed in all directions, killing themselves.
The 85,000 drum were poisoned and it was just a coincidence. Ask your students to research
the passenger pigeon as a metaphor for respecting nature. I hope you enjoyed this module.
158
Teachers Guide
Date: __/__/__ Title: WRITING A NEWSPAPER REPORT Lesson number: 114
CAPTION:
Where is the story Introduction:
set?
When did this
happen?
Who is involved? Paragraph one:
What caused the cow
to fall?
Describe the physical Main paragraph:

and mental state of
the men. Are they
lying? Give their
story in their words.
Why is their story so Give public reaction with quotes from different people (and/or the
difficult for the public opinion of a scientist).
to believe?
How is it part of a Give some examples in history of strange objects falling. If it is a
pattern of bizarre tabloid article, link it to the end of the world.
events of falling
objects from the sky?

1) 1)
2)

1) 1) Use print media when covering
this topic. Encourage the students
2) to bring in their own
newspapers/magazines/articles.
3) Use these to augment the lesson as
they are a texture-based aid.
4)
5)

1)
OBSERVATIONS:
159
Teachers Guide
Date: __/__/__ Title: PRESENT CONTINUOUS Lesson number: 115
The present continuous tense is used for three main situations:
1. Things that are happening right now.
Ex: I am talking to you.
2. Things that seem to talk about right mow but are ongoing.
Ex: He is studying to be a doctor.
3. Future plans and arrangements.
Ex: I am going to enjoy Christmas.
The present continuous is formed by using: am/is/are and the present participle (i.e. verb +
ing).
In simpler terms, it is: am/is/are + ing.
The present participle is formed by using the infinitive (remember Buzz Lightyear?) and
adding ing.
Ex: Talking is the present participle of to talk.
Ex: Laughing is the present participle of to laugh.
Rule 1: For verbs ending in e, the e must be dropped before adding ing.
Rule 2: For verbs ending in ie, the ie must be changed to a y before adding ing.
Rule 3: For verbs ending in consonant/vowel/consonant where the last syllable is stressed,
double the last letter before adding ing.
The verbs that end in h, x, y and w never get a double letter.
Rewrite the verbs below into their present participle form and put them in a sentence.
RULE 1 RULE 2 RULE 3 stressed RULE 3

type typ-ing tie t-y-ing be-gin beginning crash crashing
joke joking die dying oc-cur occurring fix fixing
bathe bathing lie lying re-fer referring play playing
bounce bouncing vie vying hop hopping snow snowing
create creating run running
fire firing stop stopping
pace pacing shop shopping
stare staring hit hitting
capture capturing put putting
slide sliding get getting
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Teachers Guide
There are fifteen vital clues to recognise the present continuous tense.
1. Now or 2. Currently, 9. Later today,

3. Right now, 10. Tonight,
4. At the moment, 11.Tomorrow,
5. Presently, 12. Next week,
6. I am constantly.. 13. Next month,
7. He is always....... 14. Next year,
8. They are forever 15. At some time in the future

1) 1)
2)

1) 1) TI: Worksheets for tenses the
guardian and the following 176-
2) page document will appear on-
screen:
3) mebk12.meb.gov.tr/meb
4) This is one of the best worksheets

I have come across for tenses and
5) grammar.

1)
2)
OBSERVATIONS:
161
Teachers Guide
Date: __/__/__ Title: DESCRIBING MOUNTAINS: 5th GRID Lesson number: 116
Definition: He who doesnt go forward, loses ground.

ermine astral
sombre unearthly
quicklime algid
kerosene astronomical
brooding gelid
zephyr hard tack
Cossack cosmic
the freezing air algid Arctic cold numbing

the pinching cold gelid Siberian cold perishing
pot roast bubbling broth chargrilled lamb pot noodles
stewed mutton flash-fried beef meaty stew hard tack
divine galactic astral out of this world
cosmic stellar astronomical unearthly
FUTURE SIMPLE
Numbers 1, 2 and 3 can overlap to a degree. Even so, try to put the sentences below into one
of the six categories. The first sentence is done for you.
1. It will be a cold day. Making a prediction.
2. The train will not be arriving soon. Making a prediction.
3. Will you marry me? A request for help!
4. Munster will win the Heineken Cup final. Making a prediction.
5. Will we help him with his homework? Offers to help.
6. I will not do it. Refusing things.
7. Someday, I will be a success. Making a promise.
8. Will you stop talking out loud? A request for help.
9. I will not rest until I have found it. Stating intentions.
10. You will be a valuable member of our team. Making a prediction.
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Teachers Guide
FUTURE SIMPLE
The future simple tense may be harder to recognise when it uses contractions. Fill in the rest
of the contractions in the grid below.
SINGULAR CONTRACTIONS PLURAL CONTRACTIONS

I will changes to Ill You will changes to Youll
He will changes to Hell We will changes to Well
She will changes to Shell They will changes to Theyll
It will changes to Itll Who will changes to Wholl
THE THREE SIMPLE TENSES (PAST, PRESENT, FUTURE)
Rewrite the sentences below and fill in the tense necessary to complete it. The base form of
the verb is in brackets. Write in the tense in the parentheses.
1. She (scream) screamed when she saw the werewolf. (PAST SIMPLE )
2. He (go) for a jog every day. (PRESENT SIMPLE)
3. I (do) that tomorrow. (FUTURE SIMPLE)
4. We (fight) a great battle but we lost. (PAST SIMPLE)
5. He (visit) his friend in the hospital last week. (PAST SIMPLE)
6. They (meet) up for the study session later. (FUTURE SIMPLE)
7. I (build) a raft so I could go fishing on the lake. (PAST SIMPLE)
8. Well (organise) it immediately. (FUTURE SIMPLE)
9. He (receive) a distinction for his project. (PAST SIMPLE)
10. They (do not) pass their exam and they were unhappy. (PAST SIMPLE)

1) 1)
2)
1) 1) TI: Worksheets for tenses to:
2) theguardian.com and the
3) following 176-page document will
4) appear on-screen:

1)
2)
163
Teachers Guide
Date: __/__/__ Title: THE FUTURE CONTINUOUS Lesson number: 117
FUTURE CONTINUOUS
The future continuous is one of the easiest tenses to recognise. It is formed by using:
will + be + verb root + ing.
Ex: I will be go-ing.
Fill in the grid below with sentences in the future continuous tense. The first one is done for
you.
USING THE FUTURE CONTINUOUS
PERSONAL PRONOUN WILL BE FINISH THE SENTENCE

I will be driving us to the match tonight.
You will be
He will be
She will be
They will be
We will be
I will be
You will be
He will be
She will be
They will be
We will be
I will be
You will be
He will be
She will be
REVISION OF TENSES
INFINITIVE PAST SIMPLE PRESENT SIMPLE FUTURE SIMPLE

to run He ran to the shop. She runs all the time. They will be running.
to give He gave She gives They will be giving.
to look He looked She looks They will be looking.
to eat He ate She eats They will be eating.
to take He took She takes They will be taking.
to gamble He gambled She gambles They will be gambling.
to do He did She does They will be doing
to make He made She makes They will be making..
to shop He shopped She shops They will be shopping.
to visit He visited She visits They will be visiting.
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Teachers Guide
INFINITIVE PAST CONTINUOUS PRES. CONTINUOUS FUT. CONTINUOUS

to jump I was jumping. I am jumping. I will be jumping.
to see I was seeing I am seeing I will be seeing
to grow I was growing I am growing I will be growing
to hop I was hopping I am hopping I will be hopping
to avoid I was avoiding I am avoiding I will be avoiding
to stumble I was stumbling I am stumbling I will be stumbling
to manage I was managing I am managing I will be managing
to travel I was travelling I am travelling I will be travelling
to worship I was worshipping I am worshipping I will be worshipping
to concede I was conceding I am conceding I will be conceding
One Saturday Red Rose Drove Through the New Court and Took the Left Road
Are you intelligent enough to use the mnemonic above in the grid below? What links them?
INFINITIVE PAST SIMPLE PAST CONTINUOUS FUT. CONTINUOUS

to win won I was winning I will be winning
to sit sat I was sitting I will be sitting
to read read I was reading I will be reading
to rise rose I was rising I will be rising
to drive drove I was driving I will be driving
to throw threw I was throwing I will be throwing
to know knew I was knowing I will be knowing
to catch caught I was catching I will be catching
to take took I was taking I will be taking
to leave left I was leaving I will be leaving
to ride rode I was riding I will be riding

1) 1)

1) 1) TI: Worksheets for tenses the
guardian and the following 176-
2) page document will appear on-
screen:
4) This is one of the best worksheets

I have come across for tenses and
5) grammar.
Riddle answer: The elephant is the
only other animal with a chin.
1)
165
Teachers Guide
Date: __/__/__ Title: ASSONANCE Lesson number: 118
Assonance is when the same, or similar, vowel sounds are used in two or more words in a
passage of writing. Assonance is used to affect the mood of a passage. It is easy to remember
by the simple mnemonic:
I USE ASSONANCE.
Look up the following words and their origin on: eymology.com.
SAD WORDS ORIGIN ORIGIN OTHERS

th
doleful late 13 century from the c.1300 Old English saying all alone
Latin word dolere(grief) ane (all one)
forlorn broken
groan grove
lonely low
moan mope
morose phobia
mournful shadow
sombre solo
sorrow soul
woe (begone) widow

1) 1)
2)
1) 1) TI: Assonance and consonance
to:
2) lilpoets.org
I really like this 1-page site and I
3) think the students will love the
poem on it: Annabel Lee by
4) Edgar Allen Poe.

1)
166
Teachers Guide
Date: __/__/__ Title: FLASH FICTION Lesson number: 119
The term flash fiction can be dated back to the 6th century B.C. This is when it is believed
Aesops Fables were collected. Flash fiction is when a story is cut down to the bare
minimum of words. A lot of competitions on the internet want less than 1,000 words. Others
want less than 500.
Most people see it as an art that requires less than 100 words, or sometimes 55. Here is an
example from Aesops Fables that fulfils this requirement (i.e. less than 55 words):
Driven by hunger, a fox tried to reach some grapes hanging high up on the vine. He
couldnt do it, even though he leaped with all his might. Eventually, he gave up. As he
walked away, he said: I didnt want you anyway. You arent even ripe and I dont
need sour grapes.
Did you like this story? What is the moral of the story, in your opinion? Count the words and
see how many there are.
The important thing to recognise is that the story has a beginning, middle and an end. It also
has a setting, characterization and conflict. Just like any other short story, these features are
important. Flash fiction is also known as micro fiction, postcard fiction and short shorts. In
China, it is referred to as smoke long. They believe the story should be finished before your
cigarette is!
In the 1920s, the writer Ernest Hemingway was in Luchows restaurant in New York. The
accepted story is that he challenged a group of writers that he could start, maintain and finish
a story in six words. He put $10 on the table and said he would give them the same amount if
they failed. Although they were reluctant at first, they discussed it and said it was impossible.
They all put their $10 on the table. He wrote six words on a handkerchief and passed it
around. They all paid up when they saw it.

1) 1)
2)
1) 1) TI: Keeping it short and sweet-
flash fiction to:
2) marklees.hubpages.com
3) It gives an excellent history of the

flash fiction genre (i.e. for
4) teachers).

1)
167
Teachers Guide
Date: __/__/__ Title: TASTES AND SMELLS Lesson number: 120
SWEET TASTES BITTER TASTES SAVOURY SALTY TASTES

caramel sweet acrid delicious brackish
candy sweet like battery acid exquisite briny
confectionery sweet biting extravagant coppery
glucose sweet caustic intoxicating saline
honeycomb sweet ghoulish lavish HOT LIQUIDS: tea etc.
meringue sweet metallic luscious like drinking Greek fire (too hot)
nougat sweet tangy lush as hot as lava
sherbet sweet tart scrumptious like drinking moonflame (tasty)
syrup sweet tasted of troll toothsome like drinking starlight (yummy)
tutti-fruity taste of vampirish wholesome as hot as sunfire
SWEET SMELLS BAD SMELLS CONIFEROUS DECIDUOUS

aloe Vera sweet festering amber aroma of clay-rich
like baked apples fetid glycerine smell of earthy
blossom sweet musty gummy scent of loamy
jasmine sweet pong of medicinal smell of mushroomy
meadow sweet rancid minty tint of mulchy
myrrh sweet rank pine fragrance oaken
nectarine sweet toxic resin scent organic
pollen sweet ungodly sap sweet peaty
saccharine sweet vile starch sweet seasoned
treacle sweet yucky thyme sweet woody

1) 1)
2)
1) 1) TI: Alphabetical list of
fragrances to:
2) anovelideaco.com
3) It gives images to go with the

foods and flowers it recommends
4) as sweet smells.
5)
1)
168
Teachers Guide
Date: __/__/__ Title: PULSE WORDS Lesson number: 121
PHYSICAL GOOD PHYSICAL BAD SPIRITUAL GOOD SPIRITUAL BAD

eye-opening bladder-emptying heart-haunting ego-crushing
eye-watering blood-curdling mind-blowing heart-sickening
eye-widening eye-popping soul-glowing joy-killing
fist-pumping hair-raising soul-nourishing mind-melting
goose bumps hand-wringing soul-refreshing mind-numbing
heart-racing heart-clenching soul-soothing nightmare-inspiring
pulse-quickening marrow-freezing soul-stirring soul-numbing
skin-tingling skin-crawling soul-swelling soul-freezing
spine-tingling spine-chilling spirit-kindling spirit-biting
jaw-dropping vein-freezing spirit-lifting spirit-killing
SOUNDS OF SOUNDS OF SOUNDS OF WINTER

SPRING SUMMER AUTUMN WINDS
bleating lambs chattering starlings booming thunder battering
bumbling bees chittering swallows cawing crows bawling
burbling streams cooing pigeons chirruping songbirds bellowing
buzzing midges fluting songbirds clip-clopping hooves blasting
caroling dawn chorus huffing breezes crumbling leaves caterwauling
cheeping chicks lisping rills droning dragonflies flaying
chirring grasshoppers lowing cows hooting owls lashing
humming mowers mumbling bees keening winds mangling
plinking raindrops nuzzling foals lilting tones of mewling
pumping heart of piping robins muffled forest sounds roaring
sighing winds purling rivers phut-phut of nuts screaming
snipping shears quivering wheat fields pulsing soul of screeching
sputtering rain soughing winds sissing rain shrieking
splashing trout sprinkling hoses snuffling noses slashing
swishing cow tails thrumming heart of squelching feet snarling
tintinnabulation of trilling thrushes wheezing winds wailing
warbling songbirds whittling gardeners whimpering winds walloping
whinnying foals whizzing falling stars whirling leaves whining
whirring dragonflies wobbling ice creams whispering wheat fields yammering
yelping fox cubs zinging raindrops yawning winds yowling

1) To create story using these words.
1) Get students to fill in the grids.
1) Students will love making a story from the grids.
169
Teachers Guide
Fill in the blanks by finding the links between the words. LINK WORDS
1. To run is to walk as to jump is to hop. infinitives
2. Peony is to fucshia as orchid is to calamine. flowers
3. Toxic is to pong as waft is to whiff. smells
4. Zombie is to quicklime as bleach is to fang. colours
5. Ill is to youll as well is to theyll. contractions
6. Beeswax is to flaxen as moonglow is to starbeam. colours
7. Woe is to sorrow as lonely is to forlorn. assonance
8. Wrinkled is to rugose as crinkled is to rumpled. mountains
9. Time is to place as manner is to degree. types of adverbs
10. Divine is to unearthly as galactic is to stellar. tastes
11. Punching is to piercing as stabbing is to spearing. mountains
12. Algid is to gelid as numbing is to piercing cold
13. Clapping is to booming as rumbling is to bellowing sounds
14. Drifted is to drafted as ghosted is to glided smell movements
15. Heather is to juniper as orpine is to mulberry colours
16. Carnival is to festival as prism is to spectrum. Find the link
17. Freezing is to pinching as arctic is to Siberian. Find the link
18. Blew is to carried as strayed is to floated. Find the link
19. Crashing is to roaring as growling is to grumbling. Find the link
20. Craggy is to crumpled as gnarled is to grizzled. Find the link
170
Teachers Guide
Date: __/__/__ Title: SCRIBBLE BOX FOR BEST IDEAS Lesson number: 123
CHRISTMAS LIGHTS REFLECTING
SOUNDS IN THE HOUSE
IMAGES IN THE HOUSE
MAGICAL WORDS GRID
THE CHRISTMAS FIRE
EMOTIONAL SENSATIONS
SMELL
TASTE
171
Teachers Guide
Date: __/__/__ Title: MAKE A MOUNTAIN CROSSWORD Lesson number: 124
172
Teachers Guide
Date: __/__/__ Title: TRUE OR FALSE QUIZ Lesson number: 125
1. The wren is the smallest bird in Ireland.

2. There are more stars in the universe than grains of sand on earth.
3. There is a species of jellyfish that is immortal.
4. A typical lead pencil can draw a line 35 miles long.
5. The average chocolate bar has 8 insect legs in it.
6. Most humans alive today have never made a phone call.
7. Alcohol kills more people than all the illegal drugs combined.
8. It takes about 63,000 trees to make the average edition of The New York Times.
9. Giraffes can go without water longer than camels.
10. Cancer has only been a human disease since approximately 1,600 B.C.
11. There are more people alive on the planet now than the total that have ever died in Earths
history.
12. The total weight of all ants on Earth is heavier than the total weight of humans.
13. Most mass whale beachings are caused by sonar from big ships and poisoning from
chemicals.
14. The largest living thing on Earth is a mushroom 3 and a half miles in diameter.
15. If you hit your skate off the ice you can tell how safe it is. An A note is good, E is bad.
16. Falling coconuts kill more people every year than sharks.
17. There are more mobile phones than toothbrushes in the world.
18. Honey discovered in the Egyptian pyramids is still edible today.
19. Bananas are a berry.
20. Horses cannot breathe through their mouths.
21. The biggest squid ever caught was 33 feet long.
22. An owls night vision is only 2.7 times greater than ours but his hearing is 10 times better.
23. Humans in peak condition can outrun any animal on earth in a marathon.
24. The average teenager today would beat 98% of the 1910 adult population in an I.Q. test.
25. Shakespeare had one split infinitive in his writings: Thy pity may deserve to pitied be.
These are ALL TRUE except for number 1. The answer is the goldcrest.

1) 1)
2)
1) 1)
2)
3)
4)
1)
173
Teachers Guide
You only live one, but if you do it right, once is enough. Mae West
FEBRUARY MONTHLY PLAN

WEEK ONE
Lesson 126 Describing females: 1st grid and homework exercise
Lesson 127 Describing females: 2nd grid and homework exercise
Lesson 128 Describing females: 3rd grid
Lesson 129 Writing a horror story
Lesson 130 Describing females: 4th grid
WEEK TWO
Lesson 131 Describing a witch:
Lesson 132 Describing females: 5th grid
Lesson 133 Recap on describing females
Lesson 134 Scribble box for best ideas
Lesson 135 Fun crossword to make up
WEEK THREE
Lesson 136 Describing males: 1st grid
Lesson 137 Using a thesaurus
Lesson 138 Describing males: 2nd grid
Lesson 139 Describing trolls
Lesson 140 Describing males: 3rd grid
WEEK FOUR
Lesson 141 Describing a desert
Lesson 142 Describing males: 4th grid
Lesson 143 Writing a sports essay
Lesson 144 Describing males: 5th grid
Lesson 145 Recap with male and female Wordsearch
It is a good idea to encourage the visual aspect of famous people in this module. Ask the
students to cut out pictures of their idols and paste them into a copy. They can then write their
descriptions underneath. Although the lessons are becoming intense, take all the time the
children need to enjoy the lessons and find their feet at this level. They will love this module.
A man once told the Buddha: I want happiness.
The Buddha replied: First remove I. Thats ego.
Then remove want. Thats desire.
And now all youre left with is happiness.
Keep moving so the bastards cant catch ya. Roddy Doyles advice to teenagers.
174
Teachers Guide
Date: __/__/__ Title: DESCRIBING FEMALES : 1st GRID Lesson number: 126 (a)
Definition: Truth is hidden, but nothing is more beautiful than the truth.

astral mocha
unearthly stellar
algid coral
astronomical nymph
gelid hour glass
hard tack pixie
cosmic Valkyrie
mocha-brown eyes gem-green eyes coral-black hair copper-brown hair

jewel-blue eyes clear skin mercury-red hair Valkyrie-gold hair
a songbirds voice kidult clothes a swans neck piano key teeth
a stellar smile moon round eyes sugar plum lips sea nymph ears
film star fingernails spiders-leg eyelashes a bumblebee waist an hour glass figure
a pixies nose pencil thin eyebrows glowing complexion super student ideas
Date: __/__/__ Title: FEMALES : HOMEWORK Lesson number: 126 (b)
You met a girl when you were in Spain. She was so beautiful that you jotted down a list of
her qualities. Fill them in properly and use a different word or phrase on the right hand side.
(OTHER WORD OR PHRASE)
1. She had j_w_l-blue eyes. (gemstone-blue eyes )
2. Her hair was c_r_l-black. (any black colour )
3. She had glowing, c_e_r skin. (flawless/peerless etc. )
4. She spoke as sweetly as a s_n_b_rd sings. (robin/blackbird etc. )
5. She had a st_l_ar smile. (cosmic/galactic etc. )
6. I noticed she wore ki_u_t clothes. (grungy/youthful etc. )
7. Her eyes were m_on r_u_d. (Saturn/lunar etc. )
8. She had a s_a_s neck. (elegant/graceful etc. )
9. She had s_g_r pl_m lips. (sweet/sugar-candy etc. )
10. Her teeth were like a line of p_a_o k_ys. (ivory/pearly etc. )
175
Teachers Guide
11. She had s_a n_m_h ears. (a pixies/a hobbits etc. )
12. Her fingernails were as bright as a fi_m s_a_s. (starlets/celebs etc. )
13. She had a p_x_es nose. (pert/button etc. )
14. Her sp_d_rs leg eyelashes were s_e_k and gl_s_y. (beetles leg/finespun/silky )
15. They fluttered under her pe_c_l th_n eyebrows. (arched/curved etc. )
16. She had a b_m_l_b_e waist. (wasp-waisted/hour glass etc. )
17. I loved her glowing c_mp_e_i_n. (skin tone/tinge etc. )
18. She had an h_ur g_a_s figure. (curvy/shapely etc. )
19. She flashed me a win_i_g smile. (beaming/magnetic etc. )
20. It was heart-m_l_i_g. (stopping/pounding etc. )

1) 1)
2)

1) 1) Think of a famous person that
these words could apply to. Get an
2) image of that person. Then make
out a list of her character
3) descriptions in bullet points
underneath the image. Compile a
4) word bank of that her personality
traits also by typing in:
5) 638 primary personality traits to:
ideonomy.mit.edu
6) The students can choose the words
they are most comfortable with.
7)
1)
2)
OBSERVATIONS:
176
Teachers Guide
Date: __/__/__ Title: DESCRIBING FEMALES: 2nd GRID Lesson number: 127 (a)
Definition: A fool does not need any bells.

mocha opal
stellar beryl
coral solar
nymph millpond
hour glass jasper
pixie mint
Valkyrie dewpond
she answered she replied she hinted she insisted

she explained she responded she demanded she suggested
duck-egg blue heavenly-blue galaxy-blue chemical-blue
robins-egg blue divine-blue solar-blue plasma-blue
sea-green mint-green paradise-green beryl-green
lake-green forest-green mist valley-green jasper-green
doe shaped saucer shaped orb round dew pond round
almond shaped Saturn shaped opal round millpond round
vibrant clothes bee stung lips bubbly personality electric personality
retro clothes Cupids bow lips joyous personality magnetic personality

1) 1)
2)

1) 1) A fuller list of character
descriptions may now be put
2) underneath an image of a different
female. Images can also be
3) accessed by typing in Beautiful
women to:
4) shutterstock.com

1)
2)
OBSERVATIONS:
177
Teachers Guide
Date: __/__/__ Title: FEMALES: HOMEWORK Lesson number: 127 (b)
You are walking on a beach. You see a woman and you admire her beauty. Then you see a
sharks fin behind her and plunge into the sea to help. Use the words and phrases from
previous chapters to create a very sensory story. Fill in the blanks to write your version of it.
INTRO: I was on vacation in Florida when it happened. I was walking on the eiderdown soft
beach and lapping up the sights and smells. The sea was a perfect, nautical-blue and the
waves were gently washing onto the beach. I could smell the aroma of hot dogs and burgers
in the air. I bought one and it tasted galactic.
PAR 1: I decided to sit down and watch the surfers for a while. Just then the most beautiful
woman I have ever seen passed me by. Her eyes pierced right through me. They were a
bewitching, robins-egg blue and almond shaped. She had bee-stung lips and they were lava-
red. It was a heart-clamping moment when she nodded at me. She seemed to know everyone
and had a bubbly personality.
PAR 2: I lay back on the sand with my elbows propping me up. They burned like embers but
I didnt mind. I was going to stay here a while. I drank in all the sights and sounds around
me. The horizon was like a long plumb line of perfection. Boats were bobbing up and down
in the distance and a flock of seagulls were squabbling far out to sea. The surfers all had
bronzed skin and looked sporty. They whooped and hollered with excitement when they
caught a good wave. I think we all realised we were holidaying in paradise.
PAR 3: Then I blinked. I rubbed my eyes. What was that shape under the water? It looked
like a shark. My eyes were blurry from the sun tan lotion but then I saw it again. It was a gut
wrenching moment when I saw a fin rise slowly out of the water and move towards the
surfers. My pulse was quickened and my blood froze. I jumped up and down and screamed at
the surfers to get out of the water. They couldnt hear me. I waved my arms frantically but
they still didnt notice. The other people on the beach were staring at me as if I were a
madman. I didnt care. I started to run.
PAR 4: The water was Cossack cold when I plunged into it. My heart felt as if it would burst
and I didnt know if I wanted to reach the surfers in time or not. Coming between a shark and
his prey was not very sensible. My head was crashing against the waves and I could see the
sand below me getting lower and lower. I was well out to sea when I poked my head up. To
my dismay, there was no one around me. The surfers had all left! They must have been
warned by the other beachgoers. I was alone. Then a fin rose not fifty yards away me and
begin to circle. In panic, I turned and swam back towards the shore. To this day, I can never
forget the feeling of terror that I felt.
CONCLUSION: I found out later that I was saved by a boat. In Florida, they patrol the
waters with armed lifeguards. The next day, the local newspapers reported that they had shot
a 17-foot tiger shark. On a positive note, Im now married to the woman with the captivating,
jewel-blue eyes. We still laugh about it to this day.
178
Teachers Guide
Date: __/__/__ Title: DESCRIBING FEMALES: 3rd GRID Lesson number: 128
Definition: He who perseveres, conquers.

opal ebony
beryl ringlets
solar sable
millpond velour
jasper tresses
mint nougat
dewpond gloss
she added she stated she announced she observed

she continued she commented she declared she remarked
raven-black velvet-black sable-black midnight-black
coral-black gloss-black ebony-black panther-black
coconut-brown biscuit-brown walnut-brown caramel-brown
chestnut-brown wafer-brown nougat-brown cinnamon-brown
crashed upon swooped over toppled over spiralled over
tumbled over plunged over cascaded over plummeted over
lush hair tresses of hair curtained her face velvet soft
luscious hair ringlets of hair wreathed her face velour soft

1) 1)
2)
1) 1) Look up the black/brown/gold/
colours covered in previous
2) chapters and apply them to a
character description. Get the
3) students to discover how many
ways they can use them with a
4) female character. Make a much
more detailed character description
5) using the first three combined
grids.
1)
2)
OBSERVATIONS:
179
Teachers Guide
Date: __/__/__ Title: WRITING A HORROR STORY Lesson number: 129
COLOURS IMAGERY ASSONANCE

abyss-black The starless sky spoke of bad things to come. alone
bat-black The sunless sky covered the forest in gloom. groan
cat-black The joyless moon looked down on me like a sour eye. grove
cave-black The blood-red moon was comfortless. lonely
cellar-black The trees glared at us like silent sentries. low
cobra-black Their boughs reached up like the limbs of the damned. moan
doom-black Beards of moss dripped with centuries-old hate. shadow
midnight-black Steam rose from the floor like spooky incense. sorrow
raven-black In the shadows, spiders clutched their snare-strings. soul weary
tar-black Their cobwebs shimmered like steel nets. woebegone
SMELLS PUT IN BEAUTIFUL WOMAN DESCRIPTIONS OTHERS

clammy bittersweet
dank cheerless
decaying foul
mouldy gloomy
musty sooty
rotting howl
sickly lifeless
stale murky
stuffy old willows
sour hooting owls
PHYSICAL SENSATIONS SPIRITUAL SENSATIONS SOUNDS
blood-curdling My mind was flash-frozen to the spot. cackling

bone-chilling heart-sickening creaking
knee-knocking mind-numbing hissing
marrow-freezing nightmare-inspiring rustling
rib-rattling spirit-killing screaking

1) 1)
1) 1) TI: Describing a zombie to:
2)
A light-hearted way to write a horror
3) story. This is my blog site.

1)
180
Teachers Guide
Date: __/__/__ Title: DESCRIBING FEMALES: 4th GRID Lesson number: 130
Definition: Knowledge has no enemies but the ignorant.

ebony willowy
ringlets burnished
sable oxbow
velour megawatt
tresses henna
nougat rushlight
gloss pendant
ruby-red wine-red rouge-red henna-red

rose-red windfall-red rushlight-red Titian-red
sunrise-gold moongleam-gold starflame-gold flaxen-gold
sunset-gold moonglint-gold starbeam-gold harpstring-gold
a shapely figure a queenly figure chalice shaped wasp waisted
a willowy figure a mermaids figure goblet shaped an oxbow waist
healthy flawless apricot complexion burnished
perfect peerless bronzed complexion peaches and cream
pendant-shaped nails wasp-waisted a pert nose luminous teeth
an acorn cup chin a megawatt smile spellbinding eyes stiletto-shaped nails

1) 1)
2)

1) 1) The students should make out a
grid listing the different qualities
2) they can use to describe a female.
Get them to use one word from
3) this book for each and one they
can think of themselves.
4)

1)
2)
OBSERVATIONS:
181
Teachers Guide
Date: __/__/__ Title: DESCRIBING A WITCH Lesson number: 131
You should have completed your story about a beautiful woman turning into a witch. Now try
it again using these words and phrases to help you. You should notice a small improvement
in your story.
bloodless lips moonlight-pale skin spindly legs like a spider

hissing voice wolfish eyes buck-toothed
dead fish eyes saw-toothed slitted eyes
pockmarked skin soulless stare raspy voice
she looked beastly wart on her nose bat wings and frogs legs
casket-black robe a thousand-yard stare hair like boar bristles
eyes glinted with cruelty gravelly voice looked ghastly
straw-like hair a heartless laugh time-decayed skin
breath like a troll gnarly hands teeth like broken glass
fish hook eyebrows faded skin beetle-browed
cat-like eyes lifeless hair lice-infected hair
hawkish nose hissing voice cob-nosed
manners of a bin fly teeth like broken tombstones face like snakeskin leather
snaggle-toothed hooked nose bubbling cauldron
gimlet eyes sickly breath the morals of a mamba
wheezy voice spider cold eyes looked hideous
stale breath ravens nose zombie-white skin
eyes gleaming with cunning cackling voice hair looked electrified

1) 1)
2)

1) 1) TI: Describing a witch to:
2)
Read the story to the class.
3) This is my blog site.
4)

1)
2)
OBSERVATIONS:
182
Teachers Guide
Date: __/__/__ Title: DESCRIBING FEMALES: 5th GRID Lesson number: 132
Definition: Who keeps company with wolves will learn how to howl.

willowy dainty
burnished calcite
oxbow crescent
megawatt diva
henna cherub
rushlight finespun
pendant Botox
she cried she drawled she mumbled she shrieked

she croaked she joked she roared she whispered
puffy lips heart shaped lips delicate ears seashell ears
pouting lips Botox boosted lips elfin ears a cherubs ears
silky eyelashes finespun eyelashes slender eyebrows arched eyebrows
sweeping eyelashes velvety eyelashes plucked eyebrows crescent shaped
a pointy nose a button nose bleach-white teeth unicorn-white teeth
a dainty nose a divas nose calcite-white teeth wizard-white teeth
glossy skin manicured nails a nectarine voice sugar-candy lips
an Amazonian figure a terawatt smile cosmopolitan clothes trout pout lips

1) 1)
2)

1) 1) Get the students to write a full
essay entitled: Strange
2) encounters. The grids will help.
They must understand, however,
3) that only one paragraph of an
essay can be devoted to a character
4) description. The focus must be on:
plot, structure, narrative style and
climax.
1)
2)
OBSERVATIONS:
183
Teachers Guide
Date: __/__/__ Title: RECAP ON FEMALES MODULE Lesson number: 133
1. Colour of blue eyes: duck-egg/robins-egg/heavenly/divine/galaxy/solar/chemical/plasma
2. Colour of green eyes: sea/lake/mint/forest/paradise/mist valley/beryl/jasper
3. Shape of eyes: doe/almond/saucer/Saturn/orb/opal/dew pond/millpond
4. Colour of black hair: raven/coral/velvet/gloss/sable/ebony/midnight/panther
5. Colour of brown hair: coconut/chestnut/biscuit/wafer/walnut/nougat/caramel/cinnamon
6. Hair movement: crashed/tumbled/swooped/plunged/toppled/cascaded/spiralled/plummeted
7. Colour of red hair: ruby/rose/wine/windfall/rouge/rushlight/henna/Titian
8. Gold hair: sunrise/sunset/moongleam/moonglint/starflame/starbeam/flaxen/harpstring
9. Figure: shapely/willowy/queenly/mermaids
10. Waist: chalice shaped/goblet shaped/wasp-waisted/oxbow waist
11. Complexion: healthy/perfect/flawless/peerless/apricot/bronzed/burnished/peaches and

cream
12. Lips: puffy/pouting/heart shaped/Botox boosted
13. Ears: delicate/elfin/seashell/a cherubs
14. Eyelashes: silky/sweeping/finespun/velvety
15. Eyebrows: slender/plucked/arched/crescent
16. Nose: pointy/dainty/button/a divas
17. Teeth: bleach-white/calcite-white/unicorn-white/wizard-white

1)
1)
2)
3)

1)
184
Teachers Guide
Date: __/__/__ Title: SCRIBBLE BOX FOR BEST IDEAS Lesson number: 134
The grid below can be filled in as the class is doing a creative page of fill in the blanks. It
may also be used at the end of the module for revision purposes. The teacher might also
decide to put different headings in the grid. The template for the first two pages is done for
you. The rest needs to be filled in by the student.
COLOUR OF BLUE EYES
COLOUR OF GREEN EYES
SHAPE OF EYES
COLOUR OF BLACK HAIR
COLOUR OF BROWN HAIR
HAIR MOVEMENT
185
Teachers Guide
Date: __/__/__ Title: MAKE A FUN CROSSWORD Lesson number: 135
186
Teachers Guide
Date: __/__/__ Title: DESCRIBING MALES: 1st GRID Lesson number: 136
Definition: A wise man will rule the stars.

dainty scrolled
calcite dapper
crescent hawkish
diva lunar
cherub bass
finespun Popeye
Botox narcissistic
colour blue eyes colour brown eyes colour black hair colour red hair
colour green eyes colour grey eyes colour brown hair colour gold hair
bass voice dapper clothes a bulls neck oyster-white teeth
winning smile lunar shaped eyes peppered stubble scrolled ears
Popeye biceps Atlas shoulders a concrete jaw an earthy smell
a raptors nose defined cheekbones a dashing personality super student ideas

1) 1)
2)

1) 1) Think of a famous person that
these words could apply to. Get an
2) image of that person. Then make
out a list of his character
3) descriptions in bullet points
underneath the image. Compile a
4) word bank of that her personality
traits also by typing in:
5) 638 primary personality traits to:
ideonomy.mit.edu
6) The students can choose the words
they are most comfortable with.
1)
2)
OBSERVATIONS:
187
Teachers Guide
Date: __/__/__ Title: USING A THESAURUS Lesson number: 137
Underneath is the list of words from the previous page. Using a dictionary or thesaurus if
needed, substitute your own adjectives for the ones already given. The first example is done
for you. Can you add five more male traits (i.e. characteristics) at the end?
1. A bass voice: a powerful voice.
2. A winning smile: a pleasant smile.
3. Dapper clothes: trendy clothes.
4. Lunar-shaped eyes: moon-round eyes.
5. A bulls neck: a buffalos neck.
6. Peppered stubble: salt-and-pepper stubble.
7. Oyster-white teeth: seashell-white teeth.
8. Scrolled ears: whorled ears.
9. Popeye biceps: Samson biceps.
10. A raptors nose: a hawkish nose.
11. Atlas shoulders: Goliath shoulders.
12. Defined cheekbones: pinched-in cheekbones.
13. A concrete jaw: a lantern jaw.
14. A dashing personality: a magnetic personality.
15. An earthy smell: a wholesome smell.
16-20 are the students choice.

1) 1)
1) 1) thesaurus.com
2)
3)
4)
1)
188
Teachers Guide
Date: __/__/__ Title: DESCRIBING MALES: 2nd GRID Lesson number: 138
Definition: Be amiable, then youll be loved.

scrolled raptor
dapper Achilles
hawkish Hades
lunar Teutonic
bass Apollo
Popeye Nordic
narcissistic Aryan
Viking-gold Nordic-gold Aryan-gold Achilles-gold

Hercules-gold Scandinavian-gold Teutonic-gold Apollo-gold
a crew cut a Mohican a marine cut a buzz-cut
close cropped a rooster cut a military cut a razors edge cut
bushy sickle shaped beetle-browed Hades-black
bristly scythe shaped equinox-black fireworshipper-black
domed half-dome arched pinched-in
defined half-moon angular prominent
a falcons a Roman a lordly an aquiline
a hawkish an imperial a kingly a prominent

1) 1)
2)

1) 1) A fuller list of character
descriptions may now be put
2) underneath an image of a different
male.
3)

1)
2)
OBSERVATIONS:
189
Teachers Guide
Date: __/__/__ Title: DESCRIBING TROLLS Lesson number: 139
In the land of Fantasia, an Elven army has gathered to fight a bigger army of trolls. Your job
is to describe the features of both armies before the battle begins. Then you must write a
battle scene describing what happened. There is a grid to describe the trolls underneath.
greasy hair lank hair hook-nosed

barracuda-eyed a goblins grin skin as rough as tree bark
pug-nosed piranha-eyed jug ears
teeth like talon tips spittle-flecked lips leprous-yellow teeth
frosty eyes fin-shaped canines cobra-cold eyes
dogtooth-yellow fangs corpse-white skin bulbous nose
razor-thin lips glacial eyes pasty-white skin
a buffalos neck cruel, curved eyebrows wintry eyes
bug-eyed a sharks teeth tankard-handle ears
hatchet-faced a sly look demonic power
feline eyes jeering voices scaly skin
a gorillas shoulders knotty fingers matted hair
wild-eyed pop-eyed tomb-deep voices
ARROWS THROUGH THE AIR FAST WORDS WITH DOUBLE LETTERS

buzzing humming hissing
fizzing strumming sissing
fizzling (for fire arrows) thrumming purring
sizzling whirring whooshing
whizzing zooming zipping/zinging
TROLL SOUNDS TROLL SOUNDS ELVISH SOUNDS ELVISH SOUNDS

clanging swords clanking army dinging swords chinking stirrups
clangorous axes clonking boots jingling saddles clinking chain-mail
gonging warhammers clunking steel fists pinging arrows plinking raindrops
jangling chain-mail plunking maces ringing of steel tinkling armour
twanging bowstrings thunking spears

1) 1) YouTube: TI: Cave troll Lord
of the Rings (Scene is 4 mins. 47
secs long)
1) 1)
2)
1)
190
Teachers Guide
Date: __/__/__ Title: DESCRIBING MALES: 3rd GRID Lesson number: 140
Definition: Greatness comes from small beginnings.

raptor Samson
Achilles ox-yoke
Hades Atlas
Teutonic brawny
Apollo feline
Nordic burly
Aryan granite
a wrestlers bear-like Atlas a titans

a weightlifters ox-yoke Samson a leviathans
a concrete jaw a marble jaw an oaken jaw a lantern jaw
a craggy jaw a flinty jaw a granite jaw a Gillette ad jaw
a cat-like grace a tiger-like tread an athletic grace a feline grace
a leopard-like grace sure-footed a lion-like power a panther in slow-mo
Popeye biceps brawny a Spartans muscles a gym honed body
a gladiators arms burly Goliaths strength a gym toned body
iron muscles a six pack carved from rock an Olympians chest
cast iron muscles a barrel chest carved from granite a washboard stomach

1) 1)
2)

1) 1) Look up internet sites to see if
anything can be added to these
2) word grids. There are surprisingly
few sites that cover this topic.
3)

1)
2)
OBSERVATIONS:
191
Teachers Guide
Date: __/__/__ Title: DESCRIBING THE DESERT Lesson number: 141
You have been lost in the desert for two days. A man turns up to rescue you. His character
description and who he is are up to you. The desert grid will provide ideas if required.
spiritless place shimmering oasis Your blood simmers, your brain

stews and your bones smoulder.
stunted cacti burnt-umber The sun scorches, the heat
swelters and the dust sparkles.
empty hellhole a theatre of misery Theres no joy, no movement
and no hope.
inflamed brain furnace-hot I tramped, trudged and tottered
across the sand.
burnt-cork colour dehydrated The sun blazes, the heat bakes
and your skin boils.
stabbed by sun-lances starlit nights Every barb, hook and thorn
ripped us.
skittering lizards slithering snakes The desert is stark, sterile and
savage.
old Nicks oven parched throat The desert is a hazy mirror of
your own doom.
as hot as a dragons breath as cold as a ghouls soul hallucinations
an arena of death a footslog DESERT TREES
scuttling scorpions swollen tongue date palms
sweat sodden like radiation in my brain Joshua tree
arid wilderness burnt-sienna colour pancake cactus
the devils kitchen like walking on hot coals desert ironwood
parched throat as cold as a banshees soul chain fruit
CLASS IDEAS ON THE DESERT

1) 1)

1) 1)
2)
1)
192
Teachers Guide
Date: __/__/__ Title: DESCRIBING MALES: 4th GRID Lesson number: 142
Definition: Burn not your house to rid it of the mouse.

Samson nomad
ox-yoke galway
Atlas nautical
brawny Socrates
feline wayfarer
burly mariner
granite Captain Ahab
sea rover-blue nomad-blue seafarer-blue trailblazer-blue

mariner-blue nautical-blue wayfarer-blue Rasputin-blue
a goatee a spade shaped beard a Moses beard a Socrates beard
a galway a devils fork beard an Abe Lincoln a Captain Ahab
bushy pencil thin a toothbrush a handlebar
bristly a military a smig a walrus
dark grainy sand-rough morning shadow
coarse gritty designer salt and pepper
sonic cosmic film star contagious
angelic galactic ravishing electrifying

1) 1)
2)

1) 1) The students should make out a
grid listing the different qualities
2) they can use to describe a male.
Get them to use one word from
3) this book for each and one they
can think of themselves.
4)
1)
2)
OBSERVATIONS:
193
Teachers Guide
Date: __/__/__ Title: SPORTS ESSAY Lesson number: 143
If you want to sprinkle some stardust on your sports essay, try to include some of the terms
below. The sights, the sounds and the smells are just as important in this genre (i.e. type or
style of essay) as any other. The main focus should be on demonising your opponents. This
adds humour to your story. How did you feel afterwards? Were your opponents too rough?
Did you wake up to the cheep-cheep sound of a heart monitor? Add drama to your essay.
like cave trolls from filed-down fangs pop eyes and saucy monsters from a
a fable beards gore-fest
knuckles scraping the beady, glinting eyes ghouls from a horror serial killer mentality
ground movie
a tornado of sound a blizzard of scores a cyclone of sound a tsunami of sound
a hurricane of noise a whirlpool of rage a volcano of noise a tempest of noise
bangers exploded fireworks whizzed rockets whooshed thunderflashes hissed
crackers popped flares sizzled squibs sissed drum-rolls of doom
cut to ribbons shredded like tissue like lambs against like Bambi on ice
paper ravenous wolves
like ants walking in guilty of powder-puff smashed to tackling like Barbie
treacle defending smithereens dolls
slug slow leaden footed jet heeled Concorde-heeled
sloth slow lawnmower slow quicksilver fast will-o-the-wisp fast
stale air/old smells bandages and blood armpits/body odour bleach/disinfectant
old socks and sweat smelly boot tongues vomit and urine cheap after shave

1) 1)
2)

1) 1) Get the students to look for free
sports essays on the internet. They
2) are thin on the ground but the best
ones can be read out by the
3) students and analysed in class.

1)
2)
OBSERVATIONS:
194
Teachers Guide
Date: __/__/__ Title: DESCRIBING MALES: 5th GRID Lesson number: 144
Definition: While I breathe, I hope.

nomad uber
galway swashbuckling
nautical portals
Socrates tousled
wayfarer trombone
mariner derring-do
Captain Ahab smouldering
a-fire a-glow a-gleam a-sparkle

a-flicker a-glimmer a-light a-twinkle
deep a bass voice a trombone voice a grit and gravy voice
booming rumbling a volcanic voice like bottled thunder
balanced charming dashing devil-may-care
good-natured winning dynamic derring-do
snazzy clothes gap year clothes windows to the soul gateways to the soul
ritzy clothes Miami Vice clothes mirrors of the soul portals to the soul
uber-tanned wind-tumbled hair smouldering eyes five o clock shadow
swashbuckling wind-tousled hair expressive eyes mountain peak
cheekbones

1) 1)
2)

1) 1) Get the students to write an
essay entitled: Life is tough. The
2) focus should be on plot, structure,
narrative style and climax. The
3) ideas from this module may be
incorporated into it.
1)
2)
OBSERVATIONS:
195
Teachers Guide
Date: __/__/__ Title: REVISION WITH WORDSEARCH Lesson number: 145
FEMALE ADJECTIVES WORDSEARCH: There are 8 words across and 8 down.
d c o r a l
f i n e s p u n
m v p e
o m a g n e t i c
f c h e r u b x t
l h o i a
a a x j a s p e r
x b e i
e g l o s s y r n
n u w t e
s s w a n s
h s t e l l a r
MALE ADJECTIVES WORDSEARCH: There are 6 words across and 9 down.
k i n g l y
r a p t o r s r o
a n g u l a r l
r b u r l y i d a
d o m e d n l n
a o a y y t
p s p m a r b l e
p t c o s m i c r
e e b l o t n
r r a l n z
s o i y
s c r a g g y
FEMALE ACROSS DOWN MALE ACROSS DOWN
coral flaxen kingly dapper

finespun mocha raptors rooster
magnetic lush burly bass
cherub diva marble apollo
jasper oxbow cosmic sonic
glossy pert craggy ritzy
swans pixie grainy
stellar nectarine lordly
lantern
196
Teachers Guide
MARCH MONTHLY PLAN

WEEK ONE
Lesson 146 Introduction to poetry
Lesson 147 The History of Poetry from an anthropological perspective
Lesson 148 Linking music to poetry
Lesson 149 The Secret to Great Poetry using a Venn diagram as a visual aid
Lesson 150 Using nursery rhymes to explain The Rule of Three
WEEK TWO
Lesson 151 The Fog by Carl Sandburg: introduction (may take more than 1 class)
Lesson 152 Writing poetry by using haikus
Lesson 153 How to construct a poem using end-rhyme
Lesson 154 The Eagle by Lord Alfred Tennyson: introduction to theme
Lesson 155 The Eagle by Lord Alfred Tennyson: intro. to tone/using A-V aids
WEEK THREE
Lesson 156 The Eagle by Lord Alfred Tennyson: exploring the techniques used
Lesson 157 The Splendour Falls by Lord Alfred Tennyson: intro. to theme
Lesson 158 The Splendour Falls by Lord Alfred Tennyson: intro. to tone
Lesson 159 The Splendour Falls by Lord Alfred Tennyson: intro. to technique
Lesson 160 The Stolen Child by W.B. Yeats: intro. to theme
WEEK FOUR
Lesson 161 The Stolen Child by W.B. Yeats: intro. to tone
Lesson 162 The Stolen Child by W.B. Yeats: intro. to technique
Lesson 163 The Lake Isle of Innisfree by W.B. Yeats: intro. to theme
Lesson 164 The Lake Isle of Innisfree by W.B. Yeats: intro. to tone
Lesson 165 The Lake Isle of Innisfree by W.B. Yeats: intro. to technique
Teachers have so much to add to a poetry module. Many will ignore my advice to spend three
days looking at the theme, tone and technique. I applaud that! I would make out a three-day
plan and then establish how much the students are connecting with the poem. I would judge
the time I spent on that poem accordingly.
I would also use other modes to get them connected to the poem, however. You should
consider a newspaper headline that screams: Fourth horseman disappears in forest! This
could be used for Frosts poem Stopping by Woods (i.e. in the April module). Turning it
into a murder mystery based on the poem gets their creative waterfall cascading.
Another tactic is to write a diary entry based on the thoughts of an eagle. This will stretch
them but most will make it a humorous entry. Some will make it philosophical and others
will write a profound piece which may surprise you (i.e. losing her only chick to a predator).
The Fog can be made into a horror movie script of the same name, The Splendour Falls
can be used to write Tennysons wedding speech and so on. Poetry offers us an endless
amount of opportunity to cross-pollinate ideas and writing styles from other aspects of the
course. Nobody is suggesting that you have to choose all of these poems either. They should
be seen as a bowl of sweets; pick the ones you wish and leave others enjoy the coffee!
197
Teachers Guide
TEACHING POETRY
This module gives teachers a great opportunity to lure the hermit students from their shells.
At the start of my teaching career, I found the resistance from certain students difficult to
break down. Then I discovered the truism that music is the universal bridge between teachers
and students. At the start, I would play the music of my choice to lull them, cajole them and
energise them according to the needs of their class. Later in my career, the students taught me
another truism; why should they listen to my message when I wouldnt listen to theirs? You
will hear of The Rule of Three in this poetry module. For teachers, the same Rule applies:
1. Use music in every introductory class to a new poem. It gets the students in the mind frame
for work as it breaks the norms of their day. Even if they hate your choice of song, they will
appreciate your attempts to dispel the petry-fy from poetry. Music smashes barriers between
cultural types, gender, social hierarchy and even nations. It is so powerful, it is a trans-
national medium of communication in a way language never was. Languages have to be
translated first; music never does. If music is that powerful, why not harness its power?
2. Furthermore, let them bring in the music of their choice on day two of the module. You
need only play one song from the entire catalogue they bring in. Let them vote on the song
they want to hear. Play it, discuss it and tell them how wonderful you thought it was. Ask
some questions about the artist, the date it was recorded and discuss the X-Factor candidates
with them. Its not about being cool. Its about the truism of teaching in general; if you
cant take an interest in their lives, why should they take an interest in your class?
3. Always use nursery rhymes as a means of explaining poetry. Theyre resilient, theyre
catchy and they stayed popular for a reason. They may also be the only poems you will have
in common with the class. Even for senior students, the history of nursery rhymes is founded
on death, bloodshed, war and disease. They love discussing that aspect of it. As a teacher,
you may want to spend a few minutes looking at: 10 sinister origins of nursery rhymes at
listverse.com. Some of these are fine to discuss with 11-15 year-olds, some are not. The last
point is to encourage the students to bang out the metre of a poem on the desks. They love
this simple aspect of active learning. Furthermore, they can form a connection to a poem and
understand it better if they can get into the rhythm.
These are great times to be a teacher. Technology is bringing knowledge into the classroom
in a way that was unthinkable even 10 years ago. My last piece of advice is to embrace it and
use it with cunning and resourcefulness. Twist your definition of homework on its head. By
all means, let the students learn short or long passages from a poem. That type of rigour is
good for them as it changes the neural pathways of their brain in a positive way. Get them to
do the work when you are assigning homework, however. Ask them to research YouTube for
the best presentation on the poem you will be covering tomorrow. If they typed in If by
Rudyard Kipling, for example, they would come across a scene from The Simpsons and a
scene from Mike Bassett, England Manager. This makes it more relevant and accessible to
them. Their job in the modern world is to retrieve the information that is already there and be
able to harness it creatively. Yours is to show that poetry can be fun-filled and innovative.
198
Teachers Guide
WHATS UP WITH POETRY?
We should run glittering like a brook in the open sunshine, or we are unblest.
William Wordsworth
Do you want to know what the greatest poem ever written is? The greatest poem ever written
is the one you think is the greatest. Poetry is a great module for a student to enjoy (i.e.
because you can never be wrong!) If you think a poem is excellent, then it is excellent. If you
think a poem is terrible, then it is terrible. After a while, you might find yourself saying:
Well, it doesnt do anything for me, but I understand what the poet was trying to do..
Congratulations. You are now a critic.
It is interesting that the word criticise originally meant to evaluate (i.e. to weigh up the
merits of). When you are criticising a poem, try to see both the demerits and merits of it.
Some writers think that the meaning of a poem is its most important feature. Others think its
mood should be explored first. This would include how it makes you feel. Quite a few
consider that the techniques the poet used deserve a mention. This is important also. All of
the above can be pared down to three simple questions.
1. What is the central message (i.e. theme) of the poem?
2. How does it make me feel (i.e. tone)?
3. How did the poet get his/her message across (i.e. techniques)?
These are the three most important questions in poetry. Three is the magic number when it
comes to studying a poem. There is a formula to help you understand poetry later in the book.
Some poems can be epics. This means that they are very long. The classic example of this is
The Rime of the Ancient Mariner by Samuel Taylor Coleridge. Others can be very short
and simple but still leave an impression. We shall look at Invitation by Shel Silverstein as
our first poem. It is a short poem. In the meantime, why not write down what you think of
poetry? What is poetry? Use these metaphors if you wish and try to think of some more.
1. Poetry is a window to a hidden world.

2. Poetry is the mood music of English.
3. Poetry is what sad people with too much time on their hands do when they are lonely.
4. Poetry is dragonblood for the heart.
5. Poetry is what made Eminem, Shakira, The Beatles, and even The Spice Girls, zillionaires.
6. Poetry is the language of the soul and caviar for the mind.
7. Poetry is simply lyrics without the music.
8. Poetry is the sigh of the sea, the cry of the me, the dying of the bee.
9. Poetry is manna for the soul.
10. Poetry is wild, sad, funny, energetic, thoughtful, loud, fragile and zesty and has
something everyone can enjoy.
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Teachers Guide
Date: __/__/__ Title: POETRY LESSON PLAN Lesson number: 146

1) To establish with the class what exactly poetry is 1) All poems they write may be
before embarking on the module. Do they see it as graded by a new algorithm on the
stuffy, highbrow and inaccessible? internet. It can be found on:
2) If so, it will be important to establish an early link poetryassessor.com.
between poetry and music, two sides of the same coin.
It may be no harm to go through the 9 qualities of a It is quite a controversial site as
good learner that have featured in the foreword of this your students may end up beating
book. If they can be open-minded about your new ideas Milton and Shakespeare in their
and approaches to poetry, then you will be open-minded poetry assessment! The algorithm
about their choice of music. takes its code from 100 amateur
3) To develop a love of good poetry and good music in poems from the 20th century (i.e.
your students. If they like/love the universal themes of the creator got 100 poems from
the poetry in this module, youre doing a great job. At amateurwriting.com). He then
least one of the poems should, hopefully, leave a lasting cross-referenced them with 100
impression on them. You can clarify by explaining that professional poems and the
you dont know anyone who enjoys bad poetry and bad algorithm indicates if there is a
music. professional slant to the poem.
1) Play your favourite song. Explain why it is your 1) Discuss the benefits of using
favourite poem and why it is special to you. Your music and rhythm with the
honesty will set the tone for the poetry module in that students. The actual benefits are:
the students will pick up that expressing their feelings is
both encouraged and beneficial to them. 1. It gets you involved
2) Ask the students about their favourite songs and if it 2. It provides feedback on what
is linked to a good memory. As an option, you can ask you know.
them to write down the broad sketch or details of this 3. It supplies motivation.
memory. You are now linking good memories to 4. It uses many senses in learning.
music/poetry. 5. It promotes concentration.
3) Ask the students to bring in their favourite song
tomorrow. Explain that you will pick one song every
day to play at the start of the class. You are forming a
link between their experiences and yours.
4) Take a quick raised hands census of who likes poetry
and who doesnt. Explain the link between poetry and
music and re-cast the vote. If they like good music, it is
mandatory that they like good poetry also, you can tell
them. Ask them to write down what they think the
definition of poetry is. Read the first page and discuss
the definitions of poetry given.
5) Ask them to provide some more definitions and play
another song. This time tell them you are going to play
them a poem and that you are looking forward to
hearing their favourite poems tomorrow.
1) To dispel any notions that poetry is inaccessible. No homework tonight other than
Music and good poetry are inseparable and enjoyable. bringing in their favourite songs.
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Teachers Guide
Invitation by Shel Silverstein
If you are a dreamer come in.

If you are a dreamer, a wisher, a liar,
A hope-er, a pray-er, a magic-bean-buyer
If youre a pretender come sit by my fire,
For we have some flax golden tales to spin.
Come in!
Come in!
Did you like this poem? Read it again and write down the first words that come into your
head.
Now read it again and try to get into the rhythm of it by waving a finger in the air like a
composer. Treat it like a song rather than a poem. Can you sing it to yourself? If you can, you
have a high degree of musical intelligence.
Do you agree that it has got the rhythm of a child rocking in its cot for the first 4 lines? Then
the rhythm takes on a serious, I-am-your-friend-now tone for the 5th line. For the final two
lines you can almost see someone beckoning you in to his/her house. There, the two of you
can spin flax golden tales and probably lie to each other about your adventures! Make up
an adventure you would tell to someone who loves listening to stories and read it to the class.
Did you find that there is a special type of magic in the lines of this poem?
Invitation by Shel Silverstein
If you are a dreamer come in.

If you are a dreamer, a wisher, a liar,
A hope-er, a pray-er, a magic-bean-buyer
If youre a pretender come sit by my fire,
For we have some flax golden tales to spin.
Come in, come in, come in!
Do you think the poem is improved by rewriting the last two lines? Say why or why not.
Count up how many times words are repeated. We know that this is called repetition and that
it is a very effective technique. Can we add The Rule of Three to repetition? This means
that saying something three times (or in groups of three) is the perfect technique in a speech
or poem. It makes the poem more memorable and it is the classic mnemonic device. How
many times does Shel Silverstein use The Rule of Three in his poem? Do lines two and
three qualify for this rule?
Did you know? Psychologists believe that you can be seen to be a good listener by facing
your feet towards the person talking. As they are making their point, nod your head three
times slowly. They will then think highly of you because you value their opinion.
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Teachers Guide
THE OLDEST SURVIVING POEM
The oldest surviving poem has not been discovered yet. It is locked away underground in a
dusty vault waiting for someone to discover it. Maybe, one day, that someone will be you.
Until then, the oldest, known surviving poem is called The Tale of the Shipwrecked Sailor.
It comes from the Middle Egyptian period and it is approx. 4,200 years old, giving it a date of
2,200 B.C.
The oldest known writing is a source of dispute. Many cultures used symbols. Even cave art,
which is approx. 35,000 years old, had 26 separate symbols and they were used for 20,000
years! It is interesting that our English alphabet today contains 26 letters also. Contenders for
the earliest form of writing include:
1. Chinese dating to 7,000 B.C.
2. Writing from Pakistan dating to 3,000 B.C.
3. Writing from Mexico dating from 3,000 B.C.
Most experts believe that writing dated from the use of farming, however, and comes from
Sumer in Mesopotamia (i.e. the borders of Iraq, Iran and Syria) around 3,400 B.C. Counting
tokens dating to 9,000 years old are probably the oldest form of symbol discovered and came
from this area also. The Akkadian language from Sumer is considered the oldest at the
moment but that may change. When grain began to be harvested and converted into bread
(and beer!), many different cultures around the world gave up their hunter-gatherer ways.
They needed a system to count animals, their plots of land and bushels of grain. Symbols
written on small, clay tablets were used and then language began to be written down.
Poetry then developed as a form of mnemonic device so that people could remember stories
of their ancestors and entertain each other with tales of courage and sorrow. When we began
to domesticate animals, this became more important. Everyone had more time on their hands
as there was a constant supply of food. Artists such as painters, poets, writers and skilled
craftsmen were in high demand and could get paid for their work. Underneath is the reason
why leisure time overtook hunting and gathering and why people could settle in one place.
These are all approximate dates for when the animals were domesticated:
1. Dog-20,000 B.C. Man and dog lethal at clearing areas of predators and protecting
homes. Still vital for lions/tigers/wolves etc. in rural areas today as an early warning system.
2. Sheep-11,000 B.C. Enabled bigger communities to prosper with woollen clothing.
3. Pig-9,000 B.C. A very important source of food and led humans to mushrooms etc.
4. Goat-8,000 B.C. A valuable source of milk and cheese and a permanent food source.
5. Cattle-8,000 B.C. Humans could now plough fields and get cattle to carry large items.
6. Cat-8,000 B.C. Great for keeping rodent numbers down if you were storing food.
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Teachers Guide
7. Chicken-6,000 B.C. An estimated 50 billion chickens alive today tells its own story.
8. Donkey-5,000 B.C. Became a very adaptable beast of burden. Survives hostile climates.
9. Horse-4,000 B.C. *The domestication of the horse probably coincided with the start of
writing as we know it today. Humans could travel vast distances overland and trade their
goods, both grain and luxury items. Writing started to become a crucial means of
communication, first with math symbols, then with a common language. Art takes off.
10. Silkmoth-3,000 B.C. The export of silk from China led to major international trading.
11. Pigeon-3,000 B.C. Written messages could now be carried vast distances.
12. Turkey-180 A.D. Christmas could be invented and celebrated properly!
This is considered the first poem written to be in existence today. It is The Tale of the
Shipwrecked Sailor. It is a story about a sailor who is announcing his return from a failed
expedition. He is nervous of meeting his king, so the sailors servant tells of how he (i.e. the
servant) had overcome a previous disaster and that all will be well.
The Tale of the Shipwrecked Sailor
May your heart prosper, my master.
Behold, we have reached home.
The mallet having been taken, the mooring post is driven in.
The bow-rope having been placed on land, thanksgiving and praise to God are given.
Everyone is embracing his companions.
Our crew returned safely;
there was no loss to our army.
We have reached the end of Wawat;
we have passed Senmut.
Do you like this poem? Write down your first impressions of the poem in a few words. Do
you like the fact that internet technology makes all these poems available at our fingertips?
Look up the words you dont understand on Google and see if the place names in the last two
lines still exist today. The full text of the poem can be read at: ancient.eu.com.
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Teachers Guide

1) To take a more anthropological approach to poetry at 1) TI: Invitation by Shel
the start of the module. Explain how poetry is linked to Silverstein to:
the development of agriculture and domesticating YouTube.
animals. This led to more free time which led to
writing/art/commerce. It is 48 seconds long and is read by
2) To pique their interest by having a discussion on the author. The tempo and timbre
animal welfare. Every child enjoys discussing animals. is much slower than you would
Relate the discussion to the animals domesticated in the imagine.
grid and their function in mans development.
3) Prepare them for a later discussion about The Rule
of Three. There are 3 main features and functions of
poetry if you are studying it. If you are reading it there
is only one: pleasure.
1) Play one of their favourite songs and discuss its 1) Tony Buzans book Mind
brilliance. Tell them you enjoyed it and go through its Mapping explains that your
positive qualities. imagination is stimulated when it
2) Tell them you have a song you would like them to is linked to:
hear. Read Invitation by Shel Silverstein and ask them 1. Your senses
what they think it is about. Welcome them to the poetry 2. Exaggeration
module and ask them to write down their first thoughts 3. Rhythm and movement
on Invitation. 4. Colour
3) Read it from the book with the class. Discuss the 5. Laughter
questions about it from the book. Close the books. 6. Pictures and images
4) Ask them if they would like to hear the oldest poem
in the world. Read The Tale of the Shipwrecked Sailor
for them and they may then open the books and read it Try to devise ways to incorporate
themselves. Discuss it briefly. these into your lessons. If one of
5) Go back to the text that has the heading The Oldest the students can make up an air or
Surviving Poem. Read the text and discuss the link tune to Invitation, for example,
between poetry, animals and the rise of leisure time in let them sing it. If they do this,
civilisation. give them homework off or a prize
6) Encourage a debate about how modern man treats of significance.
animals: foxhunting, chicken farms, puppy farms, blood
sports etc.
7) Play another of their favourite songs if time permits
and then recap on what they have learned.

1) Relating poetry to modern issues and using it as a Either ask them to write about
portal for debating how man has developed throughout how modern man treats animals or
history. ask them to write down what they
think poetry is.
OBSERVATIONS:
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Teachers Guide
The first epic tale written is thought to be The Epic of Gilgamesh. It was written approx.
2,600 B.C. This is an extract from it and the author is describing Gilgamesh, king of Uruk.
Although it is older than The Tale of the Shipwrecked Sailor, it is more of a tale than a
poem. Therefore, The Tale of the Shipwrecked Sailor is considered the oldest poem.
The Epic of Gilgamesh
Supreme over other kings, lordly in appearance
he is the hero, born of Uruk, the goring wild bull.
He walks out in front, the leader
and walks at the rear, trusted by his companions.
Mighty net, protector of his people,
raging flood-wave who destroys even walls of stone!
Offspring of Lugalbanda, Gilgamesh, is strong to perfection,
son of the august cow, Rimat-Ninsun.Gilgamesh is awesome to perfection.
It was he who opened the mountain passes,
who dug wells on the flank of the mountain.
It is he who crossed the ocean, the vast seas, to the rising son,
who explored the world regions, seeking life.
Write down the first words that come to mind after the first reading.
Do you think this is a better poem than The Tale of the Shipwrecked Sailor?
Who do you think Gilgamesh is? Is he a man, a god or something else?
Are you surprised at the quality of language from poems 4,000 years old? Do you think you
would enjoy listening to these poems and tales if they were accompanied by music?
Of course, there is no evidence that these poems would have been accompanied by music.
The earliest evidence of a poem accompanied to music dates from 1,400 B.C. Remarkably,
you can listen to it on YouTube. It is called The Hurrian Hymn no.6 and it was discovered
in Syria in the 1950s as part of a collection of clay tablets. Musical instructions came with
the song and it would have been accompanied by a lyre, a stringed instrument used before the
guitar. It is well worth listening to and the finish to the song may surprise you.
Did you know? The earliest message in a bottle comes from 1784. A man called Chunosuke
Matsuyama asked for rescue after he was shipwrecked. Alas for him, it was found in 1935.
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Teachers Guide
Extract from The Poem Voted the Best Song of all Time in Ireland
Hallelujah by Jeff Buckley
Well I heard there was a secret chord
that David played and it pleased the Lord
But you dont really care for music, do you?
Well it goes like this:
The Fourth, The Fifth,
The minor fall and the major lift
The baffled king composing Hallelujah.
Hallelujah, hallelujah, hallelujah
Hallelujah
Your faith was strong but you needed proof
You saw her bathing on the roof
Her beauty and the moonlight overthrew you.
She tied you to her kitchen chair
She broke your throne and she cut your hair
And from your lips she drew the Hallelujah.
Hallelujah, hallelujah, hallelujah
Hallelujah
Just like all poems, this song is better listened to rather than read on your own. You should
write out the rest of the lyrics and then listen to the full song on YouTube.
You might find it interesting that the lines of the song are written out in groups of 3. This
makes it a very mnemonic poem for the listener. Similarly, the refrain (i.e. chorus) of
Hallelujah is sung 3 times. Then it is repeated once in a much longer way. The repetition of
the word is catchy and this helps the listener to absorb the song. The next page has a diagram
that shows how The Rule of Three can make poetry very easy to understand and appreciate.
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Teachers Guide

1) Using Hallelujah as an introduction to The Rule of 1) TI: The Hurrian Hymn no.6 to:
Three. The term triplication may be substituted for YouTube.
The Rule of Three if the class ability allows it.
Triplication as a figurative, poetic definition is the It is the earliest evidence of a
repetition of words, phrases or ideas in groups of three. poem accompanied by music. It is
2) To establish the links between poetry and music and 5 mins. 43 secs. It has a vibrant,
provide an initial discussion of the key technique of upbeat finish.
repetition/triplication common to both.

1) Play a favourite song from one of the students and 1) TI: Hallelujah by Jeff Buckley
discuss its merits. to:
2) Read The Epic of Gilgamesh to them. Ask them if YouTube.
they would like to hear the worlds oldest, epic story.
Ask them what they think it will be about before you
read it. It is 6 mins. 55 secs. Discuss the
3) After the first reading, let them read it with you from Rule of Three or triplication with
the book. Discuss the questions and let them answer them.
them orally or by writing them down.
4) Ask them if they would like to hear the worlds
oldest music. Play the Hurrian Hymn no.6 if they say
yes. If not, move on with the lesson.
5) Discuss how poetry has already been discussed as a
component of three things: theme, tone and technique.
Underline the importance of threes in poetry as a
formula and read Jeff Buckleys poem from the book.
Ask them if they notice anything about its structure and
how it is based on the Rule of Three.
6) Play the song from YouTube and use it as an
exemplar of how music makes poetry come alive.
7) Recap on the lesson with some discussion of how
music/poetry has changed over the course of 4,000
years. Would a man from 4,000 years ago appreciate
Eminem or Shakira? Why? Why not?

1) Linking the wonder of the poetic experience to Write out the next two stanzas of
music. the poem Hallelujah or ask them
2) Discussing the practical use of The Rule of Three. to research how old it is.
OBSERVATIONS:
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Teachers Guide
THE SECRET TO GREAT POETRY: THE RULE OF THREE
FIGURATIVE LANGUAGE
using colour as symbols

metaphors
personification
verse form repetition

end-rhyme onomatopoeia
run-on lines alliteration
MECHANICAL DEVICES MNEMONIC TECHNIQUES
The only question is to figure out where to put the following:
a) imagery
b) rhythm
c) theme (This goes into the centre. It doesnt really matter where the other 3 fit but debate it
anyway if you like).
d) tone.
Put the most important of the three into the centre circle. Then put the other three carefully
into the intersecting circles.
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Teachers Guide
Weve already discussed what the greatest poem ever written was. It is the one you think is
the greatest. The most successful poems of all time are easier to talk about. The third most
successful poem of all time is called Auld Lang Syne. It was written by the poet Robert
Burns in 1788. It is usually sung on New Years Eve and at funerals and graduations. The
title means For Old Times (Sake).
Interestingly, Robert Burns said the following of his poem:
The following song is an old song of the olden times, and which had never been in
print, nor even in a manuscript, until I took it down from an old man.
This means the poem was probably in existence for hundreds of years before Burns got it
from the old man. The chorus also follows The Rule of Three, making it easier to remember
as a poem. These are the words, although Burns admits he changed them slightly:
Should Old Acquaintance be forgot,
and never thought upon;
The flames of Love extinguished,
and fully past and gone;
Is thy sweet Heart now grown so cold,
that loving Breast of thine;
That thou canst never once reflect
On Old long syne.
Chorus:
On Old long syne my Jo,
On Old long syne,
That thou canst never once reflect,
On Old long syne.
You should look up the song on YouTube and listen to the melody. Although it is a catchy
song, the secret of its success is simpler. The chorus (i.e. the words Old long syne) is repeated
three times. This would have made it a very mnemonic song for different generations of Scots
people to remember. The old man and his people before him would have had the words
burned into their minds before ironically Robert Burns came along and wrote it down. You
should see how long it takes to learn the poem by singing it to yourself.
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Teachers Guide
The second most popular poem in history is called For Hes a Jolly Good Fellow. It was
written the night after the Battle of Malplaquet in France in 1709. Marie Antoinette then
made it popular after she heard a maid singing it. By the 1850s it was being sung in the
United Kingdom and it reached America in 1862. Like Auld Lang Syne, its genius lies in its
simplicity and the Rule of Three.
These are the words used in the United Kingdom:
For hes a jolly good fellow, for hes a jolly good fellow
For hes a jolly good fellow (pause), and so say all of us
And so say all of us, and so say all of us
For hes a jolly good fellow, for hes a jolly good fellow
For hes a jolly good fellow (pause), and so say all of us
As you can see, it is a simple poem. The same two phrases are repeated three times and the
poem finishes with an extra repetition of: and so say all of us. This balances the lines very
well. The question students may ask is if the last two examples are poems, melodies or
songs? The answer is that they are all three.
Music and poetry have been best friends since man first sang. If you are singing, you need
something to sing about. The lines must be written in verse form or else the poem/song will
lack rhythm. Most musicians write the lyrics before composing the song. This means that
musicians are poets before they become singers.
In order to understand poetry fully, it should be seen from the point of view of music first.
This brings us to the most successful poem of all time. It was written in 1893 by two sisters
who were teaching in Lexington, America. Everyone knows the lyrics and they go like this:
Happy Birthday to you.
Happy Birthday dear.
Once again, the line Happy Birthday to you is repeated three times. The 3rd line balances
the rhythm beautifully in between. Looking at poetry from the point of view of having three
basic parts is a good start. After that, it gets a bit more complicated! Did you know that
Warner-Chappell Music Ltd. own the copyright to Happy Birthday? Technically, you should
be paying them a fee whenever you sing it. As it is, the song brings in $5,000 a day for them
in royalties. Every time it is used in a film, they charge the producers up to $50,000.
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Teachers Guide

1) To discuss how the 3 most popular songs in the 1)
world have something in common. They all use the
Rule of Three in their chorus.
2) To link this with the Venn diagram on The Secret to
Great Poetry. This diagram should be the entry point
for all initial discussions on poetry. A poet has to
construct, craft and chisel his/her work. It is vital that
the students recognise that there are techniques a poet
must be aware of in order to be successful and popular.
There are exceptions to this rule, such as The Fog and
Do not stand at my grave and weep. Meaning and
theme take precedence over technique in this case. The
diagram should take away some of the mystique about
why some poems are popular and others are not.
1) Play a song that the class brought in and call it a 1) Ask them if they know that the
poem. They should be referring to songs as poems in Man United song Glory, Glory,
your class by now. Discuss its rhythm/lyrics/merits etc. Man. United is actually based on
2) Read page 209 before looking at the Venn diagram. a gospel song written in 1856, five
Let them remain curious about what the diagram means. years after the famine ended in
Ask them to write down the 3 most successful songs of Ireland. It is about the American
all time. Their answers should be interesting! Civil War.
3) Listen to their answers and open up page 207 and The modern version of the lyrics
read it with them. Have a quick discussion on the Rule was written in 1861. It is called
of Three. Sing the song with the class and thump the The Battle Hymn of the
desks to get the rhythm of the song. Republic.
4) Read page 210 and discuss the Rule of Three again.
At this stage, they should see the link with The best version to recapture the
poetry/successful songs and repetition/triplication/the tempo of the song can be accessed
Rule of Three. Sing the songs with the class and thump by typing in: Battle Hymn of the
the desks to get the rhythm of the song. Republic 2007 A.D to YouTube.
5) Look at the diagram on page 208. Fill in the missing The clip has been uploaded by
words: theme, tone, rhythm and imagery. Ask the class Matthew Poeske and is 5 mins. 09
questions on the definition of seconds long. It features clips in
assonance/onomatopoeia/alliteration etc. These have the background from three
been covered previously in the book. different wars: the American Civil
6) Ask them to draw the diagram into their copies if War, WW2 and Vietnam.
time permits. Finish by recapping on the lesson.
1) The Venn Diagram is the best portal for them to Ask then to write out the lyrics of
understand that successful poems/music/chart hits have The Battle Hymn of the
many features in common and which overlap. Rhythm, Republic. You should use the
theme, onomatopoeia, metaphor, alliteration, end-rhyme tempo of the song as an example
and tone all fall into this category. You can test out the of the power of rhythm. Thump
theory in a later class by picking a popular song and out the metre on the desks
writing down how many of the 13 techniques it uses. tomorrow.
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Teachers Guide
NURSERY RHYMES
The link between music and poetry is at its most obvious with nursery rhymes. Nursery
rhymes are the most successful, long-lasting poems ever written.
They lasted hundreds of years without being written down and became even more popular
when they were written down. Even in this computer age, children still learn them easily and
remember them.
Is it because they are mnemonic poems? That is the main reason but there are others also.
Lets test our formula for great poetry on one of the more famous: Ring-a-ring o Roses.
Ring-a-ring o roses
A pocket full of posies,
A-tishoo! A-tishoo!
We all fall down!
Figurative language:
Using colour as symbols: The rose-coloured rings on line 1are the bright red circles people
used to get from the Black Death in England. The white handkerchiefs (or posies) on line 2
may refer to the scented handkerchiefs rich people tied around their mouths to hide the smell
of death. Poor people also carried sweet-smelling flowers in their pockets to mask the smell.
Red: A symbol of death and blood.
White: A symbol of innocence and purity.
Metaphors: The nursery rhyme is a metaphor for the Black Death. It is possible that peasants
believed sneezing was a symptom of the disease. The 3rd/ 4th lines mean that if you sneezed,
you were going to get the disease and fall down dead. Fall down is a metaphor for death.
Personification: Personification is giving things human terms. By singing about death as a

constant companion, people were trying to cope with the horror of the 17th century. Death and
disease are personified as something that could strike at any time. In modern times, a funeral
mass and a burial give people a lot of comfort. Unfortunately, people back then didnt have
that luxury. The bodies were burned or just left there in many villages if there werent enough
people left to bury them. Thats why death is personified as an imaginary friend in this
rhyme.
We can see that all three figurative devices are present in this nursery rhyme. The use of
colour as symbols, the use of metaphors and the use of personification helped to make the
poem memorable. Let us look at the other two circles in the formula next.
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Teachers Guide
Mechanical techniques:
A simple verse form: The verse form chosen is as simple as it can get.
End-rhyme: Children sing it as rosies instead of roses. This makes it rhyme perfectly with
posies. This in turn adds to the mnemonic effect.
Run-on lines: The lines run into each other fluently. It gives the rhyme its breathless and
energetic effect.
All three mechanical techniques are present. Poems that have end-rhyme and run-on lines are
catchier than those that dont. That is one reason why nursery rhymes survived for so long.
Mnemonic techniques:
Repetition: It is used twice. The word ring is repeated, as is A-tishoo. This makes it
simpler for children to remember.
Onomatopoeia: It is used with the words a-tishoo. This helps the children to act out the
sneezing. In this case, it is a form of active learning where a child can act out the event.
Alliteration: The 3 rs, the 2 ps and the 2 ts make this the ultimate mnemonic rhyme for a
child. There is nothing complicated to this nursery rhyme.
All three mnemonic devices are present. These make this rhyme a pumping, pulsing
mnemonic poem. It proves the old adage: In simplicity lies genius.
Ring-a-ring o Roses has a timeless appeal that has survived disease, war, famine, drought
and floods. There is a debate ongoing about whether it is actually about the Black Death or
not. Occams razor would lead most people to conclude that it is. It first appeared in written
form in Kate Greenaways book of nursery rhymes in 1881. To this day, children love its
sense of rhythm, its simple structure and its plain language. Does all great poetry have to use
the techniques shown here? The answer is no. All memorable poetry does, however. Most of
the poems we would consider classics use these simple devices and many others besides. It
makes sense that a poem you find easy to recite will be favoured over one you dont find
easy.
A lot of great poems may not use all of these techniques. They rely instead on a powerful
theme or message which brings meaning to peoples lives. Before we look at a poem like
that, try to apply the formula of great poetry to the nursery rhyme Baa-baa black sheep. The
rhyme was invented as a protest against woollen taxes by Edward 1 of England in 1275. This
makes it nearly 1,000 years old. Edward put a tax of 66% on all wool and the original verse
had the little boy down the lane crying! The crying boy was a metaphor for the sheep farmers.
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Teachers Guide
Baa-baa black sheep
Baa-baa black sheep,
Have you any wool?
Yes sir, yes sir,
Three bags full.
One for the master
And one for the dame
And one for the little boy
Crying down the lane.
Using colour as symbols: The black wool refers to how black was a prized colour in a sheep
in the 13th century. It could be made into dark cloth without having to go through the process
of dyeing. In this case, it is a symbol of wealth and prosperity.
Metaphors: The song is an extended metaphor (as all nursery rhymes are) for the Great or
Old Custom wool tax of 1275 which lasted until the 15th century. The master is the king,
who got a one third share. The dame could be the feudal lord, who got another third. The
poor sheep farmer is left crying with the other third after doing all the work.
Personification: In this case, the narrator is the peasant and the sheep is given human qualities
when he talks back. Therefore, the sheep is personified. The song is also personified by
turning a political/social issue into the view of a person.
Mechanical techniques:
A simple verse form: Like all nursery rhymes, it has the simplest of verse structures.
End-rhyme: It uses wool and full as pure rhyme and dame and lane as half-rhyme. This
gives it a catchy and mnemonic quality.
Run-on lines: The run-on lines are structured in 4 groups of 2. It is simplistic and effective.
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Teachers Guide
Mnemonic techniques:
Repetition: Yes, sir, yes, sir is a clear example. The words one for are repeated three
times. It follows the Rule of Three again and can be called triplication if it makes it easier for
the students.
Onomatopoeia: Baa-baa is the most important phrase in the poem. It ensured children
wouldnt let the song die out over the centuries. The vocalisation of this phrase would have
been the central feature in the songs role as a fun rhyme to chant.
Alliteration: Baa-baa black is almost as important as the onomatopoeia used. It gives a

stunning introduction (from a childs point of view) as it is so catchy and dynamic. On a basic
level, it gives the children a sound and a colour to identify with.
In simplicity lies genius. The answer is that it uses all of the 9 techniques that mega-
successful poems have in common. It also has a regular rhythm. In fact, if you think about it
carefully, it has the same tune as two other highly successful mnemonics.
These are Twinkle Twinkle Little Star and The Alphabet song. Can you spot the
similarities by humming out the two nursery rhymes?
Twinkle, twinkle, little star,
How I wonder what you are.
Up above the world so high,
Like a diamond in the sky.
Now try it for The Alphabet song.
A-B-C-D-E-F-G
H-I-J-K-LMNO-P
Q-R-S; T-U-V,
W; X, Y and Z.
Now I know my ABC;
Next time wont you sing with me?!
Hopefully, you can now see that all great poems may have something in common with each
other. They have a regular rhythm, they use end-rhyme and they use the techniques in the
circle. Sometimes, a poem of genius can spring up without using these techniques, however...
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Teachers Guide

1) This lesson may take more than a class period 1) TI: 10 sinister origins of
depending on the ability of the class. Its purpose is to nursery rhymes to:
explore further the link between successful poems and listverse.com.
the patterns the Rule of Three provides..
2) Getting the students comfortable with applying the Read this as a teacher and decide
technical terms of poetry in a clear and simplistic way. what information is appropriate to
give to them.
1) Start by thumping out the rhythm of The Battle 1)
Hymn of the Republic if that was their homework.
Then play the song of their choice and refer to it as a
poem again. Discuss the merits of their chosen song.
2) Ask them to name some nursery rhymes. Inquire as
to why everyone knows these simple poems and if there
is a reason why. Tell them they will find out the answer
today and that it is to do with magic.
3) Read page 212 with them. Debate the points made in
the text and try to guide them through filling in the
grids.
4) Read page 213 and discuss the points made in the
text. Try to get the grids done here also and let them
write the agreed solutions into the grids.
5) Read pages 214/215 and discuss how the magic of
rhythm, rhyme and other mnemonic devices ensured
that these songs/poems survived over hundreds of years.
6) Recap on the links between these nursery rhymes and
assign homework. Play a song if there is time. Assign
homework.

1) The students should now see how patterns form a Ask the students to research the
major part of successful poems and songs. It should not origins of 3-5 nursery rhymes.
be seen as a formulaic approach to poetry. It is merely
analysing what best practice is when it comes to poets If you feel this is not appropriate
and their craft. As with all rules in life, there are to their age (i.e. as some of the
exceptions, and these are included in the module. rhymes have a gruesome history),
2) A platform should be provided by now. The students ask them to write down 3 nursery
are aware at this stage that poetrys first function is rhymes and fill in their mnemonic
enjoyment and meaning. They also have the tools to qualities.
discern (hopefully) what constitutes good poetry and
not-so-good poetry.
OBSERVATIONS:
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Teachers Guide
THE FOG by Carl Sandburg (1878-1967)
The fog comes
on little cat feet.
It sits looking
over harbour and city
on silent haunches
and then moves on.
Read this poem once. Write out the first word or phrase that springs to mind after reading it.
short simple
strange weird
Now read it again aloud. Are there any other words or phrases that spring to mind?
clever impactful
cryptic curious
The poem has a magical quality that seems to affect everyone who reads it. It is a very simple
poem but it may have layers of meaning. Answer the following questions in your copybook
once you have read it three times.
1. Do you like this poem? Why? Why not?
2. Is there a message in this poem? What do you think it might be?
3. What do you think the cat in the poem represents?
4. Do you think this poem is about fog or something else? What might the fog represent?
5. Write down, or draw if you are able, the main image that this poem gives you.
This poem is an example of free verse. It does not rhyme and does not have a regular
rhythm. Write a poem called The fog cat in free verse or rhyme. Try to do it in 50 words or
less. If you find yourself stuck for a rhyming word, look up rhymer.com.
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Teachers Guide
Figurative language: Finish the sentences in the grids. A symbol is an object that can
represent something else like an idea, an emotion or a quality. Fill in the blank grids where
necessary.
Example: The dove is a symbol of peace.
Using colour as symbols: The grey fog is a symbol of mystery and danger.
Metaphors: The fog is a metaphor for how quickly our lives start and end.
Personification: The fog is personified because it is given little cat feet.
Mechanical language:
A simple verse form: It is written in a simple, free verse form.
End-rhyme: There is no evidence of end-rhyme in this poem.
Run on lines: There are 6 run on lines as there are only two full stops but there are six lines.
Mnemonic language:
Repetition: The word on is repeated three times.
Onomatopoeia: The word silent is not onomatopoeic so there are no examples in the poem.
Alliteration: (fog/feet) (little/looking) (comes/cat) (sits/city/silent) There are a surprising

amount considering its length. It makes the poem memorable in a subliminal, sneaky way.
Count up how many of the above techniques Carl Sandburg used. Are you impressed with the
skill it takes to write a simple poem like this? Make a list of the 6 assonance words and see if
the os rhyme or if they are half-rhymes. You may be surprised at the result!
Assonance
fog looking harbour

comes over moves
Any assonance seems unintentional. None of the o vowel sounds rhyme with each other.
This in itself is surprising as it is difficult to do. It is more by accident rather than design.
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Teachers Guide

1) To introduce a poem which has a very basic structure 1) TI: Figurative language to:
and has a simplistic language register. There is nothing yourdictionary.com
complicated about the poem.
2) Having said that, the poem has hidden meanings and It gives some wonderful examples
may be termed as cryptic. It reveals different messages of metaphors etc.
to all those who read it. It may be termed as a poem of
genius and it is one the students may love to read.

1) Recap on the homework assignment regarding 1) TI: Emily Pearson-figurative
nursery rhymes. Ask some higher order questions about language to:
the link between nursery rhymes and the Rule of Three. lessonpaths.com
Re-establish that poetry can be seen as structurally
comprised of three different parts. The most important This site will take you into a visual
part of a poem is its theme, however. presentation of similes/metaphors
2) Play a song of their choice. Discuss its good qualities etc. It can also be accessed on
and have a brief discussion about music and modern YouTube.
trends and fads in the music world. Who is the best
upcoming young singer/band out there, for example?
3) Read the poem aloud for the class. They will ask: Is TI: Notes on Sandburgs fog to:
that it? Remind them that yesterday they were agreeing iws2.collin.edu
that: In simplicity lies genius.
4) Open the books and let them read for themselves. It is a 1-page overview of the
Tell them you are not sure if it is possible to sing this poem.
song. If you get volunteers to sing it, you are very lucky
to have those individuals in your class. TI: Notes on Sandburgs fog to:
5) Go through the questions on the poem orally. Explain nps.gov
that they may have to be answered for homework. (carl/forteachers/classroom)
6) Explore the different ideas that the poem throws up.
7) Fill in the grids (if you wish). For such a simple
poem, it still uses 7 of the 9 figurative, mechanical and It gives a full, class lesson plan on
mnemonic devices. teaching The Fog. I found it
8) Recap on lesson excellent and practical.

1) To show how a simple poem can have layers of Answer the workbook questions
meaning. A great poem can compress a multitude of for homework or ask them to
ideas into a few, pithy expressions or lines. research The Fog on a social
2) To make the students first experience of a studied media site such as YouTube. This
poem a positive one. can be played in class tomorrow.
OBSERVATIONS:
219
Teachers Guide
WRITING A POEM
Writing a poem is great fun. The simplest form of poetry is called a haiku (pronounced high-
kuu). This is a Japanese term meaning amusement. Haikus are usually written about nature
or the seasons but they are also written as jokes. Most modern haikus have a structure of 5-7-
5. This means there are 5 syllables on the first line, 7 syllables on the second line and 5
syllables on the third line. This is not a golden rule, however. Do you think the haiku
underneath has a 5-7-5 structure?
Haikus are easy
Dont even have to make sense
Hippopotamus
Write down one reason why you liked this haiku. Did it make you smile or laugh?
Here are some of the most famous haikus:
An old silent pond.
A frog jumps into the pond
Splash! Silence again. Basho Matsuo
Do you like this haiku? Does it conjure up a specific image in your mind? Write down, or
draw if you can, the image given to you by this poem. Then write down some reasons why
you did or did not like the haiku. Would you prefer a haiku like these?
Over the wintry
forest, winds howl in rage
with no leaves to blow. Natsume Soseki
I kill an ant
and realise my three children
have been watching. Kato Shuson
Which was the best haiku, in your opinion? Write down why you feel it is the best and
explain whether it gives you a certain image or feeling, or both.
220
Teachers Guide
Hai kus are ea sy
Dont ev en have to make sense
Hipp o pot a mus
If you were to take a photograph of your back garden every day of the year, you would have a
lot of photographs. That is how the brain works also. Every image we see is put away into a
bundle for storage. What if you were to select only one photograph to represent each season,
however? This is what we might call a snapshot of the season. That is what a haiku is; a
snapshot of a season or nature. Follow these easy steps to build your haikus for the seasons:
1. Pick the best word-bundle (i.e. word-grid) from your brain that represents spring. Write
out the entire list. It may include lambs, frog spawn, daffodils, nesting birds etc.
2. Pick two nouns that you think represent spring the best. Then pick two verbs to link your
images to each other. These may be lambs leaping, daffodils growing etc.
3. Try to create a scene where the two nouns and verbs have a link to each other. Practise
until youre happy the syllable structure of 5-7-5 will fit into the grids. Read it to a classmate.
SPRING
SUMMER
AUTUMN
WINTER
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Teachers Guide

1) To get the students comfortable with writing poetry. 1) TI: The history of haikus for
Using haikus gives the students a great base to work children. The site is:
from and gets them comfortable with the idea. kidzonepoetry.ws/poetry/haiku
2) To explore and discuss the meaning and structure of
a haiku. It gives a great analysis of haikus
3) To research the history of a haiku. and has printable worksheets also.
1) Recap on yesterdays lesson about The Fog and 1) Do you like these haikus? They
check homework. Ask them if they are enjoying the were written by Pat Feely of the
poetry module and discuss why poetry is fun and Clonmel Writers Group:
exciting. Play another song of their choice and discuss
it. Ask them what if they have ever heard of a haiku. Pellucid blue sky
2) Use the metaphor of haiku as being the first flagstone Blood mist swirling in jet streams
before the students step onto the bridge of poetry. It is Spartan heroes stare.
the best gateway or portal to understanding poetry as it
uses simple techniques but takes time to appreciate.
3) Remind them that any poem they write can be Narrow ecliptic
analysed on poetryassessor.com. This site means they Blood Moon, button in black sky
can get impersonal and impartial feedback when they Autumns Hunters Moon.
want to work on poetry in their spare time. Remind
them also that there are poetry competitions for children
and that they can make money from them if they apply I think students would love these
themselves! haikus. They are certainly
4) Read the 1st page on haikus. Have a discussion on designed to focus in on the
the merits of the different poems. If they think they are imagery, like all good haikus.
stupid (code for too easy) explain that the only They also evoke a powerful
mystery to poems in general is trying to analyse them response.
correctly. They can be like Enigma codes waiting to be
cracked. Then throw down the challenge of writing one.
5) Ask them to write a 5-syllable sentence on an image
from: spring, summer, winter or autumn. The best one
gets a prize. Then ask for a 7-syllable sentence. Then
they must write the last line with an image that is linked
but separate. Haikus are no longer easy!
6) If you feel the class do not need to know the last bit
of information, skip it. They should get 4 haikus done
in the class. If not, continue the exercise tomorrow.
7) Recap on the lesson by listening to their wonderful
efforts orally. Tell them how talented they are.

1) By starting with haikus, the enjoyment of writing No homework tonight. They may
poetry should be obvious in this lesson. finish their haikus if they wish.
OBSERVATIONS:
222
Teachers Guide
HOW TO MAKE YOUR OWN POEM
Making up your own poem is both easy and enjoyable. It helps if you can think of one
phrase/metaphor or short sentence that is unique to you. The whole poem should then spring
up around this one, meaningful phrase. Observe the world around you and it will provide it!
Then try to get your end-rhyme words if you want to make it a mnemonic poem. Make a list
of 8-10 words that fit in with the theme of your poem. Type in Word Families to:
enchantedlearning.com for the best sets of end-rhymes.
Finally, try experimenting with the length of the sentences until they seem right to you. You
may decide to have a poem that has balance and rhythm. If so, use the syllable grid below to
help you. Try to keep the poem simple at first with a maximum of 12 syllables.
As you develop your craft as a poet, you will find yourself delighted with your ability to write
great poetry. If you want to make a sad poem, look at the assonance words in this book.
SYLLABLE GRID FOR AN 8-LINE POEM
END-RHYME GRID
attack bad ail brain blame bright bin fog core bump
back clad fail chain fame delight din bog fore clump
black dad hail grain flame fight fin flog gore dump
crack glad mail main frame fright gin grog lore grump
knack had nail pain game height grin hog ore jump
lack lad pail plain lame light kin jog pore lump
pack mad rail rain name night pin log score slump
sack pad sail slain same sight sin slog shore stump
stack sad tail strain shame slight thin smog wore thump
whack tad wail train tame tonight win tog yore trump
MAKE YOUR OWN RHYMING GRID
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Teachers Guide

1) To develop the practise of the students writing poetry 1) TI: Word Families to:
for pleasure and enjoyment. www.enchantedlearning.com
2) To give the students some structure and parameters
in order to let them build a platform for poetry writing. It gives the most comprehensive
It should be stressed that this is not a one-size-fits-all, list of end-rhyme families on the
formulaic approach. After understanding the structures internet.
of poetry, they may write in free verse or with any
structure they wish. This system will help to give them
clarity as they are honing their skills, however.
1) Recap on previous lesson by listening to their 1) TI: Poetry competitions to:
haikus. Play a song of their choice and ask them if they youngwriters.co.uk
would like to write the lyrics to a song that might make
millions. Explain that this requires knowledge and craft This is a fabulous site to get your
and that today they may practice. students interested in entering
2) Read How to make your own poem text and discuss poetry and creative writing
with the class. Tell them that end-rhyme must be used competitions.
in their poem but that it will be optional in subsequent
poetry writing classes. Look up the word families on It also has a free newsletter which
enchantedlearning.com if the technology permits. If you can subscribe to. It categorises
not, ask them to use the words in the grid or make up its competitions between primary
their own rhyming couplets. This will give them the and secondary schools also.
ideas they need for a poem.
3) Examples might include basing a poem on celebrity
around the words: fame/flame/name/shame TI: Rhymes with cat to:
4) They must then stick to a 10-syllable sentence for rhymezone.com
each line. When they have crafted this in their
copybooks and are happy with it, they can seek your It gives a list of all the one-
approval. If you are satisfied it is 10 syllables, they may syllable, two-syllable, three-
put it in the grid. syllable words etc. that you require
5) The process can be repeated until they have an 8-line
poem. These may then be read out and prizes awarded
to everyone who finishes the task. Offer your
congratulations as they are now poets!
6) The poems may be re-written and put on posters with
images today/at a later date with their signatures at the
bottom.
7) Recap on class and ask if/why they enjoyed it.
1) To make the process of poetry writing easy and fun. Ask them to write a 4/8-line poem
2) To give them an appreciation of the craft that poets on nature with end-rhyme. They
need to develop. It will help them to appreciate the can use as many syllables per line
poems they will encounter in this module. as they like.
OBSERVATIONS:
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Teachers Guide
TEACHING POEMS TO STUDENTS
The introductory poetry module is now over. It is time to expose them to the wonder and
beauty of poetry. The poems I have chosen were considered carefully.
They are meant to give a broad range of the human experience. I always found that The
Eagle resonated with the students as it is short, powerful and leaves room for the imagination
to fill in imagery around the landscape of the cliff and sun. It can also be rapped out by a
self-confident student also. The importance of using rap with weaker classes cannot be
underestimated. It is almost an imperative that rap be used as a teaching technique in poetry
nowadays. It is the best possible bridge between your job as a teacher to facilitate responsible
learning and their job as a sleep-deprived teenager to resist you! I considered putting in an
Eminem song/poem into this book but I will leave teachers to make up their own mind on
this.
The Splendour Falls is the perfect bridge between poetry and music also. Tennyson wrote it
just after his honeymoon to Killarney in 1848 and joy and energy leap from the page. It might
be worth discussing the bliss of Tennyson with the mood of despair and death surrounding
the famine. It too can be rapped out as it is so mnemonic. The words can be changed by the
students and the tune kept. It enables the students to compare 2 poems by the same poet also.
The Stolen Child by Yeats may not mean much to students at first reading. When it is
accompanied by The Waterboys song of the same name, however, it transforms into
something sad, something lost, something tragic. A man called Mick Wilbury uploaded a
video to YouTube which gives images of old Ireland in the background. A whole lesson
could be based on this version of Ireland now lost to us. Again, that is up to the teacher. The
Lake Isle of Innisfree has a hazy, hallucinatory, phonetic quality that makes it both pleasing
and irritating! It can seem like a bee buzzing in your ear sometimes. For best results, let Yeats
himself read it for you on YouTube.
The impact of The Road Not Taken and Stopping by Woods can be underestimated
sometimes. Although there is nothing remarkable about the devices and techniques used, their
impact on students can be extraordinary. It may be the first time in their lives (amazingly)
where they are forced to look ahead at what might be. These poems can burrow their way into
their psyche in a way no other poem ever will again. The poem never grabs all of them, but
for those it does, it can be like a thunderclap. It might be an idea to link these poems with the
Life Map that they must write in Blue-Sky Thinking
The Rime of the Ancient Mariner extract was put in because all students deserve to have the
chance to listen to it. In my own experience, those students with an inbuilt love of English
and word-sounds will love it. Later in life, they will read it again in their own time and
marvel at its complexity and richness. For those students who find English a struggle, the
alien nature of the poem still appeals to them in an offhand, I-dont-know-what-you-are way.
If by Rudyard Kipling was a difficult decision. Im not sure if an 11 or 12-year-old has

undergone the life experiences necessary to appreciate the poem. I think age 15 is the perfect
225
Teachers Guide
age to introduce them to If. They seem to identify with the issues it throws up at that age
much better. If you have a particularly advanced class, however, by all means try it. I
definitely think the cameo from Mike Bassett: English manager on YouTube is a great way
to introduce it!
The Cottage in the Grove was put in as a link to the famine also. It is about a cottage
halfway up a mountainside in Tipperary. On some days, the light spills in but doesnt seem to
take away the coldness of memory that lingers there. If it had a one-word title, it would be
called Residue. Ive never seen a building that exudes so much pain and loss. No amount of
light will change that. It is a sad, broken thing.
There is a very erudite man in the Clonmel Writers Group, David Power, whose grandfather
was born two years before the famine. I find it extraordinary that our links can be so close to
such a terrible event but that it features so rarely on the syllabus. I also find it best practice to
deal with issues of death and tragedy in the lives of the students through the prism of past
events. In a politically correct word, I would advise young teachers to do the same. It allows
the students to express their sense of loss in an abstract and one-step-removed way.
Do Not Stand at my Grave and Weep is perhaps the most remarkable poem in the module.
It gives consolation to those who have encountered bereavement. Its message is so powerful
for a poem that was written in one sitting. The suggestion is that death is not permanent, that
it is a transitory thing. I cant think of another poem with such a simple, comforting message.
It is to be hoped the students will feel the power of its message also.
The next part of the module features lesson plans in groups of three. There are practical
reasons for this. The 1st is that it allows you to attack the poem from three different angles.
For example, the first day may consist of playing a song related to the poems theme. A
first/second reading can be completed and a broad discussion of its merits. The 2nd day may
consist of some sort of audio-visual aid and an attempt in class to discover how the poem is
relevant to their lives. It may also include an attempt at learning/singing some of the verses in
class. The tone is the priority here. The 3rd day may be a chance to explore the techniques
the poet employs to get his message across. This is optional. In any case, there is probably no
need to assign any more time to these poems. If they are in the first year of their secondary
education, it is variety and exposure to different experiences they will crave. As they develop
their thinking processes, they may want to delve deeper into the meaning of poetry. The last
reason is that it hones your organisational skills; 3 days and no more is best practice.
Finally, I dont know if I would use the Poetry Detective technique for all these poems. It
would depend on the ability and attention span of the class. If it is a mixed-ability class, you
may find yourself losing some of them along the way and decide to incorporate more active
learning techniques into the class. What I know for certain is that all classes deserve to see
the general patterns underlying poetry. I have used these techniques in very weak classes and
they have enjoyed them. If they have understood the pattern of the Venn diagram (if not the
terminology sometimes) I am happy to move on. The lesson plans after The Eagle are free
to fill in so that you can bring your own expertise to bear on the poems.
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Teachers Guide
Date: __/__/__ Title: POETRY LESSON PLANS Lesson numbers: 154/155/156

1) To help the students understand the theme, tone and 1) There is nothing of quality on
techniques used in this poem over a 3-day period. YouTube relating to this poem.
1) Play a song of their choice or related to the theme of 1) TI: White falcon white wolf to:
The Eagle. Discuss in relation to the poem if possible. YouTube.
2) Give a 1st reading of the poem. Ask for comments
and give a 2nd reading where they can see the text. Show the first 5 minutes of the clip
3) Let students write key words and phrases into the which is 49 minutes and 1 second
grids. Discuss answers with them. long in total. The cinematography
4) Students to attempt questions 1, 2 and 4 orally with and eeriness of the landscape is
the teacher and then on task in class. stunning. It features a gyrfalcon.
1) To introduce the poem and develop an awareness in Q.3 from the workbook which is
the students of the majesty and power of an eagle. to write a 6-line poem on an eagle.

1) To explore the themes and tone of this poem in 1)
greater detail.
1) Recap on homework by listening to students poems. 1) TI: White falcon white wolf to:
Give verbal/tangible prizes for those who read. YouTube.
2) Answer questions 5 and 6 orally. Look at YouTube
clip if possible as a visual aid for question 5. Show the next 15 minutes of the
3) Explore some of the techniques used in the poem clip. It shows: skuas dive-bombing
(metaphor/similes etc.) before tomorrows class. wolves, musk oxen, snowy owls
4) Recap on lesson with answers to question 5. and Arctic hares.
1) Allowing the descriptive writing work from earlier in Answer question 5 or a question
the year to be wedded to the poetry section. describing an Arctic landscape.

1) To explore the techniques used in the construction of 1)
this poem.
1) Recap on homework by listening to their descriptions 1) TI: Analysis of the eagle by
of the landscape of the poem or an Arctic landscape. Lord Alfred Tennyson to:
2) Play a song and discuss its link to the poem if there is shmoop.com.
one. Try to identify the figurative, mechanical
mnemonic devices with the class orally. It gives a 2-page analysis of the
3) Ask the students to be Poetry Detectives by filling poem and is a site that is student-
in the grids. Prompt the answers. friendly. I highly recommend this
4) Work through the answers and give the poem a rating site for future use.
1) To conclude the 3-day assessment of the poem. Write an analysis of the poem.
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Teachers Guide
THE EAGLE by Alfred Lord Tennyson (1809-1892)
He clasps the crag with crooked hands;
close to the sun in lonely lands,
ringd with the azure world he stands.
The wrinkled sea beneath him crawls;
he watches from his mountain walls,
and like a thunderbolt he falls.
* A crag is a rocky ledge.
* Azure is a deep sea-blue.
CREATIVE WRITING QUESTIONS
1. Did you like this poem? Say why/why not giving examples from the poem.
2. What do you think is the theme (i.e. central message) of the poem? Are there sub-themes in
it as well, in your opinion? A sub-theme is not the main theme but it is still important.
3. Try to write a 6-line poem with the same title.
4. What are the best images in the poem, in your opinion? Give examples from the poem.
5. Write a short descriptive passage on what the eagle sees from the mountain top. Include as
much micro-detail as possible. He has eagle-vision, after all!
6. What is the mood of the poem, in your opinion?
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You are the worlds greatest poetry detective. Find one example for each technique.
Using colour as symbols:
Metaphors:
Personification:
Verse form:
End-rhyme:
Run on lines:
Mnemonic language:
Repetition:
Onomatopoeia:
Alliteration:
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Killarney to: shmoop.com
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THE SPLENDOUR FALLS by Alfred Lord Tennyson (1809-1892)
The splendour falls on castle walls
And snowy summits old in story:
The long light shakes across the lakes,
And the wild cataract leaps in glory.
Blow, bugle, blow, set the wild echoes flying.
Blow, bugle; answer, echoes, dying, dying, dying.
O hark, O hear! how thin and clear,
And thinner, clearer, farther going!
O sweet and far from cliff and scar
The horns of Elfland faintly blowing!
Blow, let us hear the purple glens replying!
O love, they die in yon rich sky,
They faint on hill or field or river.
Our echoes roll from soul to soul,
And grow for ever and for ever.
Blow, bugle, blow, set the wild echoes flying.
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2. What do you think is the theme of the poem? Are there sub-themes in it as well, in your
opinion? Write down what you think they may be.
5. Write a description of the waterfall and lake using the images the poet has provided.
6. What is the mood of the poem, in your opinion? Can this poem be sung instead of read?
POSITIVE MOODS/TONES IN A POEM
carefree energetic tranquil lively gushy

light-hearted tender excited humorous peaceful
relaxed chipper relaxed dream-like gleeful
joyous playful bouncy optimistic musical
sentimental welcoming joyous funny refreshing
mellow passionate empowering liberating ecstatic
NEGATIVE MOODS/TONES IN A POEM
angry haunting bossy lonely hopeless

cold grave worried tense sombre
bitter brooding suspenseful outraged frantic
mocking envious sad gloomy harsh
ominous painful direct sinister gloomy
despairing heartbroken terrifying foreboding nightmarish
ADD IN MORE MOOD WORDS
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Metaphors:
Personification:
Verse form:
End-rhyme:
Run on lines:
Mnemonic language:
Repetition:
Onomatopoeia:
Alliteration:
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THE STOLEN CHILD by W.B. Yeats (1865-1939)
Where dips the rocky highland
Of Sleuth Wood in the lake
There lies a leafy island
Where flapping herons wake
The drowsy water rats;
There weve hid our faery vats
Full of berries
And of reddest stolen cherries.
REFRAIN: Come away, O human child!
To the waters and the wild
With a faery hand in hand.
For the worlds more full of weeping than you can understand.
Where the wave of moonlight glosses
The dim gray sands with light
Far off by furthest Rosses
We foot it all the night,
Weaving olden dances
Mingling hands and mingling glances
Till the moon has taken flight;
To and fro we leap
And chase the frothy bubbles,
When the world is full of troubles
And is anxious in its sleep
REFRAIN: Come away, O human child! etc.
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Where the wandering water gushes
From the hills above Glencar,
In pools among the rushes
That scarce could bathe a star,
We seek for slumbering trout
And whispering in their ears
Give them unquiet dreams;
Leaning softly out
From ferns that drop their tears
Over the young streams.
REFRAIN: Come away, O human child! etc.
Away with us hes going,
The solemn-eyed:
Hell hear no more the lowing
Of the calves on the warm hillside
Or the kettle on the hob
Sing peace into his breast,
Or see the brown mice bob
Round and round the oatmeal chest.
For he comes, the human child!
To the waters and the wild
With a faery hand in hand.
For the worlds more full of weeping than you can understand.
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5. If you were asked to rewrite one word or line from the poem, which would it be?
7. Ask your teacher to play the YouTube video on the poem. Type in: The Waterboys: The
Stolen Child by Mick Wilbury. It flashes up images of an Ireland long gone.
8. Has your opinion of the poem changed after watching the video? Do you like the poem
more or less after watching it?
9. Learn off any verse from the poem. Some have 8 lines, some have 11. Pick the one you
like the most. You may find it easier to act out the lines while you are learning it. For
example, verse one gives you the opportunity to do the following:
1. ..dips the rocky highland. Make a hand motion from shoulder height to knee height
when you are reciting the word dips.
2. ...lies a leafy island. Make a swirling motion with your hand when you are reciting the
word leafy. You can lie on the desk for the word lies if you are confident enough!
3. ..flapping. You can clap or you can make a flapping motion.
4. ..drowsy water rats. Put two hands to your cheek in the universal sign of sleeping.
These are just examples. The teacher can agree with the class which movements are the best
for each line. Active learning helps you to remember poetry in a fun and long-term way.
Youll be able to recite the lines many years from now. Youll also smile at the memory of
this class when you do.
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Metaphors:
Personification:
Verse form:
End-rhyme:
Run on lines:
Mnemonic language:
Repetition:
Onomatopoeia:
Alliteration:
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THE LAKE ISLE OF INNISFREE by W.B. Yeats (1865-1939)
I will arise and go now, and go to Innisfree,
And a small cabin build there, of clay and wattles made;
Nine bean rows will I have there, a hive for the honey bee,
And live alone in the bee-loud glade.
And I shall have some peace there, for peace comes dropping slow,
Dropping from the veils of the morning to where the cricket sings;
There midnights all a-glimmer, and noon a purple glow,
And evening full of the linnets wings.
I will arise and go now, for always night and day
I hear lake water lapping with low sounds by the shore;
While I stand on the roadway, or on pavements gray,
I hear it in the deep hearts core.
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5. If you were asked to rewrite one word or line from the poem, which would it be? Write out
the word or line.
7. Write a description of the island and the lake (Lough Gill) using the images the poet has
provided.
ABOUT THE POEM
STANZA 1: This is a poem written in 1893 about escaping from city life. Yeats says he will
build a small cabin on the uninhabited island of Innisfree in Co. Sligo. He will make it from
mud and sticks and he will grow beans to live on. He will also keep bees and live a simple
existence. In his mind, it is a form of heaven to live off the land. It is obvious he does not
want to depend on anyone and would prefer to live alone. He shows that he is a dreamer
because it is not a very realistic plan. The tone of the first stanza is both dreamy and musical.
The repetition of the b sound in bean/bee/bee gives it a humming quality also. The
repetition of the lilting and soft i sound in nine/I/hive/live adds to the musical effect.
STANZA 2: This stanza gives us both colour and the suggestion of colour. He starts with the
metaphor for mist, the veils of the morning. You are given an image of grey lake-mist just
above the water and creeping over to the island. On the island the green grasshopper sings
by rubbing his legs. Midnights all a-glimmer tell us that parts of the island are dark and
mysterious. It gives us a sense of how wild and lonely this island with black shadows is.
Noon a purple glow shows how deep the colours are around this island. It suggests that
they are lodged deep in his memory also. Finally, the fawn-coloured linnet flaps his wings.
The only sounds so far are the bees, the cricket and the linnet on this island. These are all soft
sounds and emphasise how isolated the island is.
STANZA 3: The last stanza has a very mellow and sad tone in the first two lines. The 5
words with l in them (will/always/lake/lapping/low) try to recreate the sound of lake water
lapping against the shore. The long o sounds (go/now/low/shore) ensure that the lines have
to be read slowly. Yeats is trying to show how the lake island has a grip on his mind, his
memory and his soul. He calls it the deep hearts core. Even when he is on the pavement
of big cities like London, the water laps slowly like a heartbeat. Someday he will go back.
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Metaphors:
Personification:
Verse form:
End-rhyme:
Run on lines:
Mnemonic language:
Repetition:
Onomatopoeia:
Alliteration:
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APRIL MONTHLY PLAN

WEEK ONE
Lesson 166 The Road Not Taken by Robert Frost: intro to theme
Lesson 167 The Road Not Taken by Robert Frost: intro to tone
Lesson 168 The Road Not Taken by Robert Frost: intro to technique
Lesson 169 Stopping by Woods by Robert Frost: intro to theme
Lesson 170 Stopping by Woods by Robert Frost: intro to tone
WEEK TWO
Lesson 171 Stopping by Woods by Robert Frost: intro to technique
Lesson 172 The Rime of the Ancient Mariner by Samuel Taylor Coleridge
Lesson 175 If by Rudyard Kipling: intro to theme
WEEK THREE
Lesson 176 If by Rudyard Kipling: intro to tone
Lesson 177 If by Rudyard Kipling: intro to technique
Lesson 178 The Cottage in the Grove by Liam O Flynn: intro to theme
Lesson 179 The Cottage in the Grove by Liam O Flynn: intro to tone
Lesson 180 The Cottage in the Grove by Liam O Flynn: intro to technique
WEEK FOUR
Lesson 181 Do not stand at my grave and weep by Mary Elizabeth Frye
Lesson 184 Teacher plans recap lesson on poetry module: highlights for students etc.
Lesson 185 Teacher plans recap lesson: higher order questions on patterns learned
In Ireland, the month of April brings a 2-week break for the teachers and students. That is
why I referred to the poems on offer as a bowl of sweets. It may not be physically possible to
cover all of these poems in the manner they deserve. Therefore, pick the ones most
appropriate for your class. The Road Not Taken is crying out for a poster to be made about
it. It can be related to the Life Map already covered in the book. The students can draw a
list of good decisions in life for one path and the benefits that accrue. They can make a list of
bad choices for the other path including alcohol, drugs, cigarettes and school-related
problems.
The Rime of the Ancient Mariner can be the basis for a descriptive passage based on the
title: Cast Adrift at Sea. It may be the perfect opportunity to explain the concept of stream-
of-thought. Kiplings poem can be compared with the theme of The Road Not Taken and
the students can make out a ratings chart based on the two poems.
The Cottage in the Grove may be used to recap on The Great Famine and write a
descriptive piece on the conditions of the time. It may even be used to discuss how a solar
burp from the sun would disrupt earths technology and cause food shortages. Is the world
prepared for it and what would the consequences be? They might enjoy the post-apocalyptic
slant of that question and Fryes poem comes into sharp focus for them as a result!
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THE ROAD NOT TAKEN by Robert Frost (1874-1963)
Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveller, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;
Then took the other, as just as fair
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same.
And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.
I shall be telling this with a sigh
Somewhere ages and ages hence:
Two words diverged in a yellow wood, and I-
I took the one less travelled by,
And that has made all the difference.
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the word or line.
7. Look up the comments and how it is rated on the net by typing in: The Road Not Taken
to www.poemhunter.com
ABOUT THE POEM
This is what is known as a cryptic poem. A cryptic poem can be difficult to understand at
first. It has a simple theme for everyone once you consider it carefully.
Everyone has two paths in life they can travel on. You can go with the herd or you can
strike out by yourself. If you decide to achieve all the things in life that you dream of, you are
a rare person. You are taking the road less travelled. It is difficult to break the mould and be
yourself. Frost has the same dilemma.
He sees two roads in the forest. One looks less well-worn because very few people have
travelled on it. This is a metaphor for the choices we all face in life. Do we take the road
everyone else takes even when we know it is wrong for us?
Frost decides to take the road less travelled. He doesnt say whether it was a success or not.
The good news is that if you take the road less travelled, you will meet other extraordinary
people along the way. Whether you want to be a poet, a pilot, a politician or a pop star-do it!
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STOPPING BY WOODS ON A SNOWY EVENING by Robert Frost (1874-1963)
Whose woods these are I think I know.
His house is in the village though;
He will not see me stopping here
To watch his woods fill up with snow.
My little horse must think it queer
To stop without a farmhouse near
Between the woods and frozen lake
The darkest evening of the year.
He gives his harness bells a shake
To ask if there is some mistake.
The only other sounds the sweep
Of easy wind and downy flake.
The woods are lovely, dark and deep,
But I have promises to keep.
And miles to go before I sleep,
And miles to go before I sleep.
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the word or line.
FILL IN THE BLANKS
This poem is based on a real incident in Robert Frosts life. He was returning home one
evening from a failed business trip to the market. It was snowing heavily in New Hampshire,
America. New Hampshire is 212 miles from New York and is close to the border with
Canada.
Frost could not sell his goods and it occurred to him that he could not buy Christmas presents
for his children. He had a sleigh attached to the horse in order to transport his goods. He came
to a bend in the road and stopped the horse. Then he began to cry uncontrollably. After a few
minutes, the horse shook his harness. The bells on the harness had an effect on Frost. He
snapped out of his depression. Then he moved towards home even though he had bad news
for his family. He wrote this poem in one night at a later date.
Frost himself said that this poem is over-analysed. Its genius lies in the simple language, its
simple rhythm and its simple message. It has a universal theme that everyone can relate to.
Sometimes in life we are going to face great challenges. We can bow down to them or we can
rise to meet them. In this poem, Frost uses the woods as a symbol of his depression. He
struggled with it a lot in life.
Like depression, they are dark and deep and want to lure him in. That is why he calls them
lovely also. Depression can creep up on adults without them being aware of it. In this case,
he sees it as a choice. He decides to beat his depression by going home and facing up to his
responsibilities. This time Frost wins. He has many miles to go before he sleeps. In this
case, sleep is probably a metaphor for death or suicide. It is a very powerful poem.
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THE RIME OF THE ANCIENT MARINER by Samuel Coleridge (1772-1834)
The fair breeze blew, the white foam flew,
The furrow followed free;
We were the first that ever burst
Into that silent sea.
Down dropt the breeze, the sails dropt down,
Twas sad as sad could be;
And we did speak only to break
The silence of the sea!
All in a hot and copper sky,
The bloody sun, at noon,
Right up above the mast did stand,
No bigger than the moon.
Day after day, day after day,
We stuck, nor breath nor motion;
As idle as a painted ship
Upon a painted ocean.
Water, water, everywhere,
And all the boards did shrink;
Water, water, everywhere,
Nor any drop to drink.
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ABOUT THE POEM
In the spring of 1798, three people were walking in the hills of Somerset. One of them was
Samuel Taylor Coleridge, who was an up-and-coming poet. William Wordsworth and his
sister Dorothy were the others. The conversation turned to a book that Wordsworth was
reading, A Voyage Round the World by Way of the Great South Sea. It was written in 1726
by Captain George Shelvocke. In the book, a sailor shot an albatross and the ship suffered
bad luck afterwards.
Coleridge had also read James Cooks second voyage of exploration (1772-1775).
Coleridges tutor had served on Cooks ship and he was fascinated by the tales of trying to
break through the ice. These were probably the biggest influence on Coleridges poem. The
plot is this:
It starts with a mariner who meets someone on the way to a wedding party. The mariner is
cursed to forever roam the earth telling his story. He was on board a ship in Antarctica which
hit a storm. An albatross leads them out of the storm but for no reason the mariner shoots it.
The weather improves at first and the crew praise him. Then the ship sails to a place where
there is no wind and the sun burns them terribly. The crew force the mariner to wear the dead
albatross around his neck. One by one, they all die, leaving the mariner alone. After many
adventures, the mariners curse is lifted when the albatross falls off his neck. As his penance,
the mariner is forced to wander the earth telling his tale of woe.
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Metaphors:
Personification:
Verse form:
End-rhyme:
Run on lines:
Mnemonic language:
Repetition:
Onomatopoeia:
Alliteration:
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IF by Rudyard Kipling (1865-1936)
If you can keep your head when all about you
Are losing theirs and blaming it on you;
If you can trust yourself when all men doubt you,
But make allowance for their doubting too:
If you can wait and not be tired of waiting,
Or, being lied about, dont deal in lies,
Or being hated dont give way to hating
And yet dont look too good, nor talk too wise;
If you can dream-and not make dreams your master;
If you can think-and not make thoughts your aim,
If you can meet with Triumph and Disaster
And treat those two impostors just the same:
If you can bear to hear the truth youve spoken
Twisted by knaves to make a trap for fools,
Or watch the things you gave your life to, broken,
And stoop and build em up with worn-out tools;
If you can make one heap of all your winnings
And risk it on one turn of pitch-and-toss,
And lose, and start again at your beginnings,
And never breathe a word about your loss:
If you can force your heart and nerve and sinew
To serve your turn long after they have gone,
And so hold on when there is nothing in you
Except the will which says to them: Hold on!
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If you can talk with crowds and keep your virtue,
Or walk with Kings-nor lose the common touch,
If neither foes nor loving friends can hurt you,
If all men count with you, but none too much:
If you can fill the unforgiving minute
With sixty seconds worth of distance done,
Yours is the Earth and everything thats in it,
And-which is more-youll be a Man, my son!
4. What is the best advice given in the poem, in your opinion? Give an example from the
poem.
the word or line.
7. What do you think are the main differences between this poem and the ones earlier in the
book?
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THE COTTAGE IN THE GROVE by Liam O Flynn (Still alive!)
The buildings now a widow,
grown old with ivy veil;
and small things creep and shadows grow
among the broken shale.
How the sunlight sweetly burns
the walls with broken eyes;
and lime-tears stretch towards the urns
with silent, crumbling cries.
No robins sing, no song is heard,
the cottage is forlorn.
The Titian-breasted Jesus bird
will not announce the morn.
How the moonlight harpstring lanced
inside the kitchen door;
where songs were heard and children danced
upon the flagstone floor.
How the starflame freely spilled
upon the wellworn path;
before the fields now untilled
were wrinkle-clapped with wrath.
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Whiskey flowed and candles glowed
stout bonds of kinship made.
The fire danced low and turfy slow
burning the path to jade.
Laughter rang and children sang
with mouths raised to the thatch.
And how the starfire freely spilled
upon the sumptuous grass.
No crack of snail, no thrush refined,
shall this place ever hear.
Small birds know all about bloodlines;
and why they disappear.
How the sunlight awful burns
the cottage in the grove;
where children laughed away concerns
swirling in carefree cloaks.
Now the sunlight awful peeps

where moonlight once shone hale;
and shadows creep and halflings weep
among the broken shale.
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the word or line.
WRITE A 10-LINE POEM ON ANY SUBJECT OF YOUR CHOICE
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DO NOT STAND AT MY GRAVE AND WEEP by Mary Elizabeth Frye (1905-2004)
Do not stand at my grave and weep:
I am not there; I do not sleep.
I am a thousand winds that blow,
I am the diamond glints on snow,
I am the sun on ripened grain,
I am the gentle autumn rain.
When you awaken in the mornings hush
I am the swiftly uplifting rush
Of quiet birds in circling flight
I am the soft starshine at night.
Do not stand at my grave and cry:
I am not there; I did not die.
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the word or line.
THE EXTRAORDINARY STORY OF THIS POEM
For over 60 years, nobody knew who wrote this poem. It was used at funerals and it was
written on bereavement card for all that time in America. Nobody came forward to claim
ownership of it. This was surprising as it would have made the poet a lot of money.
In 1995, the father of a British soldier killed in Northern Ireland read it on BBC radio. His
son had it among his personal effects. That was the first time it had been introduced to the
general public in Britain.
Later that year, The Bookworm television programme decided to conduct a poll of Britains
favourite poems. Even though this poem wasnt even on the list of poems, it won hands
down! Thirty thousand votes later, it was now officially Britains favourite poem.
In 1998, the worlds most famous female journalist was Abigail van Buren. She was the first
global agony aunt and had 110 million readers. She discovered who wrote the poem and the
story went like this:
In 1932, Mary Frye and her husband kept a female lodger in their house. This lodger, named
Margaret, was German. She was very upset that she could not visit her mother who was ill in
Germany. Hitler was coming to power and there was a lot of unrest in Germany. When her
mother died, Margaret was heartbroken. She said she never had the chance to stand by my
mothers grave and shed a tear.
Almost immediately, Mary Frye wrote out the poem on a brown shopping bag. She wrote it
out in one quick movement exactly as it is seen today. Remarkably, she had never written a
poem before. She said the words just came to her. She gave it to some friends as a gesture
of comfort but never sought publicity for it. It was so impactful that it gained in popularity
over the next 60 years. In all that time, Mary Frye never claimed to own it. When she
eventually did, she did not put a copyright on it. Because of that, it is free for anyone to use.
That was her final gift before she died in 2005.
This poem, just like Robert Frosts and Rudyard Kiplings, prove one point. Although a lot of
great poems use the Rule of Three, not all do. Just like painting and music, sometimes the
message is enough to have an effect on people. When you are writing a poem, think of the
message you want to convey first. If after that, you decide to add in onomatopoeia, metaphors
and alliteration, well and good. They help, but they can never define a poem.
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Spare grids which may be used for any poem.
Metaphors:
Personification:
Verse form:
End-rhyme:
Run on lines:
Mnemonic language:
Repetition:
Onomatopoeia:
Alliteration:
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Metaphors:
Personification:
Verse form:
End-rhyme:
Run on lines:
Mnemonic language:
Repetition:
Onomatopoeia:
Alliteration:
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Metaphors:
Personification:
Verse form:
End-rhyme:
Run on lines:
Mnemonic language:
Repetition:
Onomatopoeia:
Alliteration:
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Date: __/__/__ Title: READING DAY Lesson number:

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Date: __/__/__ Title: Lesson number:

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This is a full lesson plan to photocopy and there is a shorter one on the next page.
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Teachers Guide
Date: __/__/__ Title: Lesson number:

1) 1)
2)

1) 1)
2)
3)
4)
5)

1)
2)
OBSERVATIONS:
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Date: __/__/__ Title: PORTFOLIO TEMPLATE Lesson number:
Date: __/__/__ PORTFOLIO EXERCISE NUMBER: DRAFT LESSON:

STUDENT ASSIGNMENT: INTERNET
OBSERVATIONS: RESOURCES
AND AND OTHER
PULSE WORDS RESOURCES
SPELLINGS SYNTAX ERRORS PUNCTUATION
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EXTRA LESSON: USING TONGUE TWISTERS TO IMPROVE CONFIDENCE
This lesson should be attempted as early as possible in the year. Tongue twisters are the best
possible way (besides music) to break down the reluctance of shy students to stand in front of
the class. It is best to tell the students from the outset that there are three levels.
Tell them you cant remember a class who got to Level 1 before. Express your reluctance to
try it if they cant get Level 3 correct. Explain that these tongue twisters at Level 1 are the
most difficult in the world and even the teachers on the staff have failed most of them. Clarify
that there was one boy in America and one girl in England who were able to do the most
difficult tongue twister on the planet. Tell them these two students got a special award for
doing it. As human nature is so predictable, they will be screaming to try them out. Express
doubt again and (reluctantly) agree to let them start Level 3. This module should take 3-5
days if it is done properly but the benefits will be incalculable. It is a mixture of
pronunciation work and self-confidence building.
LEVEL 3
TOUGH WORDS TOUGHER WORDS TOUGHEST WORDS

pronounce February jewellery
pronunciation interpret Alzheimers disease
utmost business deterioration
perspire mayonnaise in parentheses
library vocabulary refrigerator
sneaked Mississippi remuneration
lease parliament entrepreneur
Arctic Antarctic dementia
mauve espresso psychiatrist
probably triathlon cacophony
rarely unfortunately utolaryngology
Australia foliage diphtheria
relevant candidate conscience
believes particularly vulture
January et cetera composition
sherbet literature principal
federal hierarchy mosquito
sixth nuclear rhododendron
little regardless physician
thoroughly miniature conscious
hospital prescription punctuation
athletic fiscal orchid
situation calendar stationery
barbed wire medicine principle
cavalry poison cauliflower
truth paralysed prophet
helicopter yacht cocoa
clothes retrieve rhubarb
rhythm punctual conjunction
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Date: __/__/__ Title: EXTRA LESSONS Lesson number:

1) To encourage the students to stand in front of the 1) TI: 100 most misspelled words
class without being self-conscious or feeling awkward. to:
2) To approach difficult pronunciations and spellings on grammar.yourdictionary.com
a brick-by-brick basis.
3) To convince the students that difficult spellings are a
challenge and an opportunity, not a barrier. Spellings
are earned, not learned.
1) Either the teacher has each separate word pre-written 1)
on cards or the students are asked to write them out. A
close approximation to how each spelling should be
spelt will be underneath the target word.
2) Each student is assigned one word only. When they

get the word, they will be asked to revise it. When they
put their hand up to signal they are ready, they may
stand at the front of the class and do the following:
a) My name is (John/Mary).
b) My target word is (rhythm).
c) It is spelt r-h-y-t-h-m.
d) It should be pronounced r-i-t-h-u-m and that is how I
spelt it underneath the target word.
e) I made up/used a mnemonic to help me spell it:
Rhythm Helps Your Two Hips Move
The class then applauds Johns efforts and he receives a

prize of a sweet or homework off. When John sits
down, he can swop his word with the next person
standing at the front of the class. Either that or the
teacher has two sets of words made out and John can
dip into the 2nd set for his next challenge.
This process is repeated until everyone has a turn over
the duration of the class/next day.
4) Everyone is praised for their work. If peer correcting

was used to learn the spellings, praise their behaviour
also.
5) The teacher keeps a note of who has stood in front of
the class and who hasnt.
1) Students to understand that English class will require
a degree of confidence-building work and presentations.
OBSERVATIONS:
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Teachers Guide
The exercise can be repeated for the Tougher and Toughest words but this is dependent on
the ability of the class. If it is a weak class and you are happy that everyone has had a
personal presentation, move on to the tongue twisters. These are the Level 2 tongue twisters:
1. Apple epilepsy.
2. Ticket to Tahiti.
3. Three tree twigs.
4. Ipswich shellfish.
5. Real wire wheels.
6. Picky people pick.
7. Stupid superstitions.
8. Fresh flat fish flesh.
9. Fresh fried flat fish.
10. Sixty sticky thumbs.
11. Clear acrylic clipboards.
12. Six chicken shish kebabs.
13. French soldiers shoulders.
14. Sheila leads, Sheila needs.
15. Local yokels yawping yodels.
16. The Leith police dismisseth us.
17. Im a smart feller. Im a feller smart.
18. Dyspeptic people swig big fizzy sodas.
19. The fiddling swindlers fiddling dwindled.
20. The seething sea ceaseth, and thus sufficeth us.
21. Purple patches of prose pose problems with propriety.
22. A box of biscuits, a box of mixed biscuits, and a biscuit mixer.
23. I will get a proper cup of coffee from a proper copper coffee pot.
24. Any noise annoys an oyster but a noisy noise annoys the oyster most.
25. Track a trio of troubled trusting traitors trampling down a trotting trail.
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Teachers Guide
The lesson plan can for the Level 2 tongue twisters can be made out by photocopying a
sample lesson at the end of this book. Base it loosely on the tough/tougher/toughest lesson
plan and add your own magic to the mix. These are the Level 3 tongue twisters:
1. Top cop.
2. Toy boat.
3. Big black bear.
4. Mixed biscuits.
5. Black bugs blood.
6. Unique New York.
7. Cinnamon synonym.
8. Good blood, bad blood.
9. Pad kid poured curd pulled cod. (This is actually the worlds toughest tongue twister)
10. Two buckets of blue bugs blood.
11. Blue blood, black blood, bad blood.
12. Clean clams crammed in clean cans.
13. Georges gorge in Georgias gorgeous.
14. Sure, sir, the ships sure shipshape, sir.
15. Kruschevs cruise ships chief soup chef.
16. How can a clam cram in a clean cream can?
17. Six sick hicks nick six slick bricks with picks and sticks.
18. Picky people pick Peter Pan peanut butter, tis the peanut butter picky people pick.
19. Peter Piper picked a peck of pickled peppers.
How many peppers did Peter Piper pick?
20. She sells seashells by the seashore
But the seashells she sells are not seashells Im sure.
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Teachers Guide
21. A skunk sat on a stump
The skunk thunk, the stump stunk
And the stump thunk as the skunk stunk.
22. The big black bug bit the big black bear
And the big black bear bled badly.
23. Through three cheese trees three free fleas flew
While these fleas flew, a freezy breeze blew
Freezy breeze made these three trees freeze
Freezy trees made these trees cheese freeze
Thats what made these three free fleas sneeze.
24. Theophylus Thistle, the successful thistle sifter, when sifting three thousand thistles,
thrust the thousand thistles through the thick of his thumb. Now, if if Theophylus Thistle,
the successful thistle sifter, thrust three thousand thistles through the thick of his thumb,
see that thou, when sifting three thousand thistles, thrust not three thousand thistles through
the thick of thy thumb.
25. The last one is a good way to introduce a Limerick to the class:
There was a fisherman named Fisher
Who fished for some fish in a fissure
Till a fish with a grin
Pulled the fisherman in
Now theyre fishing the fissure for Fisher!
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Teachers Guide
EXTRA LESSONS: ONOMATOPOEIA
You are walking in the city. The sounds all around you can be described in three different
ways. The first one is given to you. Can you fill in the rest? Add in 5 more sounds you can
think of at the bottom of the grid.
cars honking blaring hooting

tyres screeching shrieking squealing
people chattering yapping mumbling
buses growling trundling past rumbling past
feet stamping marching tramping
music/stereos blaring thumping booming
drills pounding thudding hammering
traffic whizzing fizzing screaming
dogs snapping barking yelping
alarms/sirens whining wailing keening
planes humming droning murmuring
breaking glass tinkling clinking shattering
doors slamming smacking banging
paper/flags in wind flapping fluttering whooshing
rain sissing hissing pinging
If you are very clever and have finished before everyone else, listen to the sounds of the
classroom. Are the students making noise as they work? Fill in the grid below with the
sounds you hear. The first example is done for you. Try to get two sounds for every action.
chairs scraping rasping

pens scratching swishing
paper rustling crackling
students sighing giggling
doors banging slamming
chalk squeaking squealing
tables grating chafing
birds outside warbling piping
fingers on tables thrumming strumming
feet on floor tapping drumming
people in corridor mumbling muttering
When you are finished, write a story on walking through the city. Use only the words you
have filled in. Do not use the other senses of sight, sensation, touch and taste. You will find
you have written a very powerful passage. Then write a story entitled: The classroom is so
annoying today! Try to make it as humorous as possible by presenting yourself as a victim.
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Teachers Guide
Date: __/__/__ Title: EXTRA LESSONS Lesson number:
EXTRA LESSONS: MNEMONIC GRAMMAR POEM
Every name is called a noun
As field and fountain, street and town.
In place of noun the pronoun stands
As he and she can clap their hands.
An adjective describes a thing
As magic wand and golden ring.
The verb means action, something done-
To read, to write, to jump, to run.
How things are done, the adverbs tell
As quickly, slowly, there and here.
The preposition shows relation
As in the street or at the station.
Conjunctions join in many ways
Sentences, words, clause or phrase.
The interjection cries out Hark
I need an exclamation mark!
Through poetry, we learn how each
Of these make up the parts of speech!
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Teachers Guide
Date: __/__/__ Title: EXTRA LESSONS: INTELLIGENCE Lesson number:
WHAT SHOULD TEACHERS KNOW ABOUT INTELLIGENCE?
Up to now, education systems in the 19th and 20th centuries have focused mainly on the
importance of crystallised intelligence. Crystallised intelligence (i.e. for educational
purposes) is the store of knowledge accumulated over the term of a students education.
Think of it as a treasure chest in a students mind. Into this treasure chest are put maths
theorems, grammar rules, the history of countries, new languages, scientific data and the
many rules surrounding the value of conformity in society.
The only problem is that it wasnt married to the myriad problems modern life can throw at
you. What would you do if someone tried to open your treasure chest without your approval?
Even worse; what would you do if what you thought were jewels were valueless in the real
world? Even worse again; what if you could put everything into the treasure chest like other
people but they never stayed in there for long? That every time you tried to access them, the
chest was empty? Unfortunately, this has been the experience of many students in the
previous model of education. Can the reasons be explained? Perhaps a quick look at the
human brain might tell us something.
In neuroscientific terms, the amygdala is a switching station, a portal through which all
sensory input reaches the pre-frontal cortex. The pre-frontal cortex is where long-term
memory is constructed and retained. When a students stress level is high, the portal closes
more and more until it is too narrow to let any information in not relevant to the
fight/flight/freeze condition. This manifests in front of the teacher as an act up or zone out
behaviour.
What causes this stress? It is undeniable that a large number of students in many countries
leave school embittered by their experience of education. Stress in this case refers to the
inability (or unwillingness, in some cases) of said students to sit down for long periods, ingest
information, process it and regurgitate it. When such a conflict between rote-based, education
paradigms and the student exist, the following manifests itself:
1. Goal-directed behaviour is replaced with inappropriate behaviour.
2. Clear judgement processes are replaced with frustration and pettiness.
3. Emotional self-awareness is replaced with resentment of others.
4. Deduction skills become destructive skills.
5. Reasoning skills are replaced with boredom.
6. Abstract skillsets, now rendered valueless, are replaced with allegations of daydreaming.
This is where the new wave of educational thinking comes in. Fluid intelligence is the ability
to think logically and solve problems in new situations. It is your ability to solve abstract
problems which do not depend on skill and knowledge you learned in the past. It is a mix of
creative, critical and concept thinking. Basically, thinking knowledge is going to replace
information knowledge. It can be argued that it is of more practical use in this age of
technology where information retrieval is no longer an issue. It may also be good news for a
large swathe of students who were left behind by the previous system.
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CREATIVE AND CRITICAL INTELLIGENCE
In general terms, fluid intelligence can be broken down into three parts: creative, critical and
concept thinking. Let us look at each on its own merits.
1) Creative thinking is a term everyone is familiar with. In essence, it is the generation of
new ideas. It involves a process that may require the following: preparation, incubation,
insight, evaluation, elaboration and communication. Creative thinking tries to fit existing
ideas into new patterns, develop new properties for something that already exists, or discover
something new.
2) Critical thinking skills are subtly different. Critical thinking is the gathering of
information and evaluating it as a guide to future actions and beliefs. There is a very
comprehensive treatment of it to be found at: www.criticalthinking.org. Critical thinking
may be paraphrased down to something like this:
1) To gather, research and prioritise information in order to make an argument based on
logic.
2) To instil disciplined thinking that is open-minded and informed by evidence gained
through observation.
3) To recognise problems and find ways to overcome them.
4) To seek out patterns (or not) where they exist.
5) To reconstruct your beliefs on the basis of this wider experience.
In short, it is a process which involves the following: problem solving, metacognitive skills,
rational thinking and reasoning, decision making, linking knowledge to the intelligence of
using it properly, reflective thinking and researching the types of mnemonics which favour
ones own thinking processes.
The most practical example of its use is Socratic questioning. Let us take Socrates method
and apply it to teaching. The first sentence consists of an affirmative or reassuring statement
in order to make the student comfortable. The question will follow the Socratic line of
questioning.
1) I like what you are hinting at. Could you explain it further, as I dont fully get it?
2) Excellent idea. Was this always the case or are there exceptions to your rule?
3) Interesting point. Can you show me the evidence you are basing it on?
4) Im following you now but I have to ask; what is the inverse of what you are saying?
5) Thats great work. How would your theory function in a different environment?
6) That was very informative. What question that I asked was the most challenging for you?
7) I enjoyed your argument. Can you tell me how you it might be relevant to you in your
everyday life or your future?
8) Lets wrap this up and well done. Will you show me tomorrow how you can better
remember all this information and your conclusions?
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Teachers Guide
My own experience of teachers is that they are constantly evolving in line with the needs of
students anyway. Many of the critical thinking techniques I have mentioned are being used as
a matter of course. They wont come as a surprise to the many committed and forward-
thinking teachers out there. The big difference now is that these same techniques will have to
be employed with far more regularity and will be embedded in the curriculum.
In deference to teachers, it would help if there were more structured supports in the form of
textbooks specialising in these techniques. Unfortunately, they are as rare as hens teeth at the
moment. If a teacher is supposed to gather the information and pedagogical skills needed to
impart these techniques, a more centralised system of help may be needed. I know that in
Ireland there is a teacher training course on Instructional Intelligence being implemented at
the moment. It is based on the work of Dr. Barrie Barrett and it is a welcome development.
There is a very interesting document available on this and other matters if you type:
Educational Innovators: Instructional Intelligence into Google. It includes articles on:
What is Instructional Intelligence, Routines for Teaching Concepts and 20 Tips to Promote
Positive Self-Esteem in students.
CONCEPTUAL INTELLIGENCE
Conceptual intelligence is the understanding of concepts. We have seen how a heavy
emphasis on crystallised intelligence in the last century is making way for fluid intelligence
in this one. We have further seen how fluid intelligence is a mixture of creative, critical and
concept thinking skills. The film Rainman throws up an extreme version of the paradox
between taking in information and using it effectively. Raymond, the rainman in the film,
knows the history of airplane crashes. He does not comprehend the statistical probability of a
plane crash, however, leading to (in his case) an irrational fear of flying. Raymond has more
empirical knowledge in that great, pulsing mind of his than anyone has a right to know.
Unfortunately, Raymond struggles with concepts. He has little or no awareness of: social
mores, ethics, philosophy, human interactions or the street smarts needed to thrive. That, in
essence, is the difference between crystallised intelligence and concept intelligence. One
relies on book smarts and the other relies on the street smarts needed to apply it properly.
Included in concept intelligence is the use of mind mapping as a mnemonic technique. Tony
Buzan wrote the definitive book on this, first published in 2006. It is well worth a read and it
is called: Mind Mapping: Kick-start your creativity and transform your life. It is a
short book with 89 pages of content. It has plenty of colours and will explain in concise terms
everything you need to know to get started. Another recommended resource is available free
at wikihow.com. Type in: How to build a memory palace and it will give you a very
impressive colour model. You can discover how to memorise Shakespeares 40 plays in 6
easy steps by typing in: Memory palace to www.guardian.com. You can also type in: Brain-
based learning to edutopia.org for an excellent site on metacognitive thinking.
I would like to add a note of caution to these theories. It is now accepted that task knowledge
has to be married to person knowledge and strategy knowledge in order to achieve optimal
attainment from a student. What is left unsaid, however, is that you cant teach willpower.
Pedagogical techniques and critical thinking of themselves wont help a child who is hungry,
emotionally distressed or psychologically damaged. That child needs help and empathy. Our
job as teachers is to take a step back sometimes and see what the child needs, not what we
wish for them. Maslows hierarchy of needs on Wikipedia should be the first port of call for
teachers to remind us what these children need most from us; to be the one adult in their lives
who cares.
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USING INTELLIGENCE KNOWLEDGE TO MODIFY YOUR TEACHING STYLES

There are 8 recognised forms of intelligence. Recently, existential intelligence has been
added. This is the awareness of ones place in the world. Wouldnt it be great if a teacher was
aware of the different types of intelligences his/her students had and what learning style
suited them best? Its actually quite easy to do with the grid system I constructed on the next
page.
First of all, the teacher should ask the class what they would like to work at when they are
adults. Most or some will have an idea, depending on the ability of the class. Some may not
have been asked this question before in an educational environment. The trick is to link what
they can do immediately to help them achieve their goals. The lesson with My Success Map
in Blue-Sky Thinking will help to reinforce that.
There is also a full lesson plan on making out a Life Map for 11-12-year-olds available by
typing in: Life Map to uoregon.edu. I recommend it highly. It is a great way of focusing the
students minds on the practical things they should be doing to improve as individuals and as
students in the education system. It includes worksheets and simple diagrams. It might be
wise to take an extra class to explore this Life Map.
Using the intelligence grids should be an invaluable experience for the student. I mentioned
earlier that the crystallised intelligence that students build up may be seen as a treasure chest.
I also made a reference to the treasure chest being opened up unwillingly sometimes by the
teacher. If you look at Intelligence C, which is an intrapersonal learner, they may feel
uncomfortable with the teacher asking questions of them in front of the class. To them, it is as
if the question is invasive sometimes and they may prefer to write it down. On the other hand,
Intelligence A and Intelligence B (Bodily-Kinaesthetic and Interpersonal respectively)
would be very grateful for a direct question.
Similarly, those students who previously flourished under the crystallised intelligence system
may feel isolated and undervalued under the new learning styles being adopted. I recommend
reading a short article by teacher and qualified neurologist Judy Willis, MD. She makes the
point that moving from passive memorization to actively constructing, understanding and
applying knowledge may be a difficult transition for some students. It can result in the act
up or zone out behaviour previously exhibited by students resistant to the crystallised
intelligence structure. Its a point I encountered frequently on other websites and so I have
decided to include it here. Her article can be viewed by typing in: Student Responses to
Common Core Instruction and Assessment to edutopia.org. There are comments by other
teachers on the point she makes so I will leave people make up their own minds on this.
I linked the 8 intelligences to learning styles in order to make teachers aware that the needs of
all students may be accommodated with a small bit of savvy and tweaking how you present
your classes. You cannot suit every student all the time but you can certainly develop your
pedagogical skills to suit a wider range of learner styles. Finally, I did not put headings on the
grids for a simple reason. If you were to put up the compound noun Bodily-Kinaesthetic as
a header, you would lose them forever! Underneath are the terms which should be used:
Intelligence A: Bodily Intelligence E: Logical

Intelligence B: People Intelligence F: Musical
Intelligence C: Inner Self Intelligence G: Nature
Intelligence D: Language Intelligence H: Spatial
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INTELLIGENCE A Y/N/S INTELLIGENCE B Y/N/S

Do you: Do you:
have very good balance and ride a love groups of people and crowds?
bicycle easily?
use hand gestures a lot when talking enjoy teaching things to others?
to friends?
have problems sitting still for long have a lot of friends?
periods?
love to run and exercise whenever enjoy team sports?
you can?
like to try out new sports and find like to give others advice?
them easy?
move, tap or fidget when seated for a love meeting new people?
long time?
like to touch something rather than like to take part in group activities?
just look at it?
mimic other people sometimes with like to win over other people?
your voice and actions?
have different physical sensations like to solve other peoples
when thinking or working? problems?
like to make or build things? have a talent for judging the mood
of other people?
Score Score
INTELLIGENCE C Y/N/S INTELLIGENCE D Y/N/S

Do you: Do you:
like to work alone? like word games?
like to write in diaries or journals? like puns and riddles?
think you are a perfectionist? enjoy writing more than most?
think you are very independent? love English class?
like to think about where life will enjoy the sounds and words of
lead you? foreign languages?
see yourself working for yourself in like to read about and use famous
the future? quotes and sayings?
like to spend time thinking and like the sound and rhythm of words?
reflecting?
like to discover new things about notice spelling and grammar
yourself and your personality? mistakes better than others?
like to set personal targets and goals? like to talk about the things you
read?
know your own strengths and like to use words that others think
weaknesses as a person? are fancy?
Score Score
Y=Yes N=No S=Sometimes
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Teachers Guide
INTELLIGENCE E Y/N/S INTELLIGENCE F Y/N/S

Do you: Do you:
easily do maths in your head? easily memorise songs?
like science experiments? have a good sense of rhythm?
like strategy games? often hum or sing?
wonder how things work? love Music class?
enjoy working with numbers? notice and enjoy different sounds?
organise things by category? feel you have a talent for singing?
love Maths class? feel you have a talent or love for a
musical instrument?
have a mind like a computer? like to tap out the rhythm of a song?
look for rational explanations for often have a song running through
things? your head?
see connections that maybe others easily notice when a note is off-key?
dont?
Score Score
INTELLIGENCE G Y/N/S INTELLIGENCE H Y/N/S

love the idea of having pets? love to solve visual puzzles?
like to learn about nature? enjoy geometry at school?
enjoy the idea of gardening? remember places vividly?
appreciate beautiful, scenic places? enjoy photography?
think about pollution and get angry? have a great sense of direction?
feel more alive and at peace when love to look at books with pictures
you are in contact with nature? or photographs?
like to camp outdoors, go for long think in 3-dimensional terms
nature walks and climb? sometimes?
notice nature above all other things? notice shapes, colours and textures
more than most people?
love to read National Geographic and think you are above average at
nature books? drawing?
like to classify and categorise things like to visualise pictures in your
and models of things? head quite often?
Score Score
It may be more accurate to approach the scoring system above with 5 points from 1-5.
1= Never
2= Rarely
3= Sometimes
4= A lot
5= Always
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Teachers Guide
INTELLIGENCE A learns best through: INTELLIGENCE B learns best through:

hands-on learning and physical activity. interaction with others and dialogue.
10 examples of facilitative learning: 10 examples of facilitative learning:
Being allowed to teach the class. Being allowed to teach the class.
Team-building and paired work. Team-building and paired work.
Speech and drama activities. Speech and drama activities.
Communicating with another class via the net Communicating with another class via the net
Participating in a storychain with small group Participating in a storychain with small group
Making a podcast or giving a presentation. Making a podcast or giving a presentation.
Dialogue such as conducting interviews. Dialogue such as conducting interviews.
Making and building/creating anything. Making and building posters/word grids.
Personal space attention from the teacher. Regular dialogue with the teacher.
Building a blog/any physical activity. Writing stories/Wordsearches/crosswords.
10 possible career choices: 10 possible career choices:
Army Administrator
Athlete Charity work
Builder/carpenter/plumber Consultant of some sort
Dancer/Pilates Instructor Doctor
Forest ranger Human resources manager
Jeweller Nurse
Martial Arts instructor Politician
Mechanic Psychiatrist/Psychologist
P.E teacher Public Relations
Physical therapist Teacher
INTELLIGENCE C learns best through: INTELLIGENCE D learns best through:
independent study and introspection. analysing and studying words.
Writing diaries and journals. Writing diaries and journals.
Goalsetting activities such as life maps. Goalsetting activities such as life maps.
Reading books of relevance to their future. Reading books of interest to their hobbies.
On task activities such as wordsearches. Any Wordsearches/crosswords/word games.
Computer-related solo activities and tasks. Computer word games and English tasks.
Studying creative materials. Actively being creative with materials.
Reflection and time to study. Paired study may be more advantageous.
Likes to be set attainable challenges. Will attempt even the unrealistic challenges.
Could be averse to paired/team work. Will enjoy multimedia work.
May be averse to class discussions. Will enjoy music linked to lessons.
Counsellor Blogger
Entrepreneur Journalist
Inventor Lawyer
Planner of some sort Librarian
Psychologist Salesperson
Religious leader Playwright/Poet
Social worker Radio/TV work
Small business owner Tele-sales
Therapist Translator
Writer Writer
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Teachers Guide
INTELLIGENCE E learns best through: INTELLIGENCE F learns best through:

concepts before dealing with detail. the use of sounds and rhythm.
Seeing and learning patterns. Seeing and learning patterns.
Using mind maps as a visual aid. Using mind maps as a visual aid.
Experiments of all types. Studying with music in the background.
Attempting and solving puzzles and riddles. Tapping out the rhythm to poems etc.
Attempting and solving logic games. Speaking rhythmically when learning.
Being encouraged to solve mysteries. Using the radio/CD-ROM as a learning tool.
Presenting a task as an investigation. Using musical instruments to aid learning.
Solving problems with a maths slant. Singing the words to poems as a memory tool
Interpreting texts in a logical manner. Chanting the words to something.
Detective stories and whodunits. Using multimedia as a learning tool.
Accountant Actor/Actress
Actuary Composer
Auditor Conductor
Computer programmer Dance Instructor
Detective Drama Teacher
Engineer Music Technician
Inventor Music Teacher
Mathematician Music Therapist
Researcher Pop Star
Scientist Songwriter
INTELLIGENCE G learns best through: INTELLIGENCE H learns best through:
bundling images/words into categories. thinking in terms of physical space.
Open-air learning. Open-air learning.
Map work and nature walks. Making maps and diagrams.
Making posters. Making posters/charts/graphs/grids.
Comparing and contrasting sets of things. Daydreaming.
Organising an activity for the class. Drawing and illustrating books.
Reading nature articles. Using photography as a learning tool.
Writing about the environment. Jigsaw puzzles and Lego.
Writing about favourite animal or pet. Using multimedia such as videoconferencing.
Solving mysteries. Physical imagery/3-D models.
Cleaning and organising the classroom. Receiving and using verbal imagery.
Astronomer Architect
Botanist Artist
Chef Engineer
Fisherman/Forest Ranger Graphic Artist
Gardener Interior Decorator
Geologist Inventor
Meteorologist Photographer
Survivalist Pilot
Wildlife Guide Quantity Surveyor
Wildlife Illustrator Urban Planner
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DESCRIBING THE RAIN
SPRING SUMMER AUTUMN WINTER
airy rain beads of rain hissing rain Amazonian showers
drizzling rain dewdrops of rain saturating rain a biblical deluge
evanescent rain droplets of rain seething rain monsoon rains
mist-like rain pearls of rain shredding rain Noahs-Ark-lavish
mizzling rain *ploppy drops of sibilant rain sluicing rains
pitter-patter of rain plump drops of sissing rain torrential rainfall
showering rain pregnant drops of sizzling rain silver icicles of rain
spraying rain splattering rain soaking rain silver nails of rain
sprinkling sound of the susurration of spitting rain upside-down rain (so

rain rain heavy it bounces
upwards)
tinkling rain teardrops of rain stinging rain the billion-fold ping
The rain is the white noise of nature. Of course, some people love white noise and others find
it off-putting. Maybe it is because we all have a memory buried deep down in our psyches.
This memory is of the billion-fold plip and plop of rain dripping just outside of a cave. It is a
memory of moss and wet cave floors, the musty smell of bears and the Jurassic-green of
ferns. It is also a memory of crackling fires, sooty faces, laughter and safety. Depending on
which memory you choose to believe in, you will either love or hate the rain.
The words that are highlighted in bold above are onomatopoeic words. The word *ploppy is
technically not a word, but it sounds so right for raindrops I just had to put it in! Now that
you have your word banks for the seasonal nature of rain, it is time to concentrate more on its
sound. All the onomatopoeic words you need to describe rain falling are on the next page.
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SOFT RAIN SOUNDS HEAVY RAIN SOUNDS
The rain was: The rain was:
burbling (gurgling) into the drains. boiling the surface of the river.
dripping from the flowers. buzzing incessantly with noise.
chinking off the windows. dinging furiously off the tin roof.
clinking off the cars. drumming off the tarmacadam.
making a lovely, lilting sound. fizzing against the top of the bus.
murmuring like white noise. hammering off their leather jackets.
plinking off the puddles. ker-plunking off the swollen pools.
strumming against the roof tops. pinging angrily against the glass.
suspiring (sighing) through the air. plunking onto the muddy earth.
swishing off my skin. smashing onto the heads of the crowd.
thrumming off the cobble stones. *swooshing onto the flooded fields.
weaving (moving side to side) with the wind. tapping madly off the door.
whirring ( a rapid buzz) off the leaves. thunking the tops of the trees.
gently whisking (stirring) the lakes surface. whizzing from the sky.
whispering in the air. whooshing as the heavens opened.
Swooshing is not a word either, although it should be! The next step is to think up of a
scene or situation where you can use the words and sentences above. A simple example might
look like the paragraphs on the next page.
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LEVEL 1
I looked out the window. The sky was tar-black and the large clouds were moving towards
me. I heard a tapping on the window and then it became a pitter-patter. People ran for cover
outside and umbrellas were opened as the clouds spat out their beads of water. Puddles began
plinking as the rainfall became heavier. The roofs of the cars danced with spray and I could
hear the murmuring of the rain through the window. It sounded like the buzzing of angry
bees.
For a Level 2 assignment, more detail should be added. Imagine the effect of the rain on
the trees and include more detail on the sky and clouds. At the end of the paragraph, try
to write something about the sun coming out. This will vary your writing style.
LEVEL 2
I quickened my pace as the clouds began to gather in the sky. Up to now, the sky had been
postcard-perfect, but it was changing. The beautiful cocktail-blue shade was beginning to
darken into gravel-grey. Large pillows of cloud were forming, blotting out the old-gold
colour of the sun.
I got the first splatter of rain when I was halfway across the meadow. I took shelter under an
old oak, hoping that I could see out the shower. Droplets of moisture began to drip from the
leaves. They were sprinkling onto the grass like a gardeners hose. Then the rainfall became
more intense. A wall of rain moved over the oak and the drops were drumming against the
canopy. So much rain was falling that the sound blurred into one long, whirring noise. It
reminded me of the rotor blades on a helicopter. Eventually, the noise lessened and the drops
faded into a musical chime.
The sun came out again, casting slanted beams of light across the meadow. Steam rose slowly
from the grass. It rose up eerily and drifted mist-like towards the molten-gold sun. The image
was so vivid that it stayed with me all the way home.
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Level 3 should conjure up a scene where the rains effect can be explored in more
detail. The words should get more complex also. An idea might be to visualise a forest
scene in autumn, for example. Transport yourself there and describe the colours, the
sensations and the sounds of the rain.
LEVEL 3
It began as a whispering in the air. The day had been beautiful and the sky was like a dome of
plasma-blue. The clouds had looked like airy anvils drifting under the gleaming disc of sun.
We had put our tent up just before the Reapers moon of autumn appeared over the trees. The
moon seemed to turn the leaves into a flaming patchwork of colours: scorching-yellows, lava-
reds and burnished-browns. It added an alien glamour to a perfect scene. We heard a greedy
thrush, snail a-tapping on rock; he finished his supper before fluttering into the owl-light of
the forest. The mournful cry of a lonely fox echoed through the vault-still silence of the trees.
A huffing wind rose up then, stirring the flaps of our tent. A tinkling sound came to our ears
as the first pearls of rain dropped onto the leaves. The sound was like the glassy clinking of a
champagne flute, lilting and clear. A sheet of rain passed over us and the sound intensified.
The noise on the tent was like the phut-phut-phut that ripened nuts make when they hit the
ground. It wasnt the soft, sodden, swollen drops of spring we were hearing; it was like ball-
bearings were hitting the canvas roof with force. We could also hear an occasional ker-
plunking sound. It was caused by the rainwater gathered on the tent falling to the ground in a
great swash of release.
The thermometer plunged as we huddled together and shivered in the tent. For a brief
moment, we thought that we might be doomed adventurers, destined to get swept away in a
mighty flood. We neednt have worried. The curtain of rain passed over by the time dawn
arrived. An explosion of birdsong erupted from the dripping trees and it was if the rain had
never been.
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DESCRIBING THE SUN
When describing the sun, there are 5 simple ways to do it. These are: the shape using a
metaphor, the reflection, the colour, weapons and water. Then you are using an artists eye
in order to portray the sun and its beams in a different way. We will start with 10 metaphors
for the shape.
10 metaphors for the shape:
1. a fiery ball in the sky.
2. a glowing medallion in the sky.
3. a golden globe in the sky.
4. Gods morning star (i.e. the sunrise).
5. the celestial fireball in the sky.
6. a heavenly orb.
7. Titans fiery wheel.
8. the God-goldened disc in the sky.
9. Gods golden eye.
10. Gods luminous daystar.
These are just some examples of possible metaphors to be used. The next step is to apply the
reflection of the sun to the metaphors. The best 5 are probably:
blazing flaming glowing shining scorching
You can also use archaic words which will lend a sense of age and antiquity to the sentence.
5 examples of this are:
a-gleam a-dazzle a-glint a-glitter a-shine
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Now 10 colours relating to yellow or gold may be used. Some interesting ones are:
honeycomb- saffron-yellow waxmelt-yellow molten-gold gloriole-gold

yellow
ore gold-yellow yolk-yellow ingot-gold motherlode-gold auriole-gold
The final step is to link all of these into a sentence using terms to do with weapons and water.
For example, underneath are 5 terms of each for you to use.
1. Arrows of sunlight bathed the meadow.
2. Hafts of sunlight drowned the valley.
3. Lances of sunlight splashed the forests floor.
4. Shafts of light poured onto the lake.
5. Spears of light showered the lonely moor.
All the techniques can then be joined into a short paragraph in order to make your writing
more effective. Underneath is the finished product:
I walked through the forest. The sun above me was blazing like Titans fiery wheel in the
sky. It was a-dazzle with splendour and it was a soul-swelling experience. Between gaps in
the forests canopy, lances of its molten-gold beams splashed onto the floor. In places, the
dead leaves seemed to be a-fire with an inner glow.
That is just one example of how to give your writing a more interesting slant. Using a
different grouping of words, you can write the following:
I sat down by a glass-clear lake. The sun was like a celestial fireball in the sky. Its beams
were scorching the land and sent the lake a-glitter with golden sparkles. In the afternoon,
it began to get cloudy. The sun was a muted, waxmelt-yellow but shafts of light still poured
through patches of cloud and onto the lake. Speckled trout arced into the air and plopped
onto the waters surface, seeking to grab a fly from the platoons of them hanging over the
lake.
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DESCRIBING THE MOON
American Medieval Colonial Others

Indian English American
January wolf wolf winters Ice moon (neo pagan)
February snow storm trappers Budding moon (Chinese)
March worm chaste fish Death moon (neo pagan)
April pink seed planters moon of Awakening (Celtic)
May flower hair milk Dragon moon (Chinese)
June strawberry dyad rose moon of Horses (Celtic)
July blood mead summer Hungry Ghost (Chinese)
August sturgeon wort dog days Lightning moon (neo pagan)
September corn barley harvest Singing moon (Celtic)
October hunters blood hunters Blood moon (neo pagan)
November beaver fog beaver Dark moon (Celtic)
December cold oak Christmas Long Night (neo pagan)
The wolves howl mournfully outside the village, slinking between shadows and the dark
shape of the tents. A bitter, winter-white moon hangs in the sky and the smoke from dying
fires still lingers in the air. A pile of buffalo bones lie to one side, gleaming silver and
attracting the ravenous wolves. It is January 16, 1621. In exactly two months to the day, an
Indian named Samoset will walk into an encampment at Maine, New England with the
words: Welcome, Englishmen! They give him a coat and he will trade furs and fish with
the pilgrims of the Mayflower. Life for the Indians will never be the same again.
The similarity between the moon-names of the pilgrims from Plymouth fleeing persecution
and the native Indians is fascinating. One can trace the development of their traditions,
culture and hunting/farming habits from the terms applied. Underneath are some explanations
of the most difficult:
1. Worm moon: so called because the worms used to leave trails in the melting snow.
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2. Dyad moon: from the word duo, meaning two, when the sun and moon appeared in the sky
together.
3. Mead moon: named after a drink of honey and ale used for celebrations. Hunting for
honey sounds dangerous!
4. Harvest moon: named after the medieval word haerfest, meaning autumn. A celebration
usually occurred around September 23rd after the last mell or sheaf of corn was brought in.
Hence the term pell-mell, meaning crazy! Playing hooky, meaning absent, comes from
this era also.
5. Wort moon: named after healing plants such as butterwort and woundwort which grew at
this time.
6. Sturgeon moon: Indians around the Great Lakes were able to catch the huge fish, the
sturgeon, which were active at this time.
7. Dog days moon: The Romans named it thus originally after Sirius, the Dog Star. It was
traditionally the hottest time of the year and dogs either went mad or collapsed with fatigue.
8. Blood moon: so named because the moon can appear red at certain times.
9. Blue moon: It became popular as a term after an article was published in the Sky and
Telescope in March 1946. Im inclined to believe the theory that it comes from the word
belewe, however, an old Saxon word meaning beware (as in beware the false moon). A
blue moon does occur once every 2-3 years. This is because the lunar month is 11 days
shorter than the calendar month (29.53 days in a month). Hence, every two and a half years
or so, there is an extra moon. There are 13 moons instead of 12. Monks used to have to
convince the populace on the occurrence of a bewere moon that they had to fast for another
month for Lent! Monks also caused the extinction of the beaver moon term. Beaver and turtle
were classed as aquatic animals in England so that the monks could eat them on Fridays. Blue
moons can exist to the naked eye. In 1950 and 1951, forest fires in Sweden and Canada
scattered the red and yellow light particles, turning the moon blue for those watching it. The
same happened after the Krakatoa volcano in 1883.
10. Dark moon: There is no such thing as the dark side of the moon. Dark spots on the moon
can be seen from earth, however. These are caused by old lava beds and meteor impacts,
which are grey on the moon but appear as dark spots to us.
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For the purposes of descriptive writing, being able to put in a term like a wolf moon adds a
touch of exotica and spice to a passage. I love the Reapers moon, personally, when the corn
or wheat was brought in by the reapers. The section on OTHERS in the grid has capital letters
because the choice is up to the writer to decide if they should be capitalised or not.
The moon is perhaps the magic pill of imagery when you want to create an evocative scene.
Everyone has their own idea on what makes for a great moon image. It could be a
shimmering, globe-gold moon. It could be the eerie, blood-red harvest moon of autumn, the
dreaded death moon of March or a silver sea-moon. If you want evoke a beautiful image, the
sea-moon is the best. There are no rules to descriptive writing. However, there are some
useful hints that you might take on board. For example, it is easier to divide the moon into the
following categories: shape, colour, reflection, metaphors for the moonbeams and similes.
Suggested shapes are the following:
an orb a disc a halo a ring a salver
The colours are completely up to you but some nice silvers are to be found with metals.
alloy-silver argent-silver nickel-silver orris-silver zinc-silver
You could be more creative and try using ghostly silvers for an eerie scene:
1. ghostly-silver or dewgleam-silver
2. phantom-silver or diamond-flame silver
3. spectre-silver or hoarfrost-silver
4. spooky-silver or solar-silver
5. wraith-silver or sequin-silver
The best 5 reflective verbs for the moon are:
gleaming glinting glowing shimmering glimmering
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Then it is just a simple case of using creative metaphors for the moonbeams. Here are 5 of
the best:
1. chords of moonlight
2. harpstrings of moonlight
3. ribbons of moonlight
4. strands of moonlight
5. tendrils of moonlight
The final stage of the process is to use similes that contain these words or similar words. It is
important to note that, as always, this process is only a guide to developing an artists eye. I
dont claim to know it all by any means. However, the hints given should inspire the readers
to think about their own creativity and attempt to better the sentences below. Underneath are
some nice expressions for a sea-moon using the formula:
1. The moon was like a ghostly-silver orb in the sky. Its beams spilled across the sea like
lines of glittering fire. It was an alluring scene.
2. The moon was like a phantom-silver disc in the sky. Chords of moonlight lasered across
the sea like lines of glimmering fire. It was a captivating scene.
3. The moon was like a spectre-silver halo in the sky. Ribbons of light rebounded off the
mirrored surface of the sea like silver tracers of fire. It was soul-enriching.
4. The moon was like a spook-silver ring in the sky. Its ghostly light shimmered on the water,
silvering the sea like rippling aluminium. It was an entrancing sight.
5. The moon was like a wraith-silver salver hanging in the lonely sky. Tendrils of
moonlight, as bright as diamond-flame, turned the sea a-glow like melted platinum. It was
as if I was watching a scene from an old fable stepping off the page and I was beguiled by
its beauty. The Chinese called the May moon the dragon moon and I could see why. The
waves were a-glitter like curved scales and I became lost in the haunting lullaby of their
swell and sigh.
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DESCRIBING THE STARS
For the stars, you should again focus on four main aspects: the colour, the reflection, the
shape and using an effective simile. This comes back to the concept of looking at the world
with an artists eye.
A child loves the way the stars are twinkling like little pulses of light. They also love drawing
stars as there is symmetry to the five sides that other shapes dont have. As well as this, it is
the first shape they will draw which gives them a sense of achievement because of its
complexity. If you think of it, a square, circle or triangle is relatively easy. Drawing a star,
however, exercises parts of the brain that havent been used before. Starting at the bottom
left, they have to go up, down, up and across, across, then down and across. I often wonder
how many teachers actually show them how to do this. Im pretty certain that it would save a
child a lot of time were they to be shown how to trace a star properly from first day. If not,
then a lot of stars would have to be drawn in ignorance before achieving success.
These posts Im uploading hope to achieve the same. Make your students think of the
different components that make up descriptive writing. Whether it be the branch of a tree that
is compared to a similar shape or the texture of flowers, nearly everything in nature has a
colour, shape, action (or inaction, like a womb-still lake) and sensation/smell associated with
it. Every English student should be able to grasp that essential fact. It then makes it so much
easier to evoke a sensory piece of descriptive writing for the reader. If they are not taught
that, they may end up like the child trying to draw a star while other children in the class are
moving on to complex octagons.
5 different colours for the stars:
birthstone-blue molten-gold solar-yellow sequin-silver polar-white
The reflection of the stars:
flashing and gleaming and sparkling and twinkling and glistering and
flickering glittering shimmering dazzling pulsing
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The stars are similar in shape to:
snowflakes pinpricks asters petals pentagrams
5 creative similes for the stars. The stars looked:
1. like scattered moondust in the sky.
2. like a large hand had tossed diamond dust into the sky.
3. like beacons of hope for all the lost souls of the world.
4. like bejewelled grains of sand allowed to sparkle in silence.
5. like the glittering sparks from angelfire.
The final step is to pick out which words and phrases you like the best and put them together
into a sentence. Also try to pick a remote location for your setting where the stars would be
most vividly seen. We will give you an example using the ocean. You are lost at sea. Are the
stars comforting and a sign of hope or are they making you pine for civilisation? Are they the
streetlamps of nature or are they a flashing reminder of your own fleeting mortality? The
story is up to you, but by using our formulas you should come up with something like this:
The waves glopped and slashed off the wooden raft. Then the full moon came out and the
wave-motion died down. It was an eerie, spectre-silver moon. Its ghostly lustre sent beams of
argent-silver spilling across the sea. The wraith-like light flooded the sea, making it glow like
silvered mercury.
Stars winked at me from the endless arch of void-black beyond the moons corona. In
places they were birthstone-blue and beautiful, all a-glitter in their heavenly finery. The
ones furthest away, almost outside the span of human comprehension, were like flashing
pinpricks in a veil of darkness. They had a faint, silver tint and they looked like they were
the distant, glittering sparks from angel fire. All of them were beacons of hope for all the
lost souls of the world, or so I thought. It seemed to me that there was a snowfall sparkling
in outer space and I felt privileged to witness it.
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A QUICK REFERENCE GUIDE

SPRING
FIELD SOFT FLOWERY SPIRITUAL HEAVENLY
COLOURS SOUNDS SMELLS SENSATIONS TASTES
Amazon-green the baa-baa of aloe Vera sweet soul embracing ambrosial

lambs
aphid-green the babbling of balsamic sweet soul bolstering angelic
brooks
carnival-green the bumbling of blossom sweet soul cherishing Arcadian
bees
chartreuse-green the burbling of calamine sweet soul comforting celestial
streams
garland-green the buzzing of honeysuckle soul cultivating cherubic
midges sweet
jasper-green the carolling of jasmine sweet soul lulling divine
the dawn chorus
pea-green the cheeping of meadow sweet soul nourishing empyreal
chicks
parsley-green the chiming of myrrh sweet soul nurturing godlike
cataracts
sap-green the chirring of pollen sweet soul refreshing seraphic
grasshoppers
watercress-green the drizzling of rosewater sweet soul stoking supernal
raindrops
An excellent site can be accessed by typing in: Alphabetical list of fragrances to:
anovelideaco.com. It gives pictures and images to go with the foods and fragrances on offer.
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SPRING
MEADOW SOFT SUGARY SPIRITUAL TASTE
COLOURS SOUNDS SMELLS SENSATIONS ADJECTIVES
brochure-green the exhaling of baked apple spirit boosting appetizing

the wind
fable-green the humming of candied spirit enhancing delectable
lawnmowers
fantasy-green the intoning of confectionary spirit enkindling delicious
bumble bees
fairyland-green the mizzling of dewy spirit ennobling exquisite
the rain
fairytale-green the plinking of honeyed spirit enriching extravagant
waterfalls
fantasia-green the prancing of lemony spirit filling fulsome
lambs
Jurassic-green the puffing of nectarine spirit lifting intoxicating
the wind
postcard-green the orinasal hum saccharine spirit raising lavish
of bees
storybook-green the rustling of syrupy spirit refreshing luscious
grass
wonderland- the shush over tutti-fruity spirit renewing lush
green the land
Try to make a story using any combination of the words above. Pick 10-15 words you are
comfortable with first. Then look up 5 more of the words that strike you as unusual and look
them up in the dictionary. You will then be able to write a very evocative story based on the 4
senses used above. You can also write a spring story using only the onomatopoeic words if
you wish.
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SPRING
HEAVENLY SOFT SWEET PHYSICAL TASTE
VALLEYS SOUNDS SMELLS SENSATIONS ADJECTIVES
Arcadian-green the sighing of blancmange eye-opening luxuriant

zephyrs sweet
Babylon-green the snipping of caramel sweet eye-widening mouth watering
shears
Eden-green the sobbing of gelatin sweet goose bump- opulent
streams inducing
Elysium-green the sploshing of glucose sweet hair-raising ravishing
trout
Jerusalem-green the swishing of manna sweet heart-clenching savoury
horsetails
paradise-green the trembling of march pane heart-clamping scrumptious
leaves sweet
Shangri-La the whinnying marzipan sweet heart-pumping sumptuous
green of foals
utopian-green the whirring of meringue sweet heart-thumping tantalising
dragonflies
Valhalla-green the whittling of nougat sweet skin-tingling toothsome
gardeners
Zion-green the yelping of treacle sweet jaw-dropping wholesome
fox cubs
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SUMMER
SEA-BLUE SOFT LOUD COSMIC MOVEMENT
RIVERS SOUNDS SOUNDS SMELLS OF SMELLS
aquarium-blue the chittering of clip-clopping astral blew

swallows horses
Atlantic-blue the chugging of chattering astronomical carried
rivers starlings
Atlantis-blue the cooing of champing cows cosmic drafted
pigeons
Baltic-blue the crooning of cropping sheep galactic drifted
songbirds
Caribbean-blue the drenching of glopping otherworldly floated
showers raindrops
Mediterranean- the drifting of gurgling rivers out-of-this- glided
blue clouds world
Neptune-blue the fluting of masticating out-of-this- ghosted
blackbirds cows universe
Pacific-blue the huffing of munching sheep stellar rushed
the breeze
Sargasso-blue the hush of the neighing horses transcendental sailed
land
riparian-blue the lingering nickering foals unearthly strayed
moon
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SUMMER
SKY SOFT LOUD A MIX OF VERBS FOR
BLUES SOUNDS SOUNDS SMELLS SMELLS
aurora-blue the lisping of plunking fish a barbecue of languished in

skies rills smells
birthstone-blue the lolling of pumping heart a brew of smells leisured in
skies lake boats of summer
chemical-blue the lowing of quivering wheat a broth of smells lingered in
skies cows fields
cocktail-blue the mumbling of scrunching a buffet of loitered in
skies bees leaves smells
constellation- a murmuring of sizzling a burgoo of lounged in
blue skies the wind summers smells
electric-blue murmurations of sloshing fish a chowder of passed through
skies water smells
halogen-blue the nuzzling of sploshing a goulash of percolated
skies foals salmon smells through
halcyon-blue the piping of spluttering a menu of phantomed
skies blackbirds streams smells through
lodestar-blue the purling of sputtering rain a stew of smells pilfered through
skies rivulets
polaris-blue the purring of tintinnabulation a soup of smells puffed through
skies runnels of water
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SUMMER
BLUE SOFT LOUD A MIX OF WORDS FOR
WATERFALLS SOUNDS SOUNDS SMELLS SMELLS
cerulean-blue the skimming of warbling a carnival of the aroma of

swallows songbirds smells
plasma-blue the soughing of whittling a carousel of the bouquet of
the wind gardeners smells
silk-blue the sprinkling of whirruping a cornucopia of the cologne of
hoses waterfalls smells
satin-blue the swirling of whizzing falling a circus of the fragrance of
wheat fields stars smells
star blaze-blue the trickling of whooshing a funfair of the olfactory
rills comets smells overload of
star flame-blue the throbbing wobbling ice a pageant of perfume of
heart of creams smells
solar-blue thrumming yipping foxes a riot of smells the redolence of
hooves of foals
suede-blue the trilling of zinging a smorgasbord the scent of
thrushes waterfalls of smells
velvet-blue the tweeting of zipping hawks a tapestry of the waft of
chicks smells
velour-blue the whisking of zooming falcons a theatre of the whiff of
wheat ears smells
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AUTUMN
AUTUMN AUTUMN SOFT LOUD DECIDUOUS
REDS GOLDS SOUNDS SOUNDS SMELLS
barbecue-reds gleaming-golds the caressing of battering winds clay-rich

the wind
bonfire-reds glinting-golds the chirruping of blasting storms earthy
songbirds
conflagration- glittering-golds the crinkling of boiling skies loamy
reds leaves
crematorium- glowing-golds the crisping of booming mushroomy
reds flaky leaves thunder
ember-reds lightning-golds the crumbling of buffeting squalls mulchy
vegetation
incinerator-reds luminous-golds the droning of caterwauling oaken
the dragonflies windstorms
inferno-reds lustrous-golds the hooting of cawing ravens organic
owls
lava-reds molten-golds the lapping of churning clouds peaty
water
magma-reds sunburst-golds the lilting tones clawing seasoned
of autumn warlocks
pyre-reds waxmelt-golds the muffled creeping woody
forest sounds crawlies
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AUTUMN
AUTUMN AUTUMN SOFT LOUD CONIFEROUS
REDS ORANGES SOUNDS SOUNDS SMELLS
claret-reds fiery-oranges the phut-phut of crunching the amber whiff

falling nuts cannibals of
haemoglobin- flaming-oranges the pulsing soul drooling ogres the glycerine
reds of autumn aroma of
oxblood-reds blazing-oranges the puling of the echoing sounds the gummy
soft winds fragrance of
marrow-reds broiling-oranges the quavering of exploding the medicinal
wrens wings toadstools scent of
rushlight-reds burning-oranges the rustling of guzzling the minty tint of
leaves gorgons
Titian-reds incandescent- the shuddering heaving seas the pine sweet
oranges of trees cologne of
vermeil-reds scorching- the shuffling of howling wolves the resin sweet
oranges forest walkers pot pourri of
vermilion-reds smouldering- the silence of keening north the sap sweet
oranges the dawn winds redolence of
vinaceous-reds sweltering- the snuffling of prowling ghosts the starch sweet
oranges whiskey-noses hotchpotch of
windfall-reds volcanic- the squelching raging rivers the thyme sweet
oranges of feet perfume of
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Teachers Guide
AUTUMN
AUTUMN AUTUMN SOFT LOUD FRUITY

REDS YELLOWS SOUNDS SOUNDS SMELLS
balefire-reds brimstone- the slumbering scrawling citrus sharp

yellows of hedgehogs goblins
brazier-reds candle flame- the tinkling of skittering fruitcake heavy
yellows waterfalls animals
devil blood-reds feverish-yellows the twirling of sissing rain full bodied
leaves
dragon flame- flashing-yellows the twittering of slobbering trolls mead sweet
reds songbirds
firebrand-reds flickering- the wheezing of slurping melon ripe
yellows the wind vampires
firedrake-reds hot-yellows the whirling of splintering orchard sweet
leaves boughs
firefly-reds incendiary- the whimpering suppurating peachy
yellows of the wind floods
glow worm-reds moon flame- the whispering wailing witches pear ripe
yellows of wheat fields
hellhound-reds sulphur-yellows the yawning of yowling plummy
the wind banshees
phoenix-reds sultry-yellows the yawl of fog zinging windfall sweet
horns raindrops
306
Teachers Guide
100 MAGICAL WORDS FOR AN ESSAY
velvet lush carnival mellifluous exquisite

mystique phosphorescence angel fire opulence pixie dust
ravishing glimmering luxurious jasper toothsome
lemongrass sleek ethereal lucerne sizzling
bliss sorcery svelte hallucinatory incarnadine
tantalising rill owl light assuages dulcet
languorous arcipluvian misty-eyed lissome sensuous
alchemy lithe twirling sorbet juicy
vermilion ephemeral sumptuous plush elysian
tinkling salubrious paradise shimmering stellar
supple murmurs wood sorrel gloaming dewy-eyed
halcyon phantasm-grey flourishing iridescent sparkling
frazil placid star flash cloudberry glassy
evanescent rapture aurora oxblood alluring
luminous crystalline soughing glamour cerise
fragrance transcendental beryl swirling magnetism
serene lucid mystical cinnamon eunoia
voluptuous starless claret-red thaumaturgy river gazer
honey dew fuchsia-pink whirring opaline Amazonian
Arcadian elf light splendour monk hum stardust
These words are some of the most beautiful and resonant in the English language. Each one
should have the effect of improving a passage of writing. A lot of them are phonoaesthetic,
which means they have a quality of sound that appeals to people. That is why Tolkien, Edgar
Allen Poe, Japanese, Italians and Spanish people amongst others all love the word: CELLAR
DOOR. The fact that it is two words didnt seem to concern them! My own personal
favourite is frazil-silver. Frazil is the archaic term for the ice crystals tumbling down a
mountain stream. If theres a better image out there than frazil-silver ice crystals cascading
down a birthstone-blue mountain stream, I would love to hear about it!
307
Teachers Guide
100 OTHER MAGICAL WORDS AND COLOURS
pulsar beguiling pristine fluting soul-swelling

nectarine thrumming earthlight-gold spellbinding windfall-red
emollient hallowed vivacious rush light-red lapping
gossamer cambering enchanting divine melange
translucence illusory otherworldly paradise-green warbling
ultramarine rhapsody burbling jewel dust a-smoulder
infinity argent-silver chartreuse earthshine-gold lavish
lambent manna saccharine cascaded petrichor
celestial sublime euphonious lilting enthralling
fairytale-green willowy halogen-blue emblazoned hosanna
a-flash bucolic velour sylvan moonbeams
quivering orpine-purple wizard-white Titian-red a-light
glamour dust trilling minty mystique eldritch
geosmine honeysuckle riparian sprinkling luminol-blue
larimar-blue dawn-pink nut-brown empyrean confectionary
chiming effervescent luminous shimmering salve
pellucid sylph-like glistering heavenly oxblood-red
magenta lolling succulent purling unearthly
luscious vaporous languid vista potpourri
argent-silver polestar-blue Tyrian-purple saffron-orange Eden-green
A great exercise to test someones English skills is to divide the words into rows of 5 or
columns of twenty. Using a dictionary if necessary, try to compose a story using those words.
Repeat the exercise regularly and you will find that their English skills will be much
improved. Not only does it broaden their diction, but it also helps them to manipulate words
into their proper context. If you can think of more beautiful words, you should keep them in a
special section in your vocabulary notebook. The word eunoia means beautiful thinking.
My hope is that by reading this book, all those who like to progress at English will write with
both eunoia and stardust.
308
Teachers Guide
MONTHLY LESSON PLANNER

WEEK ONE LESSON THEMES AND IDEAS
Lesson 1
Lesson 2
Lesson 3
Lesson 4
Lesson 5
WEEK TWO
Lesson 6
Lesson 7
Lesson 8
Lesson 9
Lesson 10
WEEK THREE
Lesson 11
Lesson 12
Lesson 13
Lesson 14
Lesson 15
WEEK FOUR
Lesson 16
Lesson 17
Lesson 18
Lesson 19
Lesson 20
WEEK FIVE
Lesson 21
Lesson 22
Lesson 23
Lesson 24
Lesson 25
309
Teachers Guide
YEARLY PLANNER 2014/2015
SEPTEMBER M T W T F FEBRUARY M T W T F
1 2 3 4 5 2 3 4 5 6
8 9 10 11 12 9 10 11 12 13
15 16 17 18 19 16 17 18 19 20
22 23 24 25 26 23 24 25 26 27
29 30
OCTOBER MARCH
1 2 3 2 3 4 5 6
6 7 8 9 10 9 10 11 12 13
13 14 15 16 17 16 17 18 19 20
20 21 22 23 24 23 24 25 26 27
27 28 29 30 31
NOVEMBER APRIL
3 4 5 6 7 6 7 8 9 10
10 11 12 13 14 13 14 15 16 17
17 18 19 20 21 20 21 22 23 24
24 25 26 27 28 27 28 29 30 31
DECEMBER MAY
1 2 3 4 5 4 5 6 7 8
8 9 10 11 12 11 12 13 14 15
15 16 17 18 19 18 19 20 21 22
22 23 24 25 26 27 28 29
JANUARY JUNE
5 6 7 8 9 1 2 3 4 5
12 13 14 15 16 8 9 10 11 12
19 20 21 22 23 15 16 17 18 19
26 27 28 29 30 22 23 24 25 26
29 30
310
Teachers Guide
YEARLY PLANNER 2015/2016
1 2 3 4 1 2 3 4 5
7 8 9 10 11 8 9 10 11 12
14 15 16 17 18 15 16 17 18 19
21 22 23 24 25 22 23 24 25 26
28 29 30 29
OCTOBER MARCH
1 2 1 2 3 4
5 6 7 8 9 7 8 9 10 11
12 13 14 15 16 14 15 16 17 18
19 20 21 22 23 21 22 23 24 25
26 27 28 29 30 28 29 30 31
NOVEMBER APRIL
2 3 4 5 6 4 5 6 7 8
9 10 11 12 13 11 12 13 14 15
16 17 18 19 20 18 19 20 21 22
23 24 25 26 27 25 26 27 28 29
30
DECEMBER MAY
1 2 3 4 2 3 4 5 6
7 8 9 10 11 9 10 11 12 13
14 15 16 17 18 16 17 18 19 20
21 22 23 24 23 24 25 26 27
30 31
JANUARY JUNE
4 5 6 7 8 1 2 3
11 12 13 14 15 6 7 8 9 10
18 19 20 21 22 13 14 15 16 17
25 26 27 28 29 20 21 22 23 24
27 28 29 30
311
Teachers Guide
YEARLY PLANNER TEMPLATE
OCTOBER MARCH
NOVEMBER APRIL
DECEMBER MAY
JANUARY JUNE
312
Teachers Guide
PAGE RIDDLE ANSWERS

10 1 None. Noah took them onto the ark.
16 2 He put his hand into the bag, ate it quickly without anyone seeing it
and said: If I ate a black grape, there must be a white one left.
17 3 The match.
20 4 She had the hiccups.
21 5 The moon.
31 6 April did it. There is no mail on a Sunday.
34 7 How was he shot in the stomach if the assailant came from behind?
45 8 He waited for the water (i.e. the lake) to freeze over in the winter.
48 9 Dreamt.
49 10 Theyre all married.
51 11 A tadpole.
56 12 A garden hose.
63 13 Traffic lights.
70 14 The deer because it causes so many traffic accidents.
72 15 Short.
75 16 The word/symbol TEN can be made with 9 matches.
87 17 4-cats have paws.
94 18 Which path would the other guard say leads to paradise?
110 19 C and Y.
116 20 He asked to die of old age.
122 21 Hungry and Angry.
124 22 The horse was called Friday.
136 23 Unplug the bath.
137 24 He runs halfway across the bridge and turns around. He is sent back.
145 25 The king had given them all empty pots. She was honest.
148 26 Heartache and Headache. Fashion and Cushion.
149 27 A worm.
155 28 Its a pear tree, not a plum tree.
157 29 There isnt enough information to decide either.
158 30 Tom.
313
Teachers Guide
The answer to the first riddle is that the woman is a photographer.
For the second riddle, each numeral with a round circle in it is worth one point.
Therefore, 6 has one circle. It is worth 1 point. 8 has two circles and is worth 2.
According to many people, this is the hardest riddle in the world. Only 3% of Harvard
graduates can answer it yet 84% of kindergarten children can. Why not try it yourself and
then read it out to your students? The answer is on page 150.
I turn polar bears white
And I will make you cry.
I make guys have to pee
And girls comb their hair.
I make celebrities look stupid
And normal people look like celebrities.
I turn pancakes brown
And make your champagne bubble.
If you squeeze me, Ill pop.
If you look at me, Ill pop.
Can you answer this riddle?
One of my favourites to give a class is the riddle which shows them an alternative way of
thinking. Like all riddles, it seems silly to ask when you know the answer. If there are
students who havent heard it before, it can lift a veil from their mind, however. They can
now see the link between impossibility, logic and possibilities. This is the riddle:
Two cops walked into a room without windows and found a dead man. He had obviously
hung himself from the ceiling, but they couldnt figure out how. There wasnt a chair
underneath him that he could have jumped off. In fact, there was nothing except a puddle of
water beneath him. How did he do it?
There are many great websites for riddles. A lot of them are specifically for children. Just
type in: Best riddles for children. Try to ask the students a riddle a day at the start of the
lesson. It gets their creative juices flowing and they will look forward to your lessons.
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2. Transport: the car, the engine-powered ship and the airplane.

SEPTEMBER MONTHLY PLAN

HOW TO USE THE GRIDS

1) Make up a story using a specified number of words from the grid.

Date: __/__/__ Title: SPELLINGS ARE EARNED Lesson number: 1

Definition: Dare to be wise.

Spelling revision New words Dictionary definitions, corrections and synonyms.

clouds a bird seagulls flock attacking you

AIMS AND OBJECTIVES INTERNET RESOURCES

Date: __/__/__ Title: DESCRIBING A BEACH: 1st GRID Lesson number: 2

Definition: Dare to be wise.

Spelling revision New words Dictionary definitions, corrections and synonyms.

clouds a bird seagulls flock attacking you

AIMS AND OBJECTIVES INTERNET RESOURCES

Date: __/__/__ Title: FULL STOPS/ABBREVIATIONS Lesson number: 3

AIMS AND OBJECTIVES INTERNET RESOURCES

1) Why is individual ownership of behaviour important? 1) Assign Latin abbreviations if

Date: __/__/__ Title: DESCRIBING A BEACH: 2nd GRID Lesson number: 4

Definition: A problem shared is a problem halved.

Spelling revision New words Dictionary definitions, corrections, and synonyms.

children playing donkeys braying sizzling barbecues yachts lolling

AIMS AND OBJECTIVES INTERNET RESOURCES

Date: __/__/__ Title: CAPITAL LETTERS Lesson number: 5

1. I should use capital letters because

2. I should use capital letters because

3. I should use capital letters because

4 a) John Murphy is my neighbour.

b) The Gruffalos dont scare me anymore.

c) The Simpsons are an American family on television.

AIMS AND OBJECTIVES INTERNET RESOURCES

Date: __/__/__ Title: DESCRIBING A BEACH: 3rd GRID Lesson number: 6

Definition: For those who arrive late, only the bones.

Spelling revision New words Dictionary definitions, corrections, and synonyms.

powder-white starbeam-gold whalebone-white molten-gold

AIMS AND OBJECTIVES INTERNET RESOURCES

1) What value do physical sensations have in writing? Locate pictures of beaches to be

Date: __/__/__ Title: USING BULLET POINTS Lesson number: 7 (a)

WRITING A STORY IN POINTS

1. I walked on the earthshine-gold beach. COLOUR

2. It was pillow soft. TEXTURE

3. The song of the sea was a hushed murmur. SOUND

4. It was a scythe shaped beach. SHAPE

6. Pillars of sunshine moved across the water. IMAGE

7. The clouds in the sky were elf-mist white. METAPHOR

8. My face felt like it was stabbed by sun spears. SENSATION

10. I ate a charcoaled tuna steak and it was delicious. TASTE

2. TEXTURE (cotton soft/downy soft/eider soft)

3. SOUND (gurgling sea/humming sea/ebbing sea)

4. SHAPE (an arc/a half moon/a horseshoe)

5. ACTION (tumbling waves/cascading waves/curling waves)

6. IMAGE (seagulls dive bombing/coconut trees swaying/boats bobbing)

7. METAPHOR (pillars of sunshine/streams of light/lanterns of light)

8. SENSATION (skin tingling/parched throat/skin burning)

10. TASTE (spicy chicken/yummy hot dogs/flame grilled meat)

Date: __/__/__ Title: USING BULLET POINTS Lesson number: 7 (b)

the unusual find message in a bottle a Millennium capsule a genies lamp

AIMS AND OBJECTIVES INTERNET RESOURCES

Date: __/__/__ Title: GRATITUDE AND PUNCTUATION Lesson number: 8 (a)

Date: //__ Title: SPELLINGS ARE EARNED Lesson number: 1

Date: //__ Title: DESCRIBING A BEACH: 1st GRID Lesson number: 2

Date: //__ Title: FULL STOPS/ABBREVIATIONS Lesson number: 3

Date: //__ Title: DESCRIBING A BEACH: 2nd GRID Lesson number: 4

Date: //__ Title: CAPITAL LETTERS Lesson number: 5

Date: //__ Title: DESCRIBING A BEACH: 3rd GRID Lesson number: 6

Date: //__ Title: USING BULLET POINTS Lesson number: 7 (a)

Date: //__ Title: USING BULLET POINTS Lesson number: 7 (b)

Date: //__ Title: GRATITUDE AND PUNCTUATION Lesson number: 8 (a)

Date: //__ Title: EMPATHY AND PUNCTUATION Lesson number: 8 (b)

Date: //__ Title: USING A STORYCHAIN: 4th GRID Lesson number: 9

Date: //__ Title: INTRODUCTION TO METAPHORS Lesson number: 10

Date: //__ Title: CROSSWORDS AS COGNITIVE AID Lesson number: 11

Date: //__ Title: INTRODUCTION TO SIMILES Lesson number: 12

Date: //__ Title: JOHN LENNON AND HAPPINESS Lesson number: 13

Date: //__ Title: DESCRIBING A BEACH: 5th GRID Lesson number: 14

Date: //__ Title: USING MICRO WITH MACRO Lesson number:15

Date: //__ Title: ORGANISING A READING DAY Lesson number:16

Date: //__ Title: INTERROGATIVE WORDS Lesson number: 17

Date: //__ Title: READ AND PUNCTUATE Lesson number: 18

Date: //__ Title: PORTFOLIO TEMPLATE Lesson number: 19 (a)

Date: //__ PORTFOLIO EXERCISE: 1st DRAFT LESSON: 19

Date: //__ Title: PORTFOLIO TEMPLATE Lesson number: 19(b)

Date: //__ PORTFOLIO EXERCISE: 1st RE-DRAFT LESSON: 19

Date: //__ Title: INFORMAL LETTER 1 Lesson number: 20

Date: //__ Title: READING DAY Lesson number: 21

Date: //__ Title: INFORMAL LETTERS Lesson number: 22