HIST285-941 F18 Syllabus
HIST285-941 F18 Syllabus
HIST285-941 F18 Syllabus
Online Course
Course Description:
In this course we will survey the history of technological developments from the
Renaissance to the current day. We will focus on a series of technological objects—
machines, tools, and systems—considering them in their broader historical (social, cultural,
and political) contexts. Organized chronologically we will trace this history beginning with
Leonardo Da Vinci and ending with 21st Century Disasters and Information Security. This is
not, however, a teleological assessment, which assumes a progressive improvement of
technology—each era has merits in its own rights.
Learning Objectives:
The goal of the course, in fact, is to debate this central issue. Through technological
objects we can examine the role of technology in society—both in the distant past, and
occasionally as it relates to your own contemporary interests. In addition, students will
gain an appreciation for the nature of historical research and narrative development. In
addition, this course aims to provide students with:
- a concise survey of the major turning points in the history of technology,
- an appreciation for the primary sources available to the historian of technology,
- an understanding of the various historiographic trends offered to assess this era
- Through its projects and assignments, the course addresses Drexel Student
Learning Priorities of Communication, Creative and Critical Thinking, Information
Literacy, and Self-Directed Learning.
Required Book:
Thomas J. Misa, Leonardo to the Internet: Technology and Culture from the
Renaissance to the Present (Baltimore: Johns Hopkins University Press, 2011), Second
Edition; ISBN: 9781421401539; also available in the Drexel Bookstore.
All other readings will be available through the Course Reserves folder on Learn.
- Research Seminar: I will provide an online research seminar to guide you in locating the
needed sources, relevant databases, and historical guides. (Week 2)
- Project Proposal: Submit a 250-word project proposal with a short description of the
project and a bibliography. (Week 3)
- Peer Review: Students will provide comments on other students’ work. (Weeks 3-9)
- Final Presentation: All students will presentation the findings of their research project
to the class using a Discussion Board. (Week 10)
Grading:
- Weekly Responses - 45% (10% late penalty after one week, not accepted after two
weeks.)
- Research Project - 45% (Proposal 10%, Outline 10%, Draft 10%, Peer Review 10%, Final
Version 60%)
- Student Online Presentations (10%)
Grading Scale:
Course Policies
Academic Honesty:
The following policies are drawn from the Official Student Handbook:
Drexel University is committed to a learning environment that embraces academic honesty.
In order to protect members of our community from the results of dishonest conduct, the
University has adopted policies to deal with cases of academic dishonesty. We comply fully
with the University’s “Academic Honesty Policy,” as explained in the Official Student
Handbook. It is the student’s responsibility to know and follow the policies set forth in the
Official Student Handbook. Academic dishonesty and/or plagiarism will result in an
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immediate F for the course with no exceptions. Academic dishonesty may result in
suspension or expulsion from Drexel University.
In compliance with the Americans With Disabilities Act of 1990, Section 504 of the
Rehabilitation Act of 1973, and Drexel University’s policies and procedures, the University
is committed to the non-discrimination of students with disabilities. Students with
disabilities requesting accommodations and services at Drexel University need to present a
current accommodation verification letter (“AVL”) to faculty before accommodations can
be made. AVL’s are issued by the Office of Disability Services (“ODS”). For additional
information, contact the ODS at http://www.drexel.edu/oed/disabilityResources/, 3201
Arch St., Ste. 210, Philadelphia, PA 19104, V 215.895.1401, or TTY 215.895.2299.
Course Schedule
Readings:
- Misa, Preface and Ch. 1 (ix-32)
- Long, Pamela O. Openness, Secrecy, Authorship: Technical Arts and the Culture of Knowledge
from Antiquity to the Renaissance. Baltimore: Johns Hopkins University Press, 2004; Read
Chapter Six, ‘Openness and Authorship I Mining, Metallurgy, and the Military Arts’ (pp. 175-
209). Link
Online Weekly Response: ‘The Dutch and Herring and Sea Rise’
Readings:
- Misa, Ch. 2 (33-58)
- Richard W. Unger, “Dutch Herring, Technology, and International Trade in the
Seventeenth Century,’ The Journal of Economic History, Vol. 40, No. 2 (Jun., 1980), pp. 253-
280.
- Wiebe E. Bijker, “The Oosterschelde Storm Surge Barrier: A Test Case for Dutch Water
Technology, Management, and Politics,” Technology and Culture, Vol. 43, No. 3, ‘Water
Technology in the Netherlands’ (Jul., 2002), pp. 569-584.
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Readings:
- Misa, Ch. 3 (59-96)
- Nicholas Mason, "The Sovereign People Are in a Beastly State: The Beer Act of 1830 and
Victorian Discourse on Working-Class Drunkenness,” Victorian Literature and Culture, Vol.
29, No. 1 (2001), pp. 109-127.
- Film: Mill Times (PBS Documentary) available on Youtube at:
https://www.youtube.com/watch?v=toV9uIDIJMs
Readings:
- Misa, Ch. 4 (97-127)
- Julie Greene, “Spaniards on the Silver Roll: Labor Troubles and Liminality in the Panama
Canal Zone, 1904-1914,” International Labor and Working-Class History, No. 66, New
Approaches to Global Labor History (Fall, 2004), pp. 78-98, Cambridge University Press.
Readings:
- Misa, Ch. 5 (128-157)
- The Linotype Film Website: http://www.linotypefilm.com/; Available to borrow from the
Hagerty Library Film Reserves.
- Roy W. Howard, “Newspaper Mass Production,” The North American Review, Vol. 225, No.
842 (Apr., 1928), pp. 420-424.
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Readings:
- Misa, Ch. 6 (158-189)
- Detlef Mertins, “The Enticing and Threatening Face of Prehistory: Walter Benjamin and
the Utopia of Glass,’ Assemblage, No. 29 (Apr., 1996), pp. 6-23.
- White, A. (2015). “Italian futurism 1909-1944: Reconstructing the Universe/Italian
futurism 1909-1944,” The Art Bulletin, 97(1), 104-107.
- Italian Futurism 1909-1944: Reconstructing the Universe; An exhibit at the Solomon R.
Guggenheim Museum, New York, February 21-September 1, 2014; Available at:
http://exhibitions.guggenheim.org/futurism/
- Candace Jackson, “Taking the Blame Off Bauhaus: The movement is more than Ikea lamps
and cold steel buildings,” The Wall Street Journal, 6 November 2009; Available at:
http://www.wsj.com/articles/SB10001424052748704013004574517551273151342
De Stijl, An online exhibit at the Tate Museum; Available at:
http://www.tate.org.uk/learn/online-resources/glossary/d/de-stijl
Jackie Wullschlager, “Van Doesburg at Tate Modern,” Financial Times, 6 February 2010;
Available at: http://www.ft.com/cms/s/0/711772d8-11e4-11df-b6e3-00144feab49a.html
The Bauhaus, Workshops for Modernity, 1919-1933; An online exhibit at:
http://www.moma.org/interactives/exhibitions/2009/bauhaus/Main.html
Readings:
- Misa, Ch. 7 (190-224)
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- Michael J. Neufeld, “Hitler, the V-2, and the Battle for Priority, 1939-1943,” The Journal of
Military History, Vol. 57, No. 3 (Jul., 1993), pp. 511-538.
- Leon V. Sigal, “Bureaucratic Politics & Tactical Use of Committees: The Interim Committee
& the Decision to Drop the Atomic Bomb,’ Polity, Vol. 10, No. 3 (Spring, 1978), pp. 326-364.
Readings:
- Misa, Ch. 8 (225-259)
- Robert J. Lieber and Ruth E. Weisberg, “Globalization, Culture, and Identities in Crisis,
International Journal of Politics, Culture, and Society, Vol. 16, No. 2 (Winter, 2002), pp. 273-
296.
Part 1. View selected sections of Spike Lee’s When the Levees Broke
Part 2. Lecture: ‘Paths to Insecurity, 2001-2010’
Readings:
- Scott Knowles, “Lessons in the Rubble: The World Trade Center and the History of
Disaster Investigations in the United States,” History and Technology (Spring, 2003): 9-28.
- Scott Knowles, “Investigating 3.11: Disaster and the Politics of Expert Inquiry,” available
at: http://fukushimaforum.wordpress.com/online-forum-2/online-forum/investigating-3-
11/