The Original Mother Goddess, KYBELE
The Original Mother Goddess, KYBELE
The Original Mother Goddess, KYBELE
worshipped with orgiastic rites in the mountains of central and western Anatolia. The Greeks
identified her with their own mother of the gods--the Titaness Rhea.
This page describes the myths of Kybele set in her homeland of Phrygia including the distinctly
non-Greek myth of her hermaphroditic birth and her love for the youth Attis.
Stories in which Kybele's is conflated with the Greek Rhea can be found on the seperate Rhea-
Kybele page.
FAMILY OF CYBELE
PARENTS
OFFSPRING
ENCYCLOPEDIA
CYBELE. The Thracians conceived the chief divinity of the Samothracian and Lemnian
mysteries as Rhea-Hecate, while some of them who had settled in Asia Minor, became there
acquainted with still stranger beings, and one especially who was worshipped with wild and
enthusiastic solemnities, was found to resemble Rhea. In like manner the Greeks who afterwards
settled in Asia identified the Asiatic goddess with Rhea, with whose worship they had long been
familiar (Strab. x. p. 471; Hom. Hymn. 13, 31). In Phrygia, where Rhea became identified with
Cybele, she is said to have purified Dionysus, and to have taught him the mysteries (Apollod. iii.
5. § 1), and thus a Dionysiac element became amalgamated with the worship of Rhea. Demeter,
moreover, the daughter of Rhea, is sometimes mentioned with all the attributes belonging to
Rhea. (Eurip. Helen. 1304.) The confusion then became so great that the worship of the Cretan
Rhea was confounded with that of the Phrygian mother of the gods, and that the orgies of
Dionysus became interwoven with those of Cybele. Strangers from Asia, who must be looked
upon as jugglers, introduced a variety of novel rites, which were fondly received, especially by
the populace (Strab. 1. c.; Athen. xii. p. 553 ; Demosth. de Coron. p. 313). Both the name and the
connection of Rhea with Demeter suggest that she was in early times revered as goddess of the
earth . . .
Under the name of Cybele, we find her worship on Mount Sipylus (Paus. v. 13. § 4), Mount
Coddinus (iii. 22. § 4), in Phrygia, which had received its colonists from Thrace, and where she
was regarded as the mother of Sabazius. There her worship was quite universal, for there is
scarcely a town in Phrygia on the coins of which she does not appear. In Galatia she was chiefly
worshipped at Pessinus, where her sacred image was believed to have fallen from heaven
(Herodian, i. 35). King Midas I. built a temple to her, and introduced festive solemnities, and
subsequently a more magnificent one was erected by one of the Attali. Her name at Pessinus was
Agdistis (Strab. xii. p. 567). Her priests at Pessinus seem from the earliest times to have been, in
some respects, the rulers of the place, and to have derived the greatest possible advantages from
their priestly functions. Even after the image of the goddess was carried from Pessinus to Rome,
Pessinus still continued to be looked upon as the metropolis of the great goddess, and as the
principal seat of her worship. Under different names we might trace the worship of Rhea even
much further east, as far as the Euphrates and even Bactriana. She was, in fact, the great goddess
of the Eastern world, and we find her worshipped there in a variety of forms and under a variety
of names. As regards the Romans, they had from the earliest times worshipped Jupiter and his
mother Ops, the wife of Saturn. When, therefore, we read (Liv. xxix. 11, 14) that, during the
Hannibalian war, they fetched the image of the mother of the gods from Pessinus, we must
understand that the worship then introduced was quite foreign to them, and either maintained
itself as distinct from the worship of Ops, or became united with it. A temple was built to her on
the Palatine, and the Roman matrons honoured her with the festival of the Megalesia. The
manner in which she was represented in works of art was the same as in Greece, and her
castrated priests were called Galli.
The various names by which we find Rhea designated, are, "the great mother," "the mother of the
gods,"Cybele, Cybebe, Agdistis, Berecyntia, Brimo, Dindymene, "the great Idaean mother of the
gods." Her children by Cronos are enumerated by Hesiod : under the name of Cybele she is also
called the mother of Alce, of the Phrygian king Midas, and of Nicaea (Diod. iii. 57; Phot. Cod.
224). In all European countries Rhea was conceived to be accompanied by the Curetes, who are
inseparably connected with the birth and bringing up of Zeus in Crete, and in Phrygia by the
Corybantes, Atys, and Agdistis. The Corybantes were her enthusiastic priests, who with drums,
cymbals, horns, and in full armour, performed their orgiastic dances in the forests and on the
mountains of Phrygia. The lion was sacred to the mother of the gods, because she was the
divinity of the earth, and because the lion is the strongest and most important of all animals on
earth, in addition to which it was believed that the countries in which the goddess was
worshipped, abounded in lions (comp. Ov. Met. x. 682). In Greece the oak was sacred to Rhea
(Schol. ad Apollon. Rhod. i. 1124). The highest ideal of Rhea in works of art was produced by
Pheidias; she was seldom represented in a standing posture, but generally seated on a throne,
adorned with the mural crown, from which a veil hangs down. Lions usually appear crouching
on the right and left of her throne, and sometimes she is seen riding in a chariot drawn by lions.
Kybele was the daughter of the Phrygian sky-god and earth-mother. She was born as an
hermaphrodite named Agdistis who was castrated by the gods to become the goddess Kybele.
The Phrygian sky-god is identified with the Greek Zeus in Pausanias' account of the myth.
Pausanias, Description of Greece 7. 17. 8 (trans. Jones) (Greek travelogue C2nd A.D.) :
"The local [Phrygian] legend about him [Attis] being this. Zeus [i.e. the Phrygian sky-god
identified with Zeus], it is said, let fall in his sleep seed upon the ground, which in course of time
sent up a Daimon, with two sexual organs, male and female. They call the daimon Agdistis
[Kybele]. But the gods, fearing Agdistis, cut off the male organ. There grew up from it an
almond-tree with its fruit ripe, and a daughter of the river Saggarios (Sangarius), they say, took
the fruit and laid it in her bosom, when it at once disappeared, but she was with child. A boy
[Attis] was born."
Pausanias, Description of Greece 7. 17. 8 (trans. Jones) (Greek travelogue C2nd A.D.) :
"The local [Phrygian] legend about him [Attis] being this. Zeus [i.e. the Phrygian sky-god
identified with Zeus], it is said, let fall in his sleep seed upon the ground, which in course of time
sent up a Daimon, with two sexual organs, male and female. They call the daimon Agdistis. But
the gods, fearing Agdistis, cut off the male organ. There grew up from it an almond-tree with its
fruit ripe, and a daughter of the river Saggarios (Sangarius), they say, took the fruit and laid it in
her bosom, when it at once disappeared, but she was with child. A boy was born, and exposed,
but wastended by a he-goat. As he grew up his beauty was more than human, and Agdistis
[Kybele] fell in love with him. When he had grown up, Attis was sent by his relatives to Pessinos
[city in Phrygia], that he might wed the king's daughter. The marriage-song was being sung,
when Agdistis appeared, and Attis went mad and cut off his genitals, as also did he who was
giving him his daughter in marriage. But Agdistis repented of what she had done to Attis, and
persuaded Zeus to grant the body of Attis should neither rot at all nor decay. These are the most
popular forms of the legend of Attis."
The Anacreontea, Fragment 12 (trans. Campbell, Vol. Greek Lyric II) (C5th B.C.) :
"Some say the half-woman [i.e. eunuch] Attis went mad shouting for lovely Kybele (Cybele) in
the mountains."
Ovid, Metamorphoses 10. 103 ff (trans. Melville) (Roman epic C1st B.C. to C1st A.D.) :
"Pines, high-girdled, in a leafy crest, the favourite of the Gods' Great Mother (Grata Deum
Matri) [i.e. Cybele], since in this tree Attis Cybeleius (of Cybele) doffed his human shape and
stiffened in its trunk."
Ovid, Fasti 4. 222 ff (trans.Boyle) (Roman poetry C1st B.C. to C1st A.D.) :
"‘What causes the impulse [of Cybele's initiates] to self-castrate?’ I was silent. The Pierid
[goddess Muse] began : ‘A woodland Phrygian boy, the gorgeous Attis, conquered the towered
goddess with pure love. She wanted to keep him as her shrine's guardian, and said, "Desire to be
a boy always." He promised what was asked and declared, "If I lie, let the Venus [i.e. lover] I
cheat with be my last." He cheats, and in the Nympha Sagaritis stops being what he was: the
goddess' wrath punished him. She slashes the tree and cuts the Naiad down. The Naiad dies: her
fate was the tree's. He goes mad, and imagines that the bedroom roof is falling and bolts to
Dindymus' heights. He cries, "Away torches!", "Away whips!", and often swears the Palestine
goddesses have him. He even hacked his body with a jagged stone, and dragged his long hair in
squalid dirt, shouting, "I deserved it; my blood is the penalty. Ah, death to the parts which have
ruined me!" "Ah, death to them!" he said, and cropped his groin's weight. Suddenly no signs of
manhood remained. His madness became a model: soft-skinned acolytes toss their hair and cut
their worthless organs.’"
Kybele was the mother of the Phrygian god Sabazios--who the Greeks identified with Dionysos.
As the Greek god had a different genealogy, the Phrygian myths were adapted to describe
Mother Rhea as his nurse and mentor. The Orgiastic Cult (Orgia) of Dionysos-Sabazios was
derived from that of Kybele.
Strabo, Geography 10. 3. 13 (trans. Jones) (Greek geographer C1st B.C. to C1st A.D.) :
"[According to Strabo the Orgies of Dionysos were derived from those of the Meter Theon
Kybele (Cybele) :] When Pindaros (Pindar) [Greek poet], in the dithyramb which begins with
these words, ‘In earlier times there marched the lay of the dithyrambs long drawn out,’ mentions
the hymns sung in honor of Dionysos, both the ancient and the later ones, and then, passing on
from these, says, ‘To perform the prelude in thy honor, Megale Meter (Great Mother) [i.e.
Kybele (Cybele)], the whirling of cymbals is at hand, and among them, also, the clanging of
castanets, and the torch that blazeth beneath the tawny pine-trees,’ he bears witness to the
common relationship between the rites exhibited in the worship of Dionysos among the Greeks
and those in the worship of the Meter Theon (Mother of the Gods) among the Phrygians, for he
makes these rites closely akin to one another.
And Euripides does likewise, in his Bakkhai (Bacchae), citing the Lydian usages at the same
time with those of Phrygia, because of their similarity : ‘But ye who left Mount Tmolos
(Tmolus), fortress of Lydia, revel-band of mine [Dionysos], women whom I brought from the
land of barbarians as my assistants and travelling companions, uplift the tambourines native to
Phrygian cities, inventions of mine and mother Rhea [i.e. Kybele].’
And again, ‘happy he who, blest man, initiated in the mystic rites, is pure in his life . . ((lacuna))
who, preserving the righteous Orgia (Orgies) of the great mother Kybele, and brandishing the
thyrsos on high, and wreathed with ivy, doth worship Dionysos. Come, ye Bakkhai, come, ye
Bakkhai, bringing down Bromios, god the child of god, out of the Phrygian mountains into the
broad highways of Greece.’
And again . . . ‘the triple-crested Korybantes in their caverns invented this hide-stretched circlet
[the tambourine], and blent its Bacchic revelry with the high-pitched, sweet-sounding breath of
Phrygian flutes, and in Rhea's hands placed its resounding noise, to accompany the shouts of the
Bakkhai, and from Meter (Mother) Rhea frenzied Satyroi (Satyrs) obtained it and joined it to the
choral dances of the Trieterides, in whom Dionysos takes delight.’"
Nonnus, Dionysiaca 1. 20 ff :
"[The infant] Bakkhos (Bacchus) [Dionysos] on the arm of buxom Rheia, stealthily draining the
breast of the lion-breeding goddess."