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HOW TO MASTER A SONG

THE ORIGINAL 7 STEP MASTERING FORMULA
Mix session Mastering session

Export your mix session to a stereo, Create new session for mastering
uncompressed, .wav or .aiff file
Import your stereo mix down

Import 2 - 3 commercial reference

tracks for comparison

STEP 1: PREPARE IT STEP 2: FIX IT

Goal: To get everything set up and ready for mastering. Goal: To fix any problems with the overall sound. TIP

TIP ✓ Bounce down (export) your mix session to a stereo, ✓ Compare your track to the commercial references and Always fix any problems as early in the chain
uncompressed, file. listen for any problems – anything that sounds strange or as possible. Most of the time you’ll get much
Make sure to choose reference tracks that
bad. better results going back to the mix session
are as similar as possible to the track Before we start mastering we ✓ Use .wav or .aiff If there are problems with the
and fixing the problems over there before
you’re mastering (in terms of both the need to make sure that mix, we need to make sure that ✓ Use a spectrum analyzer to look for problems with the mastering.
sound and style of music). everything’s prepared and ✓ Use minimum of 24 bit 44.1kHz. 24 bit 96kHz is ideal. we FIX them FIRST so that they frequency spectrum – this could be too much, or too little,
ready to go. We must check don’t get exaggerated by the energy in a certain range. e.g If you have a problem with cymbals that
If possible, try and find high quality, that our mix is exported ✓ Create a new session for mastering and import your mastering processes. If are too harsh, instead of using an EQ on the
uncompressed commercial songs (as correctly and prepare the final mix. possible, it’s ALWAYS better to ✓ Common problems include; harshness, thin & brittle entire master, rather go back to the mix
opposed to a poor quality 128kbs MP3). mastering session. go back to the source and fix sound, vocal esses too loud, boomy bass, muddy low end, session and adjust the EQ only on the
✓ Make sure the mastering session you create matches
the problem – the earlier in the stereo image too narrow or wide, inconsistent frequencies, cymbals.
the sample rate and bit depth of your exported mix.
process you fix it, the less etc.
e.g. 96kHz, 24 bit
damage you do to the overall
track. Note: It’s beyond the scope of this infographic to go into all the details about HOW to fix
✓ Import 2 – 3 commercial reference tracks into your
these problems. For more info, see the resources & links at the bottom of this chart.
mastering session so that you can compare your track
directly to them.

STEP 4: COMPRESS IT STEP 3: ENHANCE IT

Goal: To reduce the dynamic range of the overall track in Goal: To improve the overall sound of the final mix in
order to add energy and make it louder. some way.
TIP TIP

The more you compress, the more ✓ Try a compressor to hear whether it improves the overall ✓ Experiment with things like EQ, stereo wideners, When it comes to enhancing the overall track,
DYNAMIC RANGE you LOSE – Remember, Compression enables us to sound, if not, remove it and move on. Mastering is the last chance we harmonic exciters, and analog emulation plugins, to you generally want to make VERY SUBTLE
there can be no ‘loud’ without ‘soft’. reduce the peaks of a tracks have to bring out the absolute hear whether they improve the overall sound. improvements. If the effect you’ve added is
waveform which allows us to ✓ Use a low ratio to avoid compressing too much – Start with best in a track. In this phase, very obvious, there’s a good chance it’s too
If you already used a compressor on your then bring up the overall a ratio around 1.5:1 – 2:1 we’re focussing on anything ✓ Could the track use some thickening up? – Try some much.
over mix while mixing, there’s typically no volume without clipping, this that can improve the OVERALL tape or valve emulation plugin, or a bass enhancer.
need to use one again during the ✓ Aim for around 2dB’s of gain reduction, no more than 4dB! You never know what may work until you try it
increases the AVERAGE volume quality and feel of the song.
mastering phase. ✓ Would it sound better with a stereo widener? – so just experiment!
thus making the track sound ✓ Multi-band compressors allow you to compress the There is essentially only one
‘louder’. The decreased different frequency ranges separately and thus give you rule: ‘If it sounds better, it is ✓ How about a little bit of EQ on the top end?
dynamic range can also give more control – they can be very powerful but best avoided better!’.
the impression that the track if you’re unsure what you’re doing yet!
has more ‘energy’.

STEP 5: CLIP IT STEP 6: LIMIT IT

Goal: To soft-clip the audio peaks of a track in order to Goal: To increase the overall level of the track as much
DISCLAIMER / WARNING: TIP
achieve maximum loudness with minimal negative as possible without clipping or losing quality.
side effects.
This technique is generally ONLY to be The more you limit a track, the more attack
used when trying to achieve the absolute ✓ If you do nothing else, a “brick-wall limiter” is a great and punch you tend to lose.
MAXIMUM volume out of a track. Clipping Many pro mastering engineers ✓ If you’re going for loud, soft clipping is your friend. A limiter prevents the peaks of way to bring your track up to a good level without
is often used as a ‘lesser evil’ to over- use a technique known as ‘soft a waveform from going above a digital clipping. To find the ‘sweet spot’, push the limiter hard
✓ Generally this is for more aggressive tracks, if it’s a
compressing and limiting. clipping’ to increase the level of defined threshold, this enables until you clearly hear these side effects. Once
mellow song or something more natural, stay away! ✓ A limiter is always the LAST step in the chain, don’t put
a track with minimal side us to bring up the overall level you’re aware of them, back off the limiter until
I do NOT recommend you use clipping effects. Where as compression ✓ If you’re not rich (yet), consider trying a plugin such of the track which makes it anything after the limiter. the attack and clarity returns.
unless you have an ‘aggressive style’ of and limiting ‘squash’ the peaks as the T-Racks Soft Clipper to get a similar effect to sound louder. A limiter is
what the pro’s use. ✓ Limit to -0.1 (Some people say -0.3 is better, personally In general, aim for about 2dB - 4dB of gain
music and you’re going for the maximum down, soft clipping simply always the LAST process in the
I don’t think it makes any difference but that’s up to reduction.
level possible. ‘chops them off’. mastering chain and nothing
you to decide).
should be placed after it.

Export your final master to an uncompressed .wav or .aiff If you import your new master back into a session, you’ll

STEP 7: REFERENCE IT file at 44.1kHz 16 bit – use this ‘master file’ to convert to
whichever other formats you want – MP3, AAC, FLAC, etc.
notice that it now looks visually bigger and fatter – like
other commercial songs.

Goal: To listen and compare your master on a variety

TIP of different playback systems to get a better idea of
what’s working or not, and then make adjustments if
When listening back to your track on necessary.
various systems, you want to listen out The essence of mastering is
for CONSISTENT issues. making sure that our tracks ✓ Listen on as many different systems as possible – in
translate to the real world. the car, on a boombox, bluetooth speaker, large HIFI,
e.g. If it sounds too bassy only on the
Most people are NOT listening headphones, PA system, etc.
headphones, it’s probably not an issue.
back on expensive reference
However, if it sounds too bassy in the car, ✓ Compare to your reference tracks and listen out for
monitors, so we must make
on the HIFI, and on headphones, then it’s consistent differences.
sure that our tracks sound
probably too bassy!
great on the ‘average’ playback
✓ Make adjustments and repeat the process as many
system.
times as necessary.

Reference your master on as many RESOURCES & LINKS

playback systems as possible…

Watch the video that explains this process step by step: If all this stuff sounds pretty confusing and you just wish that
someone could walk you through the whole mastering process
http://prosoundformula.com/how-to-master-a-song/
step by step and show you exactly what to do, check out my in-
depth Ultimate Mastering Formula program over here:

Sign up free for my Mastering Mini-Course: http://prosoundformula.com/products/the-ultimate-mastering-

Headphones / earbuds Surround sound system
http://prosoundformula.com/sign-up-mastering/ formula/

Are your tracks still not sounding as good as you’d like?

Watch these two videos to learn the top 5 musical, and the top
5 technical, mistakes that may be holding back your tracks:

http://prosoundformula.com/the-top-5-musical-mistakes/ © PROSOUNDFORMULA.COM
Car stereo Boombox / bluetooth speaker Large HIFI http://prosoundformula.com/the-top-5-technical-mistakes/ ALL RIGHTS RESERVED