NikkorBrochure Lenses PDF

See Through Different Eyes
Every photographer is unique. Whatever your ideas, experience or creative vision, there is a NIKKOR lens to draw out
your potential. The unrivaled lineup of NIKKOR interchangeable lenses for Nikon D-SLRs covers a wide range of focal
lengths and provides an extensive selection of fixed-focal-length, zoom, fisheye, micro and perspective-control models.
Each product in the lineup represents the pride and craftsmanship that only an optical manufacturer can understand,
delivering a level of clarity and reliability that every passionate photographer can appreciate.
NIKKOR History......................................................................p4-p5 Wide-Angle Zoom NIKKOR Lenses.......... p6-p8 Normal Zoom NIKKOR Lenses..........................p9-p13
How will you see the world? Let NIKKOR help. Telephoto Zoom NIKKOR Lenses..................................p14-p18 Fixed Focal-Length NIKKOR Lenses....p19-p27 Special-Purpose NIKKOR Lenses................p28-p31
Manual-Focus Lenses & Optional Accessories......p32-p33 NIKKOR Technology................................. p34-p37 Specifications................................................... p38-p39
A history of exceptional
and in each of the following steps, strict of acceptable product rate is required
tests and inspections are repeatedly from overseas production factories.
conducted, and high quality is realized The acceptable product rate is closely
performance — through such procedures. For example,

in terms of accuracy, the refractive
index is guaranteed to six decimal places
related to sensory qualities such as
external design and operational feel,
and these factors are improved at
NIKKOR lenses (maximum). This is one example in which

highly accurate measurement and careful
inspection ensure the utmost quality
the production site. Comprehensively
improving overall quality by reducing
defective products within manufacturing
that enables every NIKKOR lens user to procedures results in high-quality products
Nikon began producing lenses under the NIKKOR name in 1933, and since then securely capture the decisive moments. to be delivered to customers.
more than 100 million lenses have been sold worldwide. Throughout the years, our
unwavering commitment to quality and innovation has yielded many breakthroughs in Lens designers of diverse Reliability — lenses made to
the photographic industry. For example, Nikon introduced the Nikkor Auto 24mm f/2.8 sections — providing added values withstand the toughest conditions
incorporating the Nikon-pioneered Close-Range Correction (CRC) system in 1967,
A design team that determines required Each NIKKOR lens is manufactured
and started production of aspherical lenses in 1968. In addition, Nikon developed ED
factors when productizing a lens supervises to meet the stringent requirements
(Extra-low Dispersion) glass which made its first appearance in the 300mm f/2.8 ED
all development sections including of customers. The optical glass is
Nikkor telephoto in 1971, and is now incorporated in many other NIKKOR lenses. While
mechanics, optics and electronics, and is meticulously scrutinized to ensure it
in 2003, Nikon produced the AF-S DX Zoom-Nikkor 12-24mm f/4G IF-ED, as the first
also engaged in production technologies. is free of imperfections, and after the
lens optimized for Nikon DX-format digital SLRs in the DX NIKKOR series.
Often, comfortable holding and operational process of casting, grinding, polishing and
These are just a few of the many achievements in lens design that exemplify Nikon’s
feel are pursued in addition to autofocus coating, one of the finest lens elements
position as the world’s preeminent manufacturer of professional photographic
speed and durability. emerges. After being precisely mounted
equipment. The following sections provide technical information that will help you
Compact and lightweight design may be in lens barrels, the lens elements and
understand more fully how NIKKOR lenses deliver superior performance, and are
a crucial issue in developing a lens. For their assemblies undergo a battery of
therefore the ideal partners for your Nikon SLR. example, when the AF-S NIKKOR 24-70mm tests and inspections, including vibration-
f/2.8E ED VR was developed in 2015, in and temperature-resistance analysis. All
cooperation with designers of several this is achieved with our accumulated
The Nikon F lens mount — Where it all begins — sections, a design featuring a compact and technological knowhow that has been
a tradition of continuity Nikon glassworks empowered SWM, VR system providing the optimized and automated.
highest effect among normal zoom lenses, In addition to these uncompromising
The debut of the original Nikon F in 1959 To make the finest lens elements, you
and highly accurate exposure control was tests, Nikon technicians further guarantee
also marked the introduction of what is must begin with the finest optical glass.
realized while maintaining high optical the performance of the final product by
perhaps its most significant technological Nikon is one of a few manufacturers
performance.
innovation — the Nikon F lens mount. that consistently covers all stages from minutely inspecting each detail of every
Since then, the mount has been inherited development of optical glass to final lens finished lens. They check to assure the
without changing its basic structure, and production. This means Nikon possesses Highest quality — pursued in mechanical construction, electronics, AF
compatibility with new lenses has been diverse technologies and knowhow manufacturing procedures movement, zoom and aperture mechanisms,
consecutively maintained, which enables that other manufacturers cannot offer. At Tochigi Nikon, to maintain the highest and lens resolution. Finally, all NIKKOR
use of the current over 100 NIKKOR lenses For example, optical glass production quality, a variety of operations from lenses are also intensively inspected just
even with the latest digital SLRs, achieving facilities are designed, assembled and index setting to evaluate productivity before they are shipped from the factory.
an impressive variety of image expressions. regulated within Nikon. Such skills enable to adjustment of procedures according All of which ensures that each lens does
This is just one example of why the Nikon F improvement of facilities to meet the to the indexes to ensure improvement exactly what it’s supposed to — provide
mount continues to be an important part of required specifications for Nikon. is conducted. The range of these the outstanding optical performance and
Nikon camera equipment design. Manufacturing of optical glass is the operations also covers those for affiliated reliability that make NIKKOR lenses the
first step in NIKKOR lens production, companies. Sometimes, an improvement leading choice the world over.
4 5
WIDE-ANGLE ZOOM Ultra-wide-angle zoom lens providing excellent image expression
AF-P DX NIKKOR 10-20mm f/4.5-5.6G VR DX
An optical masterpiece: widest at 14 mm with fixed f/2.8
AF-S NIKKOR 14-24mm f/2.8G ED
N IK KO R LENSE S
This incredible range of wide-angle zooms delivers a broader depth of field, shorter working
distances and more dramatic perspectives to your photography. With a variety of focal lengths and
aperture combinations for every budget or camera, NIKKOR lenses deliver the clarity and detail your
photography deserves. Try different viewpoints or get closer to subjects as you change the zoom This highly portable zoom lens introduces DX-format users to the With a fixed maximum aperture of f/2.8, this award-winning
world of genuine ultra-wide-angle shooting. A stepping motor professional lens delivers edge-to-edge sharpness across the
range, and you'll soon discover a new approach to wide-angle photography. built into the lens contributes to quiet and smooth AF operation. frame. Nano Crystal Coat and ED glass ensure outstanding con-
The latest optical design incorporating three aspherical lens ele- trast, even in backlit conditions. Tough and reliable, this is essential
ments realizes superior image quality. Built-in Vibration Reduction glass for professional photographers everywhere.
(VR) function provides an effect equivalent to a shutter speed 3.5
stops* faster.
* Based on CIPA Standard. This value is achieved when attached to a DX-format digital
SLR camera, with zoom set at the maximum telephoto position.
10 mm 109° 14 mm 114°
20 mm 70° 24 mm 84°
Lens construction: 14 elements in 11 groups Lens construction: 14 elements in 11 groups

Minimum focus distance: 0.22 m/0.8 ft Minimum focus distance: 0.28 m/0.92 ft (in 18-24 mm)
Maximum reproduction ratio: 0.17× Maximum reproduction ratio: 0.14×
Filter-attachment size: 72 mm Filter-attachment size: Filter cannot be attached
Accessories: Hood HB-81 / Case CL-1015 Accessories: Built-in hood / Case CL-M3
Ultra-wide-angle zoom lenses for dynamic perspectives

AF-S DX NIKKOR 10-24mm f/3.5-4.5G ED DX AF-S DX Zoom-Nikkor 12-24mm f/4G IF-ED DX
A very popular choice for extreme wide-
angle photography. The fixed aperture
ensures consistent exposures across the
zoom range. Perfect for shooting large
building exteriors, narrow interiors and
vast natural landscapes.
12 mm 99°
24 mm 61°
Explore the extremes of photography with the ultra-wide-angle Lens construction: 11 elements in 7 groups
coverage of this practical zoom lens. With the widest end of Minimum focus distance: 0.3 m/1 ft
10 mm covering a 109° angle of view, this lens delivers dramatic Maximum reproduction ratio: 0.12×
Filter-attachment size: 77 mm
© Daniel Dohlus perspectives to give your photography a creative edge. Close-up Accessories: Hood HB-23 / CL-S2 (optional)
shooting capability and minimized distortion also add to its appeal.
10 mm 109°
24 mm 61°
Lens construction: 14 elements in 9 groups

Minimum focus distance: 0.24 m/0.8 ft (AF)
0.22 m/0.7 ft (MF)
Maximum reproduction ratio: 0.19×
Accessories: Hood HB-23 / Case CL-1118
AF-P DX NIKKOR 10-20mm f/4.5-5.6G VR
Unique viewpoints turn into dramatic perspectives : Aspherical lens elements : ED glass elements
8 7
Sharp, ultra-wide-angle zoom with VR
AF-S NIKKOR 16-35mm f/4G ED VR N O R M A L ZO O M
NIK KO R LENSE S
This remarkable line of lenses is designed to handle a variety of scenes and subject matter. Whichever
versatile and portable lens you choose, from the compact and approachable to the refined and high-
powered, normal zooms will become a vital part of your photography. Choose the lens that best suits
This versatile ultra-wide-angle zoom covers a remarkably broad your skill level and creative pursuits.
range, with Vibration Reduction (VR) that provides an effect equiva-
lent to 2.5 stops* to enable blur-free handheld images at slower
shutter speeds in places such as interiors and night scenes. Ideal
for travel and documentary work.
*Based on CIPA Standard. This value is achieved when attached to an FX-format digital
SLR camera, with zoom set at the maximum telephoto position.
AF-S NIKKOR 16-35mm f/4G ED VR © Junji Takasago
16 mm 107°
35 mm 63°

Minimum focus distance: 0.28 m/0.9 ft (in 20-28mm)
Legendary professional wide-angle zoom lens Compact and approachable wide-angle zoom lens
AF-S Zoom-Nikkor 17-35mm f/2.8D IF-ED AF-S NIKKOR 18-35mm f/3.5-4.5G ED
With a fixed maximum aperture of f/2.8,
this lens covers the optimal range for
wide-angle assignments. The glass
produces clear and high-contrast images
throughout the entire zoom range.
A highly reliable professional lens.
17 mm 104°
35 mm 62°

Minimum focus distance: 0.28 m/0.9 ft While featuring 100° angle-of-view coverage at 18 mm, this compact
and lightweight zoom gives you superb mobility. The optical system
Accessories: Hood HB-23 / Case CL-76 incorporates two ED glass elements and three aspherical lens
elements in order to maximize the performance of high-pixel-count © Andrew Hancock
D-SLR cameras.
18 mm 100°
35 mm 63°

Minimum focus distance: 0.28 m/0.92 ft
AF-S DX NIKKOR 18-300mm f/3.5-6.3G ED VR
Make every photo opportunity

: Aspherical lens elements : ED glass elements
come alive with dynamic zoom coverage
8 7
Normal zoom lens with superior depiction and Practical standard zoom with VR and Fast f/2.8 standard zoom lens delivering exceptional
high mobility remarkably wide coverage image quality High-powered zoom with VR for DX photographers
AF-S DX NIKKOR 16-80mm f/2.8-4E ED VR DX AF-S DX NIKKOR 16-85mm f/3.5-5.6G ED VR DX AF-S DX Zoom-Nikkor 17-55mm f/2.8G IF-ED DX AF-S DX NIKKOR 18-105mm f/3.5-5.6G ED VR DX
This is the DX lens for both stunning This powerful, approx. 5.8× standard
sharpness and beautiful bokeh. Its fine zoom lens makes it possible to shoot
resolution delivers exceptional image most subject matter with just one lens.
rendering – from close subjects all the Vibration Reduction (VR) with an effect
way to infinity – to satisfy professionals equivalent to 3.5 stops* helps you
on assignment as well as aspiring high- achieve steadier shots during low-light
end photographers who value image and telephoto shooting.
quality.
17 mm 79° 18 mm 76°
55 mm 28°50' 105 mm 15°20'
Remarkably lightweight 5× normal zoom lens with a maximum The most balanced and versatile standard zoom lens for passionate Lens construction: 14 elements in 10 groups Lens construction: 15 elements in 11 groups
aperture of f/2.8 at the maximum wide-angle position. This high- DX-format camera users, with 5.3× zoom coverage that starts at Minimum focus distance: 0.36 m/1.2 ft (in 35 mm) Minimum focus distance: 0.45 m/1.5 ft
performance lens adopts the latest technologies such as Nano an 83° angle of view at 16 mm. Incredible sharpness, compact Filter-attachment size: 77 mm Filter-attachment size: 67 mm
Crystal Coat, fluorine coat and electromagnetic diaphragm – all are body and Vibration Reduction (VR) with an effect equivalent to 3.5 Accessories: Hood HB-31 / Case CL-1120 Accessories: Hood HB-32 / Case CL-1018
firsts for DX-format lenses. Vibration Reduction (VR) provides an stops* to ensure steadier shots and more photo opportunities –
effect equivalent to a shutter speed 4.0 stops* faster in Normal from daily snapshots to travel documentary work.
mode. Utilizing its excellent rendering and superior mobility, Remarkably compact and light,
genuine shooting can be enjoyed during travel.
DX-format standard zoom lens Versatile, high-power zooms with stunning image quality
AF-S DX NIKKOR 18-55mm f/3.5-5.6G VR II DX AF-S DX NIKKOR 18-140mm f/3.5-5.6G ED VR DX
16 mm 83° 16 mm 83°
80 mm 20° 85 mm 18°50'
The employment of a retractable-lens The powerful, approx. 7.8× zoom of

Lens construction: 17 elements in 13 groups Lens construction: 17 elements in 11 groups this lens covers a wide focal-length
Minimum focus distance: 0.35 m/1.15 ft Minimum focus distance: 0.38 m/1.3 ft
mechanism enables a compact and light
Maximum reproduction ratio: 0.22× Maximum reproduction ratio: 0.21× body. The high-performance optical range from wide-angle to telephoto.
Filter-attachment size: 72 mm Filter-attachment size: 67 mm design incorporating an aspherical lens Superb optical performance achieves
Accessories: Hood HB-75 / Case CL-1218 (optional) Accessories: Hood HB-39 / Case CL-1015
element delivers high-definition images high-definition images when combined
throughout the entire zoom range. Built- with high-pixel-count cameras. Vibration
in Vibration Reduction (VR) provides Reduction (VR) that provides an effect
(When retracted)
an effect equivalent to a shutter speed equivalent to 4.0 stops* effectively
4.0 stops* faster. With 0.25 m/0.8 ft compensates camera shake. This lens
minimum focus distance, you can get is deal for capturing diverse scenes
AF-P normal zoom lenses employing a stepping motor much closer to the subject. of everyday life or during travel with a
single lens.
AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR DX AF-P DX NIKKOR 18-55mm f/3.5-5.6G DX
18 mm 76° 18 mm 76°
55 mm 28°50' 140 mm 11°30'

Minimum focus distance: 0.28 m/0.92 ft (AF); Lens construction: 17 elements in 12 groups
0.25 m/0.82 ft (MF) Minimum focus distance: 0.45 m/1.48 ft
Maximum reproduction ratio: 0.30× (AF); 0.36× (MF) Maximum reproduction ratio: 0.23×
Filter-attachment size: 52 mm Filter-attachment size: 67 mm
Accessories: Hood HB-32 (optional) / Case CL-1018 (optional)
: Aspherical lens elements
(When retracted) Accessories: Hood HB-69 (optional) / Case CL-0815 (optional) : Aspherical lens elements : ED glass elements
AF-S DX NIKKOR 18-200mm f/3.5-5.6G ED VR II DX

One lens for every opportunity. This
incredibly versatile lens has a dynamic
This compact and lightweight, 3.1× normal zoom lens realizes fast Incorporating a stepping motor for AF drive, this compact and zoom coverage of approx. 11× from the
and quiet AF operation via the adoption of a stepping motor for lightweight, 3.1× normal zoom lens achieves fast and quiet AF widest 76° to the maximum telephoto
AF drive. Two aspherical lens elements minimize lens aberrations operation. Two aspherical lens elements deliver superior optical 8°. Then there is also Vibration
for enhanced image quality. The Vibration Reduction (VR) system performance with minimal lens aberrations. Adopting a setting Reduction (VR) with an effect equivalent
provides an effect equivalent to a shutter speed 4.0 stops* faster. system using the camera menus, some lens settings can be to 3.5 stops* for even more potential.
Some lens settings can be adjusted through the camera. adjusted via the camera. Perfect when you need to travel light.
18 mm 76°
200 mm 8°
18 mm 76° 18 mm 76°
55 mm 28°50' 55 mm 28°50' Lens construction: 16 elements in 12 groups
Lens construction: 12 elements in 9 groups Lens construction: 12 elements in 9 groups Minimum focus distance: 0.5 m/1.6 ft
Minimum focus distance: 0.25 m/0.9 ft Minimum focus distance: 0.25 m/0.9 ft Maximum reproduction ratio: 0.22×
Maximum reproduction ratio: 0.38× Maximum reproduction ratio: 0.38× Filter-attachment size: 72 mm
Filter-attachment size: 55 mm Filter-attachment size: 55 mm Accessories: Hood HB-35 / Case CL-1018
Accessories: Hood HB-N106 (optional) / Accessories: Hood HB-N106 (optional) /
(When retracted) Case CL-0815 (optional) (When retracted)
Case CL-0815 (optional) AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR © Kenta Aminaka
*Based on CIPA Standard. The value is achieved when: DX-format lenses are attached to a DX-format digital SLR camera, FX-format compatible lenses are attached to an FX-format
digital SLR camera, and zoom lenses are set at the maximum telephoto position.
10 11
Compact and light, ultra-high-power zoom with VR Sharp and approachable standard zoom lenses
AF-S DX NIKKOR 18-300mm f/3.5-6.3G ED VR DX AF-S NIKKOR 24-85mm f/3.5-4.5G ED VR
A compact and light body is achieved An excellent compact standard-use lens
while featuring high-power approx. that works well with agile FX-format
16.7× zoom capability. High optical cameras. Covering the most frequently
performance is realized with the used zoom range, this versatile lens
employment of three ED glass and three can handle a wide range of subject
aspherical lens elements. Vibration matter, including landscapes, interiors,
Reduction (VR) provides an effect portraits and candids. The Vibration
equivalent to a shutter speed 4.0 stops* Reduction (VR) with an effect equivalent
faster. This well-balanced high-power to 4.0 stops* enhances your handheld
zoom lens is ideal for capturing diverse capability, opening up many new lowlight
subjects with a single lens. opportunities.
18 mm 76° 24 mm 84°
300 mm 5°20’ 85 mm 28°30'

Accessories: Hood HB-39 (optional)/Case CL-1018 (optional) Accessories: Hood HB-63 / Case CL-1118
DX-format, ultra-high-power 16.7× zoom lens with VR

AF-S DX NIKKOR 18-300mm f/3.5-5.6G ED VR DX AF Zoom-Nikkor 24-85mm f/2.8-4D IF
Despite having an unprecedented Covering the most frequently used zoom AF-S NIKKOR 24-70mm f/2.8E ED VR © Kate Hopewell-Smith
approx. 16.7× zoom capability, this range, this lens offers a great balance of
lens offers consistent image quality fine resolution and smooth tonal grada-
throughout its broad range. You can tion. AF macro shooting up to 1/2× is
High-performance, fast normal zoom lens with an aspherical
even shoot handheld at 300 mm super- another great advantage.
ED glass element Incredibly reliable, highly balanced standard zoom lens
telephoto, thanks to built-in Vibration
Reduction (VR) with an effect equivalent
24 mm 84°
AF-S NIKKOR 24-70mm f/2.8E ED VR AF-S NIKKOR 24-70mm f/2.8G ED
to 3.5 stops*. Experience a truly all- 85 mm 28°30'
around performance lens that is ideal Lens construction: 15 elements in 11 groups

for travel and events. Minimum focus distance: 0.5 m/1.6 ft
(0.21 m/0.7 ft in macro)
Maximum reproduction ratio: 0.17× (0.50× in 85mm in macro)
18 mm 76°
300 mm 5°20’ Accessories: Hood HB-25 / Case CL-S2 (optional)

Minimum focus distance: 0.45 m/1.48 ft (in 300 mm)
Accessories: Hood HB-58 / Case CL-1120 2.9× normal zoom lens with VR and f/2.8 fixed maximum aperture. With a fixed aperture of f/2.8, the NIKKOR glass in this lens
Employs an aspherical ED glass element – a first for NIKKOR provides both fine resolution and natural representation. In addition,
lenses, ED glass and HRI lens elements plus Nano Crystal Coat to the Nano Crystal Coat helps effectively reduce ghost and flare
Practical standard zoom lens with VR and achieve high optical performance delivering high-resolution images effects under harsh lighting. Praised for its reliability and overall
Nano Crystal Coat Versatile, high-powered 11× zoom with VR with natural blurring effect. Evolved Vibration Reduction (VR) image quality, this is a long-time favorite of passionate professionals.
provides an effect equivalent to a shutter speed 4.0 stops* faster.
AF-S NIKKOR 24-120mm f/4G ED VR AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR Higher-speed and more accurate AF is ensured, while stable AE
control is realized even during high-speed continuous shooting via 24 mm 84°
This versatile 5× zoom lens delivers A powerful zoom lens optimized for the adoption of an electromagnetic diaphragm mechanism. Fluorine 70 mm 34°20'
stunning image quality at any aperture FX-format cameras. This lens offers coat is applied to the extreme front and rear lens surfaces for easy Lens construction: 15 elements in 11 groups
or focal length, while the Nano Crystal outstanding sharpness for such a broad maintenance. Highly durable body is designed to withstand the Minimum focus distance: 0.38 m/1.2 ft (in 35-50 mm)
Coat reduces ghost and flare effects. zoom range while maintaining an f/5.6 severest shooting environments of professionals, while retaining Maximum reproduction ratio: 0.26×
The lens body is impressively slim and aperture at the telephoto end. Built-in superb operability and comfortable holding. Accessories: Hood HB-40 / Case CL-M3
compact, despite having built-in Vibration Vibration Reduction (VR) compensates
Reduction (VR) that provides an effect camera shake for up to 3.5 stops*. A
equivalent to 3.5 stops*. A standard remarkably versatile zoom lens best
24 mm 84°
zoom lens of exceptional utility and value suited for travel and other outdoor ap- 70 mm 34°20'
for FX-format users. plications. Lens construction: 20 elements in 16 groups

Minimum focus distance: 0.38 m/1.25 ft (in 35-50 mm),
0.41 m /1.35 ft (in 24, 28, 70 mm)
24 mm 84° 28 mm 75° Maximum reproduction ratio: 0.28×
120 mm 20°20' 300 mm 8°10'
Accessories: Hood HB-74 / Case CL-M3 : Aspherical lens elements : ED glass elements
Minimum focus distance: 0.45 m/1.5 ft Minimum focus distance: 0.5 m/1.6 ft : Aspherical ED glass element
Maximum reproduction ratio: 0.23× Maximum reproduction ratio: 0.31× *Based on CIPA Standard. The value is achieved when: DX-format lenses are
Filter-attachment size: 77 mm Filter-attachment size: 77 mm attached to a DX-format digital SLR camera, FX-format compatible lenses are
Accessories: Hood HB-53 / Case CL-1218 Accessories: Hood HB-50 / Case CL-1120 attached to an FX-format digital SLR camera, and zoom lenses are set at the
maximum telephoto position.
12 13
TELEPHOTO ZOOM Telephoto zoom lens featuring a retractable lens mechanism
AF-S DX NIKKOR 55-200mm f/4-5.6G ED VR II DX
Approachable zoom for sharp super-telephoto shooting
AF-S DX NIKKOR 55-300mm f/4.5-5.6G ED VR DX
N IK KO R LENSE S Featuring a 55-200 mm focal-length

range and f/4-5.6 maximum aperture, this
telephoto zoom lens adopts a retractable
barrel mechanism to realize remarkably
This practical zoom lens allows DX users
to reach 300 mm supertelephoto and
make sharper shots with ease, thanks
to built-in Vibration Reduction (VR) that
compact size. Vibration Reduction (VR) provides an effect equivalent to 3.0
One telephoto zoom lens can drastically broaden your creative and compositional potential. With provides an effect equivalent to a stops*. In addition, the new HRI (High
shutter speed 4.0 stops* faster. The Refractive Index) lens – a first for the
their longer focal lengths, relatively shallow depths of field and dramatic telephoto compression employment of an ED glass element NIKKOR lineup – achieves clear, high-
achieves superior optical performance
effect, you can capture a wide array of subjects in ways few lenses can. In addition, many of these contrast images at every aperture and
with minimal chromatic aberration. focal length, and contributes to making
lenses come with Vibration Reduction (VR) to control camera shake, so you can expect sharper shots the lens body compact. Ideal for travel
and events.
of your telephoto subjects.
55 mm 28°50' 55 mm 28°50'
200 mm 8° 300 mm 5°20'

Accessories: Hood HB-37 (optional) / Case CL-0915 (optional) Accessories: Hood HB-57 / Case CL-1020
Agile and reliable, fast telephoto zoom lens for professionals

AF-S NIKKOR 70-200mm f/2.8E FL ED VR
This fast f/2.8 telephoto zoom achieves remarkably light weight,

enabling highly agile shooting in diverse situations. Movable parts
and other sections are sealed to maximize dust- and drip-resistant
performance. Further enhanced optical performance is realized
with a newly developed optical system and the adoption of fluorite,
ED glass, HRI lens and Nano Crystal Coat. The VR system that
provides an effect equivalent to 4.0 stops* faster in Normal mode
also features Sport mode and improved performance right after
the power-on. AF drive and AF tracking performance has been
enhanced, while stable AE control is obtained with the adoption
of an electromagnetic diaphragm mechanism. Shorter minimum
© Jaanus Ree
focus distance and increased maximum reproduction ratio deliver
photographic expression similar to close-up shooting. Smooth
operability is ensured with well-balanced, comfortable holding and
four focus function buttons.
70 mm 34°20'
200 mm 12°20'

Accessories: Hood HB-78 / Case CL-M2
AF-S NIKKOR 70-200mm f/2.8E FL ED VR © Jaanus Ree
AF-S NIKKOR 70-200mm f/2.8E FL ED VR
Nail the decisive moment *Based on CIPA Standard. The value is achieved when: DX-format lenses are
and capture the action from a distance

attached to a DX-format digital SLR camera, FX-format compatible lenses are
attached to an FX-format digital SLR camera, and zoom lenses are set at the
: ED glass elements : Fluorites
15
Significantly refined: a pro’s essential telephoto zoom lenses AF-P telephoto zoom lenses with ED glass
AF-S NIKKOR 70-200mm f/2.8G ED VR II AF-S NIKKOR 70-200mm f/4G ED VR AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED VR DX AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED DX
The most reliable and essential f/2.8 fixed aperture telephoto zoom This carry-anywhere telephoto zoom lens is useful across a wide Incorporating a stepping motor for AF drive, this compact and Compact and lightweight, this 4.3× telephoto zoom lens realizes
lens has now been reborn with a number of significant improve- general range of shooting scenarios such as sports and snapshots. lightweight, 4.3× telephoto zoom lens enables fast and quiet AF fast and quiet AF operation. The employment of one ED glass
ments. Optimized for FX-format cameras, the resulting images Its Nano Crystal Coat effectively reduces ghost and flare while its operation. One ED glass element is employed to deliver high- element attains high-quality images with minimal chromatic
deliver stunning detail and contrast across the entire frame when high-performance Vibration Reduction (VR) minimizes the effects quality images with minimal chromatic aberration. The built-in aberration. Some lens settings can be performed via the camera.
taken at any focus point or aperture. What's more, the lens comes of camera shake, allowing you to shoot at a shutter speed approxi- Vibration Reduction (VR) system provides an effect equivalent
equipped with enhanced AF performance, Vibration Reduction (VR) mately 4.0 stops* faster. Close-up capability is an added advantage. to a shutter speed 4.0 stops* faster. Some lens settings can be
with an effect equivalent to 3.5 stops* and Nano Crystal Coat to performed through the camera.
reduce ghost and flare effects, broadening your shooting potential
and giving photographers added confidence when shooting in
70 mm 22°50' 70 mm 22°50'
difficult situations. 300 mm 5°20' 300 mm 5°20'

70 mm 34°20' 70 mm 34°20' Minimum focus distance: 1.1 m/3.7 ft Minimum focus distance: 1.1 m/3.7 ft
200 mm 12°20' 200 mm 12°20' Maximum reproduction ratio: 0.22× Maximum reproduction ratio: 0.22×
Lens construction: 20 elements in 14 groups Filter-attachment size: 58 mm Filter-attachment size: 58 mm
Lens construction: 21 elements in 16 groups Accessories: Hood HB-77 (optional) / Accessories: Hood HB-77 (optional) /
Minimum focus distance: 1.4 m/4.6 ft Case CL-1020 (optional) Case CL-1020 (optional)
Accessories: Hood HB-60 / Case CL-1225 /
Tripod Collar Ring RT-1 (optional)
Approachable AF-P telephoto zoom lens Compact and accessible telephoto zoom with
AF-P NIKKOR 70-300mm f/4.5-5.6E ED VR a powerful 300 mm reach
AF-S VR Zoom-Nikkor 70-300mm f/4.5-5.6G IF-ED
Whether you shoot in DX format or FX
format, this small and portable zoom
offers impressive versatility with a fairly
long focal length of 300 mm. Its approx.
4.3× zoom range and Vibration Reduc-
tion (VR) with an effect equivalent to 2.5
stops* add to its utility for most telephoto
shooting opportunities.
This lens achieves image quality, performance and portability in
a well-balanced way. The latest optical design incorporating one 70 mm 34°20'
300 mm 8°10'
ED glass element provides high-resolution images throughout the
zoom range. Built-in VR system (effect of 4.5 stops*) employs Lens construction: 17 elements in 12 groups
Sport mode that is particularly effective when shooting moving Maximum reproduction ratio: 0.24×
subjects. Stable AE control is obtained with the adoption of an Filter-attachment size: 67 mm
electromagnetic diaphragm mechanism. Accessories: Hood HB-36 / Case CL-1022
AF-P NIKKOR 70-300mm f/4.5-5.6E ED VR © Delly Carr

70 mm 34°20'
300 mm 8°10'

Maximum reproduction ratio: 0.25 ×
: ED glass elements
*Based on CIPA Standard. The value is achieved when: DX-format lenses are
AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED VR © Chris McLennan
16 17
FIXED FOC AL- LENGTH
Top-of-the-line, super-telephoto zoom for
Fixed aperture f/2.8 with great optics and beautiful bokeh crucial assignments
AF Zoom-Nikkor 80-200mm f/2.8D ED AF-S NIKKOR 200-400mm f/4G ED VR II
This high-performance zoom has a fixed
f/2.8 aperture throughout the zoom range,
giving your telephoto shots a beautiful
background bokeh. Expect remarkable
NIK KO R LENSE S
image reproduction in the fine details,
even when shooting wide-open. AF Fixed focal-length lenses not only offer stunning sharpness. This approachable lineup of fast aperture
close-up shooting is also possible, letting
lenses also gives photographers an easy way to shoot beautiful background bokeh and get a broader
you focus and shoot from 1.5 m/4.9 ft.
range of shooting opportunities in low light. From the 14 mm ultra-wide-angle to the 800 mm
80 mm 30°10'
200 mm 12°20' This zoom range 200-400 mm lens has a fixed aperture of f/4 and
is a NIKKOR-exclusive quality lens. Ideal for photographers who super-telephoto, the NIKKOR fixed focal-length lineup gives your images a distinct personality.
Minimum focus distance: 1.8 m / 6 ft (1.5 m / 4.9 ft in macro) need to keep their gear to a minimum while on super-telephoto
Maximum reproduction ratio: 0.13× (0.17× in macro) assignments that require stunning image quality. Nano Crystal
Accessories: Hood HB-7 (optional) / Case CL-43A
Coat and Vibration Reduction (VR) with an effect equivalent to 3.0
stops* offer added capability, contributing to sharper images under
demanding conditions.
Long-range, VR-enabled 400 mm zoom lens 200 mm 12°20'

400 mm 6°10'
AF-S NIKKOR 80-400mm f/4.5-5.6G ED VR
Minimum focus distance: 2 m/ 6.6 ft (AF) ; 1.95 m/6.4 ft (MF)
Maximum reproduction ratio: 0.26× (AF) ; 0.27× (MF)
Accessories: Hood HK-30 / Case CL-L2
Super-telephoto zoom lens with superb optical performance

and VR
AF-S NIKKOR 200-500mm f/5.6E ED VR
This 5× telephoto zoom is ideal for shooting sports, wild birds,
aircraft and landscapes. Its superior optical performance is due in
part to its one Super ED and four ED glass elements, as well as its
Nano Crystal Coat. Vibration Reduction (VR) is integrated to offer
an effect equivalent to a shutter speed 4.0 stops* faster.
80 mm 30°10'
400 mm 6°10'

Minimum focus distance: 1.75 m/5.74 ft (AF); 1.5 m/4.92 ft (MF) This super-telephoto zoom lens covers 200-500 mm focal-length
Maximum reproduction ratio: 0.17× (AF); 0.19× (MF) range with a fixed maximum aperture of f/5.6. Adoption of ED
glass elements achieves superior optical performance with
minimal chromatic aberration throughout the entire zoom range.
Vibration Reduction (VR) system provides an effect equivalent to
a shutter speed 4.5 stops* faster in Normal mode. Sport mode
is adopted as a VR mode option to cope with quick movements.
Stable AE control is ensured even during high-speed continuous © Drew Gurian
shooting via the adoption of an electromagnetic diaphragm
mechanism, enabling the capture of decisive moments of wild
birds or flying aircraft.
200 mm 12°20'
500 mm 5°

AF-S NIKKOR 105mm f/1.4E ED

: ED glass elements : Super ED glass element
AF-S NIKKOR 80-400mm f/4.5-5.6G ED VR © Ray Demski

Create individual depiction utilizing a unique perspective
18
Dynamic perspectives achieved by ultra-wide angle Superb optics with fast f/1.4 for amazing bokeh Fast wide-angle lens ideal for portraits and landscapes
AF Nikkor 14mm f/2.8D ED AF-S NIKKOR 24mm f/1.4G ED AF-S NIKKOR 28mm f/1.4E ED
At 14 mm, this lens covers an extremely The greatest advantage of this versatile
wide 114° angle of view, capturing a wide-angle lens is its amazingly beautiful
remarkably broad expanse with an bokeh at f/1.4 while covering an 84°
exaggerated perspective, making it ideal angle of view. Its optical design now
for shooting large buildings, narrow reveals more refined detail with even
indoor spaces or vast nature. less aberration. In addition, Nano Crystal
Coat effectively reduces ghost and flare
effects in harsh lighting.
114° 84°
With an angle of view similar to the viewfield of human sight,

Minimum focus distance: 0.2 m/0.66 ft Minimum focus distance: 0.25 m/0.82 ft naturally spreading space and depth can be reproduced. The
Maximum reproduction ratio: 0.15× Maximum reproduction ratio: 0.18× maximum aperture of f/1.4 delivers large and beautiful bokeh
Filter-attachment size: Rear-attachment type Filter-attachment size: 77 mm
Accessories: Built-in hood / Case CL-S2 Accessories: Hood HB-51 / Case CL-1118
characteristics. Two ED glass elements and three aspherical lens
elements minimize various types of aberrations. Nano Crystal
Coat effectively controls ghost and flare effects for clear images.
The body is designed to ensure superb dust- and drip-resistant
performance, while fluorine coat is applied for easy maintenance.
AF Nikkor 20mm f/2.8D Compact and light, fast wide-angle lens with AF-S NIKKOR 28mm f/1.4E ED © Marko Marinkovic
high image quality
With both a dynamic perspective and AF-S NIKKOR 24mm f/1.8G ED 75°
a great depth of field, this 20 mm lens

gives you edge-to-edge sharpness and Minimum focus distance: 0.28 m/0.92 ft
less distortion when shooting interiors, Maximum reproduction ratio: 0.17×
landscapes and more. Superb optics and Accessories: Hood HB-83 / Case CL-1118
compact design (approx. 270 g/9.5 oz).
94°

Filter-attachment size: 62 mm A fast, compact, lightweight, wide-angle prime lens that can create
Accessories: Hood HB-4 (optional) / Case CL-S2 (optional)
natural blur utilizing the maximum aperture of f/1.8. Employing Nano
Crystal Coat, ED glass elements, and aspherical lens elements
delivers superior optical performance with minimal ghost effect and
chromatic aberration. The latest optical design technologies achieve Fast f/1.8 wide-angle lens with exquisite sharpness and
superior resolution to the edges of the frame. Ideal for shooting quality bokeh Standard wide-angle lens for general purpose
wide landscapes.
AF-S NIKKOR 28mm f/1.8G AF Nikkor 28mm f/2.8D
Compact, ultra-wide-angle lens for elaborate expression
84°
AF-S NIKKOR 20mm f/1.8G ED
This 20 mm lens enables photographic Minimum focus distance: 0.23 m/0.75 ft.
expression utilizing the shallow depth Filter-attachment size: 72 mm
of field achieved at the maximum Accessories: Hood HB-76 / Case CL-1015
aperture of f/1.8. The latest optical design
technology delivers high resolution and
superb point-image reproduction while
minimizing chromatic aberration. ED glass
elements and Nano Crystal Coat ensure Standard wide-angle lens for general purpose This lens is designed to take full advantage of the latest high- This light, compact and convenient wide-angle lens allows you to
superior image quality. A great choice for megapixel cameras by delivering stunning sharpness and clarity. get as close as 0.25 m/0.85 ft with a natural perspective. A great
AF Nikkor 24mm f/2.8D
landscapes and indoor shots. Its Nano Crystal Coat reduces ghost and flare effects to enhance lens for nearly any wide-angle subject matter.
Compact and approachable, this wide- its image quality even further.
94°
angle lens provides sharp images with a
great perspective. Ideal for landscapes,
Lens construction: 13 elements in 11 groups travel, environmental portraits and more. 75° 74°
Filter-attachment size: 77 mm Lens construction: 11 elements in 9 groups Lens construction: 6 elements in 6 groups
Accessories: Hood HB-72 / Case CL-1015 84° Minimum focus distance: 0.25 m/0.82 ft Minimum focus distance: 0.25 m/0.85 ft
Accessories: Hood HB-64 / Case CL-0915 Accessories: Hood HN-2 (optional) / Case CL-0715 (optional)
Minimum focus distance: 0.3 m/1 ft
Accessories: Hood HN-1 (optional) / Case CL-0715 (optional)

20 21
Wide-angle f/1.4 prime with stunning clarity Compact and light, fast wide-angle lens with high resolution Ultra-fast f/1.4 for exquisite sharpness and bokeh
AF-S NIKKOR 35mm f/1.4G AF-S NIKKOR 35mm f/1.8G ED AF-S NIKKOR 50mm f/1.4G AF Nikkor 50mm f/1.4D
Expect outstanding image quality, edge- This lens offers quality optics and an
to-edge sharpness and high contrast at ultra-fast f/1.4 maximum aperture,
any aperture or focus distance. An ultra- delivering superb resolution and color
fast f/1.4 maximum aperture not only reproduction. An approachable standard
creates attractive bokeh with its rounded lens for both fine detail and stunning
9-blade diaphragm, but also offers great bokeh imagery.
low-light performance. Ideal for portraits,
landscapes, travel and more.
46° 46°
The legendary manual-focus Nikkor 35mm f/1.4 has now been This wide-angle prime lens realizes superior point-image Lens construction: 8 elements in 7 groups Lens construction: 7 elements in 6 groups
upgraded to an AF-S lens with the latest digital technology. This reproduction. With its high resolving power and sharp rendering Maximum reproduction ratio: 0.14× Maximum reproduction ratio: 0.14×
lens achieves a remarkable level of coma aberration correction in capability, impressive expression utilizing natural and beautiful Filter-attachment size: 58 mm Filter-attachment size: 52 mm
Accessories: Hood HB-47 / Case CL-1013 Accessories: Hood HR-2 (optional) / Case CL-0715 (optional)
order to deliver stunning images, even at a wide-open aperture. bokeh for both foreground and background can be attained. It is
Nano Crystal Coat drastically reduces ghost and flare effects when ideal for snapshots as well as for capturing diverse scenes such as
shooting wide-angle, where the possibility of these effects can night landscapes, landscapes and portraits.
increase. A great choice for nature, landscape, night scenes and
astrophotography. Fast normal lens designed for the Nikon Df Strikingly crisp, compact and approachable primes
63° 63°
AF-S NIKKOR 50mm f/1.8G (Special Edition) AF-S NIKKOR 50mm f/1.8G
Lens construction: 10 elements in 7 groups Lens construction: 11 elements in 8 groups Remarkably light and compact body con-
Minimum focus distance: 0.3 m/0.98 ft Minimum focus distance: 0.25 m/0.85 ft sidering the fast f/1.8 maximum aperture
and built-in SWM that enables smooth
Accessories: Hood HB-59 / Case CL-1118 Accessories: Hood HB-70 / Case CL-0915 AF. This lens features a newly designed
optical system including an aspherical lens
Aspherical lens elements ED glass elements
element, offering stunning sharpness and

quality bokeh. A great choice for portraits,
Strikingly crisp, f/1.8 prime for DX users Fast and highly practical wide-angle lens still-life shots, low-light scenes and more.
AF-S DX NIKKOR 35mm f/1.8G DX AF Nikkor 35mm f/2D

47°
A fast f/2 aperture makes it easier to The current 50mm f/1.8G has been redesigned to achieve ideal
Optimized for DX-format cameras, this
shoot in low light, giving you sharp and Lens construction: 7 elements in 6 groups
lens delivers both the superb sharpness matching with the smallest and lightest FX-format camera, the Nikon Minimum focus distance: 0.45 m/1.48 ft
high-contrast images from infinity to up- Df, maximizing its high optical performance and superior mobility.
and smooth bokeh you expect from a Maximum reproduction ratio: 0.15×
close. A great choice for landscapes and While paying homage to classic manual-focus lenses, its external Filter-attachment size: 58 mm
prime lens, making it particularly suited Accessories: Hood HB-47 / Case CL-1013
environmental portraits with either deep- design features leather-tone finish as well as a silver aluminum ring
for portraits. The fast aperture ensures
focus or beautiful background bokeh. and knurled focus ring, all coordinated with the Df.
more photo opportunities in low light.
47°
44° 62°

AF Nikkor 50mm f/1.8D
Maximum reproduction ratio: 0.15× Offering natural image rendering and
Filter-attachment size: 58 mm exceptional sharpness, this extremely
Accessories: Hood HB-46 / Case CL-0913 Accessories: Hood HN-3 (optional) / Case CL-0715 (optional) : Aspherical lens elements compact and lightweight lens weighs
approx. 155 g/5.5 oz, making it a
convenient carry-around lens for nearly
any shooting opportunity.
46°

Accessories: Hood HR-2 (optional) / Case CL-0715 (optional)
AF-S NIKKOR 35mm f/1.4G © Toshiya Hagihara AF-S NIKKOR 50mm f/1.8G © Ryo Ohwada : Aspherical lens elements : ED glass elements
22 23
Fast, prime medium-telephoto lens delivering elaborate
Medium-range telephoto lenses optimal for portraits bokeh characteristics DC lenses allowing creative focus control
AF-S NIKKOR 85mm f/1.4G AF-S NIKKOR 105mm f/1.4E ED AF DC-Nikkor 105mm f/2D
DC (Defocus Image Control) allows you
to control the degree of soft focus in the
foreground or background of an image.
With a focal length of 105 mm and a fast
f/2 maximum aperture, it performs well
as a portrait lens with sharpness and
excellent bokeh.
23° 20'

(plus one protective lens)
Minimum focus distance: 0.9 m/3 ft
Employing a re-designed optical system incorporating Nano This fast, medium-telephoto lens provides a large and beautiful Maximum reproduction ratio: 0.13×
Crystal Coat, this lens inherits an ultra-fast f/1.4 and a rounded bokeh effect with smooth alteration from the focus plane, ensuring Accessories: Built-in hood / Case CL-38 (optional)
nine-blade diaphragm for stunning bokeh. In addition, the newly natural depth of subjects, via the embodiment of NIKKOR’s unique
developed MF driving mechanism reduces focus time lag and design concept of “three-dimensional high fidelity”. Superior optical
enables smooth operation in M/A mode. Expect incredibly crisp performance achieves high resolution even in the peripheral areas,
yet natural image rendering for portraits, whether for studio work sharp rendering of distant subjects even at the maximum aperture,
or other commercial shoots outdoors. and high reproduction capability of point light sources. Three ED AF DC-Nikkor 135mm f/2D
glass elements reduce chromatic aberration, while Nano Crystal
Coat effectively minimizes ghost and flare effects. The latest design Using the same DC (Defocus Image
28°30' technology realizes an original optical system of 105mm f/1.4 with Control) employed in the 105mm f/2D,
AF, and stable AE with an electromagnetic diaphragm mechanism. the 135 mm focal length offers more
Fluorine coat is applied to lens surfaces for easy maintenance. telephoto reach, making it ideal for tight
portraits while providing opportunities
Filter-attachment size: 77 mm to shoot with a shallow depth of field or
Accessories: Hood HB-55 / Case CL-1118 under low light.
AF-S NIKKOR 85mm f/1.4G © Cherie Stenberg Coté
23° 10'
18°
Fast normal lens with overwhelming rendering performance Minimum focus distance: 1.0 m/3.3 ft Lens construction: 7 elements in 6 groups
(plus one protective lens)
AF-S NIKKOR 58mm f/1.4G AF-S NIKKOR 85mm f/1.8G Filter-attachment size: 82 mm Minimum focus distance: 1.1 m/4 ft
Accessories: Hood HB-79 / Case CL-1218 Filter-attachment size: 72 mm
Accessories: Built-in hood / Case CL-38 (optional)
High-performance medium telephoto with ED glass Crystal-clear, amazingly fast telephoto with VR
AF Nikkor 180mm f/2.8D IF-ED AF-S NIKKOR 200mm f/2G ED VR II
Remarkably compact and easy to handle
for a fast medium telephoto, this lens
utilizes NIKKOR’s renowned ED glass
This prime lens achieves impressive scene description with high An approachable portrait prime lens for FX and DX photographers to compensate for chromatic aberration
resolution and smooth, beautiful bokeh. Despite the fast aperture, alike. With its fast f/1.8 aperture and a new optical design, this lens and deliver high-contrast clear images,
sharp, high-contrast images of distant subjects can be captured delivers both stunning details and quality bokeh from a surprisingly even at the maximum aperture of f/2.8.
even at the maximum aperture. Point light sources located at light and compact body. Moreover, its Silent Wave Motor (SWM) A favorite of astronomical photographers,
infinity can be finely reproduced as point images even with the offers quieter and smoother AF. the lens is also well-suited for close
aperture set at the maximum. In addition, elaborately designed portraits, short-range sports, theater Trusted by countless professionals, this telephoto prime lens has
bokeh characteristics depict subjects attractively, resulting in photography and more. captured many significant moments in sports, theater and studio
images with natural depth. Superior rendering capability that 28°30' portraiture. ED glass elements – including one Super ED glass –
realizes two contradictory factors enables new photographic compensate for chromatic aberration, plus Nano Crystal Coat ensures
creativity. With all these advantages, this lens is a very individual Lens construction: 9 elements in 9 groups
13°40' clarity in demanding light. Vibration Reduction (VR) with an effect
addition to the NIKKOR lineup. Maximum reproduction ratio: 0.12× equivalent to 3.0 stops* and a fast f/2 aperture broaden creative potential.
Filter-attachment size: 67 mm Lens construction: 8 elements in 6 groups
*Based on CIPA Standard. This value is achieved when attached to an FX-format digital
Accessories: Hood HB-62 / Case CL-1015 Minimum focus distance: 1.5 m/5 ft
SLR camera.
40°50'
Accessories: Built-in hood / Case CL-38
12°20'
Maximum reproduction ratio: 0.12× Lens construction: 13 elements in 9 groups
Accessories: Hood HB-68 / Case CL-1015 Filter-attachment size: 52 mm
: Aspherical lens elements
: Aspherical lens elements : ED glass elements Accessories: Hood HK-31 / Case CL-L1
: Super ED glass element
24 25
New-generation, super-telephoto lens achieving a light New-generation, super-telephoto lens achieving a light
The most renowned professional telephoto prime Prime telephoto lens employing a PF (Phase Fresnel) lens body and high optical performance body and high optical performance
AF-S NIKKOR 300mm f/2.8G ED VR II AF-S NIKKOR 300mm f/4E PF ED VR AF-S NIKKOR 500mm f/4E FL ED VR AF-S NIKKOR 600mm f/4E FL ED VR
This fast 500 mm super-telephoto lens with superior rendering This fast 600 mm super-telephoto lens realizes superior optical
is useful for sport scenes. Employing two fluorite lens elements performance in a remarkably light body. Employing two fluorite lens
This highly regarded professional super-telephoto lens is now reborn This telephoto lens employs a PF (Phase Fresnel) lens element, a
realizes an extremely lightweight approx. 3090 g body. Besides elements achieves an extremely lightweight approx. 3810 g body. In
with Vibration Reduction (VR) to enable handheld shooting at up to first in the NIKKOR lineup, to realize an outstandingly compact and
fluorite elements, ED glass elements plus Nano Crystal Coat addition, ED glass elements and Nano Crystal Coat are employed to
3.0 stops* slower. The Nano Crystal Coat reduces ghost and flare light body while effectively minimizing chromatic aberration. High
are employed to achieve high optical performance with minimal deliver high optical performance with minimal chromatic aberration
effects, helping to create stunningly crisp, clear images. The best optical performance is also ensured with an ED glass element and
chromatic aberration and ghost effect. Vibration Reduction (VR) and ghost effect. Vibration Reduction (VR) system provides an
choice for indoor and action sports. Nano Crystal Coat. Vibration Reduction (VR) function provides an
system (provides an effect equivalent to a shutter speed 4.0 stops* effect equivalent to a shutter speed 4.0 stops* faster in Normal
effect equivalent to a shutter speed 4.5 stops* faster in Normal
faster in Normal mode) adopts Sport mode as a VR mode option. mode. Sport mode is also adopted for providing stable viewfinder
mode. Ideal for capturing a wide range of scenes such as sports,
8°10' Even during high-speed continuous shooting, superior AF tracking images even when tracking radically-moving subjects such as wild
wildlife, landscapes, and portraits.
is achieved, while exposure is stably controlled with the adoption animals. Even during high-speed continuous shooting, superior AF
(plus one Meniscus Protective Lens) of an electromagnetic diaphragm mechanism. Tripod collar ring tracking is achieved, while exposure is stably controlled with the
8°10'
Minimum focus distance: 2.3 m/7.5 ft (AF) ; 2.2 m/7.2 ft (MF) utilizing bearings enables smooth switching between horizontal and adoption of an electromagnetic diaphragm mechanism. Tripod collar
Maximum reproduction ratio: 0.15× (AF) ; 0.16× (MF) Lens construction: 16 elements in 10 groups
Filter-attachment size: 52 mm vertical orientation. Fluorine coat is applied for enhanced durability ring utilizing bearings enables smooth switching between horizontal
Accessories: Hood HK-30 / Case CL-L1
Maximum reproduction ratio: 0.24× and dust prevention. and vertical orientation. Fluorine coat is applied for enhanced
Filter-attachment size: 77 mm durability and dust prevention.
Accessories: Hood HB-73 / Case CL-M3 /
Tripod Collar Ring RT-1 (optional)
5° 4°10'
Remarkably lightweight, high-performance Lens construction: 16 elements in 12 groups Lens construction: 16 elements in 12 groups
Approachable, easy-to-handle telephoto lens super-telephoto lens (plus one meniscus protective glass with fluorine coat)
(plus one meniscus protective glass with fluorine coat)
AF-S Nikkor 300mm f/4D IF-ED AF-S NIKKOR 400mm f/2.8E FL ED VR Maximum reproduction ratio: 0.15×
Filter-attachment size: 40.5 mm Filter-attachment size: 40.5 mm
Accessories: Hood HK-34 / Case CT-505 Accessories: Hood HK-40 / Case CT-608
Offering an excellent balance between

size and image quality, this lens realizes
great sharpness, making it an ideal super- Overwhelming super-telephoto with fluorite
telephoto lens for sports, wildlife or travel
applications. Also handles closer subjects AF-S NIKKOR 800mm f/5.6E FL ED VR
incredibly well. AF-S TELECONVERTER TC800-1.25E ED With its 800 mm focal length, this lens is what sports and press
photographers have been waiting for. Employing fluorite, ED glass
and Nano Crystal Coat, it delivers outstandingly clear images
8°10' with minimized chromatic aberration, ghosting and flare. Super-
telephoto shooting is reliably supported by an electromagnetic
Lens construction: 10 elements in 6 groups This new-generation super-telephoto lens provides outstanding
diaphragm mechanism and Vibration Reduction (VR) with
Minimum focus distance: 1.45 m/4.8 ft optical performance with minimized chromatic aberration. The
Maximum reproduction ratio: 0.27× an effect equivalent to 4.5 stops* (4.0 stops* with the AF-S
weight of approx. 3800 g is realized through the employment of
TELECONVERTER TC800-1.25E ED). Thanks to the use of fluorite
Accessories: Built-in hood / Case CL-M2 fluorites for superior mobility. Vibration Reduction (VR) with an
and magnesium alloy, a light yet durable lens is realized. With the
effect equivalent to 4.0 stops* adopts a new “Sport” mode that
dedicated 1.25× Teleconverter employing ED glass, focal length is
is particularly effective when shooting sports. Other noticeable
extended to 1000 mm while retaining superior reproduction.
features include an electromagnetic diaphragm for stable exposure
control even during continuous shooting, a highly reliable fluorine • Compatible AF teleconverters: [AF is possible when attached to f/8-compatible
cameras] AF-S TELECONVERTER TC800-1.25E ED/AF-S TELECONVERTER TC-14E
coat applied to the lens front, and a tripod mount ring incorporating III, [MF only] AF-S TELECONVERTER TC-20E III/AF-S TELECONVERTER TC-17E II
bearings for smooth operation.
3°10'
6°10'
Minimum focus distance: 5.9 m/19.36 ft (AF) ;
Lens construction: 16 elements in 12 groups 5.8 m/19.03 ft (MF)
Minimum focus distance: 2.6 m/8.5 ft Maximum reproduction ratio: 0.15× (AF) ; 0.15× (MF)
Maximum reproduction ratio: 0.17× Filter-attachment size: 52 mm
Filter-attachment size: 40.5 mm : Fluorites : ED glass elements Accessories: Hood HK-38 / Case CT-801 /
Accessories: Hood HK-38 / Case CT-405 With AF-S TELECONVERTER AF-S TELECONVERTER TC800-1.25E ED
TC800-1.25E ED attached
AF-S TELECONVERTER TC800-1.25E ED*1
[Note] Supplied AF-S TELECONVERTER Lens construction: 5 elements in 3 groups
TC800-1.25E ED is a dedicated Weight: 135 g/4.8 oz
teleconverter to the AF-S NIKKOR
800mm f/5.6E FL ED VR and cannot be Diameter x length*2 : 62.5 × 16 mm/2.5 × 0.6 in.
attached to other lenses. It is not sold *1 Focal length is extended by 1.25×.
separately. *2 Distance from camera’s lens-mount flange.
: ED glass elements : Fluorites : PF lens element
AF-S NIKKOR 300mm f/4E PF ED VR © Robert Bösch attached to an FX-format digital SLR camera. AF-S NIKKOR 800mm f/5.6E FL ED VR © Sergey Gorshkov
26 27
SPECIAL-PURPOSE
With NIKKOR’s exclusive PC (Perspective Control) tilt and shift operation, these lenses enable you to control the
PC LENSES/
perspectives, distortion and depth of field in your images. PC lenses make you more approachable to professional
PC MICRO LENSES creative techniques that usually only large-format NIKKOR lenses can handle.
N I K KO R L E N S E S High-performance, ultrawide-angle lens with

perspective control
PC NIKKOR 19mm f/4E ED
PC lenses for more freedom in controlling perspectives
PC-E NIKKOR 24mm f/3.5D ED
Don't let the name fool you: Special-purpose lenses are not only for special occasions. This category This wide-angle PC lens covers an 84°
angle of view and features tilt and shift
contains PC (Perspective Control) lenses, Micro lenses and Fisheye lenses. Each speciality offers a operation, as well as +/-90° revolv-
ing mechanism. Ideal for architecture,
new way of seeing the world, and can lead to new levels of fun and creative photography. cityscapes, general indoor photogra-
phy and nature. Auto aperture control
is possible with the electromagnetic
diaphragm. Nano Crystal Coat reduces
ghost and flare effects.
The 19 mm focal length of this lens provides an angle of view Compatible cameras: The D5, D4 series, D3 series and D500 can be used
that is familiar to photographers of architecture and interiors. The without any restriction. With the Df, D850, D810 series, D800 series, D750, D700,
D610, D600, D300 series, D7500, D7200, D7100, D7000, D90, D5600, D5500,
mechanical structure of the shift mechanism allows smooth and D5300, D5200, D5100, D5000, D3400, D3300, D3200, D3100 and D3000, some
precise adjustment of the shift position and eliminates the need for combinations of shift and rotation may not be available due to the lens contacting the
camera body.
lock operation, ensuring comfortable shift operation. With a "PC
Rotation" mechanism, the direction of tilt operation can be made 84°
parallel or perpendicular to shift according to diverse shooting
situations. The latest design technology achieves superb optical Lens construction: 13 elements in 10 groups
performance delivering high resolution even at the periphery, as Maximum reproduction ratio: 0.36×
well as a flat image plane. Three ED glass and two aspherical lens Filter-attachment size: 77 mm
elements, and Nano Crystal Coat are employed to further enhance
image quality. Fluorine coat with high antifouling performance
is applied for easy maintenance. This high-performance PC lens
stimulates photographers’ creativity, attaining refined and individual
image expression.
PC-E Micro NIKKOR 45mm f/2.8D ED
Compatible cameras: The D5, D4 series, D3 series, Df, D850, D810 series and D500
can be used without any restriction. With the D800 series, D750, D700, D610, D600,
D300 series, D7500, D7200, D7100, D7000, D5600, D5500, D5300, D5200, D5100, With a fast f/2.8 aperture, this standard
D5000, D3400, D3300, D3200 and D3100, some combinations of shift and rotation PC lens also has micro capability,
may not be available due to the lens contacting the camera body.
shooting up to 1/2× life-size and
97° enabling tilt, shift and +/-90° revolving
mechanism. Perfect for commercial
Lens construction: 17 elements in 13 groups work, product shots, nature photography
Minimum focus distance: 0.25 m/0.9 ft or any other subjects that require a
Accessories: Case CL-1120 natural perspective and fine detail.
Auto aperture control is possible with
electromagnetic diaphragm. Nano
Crystal Coat is employed to reduce
Medium-telephoto PC lens with macro capability ghost and flare effects.
PC-E Micro NIKKOR 85mm f/2.8D Compatible cameras: The D5, D4 series, D3 series, Df, D850, D810 series, D800
series, D750, D700, D610, D600, D500, D300 series, D7500, D7200, D7100, D7000,
D90, D5600, D5500, D5300, D5200, D5100, D5000, D3400, D3300, D3200, D3100
and D3000 can be used without any restriction.
This medium-telephoto PC lens enables
tilt, shift and +/-90° revolving mechanism
and also has micro capability to shoot up 51°
© Fabrice Wittner
to 1/2× life-size. A great choice for long-
range portraits, nature, and commercial Minimum focus distance: 0.253 m/0.83 ft
work with uniquely controlled perspec- Maximum reproduction ratio: 0.50×
tives. Auto aperture control is possible Filter-attachment size: 77 mm
with electromagnetic diaphragm. Nano
Crystal Coat is employed to reduce
ghost and flare effects.
Compatible cameras: The D5, D4 series, D3 series, Df, D850, D810 series, D800
series, D750, D700, D610, D600, D500, D300 series, D7500, D7200, D7100, D7000,
D90, D5600, D5500, D5300, D5200, D5100, D5000, D3400, D3300, D3200, D3100
and D3000 can be used without any restriction.
AF-S Fisheye NIKKOR 8-15mm f/3.5-4.5E ED 28°30'

Expand your possibilities to find new dimensions Maximum reproduction ratio: 0.50×
: Aspherical lens elements : ED glass elements 29
These optical wonders take close-up shots with up to life-size reproduction, capturing the finest detail in its actual These specialized lenses feature an ultra-wide angle of view that bends and distorts the subject matter as it
MICRO LENSES size on the sensor. Whether you shoot macro, portraits or other subject matter, expect striking sharpness, beautiful FISHEYE LENSES reaches the edges of the frame. Try different viewpoints and angles in various scenes with a fisheye lens and even
background bokeh and a wide range of focus distance: from closest 1:1 to infinity. ordinary scenes can turn into extraordinary photographs.
Compact and approachable DX Micro with amazing clarity Versatile, high-performance micro lens for DX photographers NIKKOR’s first fisheye zoom lens offering two fisheye effects
AF-S DX Micro NIKKOR 40mm f/2.8G DX AF-S DX Micro NIKKOR 85mm f/3.5G ED VR DX AF-S Fisheye NIKKOR 8-15mm f/3.5-4.5E ED
This remarkably light, compact and agile Compact and lightweight, even with the
micro lens serves as an exceptional com- incorporated Vibration Reduction (VR)
plement to DX cameras. In addition to with an effect equivalent to 3.0 stops*,
life-size (1×) close-up capability, the 40 which enables steadier handheld shoot-
mm focal length can make a wide variety ing. With a great working distance and
of subject matter approachable, includ- continuous autofocus from infinity to life-
ing portraits. An excellent Micro NIKKOR size (1×), this lens gives you amazing
for any DX photographer. sharpness and background bokeh for
close-up subjects, portraits, nature
images and more. This fisheye zoom lens provides both circular and full-frame
fisheye effects for elaborate image expression. Three ED glass
*Based on CIPA Standard. This value is achieved
when attached to a DX-format digital SLR camera. elements reduce lateral chromatic aberration for sharp and high-
contrast images. Nano Crystal Coat effectively controls ghost and
38°50' 18°50'
flare effects that are likely to occur with a wide angle of view up
to 180°, creating crisp, clear images. For enhanced reliability, a
Lens construction: 9 elements in 7 groups Lens construction: 14 elements in 10 groups dust- and drip-resistant structure is employed, while fluorine coat
ensures easy maintenance.
Filter-attachment size: 52 mm Filter-attachment size: 52 mm AF-S Fisheye NIKKOR 8-15mm f/3.5-4.5E ED © Joshua Cripps
Accessories: Hood HB-61 / Case CL-0915 Accessories: Hood HB-37 / Case CL-1018
8 mm 180°
15 mm 175°
Compact and versatile standard micro lenses Excellently balanced micro lens with VR Lens construction: 15 elements in 13 groups
AF-S Micro NIKKOR 60mm f/2.8G ED AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED Maximum reproduction ratio: 0.34×
Delivers stunningly sharp images up to This medium telephoto micro has

life-size (1×) at all f-stops with incredible Vibration Reduction (VR) with an effect
bokeh. Nano Crystal Coat effectively equivalent to 3.0 stops* for easy hand-
reduces ghost and flare effects under held macro shooting. The lens delivers
harsh lighting, such as in backlit situa- crisp yet natural images in any genre of
tions. With its wide focusing range, this photography. The longer focal length
lens is not limited to extreme close-up gives it a great working distance when
Sharp, full-frame fisheye lens creating
photography and can be used for most shooting close-ups of flowers, insects
Fun-to-use, compact fisheye lens for DX photographers dramatic perspectives
subject matter. and other small wildlife. It also takes
fantastic portraits. Nano Crystal Coat AF DX Fisheye-Nikkor 10.5mm f/2.8G ED DX AF Fisheye-Nikkor 16mm f/2.8D
effectively reduces ghost and flare effects.
39°40' 23°20'

Minimum focus distance: 0.185 m/0.6 ft Minimum focus distance: 0.314 m/1 ft
Accessories: Hood HB-42 / Case CL-1018 Accessories: Hood HB-38 / Case CL-1020
Powerful telephoto micro lens with great working distance This compact and lightweight fisheye lens is designed exclusively NIKKOR’s supreme optical performance provides continuous
for DX-format cameras. With its frame-filling 180° angle of view sharpness from infinity to the closest subject, offering the uniquely
AF Micro-Nikkor 60mm f/2.8D AF Micro-Nikkor 200mm f/4D IF-ED and unique bending effects, any scene or subject will take on new altered reality of ultra-wide-angle photography for beautiful and
dimensions through the viewfinder, making anything you shoot fun. dramatic images. Four bayonet type filters attached to the lens rear
This longtime seller delivers crisp By taking advantage of the long working
The lens has edge-to-edge sharpness and enables you to get as give more creative options in filter effects.
images at any focus distance from distance of 0.26 m/0.9 ft at life-size (1×),
close to the subject as 3 cm/1.2 in. from the lens front.
infinity to life-size (1×). Ideal for general it is ideal for shooting flowers, insects
close-ups, portraits, landscapes, copy and other tiny wildlife without disturbing
180° 180°
work and more. them. The NIKKOR glass ensures clear
and high-contrast images regardless of Lens construction: 8 elements in 5 groups
f-stop, and the lens performs superbly as Minimum focus distance: 0.14 m/0.46 ft
Minimum focus distance : 0.25 m/0.85 ft
a regular telephoto as well. Maximum reproduction ratio: 0.20×
Accessories: Built-in hood / Case CL-0715 (optional) /
Accessories: Built-in hood / Case CL-0715
Filter L37C, A2, B2, O56
39°40' 12°20'

Minimum focus distance: 0.219 m/8 3/4 in. Minimum focus distance: 0.5 m/1 5/8 ft
Accessories: Hood HN-22 (optional) / Case CL-0815 (optional) Accessories: Hood HN-30 (optional) / Case CL-45 : Aspherical lens elements : ED glass elements
30 31
MANUAL-FOCUS LENSES
This great lineup features eight fixed focal-length lenses, including two micro lenses.
Lens construction Minimum focus Maximum Filter-attachment Lens hood Lens case Lens construction Minimum focus Maximum Filter-attachment Lens hood Lens case
Lens name Lens name
[groups/elements] distance [m/ft] reproduction ratio [x] size [mm] (optional) (optional) [groups/elements] distance [m/ft] reproduction ratio [x] size [mm] (optional) (optional)
Nikkor 20mm f/2.8 9/12 0.25/0.85 1/8.3 62 HK-14 CL-0915 Nikkor 50mm f/1.2 6/7 0.5/1.7 1/7.9 52 HS -12/ HR -2 CL-0915
Nikkor 24mm f/2.8 9/9 0.3/1 1/8.8 52 HN -1 CL-0915 Nikkor 50mm f/1.4 6/7 0.45/1.5 1/6.8 52 HS -9/ HR -1 CL-0815
Micro-Nikkor 0.25/0.9
Nikkor 28mm f/2.8 8/8 0.2/0.7 1/3.9 52 HN -2 CL-0815 55mm f/2.8 / Auto 5/6 1/2 (1) 52 HN -3 CL-0915
(0.225/0.738)
Extension Ring PK-13
Micro-Nikkor 105mm 0.41/1.34 CL-1018 /
HS -14
Nikkor 35mm f/1.4 7/9 0.3/1 1/5.6 52 HN -3 CL-0915 f/2.8 / Auto Extension 9/10 1/2 (1/0.88) 52
(provided)
(0.37/1.21) CL-38
Ring PN-11
* Minimum focus distance is the distance from a camera’s focal plane mark to the subject. * Values in parentheses apply when Auto Extension Ring PK-13 or PN-11 is in use.
OPTIONAL ACCESSORIES
AF-S Teleconverters Extension Rings

Teleconverters increase the original focal length to 2×, 1.7× or 1.4× when attached between an AF-S/AF-I lens and the camera body. n Auto Extension Ring PK-11A, 12, 13 n Macro Adapter Ring BR-2A/BR-5
Their superior optical performance retains the high-quality imaging advantages of your original lenses while also supporting its signal These extension rings are for NIKKOR lenses with the AI Mounted to the lens in reverse, these extension rings can be
transmission. (Automatic maximum aperture Indexing) system. Seven extension attached directly or using the Bellows Focusing Attachment.
lengths can be achieved when used individually or in combination. When shooting in a reproduction ratio larger than 1×, even
*The exposure meter cannot be used with cameras that do not have an exposure meter better lens performance is realized by attaching the ring to the
coupling lever, such as the F80 and F75 lens in reverse. BR-2A is compatible
with lenses having 52 mm-
n Adapter Ring BR-3 sized front attachment and the
This adapter converts the bayonet mount of reverse-mounted BR-5 (with BR-2A together)
lenses to the 52 mm thread used for filters and hoods (HB-type with lenses having 62 mm-
bayonet hoods cannot be used). sized front attachment. PK-11A PK-12 PK-13 BR-2A BR-3 BR-5
AF-S Teleconverter TC-20E III AF-S Teleconverter TC-17E II AF-S Teleconverter TC-14E III
This teleconverter expands the focal This teleconverter expands the focal length This teleconverter expands the focal length Filters/holders Hoods
length by 2× and slows down the aperture by 1.7× and slows down the aperture by by 1.4× and slows down the aperture by
by 2 stops. 1.5 stops. 1 stop. Fluorine coat is applied to the front n Neutral Color NC Filter Lens hoods reduce stray light that can degrade your image
and rear surfaces. Ideal as a lens protector, this filter does not affect the color quality while minimizing ghost and flare effects. They can also
balance (visible light spectrum) of your lens. Its multilayer be used as lens protectors. For every type of NIKKOR lens,
coating prevents light reflection inside the glass. there is a lens hood available. They are
Lens construction: 7 elements in 5 groups Lens construction: 7 elements in 4 groups Lens construction: 7 elements in 4 groups
classified according to the attachment
Case: CL-0715 Case: CL-0715 Case: CL-0715
n Soft Focus Filter methods and materials: HB (bayonet),
Give your images a moderately soft and beautiful blur effect. HN (screw-on), HK (slip-on), HS
: Aspherical lens element
Good for various shooting situations, such as portraiture. (snap-on) and HR (rubber screw-on).
The following AF-S and AF-I NIKKOR lenses are compatible with AF-S Teleconverters. n Circular Polarizing Filter II
By dramatically reducing the reflective qualities, polarizing filters
AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED*1 AF-S Nikkor 400mm f/2.8D IF-ED II*5 AF-I Nikkor 600mm f/4D IF-ED*3*5 NAL-1 Zoom/Focus Assist Lever
AF-S NIKKOR 200mm f/2G ED VR II AF-S Nikkor 400mm f/2.8D IF-ED*5 AF-S NIKKOR 800mm f/5.6E FL ED VR*4 allow direct shooting through glass or into bodies of water, and
AF-S VR Nikkor 200mm f/2G IF-ED AF-I Nikkor 400mm f/2.8D IF-ED*5 AF-S NIKKOR 70-200mm f/2.8E FL ED VR enable better capture of other non-metallic objects that reflect When attached to a zoom ring or a focus ring, this lens
AF-S NIKKOR 300mm f/2.8G ED VR II AF-S NIKKOR 500mm f/4E FL ED VR*3 AF-S NIKKOR 70-200mm f/2.8G ED VR II light. Polarizing filters also cut the reflective light of vapor and attachment enables smoother zoom or focus operation. It is
AF-S VR Nikkor 300mm f/2.8G IF-ED AF-S NIKKOR 500mm f/4G ED VR*3 AF-S VR Zoom-Nikkor 70-200mm f/2.8G IF-ED minute dust in the air, so blue skies can be rendered even bluer. especially helpful for zooming during movie recording as well as
AF-S Nikkor 300mm f/2.8D IF-ED II*5 AF-S Nikkor 500mm f/4D IF-ED II*3*5 AF-S NIKKOR 70-200mm f/4G ED VR*3 for fine manual focusing.
AF-S Nikkor 300mm f/2.8D IF-ED*5 AF-S Nikkor 500mm f/4D IF-ED*3*5 AF-S Zoom-Nikkor 80-200mm f/2.8D IF-ED*5 n Bayonet Filter: Ultraviolet L37C
AF-I Nikkor 300mm f/2.8D IF-ED*5 AF-I Nikkor 500mm f/4D IF-ED*3*5 AF-S NIKKOR 80-400mm f/4.5-5.6G ED VR*4 This filter absorbs ultraviolet light and produces clear images
AF-S NIKKOR 300mm f/4E PF ED VR*2 AF-S NIKKOR 600mm f/4E FL ED VR*3 AF-S NIKKOR 200-400mm f/4G ED VR II*3
with high contrast. The L37C has multilayer coating to reduce
AF-S Nikkor 300mm f/4D IF-ED*3*5 AF-S NIKKOR 600mm f/4G ED VR*3 AF-S VR Zoom-Nikkor 200-400mm f/4G IF-ED*3
reflection. Can also be used as a lens protector.
FT1 Mount Adapter
AF-S NIKKOR 400mm f/2.8E FL ED VR AF-S Nikkor 600mm f/4D IF-ED II*3*5 AF-S NIKKOR 200-500mm f/5.6E ED VR*4
AF-S NIKKOR 400mm f/2.8G ED VR AF-S Nikkor 600mm f/4D IF-ED*3*5 The FT1 mount adapter allows NIKKOR F-mount
n Slip-in Circular Polarizing Filter
lenses to be used with Nikon 1 cameras
*1 Autofocus cannot be used. • Other lenses cannot be used. Do not attach other lenses, as the rear lens elements will touch and could Designed for use with telephoto lenses equipped with a slip-
*2 Autofocus with TC-20E III/TC-17E II can be used when attached to an damage the teleconverter elements. equipped with a Nikon 1 mount. The angle of
f/8-compatible autofocus camera with the AF mode set to AF-S. • The Vibration Reduction (VR) function operates with VR lenses when used with the following Nikon SLR in filter holder, this filter reduces reflected light and draws out
*3 Autofocus with TC-20E III/TC-17E II can be used when attached to an cameras: FX/DX-format digital SLR cameras, F6, F5, F100, F80 series, F75 series and F65 series. view of an F-mount lens mounted on the FT1 is
more clarity and color while decreasing the effect of sunlight
f/8-compatible autofocus camera. • Depending on the combination with digital/film SLR camera, the teleconverter’s focal length information may equivalent to that of a 35mm-format lens with a
*4 Autofocus with TC-14E III can be used when attached to an not display correctly in Exif data. Please refer to the relevant teleconverter manual for further information. reflection from airborne water vapor and dust. Also, polarizing
f/8-compatible autofocus camera. Autofocus with TC-20E III/TC-17E II • AF-S TELECONVERTER TC800-1.25E ED is a supplied accessory of the AF-S NIKKOR 800mm f/5.6E FL ED focal length about 2.7× longer.
cannot be used. VR and not sold separately. For details, refer to page 27.
filters darken the blue in skies without affecting the contrast,
*5 Not compatible with TC-14E III. • When effective aperture is f/5.6 to f/8, autofocus is possible when attached to an f/8-compatible autofocus further emphasizing your subject. When shooting in color, the
camera. But the focus point that is used for autofocus or manual focus with electronic rangefinder is limited
to that located at the center. Also, focus may not be achieved when shooting low-contrast or dark subjects. filter eliminates color casting caused by reflected light.
32 33
NIKKOR TECHNOLOGY
Known for its reliability, clarity and devotion to the needs of passionate photographers, NIKKOR, Nikon’s exclusive lens brand, is on a quest to create
the finest optics in the world. By adhering to the strictest requirements and testing both in the lab and across a wide range of actual shooting situa-
tions, Nikon creates technologies that make NIKKOR lenses the best choice for any type of still or moving imagery.
Aspherical ED glass Aspherical lens PF (Phase Fresnel) lens Nano Crystal Coat
Using ED (Extra-low Dispersion) glass that successfully minimizes This type of lens utilizes non-spherical Conceptual image of The PF (Phase Fresnel) lens, developed by Originating from Nikon’s work in Reflected light
color fringing as a material, this type of lens features non- distortion correction Incident
surfaces on either one or both sides Nikon, effectively compensates chromatic semiconductor manufacturing light
spherical surfaces on one or both sides of the glass. It provides Conventional multilayer
of the glass in order to eliminate aberration utilizing the photo diffraction technology, NIKKOR’s Nano Crystal Coat coating
superior rendering capability by maximizing the advantages of certain types of lens aberration. These phenomenon*. It provides superior chromatic is an antireflective coating that employs Lens
both ED glass and an aspherical lens – effectively correcting aspherical elements are particularly aberration compensation performance when an extra-low refractive index coating
various lens aberrations such as lateral chromatic aberration, useful for correcting the distortion in combined with a normal glass lens. Compared featuring ultra-fine, nano-sized* crystal Without coating
coma flare at the periphery, as well as distortion and spherical wide-angle lenses. Such distortions to many general camera lenses that employ Conceptual image of the
particles. These crystallized particles
appearance of the PF (Phase
aberration. It achieves aberration correction of ED glass and are caused by variations in the an optical system using the photorefractive Fresnel) lens eliminate reflections inside the lens Incident
light Reflected light
aspherical lens in one element, contributing to lens compactness. magnification of the image, depending phenomenon, a remarkably compact and lightweight body can be throughout the spectrum of visible light
Distortion is suppressed Nano Crystal Coat
Adopted in the AF-S NIKKOR 24-70mm f/2.8E ED VR. on its distance from the optical axis. attained with less number of lens elements. waves (380 to 780 nm) in ways that
Conceptual image of Lens
Aspherical lens elements correct these spherical aberration A general interchangeable lens forms an image on an imaging far exceed the limits of conventional
Image of aspherical ED glass
distortions by continuously changing correction
plane, using the photorefractive phenomenon. The degree of light antireflection coating systems. Nano
Aspherical ED glass: provides superior rendering capability by maximizing the advantages of
both ED glass and an aspherical lens the refractive index from the center of refraction differs depending on the color (wavelength), and image Crystal Coat not only solves ghost Nano Crystal Coat
ED glass: Enables the production of lenses that offer superior sharpness and color correction the lens. formation is performed in the order of blue (B), green (G), and effects caused by red light, which
by minimizing chromatic aberration Since the 1960s, Nikon engineers Spherical red (R) starting with the portion near the lens. The color deviation was incredibly difficult for previous
aberration
have established design theories and Normal lens referred to as chromatic aberration induces color bleeding, systems. It also effectively reduces
Optical Optical
lens-processing techniques to refine resulting in a deterioration of observed or captured images. ghost and flare effects caused by
axis axis the aspherical lens. In 1968, the OP light entering the lens diagonally. The (From left) Without coating, Nikon Super
With PF (Phase Fresnel) lenses, on the other hand, image Integrated Coating, Nano Crystal Coat
Chromatic aberration Chromatic aberration
Fisheye-Nikkor 10mm f/5.6 became result: clearer images.
formation is performed in the order of red (R), green (G), and blue
(color fringing): Large (color fringing): Small the first interchangeable SLR lens *One nanometer equals one millionth of a millimeter
Normal lens ED glass Aspherical lens
(B) starting with the portion near the lens. By combining the PF
incorporating aspherical lens elements.
Refractive index is continuously (Phase Fresnel) lens with a refractive lens, chromatic aberration
Aspherical lens: Virtually eliminates the problem of coma and other types of lens aberration
Since then, aspherical lenses have changed from the center
can be effectively compensated.
Image Image Conceptual
been an important part of the NIKKOR
Conceptual
plane image plane image lens family, with every new addition to the lineup providing a new
*Diffraction phenomenon: Light has characteristics as a waveform. When a waveform faces
an obstacle, it attempts to go around and behind it, and this characteristic is referred to as
Nikon’s coating system utilizing fluorine
level of contrast, resolution and compact design. diffraction. Diffraction causes chromatic dispersion in the reverse order of refraction.
Hybrid aspherical lenses: made of a special plastic molded onto Nikon’s fluorine coat effectively repels dust, water droplets,
Focal Spherical Focal Chromatic aberration compensation with the PF (Phase Fresnel) lens
point aberration point optical glass. grease or dirt, ensuring easy removal even when they adhere to
Normal lens Aspherical lens the lens surface. Thanks to Nikon’s original technology, it delivers
Molded glass aspherical lenses: manufactured by directly
higher durability and is more peel-resistant. Compared to other
pressing optical glass into a high-precision aspherical mold.
manufacturers’ coating of a similar kind, fluorine coat endures
Refractive lens element a higher frequency of lens surface wiping and provides longer-
ED glass / Super ED glass The longer the wavelengths,
duration staying power. Its anti-reflective effect also contributes
the farther the focal point
Fluorite lens to the capture of clear images.
Nikon was the world’s first camera Conceptual images of
maker to develop ED (Extra-low secondary spectrum PF (Phase Fresnel) lens
Dispersion) glass that could minimize Fluorite is a monocrystal optical material that features a high Mutual cancellation compensates
chromatic aberration
Normal lens
prism-caused color dispersion. This transmission rate within both the infrared and ultraviolet zones.
PF (Phase Fresnel) lens element
low-dispersion ED glass also offers With its superb anomalous dispersion properties, fluorite intense- The shorter the wavelengths,
the farther the focal point
anomalous dispersion characteristics ly blocks the secondary spectrum in order to effectively correct Static contact angle: 110˚ Static contact angle: 40˚
White light Blue Green Red
like calcium fluoride crystals, which chromatic aberration within the visible light spectrum – some- With flourine coat Without coating
consequently minimize the secondary thing that is more difficult to achieve at longer focal lengths. It
Secondary is also significantly lighter than optical glass, giving you a more [Note]
spectrum. For lenses using normal spectrum Due to the characteristics of a PF (Phase Fresnel) lens that utilizes the photo diffraction
optical glass, the longer the focal effective lens with less weight. phenomenon, when there is a strong light source within the frame or when light enters the
lens from outside of the frame, ring-shaped colored flare may occur according to shooting
length, the more difficult it is to correct conditions. This phenomenon can be minimized with “PF Flare Control” included in Capture
ED glass/Super ED glass/ NX-D. Refer to the software manual for more information. Capture NX-D is available from
the chromatic aberration that causes Fluorite our website. Please download and use the latest version.
color fringing. Nikon’s ED glass, which
effectively compensates for this kind High Refractive Index lens Comparison images of PF Flare Control effect
of chromatic aberration, is employed
in a wide range of NIKKOR telephoto With a refractive index of more than 2.0, one HRI lens can offer
lenses for superior reproduction. Secondary effects equivalent to those obtained with several normal glass
spectrum
Nikon has also developed Super ED elements and can compensate for both field curvature and
glass featuring even lower disper- spherical aberrations. Therefore, HRI lenses achieve great optical
sion properties and extremely high performance in eliminating performance in an even more compact body.
the secondary spectrum, to minimize chromatic aberration even
further, as well as other lens aberrations. Original image PF Flare Control applied
34 35
NIKKOR TECHNOLOGY
Vibration Reduction (VR) Silent Wave Motor M/A (manual-priority auto) mode
With NIKKOR’s Vibration Reduction Nikon’s original Silent Wave Motor (SWM) converts “traveling Simply by rotating a focus ring, M/A mode allows you to switch
VR lens unit
system, camera shake information waves” into rotational energy to drive the optics used for from autofocus to manual with virtually no time lag. This makes
is detected by the VR sensor of the focusing. The two SWM lens types – ring type and compact it possible to seamlessly switch to fine manual focusing while
Image sensor
VR lens unit, which is continually type – are specifically chosen to match each lens’s specs and looking through the viewfinder.
Direction of movement
in motion inside the lens, aligning design. Any AF-S NIKKOR lens featuring these SWMs delivers
VR mechanism
the optical axis with your camera’s extremely smooth, quiet and comfortable auto focusing for both
A/M (auto-priority manual) mode
imaging sensor, thereby reducing image blur. By providing the general shooting as well as extreme situations, such as sports
equivalent of shooting at shutter speeds up to 4.5 stops* faster, VR off VR on and wildlife. This mode also enables an easy transition
the system helps you achieve sharper shots when shooting from autofocus to manual during AF operation.
sports scenes, dimly lit landscapes and handheld situations. However, mode switch sensitivity has been
altered to reduce the possibility of sudden
Stepping Motor
unintentional switching to manual focus while
In-lens blur correction advantageous for diverse scenes Panning detection for moving subjects An AF-P lens employs an STM (Stepping Motor) for driving the shooting.
AF. Motor operation is synchronized with pulse electric power,
Optimization in every lens For a panning shot in which
rotating one step per electric pulse. It offers high response and
Nikon's Vibration Reduction (VR) function that enables in-lens blur subject movement needs to be A-M mode ring/lever/switch
correction is optimized for each lens. For example, a micro lens can emphasized, Nikon’s VR detects controllability for starting and stopping, and its simple mechanical
be used for shooting close-ups of a flower with the photographer camera movement for panning, structure allows for extremely quiet operation. Useful for video Thanks to a mechanism incorporated in the lens barrel, smooth
in a crouching position. While with a high-power zoom lens, blur automatically suppressing the shooting and other times when operational noise from the lens is focusing operation in Manual focus mode is realized in the same
characteristics at the maximum wide-angle and telephoto positions blur-correction function. For a a concern. way as users have become accustomed to with conventional
may significantly differ. Considering differences in shooting scenes horizontally moving subject, [NOTE] The number of compatible cameras is limited. Even for compatible cameras, manual-focus lenses by adding an appropriate torque to the
some models require firmware update.
and lens specifications, Nikon sets the most appropriate VR only vertical blur is corrected. focus ring. The AF-S DX NIKKOR 18-55mm f/3.5-5.6G VR II and
parameters for each lens type and conducts over 10,000 shooting With VR lenses employing Active mode, choose Normal mode for AF-S DX NIKKOR 55-200mm f/4-5.6G ED VR II are equipped
tests to refine unique algorithms. Yet another reason why the panning shots. with A-M mode switch, and the focus ring on these lenses
system is built inside the lens. • Refer to page 38 for VR lenses with Active mode.
rotate during autofocus.
Dual algorithm Tripod vibration reduction function
Looking through a fully blur-corrected viewfinder for long periods This function automatically differentiates the frequency of the
of time may cause feelings similar to motion sickness in some vibration from that of camera shake, and changes the algorithm to n Nikon Super Integrated Coating n D Signal – Distance information output n Rounded Diaphragm
photographers. To prevent this, Nikon developed an exclusive correct image blur caused by slight tripod vibration. Nikon’s exclusive multilayer lens coating capability When shooting with an ordinary diaphragm,
algorithm utilized when the shutter release button is half-pressed. • Refer to page 38 for VR lenses with this function. achieves high transmittance in a wider The D stands for Distance. Subject-to- blurry, polygon-shaped spots are likely to
This first algorithm controls the blur correction at a slightly lower wavelength range. Even for zoom lenses camera distance information is obtained appear in images of scenes that include
level than usual. When the shutter release button is fully pressed, a Three VR modes selectable
with a large number of glass elements, with an internal encoder, which is linked to point light sources such as street lamps
second algorithm engages to maximize camera shake compensation according to shooting situations
this coating system effectively reduces the lens focus ring. This information is then or holiday lighting at night. A rounded
during exposure for clear images. Normal mode the ghost and flare effects that are likely transmitted to the camera body for high- diaphragm is achieved by using specialized
Normal mode is recommended for most general scenes. In this
to occur in backlit situations, helping you precision exposure control found in 3D Color blades for a beautiful and naturally round
Centering prior to exposure mode, slow and wide camera movement is regarded as the
achieve high-contrast images with rich Matrix Metering II/III and i-TTL Balanced Fill- shape for out-of-focus objects.
The instant the shutter is released, the VR lens unit will reset to a photographer recomposing a shot and blur-correction operation is
gradation. With outstanding color balance Flash. Every AF, AF-S, PC and PC-E series
central position (optical axis) from an off-centered position which is limited accordingly. Normal mode also includes automatic panning
detection. and reproduction capability, superb optical lens has a distance signal built in. n Internal Focusing
the result of VR operation. Although the shift range of the VR lens
unit is limited, centering of the lens ensures uniform shift in any performance can be achieved. Ghost and With this focusing method, all the lens
Active mode
direction, maximizing the VR effect as well as optical performance. When shooting from a moving vehicle or other unstable position,
flare effects caused by internal reflections n E-type lenses elements are divided into front, middle and
the lens can sometimes misinterpret camera movement or a particular to digital cameras are also An electromagnetic diaphragm mechanism rear groups, with only the middle group
High blur-correction performance photographer’s intentions. In this case, choose Active mode for effectively minimized. This coating system is incorporated inside the body of these moving to focus.
It is said that a shutter further compensation, a more stable viewfinder image and even is applied to all current lenses in the lenses and controlled via electronic signals
With the AF-S NIKKOR 200-500mm
speed of 1/[focal length f/5.6E ED VR set at 500 mm steadier shots. NIKKOR lineup. from the camera body. This gives you n Rear Focusing
Degree • Refer to page 38 for VR lenses with Active mode.
(mm)] second or slower of blur incredibly accurate aperture control, even With Nikon’s Rear Focusing (RF) system, all
VR: OFF VR [NORMAL]: ON (4.5 stops)
may cause image blur, Sport mode n Meniscus Protective Glass when a teleconverter is being used with a the lens elements are divided into specific
however, this cannot Effect: 4.5 stops
Sport mode is particularly effective NIKKOR’s exclusive protective glass for super-telephoto lens*. lens groups, with only the rear lens group
be applied to every for shooting sports because natural lenses comes attached to the front of *Some limitations apply moving for focusing.
situation because finder image can be reliably provided fast super-telephoto lenses. Normal flat
there are differences Shutter speed [s]
1/500 1/250 1/125 1/60 1/30 1/15 1/8 1/4 even when tracking randomly moving protective glass lets incoming light reflect n G-type lenses n Close-Range Correction system
in photographers’ skill subjects. This is also achieved when tracking subjects with handheld
and lens/camera performance. For this reason, Nikon’s engineers off the surface of the image sensor or film, For this type of lens, apertures are always The Close-Range Correction (CRC)
panning or even during movie recording. A more stable finder image
compared an image with VR on and another without VR based on especially under a strong light source such selected from the camera body, as there is system is one of Nikon’s most important
is attained when utilizing a monopod or a tripod. For shooting still
CIPA Standard. As a result, the VR effect providing the equivalent as a spotlight. This then reflects again off no aperture ring on the lens itself. Through focusing innovations, because it provides
subjects, Normal mode that offers a higher blur-correction effect is
of a shutter speed up to 4.5 stops* faster is confirmed. This allows the protective glass, resulting in a ghost the powerful control of diaphragm blades, superior picture quality when shooting at
recommended.
photographers to use slower shutter speeds than would otherwise • Refer to page 38 for VR lenses with Sport mode. effect. NIKKOR’s curved meniscus glass stable high-speed continuous shooting is close distances, increasing your focusing
be possible for taking sharp images with minimal blur, expanding dramatically reduces this re-reflected light, enabled, even at smaller apertures*. range. With CRC, the lens elements
photographic expression. realizing clearer images with less ghosting. *Some limitations apply
are configured in a “floating element”
attached to a DX-format digital SLR camera, FX-format compatible lenses are design wherein each lens group moves
maximum telephoto position. For VR effect in stops with each lens, refer to page 38. independently to achieve focusing.
36 37
SPECIFICATIONS
*1 With the IF (Internal Focusing) system,
Lens Angle of view Angle of view Vibration Reduction (VR)
Number of Minimum Maximum Filter- the shorter the shooting distance,
construction with with Focusing Tripod diaphragm Minimum Weight Diameter x length*4 Lens cap the shorter the focal length becomes
Lens name Effect in focus distance*3 reproduction attachment size Lens hood *5
Lens case
[groups/ FX-format DX-format system *1
VR mode vibration f-stop [g/oz] [mm/in.] type
stops*2 blades [m/ft] ratio[x] [mm] because of its optical characteristics.
elements] cameras cameras reduction
*2 Based on CIPA Standard. This value is
■ WIDE-ANGLE ZOOM NIKKOR LENSES [p6-p8] achieved when: DX-format lenses are
AF-P DX NIKKOR 10-20mm f/4.5-5.6G VR 11/14 — 109°-70° IF 3.5 Normal √ 7 22-29 0.22/0.8 0.17 230/8.2 77.0 × 73.0/3.0 × 2.9 72 Snap-on HB-81 (provided) CL-1015 (provided) attached to a DX-format digital SLR
AF-S DX NIKKOR 10-24mm f/3.5-4.5G ED 9/14 — 109˚-61˚ IF 7 22-29 0.24/0.8 (0.22/0.7)*6 0.19 460/16.2 82.5 × 87/3.2 × 3.4 77 Snap-on HB-23 (provided) CL-1118 (provided)
camera, FX-format compatible lenses
AF-S DX Zoom-Nikkor 12-24mm f/4G IF-ED 7/11 — 99˚-61˚ IF 7 22 0.3/1 0.12 465/16.4 82.5 × 90/3.2 × 3.5 77 Snap-on HB-23 (provided) CL-S2 (optional)
are attached to an FX-format digital
AF-S NIKKOR 14-24mm f/2.8G ED 11/14 114˚-84˚ 90˚-61˚ IF 9 22 0.28/0.92*9 0.14 970/34.2 98 × 131.5/3.9 × 5.2 — Slip-on Built-in CL-M3 (provided)
SLR camera, and zoom lenses are set
AF-S NIKKOR 16-35mm f/4G ED VR 12/17 107˚-63˚ 83˚-44˚ IF 2.5 Normal 9 22 0.28/0.9*10 0.24 680/24.0 82.5 × 125/3.2 × 4.9 77 Snap-on HB-23 (provided) CL-1120 (provided)
at the maximum telephoto position.
AF-S Zoom-Nikkor 17-35mm f/2.8D IF-ED 10/13 104˚-62˚ 79˚-44˚ IF 9 22 0.28/0.9 0.21 745/26.3 82.5 × 106/3.2 × 4.2 77 Snap-on HB-23 (provided) CL-76 (provided)
AF-S NIKKOR 18-35mm f/3.5-4.5G ED 8/12 100˚-63˚ 76˚-44˚ IF 7 22-29 0.28/0.92 0.19 385/13.6 83 × 95/3.3 × 3.7 77 Snap-on HB-66 (provided) CL-1118 (provided) *3 Minimum focus distance is the
■ NORMAL ZOOM NIKKOR LENSES [p9-p13] distance from a camera's focal plane
AF-S DX NIKKOR 16-80mm f/2.8-4E ED VR 13/17 — 83˚-20˚ IF 4.0 Normal / Active √ 7 22-32 0.35/1.15 0.22 480/16.9 80 × 85.5/3.1 × 3.4 72 Snap-on HB-75 (provided) CL-1218 (optional) mark to the subject.
AF-S DX NIKKOR 16-85mm f/3.5-5.6G ED VR 11/17 — 83˚-18˚50' IF 3.5 Normal / Active 7 22-36 0.38/1.3 0.21 485/17.1 72 × 85/2.8 × 3.3 67 Snap-on HB-39 (provided) CL-1015 (provided) *4 Distance from camera lens mount
AF-S DX Zoom-Nikkor 17-55mm f/2.8G IF-ED 10/14 — 79˚-28˚50' IF 9 22 0.36/1.2*11 0.20 755/26.6 85.5 × 110.5/3.4 × 4.4 77 Snap-on HB-31 (provided) CL-1120 (provided) flange.
AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR 9/12 — 76˚-28°50’ IF 4.0 Normal √ 7 22-38 0.25/0.9 0.38 205/7.3 64.5 × 62.5/2.5 × 2.5 55 Snap-on HB-N106 (optional) CL-0815 (optional) *5 Lens hood names indicate type: HB
AF-P DX NIKKOR 18-55mm f/3.5-5.6G 9/12 — 76˚-28°50’ IF 7 22-38 0.25/0.9 0.38 195/6.9 64.5 × 62.5/2.5 × 2.5 55 Snap-on HB-N106 (optional) CL-0815 (optional) (bayonet), HN (screw-on), HK (slip-on),
AF-S DX NIKKOR 18-55mm f/3.5-5.6G VR II 8/11 — 76˚-28˚50' 4.0 Normal 7 22-36 0.28/0.92 (0.25/0.82)*6 0.30 (0.36)*6 195/6.9 66 × 59.5/2.6 × 2.3 52 Snap-on HB-69 (optional) CL-0815 (optional) HS (snap-on) and HR (rubber screw-on).
AF-S DX NIKKOR 18-105mm f/3.5-5.6G ED VR 11/15 — 76˚-15˚20' IF 3.5 Normal 7 22-38 0.45/1.5 0.20 420/14.8 76 × 89/3.0 × 3.5 67 Snap-on HB-32 (provided) CL-1018 (provided)
AF-S DX NIKKOR 18-140mm f/3.5-5.6G ED VR 12/17 — 76˚-11˚30' IF 4.0 Normal 7 22-38 0.45/1.48 0.23 490/17.3 78 × 97/3.1 × 3.8 67 Snap-on HB-32 (optional) CL-1018 (optional)
*6 Number in ( ) is for MF.
AF-S DX NIKKOR 18-200mm f/3.5-5.6G ED VR II 12/16 — 76˚-8˚ IF 3.5 Normal / Active 7 22-36 0.5/1.6 0.22 565/19.9 77 × 96.5/3.0 × 3.8 72 Snap-on HB-35 (provided) CL-1018 (provided) *7 Number in ( ) is for macro setting.
AF-S DX NIKKOR 18-300mm f/3.5-5.6G ED VR 14/19 — 76˚-5˚20' IF 3.5 Normal / Active 9 22-32 0.45/1.48*12 0.31 830/29.3 83 × 120/3.3 × 4.7 77 Snap-on HB-58 (provided) CL-1120 (provided) *8 Number in ( ) is for macro setting at
AF-S DX NIKKOR 18-300mm f/3.5-6.3G ED VR 12/16 — 76˚-5˚20' IF 4.0 Normal 7 22-40 0.48/1.6 0.29 550/19.4 78.5 × 99/3.1 × 3.9 67 Snap-on HB-39 (optional) CL-1018 (optional) 85 mm telephoto end.
AF-S NIKKOR 24-70mm f/2.8E ED VR 16/20 84˚-34˚20' 61˚-22˚50' IF 4.0 Normal / Active √ 9 22 0.38/1.25*13 (0.41/1.35)*14 0.28 1070/37.7 88 × 154.5/3.5 × 6.1 82 Snap-on HB-74 (provided) CL-M3 (provided) *9 When in between 18-24 mm.
AF-S NIKKOR 24-70mm f/2.8G ED 11/15 84˚-34˚20' 61˚-22˚50' IF 9 22 0.38/1.2*13 0.26 900/31.7 83 × 133/3.3 × 5.2 77 Snap-on HB-40 (provided) CL-M3 (provided)
*10 When in between 20-28 mm.
AF Zoom-Nikkor 24-85mm f/2.8-4D IF 11/15 84˚-28˚30' 61˚-18˚50' IF 9 22-32 0.5/1.6 (0.21/0.7)*8 0.17 (0.5)*8 545/19.2 78.5 × 82.5/3.1 × 3.2 72 Snap-on HB-25 (provided) CL-S2 (optional)
AF-S NIKKOR 24-85mm f/3.5-4.5G ED VR 11/16 84˚-28˚30' 61˚-18˚50' IF 4.0 Normal 7 22-29 0.38/1.25 0.22 465/16.4 78 × 82/3.1 × 3.2 72 Snap-on HB-63 (provided) CL-1118 (provided) *11 When in 35 mm.
AF-S NIKKOR 24-120mm f/4G ED VR 13/17 84˚-20˚20' 61˚-13˚20' IF 3.5 Normal / Active 9 22 0.45/1.5 0.23 710/25 84 × 103.5/3.3 × 4.1 77 Snap-on HB-53 (provided) CL-1218 (provided) *12 When in 300 mm.
AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR 14/19 75˚-8˚10' 53˚-5˚20' IF 3.5 Normal / Active 9 22-38 0.5/1.6 0.31 800/28.2 83 × 114.5/3.3 × 4.5 77 Snap-on HB-50 (provided) CL-1120 (provided) *13 When in between 35-50 mm.
■ TELEPHOTO ZOOM NIKKOR LENSES [p14-p18] *14 When in 24, 28, 70 mm.
AF-S DX NIKKOR 55-200mm f/4-5.6G ED VR II 9/13 — 28˚50'-8˚ IF 4.0 Normal 7 22-32 1.1/3.7 0.23 300/10.6 70.5 × 83/2.8 × 3.3 52 Snap-on HB-37 (optional) CL-0915 (optional)
AF-S DX NIKKOR 55-300mm f/4.5-5.6G ED VR 11/17 — 28˚50'-5˚20' 3.0 Normal 9 22-29 1.4/4.59 0.27 530/18.7 76.5 × 123/3.0 × 4.8 58 Snap-on HB-57 (provided) CL-1020 (provided)
*15 Tripod mounting collar is provided.
AF-S NIKKOR 70-200mm f/2.8E FL ED VR*15 18/22 34˚20’-12˚20’ 22˚50’-8˚ IF 4.0 Normal / Sport √ 9 22 1.1/3.61 0.21 1430/50.4 88.5 × 202.5/3.5 × 8.0 77 Snap-on HB-78 (provided) CL-M2 (provided) *16 Number in ( ) is the weight without
AF-S NIKKOR 70-200mm f/2.8G ED VR II*15 16/21 34˚20'-12˚20' 22˚50'-8˚ IF 3.5 Normal / Active 9 22 1.4/4.6 0.11 1540 (1460)/54.3 (51.5)*16 87 × 205.5/3.4 × 8.1 77 Snap-on HB-48 (provided) CL-M2 (provided) tripod mounting collar.
AF-S NIKKOR 70-200mm f/4G ED VR 14/20 34˚20'-12˚20' 22˚50'-8˚ IF 4.0 Normal / Active 9 32 1.0/3.28 0.27 850/30.0 78 × 178.5/3.1 × 7.0 67 Snap-on HB-60 (provided) CL-1225 (provided) *17 Close-Range Correction (CRC) system
AF-P NIKKOR 70-300mm f/4.5-5.6E ED VR 14/18 34°20'-8°10' 22°50’-5°20’ IF 4.5 Normal / Sport √ 9 32-40 1.2/3.94 0.25 680/24.0 80.5 × 146.0/3.2 × 5.7 67 Snap-on HB-82 (provided) CL-1022 (provided) *18 Using shifting and/or tilting under
AF-S VR Zoom-Nikkor 70-300mm f/4.5-5.6G IF-ED 12/17 34˚20'-8˚10' 22˚50'-5˚20' IF 2.5 Normal / Active 9 32-40 1.5/4.9 0.24 745/26.3 80 × 143.5/3.1 × 5.6 67 Snap-on HB-36 (provided) CL-1022 (provided)
some conditions may cause
AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED VR 10/14 — 22˚50’-5˚20’ IF 4.0 Normal √ 7 22-32 1.1/3.7 0.22 415/14.7 72 × 125/2.8 × 4.9 58 Snap-on HB-77 (optional) CL-1020 (optional)
vignetting.
AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED 10/14 — 22˚50’-5˚20’ IF 7 22-32 1.1/3.7 0.22 400/14.2 72 × 125/2.8 × 4.9 58 Snap-on HB-77 (optional) CL-1020 (optional)
AF Zoom-Nikkor 80-200mm f/2.8D ED*15 11/16 30˚10'-12˚20' 20˚-8˚ 9 22 1.8/6 (1.5/4.9)*7 0.13 (0.17)*7 1300/45.9 87 × 187/3.4 × 7.4 77 Snap-on HB-7 (optional) CL-43A (provided)
AF-S NIKKOR 80-400mm f/4.5-5.6G ED VR*15 12/20 30˚10'-6˚10' 20˚-4˚ IF 4.0 Normal / Active √ 9 32-40 1.75/5.74 (1.5/4.92)*6 0.17 (0.19)*6 1570 (1480)/55.4 (52.2)*16 95.5 × 203/3.8 × 8.0 77 Snap-on HB-65 (provided) CL-M2 (provided) When using the following cameras,
AF-S NIKKOR 200-400mm f/4G ED VR II*15 17/24 12˚20'-6˚10' 8˚-4˚ IF 3.0 Normal / Active √ 9 32 2/6.6 (1.95/6.4)*6 0.26 (0.27)*6 3360/118.5 124 × 365.5/4.9 × 14.4 52 Slip-on HK-30 (provided) CL-L2 (provided)
autofocusing is possible only with the
AF-S NIKKOR 200-500mm f/5.6E ED VR*15 12/19 12˚20'-5˚ 8˚-3˚10' IF 4.5 Normal / Sport √ 9 32 2.2/7.22 0.22 2300 (2090)/81.1 (73.7)*16 108 × 267.5/4.3 × 10.5 95 Snap-on HB-71 (provided) CL-1434 (provided)
types of lenses listed.
■ FIXED FOCAL-LENGTH NIKKOR LENSES [p19-p27]
AF Nikkor 14mm f/2.8D ED 12/14 114˚ 90˚ RF 7 22 0.2/0.66 0.15 670/23.6 87 × 86.5/3.4 × 3.4 Gelatin filter Slip-on Built-in CL-S2 (provided) •D3400: AF-S (type E or G), AF-P
AF-S NIKKOR 20mm f/1.8G ED 11/13 94˚ 70˚ RF 7 16 0.2/0.66 0.23 355/12.5 82.5 × 80.5/3.2 × 3.2 77 Snap-on HB-72 (provided) CL-1015 (provided) lenses
AF Nikkor 20mm f/2.8D*17 9/12 94˚ 70˚ 7 22 0.25/0.85 0.12 270/9.5 69 × 42.5/2.7 × 1.7 62 Snap-on HB-4 (optional) CL-S2 (optional) •D5600/D5500/D5300/D5200/D3300:
AF-S NIKKOR 24mm f/1.4G ED 10/12 84˚ 61˚ RF 9 16 0.25/0.82 0.18 620/21.9 83 × 88.5/3.3 × 3.5 77 Snap-on HB-51 (provided) CL-1118 (provided)
AF-S, AF-P, AF-I lenses (Firmware
AF-S NIKKOR 24mm f/1.8G ED 9/12 84˚ 61˚ RF 7 16 0.23/0.75 0.20 355/12.5 77.5 × 83/3.1 × 3.3 72 Snap-on HB-76 (provided) CL-1015 (provided)
AF Nikkor 24mm f/2.8D*17 9/9 84˚ 61˚ 7 22 0.3/1 0.11 270/9.5 64.5 × 46/2.5 × 1.8 52 Snap-on HN-1 (optional) CL-0715 (optional) update may be required for AF-P
AF-S NIKKOR 28mm f/1.4E ED 11/14 75˚ 53˚ RF 9 16 0.28/0.92 0.17 645/22.8 83.0 × 100.5/3.3 × 4.0 77 Snap-on HB-83 (provided) CL-1118 (provided) lenses)
AF-S NIKKOR 28mm f/1.8G 9/11 75˚ 53˚ RF 7 16 0.25/0.82 0.21 330/11.6 73 × 80.5/2.9 × 3.2 67 Snap-on HB-64 (provided) CL-0915 (provided) •D5100/D5000/D3200/D3100/D3000/
AF Nikkor 28mm f/2.8D 6/6 74˚ 53˚ 7 22 0.25/0.85 0.17 205/7.2 65 × 44.5/2.6 × 1.8 52 Snap-on HN-2 (optional) CL-0715 (optional)
D60/D40 series: AF-S, AF-I lenses
AF-S NIKKOR 35mm f/1.4G 7/10 63˚ 44˚ RF 9 16 0.3/0.98 0.19 600/21.2 83 × 89.5/3.3 × 3.5 67 Snap-on HB-59 (provided) CL-1118 (provided)
AF-S NIKKOR 35mm f/1.8G ED 8/11 63˚ 44˚ RF 7 16 0.25/0.85 0.23 305/10.8 72 × 71.5/2.8 × 2.8 58 Snap-on HB-70 (provided) CL-0915 (provided)
AF-S DX NIKKOR 35mm f/1.8G 6/8 — 44˚ RF 7 22 0.3/0.98 0.16 200/7.1 70 × 52.5/2.8 × 2.1 52 Snap-on HB-46 (provided) CL-0913 (provided)
AF Nikkor 35mm f/2D 5/6 62˚ 44˚ 7 22 0.25/0.85 0.23 205/7.2 64.5 × 43.5/2.5 × 1.7 52 Snap-on HN-3 (optional) CL-0715 (optional) With type E lenses incorporating an
AF-S NIKKOR 50mm f/1.4G 7/8 46˚ 31˚30' 9 16 0.45/1.5 0.14 280/9.9 73.5 × 54/2.9 × 2.1 58 Snap-on HB-47 (provided) CL-1013 (provided) electromagnetic diaphragm mechanism,
AF Nikkor 50mm f/1.4D 6/7 46˚ 31˚30' 7 16 0.45/1.5 0.14 230/8.1 64.5 × 42.5/2.5 × 1.7 52 Snap-on HR-2 (optional) CL-0715 (optional) the following cameras are compatible:
AF-S NIKKOR 50mm f/1.8G (Special Edition) 6/7 47˚ 31˚30' 7 16 0.45/1.48 0.15 190/6.7 73 × 52.5/2.9 × 2.1 58 Snap-on HB-47 (provided) CL-1013 (provided) D5, D4 series, D3 series, Df, D850,
AF-S NIKKOR 50mm f/1.8G 6/7 47˚ 31˚30' 7 16 0.45/1.48 0.15 185/6.5 72 × 52.5/2.8 × 2.1 58 Snap-on HB-47 (provided) CL-1013 (provided)
D810 series, D800 series, D750, D700,
AF Nikkor 50mm f/1.8D 5/6 46˚ 31˚30' 7 22 0.45/1.5 0.15 155/5.5 63.5 × 39/2.5 × 1.5 52 Snap-on HR-2 (optional) CL-0715 (optional)
AF-S NIKKOR 58mm f/1.4G 6/9 40˚50' 27˚20' 9 16 0.58/1.9 0.12 385/13.6 85 × 70/3.3 × 2.8 72 Snap-on HB-68 (provided) CL-1015 (provided) D610, D600, D500, D300 series,
AF-S NIKKOR 85mm f/1.4G 9/10 28˚30' 18˚50' IF 9 16 0.85/2.79 0.11 595/21.0 86.5 × 84/3.4 × 3.3 77 Snap-on HB-55 (provided) CL-1118 (provided) D7500, D7200, D7100, D7000, D5600,
AF-S NIKKOR 85mm f/1.8G 9/9 28˚30' 18˚50' IF 7 16 0.8/2.62 0.12 350/12.3 80 × 73/3.1 × 2.9 67 Snap-on HB-62 (provided) CL-1015 (provided) D5500, D5300, D5200, D5100, D5000,
AF-S NIKKOR 105mm f/1.4E ED 9/14 23˚10’ 15˚20’ IF 9 16 1.0/3.3 0.13 985/34.7 94.5 × 106/3.7 × 4.2 82 Snap-on HB-79 (provided) CL-1218 (provided) D3400, D3300, D3200, D3100, Nikon 1
AF DC-Nikkor 105mm f/2D 6/6 23˚20' 15˚20' RF 9 16 0.9/3 0.13 640/22.6 79 × 111/3.1 × 4.4 72 Snap-on Built-in CL-38 (optional)
series with the FT1
AF DC-Nikkor 135mm f/2D 6/7 18˚ 12˚ RF 9 16 1.1/4 0.13 815/28.7 79 × 120/3.1 × 4.7 72 Snap-on Built-in CL-38 (optional)
AF Nikkor 180mm f/2.8D IF-ED 6/8 13˚40' 9˚ IF 9 22 1.5/5 0.15 760/26.8 78.5 × 144/3.1 × 5.7 72 Snap-on Built-in CL-38 (provided)
AF-S NIKKOR 200mm f/2G ED VR II*15 9/13 12˚20' 8˚ IF 3.0 Normal / Active √ 9 22 1.9/6.2 0.12 2930/103.4 124 × 203.5/4.9 × 8.0 52 Slip-on HK-31 (provided) CL-L1 (provided)
AF-S NIKKOR 300mm f/2.8G ED VR II*15 8/11 8˚10' 5˚20' IF 3.0 Normal / Active √ 9 22 2.3/7.5 (2.2/7.2)*6 0.15 (0.16)*6 2900/102.3 124 × 267.5/4.9 × 10.5 52 Slip-on HK-30 (provided) CL-L1 (provided)
AF-S NIKKOR 300mm f/4E PF ED VR*15 10/16 8˚10' 5˚20' IF 4.5 Normal / Sport √ 9 32 1.4/4.6 0.24 755/26.6 89 × 147.5/3.5 × 5.8 77 Snap-on HB-73 (provided) CL-M3 (provided)
AF-S Nikkor 300mm f/4D IF-ED*15 6/10 8˚10' 5˚20' IF 9 32 1.45/4.8 0.27 1440 (1300)/50.8 (45.9)*16 90 × 222.5/3.5 × 8.8 77 Snap-on Built-in CL-M2 (provided)
AF-S NIKKOR 400mm f/2.8E FL ED VR*15 12/16 6˚10' 4˚ IF 4.0 Normal / Sport √ 9 22 2.6/8.5 0.17 3800/134.0 159.5 × 358/6.3 × 14.1 40.5 Slip-on HK-38 (provided) CT-405 (provided)
AF-S NIKKOR 500mm f/4E FL ED VR*15 12/16 5˚ 3˚10' IF 4.0 Normal / Sport √ 9 22 3.6/11.9 0.15 3090/109.0 140 × 387/5.5 × 15.2 40.5 Slip-on HK-34 (provided) CT-505 (provided)
AF-S NIKKOR 600mm f/4E FL ED VR*15 12/16 4˚10' 2˚40' IF 4.0 Normal / Sport √ 9 22 4.4/14.4 0.14 3810/134.4 166 × 432/6.5 × 17.0 40.5 Slip-on HK-40 (provided) CT-608 (provided)
AF-S NIKKOR 800mm f/5.6E FL ED VR*15 13/20 3˚10' 2˚ IF 4.5 Normal / Active √ 9 32 5.9/19.36 (5.8/19.03)*6 0.15 (0.15)*6 4590/161.9 160 × 461/6.3 × 18.1 52 Slip-on HK-38 (provided) CT-801 (provided)
■ SPECIAL-PURPOSE NIKKOR LENSES [p28-p31]
AF-S Fisheye NIKKOR 8-15mm f/3.5-4.5E ED 13/15 180°-175° 180°-110° IF 7 22-29 0.16/0.5 0.34 485/17.1 77.5 × 83.0/3.1 × 3.3 Gelatin filter Slip-on HB-80 (provided) CL-1218 (provided)
AF DX Fisheye-Nikkor 10.5mm f/2.8G ED*17 7/10 — 180˚ 7 22 0.14/0.46 0.20 305/10.8 63 × 62.5/2.5 × 2.5 Gelatin filter Slip-on Built-in CL-0715 (provided)
AF Fisheye-Nikkor 16mm f/2.8D*17 5/8 180˚ 107˚ 7 22 0.25/0.85 0.09 290/10.2 63 × 57/2.5 × 2.2 Rear-attachment type Slip-on Built-in CL-0715 (optional)
AF-S DX Micro NIKKOR 40mm f/2.8G*17 7/9 — 38˚50' 7 22 0.163/0.53 1.00 235/8.3 68.5 × 64.5/2.7 × 2.5 52 Snap-on HB-61 (provided) CL-0915 (provided)
AF-S Micro NIKKOR 60mm f/2.8G ED 9/12 39˚40' 26˚30' IF 9 32 0.185/0.6 1.00 425/15.0 73 × 89/2.9 × 3.5 62 Snap-on HB-42 (provided) CL-1018 (provided)
AF Micro-Nikkor 60mm f/2.8D*17 7/8 39˚40' 26˚30' 7 32 0.219/8 3/4 in. 1.00 440/15.5 70 × 74.5/2.8 × 2.9 62 Snap-on HN-22 (optional) CL-0815 (optional)
AF-S DX Micro NIKKOR 85mm f/3.5G ED VR 10/14 — 18˚50' IF 3.0 Normal 9 32 0.286/0.9 1.00 355/12.5 73 × 98.5/2.9 × 3.9 52 Snap-on HB-37 (provided) CL-1018 (provided)
AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED 12/14 23˚20' 15˚20' IF 3.0 Normal 9 32 0.314/1 1.00 750/26.5 83 × 116/3.3 × 4.6 62 Snap-on HB-38 (provided) CL-1020 (provided)
AF Micro-Nikkor 200mm f/4D IF-ED*15*17 8/13 12˚20' 8˚ IF 9 32 0.5/1 5/8 1.00 1190/42.0 76 × 193/3.0 × 7.6 62 Snap-on HN-30 (optional) CL-45 (provided)
PC NIKKOR 19mm f/4E ED 13/17 97˚ 73˚ RF 9 32 0.25/0.9 0.18 885/31.2 89 × 124/3.5 × 4.9 — Slip-on — CL-1120 (provided)
PC-E NIKKOR 24mm f/3.5D ED*18 10/13 84˚ 61˚ RF 9 32 0.21/0.75 0.36 730/25.7 82.5 × 108/3.2 × 4.3 77 Snap-on HB-41 (provided) CL-1120 (provided)
PC-E Micro NIKKOR 45mm f/2.8D ED*17*18 8/9 51˚ 34˚50' 9 32 0.253/0.83 0.50 740/26.1 82.5 × 112/3.2 × 4.4 77 Snap-on HB-43 (provided) CL-1120 (provided)
PC-E Micro NIKKOR 85mm f/2.8D*17*18 5/6 28˚30' 18˚50' 9 32 0.39/1.3 0.50 635/22.4 83.5 × 107/3.3 × 4.2 77 Snap-on HB-22 (provided) CL-1120 (provided)
38 39
Specifications and equipment are subject to change without any notice or obligation on the part of the manufacturer. September 2017 2017 Nikon Corporation
TO ENSURE CORRECT USAGE, READ MANUALS CAREFULLY BEFORE USING YOUR EQUIPMENT.
WARNING SOME DOCUMENTATION IS SUPPLIED ON CD-ROM ONLY.
NIKON CORPORATION Shinagawa Intercity Tower C, 2-15-3, Konan, Minato-ku, Tokyo 108-6290, Japan www.nikon.com En

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See Through Different Eyes

performance — through such procedures. For example,

NIKKOR lenses (maximum). This is one example in which

Lens construction: 14 elements in 11 groups Lens construction: 14 elements in 11 groups

Ultra-wide-angle zoom lenses for dynamic perspectives

Lens construction: 14 elements in 9 groups

AF-P DX NIKKOR 10-20mm f/4.5-5.6G VR

Lens construction: 17 elements in 12 groups

Lens construction: 13 elements in 10 groups

Lens construction: 12 elements in 8 groups

AF-S DX NIKKOR 18-300mm f/3.5-6.3G ED VR

Make every photo opportunity

The employment of a retractable-lens The powerful, approx. 7.8× zoom of

Lens construction: 11 elements in 8 groups

AF-S DX NIKKOR 18-200mm f/3.5-5.6G ED VR II DX

Lens construction: 16 elements in 12 groups Lens construction: 16 elements in 11 groups

DX-format, ultra-high-power 16.7× zoom lens with VR

around performance lens that is ideal Lens construction: 15 elements in 11 groups

Lens construction: 19 elements in 14 groups

for FX-format users. plications. Lens construction: 20 elements in 16 groups

N IK KO R LENSE S Featuring a 55-200 mm focal-length

Lens construction: 13 elements in 9 groups Lens construction: 17 elements in 11 groups

Agile and reliable, fast telephoto zoom lens for professionals

This fast f/2.8 telephoto zoom achieves remarkably light weight,

Lens construction: 22 elements in 18 groups

and capture the action from a distance

Lens construction: 14 elements in 10 groups Lens construction: 14 elements in 10 groups

AF-P NIKKOR 70-300mm f/4.5-5.6E ED VR © Delly Carr

Lens construction: 18 elements in 14 groups

Long-range, VR-enabled 400 mm zoom lens 200 mm 12°20'

Super-telephoto zoom lens with superb optical performance

Lens construction: 20 elements in 12 groups

Lens construction: 19 elements in 12 groups

AF-S NIKKOR 105mm f/1.4E ED

AF-S NIKKOR 80-400mm f/4.5-5.6G ED VR © Ray Demski

With an angle of view similar to the viewfield of human sight,

a great depth of field, this 20 mm lens

Lens construction: 12 elements in 9 groups

: Aspherical lens elements : ED glass elements

element, offering stunning sharpness and

AF-S DX NIKKOR 35mm f/1.8G DX AF Nikkor 35mm f/2D

Lens construction: 7 elements in 6 groups

Lens construction: 6 elements in 5 groups

Lens construction: 6 elements in 6 groups

: Super ED glass element

Offering an excellent balance between

N I K KO R L E N S E S High-performance, ultrawide-angle lens with

AF-S Fisheye NIKKOR 8-15mm f/3.5-4.5E ED 28°30'

Lens construction: 6 elements in 5 groups

Delivers stunningly sharp images up to This medium telephoto micro has

Lens construction: 12 elements in 9 groups Lens construction: 14 elements in 12 groups

Lens construction: 8 elements in 7 groups Lens construction: 13 elements in 8 groups

AF-S Teleconverters Extension Rings

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