The National Library of Israel

Department of Music

THE ALEXANDER URIJAH BOSKOVICH ARCHIVES

Mus. 37

Catalogue

Jerusalem, 2007
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Contents:

A Music Manuscripts 3

B Sketches 12

C Books & Articles written by Boskovich 12

D Music Reviews written by Boskovich 13

E Correspondence 14

F Documents 18

G Analytic & Teaching Material 19

H Books & Articles on Boskovich 20

I Programmes 22

J Posters 24

K Newspaper clipping 25

L Obituary Articles 25

M Correspondence of Mrs. Miriam Boskovich 26

N Varia 26
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A Music Manuscripts

A- 1 Adam and Eva – Adam ve-Hava (1941). – Oratorio. Text: Aharon Lubrani.
3 Notebooks. [Sketches].

And the Sons shall return to their Land – Ve-shavu banim li-gvulam [1944]. –
Incidental music to the play of Asher Beilin.
- 1st Version. Vocal Score.
A- 2 Act I, No. 1. Overture and Finale of Act [=No. 4]. 8 p.
A- 3 Act II. No. 5. Song of the water. 5 p.
A- 4 Act III. No. 7. Inauguration of the house. 4 p.
A- 5 No. 13. End of the Act III – Finale [=No. 14]. 6 p.
nd
- 2 Version. Orchestral Score.
A- 6 Act I. No. 1. Overture. – No. 2. Song of Dubinoshka. - No. 3. Song of
Dubinoshka with Dance. – No. 4. Finale of Act I. 39 p.
A- 7 Act II. No. 5. Overture. – No. 5a. Song of the water. – Finale of Act II. –
Act III. No. 7. Inauguration of the house. 10 p.
A- 8 Act III. No. 8. The Marriage. – No. 9. Dubinoshka (Horra).
A- 9 No. 10. Pastorale. – No. 11. Varda & Joseph. – No. 12. Love Song
(Dalia & Amnon), 6 p.
A-10 No. 13. Song (I shall remove). 5 p.
A-11 Finale of Act III. 4 p.
A-12 Orchestral parts.

At the End of the Days – Be-kets ha-yamim. – Incidental music to the play of
Haim Hazaz (1950).
- 1st Version. Vocal Score.
A-13 No. 1. Overture. 4 p.
A-14 No. 2. Dance macabre. Swallow up the death for ever (Bile’a ha-mavet le-
netsah. [Chorus]. 6 p.
A-15 No. 3. Lord in your force (Le-uzkha). [Chorus}. 1 p.
A-16 No. 4. Finale. The Bells [Ha-pa’amonim). 3 p.
- 2nd Version. Orchestral Score.
A-17 No. 1. Overture. 4 p.
A-18 No. 2. Chorus, 5 p.
A-19 No. 3. Chorus. 4 p.
A-20 No. 4. Finale. 4 p.
A-21 Orchestral parts.
A-22 Barbara Blumberg. – Incidental music to the play of K. Zuckermeier (1946). –
for orchestra. Nos. 2-6. 14 p.

Behold. thou are Fair – Hinakh yafa (1947). Text: Song of Songs.
A-23 a) for voice and piano. 3 p.
A-24 b) for voice and quartet. 3 p.
A-25 c) for voice and orchestra. 7 p. [Photostat].
A-26 Canto di ma’a lot (Song of the Degrees) – Shir ha-ma’a lot (1960). – for
orchestra. Score, p. 7-86. [Ms., incomplete].
A-27 Chansons Populaires Juives [1937].
Berceuse – Chazkele (Scherzino) – Fregt di welt (L’énigme éternelle) –
Jissmach Moische (Marche juive) – Tief im weldele (Chanson d’amour) –
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Jumme, jumme (Dialogue entre la mère et sa fille) – Rikkud (Dance). – for

orchestra. 80 p. [Photostat].
[former title of “The Golden Chain].

Compositions on ld Melodies for Yardena Cohen’s Dances – Avodot li-

meholotav shel Yardena Cohen. – for piano.
- 1st Version.
A-28 Part I. Hanna (Hana) – Eve (Hava) – Sulamith [Ha-Shulamit) – Hiob’s wife
(Ba’alat ha-Iyov) – Shepherd’s Dance (Mahol ha-ro’e). 49 p.
A-29 Part II. The Fisherman (Ha-dayag) [cancelled] – Picture (Temuna) – Debka
[cancelled] – Landscape (Nof) – The Hungry beggar woman (Ha-kabtsanit
ha-re’eva). 56 p.
A-30 Part III. The Wild learning of the desert (Pere limud midbar) – Debka – The
Fisherman (Ha-dayag). 25 p.
- 2nd Version. [Photostat].
A-31 Part I. Hanna (Hana) – Eve (Hava) – Sulamith (Ha-Shulamit) – Hiobs’s wife
(Ba’alat ha-Iyov) – Shepherd’s Dnace (Mahol ha-ro’e). 50 p.
A-32 Part II. Picture (Temuna) – The Hungry beggar woman (Ha-kabtsanit ha-
re’eva). 30 p.
A-33 Part III. The Wild learning of the desert (Pere limud midbar) – Debka – The
Fisherman (Ha-dayag). 25 p.

Concerto di camera per Violino e 10 Instrumenti (1962).

- Part I. Toccata 1 – Ricercar e cantillatio – Toccata 2 – Ricercar 2 – Toccata 3.
Part II. Canto di Nissan (Spring). – Part III. Canto di Elul (Summer).
A-34 a) Score. 90 p.
A-35 b) Toccata 1 – Ricercar e cantillatio. Score. 15 p. [Photostat].
A-36 c) Ricercar 2. Score. 5 p.
A-37 d) Violin solo part. 18 p.
A-38 e) Part I. Violin solo part.10 p. [Photostat].
A-39 f) Toccata 1 – Ricercar 1. Violin solo part. 6 p.
A-40 g) Part III. Violin solo part. 11 p.
A-41 h) Part III. Score. 1st Version (1961). 13 p.
A-42 i) Sketches. 29 p.

Concerto for Oboe and Orchestra.

- 1st Version (1942).
A-43 a) Score. 125 p. [Ms.].
A-44 b) Score. 141 p. [Photostat].
nd
- 2 Version [1950].
A-45 Score. 153 p. [Photostat].
rd
- 3 Version [1960].
A-46 a) Score. Part I. 85 p. and Part III. 5 p. [unfinished]. [Ms.].
A-47 b) Corrections of the Score. 75 p. [in German].
A-48 Version for Oboe and piano (1950), 63 p. [Photostat].
A-49 Oboe part of 2nd and 3rd movements, numbered p. 14-21. [Photostat].
A-50 Oboe part of the 3rd movement. 6 p. [Ms.].
A-51 Sketch. 2 p.
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Concerto for Violin and Orchestra (1942).

- 1st Version [in 1 Part with the 2nd title “Psalms – Tehilim”].
A-52 a) Score. 186 p.
A-53 b) Violin and piano. 72 p.
A-54 c) Violin solo part. 4 p. [from the beginning till No. 22}. [Photostat].
- 2nd Version [in 1 Part].
A-55 a) Score. 176 p.
A-56 b) removed pages from the Score (p. 25-28, 39-41, 43-44. 51-54, 133-138).
A-57 c) Violin and piano. 27 p. [from No. 38 till the end].
- 3rd Version [in 3 Parts].
A-58 a) Score. Part II. 18 p. [p. 5-8 are missing.].
A-59 b) Score. Part III. 48 p.
A-60 c) Violin and piano. Fragments.
A-61 d) Violin solo part. 9 p. [Photostat].
A-62 e) Orchestral Parts [2nd version with numerous corrections].

Daughter of Israel – Bat Yisrael. Cantata for Tenor, Choir and Orchestra (1960).
Text: H. N. Bialik.
A-63 a) Sketches. Notebook I. 17 p.
A-64 b) Sketches. Notebook II. 32 p.

A-65 Dew of Lights – Tal orot [1949]. – for voice and piano. Text: Aharon Ashman.
2 p. [Ms. for the edition]. [see also: A 112 & 119].

Dudu [1948]. – Text: Haim Hefer (Feiner).

A-66 a) for voice and piano. 6 p.
A-67 b) for voice and orchestra. 17 p.

The Four ill-mannered Men – Arba’a ha-ikshim (1950). – Incidental music to

the play of Carlo Goldoni “I Rusthegi.
- Orchestral score.
A-68 No. 1 Intermezzo I [orchestra], - No. 2. Chorus Beautiful are the days of the
Carnaval (Yafim yame ha-karnaval), 7 p.
A-69 No. 2a. Continuation of Intermezzo I [Choir & orchestra]. 12 p.
A-70 No. 3 Song of the Seemstresses (Shir ha-tofarot Lucietta & Margarita). 11 p.
A-71 No. 4. Song of Marina. 7 p.
A-72 No. 5. Intermezzo II [voices & orchestra]. 7 p.
A-73 No. 7/ Game of the masques (Mishak ha-masekot) [voices & orchestra],
17 p.
A-74 No. 8. Song of Lucietta, Felippetto & choir. – No. 6. Chorus. 16 p.
- Vocal score.
A-75 No. No. 1. Intermezzo I. – No. 2. Chorus. – No. 2a. Continuation of the
Intermezzo I. 11 p.
A-76 No. 3. Song of the Seemstresses. 5 p.
A-77 No. 4. Song of Marina. 7 p.
A-78 No. 5. Intermezzo II. 17 p.
A-79 No. 7. Game of the masques. 8 p.
A-80 No. 8. Song of Lucietta, Filippetto & choir. – No. 6. Chorus. 11 p.
- Additional Ms.
A-81 No. 3. Song of the Seemstresses. 6 p. [transposed].
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A-82 No. 7. Game of the masques. 7 p.

Full Moon (Break of a Day) [1952-53]. – Film music.

A-83 a) Argument, by Leopold Lahola (16 p.) and Lists of music numbers (3 p.).
A-84 b) Score. 118 p.
A-85 c) 11 rejected pages,
A-86 d) Orchestral Parts.

Genesis 36 – The Names - Shemot (1964. – for choir, 2 pianos & percussion.
Text: Genesis, chapter 36.
A-87 a) Sketch. 46 p.
A-88 b) Various sketches.
A-89 c), Text [Ms.].

The Golden Chain.

see: A-27

A-90 Hallel. – Text: Psalms. Sketch. 62 p.

A-91 The Hidden Light – Or ganuz [1964]. – Oratorio for soloists, choir & orchestra.
Text: Martin Buber. Text only. 3 p. [Ms.].

I shall not die, but live – Lo amut ki ekhye. – Incidental music to the play of
David Bergelson [1944]. – Orchestral Score.
- Orchestral Score:
A- 92 No. 1. Song of the blind man (Shir ha-iver) [orchestra] – Soldiers (Hayalim)
- No. 2. Song of the blind man (Shir ha-iver). – No. 3. The Fire (Ha-srifa).
31 p.
A- 93 No. 4. The Fire II (Ha-srifa II). – No. 5. Act II. The Doves (Ha-yonim). –
No. 6. Song of Nestia (Shir shel Nestia). No. 7. Death shall sink. Song of
revenge (Mot yishka. Shir nekam). – No. 8. Death shall sink (Mot yeshka),
No. 9. Death shall sink. Mourning (Mot yishka, Evel). 24 p.
- A- 94 No. 10. Dance (Ha-rikud).
A- 95 Orchestral Parts.
- Additional manuscripts:
A- 96 No. 1 Song of the blind man (Shir ha-iver). for voice and piano. 1st
version. 7 p.
A- 97 4 Melodies without text (Song of the blind man. – The Doves are flying. –
Song of the Partisans [= “Soldiers”]. – Song of revenge). 1 p.

4 Impressions – Reshimot [sic] [= 4 Hitrashmuyot] (1938). (Tamuz, month of

Mourning. – Dance. – without title. – Hora). – for orchestra.
A- 98 a) Score. 34 p.
A- 99 b) Piano part.

2 Jests.
see: A 179-181.

Lamentation. In memory of Nissim Nissimov – Kina (1952).

A-100 a) for piano. 9 p.
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A-101 b) for violin and piano. . 4 p.

[transcriptions of “4 Impressions”, No. 1].

Lamento. In memory of Chaim Weissburg – Kina (1962).

A-102 a) for cello and piano. 12 p. [with Photostat].
A-103 b) for violin and piano. 9 p. [Photostat].

The Lord is my shepherd. – see ; A 167-170.

Love of Youth – Ahavat ne’urim [1949]. – Incidental music to the play of

Aharon.l Ashman.
- Orchestral score:
A-104 No. 1. Overture and Song of Michal. Lights of dew (Tal orot). 6 p.
A-105 No. 2. Violin-David (Kinor-David). 8 p. [orchestra].
A-106 No. 3. Chorus. Bread, bread (Lehem, lehem). 3 p.
A-107 No. 4. Song of Yefune. 3 p.
A-108 No. 5 Song of Michal. The Witchcraft (Ha-kishuf). 3 p.
A-109 No. 6. Chorus of girls. Syhawls are on our head (Al roshenu redidi,). 4 p.
A-110 No. 7. Chorus. Song of victory (Shir nitsahon). 13 p.
A-111 Orchestral parts.
- Vocal score:
A-112 No. 1. Overture and Song of Michal Lights of dew (Tal orot); 5 p.
A-113 No. 2. Violin-David (Kinor-David). 4 p.
A-114 No. 3. Chorus. Bread. bread (Lehem, lehem). 2 p.
A-115 No. 4. Song of Yefune. 2 p.
A-116 No. 5. Song of Michal. The Witchcraft (Ha-kishuf). 2 p.
A-117 No. 6. Chorus of girls. Shawles on our head (Al roshenu redidim). 4 p.
A-118 No. 7. Chorus. Song of victory (Shit nitsahon), 7 p.
- Other manuscripts for voice and piano:
A-119 No. 1. Light of dew. 2 p
A-120 No. 3. Bread, bread. 1st Version. 3 p.
A-121 No. 6. Shawls on our heads. 1st Version. 4 p.
A-122 Sketch for Nos. 1, 3, 6, and 7.

The Marriage of Figaro – Hatunat Figaro (1951). – Incidental music to the play
of Beaumarchais “Le mariage de Figaro”.. – Orchestral score.
A-123 Prologue-Intrada [melodrama]. 16 p.
A-124 No. 1. Dance of the marriage. 2 p.
A-125 No. 2. Rondo. 11 p.
A-126 No. 3. Entry of Bartolo and Marcellina. 5 p.
A-127 No. 4. Susanna-Marcellina. 6 p.
A-128 No. 5. Cherubino. 2 p.
A-129 No. 5a. Song of Cherubino. 4 p.
A-130 No. 6. Molto vivace. 3 p.
A-131 No. 7. Sarabanda. 3 p.
A-132 No. 8. Marcia. – No. 9. Fanfare. 6 p.
A-133 No. 10. Allegro molto vivace. 2 p.
A-134 No. 11. Menuetto. 2 p.
A-135 No. 12. March of the marriage. 4 p.
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A-136 No. 12a. Pizzicato. 4 p.

A-137 No. 13. Gavotte. 6 p.
A-138 No. 13a. Goddam [melodrama]. 3 p.
A-139 No. 14. The Trial (Ha-mishpat}. 3 p.
A-140 No. 14a. Notturno, 2 p.
A-141. No. 15. Le Bègue. 2 p.
A-142 No. 16. Gardens with flowers (Ganot im prahim). – No. 17. Intermezzo. 5 p.
A-143 No. 18. Monologue of Figaro. 7 p.
A-144 No. 19. Light, light (Or, or). 3 p.
A-145 No. 20. Poco sostenuto, funebre. 7 p.
A-146 Epilogue. 12 p.
A-147 No. 21. Figaro about the trial [melodrama for No. 14?]. 2 p.
A-148 Sketches. 4 p.

Ornaments – Adayim pour flute et orchestre (Commentaire sur une cantillation

yéménite) (1964).
A-149 a) Score. 86 p.
A-150 b) Sketches. 3 Sketchbooks.

A-151 Pavane pour une Princesse (1935). – for piano. 2 p.

Peace on you – Shalom alekhem. A Song for Shabath [1947].

A-152 a) for voice and piano. (or for choir). 1 p.
A-153 b) for voice and orchestra. 6 p. [Photostat].

Phaedra. – Incidental music to the tragedy of Jean Racine “Phèdre” [1945].

for orchestra. Score.
A-154 Nos. 1 and 2. 8 p.
A-155 Nos. 3, 4, and 6. 4 p.
A-156 Nos. 6 and 7. 5 p.
A-157 No. 8. 4 p.
A-158 No. 9. 4 p.
A-159 No. 10. 3 p.
A-160 No. 11/ 2 p.

A-161 Piano Pieces for David and Sharit.

The joyefull Aviator (Ha-tayas ha-aliz) - Dance (Mahol) – Debka – 2
Melodies (Lahan) – A Swing. (Nadnada). – 3 p.

Piano Pieces for the Youth – Pirke negina li-bne ha-ne’urim (1943-44).
(Hodayah – Debka – Dance (Rikud) – Pastorale (Nof-ya) – Burlesca –
Shepherd’s Dance (Mahol ha-ro’im).
A-162 a) Debka, for cello and Harp, 3 p.
A-163 b) Pastorale for Cello and Harp. 3 p.
Version for orchestra, see: A-164.

A-164 Piccola Suite. – for flute, strings and snare drum (1956/57).
(Canto di rignaziomento (Hodaya) – Debka – Pastorale (Nof) – Burlesca –
Gioco degli Pastore (Mahol-ro’im). – Parts.
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A-165 2 Pieces for 2 Recorders. 1 p.

A-166 Psalm, - Tehilim. – for violin and piano (1957). 5 p. [originally 2nd movement
of the Violin Concerto].

Psalm 23. The Lord is my Shepherd – Adonoy ro’i (1943).

A-167 a) for voice and piano. 1st Version. p. 1-12 [p, 13 is missing].
A-168 b) for voice and quartet. Parts.
A-169 c) for voice and orchestra. 1st Version. 17 p.
A-170 d) for voice and orchestra. 2nd Version. 19 p. [Photostat].

A-171 2 Psalms – Tehilim. – for oboe and clavicembalo. 9 p;. [numbered 2-10\.
[with Photostat].

The Question – Ha-kushiya [1947]/ - Folk Song.

A-172 a) for choir. 1 p.
A-173 b) for voice and orchestra. 3 p.

Rejoicing – Hilulim. – for violin and piano.

A-174 a) 1st Version. 3 p. [with Photostat].
A-175 b) 2nd Version (1950). 3 p. [with Photostat].

Ruth and Boaz. – Ballet for voices and orchestra. [unfinished].

A-176 a) The Harvest – Ha-katsir. Short score. 12 p. [with choir part].
A-177 b) Slaughter with the sickle – Avhat-hermash. 8 p.
A-178 c) Sketches. 8 p.

2 Sacarsm [Jests] – Hatulim (1942).

(Meditation on the Flea (Al ha-parosh) – Meditation on the Drunker (Al ha-
yayin). – Text: Al-Harizi.
A-179 a) for voice and piano. 14. p.
A-180 b) for voice and quartet. 17 p. [numbered 4-20]. – for Parts, see: A-
A-181 c) for voice and orchestra. 14 p.

Samuel, the Boy – Shmuel ha-na’ar (1956). – Ballet for narrator, choir, flute,
oboe, trumpet piano. and percussion.
A-182 a) Score. 17 p.
A-183 b) Sketches. 27 p.

Sanctification of God – Kidush ha-shem [1947]. – Incidental music to the play

of Shalom Asch.
- Orchestral Score:
A-184 No. 5. Bear Dance (Rikud ha-dov). – No. 6. The Wedding (Ha-hatuna). –
No. 7. Frailachs. 37 p.
A-185 Orchestral parts.
- Vocal Score:
A-186 No. 2. Mazurka. 2 p.
A-187 No. 3. Polka. 2 p.
A-188 No. 4. Song. The vailant Women (Eshet hail).2 p.
A-189 No. 5. Bear Dance (Rikud ha-dov). 8 p.
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A-190 No. 6. The Marriage (Ha-hatuna). – No. 7. Frailachs. – No. 8. Sher. 9 p.

A-191 No. 9. The Peasant Daughter. Song of Debora (Bat ha-ikar. Shir shel
Debora). 6 p.

A-192 Sarah, our Mother. – Ballet. Sketches. 27 p.

A-193 Semitic Suite 1950). – for orchestra.

(Allegretto gracioso – Andantino – Amamia – Pastorale (Nofiya) – Debka
[from the “ Piano Pieces for the Youth”] – Commodo – Hodaya}. 104 p.
[Photostat]. [with orchestral parts].

Semitic Suite (1954). – for 2 pianos.

Toccata – Amamiya (Folk Dance) – Pastorale (Nof-ya) – Toccatina – Hodaya.
A-194 a) Score, 36. p. [Photostat].
A-195 b) Pastorale. 9 p. [Ms.].
A-196 c) Toccatina. 5 p. [Ms.].
A-197 d) Edition of Miriam Boskovich. Proofs. (Israel Music Institute, 1998).
67 p.

Semitic Suite. – for piano, 4 hands 1957/1958.

A-198 a) (Toccata-Amamiya (Folk Dance) – Pastorale (Nof-ya). Hodaya}. 31 p.
[Ms.].
A-199 b) (Allegretto giocoso- Amamiya – Pastorale (Nof-ya) – Hodaya) (1958).
36 p. [Photostat].
A-200 c) Edition of Miriam Boskovich. Proofs (Israel Music Institute). 33 p.

Shepherds’ Game with Sticks – Mishak ha-ro’im im ha-maklot. – for orchestra.

A-201 a) Short score. 9 p. [unfinished].
A-202 b) Sketches. 4 p.

A-203 Solon in Lydia (1951); - Incidental music to the play of Theodor Herzl “Solon
in Lydien”. – Sketches. 2 p.

A-204 Song in the Style of Babylonian Jews – Mizmor ba-signon yehude Bavel
(1947). – for choir. 3 p.

Song of Debora.
see: A-191.

Song of the Degrees (1960).

see: A-26

A-205 Song of the Degrees by Solomon – Shir ha-ma’alot li-Shlomo. – for choir and
orchestra. Text: Psalm 127. Short score. 20 p. [unfinished]. [with Photostat].

A-206 Song of Heroism – Shir ha-gvura (1949). – for voice and piano. Text: Abraham
Shlonsky. 2 p.

A-207 Song of the Partisans – Shir ha-partizanim. – for 2-part choir and piano. Text:
Abraham Shlonsky. 4 p. [The music comes from “Soldiers” in No. 1 of the
 11

incidental music “I shall not die, but live”].

A-208 Song of the Wine – Shir ha-yayin. – for voice and piano. 2 p. [Photostat].

[3 Songs}. – Parts.
A-209 a) Meditation on the Drinker (Al ha-yayin), for voice and quartet – You are
beautiful (Hinakh yafa), for voice and quartet.
A-210 b) Meditation on th Flea (Al ha-parosh), for voice, 2 violins, cello and
piano.

The Sword of Solomon – Herev Shlomo (1950). – Children’s opera. Text:

Aharon Lubrani.
A-211 a) Printed text (1939); 64 p.
A-212 b) 8 Note Books. Short score. (Act I, Bools I-III. – Act II, Books IV-VII. –
Act III, Book VIII). [unfinished].
A-213 c) Part of Ashmedai. 11 p.
A-214 d) Sketches.

Tal orot.
see: A-112, and 119.

A-215 2 Tunes. 1 p.

The valiant Women.

see: A-188.

The Well of the Sheeps (1951). – Ma’ayan ha-kvasim. - Incidental music to the
play of Lope da Vega “Fuenta Ovhuna”.- for voices, choir and orchestra.
- Orchestral score.
A-216 No. 2. Tumult of War (Hamula milhama). 6 p.
A-217 No. 5. Choral. Wellcome, Commander (Barukh bo’ekha, comandor). 3 p.
A-218 No. 6. Song. Peaceful eyes (Enayim shoktot). 4 p.
A-219 No. 7. Song. In the forest of Fuenta Ovhuna (Ba-ya’ar Fuenta Ovhuna). 8 p.
A-220 No. 8. Song. A man who loves (Adam ki yahev ve-ohev). 4 p.
A-221 No. 9 Marriage (Ha-hatuna). [orchestra]. 3 p.
A-222 No. -. Dance of the marriage (Rikud ha-hatuna). 7 p.
A-223 No. 10. Comic dance in the last Act (Rikud komi ba-ma’arakha ha-aharona).
3 p.
A-224 No. 11. Dance – Finale (Rikud – ha-siyum). [orchestra]. 9 p.

A-225 With Timbels and Dances – Be-tupim u-be-meholot – 9 Pieces for

2 violins and percussion. 11 p.

You are beautiful, my beloved.

see: A 23-25.
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B Sketches.

B-1 Cahier d’esquisses pour piano (1936). 16 p.

Contents: Legend (Agada), p. 1-3. – Had Gadya. p. 4-5; - Yuval and Noga.
p. 8-11; – A Schnorrer (Le mendiant juif), p. 14-16.
B-2 Cahier d’esquisses I (1937). 32 p.
Contents: Prélude pour Natacha, p. 5-8. – 2 Préludes pour Natacha, p. 11-27.
B-3 Notebook. 26 p.
Content: 2 Préjudes pour Natacha, p. 1-7.
B-4 Méditation sur sept. 3 p.
B-5 Notebook. 39 p.
Contents: Sound and Rhythm, p. 1-3. – Trilogiya, p. 4-7; - Actually Rhythm,
p. 7-11 – Military Parade, p. 12-17. – Elijah, p. 17-20. – Kindergarten, p. 21-27.
B-6 Notebook. 38 p.
B-7 Notebook. 35 p.
B-8 Various sketches.

C Books and Articles writtn by Boskovich

Books:

Problems of the genuine Israeli Music – Be’ayot ha-musika ha-mekorit

ha-yisra’elit,
- Part I, “Praeludium”.
C- 1 3 Notebooks.
C- 2 Earlier versions:
a) Notebook. 80 p.
b) Notebook, p. 10-36.
c) Notebook, p. 10-42.
d) Notebook, p. 10-44.
- Part II and Postludium
C- 3 a) 176. p. [typescript]. [p. 18, 54, 158-162, 173 are missing].
C- 4 b) Additional part. 54 p. [Ms.]
C- 5 c) Fragments. 56 p. [Ms.].
C- 6 Exercises in Two-part Writing by Hindemith – Ha-pasuk ha-du koli.
Hindemith. Hebrew translation by A, A, Boskovich & Herzl Shmueli. 108 p.
[Ms. of Shmueli].

Articles:

C- 7 Adjustment of Folk Music to Art Music – Te’um musika amamit im musika

omamutit. 61 p. [Ms.].
C- 8 2 Articles. – 1. The State of Israel and his Music are 10 years old – Ha-medina
bat eser ve-ha-musika shela. – 2. Psalm 23. The Lord is my Shepherd for Alto
and orchestra. – Tehilim 23. Adonoy ro’I le-alt ve-tizmoret. Musical Prose
No. 8/9, p. 13-15. Tel Aviv, March 1975.
 13

C- 9 Definitions and Limitations – Hagdarot ve-hagbalot. 11 p. [Ms.].

C-10 [Enescu]. George Enescu (one year after his death) – George Enescu (un an dela
moartea su), Israel-R.P.R., p. 5. Tel Aviv [1956].
C-11 Homophonie. 17 p. [Ms.].
C-12 Intonation. 13 p. [Ms.].
C-13 The Israeli Essence in Music – Ha-mahut ha-yisra’elit ba-musika. 8 p. [Ms.].
C-14 The Jewish Suite – Ha-suita ha-yehudit [The Golden Chain] (1962). 4 p.
[typescript].
C-15 Langue – Lashon. 8 p. with additions (3 p.). [Ms. in French].
C-16 Melody (in its technical aspect). – Melodiya (mi-behina estetit). 52 p. [Ms.]
C-17 Music in Palestine – A Palesztini zenéröl. 5 p. [typescript in Hungarian].
C-18 La musique israélienne contemporaine et les traditions ethniques (1963).
International Folk Music Journal, p. 39-42. London, 1964. [Photostat].
C-19 Nationalism – Le’umiyut. 10 p. [Ms.].
C-20 The Sonic Emptiness – Halal tslili. 8 p. [fragment]. [Ms.].
C-21 The Opera “Alexandra” by M. Avidom. – Ha-opera “Alexandra” le-M. Avidom.
Bat-Kol, No. 3 (7), p. 7-9. Tel Aviv, 1961.
C-22 Piano Music – Musika le-psanter [Bibliography]. 7 p. [Ms.].
C-23 Problems of Expression in Israeli Music – Be’ayot ha-haba’a be-musika
yisra’elit. 12 p. [Ms.].

C-24 Problems of Jewish Music – A Zaidó Zene problemái. Kolet’ és Között, p. 31-
41. 1937. [in Hungarian, Photostat].

Psalm 23. The Lord is my Shepherd – Tehilim 23. Adonoy ro’i.

see: C-8;

C-25 Pure Music – Musika zaka. 72 p. [Ms.].

Semitic Suite – Suita shemit.

C-26 a) 3 p. [with photostat].
C-27 b) 2 p. [Ms. in English].

The State of Israel and its Music are 10 years old – Ha-medina bat eser ve-ha
musika shela.
see: C-8.

C-28 The Tonal Curve – Ha-akuma ha-tonalit. 3 p. [Ms.].

C-29 [Wolpe} Stephan Wolpe. 6 p. [Ms.].
C-30 Who – what – and to whom – Mi – ma - u-le-mi. 11 p. [Ms.].
C-31 Unidentified fragments.

D Music Reviews written by Boskovich

D-1 Reviews written 1951, 1953 and 1955.

D-2 Notebook I. October 1956-August 1958.
D-3 Notebook II. September 1958-July 1959.
 14

D-4 Notebook III. June-December 1959.

D-5 Notebook IV. January-December 1960.
D-6 Notebook V. January-December 1961.
D-7 Notebook VI. November 1961-September 1962.
D-8 Notebook VII. January 1962-May 1964.

E Correspondence with Boskovich

E - 1- 2 Acum Ltd., Tel Aviv.

8.11.1960 – 29.10.1961
E - 3- 4 Admon (Gorochov), Yedidia/Emma, Tel Aviv
[1942] – November 1948.
E- 5 Am Oved Edition Ltd., Tel Aviv.
9.10.1963.
E- 6 Arenbom, Ziva.
[1942].
E- 7 Association of Palestine Journalists, Tel Aviv.
10.10.1944
E 8-13 Australian Broadcasting Commission, Sidney.
1946-1948
E 14-15 Babbitt, Milton, Princeton.
26.1 &1.2/1964.
E - 16 Bar-Daroma, Yitshak.
12.11.1972
E 17-18 Bat-Kol, Israeli Music Journal, Tel Aviv.
26.5 & 4.7.1960.
E-19 Bayer, Bathja, Jerusalem.
7.6.1963.
E 20-21 Be-ma’abarot, Kibbutz,
11.2 & 18.6.1962
E- 22 Bar-Avraham, M., Pardes Hanna.
30.11.1968.
E 23-24 Blez, Bram, Tel Aviv.
27.12.1942 & 39.4.1958.
E- 25 Blumenfeld, I., Cluj.
5.5.1936.
E- 26 Boskovich, E., his brother.
1.10.1964.
E- 27 Celibidache, Sergiu, Stockholm.
19.11.1944.
E- 28 Center for New Music, Tel Aviv.
28.8.1946
E- 29 Chailley, Jacques, Paris.
8.1.1964
E- 30 Danish Embassy, Tel Aviv.
22.6.1962.
E 31-32 Deutsch, Erwin/Freda, New York.
 15

24.9.1963 & 5.11.1964.

E 33-35 Dobrowen, Issay/Maria,
8.5.1939 – 27.11.1964 – not dated.
E 35-38 Donat, Zolti, Bucharest.
10.12.1955 – 20.10 & 13.11.1964.
E 39-40 Dowd, Ronald, Dorking (England),
10.2 & 22.11.1962,
E- 41 Freund, Mrs. Tel Aviv,
3.8.1966.
E- 42 Fried, Miriam, Chicago.
4,11.1964.
E- 43 Friedlaender, Lilian, Zichron Yaacov.
27.8.1946.
E- 44 Galperini, Lucian.
31.8.1959.
E- 45 Gerson-Kiwi, Edith, Jerusalem.
15.10.1945.
E- 46 Gerét, P., Vienna.
29.9.1963.
E- 47 Gewürz, Eugen, Tel Aviv.
not dated
E- 48 Haaretz, Daily Journal, Tel Aviv.
29.8.1962.
E- 49 Habimah Theater, Tel Aviv.
2.7.1953.
E- 50 Halmos, Pista, Cluj.
10.3.1938.
E 51-54 Haubenstock-Ramati, Roman, Vienna.
5.10 &15.11.1963 – 29.1.& 17.4.1964.
E- 55 Henrietta Szold Centennial, Jerusalem.
11.12.1960.
E- 56 Herz, G., Cluj.
8.4.1938.
E- 57 Hirschlund, Evelyn, Rochester.
20.6.1964.
E- 58-61 International Folk Music Council, London.
20.9 – 8.10 – 24.10 – 31.10.1963.
E- 62 Israel Ballet Theatre. Tel Aviv,
22.8.1951.
E- 63-65 Israel Broadcasting Authorities, Jerusalem.
19.4.1959 – 12.2 & 15.2.1961.
E -66-68 Israel Composers Fund, Jerusalem.
12.3. & 12.4.1961 – 20.2.1962.
E 69-72 Israel Comservatoire and Academy of Music, Tel Aviv.
24.6 & 17.12.1957 – 27.11.1960 – 25.7.1962.
E- 73 Israel Institute of Jewish Music, Jerusalem.
6.5.1962
E-74 Israel Ministry of Foreign Affairs, Jerusalem.
6.8.1958.
E- 75-77 Israel Music Institute, Tel Aviv.
 16

18.5.1963 – 19.8 & 27.8.1964.

E- 78 Israel National Commission for Unesco, Jerusalem.
23.4.1964.
E- 79 Israel National Music Council, Tel Aviv.
19.9.1959.
E -80-86 Israel Philharmonic Orchestra (formerly: The Palestine Orchestra).
27.2.1938 – 13.6.1939 – 16.12.1942 – 23.2.1944 – 6.1.1945 – 29.1.1946 –
30,11,1960.

E -87-89 Israel’s Tenth Anniversary Committee, Tel Aviv.

11.7.1958 – 30.4 & 10.7. 1959.
E- 90- 90 Jacobson, Moshe, Kfar Yeladim Meir Shefiya.
2.5.1958.
E -91- 92 Jolivet, André, Paris.
1964 – not dated.
E - 93- 99 Karkoff, Maurice, Stockholm.
1963-1964
E- 100 Katz, Meir, Jerusalem.
21-5.1957.
E- 101 Kessari, Uri, Tel Aviv.
24.6.1958.
E-102 Lavav, Dvora.
20.20.1964.
E 103-105 Lakner, Yehoshua, Zurich.
20.6.1958 – 14.9.1963 – 2.9.11964.
E-106 Ligeti, Györgi, Vienna.
9.10.1963.
E- 107-108 Lubrani, Aharon, Haifa.
4.1 & 13.2.1957.
E-109 Marcus, Ephraim, Herzlia.
16.5.1958.
E 110-111 Marlboro Music Festival.
17.6 & 16.8.1962.
E-112 Martinson, Roger, San Fernando (California).
6.3.1963
E- 113-115 Ministry of Education and Culture, Jerusalem.
15,3 &9.8.1950 – 23.5.1951.
E-116 Miron, Issachar, New York.
30.1.1962.
E-117 Okoy (?), S., Herzlia,
30.11.1960.
E-118 Paldi-Földváry, Ernst, Bienne (Switzerland).
28.8.1953.
E-119 Palestine Broadcasting Service, Jerusalem.
3.3.1947.
E- 120-121 Pelleg, Frank.
4.6.1951 – 27.4.1961.
E-122 Pergamont, Moses, Bromma (Sweden).
4.1.1962
E 123-124 Petrushka, Shabtai, Jerusalem.
 17

26.9 & 6.11.1960.

E-125 Philipson, Gertrude, Stockholm.
1.9.1963.
E- 126 Politikens Forlag, Copenhage,
9.4.1949.
E-127 Rezitz, Joseph, Bloomington,
5.7.1963.
E- 128-134 Rochberg, George, Buffalo,
1963-1964.
E-135 Rozhlas, Gregorova, Prague.
17.11.1948.
E-136 Rosovsky, Solomon, Jerusalem.
18.10.1945.
E- 137 Rothmüller, Marko, Bloomington.
25.8.1963.
E-138 Sadai, Yitzhak, Tel Aviv.
12.6.1958.
E- 139 Salmon, Karel, Bet Zait.
7.4.1964.
E-140 Sarid, Baruch, Tel Aviv.
13.6.1958.
E -141-144 Seelmann-Eggebert, Heidelberg,
22.11.1963 – 7.1. – 28.3 & 15.6. 1964.
E-145 Silberman, Olya, Tel Aviv.
24.11.1960.
E- 146 Singer, George, Tel Aviv.
8.9.1957.
E-147 Smoira-Cohen (Roehr), Michal, Tel Aviv.
28.11.1960.
E- 148-150 Snunit, Zvi, Basel.
1.12.1960 – 29.8 & 31.10.1964.
E- 151 Sprenkle, Robert, Rochester.
not dated.
E-152 Steinberg, A., Tel Aviv.
20.3.1955.
E-153 Stern, M. Paris.
30.10.1946.
E-154 Süddeutscher Rundfunk, Karlsruhe.
3.4.1964.
E- 155 Tarbut ve-Hinukh Edition, Tel Aviv.
4.5.1960.
E -156-185 Tauber, Erwin, Geneva,
1954-1956.
E 186-187 Tel Aviv Municipality.
26.8.1946 – 21.4.1947.
E- 188-195 Thome, Yoel, New York/Philadelphia,
E-196 Vass, Zoltáan, Cluj.
8.5.1938.
E-197 Weissbergm Haim, Tel Aviv.
20.12.1842.
 18

E-198 Who’s Important in Music, Encyclopedia, New York.

27.5.1946
E-199 Who’s Who in World Jewry, Tel Aviv.
14.6.1962.
E-200 Wolff, William, New York.
18.11.1960.
E- 201-202 Wolpe, Stephan.
12.8. & 16.11.1963.

E- 203 World Zionist Organization, Jerusalem.

15.8.1950.
E- 204-205 Yannai, Yehuda, New York.
19.9 & 11.10.1964.
E -206-214 unidentified correspondent.

F Documents

Curriculum vitae:
F- 1 in Hebrew, by Mrs Boskovich, 3 p. [Ms.].
F- 2 in Hebrew, by Mrs. Boskovich, 4 p,. [Ms.].
F- 3 in English, by Boskovich. 3 p, [Ms.].
F- 4 in English, by Boskovich (1957). [Ms., 3 p. with typescript, 2 p.].
F- 5 in “Who’s Who in World Jewry, Tel Aviv, 1962. [Photostat].
F- 6 in German. 2 p. [typescript].
F- 7 in German. 6 p. [typescript].

Attestations:
F- 8 Booklet of courses learned at the University of Cluj, 1926-1027.
F- 9 Certificat of Conductor at the Hebrew Opera, Tel Aviv. 1939.

Agreements:
F-10 with Shlomo Welitzker, about a song text. Tel Aviv, April 13, 1944.
F-11 with the Habimah Theatre, for the incidental music to “Phaedra” (Racine).
Tel Aviv, September 20, 1944.
F-12 with the Edition Naidat, concerning Piano music. Tel Aviv, May 17, 1945.
F-13 with the Ohel Workers Theatre, for the incidental music to “Solon in Lydia”
(Th. Herzl). Tel Aviv, April 10, 1949.
F-14 with the Habimah Theatre, for the incidental music to “Love of Youth”
(Ashman), Tel Aviv, July 19, 1945.
F-15 with the Habimah Theatre, for the incidental music to “At the End of the Days”
(Hazaz), Tel Aviv, May 3, 1950.
F-16 with Aharon Lubrari, for the Childrens Opera “The Swords of Solomon”
[1957].

Various documents:
F-17 Concerts in which works of Boskovich were played (Israel Philharmonic
Orchestra, 1938-1994).
 19

F-18 List of incidental music Scores by Boskovich.

F-19 List of Israeli works played at Kol-Israel in 1965.
F-20 Material on performances of “Piccola Suita”. [in a notebook].
F-21 Photograph of the “Goldmark Symphony Orchestra”, Cluj, founded by
Boskovich.

G Analytic & Teaching Material

Arabic & Oriental Music:

G- 1 Maqam.
G- 2 Maqamat II.
G- 3 Mishnayot from Yemen.
G- 4 Arabic music (Camille R. d’Erlanger), notebooks I-IV.
G- 5 Arabic music, notebooks I-IV.
G- 6 Arabic music.
G- 7 Egyptian peasant-songs (Marius Schneider), notebooks I & II.
G- 8 Songs - Oriental communities.
G- 9 Motives of Maqam Bayati.
G-10 Various Maqamat.

Compositions:
G-11 Composition – Rhythm.
G-12 Preparatory exercises to composition, notebooks I, III-VI, VIII.

Counterpoint:
G-13 Counterpoint, 5th species.
G-14 Counterpoint, 5th species.
G-15 Two-parts voice-leading.
G-16 Two-parts voice-leading.
G-17 Two-parts voice-leading.
G-18 Three-parts voice-leading.
G-19 Multi-parts voice-leading.
G-20 Multi-parts voice-leading.
G-21 Harmonic counterpoint.
G-22 Polyphonic phrases, notebooks I & II.
G-23 Fugue – Linear instrumental counterpoint.
G-24 Imitations – 4-parts counterpoint - canons

Forms:
G-25 Form in music.
G-26 Forms, notebooks I & II
G-27 Forms.
G-28 Elements of form.
G-29 Form and rhythm.
G-30 Forms in folk music.
G-31 Schenker (Physionomie des Freien Satzes aus der Stufe erklärt).
G-32 Lied-form(?).
 20

Harmony:
G-33 The Chord.
G-34 The Chord.
G-35 The Chord.
G-36 Secondary-dominant chords.
G-37 Voice-leading in harmony.
G-38 Harmonic analysis.
G-39 Schenker (Harmonie).
G-40 Sadaï (Bach’s chorales).

Melody:
G-41 Melodic phrases, notebooks I-III.
G-42 Melodic phrases, notebooks I-III.
G-43 Melodic phrases.
G-44 Homophonic phrases, notebooks I-III.
G-45 Monophonic phrases, notebook I.
G-46 Melismatic phrases, notebooks I & II.
G-47 Monophonic phrases.
G-48 Integration.
G-49 Melisma.

Rhythm:
G-50 The rhythmic phrase.
G-51 Rhythm, notebooks I & II.
G-52 Rhythm exercises, notebooks I & II,
G-53 Rhythm exercises.

Sound:
G-54 Sound.
G-55 Use of sound.

Terminology:
G-56 Terminology in harmony, counterpoint and forms.

Various material:
G-57 Notebook.
G-58 Notebook.
G-50 various pages.

H Articles and Books on Boskovich.

H- 1 Anonymous.
Debka and Dance from the “Piccola Suita” for Orchestra. – in: Guide for
Youth Concerts (Kol-Israel), p. 32-43. Jerusalem, 1981. [photostat, in
Hebrew].
H- 2 Avni, Tsvi,
 21

Semitic Suite. Gittit, No. 19, p. 4-5. Tel Aviv, November 1965.
H- 3 Boskovich, Miriam.
Alexander Uriyah Boskovich (1907-1964). 11 [9+2] p. [typescript].
H- 4 Piano Pieces for the Youth – Semitic Suite. – in: Guide for Performinh Israeli
Piano Music, p. 39-79. Tel Aviv: The Methodical Center of Music, 1988.
H- 5 Programme Notes (Semitic Suite – With Timbrels and Dance – The Golden
Chain. Israel Music Anthology, Vol. 5 [Record].
H- 6 The Semitic Suite. 2 p. [Ms.].
H- 7 Cohen, Yardena.
With Timbrel and with Dance, p. 30-31. Tel Aviv, 1963 [photostat].
H- 8 Cohen, Yehuda,
A. U. Boskovich. 6 p. [Ms. photostat, in German].
H- 9 Boskovich. 2 p. [Ms., in German].
H-10 Collected Articles.
(Smoira-Cohe, Michal: The Heritage of Boskovich. – Shmueli, Herzl: On the
Philosophy of A. U, Boskovixh. – Bahat, Avner: A. U. Boskovich-his last
Compositions). Musical Prose, No. 11/12, p. 5-7 & 11-16. Tel Aviv, October
1976.
H-11 Collected Articles.
(Hirshberg, Jehoash: A. U. Boskovich and the Quest for an Israeli National
Musical Style. – Mishoirai, Nathan: Shemot. The unfinished Work of A. U.
Boslovich. – Shmueli, Herzl: The :Where” and the “When” in the dialectic
Thaught. – Yannay, Yehuda: Encountering the Boskovich Legacy-A
Generation later. – Touma, Habib H.: Boskovich, my Teacher. – A. U.
Boskovich-List of selected Works). Imi News, p. 2-9/ Tel Aviv. 1997/1998.
H-12 Elias, Willi.
The Semitic Suite. 1 p. [typescript, in Hebrew].
H-13 Hirshberg, Jehoash.
A. U. Boskovich and the Quest for an Israeli National Musical Style. – in:
Studies in Contemporary Jewry. An Annual, Vol. 92-109. New Yorls, 1993.
H-14 Hofman, Shlomo.
The Music of Israel. New Outlook, Vol. VI, No. 2, p. 31-38. Tel Aviv,
November-December 1959.
H-15 Karkoff, Maurice.
[On Boskovich] (October 11, 1965). 1 p. [typescript].
H-16 Mishori, Nathan.
First Performances: Adornments [Ornaments] for Flute and Orchestra (1964).
Annual Conference/Israel Music Week, p. 65-66. Tel Aviv, 1966.
H-17 Oelbaum, Etus.
[On Boskovich]. 4 p. [typescript, in Hungarian].
H-18 Seelmann-Eggebert, Ulrich.
Moderne Kunst im Landa der Bibel. Eindrücke vom kulturellen Leben in
Israel. Karlsruhe: Süddeutscher Rundfunk, 1964. 19 p. [typescript].
H-19 Musik in Israel. Ein Rückblick auf Ereignisse des Jahren 1961. Neue
Zeitschrift für Musik, Vol. 125, No. 2, p. 75-77. Mainz, February 1964.
H-20 Shmueli, Herzl.
A. U. Boskovich. Landmarks in his creative Work. Tatzlil, No. 3, p. 53-55.
Haifa, 1966. [in Hebrew].
H-21 The Problem of Israeli Music. 188 p. [typescript- photostat, in Hebrew]. -
[Part II of the Book “Alexander Uriyah Boskovich, his Life, his Work and
 22

his Thought”, Jerusalem: Edition “Carmel”, 1995.

H-22 Shohat, Yafat.
A. U, Boskovich (1907-1964). Our Bulletin, No. 5, p. 2. Tel Aviv: The Israel
Conservatory of Music, May 1998.
H-23 Toeplitz, Uri.
Symphonic Music in Israel. Israel Music Week, p. 14-15. Tel Aviv, 1969.
H-24 Yannai, Yehuda.
The Late A. U. Boskovich. Profile of a Creative Artist, 1907-1964. Seventh
Annual Conference/Israel Music Week, p. 40-41. Tel Aviv, 1966.

I Programmes

1934
I- 1 January 28. Cluj. Kolar Quartet [with B. at the piano].

1935
I- 2 January 6. Cluj. Concert [with B. at the piano].

1936
I- 3 April 8. Cluj. Symphony Concert [with B. at the piano[.

1937
I- 4 March 23. Cluj. Concert [4 piano pieces by B].
I- 5 April 17. Cluj. Concert. [Jewish folk music-Suite]

1938
I- 6 March 5. Tel Aviv. Palestine Orchestra. 6th Subscription Concert [Chansons
Populaires Juives].

1941
I- 7 May 31. Haifa. Dance Recital of Yardena Cohen [Hanna in Shilo-The Fortune
Teller].

1945
I- 8 June 4. Tel Aviv. Federation of Musicians Concert [Semitic Suite].
I- 9 November 29, Tel Aviv. Piano Recital of Frank Pelleg [Semitic Suite].

1946
I-10 October 24. Paris. Salla Pleyel. Symphony Concert [Semitic Suite].
I-11 December 19, Bucharest. Zionist Association Concert [Dances from Palestine
Suite].

1947
I-12 April 15. Prague. Piano Recital of Frank Pelleg [3 Dances from Semitic Suite].

1950
I-13 March 23. Tel Aviv. Piano Recital of Varda Nishry [Semitic Suite].
 23

1954
I-14 December 30. Ramat-Gan. Symphony Concert [Piccola Suita].

1955
I-15 May 18. Tel Aviv Museum Concert. [Psalm 23].
I-16 December 1. Bucharest. Radio Orchestra [Israeli Suite].

1957
I-17 July 19. Tel Aviv. Millo Club Symposiim on Israeli Music.

1958
I-18 April 24. Buenos Aires. Symphony Concert [Oboe Concerto].
I-19 April 27. The Haag. Zionist Association Concert [Pastorale from Semitic Suite].
I-20 August., Tel Aviv. The 3rd Zimriya [Dudu].

1960
I-21 March 5. Tel Aviv Museum. Chamber music Concert No. 15 [Semitic Suite].

1961
I-22 December. Tel Aviv. Israel Philharmonic Orchestra Anniversary [Daughter of
Israel].

1962
I-23 July 7. Tel Aviv. Chamber Music Association [Concerto for Violin].

1964
I-24 September 18. Tel Aviv. Lyric Theatre. Dance Evening [Odes = Concerto da
Camera].
I-25 December 22. Tel Aviv. Iseaeli Music Academy. Memorial Concert of B.
[Concerto da Camera – Semitic Suite – Canto di Ma’alot].

1965
I-26 June 13/14. Haifa Symphony Orchestra, Concert No. 10 [The Golden Chain].
I-27 December 22. Tel Aviv. Israel Music Week [Pieces for 2 Violins].

1966
I-28 January 9. Tel Aviv. The Israel Philharmonuc Orchestra, Subscription Concert
No. 4 [Canto di Ma’a lot].
I-29 December 29. Tel Aviv. Israel Composers League Concert [Kina – Ornaments –
Concerto for Oboe].

1969
I-30 December 19. Tel Aviv. Israel Music Week [The Golden Chain].

1973
I-31 August 4. Tel Aviv. The 13th Israel Festival. Kol-Israel Orchestra [Canto di
Ma’a lot].
 24

1974
I-32 March 2. Tel Aviv. The Israel Philharmonic Orchestra [The Golden Chain].

1975
I-33 May 11. Sanremo, Rassegna Internationale, Concert No. 5 [The Golden Chain].

1976
I-34 January 1. Tel Aviv. Israel Composers League Concert [works of B.].

1979
I-35 June 6. Jerusalem Proms, Concert No. 1 [Daughter of Israel].

1980
I-38 November 16. Milwaukee. Magen David Concert [Semitic Suite].
1981
I-39 March 3/5. Jerusalem Symphony Orchestra, Concert No. 5 [Semitic Suite].
I-40 July 12. Vienna. Givatayim Youth Chamber Orchestra [Piccola Suita].

1983
I-41 June 7. Tel Aviv Museum Concert [works by B.].

1988
I-42 March 15. Tel Aviv. The Israel Music Institute. Special Concert [works by B.].

1998
I-43 March 5. Tel Aviv. Tempus Fugit Festival [Semitic Suite].

No Date
I-44 Haifa. Dance Evening of Yardena Cohen [Walking alone with my Death – Hanna
in Shilo – The Fortune Teller].
I-45 Haifa. Dance Evening of Yardena Cohen [Sound and Rhythm – Trilogy].
I-46 May 5. Tel Aviv. Histadrut Symphony Concert [Semitic Suite].
I-47 December 16. Tel Aviv. Concert.
I-48 Duo Miriam Boskovich-Hemda Ray Concert [Semitic Suite].

J Posters

J- 1 1933, August 16. Cluj. Jazz-Concert [B. at the Piano].

J- 2 193?, June 4. Cluj. Philharmonic Society Goldmark Concert. [B. conductor].
J- 3 193?, December 11. Cluj. Symphony Concert [B. conductor].
J- 4 1936, March-April. Symphony Concert [B. pianist].
J- 5 1934, September 27. Cluj. Opera Romana. Puccini : La Bohème. [B. conductor].
J- 6 1937, April 17. Cluj. Concert [B. conductor].
J- 7 1943, July 11. Tel Aviv. The Palestine Orchestra. [Concerto for Oboe].
J- 8 1944, November 23. Tel Aviv. The Palestine Orchestra [Concerto for Violin].
J- 9 1944, December 24. Tel Aviv. Habimah Theatre [And the Sons shall returne to
their Land, incidental music].
 25

J-10 1946, February 27, Tel Aviv. The Histadrut Orchestra. [Semitic Suite].
J-11 1950, July 27/29/31. Tel Aviv. Habimah Theatre. [The Four ill-mannered Men,
incidental music].
J-12 1962, Juky 7. Tel Aviv. Chamber music Association Concert [Concerto da
Camera].
J-13 1963, May 4. Tel Aviv. Museum Concert. 2 Pianos Evening [Semitic Suite].
J-14 1973, July-August. The Israel Festival [Canto di Ma’alot].

K Newspaper Clipping

K- 1 1939
K 2-22 1944 [Album]
K 23-25 1946
K- 26 1951
K- 27 1952
K 28-30 1953
K 31-40 1954
K 41-47 1955
K 48-52 1958
K- 53 1961
K- 54 1964
K 55-57 1965
K- 58 1969
K- 59 1974
K- 60 1985
K- 61 1995

L Obituary Articles

L-1 Anonymous.
In Memoriam Boskovich. [in Hebrew].
L-2 Salmon, Karel.
In Memoriam A. U. Boskovich [typescript in English & in Hebrew].
L-3 Seelmann-Eggebert, Ulrich.
A. U. Boskovich. Neue Zeitschrift für Musik, Vol. 126, No. 1, p. 14. Mainx,
January 1965.
L-4 Shmueli, Herzl.
Our Friend A. U. Boskovich is no more. The Israel Academy of Music.
Information Bulletin, p. 1. Tel Aviv, December 1964.
L-5 Shmueli, Herzl.
The Creative Work of A. U. Boskovich. Gitit, No. 10, p. 3 & p. 10. Tel Aviv,
December 1964.
L-6 Snunit, Zvi,
Nachruf auf einen israelitischen Komponisten. National-Zeitung, No. 543/
 26

Basel, Nevember 23, l964,

L-7 Svet, Gershon.
From the Notebook of a Performer. A. U. Boskovich. Hadoar, New York.
[in Hebrew].

M Correspondence with Miriam Boskovich, and others

M- 1 1958
M 2-19 1964
M 20-33 1965
M 34-46 1966
M 47-50 1967
M- 51 1968
M- 52 1969
M 53-55 1971
M 56-58 1974
M 59-63 1975
M 64-70 1976
M - 70a 1985
M 71-72 1987
M 73-77 1994
M 78-81 1995
M 82-87 1996
M 88-93 1997
M- 94 1998
M- 95 2003
M 96-99 not dated

Other Letters:
M-100 A. Copland to Oe. Partos.
30.12.1960.
M-101 Israel Ministry of foreign Affairs to Israel Consulate, Rio de Janeiro.
11.6.1958.
M-102 D. Milhaud to Oe. Partos.
6.1.1961.
M 103-106 E. Tauber to Kav-Venaki.
1955.
M-107 unknown writer to J. Martinon.
10.1.1960.

N Varia

N-1 Material for Hebrew learning.

N-2 Material for Spanish learning.
 27

N-3 Respiration exercises.

N-4 Brod Max: Unsere Ur-Mutter Sarah, Ballet (für Boskovich. – Argument. 8 p.
[typescript].
- Notebooks of Habib Touma:
N-5 Composition, 1958/59.
N-6 Composition, 1959-1963.