Sicilienne

Maria Theresia von Paradis

                           
  


Violoncello  
   

       
                   
              
  

                 
Piano

           

                
      



6

Vc.

      
 
  

         
              
        

                  


        

          
     
  
1. 2.

      


10

Vc.

     
  

  
           
      
 
 
    
  

           
  

              

    
    


14

Vc.

       
 
 

                
       
     
   

        
  

   
            
        




18

Vc.

      

   
     
        
         

          


      
             
   

               
       
   
     
1.


22

Vc.



    
    
                  
      

          


              
      
 

       
                 
  
2.


  
26

Vc.

     
 


                  
            
  
 
              
          

              
 


30


Vc.

      
             
        


           
       
