Rifforama Vol.1 Sample PDF
Rifforama Vol.1 Sample PDF
Rifforama Vol.1 Sample PDF
E S R O CK
60 BLU FFS FOR
TA R R I
GUI R H Y THM
D A N D
LEA S
PLAYER
G U I TA RISTS.
D VA N C ING N TA NA,
FO R A RLOS S A
S T Y L E OF L I K E C A
L AC K M ORE,
I N THE SOUN D T C HIE B
D U E T S
S A B B A TH, MM I , R I
ON,
A N A , B L ACK E LIN, TONY IO E, ERIC CL APT
SANT E , LED Z E P P
JIMMY P OFF.
AG
P U R P L F REE
D E E P A N D K O SS
CREAM P A U L
Vol. 1
Paul Lennon
Arranged and composed by Paul Lennon L.T.C.L.
ISBN 978-1-907058-69-1
All rights reserved. No part of this publication may be reproduced,
stored in a retrieval system, or transmitted, in any form or by any
means, without the prior written permission of the publisher, nor be
otherwise circulated in any form of binding other than that in which it is
published and without similar condition being imposed on the
subsequent purchaser.
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CD CONTENTS
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BOOK CONTENTS
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INTRODUCTION
Hello and welcome to my first book of guitar riffs in the style of the
great blues/rock guitarists. Not an easy subject to dive into without
the sense of drowning! There are so many guitar players and every
guitarist you meet has their own favourites. As I was trying to decide
which players to include my list kept getting longer and longer so it
was a bit like pointing at a map with my eyes closed and just going for
it. The guitar players I’ve chosen for this first volume have been with
me most of my life and their music has played a great part in my
listening. Their influence is huge and not just on guitar players.
Rather than go into the life of each player I think the riffs and the
tracks that influenced them should be the main focus of this book.
I’ve included a brief discography of each guitarist at the end of this
introduction. Wikipedia is becoming such a source of information that I
would recommend the reader seek out the biographical material
available there plus the information on the original band websites.
This CD/book is not really for beginners and some of the technique is
quite demanding. My aim has been to capture the essence of each
player in my original riff and provide new duo material for you to work
with. The playalong track can be used by you alone or in a duo or
class situation.
My initial aim was to just give material for lead players but I soon
realized that the rhythm part is just as important. Also there is much
that can be learned from studying the rhythm style of these guitarists.
Do check out the original album tracks and use the riffs to develop
your own individual style.
Good luck.
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SANTANA RIFF 1
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