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    Fantasia Exótica No. 2

    Uploaded by

    Rodrigo Sousa
    This document contains musical notation for a string orchestra piece titled "Exotic Fantasy No. 2". It includes parts for first and second violin, viola, cello, and double bass. The piece is in 4/4 time and has a tempo marking of 160 beats per minute. The notation contains rhythmic patterns and indications for bowing technique.

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    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    Fantasia Exótica No. 2

    Uploaded by

    Rodrigo Sousa
    22 views5 pages
    This document contains musical notation for a string orchestra piece titled "Exotic Fantasy No. 2". It includes parts for first and second violin, viola, cello, and double bass. The piece is in 4/4 time and has a tempo marking of 160 beats per minute. The notation contains rhythmic patterns and indications for bowing technique.

    Original Description:

    A piece composed by Rodrigo Sousa Instrumentation: String Orchestra

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    © © All Rights Reserved

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    This document contains musical notation for a string orchestra piece titled "Exotic Fantasy No. 2". It includes parts for first and second violin, viola, cello, and double bass. The piece is in 4/4 time and has a tempo marking of 160 beats per minute. The notation contains rhythmic patterns and indications for bowing technique.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    22 views5 pages

    Fantasia Exótica No. 2

    Uploaded by

    Rodrigo Sousa
    This document contains musical notation for a string orchestra piece titled "Exotic Fantasy No. 2". It includes parts for first and second violin, viola, cello, and double bass. The piece is in 4/4 time and has a tempo marking of 160 beats per minute. The notation contains rhythmic patterns and indications for bowing technique.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    of 5

    Exotic

    Fantasy No. 2
    Para Orquestra de Cordas

       = 160  
      
    Rodrigo Sousa


              

          
    Violin I

          
      

    Violin II

                  


    
    Viola

       
           
     
    Violoncello

       
    Contrabass
             

       
         
    10

       
    
    Vln. I

       

         
    Vln. II


              
      
     

    Vla.

       
     

          
     
     
    Vc.

        
            

    Cb.


          
     
    16

    
    Vln. I

        
    Vln. II  

           
            
    Vla.

               
        
             

    Vc.

          
           
     
    Cb.

         
        
     
       
       

    21 pizz.

     
         
    Vln. I

      
        
      


    pizz.

      
        
    Vln. II

           
          
     pizz.

        
    Vla.

        
          


    pizz.

         
     
    Vc.

         
         
    pizz.

    Cb.

    2
             
            
           
    25

    
    Vln. I

                
          
         
               
    Vln. II

      
              
      
    arco

               
    Vla.

            
        
    arco

                  
    Vc.

            
    Cb.
         

    
            = 160
                
    arco

       
    31
    .

      
    Vln. I

             
          
    arco


    Vln. II

     
                      
    

    Vla.

                     
     
                
    Vc.

        
      
      
    arco

    Cb.

    3
         
           
     
    37

    Vln. I

        
        
     

     
     
    Vln. II

                       

     
    Vla.

                         
          

                  
    Vc.

       
    Cb.

                       
     
    45

    Vln. I

                    

    Vln. II

                         
    

    Vla.

                               
    

               


    Vc.


    

    Cb.

    

    4
                              
     
    54

    Vln. I

       
    Vln. II     
     

     

     

    Vla.                         

                            
                     
    Vc.


    Cb.


       
    62

    Vln. I


    

     
    Vln. II

       
    
    Vla.

      
    

     
    Vc.


    

    Cb.

    

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