Hex Appeal Prolongation and Transformati PDF
Hex Appeal Prolongation and Transformati PDF
Hex Appeal Prolongation and Transformati PDF
Example 1:
Representative Neptunian Atmosphere: m. 95-99, from Two Piano Version
Example 2:
“Tarnhelm” Progression (Das Rheingold, Scene Three) Compared with Neptune Sound-Masses (mm. 34-36)
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Example 3a:
Hexatonic Scale compared with John Foulds’s Mode IIP (“Prismic”)
Example 3b
From John Foulds, Essays in the Modes, “Prismic”
Example 4
Some Hexatonic/Neptunian Passages from Holst
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Example 5
Tonal Design of “Hymn to Varuna” from Choral Hymns from the Rig Veda, Book II
Example 6a
Analysis of Neptune, A-Section
Example 6b
Analysis of Neptune, B-Section
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Example 6c
Analysis of Neptune, C-Section
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Example 7
Hexatonic Voice-Exchange Model for Neptune
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Partial Bibliography
Baker, James. 1984. “Schenkerian Analysis and Post-Tonal Music”
Bevir, Mark. 1994. “The West Turns Eastward: Madame Blavatsky and the Transformation of the Occult Tradition”
Cohn, 1996. “Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions”
---2004. “Uncanny Resemblances: Tonal Signification in the Freudian Age”
---2012. Audacious Euphony
Greene, Richard. 1994. Gustav Holst and the Rhetoric of Musical Character: Language and Method in Selected Orchestral Works.
--1995. Holst: The Planets
Godwin, Joscelyn. 1987. Harmonies of Heaven And Earth: The Spiritual Dimensions of Music
Goldenberg, Yosef, 2007. “Schenkerian Voice Leading and Neo-Riemannian Operations: Analytical Integration
without Theoretical Reconciliation”
Macan, Edward. 1991. “An Analytic Survey and Comparative Study of the Music of Ralph Vaughan Williams and
Gustav Holst”
Mansell, James. 2009. “Music at the Borders of Rationality: Discourses of Place in the Music of John Foulds.”
Morrison, Mark. 2008. “The Periodical Culture of the Occult Revival: Esoteric Wisdom, Modernity and Counter-Public
Spheres”
Owen, Alex. 2004. The Place of Enchantment: British Occultism and the Culture of the Modern."