Mike Magatagan

Arranger, Composer, Interpreter, Publisher

United States (USA), SierraVista

About the artist

I'm a software engineer. Basically, I'm computer geek who loves to solve problems. I have been developing
software for the last 25+ years but have recently rekindled my love of music. I am relearning the piano and
my first love; the pipe organ. I am active in our church (the Sierra Vista United Methodist Church:
(http://www.lovesvumc.com/lovesvumc/Welcome.html) and am eager to provide spiritual sustenance such
as harp, organ and handbells arrangements.

Many of my scores are posted with individual parts and matching play-along however, this is not always
practical. If you would like individual parts to any of my scores or other specific tailoring, please contact me
directly and I will try to accomodate your specific needs.
Artist page : www.free-scores.com/Download-PDF-Sheet-Music-magataganm.htm

About the piece

Title: "La Source" Étude for Harp [Opus 44]

Composer: Hasselmans, Alphonse
Arranger: Magatagan, Mike
Copyright: Public Domain
Publisher: Magatagan, Mike
Instrumentation: Harp
Style: Romantic
Comment: Belgian-born Alphonse Hasselmans is generally
considered a minor composer, but he was a key figure
in the genre of harp playing in the late-19th and
early-20th centuries, since he is credited with
establishing the French School of harp playing and with
helping to revive interest in the harp. Hasselmans was
born in Liège on March 5, 1845, the son of Josef H.
Hasselmanns, a prominent conductor, harpist and
violinist. Young Alphonse exhibited tale... (more online)

Mike Magatagan on free-scores.com

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First added the : 2012-06-30 Last update :

 "La Source" Étude for Harp"
(Opus 44 "The Wellspring")
Alphonse Hasselmans, 1845-1912
Transcribed by Mike Magatagan 2012

Andantino

  86           
f
    
p
  86  
3
                                    
pp

4
                                    

  
A tempo
 
5
                   
pp mf p con moto e delicatezza
          

"La Source" Étude (Opus 44) by Alphonse Hasselmans
Mike Magatagan ([email protected] or MMagatagan on http:\\www.MuseScore.com
       
8
         
                   
  
10      
                        
    
                
   
12    
            
                
mf

  
14    
             
 
       
       diminuendo

 
poco rit.
     A tempo

16
         
p (G)

                 (B)


"La Source" Étude (Opus 44) by Alphonse Hasselmans
2 Mike Magatagan ([email protected] or MMagatagan on http:\\www.MuseScore.com
        
                              
18

crescendo poco a
                (C)
(F)

        
20    
                               
poco
              f     
       
  
       
22                    
   (F)         ff
          
            
  
24
                        
p subito
                        
poco rit.
    A tempo  
  
                        
26
    
                  

"La Source" Étude (Opus 44) by Alphonse Hasselmans
Mike Magatagan ([email protected] or MMagatagan on http:\\www.MuseScore.com 3
           
                         
28

mf
                     
    poco rit.
      A tempo
      
                   
30

                     
      
32
   
                      
     
pp
                     
        
   
34              
   
                     
   
   
                         
36   
poco rit.
  
                  
 
"La Source" Étude (Opus 44) by Alphonse Hasselmans
4 Mike Magatagan ([email protected] or MMagatagan on http:\\www.MuseScore.com
 A tempo animato
38
      
                   
                   
             
                      
40


crescendo
 
                      
  
     
                         
42    
                   
          
                       
44

crescendo
  
                 
   
                
                 
46   
f
                       
 
"La Source" Étude (Opus 44) by Alphonse Hasselmans
Mike Magatagan ([email protected] or MMagatagan on http:\\www.MuseScore.com 5
             
                  
48
      
ff
(B) (G)
                       
     
50  
                      
         
sempre animato
(E)
                    
                     
    
    
52

e crescendo
                       
          
  
54     
              
f
                
     
             
                        
56

poco dim. p

                     

"La Source" Étude (Opus 44) by Alphonse Hasselmans
6 Mike Magatagan ([email protected] or MMagatagan on http:\\www.MuseScore.com
                 
                    
58

           


    
                         
60
   
(C) (C)

                  
 
     
                               
62

poco
crescendo a poco
                      
8va
             
                     
64

8va
                    
 
66
(8va)
        
     
   
           
f sdrucciolando
8va
            (Sliding Glissando)

"La Source" Étude (Opus 44) by Alphonse Hasselmans

Mike Magatagan ([email protected] or MMagatagan on http:\\www.MuseScore.com 7
   
 
68
poco rit.
  
Tempo I
     
pp
                 
  

                               
70
 
                
  
  
       
72
       
                
   
  
          
74
    
                
  
  
        
76
      
                 
"La Source" Étude (Opus 44) by Alphonse Hasselmans
8 Mike Magatagan ([email protected] or MMagatagan on http:\\www.MuseScore.com
 poco rit.
    A tempo
     
         
78

                
    
 
                              
80  
crescendo

                (D)    
     
                             
82
 
                 
                         
84
     
f
                    
  
        rit.    
                      
86

(E E )

                       
(E E )
"La Source" Étude (Opus 44) by Alphonse Hasselmans
Mike Magatagan ([email protected] or MMagatagan on http:\\www.MuseScore.com 9
 A tempo                
                 
88

                    

90
            
                   
                
               8va

              
92

sempre p

                      
 
(8va)    
poco rit. 
94
                               
pp
                       

(8va)

96
                 
 sdrucciolando
     
(B) (Sliding Glissando)
   
(E)         
 "La Source" Étude (Opus 44) by Alphonse Hasselmans

10 Mike Magatagan ([email protected] or MMagatagan on http:\\www.MuseScore.com