Atlanta Ayyappa Temple
Atlanta Ayyappa Temple
Atlanta Ayyappa Temple
Table of Contents
Pooja Beginning ....................................................................................................................................................................7
1.Ayyappa Suprabhatham ............................................................................................................................................7
2.Ayyappa Kavacham..................................................................................................................................................14
3.Daily Shlokas & Stotras ............................................................................................................................................16
4.Sri Vinayaka Ashtottara Satanaamavali ...................................................................................................................17
5.Sri Subrahmanya Ashtottara Satanaamavali ...........................................................................................................18
6.Ayyappa Saranam - 108 ...........................................................................................................................................19
7.Vazhi Nadai Saranam ...............................................................................................................................................20
8.Sri Hariharaputra Ashtottara Satanaamavali ..........................................................................................................21
9.Mantra for Wearing Mala........................................................................................................................................22
10.Mantra for Removing Mala ...................................................................................................................................22
11.Moolam .................................................................................................................................................................22
12.Ayyappa Gayathri Mantra .....................................................................................................................................22
All God Bhajans...................................................................................................................................................................23
Lord Ganesha ..................................................................................................................................................................23
13.Ganesa Sharanam – 1 ............................................................................................................................................23
14.Ganesha Saranam -2..............................................................................................................................................24
15.Vinaayaka Vinaayaka .............................................................................................................................................24
16.Prabo Ganapathe...................................................................................................................................................24
Gurunaatha.....................................................................................................................................................................25
17.Gurunaatha Gurunaatha .......................................................................................................................................25
18.Om Guru Jaya Guru ...............................................................................................................................................25
19.Vizhi Kidaikkuma....................................................................................................................................................26
20.Dattatreya..............................................................................................................................................................26
Lord Ambal .....................................................................................................................................................................27
21.Bhavani Shankari Parvathi .....................................................................................................................................27
22.Amba Bhavani Sarade............................................................................................................................................27
23.Amba Parameshwari .............................................................................................................................................27
Lord Shiva .......................................................................................................................................................................28
24.Namah parvathipathaye ........................................................................................................................................28
3.Bhootha nayaga varuga, varuga, 11.Irumoorthi mainthan yen iru chevi kaakka,
Pushkalai pathiye varuga, varuga, Vavarin thozhan vayinai kaakka,
Ponnambalathurai eesa varuga, varuga, Pambayin balan parkkalai kaakka,
Adiyaarai anbudan kaaka varuga, varuga. Naan mukha poojyan naavinai kaaka,
21.Pilli sooniyam , pala vidha vanchanai , 28. Poonambalathu urai punyaa namo nama,
Pambayin balan peyar chollidavum, Pulippal eentha punyaa namo nama,
Panjay parakka varam yenakku arulvai, Kariyayuthamudai sundaraa namo nama,
Bhayangalai pokki abhayam alippai. Mahishi mardhanaa mani kandaa namo nama.
Please add 'Aum' in the beginnig of each sacred name and 'Namah' at the end.
1. Aum Mahasastre
namaha
2. Mahadevaya 39. Mayadevisutaaya 74. Lokasrayaya
3. Mahadevasutaya 40. Maanyaya 75. Ganadhishaya
4. Avyayaya 41. Mahaanitaya 76. Chatuhshasti Kalamayaya
5. Lokakartre 42. Mahagunaaya 77. Rig yajur Samaatharvarupine
6. Lokabhartre 43. Mahashaivaya 78. Mallakasura panjanaya
7. Lokahartrae 44. Maharudraya 79. Thrimurtiyae
8. Paratparaya 45. Vaishnavaya 80. Daithyamadanaya
9. Trilokarakshakaya 46. Vishnupoojakaya 81. Prakruthayae
10. Dhanvine 47. Vighneshaya 82. Purushotamaya
11. Thapasvinae 48. Veerabhadreshaya 83. Kaalajnanine
12. Bhootasainikaya 49. Bhairavaya 84. Mahajnanine
13. Mantravedine 50. Shanmukhadhrivaya 85. Kaamadaya
14. Mahavedinae 51. 86. Kamalekshanaya
15. Maarutaya Merushringasamasinaya 87. Kalpavrikshhaya
16. Jagadishvaraaya 52. 88. Mahavrikshaya
17. Logadyakshaya Munisanghanishevitaya 89. Vidyavrikshaya
18. Agranye 53. Devaaya 90. Vibhootidaya
19. Sreemate 54. Badraya 91. Samsaratapavichetre
20. pramaeyeparakramaya 55. Jagannathaya 92. Pasulokabayankaraya
21. Simharoodhaya 56. Gananaathaya 93. Rogahartre
22. Gajaroodhaya 57. Ganeshvaraya 94. Praanadatre
23. Hayaroodhaya 58. Mahaayogine 95. Paragarva vibanjanaya
24. Maheswaraya 59. Mahamayine 96. Sarvasastrartha tatwajnaya
25. Nanashastradharaya 60. Mahajnanine 97. Needhimadae
26. Anarghayya 61. Mahasthiraya 98. Papabhanjanaya
27. Nanavidyavisharadaya 62. Devashastre 99. Pushkala - Poorna –
28. Nanaroopadaraya 63. Bhootashastre Samyuktaya
29. Veeraya 64. Bheemahasa 100. Paramatmane
30. anapraninishaevakaya Parakramaya 101. Satangadayae
31. Bhooteshaya 65. Naagaharaya 102. Anantaaditya – Sankashaya
32. Bhootidaya 66. Naagakeshaya 103. Subrahmanyanujaya
33. Bhrityaya 67. Vyomakeshaya 104. Baline
34. Bhunjangaparanotha 68. Sanaatanaya 105. Bhaktaanukampine
maaya 69. Sugunaya 106. Deveshaya
35. Ikshudhanvine 70. Nirgunaya 107. Bagavadae
36. Pushpabaanaya 71. Nityaya 108. Bhaktavatsalaya
37. Maharoopaya 72. Nityatriptaya
38. Mahaprabavae 73. Nirarashrayaya
This mantra to be chanted before beginning (while wearing the mudra mala) the sabarimala mandala vratham
with guidance of GURU Swamy
Jnaana mudraam Shaastru mudraam guru mudraam namaamyaham
Vana mudraam Suddha mudraam rudra mudraam namaamyaham
Shaanta mudraam satya mudraam vrata mudraam namaamyaham
Shabary aashrama satyena mudraam paatu sadaapi mae
Guru dakshinayaa poorvam tasya anugraha kaarine
Sharanaagata mudraakhyam tvan mudrraam dhaarayaamyaham
Chin mudraam khesharee mudraam bhadra mudraam namaamyaham
Shabrayaachala mudraayai namastubhyam namo namaha
This mantra has to be chanted before removing the sacred mudra mala after irumudi and ayyappa dharshan, while
returning home from Sabarimala
Apoora mAchala rohani Divyadarshana
Kaaranam Shatrumudrat Mahadevv
Dehi me Vrata mocchanam
After taking off the maala, offer pranams to Ayyappan’s photo and Gurusami. The Guruswami will remove
the maala symbolizing the end of the Vrata and pilgrimage.
11.Moolam
Lord Ganesha
13.Ganesa Sharanam – 1
15.Vinaayaka Vinaayaka
16.Prabo Ganapathe
17.Gurunaatha Gurunaatha
Alai Medhu Alayaga Thuyar Vandhu Seru- Kodi Kodi Kodi Janmam naan eduppen guru
Bodhu undan arul irundaal
Anjaathey enum kuralai sevi ketkuma Unakkendru Unakkaaga Enai Aakkuven
Ninaikkadha Thunbam Pala Enai vandhu
Chorus: Vizhi Kidaikkuma… serum podhu
Ninaithale Abayam tharum karam
Nangooram Pol gurunadhan kadai vizhi kidaikkuma
Irukka, Unai Ninaithale Abayam tharum karam
Indha samsara puyla kandu manam anjuma, Kidaikkuma (2)
Nijamana Anbu Vaithu Enadellam Adiyil
Vaitha Chorus: Vizhi Kidaikkuma…
Un vizhiyora Padagil enakkidam kidaikkuma
20.Dattatreya
23.Amba Parameshwari
24.Namah parvathipathaye
Om Namah Shivaya.. Shivaya Namah Om (2) Dama Dama Dama Dama Damru Baaje(2)
Hara Hara Hara Hara.. Haraya Namah Om(2) Dhimi kata Dhimi kata Mridanga Baaje(2)
Shiva Shiva Shiva Shiva. Shivaya Namah Om Dhimika Dhimika dhim Mridanga Baaje(2)
Hara hara Mahadeva Hara Hara Mahadeva
Om Namah Shivaya.. Shivaya Namah Om
Hara Hara Mahadeva.. Hara Hara Mahadeva Om Namah Shivaya......(2)
Bolo Bolo Submil Bolo Om Nama Shivaya Trishoola Dhari Damaru Bhajavey
Om Nama Shivaya Om Nama Shivaya
Dama Dama Dama Dama Damaru Baja
Bolo Bolo Submil Bolo Om Nama Shivaya
Jhootajatamey Ganga Dhari Goonj Uthavo Nama Shivaya
Om Nama Shivaya (4X)
31.Haribol Haribol
32.Gopala Radha Lola
Murali manohara Radhe Shyam Narayan Narayan Jai Jai Govinda Hare (X)
Gopi vallabha Radhe Shyam Narayan Narayan Jai Jai Gopala Hare (X)
Devaki nandana Radhe Shyam
Radhe shyam Jaya radhe shyam....... Jai Jai Govinda Hare Jai Jai Gopala Hare(2)
Kamala vallabha Radhe Shyam Narayan Narayan Narayan
Kaaliya mardhana Radhe Shyam Narayan Narayan (X)
Radhe shyam Jaya Radheshyam
Jai Jai Govinda......
Govardhana dhara Radhe shyam
Gopi manohara Radhe shyam
Radhe shyam Jaya radhe shyam
Aada poodaa kannaiya vilaiyada poodaa Adikka varaka amma pidikka varaka
Nee aazhar kuzhal eduthu ootha poodaa Ennai adithu pudiththu thuunil katti uthaikka varaka
Chorus: Achutham Chorus: Achutham
Aayar maattai ellaam ottiyee poodaa Onroom ariyen thayae edhuym ariyen
Nee pullankuzhal eduthu ootha poodaa palakan enpathanal soodhum ariyen
Chorus: Achutham Chorus: Achutham
Namma viittiel paal thaiyeer vennai engum Eppo kaanpeen ayya eppo kaanpeen
irrukka Ayya un ponnadiyai eppo kaanpeen
Nee adutha viittiel paal thaiyeer vennai yenda
kudithaai Chorus: Achutham -2
Chorus: Achutham
Padma nayana Govinda - Padma kamala Govinda hari Govinda - Gopala Hari Govinda
Govinda Siddi Vinayaka Govinda - Bhuddi Pradayaka Govinda
Puranapurusha Govinda - Pundarikaksha Sachhidananda Govinda - Saadu Rakshaka Govinda
Govinda
43.Sri velmuruga
Vel vel velayya skanda muruga velayya.... Bhakthulanu Braavumaya Skandamuruga Velayya
Korkelannee Theerchavayya Skandamuruga
Velayya Swamimala Konda Meeda Skandamuruga Velayya
Balasubrahmanyudave Skandamuruga Velayya
Pacha Nemali Vaahana Skandamuruga
Velayya Valli Manasu Dochaavu Skandamuruga Velayya
Paalkaavadi Thechamayya Skandamuruga Devasena Bharthave Skandamuruga Velayya
Velayya
Velvel Muruga Vetrivel Muruga
Palano Kobda Meeda Skandamuruga Velayya Velvel Muruga Vetrivel Muruga
Dandayudhapaanive Skandamuruga Velayya Vetrivel Muruga Velvel Muruga
Vetrivel Muruga Velvel Muruga
Ganapathiki Thammudavu Skandamuruga
Velayya Jai Vetrivel Muruganukku Harom Hara
Ayyappaku Annavu Skandamuruga Velayya Jai Veeravelmuruganukku Harom Hara
Jai Gnanavel Muruganukku Harom Hara
Parvathiki Putrudave Skandamuruga Velayya Jai skandanvel muruganakku harom hara,,,
Digu digu digu naaga naaganna Chorus: Digu Digu digu naaga…
Divyasundara naago naaganna..
Pillantha cheri naaganna
Chorus: Digu Digu digu naaga… Pullalerabothe naaganna
Pullana unnava naaganna
Illaliki mugguletti naaganna Pulla naaguvayya naaganna.....
Inta mallelu jalli naaganna
Mallela vaasanatho naaganna Chorus: Digu Digu digu naaga…
Kolaata maadiporo naaganna...
Poolu pallu thechi naaganna
Chorus: Digu Digu digu naaga… Nee puttapai jalli naaganna
Puttalo vunnava naaganna
Bhaamalantha cheri naaganna Poola naaguvayya naaganna........
Baavineelakelithe naaganna
Baavilo unnava naaganna Chorus: Digu Digu digu naaga…
Balanaaguvayya naaganna.....
Ettram Kadinam Malai Ettram Kadinam, Trikkai Neeti Karimalai Neeli Malai Etti Videndaiyaa
(Chorus: Ettram......)
(Chorus) Ayyane Kaanan, Swami Ayyane Kanaan, Ponnambala Mettil Vazhum Ayyane Kanaan
Kunnum Kuzhiyum, Kattu Kallum Mullukalum Chavitti, Ullaasaraai Innu Njangal Varunn-Ayyappa
Dhosham Theerkane Swami Moksham Tharane, Swami Trikkan Paarthu Adiyarude Allalakathaname
(Chorus: Dhosham......)
(Chorus) Ayyane Kaanan, Swami Ayyane Kanaan, Ponnambala Mettil Vazhum Ayyane Kanaan
Kunnum Kuzhiyum, Kattu Kallum Mullugakum Chavitti, Ullasarai Innu Njangal Varum Ayyappa
Ayyane Kaanan, Swami Ayyane Kanaan
Ponnambala Mettil Vazhum Ayyane Kanaan
Kunnum Kuzhiyum, Kattu Kallum Mullugakum Chavitti
Ullasarai Innu Nyangal Varum Ayyappa
Bhagavane - Bhagavatiye
Eeswarane - Eswariye
Devane - Deviye
Shakthane - Shaktiye || Bhagavaan ||
}
Pallikattu…Chorus: Sabarimalaikku
Kallum Mullum…Chorus: Kaalukku Meth-Thai
Swamiye…Chorus: Ayyappo (2)
Swami Saranam…Chorus: Ayyappa Saranam
Pallikattu…Chorus: Sabarimalaikku
Kallum Mullum…Chorus: Kaalukku Meth-Thai
Swamiye…Chorus: Ayyappo
Swami Saranam…Chorus: Ayyappa Saranam
57.Telugu 58.Tamil
Acha noru malai undu kailaasum Swamy koka vastramu undi neeli vastram
Amma noru malai undu elumalai Swamy koka pilupoo saranamayya
Jyesta noru malai undu palanimala Swamy koka maala undi tulasi maalaa
Enra ayyappa noru malai undu sabarimala Naa koka lakshya mundi sabarimalaa
Enakkoru vili undu saranu vili Raallu teesay chotu aluda nadee
Enakkoru lakshya mundu sabarimala Raallu pettay chotu kallidum kundru
Enakkoru maalaundu tulasimaalaa Paapamulu theeru chotu pambaa nadi
Enakkoru deve nundu ayyappa Mukti ni chey chotu sannidhaanam
Ore Oru Lakshyam Sabari Maa Mala Hariharaathmajaa nee Saranam Ayyappa
Ore Oru Moham Divya Darshanam Saranam Ayyappa, Swami Saranam Ayyappa
Ore Oru Maargam Pathinettaam Padi (Chorus: Ore Oru Lakshyam Sabari Maa Mala)
Ore Oru Mandram Saranam Ayyappa
Saranam Ayyappa, Swami Saranam Ayyappa Vanathalam Viraikkum Valiya Shabdadhaara
(Chorus: Ore Oru.....) Surapatham Nadungum Sarana Shabdadhaara
(Chorus: Vanathalum......)
Orumaiyodu Koodi Ozhugi Vannidunnu
Charana Pankajangal Paniyuvaan Varunnu Adavigal Kadannu
(Chorus: Orumaiyodu....) Malaikalum Kadannu
Parama Paavanam
Oru Vapussu Nyangal Poonkaavanam Kanannu
Oru Manasu Nyangal (Chorus: Adavigal....)
Oru Vachassu Nyangal
Oru Tharam Vichaaram Varigaiyaai Nangal Arigilaai Nangal
(Chorus: Oru uVapussu.....) (Chorus: Varigaiyaai.....)
Hariharaathmajaa nee Saranam Ayyappa
Akhilarum Varunnu Pon charanam Thedi Saranam Ayyappa, Swami Saranam Ayyappa
(Chorus: Akhilarum.....) (Chorus: Ore Oru Lakshyam Sabari Maa Mala)
Kaanana vasaa karpoora priya ayyappa Hari hara sutaney saranam saranam ayyappa
Kamta malai ley komala jyothiyey ayyappa– Anndi moola puruley saranam ayyappa
hari hara
(Faster)
Sabiri Girisa Enkal Nayaka, Saranam Iyyappa Swami Saranam Iyyappa
Bavani varaar inge Swami Saranam Ayyappa Thandhai thaayum aana Swami bhavani varukirar
Vaavar Swami kooda varaar Saranam Vethiyar sabhai naduve bhavani varukirar
Ayyappa Bootha padaigaludan ayyan varukirar
Paavalargal kooda varaar Saranam Ayyappa Yittharunam kaathiduvar Saranam Ayyappa
Aavalodu Koodiduvom Saranam Ayyappa Saranam Ayyappa Swami Saranam Ayyappa
Saranam Ayyappa Swami Saranam Ayyappa (2)
Saranam Ayyappa Swami Saranam Ayyappa
Saranam Ayyappa Swami Saranam Ayyappa Kadakadavena vaeri muzhanga Swami varukirar (2)
(2)
Kottu vaathiyam muzhangi varave Ayyan Varukirar
Ambum villumm kayyil yenthi Swami Maadam kadaya porul nirula Saranam Ayyappa
Varukirar Oodi varave bavani varar Saranam Ayyappa
Yemperuman thulli thulli aadi varukirar Saranam Ayyappa Swami Saranam Ayyappa
Thunbam yellam theerndhidave bhavani Saranam Ayyappa Swami Saranam Ayyappa (2)
varukirar
Inbamodu kumbhiduvom Saranam Ayyappa Minnal pola oli vilanga Saranam Ayyappa
Saranam Ayyappa Swami Saranam Ayyappa Ponnu maenee kandidave Saranam Ayyappa
Saranam Ayyappa Swami Saranam Ayyappa Thanithu Vilangum Kannazhum Swami Ayyappa
Pillai illa kuraikalaale varunthum bhaktharai Bavani varar inge Swami Saranam Ayyappa
Ullam irangi karunai katti parum Ayyappa Vavar Swami kooda varar Saranam Ayyappa
Vallal endru peyar vilangum yengal Ayyappa Paavalargal kooda varar Saranam Ayyappa
Alli Alli thanthiduvai Saranam Ayyappa Aavalodu koodiduvom Saranam Ayyappa
Saranam Ayyappa Swami Saranam Ayyappa
Saranam Ayyappa Swami Saranam Ayyappa Saranam Ayyappa Swami Saranam Ayyappa
Saranam Ayyappa Swami Saranam Ayyappa Saranam Ayyappa Swami Saranam Ayyappa (3 more
times)
Kadum piniyin kodumayinal varunthum
anbarai
74.Poiyindri – Tamil
Dandalamma Dandalammo,
MaalikapuRaththammaa Dandalammo (2) Erumaeli Chaera Thaaru - Dandalamma
(Amma) - 2 Paetta thulli aada Thaaru - Dandalamma
Kanni saamilu vasthaaru - Dandalamma Vaavarukkae Mokku Thaaru - Dandalamma
Kaththi saamilu vasthaaru - Dandalamma A aluthayae chaera thaaru - Dandalamma
Gantha saamilu vasthaaru - Dandalamma
Guru saamilu vasthaaru - Dandalamma Erumaeli ChaeraThaaru, paetta thulli
aadaThaaru, Vaavarukkae Mokkuthaaru,
Kanni saamilu vasthaaru, Kaththi saamilu aluthayae chaerathaaru
vasthaaru,Gantha saamilu vasthaaru, Guru Chorus: Dandalammo Dandalammo -2
saamilu vasthaaru ---
Chorus: Dandalammo Dandalammo -2 Pampayae Chaera tharu - Dandalamma
77.Shabarigireeswara – Malayalam
Bhakthapari Paalan Idho Bhavani Varugiraar Villum Ambum Kayil Endhi Bhavani
Pandalathu Veeran Idho Bhavani Varugiraar Varugiraar
Kuraigal Ellam Pokkidave Bhavani Varugiraar Villali Veeran Idho Bhavani Varugiraar
Kulathoor Puzhai Baalan Idho Bhavani Vinaigal Ellam Pokkidave Bhavani Varugiraar
Varugiraar Veeramanikantan Idho Bhavani Varugiraar
Chorus: Saranam Ayyappa Swami Saranam (Chorus: Saranam Ayyappa)
Ayyappa
Saranam Ayyappa Swami Saranam Ayyappa Sabarigiri Vaasan Idho Bhavani Varugiraar
Saanthaswaroopan Idho Bhavani Varugiraar
Acchan Koil Arasan Idho Bhavani Varugiraar Saanthi Adhai Pozhindhadave Bhavani
Acham Adhai Pokkidave Bhavani Varugiraar Varugiraar
Aariyangaav Ayyan Idho Bhavani Varugiraar Nargadhiyai Thandhidave Bhavani
Aanandamaai Nadanamaadi Bhavani Varugiraar
Varugiraar (Chorus: Saranam Ayyappa)
(Chorus: Saranam Ayyappa)
Raava Ayyappa swami Ratnala Radham lona Raava Ayyappa swami swamulanu deevincha
Raava Ayyappa swami Muthyala Radham Maalale vesaru dikshale chesaru
lona Poojale chesaru paatale paderu
Raava Raava Raava Raava Villadi virudanta veermanikhantudanta
84.Gangayaaru- Malayalam
Saasta sannidilo abhisekham dharma saasta Vibhudhi techamu ayyappa neeku vibhudhabhi
kovelalo abhisekham - 2 sekhamayya ayyappa
Chorus: saasta sannidilo
Aavu paalu techamu ayyappa neeku
paalabhisekhamayya ayyappa Bhaki thone kolichemu ayyappa neeku
Chorus: saasta sannidilo aatmabhisekhamayya ayyappa
Chorus: saasta sannidilo
Aavu perugu techamu ayyappa neeku
perugaabhisekhamayya ayyappa Panneeru techamu ayyappa neeku
Chorus: saasta sannidilo pannerabhisekhamayya ayyappa
Chorus: saasta sannidilo
Saasta sannidilo abhisekham dharma saasta
kovelalo abhisekham - 1 Sree mani kantuni abhisekham sree sabhari gireeshudi
kabhisekham
Aavu neyyi techamu ayyappa neeku Chorus: saasta sannidilo
neyyabhisekhamayya ayyappa
Chorus: saasta sannidilo Saasta sannidilo abhisekham dharma saasta kovelalo
abhisekham - 1
Putta tene techamu ayyappa neeku
tenabhisekhamayya ayyappa Aavu paalu techamu ayyappa neeku
Chorus: saasta sannidilo paalabhisekhamayya ayyappa
Chorus: saasta sannidilo
Sreegandham techamu ayyappa neeku
gandhabhisekhamayya ayyappa Aavu perugu techamu ayyappa neeku
Chorus: saasta sannidilo perugaabhisekhamayya ayyappa
Chorus: saasta sannidilo
Ganga jalamu techamu ayyappa neeku
jalaabhisekhamayya ayyappa Saasta sannidilo abhisekham dharma saasta kovelalo
Chorus: saasta sannidilo abhisekham - 1
Saranam Saranam Ayyappa Swamiye Saranam Swami mahimatho Rajunaku Kaligenu Suthudu
Ayyappa mariyokadu
Sabarigireesa Ayyappa - Swamiye Saranam Ayyappa Guruvasamulo chadhivinpa guruputruni deevinpa
Sathyamu Jyothi velugunayaa - Nityam danini Maataluraani balunaku mathalu vachenu mahimalatho
choodumaya Maathapithalanu sevinchi mahishini thaanu vadhinchi
Paruguna Meeru Raarayya Sabarigiriki Poodamu Sabarigirilo valasiriga manalanu dhanyulu cheyutaku
Harihara Maanasa Suthulaina Surulaa moralanu Ayyappa anu namamutho silaroopamuna thanunna
aalinchi Jyothiswaroopa mahimalatho bhakthula Korkelu
Dharanilo thaanu janminchi padhirendedllu nivasinchi theerthuraya
Ghoraadivilo baluniga sarpamu needalo pavalinpa Maargasirana modaletti nalubadi dinamulu deekshatho
Veetaku vachina Rajunaku Pasibaluniga kanipinchi saranani bhajanalu cheyuchu Irrumudikatti payanimpa
Manikanta anu namamutho penchiri rajulu Bhogiki mundhu cherali Makara Sankranthi choodali
muripemuga Chaalu chaalu manakinka valadhu valadhu ika janma
Makara Sankranthi dinamuna Sayam samayamu velalo
91.Amithanandam – Telugu
Amithanadam paramanandam Ayyappa
Nee rupam choochina papam tolugunu puttuta pamba theeramu peruguta pandala raajyam
ayyappa (2) kantamandu maniharam Manikata nee namamu
Ayyappa swami ayyappa - Ayyappa saranam Ayyappa swami ayyappa - Ayyappa saranam Ayyappa
Ayyappa (2) Chorus: Amithanamdam
Hariye mohini roopam harude mohanaroopam Pulipaala kadavi prayanam madilo mahishi samharam
Harihara sangam ayyappa jananam Indrudu vanpuli vahanamu ichhenu sabariki
mudduloluka sambhavam mokshamu
Ayyappa swami ayyappa - Ayyappa saranam Ayyappa swami ayyappa - Ayyappa saranam Ayyappa
Ayyappa Chorus: Amithanamdam
Chorus: Amithanamdam
Deepa Mangala Jyothi Namo Namo Ghora Paapa Vinaasha Namo Namo
Thooya ambala Leela Namo Namo Haara Noopura Dhaaree Namo Namo
Deva Kunjari Paadha Namo Namo - Arul JyothisHaanchitha Peetaa Namo Namo - Jayasheela
thaarai Dyana mangala Roopaa Namo Namo
Aarya Vamsha Sujatha Namo Namo Kaana Naanthara Vaasa Namo Namo
Veerya Divya Vilaasa Namo Namo Vaasa Vaasritha Deva Namo Namo - Nrupadaasa
Shaaswath Architha Deva Namo Namo - Kaantha Shringa Nivaasa Namo Namo
Bahukoti Shanthi Daayaka Deva Namo Namo
Bhootha Vanditha Devaa Namo Namo Deva Vandhya Gireesha Namo Namo - Paradeva
Bheethi Naasana Rupaa Namo Namo Moola Mantra Swarupa Namo Namo
Mohanaam Bhuja Paadha Namo Namo - Bala Vigraha Moola Namo Namo
Manikanta Puthra Daayaka Deva Namo Namo - Varabala
Raja Sevaka Veera Namo Namo Eesha Keshava Soono Namo Namo
Vaaji Vaarana Vaaha Namo Namo Paasha Janma Vinaasha Namo Namo
Geetha Nritya Vinoda Namo Namo - Aarthi Naashana Keerthey Namo Namo – Divyarupa
Veeraadhi veera Manikanda Porule Saranam Ayyappa
Load Hanuman
Doha
Chopai
Jai Hanuman gyan gun sagara | Jai kapis tihum lok ujagara
Rama doot atulit bal dhama |Anjani putra pavan sut nama
Sukshma roopa dhari siyahi dhikhaava |Vikat roop dhari lanka jaraava
Bhima roop dhari asura samhaare |Ramachandra ke kaaja sanvare
Laye sanjeevana lakhana jiyaaye |Shri raghuvir harashi ur laaye
Raghupati keenhi bahut badaai |Tum mam priye bharat sama bhai
Yug sahasra yojan par bhaanu |Leelyo tahi madhur phala jaanu
Prabhu mudrika meli mukha maahee |Jaladhi langhi gaye achraj nahee
Saba para rama tapasvee raja |Tin ke kaaj sakala tum saja
Aur manoratha jo koi lavai |Taasu amita jeevana phala pavai
Jai jai jai hanuman gosayee |Krupaa karo guru deva ki naayi
Jo sat bar pat kar koi |Chutahi bandhi maha sukha hoyi
Jo yah padhai Hanuman chalisa |Hoya siddhi sakhi Gaureesa
Tulsidas sada hari chera |Kee jai naatha hrudaya maha dera
Doha
Pavan tanaya sankat harana, Mangala murati roop
Ram lakhana sita sahita, Hrudaya basahu surabhoop
101.Loka Veeram
7.Sabari Parvathe Poojyam Santhamanasa 14. Bhootha natha satha nanda sarva Bootha dayapara
Samsthitham Raksha Raksha Maha Bhahoh shastre tubyam namo
Bhaktovga papahardaram ayyappan namah
pranamammyaham Swamiyae Saranam ayyappa
Swamiyae Saranam ayyappa
103.Ayyappa Mangalam
Most Devotees are familiar with the vratam and its significance; every guru swami will have expounded on
this prior to the vratam by the formal wearing of the mudra Mala.
Mandalam
First, the word ‘Mandalam’. As with many sanskrit words, this word has multiple meanings. Its means a
constellation or organized structure (as in Surya manDalam). As a measure of time, it refers to a period of six
weeks.
Guruswamy
The Ayyappa Vratham needs to be guided by the Guruswamy, who initiates the devotees by gracing with the
mudra mala. Guru is one who can guide us, monitor our transformation and correct the mistakes we make on
the way to attaining union with God. Thus, submission to Guru-swami is the key. Humanity and humbleness
is a hallmark of a sathvic person. Ayyappa Vratham teaches us to be submission to Guru and to follow
devotees.
The Ayyappa devotees who take mudra mala are referred to as swamis. When any one addresses a Ayyappa
swamy, they need to address them as “swamy”. Utmost respect to the Ayyappa who resides in everyone’s
heart’s the basic principles of Ayyappa Vratham. Swamis should not be referred by name.
Vratam
The vratam is designed to clean and enhances the physical, mental and spiritual realms of the aspirant. In
order to achieve this, the vratam directs the aspirant to adopt an austere life – getting up early day, taking a
bath in cold water, praying to to the Lord, doing charana ghoshams and bhajans on his glory, focusing all
thoughts on him thought that day, maintaining trikarana shuddi( purity in thoughts, words and deeds) every
weak wakeful moment, bathing and workshipping in the evenings, participating in satsangs with other
Ayyappan devotees, adopting a monastic dress code, not wearing footware, eating and drinking simple, satvik
food, that too in moderation – in short, a life that exemplifies ‘ simple living and high thinking’.
Observations
Sri Ayyappa vratham observation is a eight-step process, called ‘ashtanga’ yoga. These progressive steps are:
In its ideal state, our vratam is to get us to ‘yo mam pashyati sarvam cha mayi pashyati – one who sees Me
everywere, and sees everything as Mine’ that state of devotion that Lord Krishna mentions in the Geeta. This
is why we say ‘ Swami Sharanam’ to everyone, and begin/finish all transactions with this phrase.
Simple living, absolute cleanliness and holy thoughts are the mainstay of the vratham. The mind and body are
to be kept impeccably pure and absolute celibacy (brahmacharyam) must be practiced. The devotees is
expected to behave in an austere and sober fashion during his vratham. Total abstinence from all vices like
alcohol, tobacco and non-vegetarian food is required. Very importantly, taking all efforts to eight
asktragas(desire, anger, avarice, lust, price, jealousy, rivalry and boastfulness) takes the swamis closer to
Ayyappa. The swamis are expected to pray daily morning and evenings after taking bath by wearing Ayyappa
dhothi(veshti) and by chanting “Swamiye Saranam Ayyappa”. Utter and recite “Swamy Saranam” (total
submissiom). Show utmost respect to Swamis and fellow human beings.
Irumudi
The Ayyappa Vratham culminates in a final Mandala day where each swamy takes a coconut filled with
ghee(called irumudi, representing mind and body) and offers it to Lord Ayyappa. This represents the devotees
offering their mind and body to Lord Ayyappa. Thought the entire process of the vratham and taking their
irumudi, the devotee has purified his mind and soul in order to achieve a deeper level of self-realization and
• Under the guidance of the Guruswamy, the Irumudi abishekam materials needs to be prepared and all
swamis must be present for the initial Pooja
• Swamis need to prepare the coconut
• All abishekam materials such as viboothi, kumkum and santhanam need to be placed in small packets and
set aside for the kattu niraithal
• All muthirai cocunuts need to be drilled, water is taken out and dried.
Kattu Niraithal(Devotional filling of ghee coconut)
• The kattu niraithal is the process that needs to be done with sincere devotion of Lord Ayyappa
• The Kattu niraithal will be done individually for each swamis take their seat for kattu after seeking
Guruswamy’s blessing. It will be done starting from kannis (swamis who are taking Ayyappa vratham for
the first time)
• Its includes filling the Muthirai coconut with ghee. It’s the most scared part of Irumudi offering. In order
to get Ayyappa’s darshan, kattu niraithal needs to be carried out with sincerity and meditation.
• Once muthirai thengai is filled, all swamis need to chant “swamiye swamiye” is the unified voice praying
the divine dharshan of the swamis for whom we are preparing the Irumudi
• During intermittent times of ghee filling, swamis and can sing Ayyappa bhajans and valinadai saranams
with an objective to seek his blessing for his dharsham
• We have only one muthirai thengai per Irumudi considering some logistical reasons, mainly time needed
to fill the coconut. If you need a second one for specific reason, talk to Guruswamy once you take the
diksha(vratham)
• Once the muthirai thangai is filled, the Irumudi is filled with the rest of the materials and the kattu will be
placed on top of swami’s head that marks the completion of kattu niraithal for that swami. This process
will be repeated for every swami.
• Irumudi Pooja will be done followed by neivethyam and namaskaram
• Prasadam will be offered
• Kanni swamis need to put Irumudi on their head only with the help of senior swamis
• Once all Irumudi’s are prepared, kattu Pooja will be done that marks the completion of workshipping
Offering to Lord Ayyappa
• Swamis with the order of kattu go around the temple 3 times (if weather permit)
• Manikandans and kochus will be helped by senior swamis and volunteer swamis
• After reaching the main hall of the temple, the muthirai thengai and all other abhishekam materials will
be taken out and given to temple volunteers for Ayyappa Abishekam.
• Guruswamy will collect the ghee from the muthirai thengai and give to the temple volunteers to pass it to
for Abishhekam
• This marks the completion of taking and offering your Irumudi to Ayyappa under the guidance of
guruswamy.
• Swamis can enjoy the rest of the Mandal Pooja done by the priests of the Swami Satyanarayana temple.
In Hindu temples, the moola vigraham (deities) can be found sitting, standing or stretched out. Most are in a
standing position, rarely seating or reclining.
The idol of Ayyappa in Sabarimala is in a peculiar yogapatta seated posture. This position is also known as
Arddhasana or Yogapadasana or Yogarudha Siddhasana. This posture reveals the lord’s ascetic mood
topobhavam(voluntary, austere self-discipline).
One might wonder why the legs of Ayyappa are wrapped with a potta(cloth) around the knees. This is not
seen in other deities. It is mainly to support the legs and spine while seated in this yoga position for a
prolonged time, especially when one is in a transcendental state(Samadhi)
A yoga who is in Tapovruthi (ascetic calmness) will never stretch his legs. Accordingly, for ordinary human
beings, crossing our legs to the right or left carries some “body language” connotation as well.
Similarly, when a god(small “g”) is seated with his left leg crossed, he expects his lady to sit on his lap. The
right lap, is for his child.
Since Ayyappa is considered to be a Naishtika Bramachari(avowed celibate for life, therefore without consort
or child), he is depicted crouching on his toes, with the ankles slightly raised, indicating that no one is to be
seated on his lap.
The Ayyappa idol is squatting on a pitha (footstool), which again confirms his disciplined ascetic mood or
dhyana(deep meditative state, zen-like). Moreover, the idol’s eyes are always half opened/ half closed(not
fully opened as regularly depicted in Ayyappa pictures).
(It is said that half open/closed eyes is a meditative state of consciousness; looking inward with a pure, or
holy mind set, while at the same time outwardly observing worldly surrounding with love – Editors).
We often use hand gestures to express ideas or imagination. Similarly in order to express the features of
Atma(soul) and Iswara(God), there are hand gestures called temples.
Jnanamudra or Cinmudra is one such gesture, and the right hand of Ayyappa is adorned in this mantra. Using
the palm, the first(pinky), second and third fingers respectively, are held upright(unbent); the tips of the fourth
finger and thumb touching, closed in a loop.
The three unbent fingers represent Sat(truth), Cit(Consciousness), and Ananda(bliss) – the features of Atma.
Observe the palm and notice that from the little finger to the middle, each is longer than the other. Similarly,
the fourth finger and the thumb appear reduced in length since it is curled.
Sri Ayyappa squatting on the pitha with his right hand in Cinmudra declares “I am the Sat Cit and Ananda. I
am the soul embodied. I immerse myself in spiritual blissfulness. I am free from the three blemishes
(tridosha) of the three worlds. Whoever comforts me, I am revealed as nandaswarupa (person who reveals joy,
happiness). I will emancipate him/her from all the worldly sufferings. I will provide him/her the blessing of
Atmajana (self-realization) and mental power, and he/she will enjoy all the pleasures and calmness, from the
past, in the present and in the future”.
**Physical universe, the sub astral or mental plane, and the spiritual universe.
It is proclaimed that Sri Ayyappa who is holding the Cinmudra and Yogapatta and keeping the status of
Brahmagnani(self realized soul) is a Mahaswarupa(mighty form). Therefore, a devotee who wants to see
Ayyappa, should take a vow and voluntarily experience Bramacharya-nishtha(absolute celibacy and without
any desires or attachment, including to the family) and Atmagnana for at least for a Mandala(41 days).
There are five important temples dedicated to Lord Ayyappa in the Western Ghats in kerala, including the
famous Sabarimala Shrine. It is believed that these temples were founded by Lord Paramashurama. Dharma
Shasta or Lord Ayyappa is represented in different stages of his life in these temples. Legend says that Lord
Ayyappa passed through Kulathupuzha, Aryankavu and Anchankoil on his return to Madura with the milk of
leopardess.
Kulatthupuzhai
The Shasta shrine is located on the banks of kulathu puzha, a tributary of kallada river, Lord appears as
Balaka or child and is known as “Manikantan”, or the child form of lord Ayyappa. The rivers in front of the
temple are inhabited by various of fish. The ‘Matsya’ kanyakas saw ‘Bala Sastha’ undergoing penanace at this
location. Due to their intense devotion, ‘Sastha’ decided to adopt the life style of these ‘Matsya’ kayakas. It is
due to this fact that offering feed to the fishes is an important part of the ritual of this temple.
Ayangavyan / Aryankavu
The shrine at Aryankavu is known as Aryankavu Sastha Temple is depicted as a teenager(young boy) here.
Ayyappa is known as Tiruaryan here and therefore the place got the name Arynakavu. The temple is
constructed about 35 feet below the road level.
The sanctum sanctorum of the temple has idols of Devi, Shiva and Sastha. A young Ayyappa sits in the
middle with Devi on the left side and Shiva on the right side. The festival at the temple is celebrated during
the last days of the Sabarimala Mandala Kalam. The most important festivals observed here include
Pandiyanmudippu, Trikalayanam and Kumbhahishekam.
Achankovil is a holy place next to Sabarimala Ayyappan temple. The famous Sastha temple is located close
tto Anchankovil River in the middle of the thick forest. According to history of the land, Sastha as a youth
lived in this place. Sri Dharma Sastha graces here with His concerts Poorana and Pushkala as the protector of
people. The temple was built and the deity was aslo installed by Sage Parasurama, hence has double
significance. The speciality is the boat festival – Teppam – not observed in other Ayyappan temples. The left
hand of the idol of Ayyappa at Achhankovil Temple holds sandalwoods paste (Chandan) and holy water
(Tirtha). The chandan and thirtha are said to have medicinal properties for curing poisonous snake bites. The
major two festival celebrated in this temple are Revathy Pooja and Mandala Pooja. Mandala Pooja is
celebrated every year in the month of December and January and Revathy Pooja is held during the month of
January to February.
In this temple Dharma Sastha is in the hunter(kirtha form). There is aslo a Muslim temple very near to the
Sastha temple. Ayyappans go to Sabarimala after workshipping at these two temples that symbolize the
Hindu-Muslim unity. Pilgrims offer worship at the Maha Ganapathi temple at Kottapadi, dress and paint
themselves as hunters, worship at the mosque of Vavar and reach the Erumeli temple. There they dance
before the deity. This dance is called Petta-thullal. The pilgrims go to sabarimala after “Petta-thullai” at
Erumeli. It is customarily stipulated that the Kanni-Ayyappa, the first-timer, should participate in the Petta-
thullal.
Sabarimala Sree Ayyappa Temple, dedicated to Lord Ayyappa, is the most famous and prominent among all
the Sastha temples, stands as a symbol of love, equality and devotion in the Sahyadri Mountains of the
Western Ghats on the banks of the river, Pampa in Kerala. Open to all faiths, the temple has no restrictions of
caste or creed. The temple is situated on a hillton (about 3000 feet above sea level) named Sabarimala in
Pathanamthitta district, which is unique in many respects.
Ayyappa is depicted in Sabarimala as a brahmachari in a state of eternal bliss or Samadhi, holding chinmudra.
Sabarimala enlightens the truth of “EKAVDHITEEYAM BRAMMA” Where the God, Devotee, Neighbour
and all become One “AYYAPPA”, the epitome of Unity. The unique feature of the temple is the “vavarnada”
a workship point highlighting the social and secular texture of the holy land. The uniqueness gathers its voice,
as the temple is open to all, irrespective of caste, creed or religion.
To enter the Sabarimala temple, the pilgrim has to pass Pathinettampadi (holy eighteen steps). This holy
eighteen steps is permitted to climb, only who carry irumudi kettu. Other pilgrims must make their entry to
the temple on the rest side only.
At Pommambala Medu or Kantamal, the Lord appears as yogi and the ‘Makaravilaku’ emanate from here.
The Erumeli route, used by Ayyappan himself during his forest expedition to kill Mahishi is described here.
1. Erumeli
Ayyappa devotees commence their pilgrimage with a vow of
fasting and discipline wearing a Mala. In the early days they
travelled through jungles from Erumeli. It is still believed that
this is the route that should be followed for a true Sabari
pilgrimage covering 58 km. This is called Peruvazhi Pathai or
long route. King of Pandala during his visit to Aiyappa chose
this route only, it is said. This route is chosen by the devotees
to make their mind more sublime for the purpose.
Erumeli is the place where all Aiyappa devotees gather together. The Dharma Sastha temple built by the king
of Pandala is here. Lord Dharma Sastha appears here as a hunter with a bow and arrow.The mosque of
Aiyappa’s Muslim friend Vabar is opposite the Pettai Sastha temple. The devotees visit this mosque and get
the Vibhuti Prasad offered here.
This is the place where Lord Ayyappa killed the buffalo headed demon woman Mahishi. The name Erumai
Kolli means the place where a buffalo was killed. This later changed as Erumeli. After destroying Mahishi,
Manikandan-Lord Ayyappan danced on her body. The ritual remembering this event is called Pettai Tullal.
Like the Holi in the north, devotees use to apply colour powders on them and dance chanting the names of the
Lord, go round the Vabar shrine in the mosque, break coconuts, light camphor and proceed further on their
pilgrimage..
2. Perur Thodu
Perur thodu(thodu means canal) thavalam, as it is popularly called, is a river about 4 km from Erumeli. Lord
Ayyappa rested here during his expedition. It is from here that the rise begins. Giving alms here is important.
By giving alms, one is disposing of all dharma and seeking asylum in Ayyappa. The forest beyond Perur
Thodu is poongavanam(Ayyappan’s garden), so called because of the lush vegetation and flowering plants
and trees. According to traditional belief, no one except the pilgrims proceeding to Sabaraimala had access to
3. Kaalaketti
About 10km from Perur Thodu is Kalaketti ashramam. Kalaketti literally means the place where the Ox was
tethered. The legend says that Lord Shiva, Ayyappa’s father, came on his ox and tied it here and witnessed
Lord Ayyappa killing Mahishi. Kalaketti is a beautiful valley. There is a shrine where the pilgrims light
camphor and break coconuts.
6. Kallidumkunnu
7. Inchippara Kota
Inchippara Kota is the fortress of the robber chief Udayanam. At Inchipparakota there is Kotayil Sastha
shrine. Pilgrims offer prayers here and break coconuts. This place is notorious for its scarcity of water. Hence
water is collected from a small stream down the valley and stored here. From here the pilgrims descent the
slippery path carefully.
The descent from Inchippara Kota of Azhutha hill ends at Mukkuzhi with Azutha hill on one side and
karimala hill on the other. Pilgrims rest here for a while before commencing the trek to the next phase of the
pilgrimage – the daunting karimala. Karivalam thodu is the entrance to karimala. You reach karimala after
crossing Pudhucheri Aaru (river).
The renowned rice producing region, gets water supply from Pampa River. The holy place Pampa, near to
Sabarimala, is situated on the banks of the Pampa River. The Perunthnaruvi waterfall on the banks of the
Pampa River is favourite picnic spot for both domestic and foreign tourists. The Aranmula Boat Race and
Maraman Convention, at Maranam near kozhenchery, are also held in this river.
Pampa Annadhanam(feast) and Pampa Vilakku are important rituals followed at the pampa bank. Pilgrim
groups prepare feast with the provisions taken from the Irumudi of the pilgrims.
Devotees begin climbing the Neelimalai after worshipping in Pamba Ganapathy, Sri Rama, Hanuman and
Shakti temples and offer some contributions to those belonging to Pandala dynasty. They get Vibhuti Prasad
from them. Women are not allowed to proceed further beyond this point.
15. Neelimalai
This is indeed an uphill task as in Karimalai. Knees would hit the ground while climbing. Sage Madhanga
lived here with his daughter Neeli and performed penance on Lord Shiva, hence the name Neelimalai, it is
said. In the beginning, a road branched from here called Subramaniya path. Things needed for Aiyappa
temple are carried through this path on donkeys.
Apppachi Medu and Ippachi Kuzhi are plain places on the Neelimalai hill way. Those visiting Aiyappa
Temple for the first time (called Kanni Swamis) throw rice flour balls from Appachi Medu. It is said that this
is to please the jungle Gods – Vana Devadas.
16. Appachimedu
It is one of the important places that an Ayyappa devotee comes across while trekking to the Sabarimala
Ayyappa Temple. On both the sides of the path to the temple there are two deep pits at Appachimedu. These
pits are known as Appachi and Eppachi. Ayyappa devotees throw rice powder balls (Ariyunda) into the pits..
Legend has it that one of Lord Ayyappa’s disciple named Kaduvaran resides here. He keeps all the evil spirits
in control here and stops them from disturbing or harming the Ayyappa devotees.
For the first time devotees, Sarankuthi is considered very sacred. They bring with them the wooden knives
they used in the Pettai Tullal ritual in Erumeli and throw them in this place. The Great Maha Sannidhanam of
Lord Aiyappan is just at a short distance from this place.
The first darshan before the devotee is the 18 steps all covered with
gold. Before placing their feet on the first step, the devotees worship
Kaduthasami and Karuppusami, forgetting all the difficulties they
experienced on the way to this great shrine. They begin the stepping
with Charana chorus. The devotee automatically sheds his ego by
breaking the coconuts. As all the 18 steps represent a deity, only those
with their Irumudi package are allowed to use the steps to reach the
Sannidhanam.
The devotee should not fail to notice the Vastra in the feet of the Lord called Yoga Pattam. Lord grants
darshan with half-open eyes in meditating form.
28.Jyoti Darshan
Gracing the devotees in His penance posture all the days, on the Makara Sankranthi day, Lord Aiyappa
appears to the devotees in His alluring attire and jewels. After 6.00 p.m. Lord Aiyappa grants His Jyoti
Darshan to devotees from Kanthamalai, the fifth of His hills.
Ayyappan, is a Hindu deity. The worship of this deity is prevalent in South India. Lord Ayyappan is
worshipped in a number of shrines across India: at kulathupuzha, in kerala, he is worshipped as a child; at
Achenkovil in conjunction with his consorts, Pushkala and Poorna; and at Sabarimala as an ascetic – a
celibate meditation in solitude for the benefit of all mankind. The name “Ayyappa” is used as a respectful
form of address in Malayalam, and the famous mantra Swamiye Sharanam Ayyappa can be directly translated
as Give me shelter, Lord Ayyappa! The most famous Ayyappa shrine in India is the one at Sabarimala with
over 50 million devotees visiting it every year.
Various names of Swami: Dharmasasta, Hariharasutan, Manikandan, Sathanar, Sastan, Cattan (from Sanskrit
Sasta), Ayyanar, Natrayan, Nattarasan, and Bhutanathan.
Leela and her husband Madhava were both children of learned Brahmins. They were very devout and in deep
love for each other. After several years of married life, Madhavan felt that it was time for them to renounce
worldly pleasure and turn entirely to spiritual life. Leela did not agree to the proposal. She won’t let him do so
either. The dispute led to a hot argument. Finally Madhava cursed her to become a she buffalo with devilish
disposal.
Leela was reborn as Mahishi, daughter of Karamba, brother of Ramban. Mahishasura, Son of Ramban,
undertook a severe penance (Dhavan) towards God. Lord Brahma tried every tactics to stop his Dhavan, but
having failed in his attempts, appeared before the Asura and asked him what boon he wanted, from him.
Mahishasura asked Lord Bramha to give him a boon by which nobody in the earth would be able to kill him,
and Lord Brahma conferred the Boon on him. Mahishaura, armed with this boon, began to commit atrocities
and murders on the earth and terrorized people. Fearing his wrath, people ran away to far away places.
The Devas, seeing the atrocities committed by Mahishaura came to the conclusion that only a divine power
could kill him and approached Chandikadevi pleading to put an end to Mahishasura who was misusing the
boon given by Lord Brahma. Chandikadevi set out on her mission and killed Mahishasura in a duel, on the
earth.
When Mother Earth and the Gods requested for help against Mahishi,
Lord Shiva remembered Vishnu Maya Mohini. Instantly Mohini appeared
before him. Her beauty was irressistable even for the Lord. Their union
resulted in the birth of a handsome child. He came to be known as
Shastha. Lord Shiva aborned the child’s neck with a golden chain and
ordered that the child be entrusted to the care of his childless disciple,
king Rajasekara of pandalam.
King Rajasekara was very talented, courageous and just in his deeds.
People were living happily and prosperously in his regime. However, the
king was very unhappy that he had no children and his subjects were also
worried that he had no heir to inherit his kingdom. At the request of the queen, both of them used to pray to
Lord Siva for blessing them with a child.
One day king Rajasekara went for hunting in the forest adjoining the banks of river pamba, along with his
men. He started hunting courageously in the dense forest which was a sanctuary for many wild animals. After
the hunting was over, king Rajasekara advised his men to take rest and sat there entertaining himself with the
sight of the natural greenish beauty and the water-falls of the forest.
At that time, he heard a child crying from somewhere in the forest. Surprised, he went round and reached the
banks of River Pampa. There he saw a beautiful amd brightly-lit child kicking its leg and crying out, and the
King was in a dilemma of whether to take the child to his Palace or leave it there itself.
When the King was engrossed in his thoughts, a Sanyasi (hermit) appeared before him and told the king to
take the child to the palace and that the child belonged to Kshatriya dynasty capable of mitigating all
sufferings. The Sanyasi further stated that since the Child had a gold chain around his neck, he shall be called
Manikanda and when the child completed twelve years, the King would know his divine history. After
uttering these words, the Sanyasi disappeared.
The king of Pandalam was very joyous; he took the child to his Palace
and briefed the Queen about the incident. The King and Queen, having
prayed to Lord Siva for a child, were very happy that they had been
blessed with a child. The people also felt happy that a heir to inherit the
kingdom after the king, has been found. However, the Diwan of the
kingdom who was thinking that he would be the next crown after
Rajasekara, was worried.
When Manikanda went to the Guru for his Ashiwadhams, the Guru told him that he already knew that he was
a divine power and he was blessed for having been given an opportunity to have Manikanda as a student. The
Guru told Manikanda that he had one request to make and that request is to make his only child who was
blind and dumb, be given the vision and speech. Manikanda called the Guru’s son and put his hands on his
head and immediately Guru’s son had his vision and speech. Manikanda told the Guru not to reveal this to
anyone and went back to the palace.
In the meanwhile, the Queen gave birth to a male child who was named Raja Rajan. King Rajasekara,
impressed with the talents of Manikanda, decided to crown him as his eldest son. He ordered the Diwan to
make arrangements for the same. The Diwan hated this and started devising plans to prevent Manikanda from
being crowned to the throne and to annihilate him. He tried various methods including poisonous food, but
failed in all these. However, Manikanda’s body bore an injury due to these and ordinary physician and could
not cure it. Lastly, Lord Siva disguising himself as a physician, treated Manikanda’s injury and cured him.
Having failed in all his attempts to kill Manikanda, the Diwan approached the Queen and told her that when
she had her own son, it was not correct to crown a person who came from the forest. He further told the
Queen since arthasastra itself has justified any misdeed if it was done to extract a good thing, he would
suggest that the Queen should pretend as if suffering from severe headache and he would make the physician
tell that only tiger’s milk should be brought to cure the Queen and Since Manikanda only would go to the
forest to bring the milk, he would be in danger from the wild animals and even if Manikanda returned without
bringing the tiger’s, the king’s love for him would not be as before. The Queen, became a prey to the Diwan’s
plot and agreed to do what she was told, so that her son could succeed the king to the throne.
The Queen, as told by the Diwan cried out loudly that she was suffering from severe headache and the king,
believing this, called the Diwan to bring in the best physicians to treat her. The physician, brought by Diwan
examined the Queen and told the king that the Queen has been suffering from dangerous disease and it could
be cured only by applying Tigress’s milk. The king sent several of his men to the forest for bringing this milk,
who were able to see the Tigers only but were unable to bring the milk. The king understood that it was an
impossible task and wanted his dear Queen to be cured at any cost and offered half of his kingdom to anybody
who brought the milk.
At the end of the battle between Mahishi and Manikanda att Azhutha
River banks, Manikanda climbed up her chest and danced violently. The impact of his dance was felt in the
After killing Mahishi, Manikanda went to the forest for tigress’s milk, when Lord Siva appeared before him
and told him that tough he had good for the Devas, still there was one mind task and that was to give comforts
to King Rajasekara who was very concerned about him and also to cure the Queen’s ailment. Lord Siva
further told him that he could go to the Palace with the tigresses and Lord Indra would help him. As requested
by Lord Siva, all females Devas in the disguise of tigresses and male Devas as tigers with Lord Devendra as
the tiger on whom Manikanda rode, they started their journey to the Palace.
When Manikanda, with the tigers and tigresses, approached the Palace, the people who ridiculed him when he
started the journey to forest whether he wanted a toy tigress, really got panicky seeing the violent bunch of
animals and started running helter skelter.
The Sanyasi, who appeared at the forest at the time of king Rajasekara’s
visit there when he heard a child’s cries, again appeared at the palace and
told king Rajasekara the identity of Manikanda. Hearing this, the king
stood in great surprise and silence. He stood non-plussed as he saw
Manikanda riding a tiger and people running away. Seeing the king,
Manikanda decented from the tiger’ s back and told him that since the
tigresses were there, we could get the Queen cured with their milk. King
Rajasekara fell at his feet and asked him for whatever happened without
his knowledge, and asked him to send back the tigers as the Queen’s
ailment had been cured the moment Manikanda went to the forest. That
day Manikanda reached the age of Twelve. King Rajasekara told Manikanda that the Diwan was responsible
for all these things and hence he should be punished. However, Manikanda told the king that he need not
punish the Diwan and all had happened only through the will of God, and he told further that time had come
for him to go to Devoloka since the task for which he created himself in the Earth is completed and asked the
king what boon he wanted to raise a he was ready to give it as he was much pleased by his devotion.
Immediately, king Rajasekara told him that they wanted to raise a temple in his memory and suggest a
suitable place for the temple. Manikanda aimed an arrow which fell at a place called Sabari, where in Sri
Rama’s era a Sanyasini called Sabari observed Dhava. Lord Manikanda told the king to build the temple in
that place and then he disappeared.
As the advice of Saint Agasthaiya, King Rajasekara laid the foundation stone for building Sabarimala Temple.
Bhagwan Manikanda had made its clear that he would grace only those devotees who offer Dharshan after
performing a “Vratham” for forty one days keeping themselves isolated from family desires and tastes and
leading a life like Brahmacharys, thinking of good things always, and that while coming for his darshan, they
shall adorn themselves with three-eyed coconut and foodstuff / Anantha Garland in their heads, as the
Bhagwan did when he went to the forest to fetch tiger’s milk, and bathed in River Pampa raising slogans of
Saranam and climb the Pathinettam Padi.
As graced by the Bhagwan King Rajashekara completed building of the temple with eighteen step to reach it.
When the kind words of the Bhagwan that River Pampa was a holy river as River Ganga, Sabarimala was a
holy place as kasi. Karmasastha sent Pararusurama to Sabarimala who craved the figure of Lord Ayyappa and
installed it on the day of Maharasankranthi. Every year, lakhs and lakhs of people throng to Sabarimala
The Pandala Raja constructed a small temple, 18 steps above the ground as instructed by the lord himself.
Each of these eighteen holy steps represents desire one must conquer in life. The 18 steps and the temple have
in recent times been coated in gold. The vigraham(idol) is also coated in gold, and was inaugurated by
Parashurama (incarnation of Vishnu).
The common cry heard during the pilgrimages to his shrine is “Swamiye Sharanam Ayyappa!” (“Oh Swami,
we take refuge in you”).
Piligrimage to Sabarimala begins from the 1st of Vrichikam, a Malayalam mouth coming in the middle of
November probably between 14-17. The most important day for Ayyappa is Makarasankranthi Day, which is
the 1st of Makara (a month of the Malayalam Calendar). This day will fall between January 14-16. Currently
millions of devotees comes from all parts of India to Sabarimala for a glimpse of Lord Ayyappa, having
undertaken 41 days of Vratham(austerities). In 2005, at atleast 50 million devotees made the pilgrimage to
Sabarimala( from 1st Vrichikam to the Makaram).
This is why Ayyappa is also known as “Kaliyugarvaradhan”, since he can help us attain Moksha in this
difficult age of Kaliyuga, the age of hypocrisy and violence.
The Austerities
During the period of vrutham, Devotees are expected to undergo practices of simple living, and absolute
cleanliness. The mind and body are to be kept impeccably pure and absolute. The devotee is expected to
behave in an austere and sober fashion during the vrutham. Total abstinence from all vices like alcohol,
tobacco and non-vegetarian food is stipulated. Personal adornments, hair cutting, shaving, etc. are also taboo.
The devotee is expected to wear black/blue/saffron clothes to the extent possible. The devotee is expected to
pray daily in the mornings and evening after bathing. The prayers ritual may be performed by going to any
temple or in one’s own Pooja room. The vrutham continues till the pilgrimage to Sabarimala and removes his
“mala” offering prayers.
Pathinettam Padi
Pathinettapadi (18 divine steps) to the sanctum sanctorium is divine in all aspects. Initially the 18 steps were
made of granite. It was later covered with Panchaloha in the year 1985 to prevent it from deterioration. As
per the tradition, ONLY those who undertake the penance for 41 days and those who carry the IRUMUDI on
their head are allowed to use the steps. Before ascending or descending the steps, pilgrims break coconut as
an offering to the steps. One needs to have the sacred Irumudi on the head while going up or down the 18
steps. While descending the steps the devotees climb down backwards facing the sanctum sanctorum.
Eighteen is considered as the code number to break into the soul of the Nature. The significance of 18 can be
traced back to the Vedic age. The first Veda, believed to be protected by Lord Brahma himself, had 18
chapters. Later, Veda Vyasa divided it to create the four vedas: Rigveda, Yajur Veda, Sama Veda and
Atharava Veda. Each of these vedas had 18 chapters. Veda Vyasa also wrote 18 puranas and 18 upa-puranas.
The Bhagavad Gita has 18 chapters and the Kurukshetra war lasted 18 days. There are many mythological
stories associated with the holy Patinettampadi.
Another interpretation of the 18 Steps that resonates with the modern world we live is as follows:
• The first five steps denote the indriyas or senses (eyes, ears, nose, tongue, and skin).
• The next eight steps signify the ragas or vices -- tatwa, kama, krodha, moha, lobha, madha, matsraya,
and ahamkara OR desire, anger, avarice, lust, pride, rivalry, jealousy, and boastfulness
• The next three steps signify the gunas -- satwa, rajas and thamas OR wisdom, activity, and stupor
• The seventeenth and the eighteenth denote vidhya (knowledge) and avidya (ignorance).
We're born with the five senses but have a choice of using them for good or bad. In this kaliyuga, where
crimes and atrocities dominate, you can easily get detracted into seeing and hearing these bad things. How do
you focus your senses to see and hear the good things that elevate your spirit? You can extrapolate the same
The eight vices on the other hand are acquired, but we can lead a life without these. Well, we may strive to
avoid them but the peer pressure, stress of work/ relationships, etc. push us in that direction. How often we
get angry at our loved ones? How often we long for things that others possess? How often we think of giving
it back when we're wronged? Avoiding these 8 vices at any cost moves us closer to The Almighty.
The three gunas or qualities need to be focused for the good of mankind - learn good things; do good deeds;
avoid inactivity. Won't we all have a good place to live in if everyone channels these in the right direction?
Unfortunately not all do. But the one who does moves closer to The Almighty.
Finally, along the same good vs. bad, it's good to be “ignorant” with aiding and abetting bad acts and be
knowledgeable about good deeds.
The Guru
The Guru (Called as Guruswamy or Periyaswamy). It is said that chanting the name of the Guru is equivalent
to chanting the name of Lord Shiva, Guru’s adobe is Kashi Kshetram and water used to wash Guru’s feet is
Ganga.
The role of the Guru is significant in the Ayyappa cult. The Guruswamy is usually an elderly person who was
undertaken pilgrimage to Sabarimala not less than eighteen times and has travelled by the traditional long
route and had darshan of Makara Jothi. The devotees treat the Guruswamy as Ayyappa himself. It is important
that pilgrims gain knowledge from the Guru on all the aspect of the pilgrimage. One should serve the Guru
physically, mentally and verbally.
The pilgrims should give the due respect and reverence which the Guru deserves. All instructions of the Guru
should be carried out without fail. The Guru will eighteen the Shishyas about the austerities to be followed.
He will teach them the slokas, and ways to perform Pooja and bhajans. He shall prepare them for the
pilgrimage mentally and physically. He will lead the pilgrims safely and comfortably to Sabarimala
“Swamiye Sharanam Ayyappa…”
A man who practices any spiritual discipline rigidly, at any cost, is really doing ‘tapas’. The inner meaning of
‘tapas’ is burning. It burns all karmas and all ignorance. The daily practice of morning and evening mediation,
daily reading of the holy texts, daily chanting of “Om Namah Shivaya”, “Swami Saranams” for a number of
times, daily worshipping god, are all ‘tapas’. If it is rigidly practiced at least for forty days at a stretch one
should certainly reach one step higher than before in the path of truth. The Vedas declare: The foundation of
all creation is ‘tapas’.
Lord Ayyappa devotees who wish to go to Sabarimala Temple observe vratham or follow certain austerities
for one mandalam season that is 41 days. The main aim of the Mandala Kala Vratam is to purify the mind and
soul. The Mandalam season in the Malayalam month Vrichikam and ends in the middle of Dhanu month.
The Raja of Pandalam admitted Ayyappa to a famous kalari (gymnasium where traditional martial of
Kalaripayattu is taught) at Cheerrappanchira, a famous family for Kalaripayattu training, in Cherthala in
Alappuzha district. During this time he mastered all martial arts from various Kalaries. The young daughter,
Leela, of Kalari Panicker falls in love with Ayyappa. She requested to accept her as wife. But Ayyappa turned
down her request as being a Brahmacheri. She was offered a seat at Sabarimala known as
Mallikappurathamma. Ayyappa promised her if there is no Kanni Ayyappas to come to Sabarimala then he
would marry her. It is a custom that every Kanni Ayyappan should deposit Saranam (arrow of soft wood) at
Saramkuthy as a mark of their arrival.
A strong liking for sweets is a common factor of all Hindu Gods and Ayyappa is no exception. Appam and
Aravana (Payasam made of rice, ghee and jaggery) are the prasadams of the Lord. There is an interesting
story behind these prasadams also. The young daughter Leela, of Kalari Panicher fall in love with Ayyappa.
She requested to accept her as wife. But Ayyappan turned down her request as being a Bramhachari. Soon the
girl started bringing him food to capture his attention. And her family, following the Hindu tradition, prepared
special cuisines to celebrate the occasion. One mandatory item on the menu is Rthumathikanji (porridge made
using rice and five times the quantity of jaggery). On that day she took this porridge to Ayyappa, who was
practicing payattu in the Kalari. He liked it very much and requested the girl to bring only the porridge
everyday. It is believed that the practice of offering Aravana as parasadam to the God was born was from the
incident.
Meaning of “OM”
• The Ancient syllable ”OM” is the shortest of the Mantras and in our tradition it is a word suggestive
of God.
• The scriptures tell us that “OM” is the planets primordial vibration from which the entire universe has
arisen. All other sounds are contained within it.
• It is believed that “OM” is the mother of all languages. Reception of “OM” enables us to maintain
mental and emotional calmness, overcome obstacles and enable understanding.
• An analysis of “OM” as it is written in Sanskrit shows that is made up to A, U, M and a symbol
representing resonance. So “OM” has four aspects.
• The first is A, a sound that comes from the belly, is formed in the open throat, and is voiced with the
mouth open. As with many alphabets, A is the first letter of the Sanskrit alphabet.
• The second aspect is the U, a sound that is formed in the middle of the mouth. The mouth is not as
wide as it is for sounding the A.
• With the third sound, M the mouth closes. The sound rises to the nasal passages, from where the
resonance, the forth aspect of “OM” issues forth.
Singing in Pooja
Why do we sing and gather as a group for weekly poojas. Singing is how we want to woo God.
Humans always want to call out to their beloved. Singing is a beautiful expression of this calling that has
existed throughout the history of time and around the world. Even in the animal kingdom, birds and animals
use the vocal chord systems in mating rituals to call their beloved to them; the act of singing extends to all the
exercise.
We find that the first choice for wooing the Beloved is through melody and tune. The chosen way to woo the
Beloved is by singing. We have experienced the peace and serenity of song ourselves: we want to give this
feeling to the one we love and attract him or her to us.
We compose beautiful verses and styles to singing all to call the Beloved to us. We have to remember the true
purpose of singing: to call to our Beloved Lord. Many people forget this, and they sing for themselves. Or
they sing to show others how well they sing. But the intention of singing is to call the divine so that we can
ask in his presence of peace and bless. The more we sing and more our heart awakeness, the more that energy
of love calls out to him. The voice is just the vehicle by which the movement of the heart can express itself.
This movement of the heart is the true calling, but it is very difficult to evoke that feeling without supporting
actions; to just sit down and command, “Okay heart, awaken. Speak out to God,” is very difficult. We begin
by singing with devotion to awaken the heart. Then, the heart soon becomes awakened and grows in depth.
There are many awakened hearts, but their depth is very shallow. To increase the depth, we have to sing and
sing with love and devotion.
When group of devotees gather to celebrate and worship God, his presence manifest there, and presence is all-
purifying and all-loving. This is why we must always speak about nothing else but Lord Ayyappa at our
poojas. Every chance we get, we must speak only about God. This becomes Sadhana. When you are only
speaking about God or to God, then this presence is always with you-always purifying and protecting you.
Why do we meet and sing so often? It is in the hope that we would come together and sing and speak of his
glory to purify ourselves.
• One of the most important offering at the Sabarimala Ayyappa Temple in Kerala is the ghee-filled
coconut. The ghee taken in the coconut is poured on the idol and the coconut is thrown into the
“homakundam” in front of the temple.
• Symbolically, the ‘ghee’ in the coconut represents the ‘soul’. And the human body is represented by
the coconut. After the arduous trek, when a devotees stands face to face with Lord Ayyappa – the
ghee poured on the Lord symbolically represents the merging of the individual soul with the universal
soul or the ‘Jivatma’ with ‘Paramatma’.
• Finally, the empty coconut, which represent the body, is consumed by the fire in the ‘homakundan’.