Elements of Music

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Projec

t
for
MAPEH
Submitted By: Denice Angela T.
Matildo Grade
9-Faith
Submitted To: Mrs. Krissa Mae
Tanare

Elements of Music
Pitch – register (high or low); Organization of pitches with a pattern
of intervals between them creates scales; Words we might use to
describe scales: major/minor, chromatic, gapped, pentatonic.

Rhythm – the time element of music. A specific rhythm is a specific pattern


in time; we usually hear these in relation to a steady pulse, and
mentally organize this pulse or tempo into meter (sometimes
called a "time signature"). Meter organizes beats into groups,
usually of two or three; beats can be divided into small units
usually 2, 3 or 4 subdivisions

Melody, or musical line, is a combination of pitch and rhythm (some say


"duration"). Sometimes a melody is considered to be the theme of a
composition. We might characterize melody by its contour (rising or
falling) and the size of the intervals in it. A melody that uses
mostly small intervals (or scale steps) and is smooth is said to be
a conjunct melody. Not surprisingly, a melody that uses large
intervals is called a disjunct melody. A motif (or motive) is either
a very short melody or a distinctive part of a longer melody. I
might describe the opening four notes of Beethoven's Fifth
Symphony as a "motific cell."
Timbre – sound quality or tone color; timbre is the characteristic that
allows us to distinguish between one instrument and another, and
the difference between vowel sounds (for example, long "a" or
"ee"). Terms we might use to describe timbre: bright, dark, brassy,
reedy, harsh, noisy, thin, buzzy, pure, raspy, shrill, mellow,
strained. I prefer to avoid describing timbre in emotional terms
(excited, angry, happy, sad, etc.); that is not the sound quality, it is
its effect or interpretation. Rather than describe the timbre of
an instrument in other terms, it is often more clear just to
describe the timbre by naming the instrument, once we have
learned the names and sounds of a few instruments.

Dynamics – loud or soft. A composition that has extremely soft passages


as well as extremely loud passages is said to have a large or
wide dynamic range. Dynamics can change suddenly or gradually
(crescendo, getting louder, or decrescendo, getting softer.)

Texture – monophonic (one voice or line),


polyphonic (many voices, usually similar, as in Renaissance or
Baroque counterpoint),
homophonic (1. a melody with simple accompaniment; 2. chords
moving in the same rhythm (homorhythmic))
heterophony – “mixed” or multiple similar versions of a melody
performed simultaneously (rare in European music; possibly
used in Ancient Greece)
collage – juxtaposition & superimposition of extremely different
textures or sounds

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