Foundation PDF
Foundation PDF
By Ma Hong
The foundation work of Taijiquan is in the Taiji form itself. In other words, only through practicing
the Taiji form can you gain the full benefits of Taijiquan, be it for health, for self-defence or for art-
appreciation. The more you practice the form, the better foundation you will have.
Chen Pin-san, a great master of the 16th generation of the Chen family, once said, “Practice ten
thousand reps, and you will come to understand Taijiquan.” Grand master Chen Fa-ke practiced 30
reps a day throughout most of his life. Wu style Taijiquan founder Wu jian-quan asked his students
to try to do ten thousands reps in three years. My Teacher, Master Chen Zhao-kui (son of Chen
Fa-ke) said, “The practice of the form is the most important foundation work because the form is
the end result of the accumulative fighting experience. Most martial arts in their early stage are
only single postures. These postures grow in numbers, and they become a set of martial art form.
Practicing the form will enable you to defend yourself in a fight.” He also said, “The form is the
foundation of push-hands; push-hands is a device for testing the correctness of the form; and push-
hands is a bridge between the form and free fighting. Doing push-hands without practicing the form
can gain some skill in self-defence, but without the foundation work you cannot keep on improving,
and raise your skill to a higher level.”
Why did the grand masters in the past put so much emphasis on practicing the form? Because it is
only through practicing the form can you get the benefit of good health, self-defence, and enjoyment
of a great martial art. If you practice Taijiquan for health, you still have to practice the form to
activate the circulation of your internal energy. From the viewpoint of martial art, although push-
hands is an indispensable part of Taiji training, yet in the Taiji form there are a lot of postures which
are very useful in free fighting. Kicking, striking with elbows, etc. are not allowed in push-hands
competition. In free fighting, some techniques are forbidden as well. Yet all of these are contained
in the Taiji form. You can learn and develop the fighting skill from practicing the form. For (martial)
art appreciation, you will have to practice the form, without which people cannot appreciate the
gracefulness, beauty, etc. of Taijiquan. In short, we can say without the form there is no Taijiquan.
To be a good Taiji practitioner, your Taiji form should show the following characteristics:
correct postures, flowing internal energy, clear martial arts application, strong flexibility, elegant
appearance, and consistency with Taiji theory.
1. Correct form
Like learning calligraphy or painting, when learning Taijiquan, there is a period when you have to
copy your teacher’s movements. Your movements will have to be correct. This period is crucial to
your future development. The instruction of your teacher is also important as the saying goes, “Like
teacher, like students.” Therefore, whether you are teaching or learning, you must not take it (this
period) lightly. The correct Taiji form should meet the following requirements.
Keep the body upright. You should also bear these points in mind: when you bend your knees, they
should not go past your toes. Your crotch should be round and loose. Relax (draw in) your chest
and sink your waist. Suspend your head-top, and loosen your shoulders and drop your elbows. Your
energy should sink as well. This requirement is the most important of all.
Pay attention to the starting, middle and finishing points of each move so that you can do them
correctly.
Make sure you are clear of “chan si jing”: whether it is “shun chan” (turn your palms out) or “ni
chan” (turn your palms in).
Pay attention to your steps and stances, including the “shun chan” and “ni chan” of your legs.
As for the opening and closing of your chest and waist, you should know how much to turn and
which direct to turn.
When shifting weight, make sure your crotch move in a concave curve (like the bottom of a wok),
and know where your weight is. You should also be clear how you move your hips in accordance
with the weight shift.
If you keep the above points in mind and practice in accordance with these rules, you should be able
to improve quickly. Otherwise you will be struggling all the way.
It is the complete force of the whole body, which is achieved through the proper co-ordination of
the body, arms and legs. Our whole body should be relaxed, our toes cling to the ground, or we can
stamp the floor and make use of the force which bounces back from the feet and goes all the way to
the body.
This force is generated by the internal rotation of “dantian” (lower abdomen). Whenever you move,
your movements should be originated from “dantian”. In other word, they should be controlled by
your waist. “If your waist does not move, do not move” or “if the inside (dantian) does not move,
the outside should not move”. The Taiji classics say, “The most important thing is that everything
should be conducted (including deflecting and counter-attacking) from the chest and the waist”,
which is actually carried out from “dantian”. The internal rotation of “dan tian” can have very great
benefit to health.
It requires the close co-ordination of breathing with the movement. For more detail, see my other
article on this topic.
It is a well-balanced force consisting of both hard and soft. Wang Zong-yue (Tsung-Yueh), in his
“Taijiquan Lun” said, “Yin and Yang mutually aid and change each other. Then you can say you
understand chin (internal strength).” The Taiji form consists of the hard and the soft, opening and
closing, substantial and insubstantial, which are intermixed with each other. In push-hands, there
is the mixture of deflecting and attacking at the same time. All this shows how Yin and Yang are at
work in Taijiquan.
It is a spiral force produced by “shun chan” (turn the palm out) and “ni chan” (turn the palm in).
“Chan si jing” or silk reeling force is produced not just through turning the hands or arms, but
rather by turning the whole body: arms, legs and waist. That is why you can see a practitioner, when
he practices Taijiquan, moves spirally up and down. “Chan si jing” not only helps your energy
circulate fluently through the energy path in your body but also sends out a strong force. It is the
essence of Taijiquan. The fact that a Taijiquan practitioner is able to stick and follow, deflect and hit
back at the same time depends largely on “Chan si jing” or spiral force. The reason why practicing
Taijiquan can activate the flowing of your energy and regulate the function of your internal organs is
also due to this force.
It is an overlapping force. Your internal force moves to the left first if it wants to go the right; and
in the same manner, it will go up first if it wants to come down. (In other words it moves from
opposite direction first, and the movements of the chest and waist, such as their opening and
closing, work in the same manner, too.)
It is a well-balanced force, which requires the practitioner to sink his right waist and leg if his power
charge is to the left, and vice versa. His waist should move back if he discharges power to the front.
It is a force which moves from one section (or joint) of the body to another, not much different from
the movement of a worm.
It is a well-co-operated 3-section force: top, middle and bottom. (Translator notes: the three sections
can refer to the whole body: upper part, middle part and bottom part. They can also refer to your
limps such as your arms: shoulder, elbow and palm. When one part of the body is attack the other
two parts will have to give their support. For example, if you grab my hand I would strike you with
my elbow and even with my shoulder if close enough. When practicing the solo form, you should
show that your internal power comes through the shoulder, elbow and then hand.)
It is a force produced from the waist that moves down first and then upward. (One of the
characteristics of “chan si jing”).
The above characteristics of internal force are acquired through the correct and diligent practice of
Taijiquan.
Know the position of yourself and that of your opponent. Make sure that you know when and where
he wants to attack.
Try to understand the martial arts application of each move: whether it is used to neutralize or to
attack, and whether it is ward-off, roll-back, press or push, etc. This will enable you to practice with
a sense of purpose, thus clearly showing you are doing a martial art form, not a dance or a fitness
exercise.
4. Flexible strength
Whether you practice Taijiquan for health, for self-defence, or for art’s sake, you should show great
strength. The saying “use mind and not force” is not complete. Emphasizing the use of the mind
is right but not to use force is incorrect, as using mind can produce force. Your Taiji form should
show such qualities as strength, speed, resilience, and liveliness. Otherwise it is not a sport. Your
Taiji strength should have these characteristics: Mixture of Yin and Yang, force of the whole body,
force produce by “shun chan” and “ni chan’, and springy force, of which the spiral force, springy
force and the force produced by the mind and “dan tian” are of special value. How can you train to
increase this flexible strength? I recognize you should work hard on the following:
Increase the time of your practice. Practice at least ten reps a day so that you can do ten thousand
reps in three years.
Keep your postures low to increase your durability and strength. My teacher Chen Zhao-kui called
the low postures training the moving stance training. It can increase the flexibility and durability of
the joints in your shoulders, hips, knees and ankles, making the co-ordination of all the joints in the
whole body possible.
Practice single movements many times. Do them with “fa-jing” meaning power discharge. You may
require your teacher’s help with this practice, which mainly suit young and energetic people.
You should do push-hands to strengthen your agility and flexibility. Push-hands can help you sense
your opponent’s force so that you can follow and make use of it, or neutralize and counter act at the
same time.
You should compliment your Taiji form with power training drills to increase your internal strength.
For example, practice the long staff, Taiji ball, Taiji drum, etc. You can even strike at the punch bag,
but you must punch with spiral movements and spring-like force.
Practice with all your mind. Many scientists and martial artists have proved that the human mind
can produce force. When training, imagine you are fighting with an opponent. Use your mind
to induce a force to strike at your opponent. Practice in this way, and your mind can produce a
strong force. This is also the reason why Taiji practitioners emphasize using mind when practicing
Taijiquan.
Practice with varied speed: slow and fast intermixed with each.
5. Elegant style
The traditional Chinese culture, be it calligraphy, painting, drama, music or martial arts, all places
a lot of emphasis on style. Taijiquan is no exception. It requires Taiji practitioners to express the
true spirit of Taijiquan through their own style in the same way as other artists do. So all Taiji
practitoners should be able to show their own style in their Taiji form. To achieve this goal you need
to:
Understand the philosophy of Yin and Yang, which permeates the traditional Chinese culture and is
the foundation of all their arts.
Understand the fighting strategy of Taijiquan: be calm and face your enemy. If they do not attack
you, there is no need to counter-attack. If they do try to offend, you must be sure of winning the
battle. Always show you are calm and confident when you are practicing Taijiquan.
Give good training to your mind through the practice of the solo form. You should show that you
are in the best state of mind and can cope with all situations when required. So your form should be
so full of energy, which shows the spectators you are in great spirits. Practicing Taijiquan is not only
a training of the body but also of the mind. Watching people practice Taijiquan is a great pleasure to
the mind.
Show the rhythm of Taijiquan. The slow and fast, the soft and the hard, opening and closing, the
twining of the whole body, etc. are the basic structure of Taijiquan. They work in harmony to show
the gracefulness of Taijiquan, which at times look like flying dragon or snake, and at other times is
like drifting clouds or running streams. The saying, “whole body is soft as boneless, but once the
energy is released, any part of the body can be used as a hand to attack” is an excellent example of
this rhythm.
The relationship between Taiji theory and the traditional Chinese philosophy.
Traditional Chinese medicine, especially the part on the energy paths in the human body so that you
can understand how your energy flows.
Physic, which will help you better understand the internal power and martial arts application.
The Taiji classics. Study these carefully so that your form is correct and is consistent with the theory
taught in the Taiji classics.
Experience tells us that those who understand the Taiji theory and can put it into practice learn
Taijquan much more quickly than those who do not. Taiji theory help people understand how
Taijiquan works, and provide them with a way to learn more by themselves. Good Taiji teachers
should teach Taiji theory and show how it is applied in the Taiji form and push-hands so that their
students can continue to learn by themselves.
The Taiji form should be the core of your daily training; and push-hands, single movements and
power training drills are supplementary.
Practice the Taiji form every day, so that your can gain the full benefits of practicing: for health, for
self-defence, and for art appreciation. The other parts of training can be done alternately.