Angles in Film) : Step-By-Step Guide To Making A Shot List
Angles in Film) : Step-By-Step Guide To Making A Shot List
Angles in Film) : Step-By-Step Guide To Making A Shot List
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It’s easy to mix up the different types of camera shots and types of angles.
To make a shot list, a filmmaker or video creative must know the classic
types of shots based on attributes like shot size, shot framing, camera
movement, camera mechanisms, and depth of field.
We’ll break down all the camera shots and angles you need to know for
your next film. We also include camera shot examples from famous
movies to help solidify the discussed concepts.
CAMERA SHOTS
THE DIFFERENT TYPES OF CAMERA SHOTS
Below you'll find a shot size cheatsheet to see exactly how each shot size
will look on screen, and how to differentiate the various shot sizes:
Types of camera shots by size
At the bottom of this section we provide a link to a PDF shot list that has
examples of each shot sized used in popular films and television shows.
8. Close Up (CU)
An extreme long shot (or extreme wide shot) make your subject appear
small against their location. You can use an extreme long shot to make
your subject feel distant or unfamiliar.
Take a look at this extreme wide shot from Mad Max: Fury Road:
It can also make your subject feel overwhelmed by its location. Of all the
various camera shots out there, consider using the extreme long shot when
you need to emphasize the location or isolation.
In other words, there should be a good deal of space above and below your
subject. Use a long shot (or wide shot) to keep your subject in plain view
amidst grander surroundings.
The wide shot also lets us see the beautiful background imagery, as well as
the onlookers which will make any big moment more cinematic.
Of the many camera shots, a long shot gives us a better idea of the scene
setting, and gives us a better idea of how the character fits into the area.
Now let's talk about camera shots that let your subject fill the frame while
keeping emphasis on scenery. Like in this full shot from Thor:
(FS) Full Shot Example in Django Unchained
This full shot from Django Unchained is also a tracking shot — meaning
there is camera movement featured throughout the shot. In this particular
case, the camera slowly moves (or tracks) towards Django. So,
technically, this shot begins in a wide shot, moves to full shot (seen
above), and eventually ends in a cowboy shot.
Of all the different types of camera shots in film, full shots can be used to
feature multiple characters in a single shot, like this full shot size example
from Marvel's Guardians of the Galaxy:
A medium long shot (aka medium long shot) frames the subject from
roughly the knees up. It splits the difference between a full shot and a
medium shot. Here's an example of the medium wide shot size:
You can always frame camera shots from any angle as well, so don't be
afraid to think about medium long shots when behind a character:
A variation on this is the Cowboy Shot, which frames the subject from
roughly mid-thighs up. It’s called a “cowboy shot” because it is used in
Westerns to frame a gunslinger’s gun or holster on his hip.
(CS) Cowboy Shot Camera Shot in Wonder Woman
Here is an example of a cowboy shot that's used in a film that has nothing
to do with cowboys, and it's also a three shot:
Let's move onto camera shots that reveal your subject in more detail.
The medium shot is one of the most common camera shots. It's similar to
the cowboy shot above, but frames from roughly the waist up and
through the torso. So it emphasizes more of your subject while keeping
their surroundings visible. Here's an example of the medium shot size:
Medium shots may seem like the most standard camera shot around, but
every shot size you choose will have an effect on the viewer. A medium
shot can often be used as a buffer shot for dialogue scenes that have an
important moment later that will be shown in a close-up shot.
If you don't use all of the different types of camera shots in film, how can
you signal anything to your viewer without shot size contrast.
RELATED POSTS
• Cowboy Shots Guide →
The medium close-up frames your subject from roughly the chest up. So
it typically favors the face, but still keeps the subject somewhat distant.
The medium close-up camera shot size keeps the characters eerily distant
even during their face-to-face conversation.
You know it’s time for a close-up shot when you want to reveal a
subject’s emotions and reactions. The close-up camera shot fills your
frame with a part of your subject. If your subject is a person, it is often
their face. Here's an example of the close-up shot size:
An extreme close-up is the most you can fill a frame with your subject. It
often shows eyes, mouth and gun triggers. In extreme close-up shots,
smaller objects get great detail and are the focal point.
ESTABLISHING SHOTS
It all starts with an establishing shot
An establishing shot is a shot at the head of a scene that clearly shows us
the location of the action. This shot often follows an aerial shot and is used
to show where everything will happen.
We cover a lot of shot specs in this post, but don't worry. You don't need
to memorize everything in this post. If you use StudioBinder when shot
listing, all these specs are listed as checkboxes for easy selection.
How you choose to frame your subject will have a specific impact. How
close or far your subject is to your camera — your shot size — will
underscore how the audience should feel about it (or them).
Your subject will appear smallest in a long shot (or wide shot). They will
be larger in a medium shot and largest in a close-up shot.
Here is a shot list with every shot size organized from wide to near:
Types of Camera Shot Sizes • Shot Listed in StudioBinder
You can create a PDF of this shot list to print or store digitally.
Think about familiarity when you consider your subject’s size in your
camera shots. It’s like meeting someone for the first time. You might
shake hands or talk about the weather, but odds are you’ll stay at a relative
distance. That’s because you haven’t built any familiarity yet.
Shot size is the building block for choosing camera shots, but you’ll also
need to consider how framing, focus and movement can add deeper
meaning to your shots. Read on to explore creative shot combinations.
Specific camera movements matter too. Are you going to rack focus while
completing a dolly move? Or maybe it’s just a traditional two shot on
sticks? You want to capture all these details when shot listing.
CAMERA FRAMING
WORKING WITH SUBJECT S IN THE FRAME
Types of Camera Shot Framing
1. Single Shot
2. Two Shot
3. Three Shot
Camera shot framing is the art and science of placing subjects in your
shots. Camera shots are all about composition. Rather than pointing the
camera at the subject, you need to compose an image.
Based on how you plan to position your subjects, you'll need to adjust your
camerawork. You'll want to capture your framing details on a shot list well
before you arrive on set. That way you have a clear idea for the scene and
can communicate your vision with ease.
That's not to say that things may not change the day of the shoot. But,
having a shot list at the ready showcases that the director and DP have
done their homework and are well prepared.
When your shot captures one subject it’s known as a single shot:
Type of camera shots example: Single Shot in Iron Man
Single shots can be set and framed in any shot size you like, just as long as
there is only one character featured within the frame.
Now, why did I say featured rather than simply in the frame?
Two shots are often really useful for allowing performances to play out in
a single take, which can be especially useful for comedy.
Three shots are really important in adventure films, or really any film that
has a group of characters, because it is an enormous time drain to shoot 3
singles just to show every character, not to mention jarring.
RELATED POSTS
• How to Make a Shot List →
The Over The Shoulder Shot Example in Film (and How to Shoot a Dialogue
Scene)
TYPES OF SHOTS BY FRAMING
Over-The-Hip Shot (OTH)
Now let's talk about choosing camera shots that show the point-of-view (or
POV) of one of your characters.
A POV shot is a camera shot that shows the viewer exactly what that
character sees. This transports the audience into that character, as is done
in Being John Malkovich:
A point of view shot shows us exactly what the character sees, and we get
to understand what's generating the character's reaction.
RELATED POSTS
• How to Make a Shot List →
CAMERA FOCUS
THE VIEWER'S POINT OF ATTENTION
2. Shallow Focus
3. Deep Focus
4. Tilt-Shift
Cinema and television give the director an uncanny ability to control the
audience's vision. You can shift and change points of view as people learn
new information, move locations, or switch perspectives.
Depth of field (DOF) is the term used to describe the size of the area in
your image where objects appear acceptably sharp. The area in question is
known as the field, and the size (in z-space) of that area is the depth of that
field.
The center most point of the field is known as the point of focus. The
imaginary two dimensional plane that extends from that point is known as
the plane of focus. Any part of your image that falls directly on this plane
is officially in focus.
Here is a shot list with all the types of camera shot focus:
The first assistant cameraman (or “First AC”) will pull focus to make sure
that the subject stays within the acceptable focus range while they move to
various depths within the frame.
Now, this doesn't mean that pulling focus is easy, and in fact it is much
harder to maintain focus by making micro adjustments vs setting up a rack
focus on a set mark. It's just a matter of the viewer taking notice.
In shallow focus shots, your subject is in crisp focus while the foreground
and background scenery is out of focus. This limits your depth of field to
create emphasis on your subject.
Film Shot Types: Two-shot + Shallow Depth of Field Example in The Social
Network
Film Shot Types: Deep focus staging shows two forces collide in Detroit
RELATED POSTS
• Rack Focus Shots Guide →
• Shallow Focus Shots Guide →
A tilt-shift lens rotates perspective within the lens and emulates selective
focus. It can make parts of your image appear in sharp focus while others
are out of focus.
CAMERA ANGLES
ADJUSTING CAMERA HEIGHT FOR IMPACT
7. Shoulder-Level Shot
It's not enough to just understand shot size. Camera angles, and degree of
those angles, can totally change the meaning of a film shot.
The camera shot angle is used to specify the location where the camera is
placed to take a shot. The position of the camera in relation to the subjects
can affect the way the viewer perceives the scene. A scene may be shot
simultaneously from multiple camera angles to amplify the cinematic
effect and the emotions.
Here is a shot list with the different types of camera shot angles:
In this section we'll cover all the different types of camera angles in film
and provide you with plenty of camera angle examples:
TYPES OF CAMERA ANGLES
Eye Level Shot
First, consider the most common height: the eye level shot. When your
subject is at eye-level they’re in a neutral perspective (not superior or
inferior). This mimics how we see people in real life -- our eye line
connecting with theirs.
This shot frames the subject from a low camera height. These camera shots
most often emphasize power dynamics between characters.
A superior character with the upper hand is often framed from down low.
This makes an inferior feel like they are looking up to them.
Types of Angles: Low Angle Shot Example in The Empire Strikes Back
TYPES OF ANGLES: HIGH ANGLE SHOT EXAMPLE
High Angle Shot
In a high angle shot, the camera points down at your subject. It usually
creates a feeling of inferiority, or “looking down” on your subject.
But, as the video below shows, there are creative expressions of this type
of angle...
This is when your camera height is about as low as your subject’s knees.
They can emphasize a character’s superiority if paired with a low angle.
Shot Types: Knee Level Shot in Home Alone
Types of Camera Shot Angles: Knee Level Shot Example in Revenge of the
Sith
TYPES OF SHOT ANGLES IN MOVIES
Ground Level Shot
A ground level shot is when your camera’s height is on ground level with
your subject. Needless to say, this shot captures what’s going on the
ground your subject stands on.
Types of Angles: Ground Level Shot Example in Star Wars VIII: The Last
Jedi
A shoulder level shot can maximize the feeling of superiority when paired
with a low angle. Here's another shoulder level shot example:
For a dutch angle (dutch tilt), the camera is slanted to one side. With the
horizon lines tilted in this way, you can create a sense of disorientation.
An overhead shot is from way up high, looking down on your subject and
a good amount of the scenery surrounding him or her. This can create a
great sense of scale and movement.
A handy compilation of bird’s eye camera shots.
Whether taken from a helicopter or drone, this is a shot from way up high.
It establishes a large expanse of scenery. The opening shots of Blade
Runner use them to establish futuristic cityscapes.
Types of Camera Shot Angles: Aerial Shot Example in Blade Runner
RELATED POSTS
• Dutch Angle Shots Guide →
CAMERA MOVEMENT
M E A N I N G T H RO U G H M O T I O N
2. Dolly Shot
3. Zoomhot
5. Pan Shot
6. Tilt Shot
The way a camera moves can give meaning to what's happening on screen.
You can burst into a room, drone over from on high, pan with a head turn,
and dolly-zoom for any revelation.
Camera moves set directors out from the pack and wind up defining their
visual style. But how can you plan all these camera movements so your
story stays consistent from scene to scene?
When there’s no movement (i.e. locked camera aim) it’s called a static
shot. These camera shots emphasize the appearance and movement of your
subject against its environment, and are predominantly captured by being
placed on a tripod or a dolly that remains static during the shot.
Static shots work well in every genre, but they're nice for comedy because
the actor’s performance trumps the camera moves.
A dolly most commonly will be placed on tracks, and the vast majority of
professional dollies have either a hydraulic or even a pneumatic head that
can jib up and down during operation.
Zoom shots are camera shots that change the focal length of the lens
during the shot. This action can be a zoom out, or a zoom in, but they are
different from a push in (or dolly in) because the camera is rarely changing
positions, but simply altering the focal length of the lens.
A good way to remember this is that the camera does not zoom, but rather
the lens zooms. Now, your iPhone might be able to do an "digital zoom"
which is actually just reducing the image quality by moving in on an
already captured image which is a huge faux pas in pro filmmaking.
A dolly/zoom shot is where the camera position and focal length of the
lens are simultaneously altered to create a warping effect.
Camera pans move the camera side to side on a horizontal axis. This can
reveal something to your viewer or allow them to follow an action.
A camera tilt is when you move your camera up and down on a vertical
axis. So it’s exactly like a pan, only vertical.
A whip pan happens when you pan the camera from one shot to another,
creating a motion blur.
The swish tilt is the same idea as a swish pan, only vertical.
Wes Anderson uses the swish pans and tilts extensively in The Grand
Budapest Hotel
TYPES OF SHOT MOVEMENT IN MOVIES
Tracking Shot
The crab shot is basically a dolly shot that moves horizontally like a crab.
Arc shots are camera shots where the camera moves around the subject in
an arc pattern so as to show more of the surroundings:
CAMERA MECHANISMS
UNDERSTANDING GEAR R EQUIREMENTS
Depending on the gear you use, the feeling of a shot can dramatically
change. This is why you'll need to give the mechanism some thought when
shot listing. Just remember, camera mechanisms don't just affect the look
and feel of a shot, but also your budget, and prep time on set.
Technocranes don't come cheap. And setup time could put your set in a
holding pattern if you don't schedule carefully. So choose your camera
mechanisms carefully when you shot list.
Type of Camera Mechanisms
1. Sticks / Tripod
2. Slider Shot
3. Handheld Shot
4. Steadicam Shot
5. Gimbal Shot
6. Crane Shot
7. Jib Shot
8. Drone Shot
9. Wire Shot
Now let’s consider the different mechanisms that will dictate the
movement in your camera shots. The most common mechanism is the
tripod, or “sticks”, used for static shots and simple pans and tilts.
Handheld shots are held and moved by a camera operator. They aren’t
stabilized and often shaky. They can add a gritty feel to a shot.
Steadycam is the broad name for this camera mechanism, while the Tiffen
Steadicam (with an 'i') is the model name used by Tiffen.
Fun fact: the above is known as a proprietary eponym. So, now you're
not only learning your camera shots, but also vocabulary. How fun!
A jib is a crane device that sweeps the camera up and over a setting. A jib
is similar a crane, but with more limited range and movement. It's compact
and utilizes counter-weights.
These camera shots attach to a drone to fly over or alongside your subject.
They're often used for aerial shots. Drones are way cheaper than
helicopters and can operate in spaces helicopters can’t.
In this shot, the camera moves on a cable or wire for deliberate, smooth
moves. Like drones, wires get much closer to the action than helicopters.
These are often used in live concerts and sporting events.