Tkam Synthesis Paragraph - Final

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Gabriel Octavio

Ms. Woelke

Pre-AP Language Arts

30 May 2020

To Kill a Mockingbird ​Synthesis Paragraph

While Harper Lee’s ​To Kill a Mockingbird o​ ffers insightful lessons on racial and social

inequality, the stereotypes and images portrayed can be easily misinterpreted by a young

audience that may be quick to internalize these viewpoints and the book should therefore not be

used in a K-12 classroom setting.

A frequent critique of ​To Kill a Mockingbird ​is it’s consistent use of offensive terms such

as the n-word. While the word is no longer considered socially acceptable to use, the book uses

the term to paint the scene of the South amidst the Great Depression. Usage of the term, when

put into the wrong classroom setting, can be falsely interpreted by a young audience reading the

book. In a case in Biloxi, Mississippi, the book was removed mid-lesson due to students’s

response to it, “which reportedly included laughter over usage of [the n-word],” which made an

uncomfortable environment for a black student (Source A). In essence, the usage of the n-word

had not only caused discomfort amongst those in the classroom, it had also caused an opposite

comedic effect to some students, whether it be by the context the n-word was used in, the mere

shock value of it, or otherwise. While it is true that using the n-word in ​To Kill a Mockingbird

can portray the obscenity of the term and show the potential harm it can cause, the consistent

usage of the word, often without consequence, can breed normalizing the offensive word.

Though it is imperative to teach children the essence of racial equality, there are countless other
works of literature that accomplish this same feat without using the n-word nearly as frequently.

Misinterpretation can also be found in the core lessons that ​To Kill a Mockingbird ​teaches,

especially in an increasingly diverse student body. In an NBC article, Alice Randall takes note of

the changes in student body composition from today and the initial release of ​To Kill a

Mockingbird​ in 1960. Randall directs to the trial of ​To Kill a Mockingbird ​and Tom Robinson, a

“falsely accused [and] ‘crippled’.... meant to indicate that he would have been physically

incapable of sexual assault,” iterating that an interpretation of Robinson in court could be

misrepresented as “to ask them about whether or not black men are desirable… or that rape is a

crime that can only be committed by an able-bodied person” (Source E). When put into the

wrong instructor, Lee’s lessons of racial inequality and injustice can be flipped onto their heads

when paired with asking younger audiences to answer and decode situations that they are too

young to fully comprehend. Furthermore, these misrepresentations of reality in ​To Kill a

Mockingbird h​ ave the potential to be internalized by these younger audiences as many of the

racist themes Lee explores reinforces many of the stereotypes seen today. Ultimately, Harper

Lee’s ​To Kill a Mockingbird ​may be an awe-inspiring novel for adults to read, but the complex

situations Lee illustrates are susceptible to misunderstanding of Lee’s message by the younger

audiences that simply may not have a full comprehension of the novel, even when placed under

the best instruction.

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