Slash Chords - The Jazz Piano Site

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Slash Chords
Introduction

A Slash Chord is (generally) a Major triad over a bass note. Slash Chords are actually quite simple to
understand, they are analysed like any other chord – by looking at the notes that comprise them.

Slash Chords are notated as Chord/Note. So a D/C reads ‘D slash C’ or ‘D over C’ and is a D Major
Triad over a C Bass Note.

Slash Chords exist because:

They are an easier way to read complex chord notation


For example instead of writing CMaj7#9#11 (a complex looking chord), you can just
write B/C
They give a ready-made voicing for the chord
They give you a ready-made bass-line (often a chromatic bass-line)

The triad can be played in any inversion but generally the 2nd inversion is considered the strongest.

Chord Ambiguity

Slash chords can be a bit ambiguous because they are often missing a few chord tones.

Some are missing a 3rd and 7th – so can technically be either Major, minor or Dominant
BUT you have to keep in mind each chord’s available tension

(http://www.thejazzpianosite.com/jazz-piano-lessons/jazz-chords/available-tensions/)
For example, a minor chord cannot have a #11; therefore a Slash Chord that has a
#11 must be either Major or Dominant
D/C – has no 3rd or 7th so can be either CMaj13#11 or C13#11 (though usually the
former) but cannot be Cm13#11

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Slash Chords

The majority of Slash Chords use a Major triad on top; however, you can also use other chords, such
as:

Diminished, augmented or minor triads: Gm/C = C9


7th chords: Dm7/G = G9sus
Including Maj7, min7, V7, Aug7, half dim, full dim chords

These Slash Chords are all analysed in the same way – by looking at the notes they are composed of.

Below is a list of all possible slash chords that use a Major triad with their e ective chord name and
related scales:

Slash Chord Notes E ective Chord Scale

C/C C|CEG CMaj C Major


C Lydian

D♭/C C | D♭ F A♭ D♭Maj7 C Locrian


Csus♭9♭13 (C7 sub) C Phrygian

D/C C | D F# A D7 C Lydian
CMaj13#11 C Lydian
C13#11 C Lydian Dominant
Slash Chord Notes E ective Chord Scale 
E♭/C C | E♭ G B♭ Cm7 C Dorian

E/C C | E G# B CMaj7#5 C Lydian Augmented

F/C C|FAC FMaj F Major

G♭/C C | G♭ B♭ D♭ C7♭5♭9 C Altered


C Half/Whole diminished

G/C C|GBD CMaj9 C Major


CmMaj9 C melodic minor

A♭/C C | A♭ C E♭ A♭ Major A♭ Major


C7#9♭13 C Altered

A/C C | A C# E C13♭9 C Half/Whole diminished

B♭/C C | B♭ D F C9sus C Mixolydian


Cm11 C Dorian

B/C C | B D# F# CMaj7#9#11 (CMaj7 sub) C Whole/Half diminished


Altered Co7
CmMaj7♭5

We will come across the idea of simplifying chord notation by breaking the chord up into
components in future lessons. For the moment, I will just list the di erent concepts that use this
technique:

Slash chord: D/C = 1 Bass note over a triad


Upper Structure (http://www.thejazzpianosite.com/jazz-piano-lessons/jazz-chord-
voicings/upper-structures/): USII = 2 Bass notes (tritone) over a triad

Polychord:  = (3 bass notes) Triad over a triad

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Wave ~ Antonio Jobim
Waltz for Debbie ~ Bill Evans

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Jazz Piano Tutorial - Slash Chords

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