Nocturne

in C sharp Minor

  =50   
         
Frédéric Chopin, 1830, Brown-Index 49

  
  
         
       

      
               
 

 

           
 
        
 

5

       
    
3

     
       
3


                                  
  
9

        
        
    


    

                                  
   


 
13

        
       
3 3 3

   
5 3 3

   

                           
  
 = 48  = 54  = 50

 
16  = 52

   
        
        
  

             
       
 = 54



19

            
 
3 3

         
 


  
                       
       
  
23 3 3

     
          

  



       

   = 52   
  
                             
               
27



           
   
  
  
    
 
 

 
 5

   

             
               
 = 54  = 108


31
3

 


                   


       
     3
3 crescendo

      
    
35

      
  
sempre piu' diminuendo

        
           
3  3
3 3 3

2
        

 = 80

 rallentando
 = 88


40  = 100


        
           
sempre piu' piano
r.h.

 3     
3

 3  3 3 

  
         
               

 = 50

 
Adagio Tempo I


45 3
3
r.h.

    
             
3
 5

    
morendo........................................ 
3

            
      




49  = 54

       
    
3 3 3

 
3 3


  


 

          = 52  
                        

 = 50

 
52

                
3 3


3

   
5 3 3 3


appassionato

  

    9  

           
 

  
9



 
 





55  = 50  = 46


           
        
   
5 5




3
 
 


  
  
    
    


 
59 delicato

   
        
   
35 11



 
  
    
 
        


delicatissimo


61 rall.

 

             
                  


 
13


