What's Up With The Smart Smashing
What's Up With The Smart Smashing
What's Up With The Smart Smashing
shaming?
We ostracize those who think outside the box and say, 'Ikaw na ang
magaling!'
Shakira Sison
@shakirasison
Published 8:14 AM, October 15, 2015
Updated 6:08 PM, October 15, 2015
Why do we say, "Ang dami mong alam! (You're a know-it-all!)" when we hear
someone share a deep thought or provocative question? Why not engage the
person and learn? Why do we avoid discussions that require us to think, do
our own research, or question beliefs we've long held?
There is a growing trend of shaming those who take the time to learn more
and share their knowledge with others. As if intelligence is now a liability and
scratching beneath the surface is a negative, invalidating ideas that go against
the grain seems to be more common than being intrigued enough to look
further. We ostracize those who think outside the box and say, "Ikaw na ang
magaling!" ("Aren't you the great one?")
Instead of mocking someone for using a word we don't know or for asking a
question we never thought of, why not look up concepts that are foreign to us,
instead of dismissing them as unnecessary and saying, "Wow, deep!" Why
not ask about a new concept that leaves us stumped instead of mocking its
origin or sarcastically saying, "Eh di wow!"
No limit to information
Regardless of one's financial background, there is no better time than the
present to learn about any topic or skill. With free and open access to
unlimited information online, there is hardly any excuse to remain complacent
about knowledge. But instead this time is spent on putting down the person
who is actually curious enough to learn.
I understand the lack of hope that furthering one's knowledge will actually lead
anywhere. It is easy to accept that only the powerful have access to the
wisdom of the world and that it's better to not want more than what is
attainable.
But that would be acting as if only the elite have the right to speak, think,
discuss, question, or use a foreign tongue. This kind of thinking relegates
those who perceive their social status as lower to a state of apathy and
complacency. It conditions them to believe that the use of the English
language, critical thought, and intellectual discussions are only for those who
are rich. How scary is that?
Dangerous sentiment
Instead we say, "Oo na, edukada ka na!" (Fine! You're the educated one!)," as
if speaking wisely were the same as showing off, that those who do have
unconventional ideas only seek to rub it in other people's faces, and that
education is the enemy, instead of the savior.
In history, anti-intellectualism has been used as a tool by extreme
dictatorships to establish themselves and to paint educated people as a threat
because they question social norms and question established opinion. In the
1970s, Cambodia's Khmer Rouge executed civilians with more than an
elementary education, particularly those who wore glasses because it
suggested literacy.
Locally, the rounding up of thinkers and those who presented alternative ideas
was done en masse during martial law – a common practice in authoritarian
political movements where intellectuals are deemed unpatriotic and
subversive and must be removed.
The sentiment that to be wise, curious, and analytical is somehow elitist and
harmful causes entire populations to become easy to lead. When intelligence
is considered shameful, it favors a blind follower's mindset where being part of
a pack that doesn't question motives is preferred.
If not for the thinkers - those who are in a state of constant curiosity, the
seeking of knowledge, information, and answers - we would not be here. All of
our heroes, from Ninoy to Rizal, were men who loved books and sought
knowledge. They were both ostracized and killed for their thoughts. In both
instances these great thinkers were murdered by those who are only too
happy when majority of the population views intelligence as a fault.
Children follow what they see, and if they notice you are threatened by
knowledge or discouraged to learn, they will feel the same way and not seek it
for themselves.
Shakira Sison
RAPPLER CONTRIBUTOR
Shakira Andrea Sison is a two-time Palanca-winning essayist. She currently works in finance and
spends her non-working hours writing stories in subway trains. She is a veterinarian by education
and was managing a retail corporation in Manila before relocating to New York in 2002
Filed under:Khmer RougeMartial LawThomas Edisonanti-
intellectualismconversationscounterculturesmart-shamingShakira Sison
ASIA PACIFIC
Johanna Son
Published 11:30 AM, July 12, 2015
Updated 2:11 PM, July 12, 2015
REMEMBERING. Photos by French photographer Roland Neveu in April 1975 mark the Khmer
Rouge anniversary at a Bangkok exihibit. Photos courtesy of Johanna Son
"Hope" and "closure" are not always words that come to mind when
discussing a film about the Khmer Rouge, whose bloody, fanatical rule from
1975 to 1979 resulted in the deaths of more than two million people from
starvation, disease, torture and executions.
But these two do come together, despite the pain of memories, in Cambodia
After Farewell, a well-acclaimed, 100-minute documentary by French
Cambodian director Iv Charbonneau-Ching and Jeremy Knittel (Ana Films,
Strasbourg) that was screened here recently to mark 4 decades since the
Khmer Rouge took control of the Southeast Asian country to put in place the
purest form of communism and the ideal agrarian society.
The documentary follows the journey back to Cambodia – and into the past –
of the family of Iv Charbonneau-Ching, with his mother and aunt, as they
reconstruct, piece by piece, what happened to the family members they lost to
the Khmer Rouge.
Iv lost two uncles who, like many students and intellectuals, had believed in
the lofty-sounding ideals of the group. These uncles had left the safety of
France – where they and their siblings, including Iv’s mother and aunt, had
been sent to as Cambodia was in turmoil – to return to a "new" country that
soon turned against them as well.
“As a kid... I had questions I didn't even dare to ask (my mother and relatives
about what happened in Cambodia),” he said in reply to this writer’s question
after the screening at the Alliance Francaise.
The Bangkok-based director spoke haltingly as his voice broke a bit, then half-
chuckled at himself: “I tried to talk with them, gradually. I had some fragments
(of what happened). And I wondered, do I have the right to ask these
questions?”
Over a 3-week journey, which Iv’s team filmed, he, his mother and aunt’s trip
back in time yielded a mix of pain, happiness over finding a cousin and newly
discovered relatives, and acceptance.
Filmwise, it was a risk. Films around war, tragedy, human rights violations,
and death are rich with drama, at times becoming a quicksand for many first-
person stories to sink in. An overdose of drama, when the storytellers are part
of the story, can kill the way a story is told.
Iv’s uncles were also sent to the school-turned-prison called S-21. (Recalling
the insanity they all lived with, Meng said while he was painting portraits of
Khmer Rouge leader Pol Pot, he learned that his wife had been brought to the
"Killing Fields," or the mass execution grounds.)
Yet Cambodia, After Farewell is also a very "macro" story, one that binds too
many Cambodians together in having had an abnormal proximity to loss.
Indeed, many families like Iv’s live with the scars of the Khmer Rouge years
and continue to wage their own wars, 4 decades later.
Their own ways of finding closure continues against the backdrop of the
Khmer Rouge trials, which continue on its 9th year.
Former foreign minister Ieng Sary and the military chief Ta Mok died in prison
before their cases could be heard.
“To me, it was like the original crime,” Iv said of the Khmer Rouge victory,
speaking in French-accented English.
At the same time, he says, Cambodia’s violent decades were not only about
the Khmer Rouge and its coming to power was the result of a chain of other
events, including abuses by forces on the other side of the political fence.
“We have to commemorate it, but we shouldn’t forget the years before – the
civil war, the (US-backed) Lon Nol regime that was absolutely extremely
barbarian actually, the genocide against the Vietnamese minority, the
brutalization of the Khmer people. They awakened the hatred between the
urban people and the rural people.”
He continued, “When the Khmer Rouge arrived, the country was already
totally destroyed – and we shouldn’t forget that. But undoubtedly, the Khmer
Rouge committed crimes against humanity – unfortunately they were so very
incompetent to rule the country.”
Today, the ECCC is going after senior Khmer Rouge leaders but “I hope we
don’t forget the other ones, even the ones who preceded the Khmer Rouge,
and those who came after,” he added.
Asked if the trial helps him and his family cope with the past, Iv said: “It’s
impossible to judge [just] those few people, and they are not the only ones.”
Looking back at the process of making the documentary, Iv says that while he
had several trips to Cambodia to prepare for it, he was unsure about what
exactly would happen during the actual visit with his relatives.
“We knew something would happen from this work of memory, but we didn’t
know what.”
“In some ways, it’s like a road movie. We meet people and these people give
fragments of the memory,” he explained.
The more they went into other villages in search of accounts about their
relatives, the more his aunt and mother rebuilt their family’s story.
“At the beginning, they arrived like strangers in Cambodia; they don’t
remember any of the streets but little by little, they reappropriate their country
and become more and more active in the memory work, and I fade away,” he
pointed out.
“If you decide to do memory work, you have to ask why you make it. If it’s only
to look at dead people and torture yourself, I’m not sure you should do it,” Iv
added.
“But in case, this work led us to build new ties with our country, with a new
family.”
“During the 20 days, I didn’t have time to think. But after, when we were
editing the movie, I did get to understand why I did it, why I wanted to do it,” Iv
mused.
After the documentary peels off layer after layer of his family’s story and lays
bare all their fears, their painfully answered as well as still-unanswered
questions, Iv finally speaks toward the film’s end to say that it was “my way to
fight back at what the Khmer Rouge tried to do to my family."
His family was broken, but it has also made been whole again.
– Rappler.com
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RAPPLER TALK
Rappler.com
Published 11:59 AM, September 07, 2013
Updated 11:59 AM, September 07, 2013
MANILA, Philippines - Palanca Award winning writer Shakira Sison talks to
Rappler about the challenges and pain of writing. Sison won first place in
essay for her story about her father, The Krakauer Table. In an interview with Rappler,
Sison says, "I guess they [the judges] felt it was a sincere voice. If you read the essay it's very
heartwarming, but it's not an entirely positive view of my father. I guess the judges sensed that kind
of truth."
She is in the US Library of Congress’ List of 100 Filipina Poets for her work as
a fellow at the University of The Philippines National Writers Workshop. In
2000, she was included in the University of the Philippines Creative Writing
Center’sWriters of the New Century.
Sison is a prolific writer on LGBT issues and the Filipino diaspora. She also