FCC INFORMATION (U.S.A.

)
1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! interference will not occur in all installations. If this
This product, when installed as indicated in the in- product is found to be the source of interference, which
structions contained in this manual, meets FCC re- can be determined by turning the unit “OFF” and “ON”,
quirements. Modifications not expressly approved by please try to eliminate the problem by using one of the
Yamaha may void your authority, granted by the FCC, following measures:
to use the product.
Relocate either this product or the device that is being
2. IMPORTANT: When connecting this product to acces- affected by the interference.
sories and/or another product use only high quality Utilize power outlets that are on different branch (circuit
shielded cables. Cable/s supplied with this product breaker or fuse) circuits or install AC line filter/s.
MUST be used. Follow all installation instructions.
Failure to follow instructions could void your FCC In the case of radio or TV interference, relocate/reorient
authorization to use this product in the USA. the antenna. If the antenna lead-in is 300 ohm ribbon
lead, change the lead-in to co-axial type cable.
3. NOTE: This product has been tested and found to
If these corrective measures do not produce satisfactory
comply with the requirements listed in FCC Regula-
results, please contact the local retailer authorized to
tions, Part 15 for Class “B” digital devices. Compli-
distribute this type of product. If you can not locate the
ance with these requirements provides a reasonable
appropriate retailer, please contact Yamaha Corporation
level of assurance that your use of this product in a
of America, Electronic Service Division, 6600
residential environment will not result in harmful
Orangethorpe Ave, Buena Park, CA90620
interference with other electronic devices. This equip-
ment generates/uses radio frequencies and, if not
The above statements apply ONLY to those products
installed and used according to the instructions found
distributed by Yamaha Corporation of America or its
in the users manual, may cause interference harmful
subsidiaries.
to the operation of other electronic devices. Compli-
ance with FCC regulations does not guarantee that

* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.

CANADA
This Class B digital apparatus complies with Canadian ICES-003.
Cet appareil numérique de la classe B est conforme à la norme NMB-003 du Canada.

• This applies only to products distributed by Yamaha Canada Music Ltd.

• Ceci ne s’applique qu’aux produits distribués par Yamaha Canada Musique Ltée.

ADVARSEL!
Lithiumbatteri—Eksplosionsfare ved fejlagtig håndtering. Udskiftning må kun ske med batteri af samme fabrikat og type.
Levér det brugte batteri tilbage til leverandøren.

VARNING
Explosionsfara vid felaktigt batteribyte. Använd samma batterityp eller en ekvivalent typ som rekommenderas av
apparattillverkaren. Kassera använt batteri enlight fabrikantens instruktion.

VAROITUS
Paristo voi räjähtää, jos se on virheellisesti asennettu. Vaihda paristo ainoastaan laitevalmistajan suosittelemaan
tyyppiin. Hävitä käytetty paristo valmistajan ohjeiden mukaisesti.

The exclamation point within the equilat- NEDERLAND / NETHERLAND

eral triangle is intended to alert the user to
the presence of important operating and • Dit apparaat bevat een lithium batterij voor geheugen back-up.
maintenance (servicing) instructions in the • This apparatus contains a lithium battery for memory back-up.
literature accompanying the product.
• Raadpleeg uw leverancier over de verwijdering van de batterij op
het moment dat u het apparaat ann het einde van de levensduur
afdankt of de volgende Yamaha Service Afdeiing:
The lightning flash with arrowhead
Yamaha Music Nederland Service Afdeiing
symbol, within the equilateral triangle, is
Kanaalweg 18-G, 3526 KL UTRECHT
intended to alert the user to the presence of
Tel. 030-2828425
uninsulated “dangerous voltage” within the
• For the removal of the battery at the moment of the disposal at
product’s enclosure that may be of suffi-
the end of the service life please consult your retailer or Yamaha
cient magnitude to constitute a risk of
Service Center as follows:
electrical shock.
Yamaha Music Nederland Service Center
Address : Kanaalweg 18-G, 3526 KL UTRECHT
Tel : 030-2828425
• Gooi de batterij niet weg, maar lever hem in als KCA.
• Do not throw away the battery. Instead, hand it in as small
chemical waste.
2
 IMPORTANT SAFETY INSTRUCTIONS
INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK,
AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST.
WARNING- When using any electrical or electronic prod- 8. This product was NOT designed for use in wet/damp
uct, basic precautions should always be followed. These precau- locations and should not be used near water or exposed to rain.
tions include, but are not limited to, the following: Examples of wet /damp locations are; near a swimming pool,
spa, tub, sink, or wet basement.
1. Read all Safety Instructions, Installation Instructions,
Special Message Section items, and any Assembly Instructions 9. This product should be used only with the components
found in this manual BEFORE making any connections, includ- supplied or; a cart ,rack, or stand that is recommended by the
ing connection to the main supply. manufacturer. If a cart, rack, or stand is used, please observe all
safety markings and instructions that accompany the accessory
2. Do not attempt to service this product beyond that product.
described in the user-maintenance instructions. All other servic-
ing should be referred to qualified service personnel. 10. The power supply cord (plug) should be disconnected
from the outlet when electronic products are to be left unused
3. Main Power Supply Verification: Yamaha products are for extended periods of time. Cords should also be disconnected
when there is a high probability of lightening and/or electrical
manufactured specifically for the supply voltage in the area
where they are to be sold. If you should move, or if any doubt storm activity.
exists about the supply voltage in your area, please contact your
dealer for supply voltage verification and (if applicable) instruc- 11. Care should be taken that objects do not fall and liquids
tions. The required supply voltage is printed on the name plate. are not spilled into the enclosure through any openings that may
For name plate location, please refer to the graphic found in the exist.
Special Message Section of this manual.
12. Electrical/electronic products should be serviced by a
4. DANGER-Grounding Instructions: This product must qualified service person when:
be grounded and therefore has been equipped with a three pin a. The power supply cord has been damaged; or
attachment plug. If this product should malfunction, the ground b. Objects have fallen, been inserted, or liquids have been
pin provides a path of low resistance for electrical current, spilled into the enclosure through openings; or
reducing the risk of electrical shock. If your wall socket will not c. The product has been exposed to rain; or
accommodate this type plug, contact an electrician to have the d. The product does not operate, exhibits a marked change
outlet replaced in accordance with local electrical codes. Do in performance; or
NOT modify the plug or change the plug to a different type! e. The product has been dropped, or the enclosure of the
product has been damaged.
5. WARNING: Do not place this product or any other
objects on the power cord or place it in a position where anyone 13. This product, either alone or in combination with an
could walk on, trip over, or roll anything over power or connect- amplifier and headphones or speaker/s, may be capable of
ing cords of any kind. The use of an extension cord is not producing sound levels that could cause permanent hearing loss.
recommended! If you must use an extension cord, the minimum DO NOT operate for a long period of time at a high volume
wire size for a 25' cord (or less) is 18 AWG. NOTE: The smaller level or at a level that is uncomfortable. If you experience any
the AWG number, the larger the current handling capacity. For hearing loss or ringing in the ears, you should consult an audi-
longer extension cords, consult a local electrician. ologist.

6. Ventilation: Electronic products, unless specifically IMPORTANT: The louder the sound, the shorter the time
period before damage occurs.
designed for enclosed installations, should be placed in locations
that do not interfere with proper ventilation. If instructions for
enclosed installations are not provided, it must be assumed that 14. Some Yamaha products may have benches and/or acces-
unobstructed ventilation is required. sory mounting fixtures that are either supplied as a part of the
product or as optional accessories. Some of these items are
7. Temperature considerations: Electronic products should designed to be dealer assembled or installed. Please make sure
that benches are stable and any optional fixtures (where appli-
be installed in locations that do not seriously contribute to their
operating temperature. Placement of this product close to heat cable) are well secured BEFORE using. Benches supplied by
sources such as; radiators, heat registers etc., should be avoided. Yamaha are designed for seating only. No other uses are recom-
mended.

PLEASE KEEP THIS MANUAL

92-469-3 3
 Owner’s Manual

Thank you for purchasing the Yamaha UD-Stomp.

To fully understand the functions and to obtain maxi-

mum life from this device, please read this Owner’s Manual
carefully before using. Also, after reading this manual
please keep it in a safe place for future reference.

Contents
Precautions .................................................. 5 • Selecting a Wave (WAVE) .............................. 17
• Setting the Phase (PHASE) ............................ 18
Nomenclature ............................................... 6 • Setting the Effect and Direct Volume Levels ... 18
■ Top Panel ......................................................... 6 • Setting the Pan of the Direct Sound ............... 18
■ Rear Panel ....................................................... 9 • Setting the Output Volume .............................. 18

Connections ............................................... 10 Selecting and Saving Patches .................. 19

■ Connecting the Power .................................... 10 ■ Try Selecting Another Patch .......................... 19
■ Connecting the UD-Stomp ............................. 10 ■ Create and Store a Patch .............................. 21
■ Connecting Headphones ................................ 11
■ Digital Output .................................................. 11 Convenient Functions ............................... 22
■ Connecting an Expression (EXP) Pedal ......... 11
External Control Settings .......................... 24
■ Connecting MIDI Devices ............................... 11
Utility Mode ................................................. 25
Using the UD-Stomp .................................. 12
■ About the Utility Mode .................................... 25
■ Preparation .................................................... 12
■ MIDI Functions ............................................... 25
• Selecting an Effect Band ................................ 13
■ External Control Settings ............................... 26
• Setting the Delay Time .................................... 13
■ EXP Pedal Settings ........................................ 27
• Setting the Feedback ...................................... 14
• Setting the Filters ............................................ 14 Trouble Shooting ........................................ 28
• Setting the Pan ............................................... 14
• Setting the Delay Level ................................... 14 Error Messages .......................................... 28
• Setting the Tap ................................................ 14
• Setting the Modulation .................................... 15 Specifications ............................................. 29
• Connecting Multiple Effect Bands (CONNECT) ...... 15
MIDI Implementation Chart ....................... 30
• Grouping Multiple Effect Bands (GROUP) ...... 16
• Syncing Multiple Effect Bands (SYNC) ........... 17

4
Precautions
• Avoid using the UD-Stomp in the following locations to prevent possible damage:
• In direct sunlight or next to heating equipment.
• In extremely cold or hot locations.
• Locations exposed to high humidity or excessive dust.
• Locations subject to strong shocks or vibration.

• Before making any connections, make sure that the power is switched OFF on the UD-Stomp
and any external devices.

• To protect speakers from possible damage, always set the OUTPUT knob to “0” before switching
the power ON/OFF.

• When connecting any devices to this unit, make sure that the power is switched OFF first.

• Do not apply excessive force to the switches, knobs and controls.

• The UD-Stomp is a precision device. Handle it with care and avoid dropping or jarring it.

• Operating temperatures will rise during use. Make sure the UD-Stomp is used in a well-ventilated
are.

• For safety, always remove the power adaptor from the AC wall outlet if there is any danger of
lightning striking in your area.

• Keep the UD-Stomp away from neon signs or fluorescent lighting to prevent noise pickup.

• To prevent damage and possibly electrical shock, never open the case and tamper with the
internal circuitry.

• Never use benzene, thinner or other volatile liquids for cleaning, as these chemicals may cause
damage or discoloration to the finish. Always use a dry, soft cloth to wipe off dust and dirt.

About the Backup Battery

A backup battery (lithium battery) is used to keep internal data (settings) from being lost, even when
the power cord is unplugged. Internal data will be lost when battery power is depleted, so it is recom-
mended that data be stored to an external data recorder such as the Yamaha MIDI Data Filer MDF3
(→ page 26), or keep records of settings in memo form. The average battery life span is about 3
years. When replacement becomes necessary contact the music store where the unit was pur-
chased, or a qualified service representative, to perform the replacement.

• Do not attempt to replace the backup battery by yourself.

• Keep the backup battery out of reach of children.
• “E 5” appears in the display when the battery becomes depleted. Internal data may be lost.
• Data may be lost if the unit is improperly handled or if repairs are performed.

5
 Nomenclature
■ Top Panel

Display & Main Section Controller Section

Footswitch Section

● Display & Main Section

e Utility Button (UTILITY)

Enters the Utility Mode. (→ page 25)

q e r Store Button (STORE)

Enters the Store Mode. (→ page 21)
w r
t Display
t Displays memory numbers, parameter setting val-
ues, etc.
q Up Button (UP)
w Down Button (DOWN)
Press to change the Patch Number by +1/-1. Hold
to change the Group Number by +1/-1. Simulta-
neously press the [UP] and [DOWN] buttons to
switch between the USER ↔ PRESET Areas.
Also, their flashing lamps are used to indicate the
relationship between the patch data value and the
knob’s position.

6
 Nomenclature

● Controller Section u i

!4 !5 !6 !7 !8 !9

o !0 !1 !2 !3 @0
@1
y
y ASSIGNABLE CONTROL • WAVE: Selects the modulation wave to be
You can assign one of the functions of Effect Pa- used.
rameter Controllers o - @0 to this knob. (→ page • FUNCTION: Provides access to the secondary
functions of those buttons or controllers that
24)
have secondary functions (COPY, PASTE,
u EFFECT BAND 1-8 PHASE, CONTROL setting, DIRECT PAN).
Switches the corresponding EFFECT BAND 1-8 ON/ The lamps indicate current parameter conditions for
OFF and selects an Effect Band for editing. the currently selected Effect Band.
* To switch the effect ON→OFF, hold the button down until
“oFF” appears in the display. Controllers o - !8 listed below are used to
* You can also “tap” on the button to set the delay time ac- settings for individual parameters for each
cording to the tempo at which the button was tapped. (→ of the Effect Bands. Parameter changes will
page 13) be made to the Effect Band that is currently
The EFFECT BAND lamps will light in the following selected with the EFFECT BAND Switch.
manner to indicate the current condition of the Ef- Also, when the selected Effect Bands are
fect Band’s settings. combined into a Group, parameters o - !3
• Lamp lights: Effect is ON will be set in the Effect Band that is at the
• Lamp off: Effect is OFF head of the selected group.
• Lamp flashes (rapidly): Editing
• Lamp flashes (slowly): Input is switched OFF o Delay Time Control: Coarse (TIME COARSE)
(→ page 22) !0 Delay Time Control: Fine (TIME FINE)
* When an Effect Band is switched ON, holding the [FUNC- Sets the delay time.
TION] button and pressing the EFFECT BAND button will
switch the input for that Effect Band ON/OFF. However, when
The TIME COARSE knob is used to set the approxi-
a group is selected, only the Effect Band that is at the head of mate time while the TIME FINE knob is used to set
the selected group can be switched ON/OFF. the precise time.
In the Utility Mode, this button is used to select sys-
!1 LOW CUT FILTER Control
tem settings such as Footswitch Functions, MIDI
Sets the cut off frequency of the low cut filter. This is
Functions, etc.
used to cut frequencies that are lower than the cut
i EDIT FUNCTION off frequency.
These buttons are used to set parameters that de- When the knob is rotated fully to the left (oFF) the
termine how multiple Effect Bands are connected, filter is OFF. Rotate the knob to the right to raise the
made into groups, synced and for setting the type cut off frequency.
of modulation wave, etc.
!2 HIGH CUT FILTER Control
• CONNECT: Connects Effect Bands
Sets the cut off frequency of the high cut filter. This
• GROUP: Groups multiple Effect Bands
• SYNC: Synchronizes the modulation speed be-
is used to cut frequencies that are higher than the
tween multiple Effect Bands. cut off frequency.
7
 Nomenclature

When the knob is rotated fully to the left (oFF) the !8 Delay Level Control (LEVEL)
filter is OFF. Rotate the knob to the right to lower Sets the output level of the delay.
the cut off frequency. * Rotating the knob fully to the left (0.0) mutes the delay sound.

!3 FEEDBACK Control
Sets the how many times the delay will repeat. Controllers !9 - @1 listed below are global pa-
rameters for Effect Bands 1-8. They can be
!4 TAP Control set at any time, even if no Effect Bands are
Sets the timing for when the delayed sound is taken selected.
from the delay loop.
The value of the parameter is expressed as a per- !9 EFFECT LEVEL Control
centage of the delay time setting. Sets the overall level of the signal sent to the effect.

!5 SPEED Control @0 DIRECT LEVEL/DIRECT PAN Control

Sets the speed of the modulation. Sets the output level of the direct sound.
When multiple Effect Bands are Synced together, Hold the FUNCTION button and rotate this knob to
this knob adjusts the phase angle. set the stereo position of the direct sound.

!6 DEPTH Control @1 OUTPUT Level Control

Sets the intensity of the modulation. Controls the signal level that is sent from the UD-
Stomp’s output jack (OUTPUT, PHONES).
!7 PAN Control
Sets the position of the delay within the stereo field.

● Footswitch Section
@2 @3

@2 Footswitches 1, 2, 3 @3 Bank Switch (BYPASS, BANK, TAP TEMPO)

These are used to select a patch (1, 2, 3) in the • Press and release the switch quickly (BYPASS):
currently selected Group/Bank. The lamp for the All Effect Bands are bypassed leaving only out-
selected patch number will light. Pressing the put of the direct sound. When the Bypass is switch
Footswitch that has its lamp lit will switch the effect ON, the lamp lights.
OFF as well as the Footswitch’s lamp. * In the bypass mode, the input signal from the instrument is
Depending upon the BANK switch setting, these sent directly to the output (DIRECT LEVEL and DIRECT PAN
switches can also be used to select the patch’s Area/ settings will have no effect).
Group/Bank, set the Tap Tempo, and for the Sam- • Hold the switch until all footswitch lamps (1-3)
pling function. light (BANK): Use Footswitches 1-3 to select an
* When the effect is switched OFF with the Footswitches 1, 2 Area/Group/Bank. (→ page 20)
or 3, the delayed sound up to that point will remain. When
the BYPASS switch is pressed to bypass the effect, the delay • Hold the switch until “tAP” appears in the
sound will be muted momentarily. display (TAP TEMPO): Tap the Footswitch set
the delay time to the tempo at which the footswitch
is tapped. The Loop Sampling Function is also
available. (→ page 22)
8
 Nomenclature

■ Rear Panel

@4 @5 @6 @7 @8 @9 #0 #1 #2 #3

@4 Power Switch (STAND-BY ON/OFF) @9 Expression Pedal Jack (EXP. PEDAL)

Power switch for the main unit. This jack is used to connect a foot controller (ex-
* To protect the speakers, set the OUTPUT knob @1 to “0” pression pedal) (optional) such as a Yamaha FC-7
before switching the power ON/OFF. to control individual UD-Stomp parameters. (→ page
24, 26, 27).
@5 Power Adaptor Jack (AC IN 12V 1A)
Connect the supplied power adaptor to this jack. #0 Headphones Jack (PHONES)
* Never use a power adaptor other than the supplied adaptor. Connect a pair of headphones (optional) to this jack
Use of any other power adaptor may cause damage, over- for private practice or practicing at night when you
heating, fire, etc.
don’t want to disturb others. (→ page 11).
@6 MIDI OUT Jack * Even when headphones are used, the audio signal is
delivered from the OUTPUT jack #1 and the DIGITAL
This jack is used for transmitting MIDI data from the
OUT jack @8.
UD-Stomp such as control changes, program
changes, data in the UD-Stomp’s memory, etc. (→ #1 Output Jacks (OUTPUT R, L/MONO)
page 26). The analog output jacks for the UD-Stomp. Con-
nect these jacks to the input jack on a power ampli-
@7 MIDI IN Jack fier + speaker set or guitar amp, mixer, etc. (→ page
This jack is used for receiving MIDI data from a MIDI 10)
device, such as a MIDI foot controller, that can be
* Use the L/MONO jack when connecting to a monaural de-
used to select patches, volume, or control each of vice.
the effects in the UD-Stomp. (→ page 20)
Also, UD-Stomp memory data saved to an external #2 Input Level Switch (LOW/HIGH)
MIDI device can be returned to the UD-Stomp via #3 INPUT Jack
this jack. (→ page 26) This is the UD-Stomp’s input jack. Connect a guitar
or other electric musical instrument to this jack. Se-
@8 DIGITAL OUT Jack
lect either HIGH or LOW to match UD-Stomp’s in-
This Jack is used for sending the output of the UD-
put jack to the output level of the instrument con-
Stomp as digital data.
nected to the jack.
Connect to a device equipped with a digital input
* Make sure the power is switched OFF before connecting the
jack (COAXIAL) such as a digital mixer, etc. (→ page instrument.
11).

9
 Connections
Before making any connections to any of the UD-Stomp’s INPUT and/or OUTPUT jacks,
make sure that the power on the UD-Stomp and all other devices is turned OFF to prevent
electrical shock or damage to the devices.

■ Connecting the Power ■ Connecting the UD-Stomp

Use the supplied power adaptor (AC-10) to supply Since the UD-Stomp is a delay effect, it should be
power to the UD-Stomp. connected to the end of the effect chain when used
with other effects. If the guitar amplifier or mixer you
1. Make sure the UD-Stomp’s Power Switch are using is equipped with a Send/Return circuit,
we recommend that the UD-Stomp be connected to
(STAND-BY) is in the OFF ( ) position.
these jacks.
The Input Level switch should be set according to
2. Connect the power adaptor’s plug to the AC IN the output level of the device connected to the UD-
jack on the UD-Stomp. Stomp (set to LOW if the device’s output level is
high, set to HIGH if the output is low).
3. Connect the power adaptor to an electric outlet. Also, for maximum effect, connect the OUTPUT
jacks to a stereo system.
When connecting to a monaural device, make sure
OFF ( ) you use the OUTPUT’s L/MONO jack.

● Connecting to the Effect Send and Re-

turn circuit
OUTPUT

INPUT L/MONO R

Supplied AC
Electrical Adaptor AC-10
Outlet UD-Stomp

EFFECT
EFFECT RETURN
SEND L R
Instrument

Only use the supplied AC-10 adaptor to

power the unit.
Using another adaptor may result in dam- Guitar Amplifier, etc.
age, overheating or fire, which can be
very dangerous. ● Connecting at the end of an effects chain
Make sure to use the recommended AC Distortion, etc.
voltage as indicated on the power adap- Instru- OUTPUT

tor. ment
INPUT L/MONO R

The supplied power adaptor AC-10 is de-

signed specifically for use with the UD-
Stomp. Never use this adaptor with any UD-Stomp
other device.

INPUT
L R

Power Amplifier & Speaker

10
 Connections

■ Connecting Headphones ■ Connecting an Expression (EXP)

Connect a pair of headphones to the PHONES jack Pedal
(standard stereo) on the UD-Stomp to play or prac- A foot controller (expression pedal), such as the
tice in private. Yamaha FC-7 (optional) connected to the UD-
The volume of the headphones can be controlled Stomp’s EXP. PEDAL jack allows control of the UD-
with the OUTPUT knob. Stomp’s individual parameters with your foot. (→
* When a pair of headphones is connected, the output from the page 24, 26, 27)
OUTPUT jack and the DIGITAL OUT jack will still deliver
sound output.

When using headphones, use at a comfort-

able volume so as not to cause shock to your ■ Connecting MIDI Devices
hearing. The UD-Stomp’s MIDI IN/OUT jacks allow the ex-
change of MIDI information between the UD-Stomp
and an external MIDI device.
Using MIDI you can take data from the UD-Stomp
and store it in a MIDI device such as the Yamaha
■ Digital Output MIDI Data Filer MDF3, etc. or load data from the
The UD-Stomp is equipped with a DIGITAL output external device into the UD-Stomp.
jack (COAXIAL, 44.1 kHz), that can be connected You can also use a MIDI foot controller, etc. con-
to the DIGITAL INPUT jack on a digital mixer, MD nected to the UD-Stomp to select patches, control
recorder, etc. individual parameters, etc., and an external MIDI
* The output level of the DIGITAL OUT jack cannot be con- device can be controlled from the UD-Stomp. Refer
trolled with the OUTPUT knob (fixed). to the [Utility Mode] (page 25) for more information
on MIDI functions.

Digital Mixer, MD Recorder, etc.

11
 Using the UD-Stomp
The UD-Stomp is an effects processor that is equipped with eight identical delay circuits.
It provides you with the power and freedom to create complex sounds by connecting multiple
delay circuits in a series, or combine any or all of the individual circuits into a single, long
delay, etc.
This section will use some of the UD-Stomp’s preset programs as examples to help you un-
derstand how the parameters and functions work.

■ Preparation For now, use this patch program to get some

sound from the system, and adjust the sound
1. Connect your instrument, amplifier, a pair of
volume.
headphones, etc. to the UD-Stomp. (→ page 10,
While playing your instrument, rotate the OUT-
11)
PUT knob to the right and adjust the volume to
Before making any connections, make sure an optimum level.
that the power is switched OFF on all devices.

2. Set the OUTPUT knob to “0”, and then set the

Power Switch (STAND-BY) to ON ( ).
If the Power Switch is switched ON with the OUT-
PUT knob turned up, a sudden outburst of sound
due to the high volume setting may damage your
hearing, or damage devices connected to the unit
such as the amplifier, speaker, headphones, etc.
4. Let’s recall patch number “9.11” which is an
empty patch.
Press and hold the [DOWN] button, located to
the left of the display, and the Group number will
decrease one by one. If the number goes past
the Group number you want, press and hold the
[UP] button to increase the value by one. Simply
pressing the [UP]/[DOWN] button causes the
Patch number to increase/decrease by one.

3. A 3-digit number, such as “011”, appears in

the display. Let’s try and set a delay.

These numbers (Group Number: 0, Bank Num-

ber: 1, Patch Number: 1) refer to the currently
selected patch program.

Note: When the patch program number is shown

in the display, this condition is known as the
Play Mode. When in the Play Mode, it is pos-
sible to select patches for playing and edit pa-
rameters.

12
 Using the UD-Stomp

Selecting an Effect Band • If the [UP] lamp flashes when the knob is rotated,
rotate the knob to the right (toward 10), and if the
Let’s first select a delay circuit and set its param- [DOWN] lamp flashes, rotate the knob to the left
eters. (toward 0).
The [EFFECT BAND 1-8] buttons are used to switch At this time, the knob’s parameter value set in
the eight effect circuits ON/OFF. the current patch is flashing in the display.
* As long as the lamp is flashing, neither the value in the
1. Press the [EFFECT BAND 1] button to select display nor the sound will change even though the knob
Effect Band 1 (the selected button’s lamp will is being rotated.
flash rapidly).
* When an EFFECT BAND button’s lamp is flashing rap-
idly, it indicates that that Effect Band is currently being
edited.

EFFECT BAND
6 7 8

• Continue rotating the knob in the direction de-

scribed above. Once the knob has reached the
Setting the Delay Time position that corresponds to the parameter value,
the value in the display and the [UP]/[DOWN]
Next, let’s set the Delay Time. lamp will stop flashing and the value will now
Use the TIME COARSE (rough setting) and TIME change according to the position of the knob.
FINE (precise setting) knobs to set the Delay Time. * After you stop moving the knob, the value will continue
to be displayed for about 2 seconds, after which it will
2. In this step, we will set a delay time of 250msec. return to the normal display.
Rotate the TIME COARSE knob until “200.”
• Once the knob is aligned with the value and can
appears in the display.
be used to edit the value, rotating the knob will
* The value for time used in the delay is msec (millisec-
result in the value shown in the display changing
onds). The dot indicates the position of the decimal point.
in regards to the knob’s position and a relative
Example) 200. = 200 msec change in the effect’s sound.
When the value is over 1000msec (no dot in the display),
the value in the display should be multiplied by 10. These rules apply to all knobs with the ex-
Example) 123 = 1230 msec ception of the OUTPUT knob.

If “0. 0 2 ” is flashing in the display and the

[DOWN] lamp flashes when you rotate the knob, 3. Next, rotate the TIME FINE knob so that “250.”
it indicates that the knob’s position is not aligned is shown in the display. If “200.” is flashing in
with the value set for the parameter. First ro- the display, rotate the knob all the way to the
tate the knob all the way to the left, then rotate left and then to the right as described in step 2
to the right to set the value. and above.
* The delay time of an individual Effect Band can be set to a
Using the Knobs maximum of 696msec. Using the Group setting, a maxi-
mum delay of 5890msec can be obtained by grouping all
Since the position of each knob on the panel 8 Effect Bands together. (→ page 16)
is not always aligned with the value set in * The delay time can also be set by tapping the [EFFECT
the parameter of the current patch, please BAND 1-8] button twice in tempo, after the Effect Band
follow the rules described below to align the has been selected. The delay time will be set to the tempo
knob with the parameter value. at which the button is pressed.
* You can also tap the Footswitch twice in tempo to set the
delay time to the tempo at which the Footswitch was
tapped. (→ page 22)

13
 Using the UD-Stomp

PAN PAN PAN

Setting the Feedback
Up to this point we have set the delay time so a
L R L R L R
single delay sound is produced 250msec after the
original sound. Next, set the Feedback parameter
to determine how many times the delay will repeat.

4. Rotate the FEEDBACK knob so that “10.0” ap-

pears in the display. The delay sound is re-
peated infinitely without fading out. Setting the Delay Level
When the FEEDBACK is set to a lower value,
The LEVEL knob is used to control the volume level
the number of times the delay is repeated will
of the delay sound.
decrease and the delay sound will fade out.
In this step, set the FEEDBACK level to “5.0”. 7. First, rotate the FEEDBACK knob and set its
value to “0.0” so that it is easier to hear how
Setting the Filters the sound changes.
Rotate the LEVEL knob and adjust the volume
The delay circuit also includes a HCF (High Cut Fil- level of the delay sound. Rotating the knob all
ter) which, cuts high frequencies, and a LCF (Low the way to the right (10.0) will make the delay’s
Cut Filter) which, cuts low frequencies. Since these volume equal to the volume of the original
filters are incorporated in the delay loop, the cutting sound. Rotate the knob all the way to the left
of the effected frequencies will be greater each time (0.0) and the delay sound will not be heard.
the delay is repeated.

5. Rotate the LOW CUT FILTER knob or HIGH Setting the Tap
CUT FILTER knob and see how the filters
In this case, the term “Tap” refers to the timing at
change the sound.
which the delay sound is taken out of the delay loop.
* For both knobs, a setting of 10 (10.0) equals a cutoff
Try the next steps and see how this effect works.
frequency of 1kHz and setting of 0 equals off (oFF).
* The cutoff is also applied to the first delay. 8. Use the [UP] button and recall patch “9.12”.
This patch will make it easy to understand how
The use of these filters offers analog simulation, etc. this effect works.
Once you understand how the filters operate, set In this patch a 360msec delay is already set to
both knobs to “oFF” and let’s move on to the next both Effect Bands 1 and 2. Notice that the de-
step. lay sound is louder than the original. That’s be-
cause both delay sounds, which are heard si-
Setting the Pan multaneously, are set at the same level as the
original sound.
The term “Pan” refers to the position of the delayed
sound within the stereo field of the left and right 9. Press the [EFFECT BAND 1] button and rotate
speakers. Use the PAN knob to set the position of the TAP knob to change Tap Value of Effect
the delayed sound somewhere between left (L10.), Band 1.
center (C) and right (r10.) as shown in the illustra- When the value is around “66.6” % notice how
tion below. the sound of the two delays creates a shuffle
rhythm. What happens is the delay sound from
6. Rotate the PAN knob and see how the delay Effect Band 1 is being produced at 240msec,
sound moves between the left and right speak- which is 2/3 (66.6%) of its 360msec delay time.
ers.
Once you understand how the PAN knob oper-
ates, set the PAN knob to “C” and let’s move
on to the next step.

14
 Using the UD-Stomp

Setting the Modulation

Delay Circuit
Adding Modulation to the Delay Time causes the
TAP=66.6% delay sound’s pitch to change. This can be used to
240msec create effects such as chorus, flanger, etc.
TAP=100%
360msec 13. Recall patch “9.11” again.
Delay sound from
14. Press the [EFFECT BAND 1] button and use
Effect Band 1 the TIME COARSE knob to set the delay time
Delay sound from
Original Effect Band 2 to “600.”
Sound
15. Set the SPEED knob to “4.0” and the DEPTH
knob to “10.0” and listen to the resulting sound.
TIME The pitch of the delayed sound goes up and
240msec
down. This is a Modulation effect.
360msec
16. To get a Chorus effect, set the delay time some-
where between 5 and 20msec, then adjust the
SPEED (to make the pitch fluctuating) and
DEPTH (to increase the intensity of the effect).
Also, you create a richer sound by using mul-
10. In this step, set the FEEDBACK of Effect Band tiple Effect Bands or by changing the PAN posi-
1 to “5.0”. Now the first delay is produced after
tion from right to left. Try varying these param-
240msec but the delays that follow that are pro-
eters and see what you get.
duced at 360msec.

Delay sound from Effect Band 1

17. To get a Flanger effect, set the Delay Time
shorter than that for the Chorus effect (less than
Original
Delay sound from 5msec) then use the SPEED and DEPTH knobs
Sound
Effect Band 2 to produce the Flanger effect. To get a deeper
Flanger effect, increase the FEEDBACK level.

TIME Connecting Multiple Effect Bands

240 360 360 (CONNECT)
msec msec msec
Try connecting the 8 Effect Bands together. You can
360 create a wide variety of delays by connecting mul-
msec tiple Effect Bands into series or parallel arrange-
ments.
11. Next, set the FEEDBACK of Effect Band 2 to 18. Recall patch “9.13”. This patch uses two delay
“5.0” as well. First press the [EFFECT BAND circuits (Effect Bands 1 and 2) with a parallel
2] button to select Effect Band 2, then use the connection.
FEEDBACK knob. Now, the shuffle rhythm is Effect Band 1 has a long delay of 600msec while
repeated. Effect Band 2 has a short delay time of 80msec.
12. Now, try setting the PAN of Effect Band 1 all the FEEDBACK on both Effect Bands is set to 0.
way to the left (L10.) and the PAN of Effect Press the [EFFECT BAND 1] button (this se-
Band 2 all the way to the right (r10.). Now lects Effect Band 1) then press the [CONNECT]
you’ve created a stereo ping-pong delay effect. button at which time “in” appears in the dis-
play. This indicates that the signal received by
the delay circuit of Effect Band 1 is coming di-
rectly from the UD-Stomp’s INPUT jack. Effect
Band 2 is also set to “in”.
15
 Using the UD-Stomp

Now Effect Bands 1 and 2 are connected as

IN 1 4
shown in the illustration below. BAND 1 BAND 4 BAND 7

IN IN 8 5
BAND 1 BAND 8 BAND 5 BAND 2

IN 3
IN BAND 3 BAND 6
BAND 2

You can hear a single short delay and a single 2

BAND 5
4
long delay being produced. BAND 2
2
BAND 6
19. Next, try and connect Effect Bands 1 and 2 in a IN
BAND 4
series. 3
BAND 7
4
Press the [EFFECT BAND 2] button, then hold BAND 3
3
the [CONNECT] button and press the [UP] but- BAND 8

ton so that “1” is shown in the display. IN

BAND 1
The output signal of Effect Band 1 (the original
sound mixed with the delay sound) is now sent
to the input of Effect Band 2. Effect Band 1 and Grouping Multiple Effect Bands
Effect Band 2 are now connected in a series.
(GROUP)
IN 1
BAND 1 BAND 2 The Group function makes possible longer delay
times by combining multiple Effect Bands into a
Now you can hear a short delay applied to both single delay circuit.
the original sound and the long delay sound.
21. Let’s try and make a long delay time.
20. Now let’s try and make a complex delay using Recall patch “9.11” and press the [EFFECT
these two Effect Band circuits. BAND 1] button, then use the TIME COARSE
Set the Delay Time of Effect Band 2 to 419msec knob and TIME FINE knob to set the delay time
and increase the FEEDBACK of both Effect to its maximum of “696.”msec.
Bands equally. With the two Effect Bands con-
nected in a series, the delay effect becomes 22. Hold the [GROUP] button and use the [UP] but-
more and more complex as the delay is re- ton to set the parameter to “1-2”.
peated. Try changing Delay Time for each Ef- Now Effect Bands 1 and 2 are combined into a
fect Band to create some other effects. single delay circuit that is referred to as a Group.
* Parallel and series connections can be mixed together. You Notice now that the delay time is longer. Rotate
can also synchronize the modulation between Effect Bands the TIME COARSE knob a little and notice that
(→ page 17) to create a more complex delay effect. the Delay Time shown in the display is “143”
(1430msec). Using this method, you can group
• Example Connections together all 8 Effect Bands (set to “1-8”) to
IN
BAND 1
create a maximum delay of “589” (5890msec).
* When creating a Group, you must first select the Effect
IN
BAND 2 Band that will be at the head of the Group, then assign the
IN Effect Band that is at the end of the Group.
BAND 3
IN
BAND 4
BAND 1 BAND 2
IN 696msec 696msec
BAND 5
IN
BAND 6 Delay Output Delay Output
IN
BAND 7
IN
BAND 8
BAND 1-2
1430msec
IN 1 7
BAND 1 BAND 2 BAND 3~7 BAND 8
Delay Output Delay Output
16
 Using the UD-Stomp

Also, once a Group has been set, you can access in the left channel but not in the right because
any of the outputs from the individual delay units Effect Band 2’s SPEED setting is set to “0.0”.
that make up the group. Try setting the SYNC again.

23. Confirm that Effect Bands 1 and 2 are still com- 26. Hold the [SYNC] button and press the [DOWN]
bined into a Group (1-2) as explained above. button to set the value in the display to “1”. Now
Next, press the [EFFECT BAND 2] button to the modulation in Effect Band 2 is synchronized
switch ON Effect Band 2. Since Effect Bands 1 with the modulation in Effect Band 1.
and 2 the same delay time, two delay sounds, When the modulation is synchronized, the
of the same level, can be heard simultaneously. SPEED knob can be used to create differences
Using the same technique as explained in the in the phase between the synchronized bands.
“Setting the Tap” section (→ page 14) use the Rotating the SPEED knob creates a greater ste-
TAP knob to create a shuffle rhythm. You can reo effect. At this time the modulation speed is
also use the PAN knob to create a ping-pong the same. The difference in their phase can be
delay effect. The difference between the TAP set between greater than 0° and less than 360°.
setting and the previous one is that in this step, Setting the SPEED knob to “5.0” creates a re-
changing the Delay Time lets you alter the verse phase (180°). After setting the SPEED to
tempo of the shuffle rhythm without changing “5.0”, next select Effect Band 1 and rotate the
the rhythm itself. SPEED knob and in this reverse phase condi-
Now press the [EFFECT BAND 1] button and tion, the speed can be changed simultaneously
rotate the TIME FINE knob and listen to what in both left and right sides.
happens.
Patch “9.21” produces a 16-beat type effect Selecting a Wave (WAVE)
that can also be set to different tempos for keep-
ing rhythm. When the delay uses modulation, you can choose
* When Effect Bands are combined into a Group, TIME the wave that is used in the modulation.
COARSE/FINE, FILTER LOW CUT/HIGH CUT and
FEEDBACK knob settings are applied to the lowest num- 27. Recall patch number “9.23”.
bered Effect Band in the Group. The sound in the left channel of this patch os-
cillates. This heavy modulation uses a sine
Syncing Multiple Effect Bands wave. Let’s try changing the wave type.
(SYNC) 28. Select Effect Band 1 then holding the [WAVE]
button, press the [UP]/[DOWN] buttons and
When modulation is used in multiple delays, the
compare the difference between the four waves
SYNC function let’s you sync the modulation speed
described below.
of multiple delay bands.
* The [WAVE] + [UP] buttons select progress through the
24. Recall patch number “9.22” waves in the following order,

This patch uses two Effect Bands; one panned tri → S.UP → S.dn → tri.
The [WAVE] + [DOWN] buttons select Sin.
left the other right and each using a monaural
chorus effect with synchronized modulation. • Sin… .. A sine wave. The pitch goes
In this patch, the modulation of Effect Band 2 is smoothly up and down following
synchronized with Effect Band 1. Let’s switch the curve of a sine wave.
the synchronization OFF in Effect Band 2 and • tri… .. A triangle wave. The pitch jumps
see what happens. up and down.
• S.UP… .. Saw Up. Raises the pitch.
25. Select Effect Band 2 then hold the [SYNC] but- • S.dn… .. Saw Down. Lowers the pitch.
ton and use the [UP] button to set the value in
the display to “2”. This indicates that Effect Band
2 is synchronized with Effect Band 2 and no
longer synchronized to another Effect Band.
In this condition, the modulation can be heard

17
 Using the UD-Stomp

Two modulation waves (sine plus one more) can

Setting the Pan of the Direct Sound
be used at the same time. Press the [EFFECT
BAND 2] button to switch Effect Band 2 ON, The DIRECT PAN knob is used to set the direct
and you’ll hear the sine wave modulation on sound’s position within the stereo field.
the right channel while the other wave type
modulation is heard on the left. 32. With patch number “9.21” still selected, hold
down the [FUNCTION] button and rotate the
DIRECT PAN knob to set the Pan to “L10”.
Setting the Phase (PHASE) The direct sound is heard from the left channel
When mixing the delay sound with the direct sound, only.
the phase can be set to normal or reverse. Mixing * This is effective only when the direct sound and effect sound
are produced from different speakers.
the direct sound with the sound of the delay with its
* The knob’s center (C) position = the center of the stereo
phase reversed is a good way to create an image field. Rotating the knob to the left moves the sound’s posi-
of spaciousness with the sound. tion to the left (L0.0 - L10.) and rotating to the right
moves the sound’s position to the right (r0.0 - r10.).
29. Recall patch number “9.22” * This parameter can be set if an Effect Band is not selected.
After selecting Effect Band 1, hold the [FUNC-
TION] button and the [SYNC] button, and press
Setting the Output Volume
the [UP]/[DOWN] buttons to set either “rEu”
(Reverse: reverse phase) or “nor” (Normal: Use the OUTPUT knob to adjust the UD-Stomp’s
normal phase) and listen to how the sound overall output volume (OUTPUT jack, PHONES
changes. jack).
* The Output volume can be set at anytime, even if an Effect
Band is not selected.
Setting the Effect and Direct
Volume Levels
The EFFECT LEVEL knob is used to set the vol-
ume level of the delay sound. This completes explanation of the UD-
The DIRECT LEVEL knob is used to set the volume Stomp’s Effect Band parameters.
level of the direct sound. Use the knowledge you’ve gained here to cre-
ate your own original effects or edit the pre-
30. Recall patch number “9.21”. set patches.
Set the EFFECT LEVEL knob to “0.0” and the
DIRECT LEVEL knob to “10.0”. Only the di-
rect sound is produced. Any changes you make to a patch are re-
31. Next, set the EFFECT LEVEL knob to “10.0” turned to their original condition when
and the DIRECT LEVEL knob to “0.0”. Now the
another patch is selected. If you want to
delay sound is produced and the direct sound save your changes, please use the Store
is not.
Operation explained on page 21.
These two knobs are used to control the sound
balance between the direct sound and the de-
lay sound.
* The EFFECT LEVEL knob is used to set the level of the
signal that is sent to the connected or grouped Effect
Bands.
* Both the EFFECT LEVEL and DIRECT LEVEL knobs
can also be set when an Effect Band is not selected.

18
Selecting and Saving Patches
■ Try Selecting Another Patch
The UD-Stomp holds a total of 180 patch programs Try selecting some of the different patches and try
(patch) in its internal memory. out some of the different sounds.
The 180 patches are divided into two areas each To select a different patch, use one of the three
containing 10 groups, 3 banks and 3 patches. methods described below.

• AREA ● Using the [UP]/[DOWN] buttons on the

There are two areas, the USER AREA and the panel
PRESET AREA. When the Store operation is • Each time the [UP] button is pressed, the next
used, data in the USER AREA (90 patches) can greater patch number is selected.
be freely rewritten. You can change settings in
the PRESET AREA (90 patches) data but you 011 → 012 → 013 → 021 → 022 →
can not rewrite the contents to the PRESET 023..033 → 111.....933 → 0.11 →
AREA memory. 0.12.....9.33 → 011 (returns to the top)...
When a PRESET AREA patch is selected, a dot Every time the [DOWN] button is pressed, the
will appear to the lower right of the hundred’s next lower patch number is selected.
digit on the display (0.11-9.33) When the dot • Press the [UP] button continuously increases the
is not lit (011-933), it indicates that a patch in group number by one (1).
the USER AREA is selected.
011 → 111 → 211.....911 → 0.11 →
* When the UD-Stomp is shipped from the factory, the same
patch data as found in the PRESET AREA is used in the 1.11 → 2.11.....9.11 → 011 (returns to
USER AREA. Refer to the [Patch List] on the separate the top)...
“Patch List” sheet.
Press the [DOWN] button continuously de-
• GROUP creases the group number by one (1).
The 90 patches in each area are divided into 10
groups (0-9). • Press the [UP] and [DOWN] button simulta-
neously to switch between the USER AREA ↔
• BANK PRESET AREA.
Each group is divided into 3 banks (1-3).
011 ↔ 0.11
• PATCH
Each bank contains 3 patches (1-3).

• Patch Characteristics

19
 Selecting and Saving Patches

● Using the Foot Switch and the Bank ● Using MIDI Control
Switch MIDI program change data transmitted from an ex-
• Press a foot switch (1-3) to select the corre- ternal MIDI device such as the YAMAHA MIDI Foot
sponding patch number 1-3 in the currently se- Controller MFC10, etc. can be used to select patches
lected group/bank. in the UD-Stomp.

• Press and hold the BANK switch until all foot 1. Use a MIDI cable to connect the MIDI IN jack on
switch lamps (1-3) light then remove your foot. the UD-Stomp to the MIDI OUT jack on an ex-
In this condition, the following procedure can be ternal MIDI device.
used. * Make sure to use a MIDI cable that conforms to the MIDI
standard. Also, limit the length of the MIDI cable to 15
1. Hold Foot Switch 1 for more than one second to meters. Use of a long cable may result in trouble such as
switch between the USER AREA ↔ PRESET inferior performance of the device, etc.
AREA.

2. Hold Foot Switch 2 for more than one second to MIDI IN

decrease the group number by a value of one.

3. Hold Foot Switch 3 for more than one second to

increase the group number by a value of one.

4. Press a Foot Switch (1-3) to select the corre- MIDI

OUT
sponding bank number (1-3).

5. When a BANK is selected, the lamp in the dis-

play and foot switch lamp will flash quickly. Press
a Foot Switch (1-3) at this time to select the cor-
responding patch number (1-3).
* To cancel the selected patch, press the BANK switch. It will MFC10, etc
return to the previous condition.

2. Match the UD-Stomp’s MIDI receive channel with

the MIDI transmit channel on the external MIDI
device.
→ page 25 [Set the MIDI Receive Channel]

3. Create a Program Change Table*. (Factory de-

fault → Program Change No : Patch No. = 1:011,
2:012…128:4.12)
→ page 25 [Create a Program Change Table]
* This operation is used to assign patch numbers to a corre-
sponding program change number received from an exter-
nal device. For example, when the program change num-
ber “1” is received, the UD-Stomp’s patch number “113”
is recalled.

4. When program change data is transmitted from

an external MIDI device, the patch is selected
that corresponds to the program change table
you created.
* Refer to the owner’s manual for your external MIDI device
for instructions on how to transmit program change data.

20
 Selecting and Saving Patches

■ Create and Store a Patch

Original settings can be stored in the USER AREA
(011-933). Try creating an original patch and then
store it.

● Storing Procedure
1. Press the [STORE] button.
When you enter the Store Mode, the display, the
[STORE] lamp and the foot switch lamp corre-
sponding to the patch number will flash.

2. Select the patch (group, bank, patch number) to

which you want to store the patch.
Use the same procedure as described in [Try
Selecting Another Patch] (page 19) to select a
patch. You can use the [UP]/[DOWN] buttons, the
foot switches and the BANK switch to select the
patch number. However, you cannot change the
AREA (it can only be assigned to the USER
AREA).

3. After select the patch you want to store your

patch in, hold the [STORE] button.
The store operation is complete when all lamps
light.

* To interrupt the Store operation, quickly press and release

the [STORE] button.
* Utility mode settings are not stored with patch data. As com-
mon settings for all patches, their contents are stored in the
UD-Stomp memory.
* The OUTPUT knob’s setting is not stored with the patch data.
* Data in the USER AREA (011-933) can be stored in an exter-
nal MIDI device. (→ page 26)
* MIDI cannot be received while storing.

This procedure can be used to store original patches

and also used to rearrange the order of patches for
use during live performance.

21
 Convenient Functions
Here are some convenient functions that make using the UD-Stomp easier.

● Use the Footswitch to set the Delay 5. Step on the BANK Footswitch to return to the
Time (Tap Tempo) Play Mode.
With the UD-Stomp you can tap on the Footswitch
to set the Delay Time parameter.

1. Step on and hold the BANK Footswitch until

● Loop Sampling
“tAP” appears in the display. With the UD-Stomp, you can sample a phrase (the
input signal) that will playback in a loop (the phrase
2. Step on Footswitch 1 and select the Effect Band will continue to playback, feedback is unlimited).
to which you want to set the delay time.
1. Step on the BANK Footswitch until “tAP” ap-
Effect Band Number pears in the display.

2. Step on Footswitch 1 and select an Effect Band

that has sufficient delay time required for the
phrase you want to record.
* When multiple delays are combined into a Group, only the
Effect Band at the head of the group can be selected. If the * When multiple Effect Bands are grouped to form a long delay
[EFFECT BAND 1-8] buttons on the panel are used to select time, only the Effect Band at the head of the group can be
any other Effect Band, the Tap Tempo function can not be selected. If the [EFFECT BAND 1-8] buttons on the panel
carried out. are used to select any other Effect Band, the Loop Sampling
function can not be carried out.
3. Use Footswitch 2 to switch the selected Effect
3. Step on and hold Footswitch 2 until “LS.? ” (?=
Band ON/OFF.
the selected Effect Band number) appears in the
* Each Effect Band has two switches, one on the effect input
display.
side, another on the output side, that can be used to switch
the Effect Band ON/OFF. The display flashes and the Loop Sampling func-
tion is in standby mode (maximum delay time,
SW1=OFF, SW2=ON, RAM clear).
Effect Band
SW1 SW2 4. Step on Footswitch 3 (SW1=ON) to start sam-
pling, and release the switch to stop sampling
• When the currently selected Effect Band is set OFF, step- (SW1=OFF, FEEDBACK=10)
ping on Footswitch 2 will switch both SW1 and SW2 ON The delay time is set according to the length of
and the Effect Band will be switched ON (the Footswitch time that the Footswitch is depressed (from when
2 lamp lights).
you step on it until it’s released), and the phrase
• When the currently selected Effect Band is set ON, step-
ping on Footswitch 2 will switch only SW1 OFF (SW2 is you play is recorded while the Footswitch is held
still ON) (the Footswitch 2 lamp flashes). The delay that down. When the Footswitch is released, the
is present up until Footswitch 2 was depressed will con- phrase starts continuous playback.
tinue to sound but the delay circuit will not accept addi-
tional input. * If the length of the sample exceeds the set delay time, the
sample will be ignored.
• When only SW1 in the currently selected Effect Band is
switched OFF, stepping on Footswitch 2 will switch SW1 5. If you want to mix another phrase into the sample,
ON. In this condition both SW1 and SW2 are switched
ON which means that the Effect Band is also ON (the first step and release (quickly) on Footswitch 2
Footswitch 2 lamp lights). (SW1=ON) then add new material on top of your
• To switch the Effect Band OFF, hold the desired [EFFECT previous phrase. Once you are done adding to
BAND 1-8] button on the panel. the loop, step and release (quickly) on Footswitch
2 again (SW1=OFF).
4. Step (tap) on Footswitch 3 in the tempo you want
to set the delay time to. 6. To stop playback of the loop sample, first step
* In step 4, the Delay Time will be rewritten every time the on Footswitch 2 until “LS.? ” appears in the dis-
Footswitch is pressed. play (clear the sample), and the step on the
BANK Footswitch to return to the Play Mode.
22
 Convenient Functions

* If you want to stop loop sample playback temporarily, step ● Controlling the UD-Stomp with an ex-
on the BANK Footswitch to enter the Bypass Mode. To restart
loop sample playback, press the BANK Footswitch again. ternal MIDI device
* The sample loop can also be cleared by setting the FEED- Connect the UD-Stomp’s MIDI IN jack to the MIDI
BACK knob to “0” or using the [EFFECT BAND 1-8] but- OUT jack on an external MIDI device with a MIDI
tons switch the Effect Band OFF. cable to control the UD-Stomp’s parameters (set-
* The preset patches listed below are set for loop sampling. ting values) with an external MIDI device.
9.31 ..... This is the longest loop sampling patch using all 8 → page 24 [External Control Settings]
Effect Bands.
9.32 ..... Effect Bands 1-7 are used for loop sampling. Effect
Band 8 applies delay only to the input sound.
9.33 ..... Effect Bands 1-7 are used for sampling. Effect Band ● Factory Default
8 applies delay to both the loop sample’s sound and To return the UD-Stomp to its factory-preset condi-
the input sound.
tion, hold the buttons [UP] and [UTILITY] and turn
the Power ON ( ). The UD-Stomp will then be re-
set to its factory defaults and all data in the USER
● Copy/Paste Functions AREA will be rewritten with data for the patches listed
These functions are used to copy the parameter’s in the Patch List (on the separate “Patch List” sheet).
value (set with the knobs) on the top panel from
one Effect Band and paste them into another. When the UD-Stomp is reset to its factory
This is convenient when you want to set the same default condition, all data stored in
parameters to a number of Effect Bands. memory is erased. We recommend that any
important data be stored in an external
1. Select the parameters you want to copy. Select MIDI device or that notes be taken of the
an Effect Band set its parameters. settings.
2. Press and hold the [FUNCTION] button and
press the [CONNECT] button (“CPY” appears
in the display). The parameters are copied.

3. Select the Effect Band to which you want to paste

the copied parameters.
Hold the [FUNCTION] button and press the
[GROUP] button (“PSt” appears in the display).
The parameters you copied from the Effect Band
selected in step 1 are now pasted into the Effect
Band selected here.

● Using a foot pedal (Controller)

With a foot controller (Expression Pedal) (optional)
such as the Yamaha FC-7, etc., connected to the
EXP. PEDAL jack you can control the UD-Stomp’s
parameters (setting values) with your foot.
→ page 24 [External Control Settings]

23
 External Control Settings
The ASSIGNABLE CONTROL knob on the top panel can be used to control any one of the
effect’s parameters. You can also use a foot controller (Expression Pedal) (optional) such as
the Yamaha FC-7, etc., connected to the EXP. PEDAL jack or an external MIDI device con-
nected to the MIDI IN jack to control UD-Stomp parameters.
* In this section, some button names have been shortened, for instance [EFFECT BAND 1] button is written as [BAND 1] button.

■ Procedure
1. In the Play Mode, simultaneously press the • Fb1 - Fb8 : FEEDBACK
[FUNCTION] button and the [WAVE] button. • tP1 - tP8 : TAP
Enter the external control setting mode and • SP1 - SP8 : SPEED
“CtL” will appear on the display. • dP1 - dP8 : DEPTH
• Pn1 - Pn8 : PAN
2. Press the [BAND 1] button. • LE1 - LE8 : LEVEL
A control number will appear on the display. • EF.L : EFFECT LEVEL
Use the [UP]/[DOWN] buttons to set the control • di.L : DIRECT LEVEL
number. • di.P : DIRECT PAN
Up to 8 programmed control settings can be as- The controller that was assigned in step 3 can
signed to control numbers 1-8 in the UD-Stomp. be used to control these parameters (setting val-
A separate controller can be used to control each ues).
programmed control setting or a single controller
* The TIME controller listed above alters the delay time be-
can be used to control all control settings sepa- tween 0 and 100% without changing the actual delay time
rately. value that is set with the panel knob, so changes resulting
from the TIME controller will not be saved when the patch
3. Press the [BAND 2] button. is stored.
The controller type will appear in the display. * Controllers other than TIME, change the value of the cor-
responding parameter so when the patch is stored those
Use the [UP]/[DOWN] buttons to set the type of changes will also be saved to memory, rewriting previous
controller. data.

• E.P : Control is by the foot controller con- 5. Press the [BAND 4] button.
nected to the EXP. PEDAL jack. The parameter’s adjustable minimum value (the
• A.C : Control is by the [ASSIGNABLE parameter’s value when the controller is set to
CONTROL] knob on the top panel. its minimum) is shown in the display.

• 1 -31 , 64 -95 : Control is by control Use the [UP]/[DOWN] buttons to set the value.
change data received from an ex-
ternal MIDI device connected to the 6. Press the [BAND 5] button,
MIDI IN jack. Select the control The parameter’s adjustable maximum value (the
change number. (Refer to the parameter’s value when the controller is set to
Owner’s Manual for the external its maximum) is shown in the display.
MIDI device for information in MIDI Use the [UP]/[DOWN] buttons to set the value.
control change numbers.)
7. Press the [FUNCTION] button to return to the
4. Press the [BAND 3] button. Play Mode.
The parameter type will appear in the display.
The number indicates the Effect Band number.
These external control settings are saved
Use the [UP]/[DOWN] buttons to select the pa- with patch data.
rameter to be controlled.
Also, there are other functions not related to
• oFF : off (no control) patch settings that set the Utility Mode’s Ex-
• ti1 - ti8 : TIME (Delay Time) ternal Controller to always ON (active) or set
• LF1 - LF8 : LOW CUT FILTER the External Controller to always OFF (inac-
• HF1 - HF8 : HIGH CUT FILTER tive). (→ page 26)

24
Utility Mode
The Utility Mode is used for settings that cover the overall system of the UD-Stomp such as
the foot switch, MIDI, external control, EXP. pedal jack, etc.
* In this section, some button names have been shortened, for instance [EFFECT BAND 1] button is written as [BAND 1] button.

■ About the Utility Mode ted from the UD-Stomp’s MIDI OUT jack to a con-
trol an external effector, etc. from the UD-Stomp.
When in the Play Mode, press the [UTILITY] button
Assigns to the patch, a MIDI PRG No. that will be
to enter the Utility Mode (the lamp lights).
transmitted when the patch is recalled.
When in the Utility Mode press the [UTILITY] button
* When a patch is recalled with a MIDI program change com-
to return to the Play Mode (the lamp goes off).
mand, MIDI PRG. Numbers can not be transmitted.

When in the Utility Mode MIDI messages can Press the [BAND 3] button to set the UD-Stomp’s
not be received. Use the Play Mode to receive patch number. Just as in selecting a patch in the
MIDI messages. Play Mode, use the [UP]/[DOWN] buttons or the
footswitch.
In the Utility Mode, the three following functions are • 011-933, 0.11-9.33 :
available. Use the [UP]/[DOWN] buttons to select a The patch number to be recalled.
function. Press the [BAND 4] button to set the MIDI PRG No.
• MIDI Functions (mmd) to be transmitted. Use the [UP]/[DOWN] buttons to
• External Control Settings (CtL) select the number.
• EXP. Pedal Settings (E.P) • 1-128 : MIDI Program Change No.

● Set the MIDI Receive Channel

Sets the UD-Stomp’s MIDI Receive Channel.
■ MIDI Functions The MIDI channel set in this step is also used as
the device number for the bulk receive function.
After pressing the [UTILITY] button, use the [UP]/
[DOWN] buttons to select “mmd” in the display. Then Press the [BAND 5] button and use the [UP]/[DOWN]
press the [STORE] button to enter the MIDI Func- buttons to set the MIDI receive channel.
tions Setting Mode. • 1-16 : MIDI channel over which messages are
received.
● Create a MIDI Program Change Receive Table
• ALL : MIDI messages from all channels are
Sets the corresponding patch that will be recalled
received
when a MIDI Program Change No. (referred to as
• oFF : MIDI messages are not received
PRG No. from here on) is received.
Press the [BAND 1] button to set the receiving MIDI ● Set the MIDI Transmit Channel
PRG No. Use the [UP]/[DOWN] buttons to select Sets the UD-Stomp’s MIDI Transmit Channel.
the number. The MIDI channel set in this step is also used as
• 1-128 : MIDI Program Change No. the device number for the bulk out function.
Press the [BAND 2] button to set the UD-Stomp’s Press the [BAND 6] button and use the [UP]/[DOWN]
patch number. Just as in selecting a patch in the buttons to set the MIDI transmit channel.
Play Mode, use the [UP]/[DOWN] buttons or the • 1-16 : MIDI channel over which messages are
footswitch. transmitted.
• 011-933, 0.11-9.33 :
The patch number to be recalled. ● ON/OFF Setting for MIDI Merge
Sets whether or not the MIDI signal that is received
● Create a MIDI Program Change Transmit Table via the UD-Stomp’s MIDI IN jack will also be retrans-
When a footswitch (1-3) is pressed to recall a patch mitted via the MIDI OUT jack.
a MIDI Program Change Number can be transmit-

25
 Utility Mode

Press the [BAND 7] button and use the [UP]/[DOWN] ● About the MIDI Bulk In
buttons to set the merge setting. This operation is used to return data stored in an
• on : Data is retransmitted via the MIDI OUT external MIDI device such as the YAMAHA MDF3,
jack etc., to the UD-Stomp.
• oFF : Data is not retransmitted via the MIDI Use a MIDI cable to connect the MIDI OUT jack on
OUT jack the external MIDI device to the UD-Stomp’s MIDI
* When the merge is on, data retransmitted via the MIDI OUT IN jack.
jack is not confined to the MIDI Receive Channel setting so When Bulk Out data is sent from the external de-
all data from all channels will be transmitted. vice, the UD-Stomp will receive the bulk data.
* Use the UD-Stomp’s Play Mode to receive MIDI Bulk In data.
● MIDI Bulk Out
This operation transmits data stored in the UD-
Stomp’s USER AREA as well as Utility Mode set- When the MIDI Bulk In is carried out, the con-
tents of the patches in the USER AREA will
tings to an external device, such as the YAMAHA
be rewritten.
MDF3, etc., for back up or storage.
Please make sure any important data is saved
Use a MIDI cable to connect the UD-Stomp’s MIDI before carrying out the MIDI Bulk In opera-
OUT jack to the MIDI IN jack of an external MIDI tion.
device.

MIDI ■ External Control Settings

IN Just as described in the “External Control Settings”
section on page 24, these settings can be used to
MIDI control each of the UD-Stomp’s effect parameters
OUT from the ASSIGNABLE CONTROL, a foot control-
ler connected to the EXP. PEDAL jack, or a MIDI
device connected to the MIDI IN jack.

● External Control Operating Mode

MDF3, etc. After pressing the [UTILITY] button, use the [UP]/
[DOWN] buttons to select “CtL” in the display. Next
press the [STORE] button to enter the External Con-
To send all USER AREA data (011-933) plus trol Operation Mode.
Utility settings with the Bulk Out operation. Press the [BAND 1] button and use the [UP]/[DOWN]
Press the [BAND 8] button (“ALL” will appear on buttons to select an Operating Mode for the exter-
the display), then press the [STORE] button to carry nal control.
out the MIDI Bulk Out.
• PrG : The external control setting that is set in
To send a single USER AREA patch (data) with the patch is available.
the Bulk Out operation. • GLb : The external control setting in the Utility
After pressing the [CONNECT] button, select the Mode is always available.
patch number you want to send with the bulk out. • oFF : The external control is always OFF.
Just as in selecting a patch number in the Play
Mode, use the [UP]/[DOWN] buttons or the foot The following five functions can be used when the
switches to select the patch. Operating Mode is set to “GLb”.
After selecting a patch, press the [STORE] button
to carry out the MIDI Bulk Out operation with a single ● Set the External Control Number
patch. Press the [BAND 2] button and use the [UP]/[DOWN]
* After transmitting the data the device will return to the previ- buttons to set a control number (1-8).
ous condition, ready to select another patch number. * Refer to [External Control Settings] (page 24)

26
 Utility Mode

● Set the External Controller Press the [BAND 2] button and use the [UP]/[DOWN]
Press the [BAND 3] button and use the [UP]/[DOWN] buttons to set the position (127-255).
buttons to select the type of controller (EP, 1-31, You can also hold the [BAND 2] button and move
64-95). the EXP Pedal to set the position.
* Refer to [External Control Settings] (page 24) * Due to the relationship between the maximum and minimum
value, a value which results in a practical range (refer to the
● Set the Parameter to be Controlled illustration below) of less than 128 can not be used.
Press the [BAND 4] button and use the [UP]/[DOWN] * The value can not be set greater than that of the EXP Pedal’s
buttons to select the parameter to be controlled Switch Setting.
(ti1-).
* Refer to [External Control Settings] (page 24)

Practical Effective Range

● Set the Parameter’s Minimum Value
(more than 128)
Press the [BAND 5] button and use the [UP]/[DOWN]
Minimum Maximum
buttons to set the parameter’s minimum value (the Value Adjustable
parameter’s value when the controller is set to its Range
minimum: 0.0-10.0). Maximum
Value
* Refer to [External Control Settings] (page 24)

● Set the Parameter’s Maximum Value

Press the [BAND 6] button and use the [UP]/[DOWN]
● Transmitting Control Change Numbers from
buttons to set the parameter’s maximum value (the
the EXP Pedal
parameter’s value when the controller is set to its
Set the MIDI control change number that is to be
maximum: 0.0-10.0).
transmitted when the EXP pedal is used.
* Refer to [External Control Settings] (page 24)
Press the [BAND 3] button and use the [UP]/[DOWN]
buttons to set the control change number.
■ EXP Pedal Settings • oFF : MIDI is not transmitted
These settings are available when the EXP Pedal • 1-32, 64-95 :
“E.P” is selected as the controller in the External Control change number that is to be
Control Settings Section. (→ page 24) transmitted.

After pressing the [UTILITY] button, use the [UP]/

[DOWN] buttons to select “E.P” in the display. Then
press the [STORE] button to enter the EXP Pedal
setting mode.

● Set the Minimum Value of the EXP Pedal

Sets the minimum value that indicates the position
of the EXP Pedal.
Press the [BAND 1] button and use the [UP]/[DOWN]
buttons to set the position (0-128).
You can also hold the [BAND 1] button and move
the EXP Pedal to set the position.
* Due to the relationship between the maximum and minimum
value, a value which results in a practical range (refer to the
illustration below) of less than 128 can not be used.

● Set the Maximum Value of the EXP Pedal

Sets the maximum value that indicates the position
of the EXP Pedal.

27
 Error Messages
If an error occurs during operation, one of the following error message numbers will appear in
the display. Stop operation of the device and follow the proper solution described below.

E 1: MIDI Receive Buffer Full

CAUSE: Too much MIDI data is being received at one time.
SOLUTION: Try reducing the amount of data being sent or, break the data into smaller blocks.

E 2: Communication Error.
CAUSE: An abnormality is detected during MIDI communications.
SOLUTION: Check all connections, etc. and try again.

E 3: Bulk Receive Check Sum Error.

CAUSE: The check sum does not match the received MIDI bulk data.
SOLUTION: Check all connections and data, and try again.

E 4: Bulk Receive Data Abnormality.

CAUSE: An abnormality is detected in the received MIDI bulk data.
SOLUTION: Check all connections and data, and try again.

E 5: Backup Battery Error.

CAUSE: Backup battery power is depleted.
SOLUTION: Continued use of the device will result in the loss of data. Return the device to the
music dealer where you purchased it or, the nearest Yamaha Service center and
have the battery replaced.

Trouble Shooting
No Sound → If an EXP. Pedal is being used to control the
→ Is the power adaptor properly connected? volume, try stepping on the pedal.
→ Is the volume level of the instrument connected
to the INPUT jack turned up?
Turning the Knobs Does Not Change the
→ Are the EFFECT LEVEL knob and the DIRECT
Sound
→ First, rotate the knob until the value in the dis-
LEVEL knob values set to “0”?
play changes and then set. (→ page 13)
→ Is the OUTPUT LEVEL knob value set to “0”?
→ Is an Effect Band selected? After selecting an
→ If an EXP. Pedal is being used to control the
Effect Band with one of the [EFFECT BAND 1-
volume, try stepping on the pedal.
8] buttons, rotate the knob to set. (→ page 13)
No Effect
→ Is the LEVEL knob value set to “0”?
Can Not Transmit MIDI
→ Is the MIDI channel matched with MIDI chan-
→ Is the EFFECT LEVEL knob value set to “0”?
nel on the receiving device? (→ page 25)
→ Is the TIME setting’s value set to “0”?
→ Is the MIDI Merge set to “OFF”? (→ page 25)
→ Is the BYPASS mode switched ON with the
BANK Footswitch (the BANK Footswitch lamp Can Not Receive MIDI
lights)? → Is the UD-Stomp in the Play Mode? Return to
→ Is the effect switched OFF with the Footswitch the Play Mode and try receiving again.
(1, 2, 3) (the lights for the Footswitches are → Is the UD-Stomp’s MIDI channel set to “OFF”?
off)? (→ page 25)
28
Specifications
Digital Section Connections/Jacks
• 8-Band Delay (Delay Time: 696msec max per band) INPUT: Standard Monaural Phone Jack
• Delay Time, Loop Filter (High Cut, Low Cut), Feed- OUTPUT L/MONO, R: Standard Monaural Phone
back, Tap, Pan, Level parameters can be set for Jack
each individual Effect Band. PHONES: Standard Stereo Phone Jack
• Effect Bands can be connected in series or parallel EXP. PEDAL: Standard Stereo Phone Jack
• Effect Bands can be grouped together DIGITAL OUT: COAXIAL (Samplling Rate : 44.1 kHz)
• Maximum delay time (8 bands grouped) is MIDI IN, MIDI OUT: 5 pin DIN
5890msec
• The same number of delay outputs as the num- A/D Converter
ber of delays used in the Group are available. 20 bit + 3 bit Floating
• Tap Tempo Function (Delay Time)
• Loop Sampling Function D/A Converter
• Individual Modulation Settings (Speed, Depth) for 20 bit
each Effect Band are available.
• Two types of modulation waves can be set simul- Sampling Frequency
taneously (Sine + Triangle/Saw Up/Saw Down). 44.1 kHz
• Modulation sync between bands is available.
Memory Allocations
MIDI Functions Preset: 90
Receive: Program Change (Program Change Table User: 90
can be created), Control Change, Bulk In
Transmit: Program Change, Control Change, Bulk Input Level/Impedance
Out, Merge Out (When using preamp bypass)
INPUT HIGH: -25dBm/1MΩ
Controller Switch INPUT LOW: -15dBm/1MΩ
Top Panel
Push Switch x17 Output Level/Impedance
UP, DOWN, UTILITY, STORE, EFFECT BAND OUTPUT L/MONO, R: 0dBm/1kΩ
(1 - 8), CONNECT, GROUP, SYNC, WAVE, PHONES: 0dBm/47Ω (47Ω load)
FUNCTION
Knob x14 Power
ASSIGNABLE CONTROL, TIME COARSE, Exclusive Power Adaptor (AC-10)
TIME FINE, LOW CUT FILTER, HIGH CUT AC Output: AC12V, 1000mA
FILTER, FEEDBACK, DIRECT LEVEL/PAN,
TAP, SPEED, DEPTH, PAN, LEVEL, EFFECT Power Consumption
LEVEL, OUTPUT 15W
Footswitch x4
1, 2, 3, BANK Dimensions (WxHxD)
280x70x184mm (11.0”x2.8”x7.2”)
Rear Panel
STAND-BY ON/OFF, INPUT LOW/HIGH
Weight
Display 2.2kg (4lbs 14oz)
7 Segment LED (3 digit) x1
Push Switch LED x17 Accessories
Foot Switch LED x4 Power Adaptor (AC-10)
Owner’s Manual (this booklet)

* Specifications and design may change without notice.

29
30
YAMAHA [ Modulation Delay] Date:14-Dec-2001
Model UD stomp MIDI Implementation Chart Version : 1.0
+----------------------------------------------------------------------+
: : Transmitted : Recognized : Remarks :
: Function ... : : : :
:-------------------+----------------+----------------+----------------:
:Basic Default : 1 - 16 : 1 - 16, off : memorized :
:Channel Changed : 1 - 16 : 1 - 16, off : :
:-------------------+----------------+----------------+----------------:
: Default : 1,3 : 1,3 : memorized :
:Mode Messages : x : x : :
: Altered : ************** : x : :
:-------------------+----------------+----------------+----------------:
:Note : x : x : :
:Number : True voice: ************** : x : :
:-------------------+----------------+----------------+----------------:
:Velocity Note ON : x : x : :
: Note OFF : x : x : :
:-------------------+----------------+----------------+----------------:
:After Key's : x : x : :
:Touch Ch's : x : x : :
:-------------------+----------------+----------------+----------------:
:Pitch Bender : x : x : :
MIDI Implementation Chart

:-------------------+----------------+----------------+----------------:
: 0 : x : x : :
: 1 - 31 : o : o : :
: 32 - 63 : x : x : :
: 64 - 95 : o : o : :
: Control 95 -127 : x : x : :
: : : : :
: Change : : : :
: : : : :
 : : : : :
: : : : :
: : : : :
: : : : :
: : : : :
:-------------------+----------------+----------------+----------------:
:Prog : o 0 - 127 : o 0 - 127 : :
:Change : True # : ************** : : :
:-------------------+----------------+----------------+----------------:
:System Exclusive : o : o : Bulk Dump :
:-------------------+----------------+----------------+----------------:
:System : Song Pos. : x : x : :
: : Song Sel. : x : x : :
:common : Tune : x : x : :
:-------------------+----------------+----------------+----------------:
:System :Clock : x : x : :
:Real Time :Commands: x : x : :
:-------------------+----------------+----------------+----------------:
:Aux :All Sound OFF: x : x : :
: :Reset All Cntrls : x : x : :
: :Local ON/OFF : x : x : :
: :All Notes OFF: x : x : :
:Mes- :Active Sense : o : x : :
:sages:Reset : x : x : :
:-------------------+----------------+----------------+----------------:
: :
: :
+-------------------+----------------+----------------+----------------+
Mode 1 : OMNI ON, POLY Mode 2 : OMNI ON, MONO o : Yes
Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF, MONO x : No
MIDI Implementation Chart

31
V839860 Printed in Taiwan