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    ii-V-I and Guide Tones

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    Milton Mermikides
    ii - V - I Voice Leading The 'guide tones' in 7th chords are the 3rd and 7th - determining much of the character of the chord. In a ii-V-i progression the guide tones moves in a particularly elegant fashion (indicated) { { { { Motion of 'guide' tones (3rd and 7th) D‹7 G7 w & w ? w w w w CŒ„Š7 w w w A different voicing. D‹7 G7 & w w ? w w w w CŒ„Š7 w w w The motion is similar, but not identical in a 'minor ii-V.' The flat 5 in the ii chord is not technically a guide tone but is inclu

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    ii-V-I and Guide Tones

    Uploaded by

    Milton Mermikides
    843 views1 page
    ii - V - I Voice Leading The 'guide tones' in 7th chords are the 3rd and 7th - determining much of the character of the chord. In a ii-V-i progression the guide tones moves in a particularly elegant fashion (indicated) { { { { Motion of 'guide' tones (3rd and 7th) D‹7 G7 w & w ? w w w w CŒ„Š7 w w w A different voicing. D‹7 G7 & w w ? w w w w CŒ„Š7 w w w The motion is similar, but not identical in a 'minor ii-V.' The flat 5 in the ii chord is not technically a guide tone but is inclu

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    ii-V-I and guide tones

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    ii - V - I Voice Leading The 'guide tones' in 7th chords are the 3rd and 7th - determining much of the character of the chord. In a ii-V-i progression the guide tones moves in a particularly elegant fashion (indicated) { { { { Motion of 'guide' tones (3rd and 7th) D‹7 G7 w & w ? w w w w CŒ„Š7 w w w A different voicing. D‹7 G7 & w w ? w w w w CŒ„Š7 w w w The motion is similar, but not identical in a 'minor ii-V.' The flat 5 in the ii chord is not technically a guide tone but is inclu

    Copyright:

    Attribution Non-Commercial (BY-NC)
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    843 views1 page

    ii-V-I and Guide Tones

    Uploaded by

    Milton Mermikides
    ii - V - I Voice Leading The 'guide tones' in 7th chords are the 3rd and 7th - determining much of the character of the chord. In a ii-V-i progression the guide tones moves in a particularly elegant fashion (indicated) { { { { Motion of 'guide' tones (3rd and 7th) D‹7 G7 w & w ? w w w w CŒ„Š7 w w w A different voicing. D‹7 G7 & w w ? w w w w CŒ„Š7 w w w The motion is similar, but not identical in a 'minor ii-V.' The flat 5 in the ii chord is not technically a guide tone but is inclu

    Copyright:

    Attribution Non-Commercial (BY-NC)
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    of 1

    ii - V - I Voice Leading

    The 'guide tones' in 7th chords are the 3rd and 7th - determining much of the character of the chord.
    In a ii-V-i progression the guide tones moves in a particularly elegant fashion (indicated)

    {
    Motion of 'guide' tones (3rd and 7th)
    D‹7
    G7 CŒ„Š7
    w w w
    & w w w

    ? w w w

    {
    A different voicing.

    D‹7 G7 CŒ„Š7

    & w
    w w
    w w
    w
    ? w w
    w

    The motion is similar, but not identical in a 'minor ii-V.' The flat 5 in the ii chord is not
    technically a guide tone but is included for context

    {
    Motion of 'guide' tones (3rd and 7th)

    D‹7(b5) G7 C‹7
    w w bbw
    & w w w

    ? bw
    w w w

    {
    Motion of 'guide' tones (3rd and 7th)

    D‹7(b5) G7 C‹7

    & ww w
    w bw
    bw
    ? bw
    w w w

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