Chega de Saudade

  
G-7 C7
                
F^ B¨^
     
1
1 2 3 2 2 1

 
1 1 3 1 4 2 1 2 2

 
2 1 2 3 2 2 1

                     
 

8 6 5



10 10 8 11 10 8 8 8 6 8 6 5
10 9 8 9 10 7 6 7 7


4

 
A7àÆ

 
2
A7 D-

     
1
5 EØ
     
3 T

  
2


1 1
 
2 2 1

 
2 1 1 2 2

         
   


6


6 6 8 8 7
7 7 7 7 6 7 6 4 6 7 7 6
5
5

    
E7b9

    
 

4
D-
  
2

 
1 2 1 1 4
1 2 4
9 2 1

      
1

 

        
 
   

13 10 13 13 12 13 12 9 10 12 13
10 10 12 12 12
2

D-

        
EØ

 
A7 A7
    
3

    
3 2 2 3
1 1

2 1 1
13
   
2 1 1 1

 
1

            
 
  

13 9 13 12 12 10 13 13 12 10
11 11 11 10 10 10 1012 10 9 10

D-

           
 
A-7
 

4
E7
    
1 2 2 1 4
1 1 1 4 2
3 2 2
17
   
2


1


3

        
    
 
3



13 13 10 12 10 12 12 12 15 12
10 10 10 12 12 12 13 15 13 13 13

                  
EØ

 
B¨7 2 A7
     
2 1 2 1 1 1 3

1 1 1 1 3


2 3 2 1
21

 
1 1 2 2 2


3 1 1


1


3

    3               
  
 

13 15 13 15 13 12 12 12
13 11 13 11 1311 15 15 15 14 13 14 14 10 12 10 9 10
15 14 14
 3

       
E7b9
   
   
4 4

   
1 1
2 2
D-
 
2 1 1

  
1 4 1 2
25 1

     
1

 
1 2


3 3 1


2 1 3 1 2

 

                    

  

13 13 13 13 10 13 13 12 13 12 9 10 12 15


10 10 10 10 10 15 12
13
14 12 11
13 11
13 11 12

EØ D- D7b9
           
1 3

           
2 3 1 3 1


2


1

1 1 2 3 2 2
1 1 1 1
29 A7 1

       
1 2

 
3

3    
               


15 13 15 13 12 13 9 13 12 12 10 12 10 9 9 10 11 11 10 14 14 17 15 17 15
11 10 10


D-
     
G-7
  
A7

       
1

 
3 3

3 3 2
2 1 1 2
1 1 1
1 1 2
1
33
      

3

            
 
3

   

15 18 18 18 17 15 15 17 15 13 17 17 13 15 13
15 17 15 14 15
4

E7b9 A7

               
 

3 3 2 1

      
1

      
1 1 3 1
2 2 1 1
3 2
37

3 1 3
1 3 1 2 1 3
3 1 1


1

I changed the TAB slightly to what Stochelo usually

plays in this spot (for example on the
"Live at North Sea Jazz" album).


                3         


16 13 13 16 15 13 12 10 12 10 9
15 15 11 10
16 13 13 16 12 11 10 9 12 9
15 12 15

 
A7
  
D-

3

   
1 1

 
39

1

   
1 4


3 2 1 2 1 2

    3      
 

6 8 6 5
8 5
10 6 6 9 10
12
12

   
D^
    
E-7
    
B-7
 
2 2

  
41

1 1 2 2

     
2 3 3 2 2 1 3 1 1


1 1 1 3 2 1

3 3 3

 3   3   3      

   


10 10 12 8
11 11 11 12 12 11 11 9 11 9 8 9 9 7 9 7
9
 5

  
D^

 
A7 G#º

               
45 4

      
3 3

 
1 3 1 1 4 1 4 2 3 1 1 3 2 1 3 1 1 1


1

Notice that the bass is playing

the "wrong" note here. In the
original Jobim version there's
a C#7#9 in this bar and the bass
is playing a C#. Stochelo however
plays a G#dim and the bass
should instead play a D to match.

               
  
   

9
7 7 9 6 7 6 6 6 9 6 7
9 9 6 9 8 7 9 7 6 7 9
8

1 4
4

 
D^ 2 1

 
3

   
B-7
  
1
E-7
 
4 1 1

     
3 3

    
1 1

 
49
   
4 1 1
1

   
2 2 0 1 4

 
3 1 2 0

 
1 3 0 0 2 3 1 2 4


1

   


   
3


  3                        



2 2 5 9 9 7 0
5 3 5 3 2 3 3 3 7 7 10 10 8 0


6 2 2 7 7 7 7 0 6 7 9
4 4 4 7 7 9 9 9 9 9 8 9
5 2 2 7 7 7
0

A7

    

3 4

 
3 4 4 4
B¨-7 1

                   
E7

3 3 1 1

     
1
53

3
3 T

 
1 3 1 1


3 1 1 3 1 3 1 3 1 3 T

   

3

3     

              


6 6 6 10
7 5 7 7 6 6 6 6 6 7 10 12
9 7 9 7 7 9 7 7 9 6 6 6 6 7
9 9 6 6 6 5 7 9
6 5
6

3
3
B-7
      
    
4 4 4 4

        
D^ 1 1 1 4
4
1 1
4
1 E7 3 3
2 4 4 1 2

 
4 1 3

                  
57

 
2 1 1 1 1 2

     

                 
        

14 14 5 5 5 10 14 14 12 12 13 14 15
5 5 5 10 12 12 12 12 14 15
11 11 6 6 6 7 11 11 9
4 4 4 7 9 9 9
5 5 5
5 5 5

B-7 E7
E-7
A-7
                        
4

 
4 4
F#7 D7
   
2 1 1 3 3 1 1 1 4


3 2

               
2
61 1 1 1 2
1
2


1

                     
    

14 13 12 9 12 13 14 12 10 12 12 10 8 10 8 8 10
15 14 13 12 11 11
10 11 9 7 9 9 7 5 7 5 5

G^

  
 
G-6
   
4

     
1 2
65 2 1

  
1 3
3 2


1 1 1 2 3 1 1 2 1 2 1

3
     


   3
          



7 10 6
8 8
9 8 7 8 7 6 7 7
8 5
5
6 5 6 5 5
 7

 B7
     
  
F#7 4

    
1 1 3

 
67 1

    
1


2 4 3 2 1 1 3 1

    
3

   
1


1 2 2 1 3 1 2

3 3

 
          3         3 
 

9 14 8 10 8 7
11 10 7
9 12 8
8 11 9 8 7 7 7 9 7
7 8 9

D% 3 3

    A7àÆ 
4 4


      
A7 2 2

 
4
E7 4
1
T 1

   
1 1
69

                
T

   
3 1 2 2
1

 
1 3 1 1 3 1 1 3 1 1 3

 3  


       3
             
  

10 10 10 10 6 6 6
7 7 7 7 7 7
7 7 6 6 7 7 7 7 6 6 6
6 9 9 7 7 9 7 5 8 5 5 5 7
5 5 5

E7b9
 
    
0

 
D- 3

  
1

             
73 2
2
1 3 2 3 2 1 3 1 3 2


1 1


3 3 2 3 3 3 1 2

fast lick based off dim arpeggio

                     
 

7 12
6 5 6 5 5 9
7 7 7 7 7 7 10
7 7 7 6 6 9
7 7 5 6 7
8

            
D-


    
A7

   
EØ A7

        
1 2 2 2 2 1
77 1 2


2 1 1 1


1

 
3 2 3 2 1
1 1 1 3 1 3 1 1 1

3 3

Lyrical minor II-V-I lick featuring the #9 on A7 (the C) and the maj. 7th on Dm (the C#). A great lick
to pratice in all minor keys!

        
          

3 3



10
11 13 13 11 13 11 14 14 12 14 12 10
12 11 10 9 10 12 11 10 11 10
12 10 12 10 9 10

                 
0
E7 2
D-
 
1
81

1 4 1

 
3 4 2 1 3 3 2

   
1 2 2 1 3 1

 
1 1 2 3 1

 
3

             3         


5 5 7 12
5 6 8 8 6 5 9
7 5 4 7 10
7 7 6 6 9
8 6 7

A-7

 
     
3

         
1 1


83 1 3


2

 
1 3 1 3
1 1 1


2 3 2 2 1 2 1 1 3 3 1 3 1

3
  
     
3

A beautiful minor lick and one of Stochelo's signature phrases. Notice that Stochelo's timing - which is
usually impeccable - is a little off in this video. I corrected the TAB to what Stochelo usually plays.

       
              

3  3


10 12 10 8
10 8 8 10 8 7 10
9 9 9
10 10 7 7 9 10
7 7
8 7 8 7 5 7 8
 9

             
85 B¨7 3
3 1 4 2 2

            
1 1 1 1 1 1 1 3 1 1

 
1 2 3 2 3 4 1 2 1 3 1

3
   
3

A great dominant lick which you should practice in all keys. There are many of these kind of dominant licks
in the TAB of "Artillerie Lourde".

                      

3 3



8 6
6 8 6 5 6 9 6 8 6
7 7
8 7 6 5 6 8 6 5
8 5
6 5 7 5

A7

          
EØ (4) (2) (1)

  
2 (3) (2)

  
1 (4) 2
87 1

    
1 2 (2) (1) 3


1 1 2 1

        
3 3 13 1 2 3 3 1
1 3

 
1 2 1 3 1 1 2 1 3 1 2 1

  
Another great dominant lick. I corrected the picking in the first bar because Stochelo misses some notes.
Again check "Artillerie Lourde" to see this lick in another context.

                              


6 12 10 9
8 11 10 14
6 9 12 10 9 12 15
5 7 8 7 8 7 6 7 12 11 11 14
4 7 13 11 12
4 5

D-

              
 
2

   
2 1 2 3 3

  
1 1 1 1 1


1 3 2

 
89 1

 
2 1
1 3

    
3 1 1 2 1 2 3 1 3


1 1 3 1 3

Excellent filler licks for minor chords. I have changed the placement of the notes a fraction in time to make the lick
more logical and comfortable to play.


                          
 13
 3


12 15 13 15 13 13 12 13 15 16 17
15 15 13 12
14 14 14
15 12 12 14 15
12 12
13 12 13 12 10 12 13
10

       
   

E7b9
         
1 3 1 3
3 1 4 4
91

 
1 1 1

   
1 2 2 3 2


2 1 3 1 3 1 3 1 2

3
  

And yet another dominant lick to practice in all keys!

     3
                  


13 15 13 12 12
12 15 15 12 15 12
12 13 13 13
14 13 12 14 12
13 11
13 11 12 12

EØ D-
   
A7

       
       
           
1 2 D7b9 1 1 1 1 1 2 1 2
93 3 1


2 1 1 3 3
3 2 1 3 3 3 1
1


1 1


3

Typical bossa style Stochelo lick for a minor II-V-I

      3                
 

10 10 11 10
11 13 13 11 13 11 10 10 12
12 11 10 9 12 10 9 9 12 12 12 12 12 10 10
11 14 14 14 14 14 12 12

         
G-7 D-
                     

97 A7 1 1 1 1

 
1 2


3 1 3 3 3 3 3 3
3 3 1 1 3 1 1 1


2 2 1 1


3

                   3  
1/2

 

11 11 11 10
12 9 12 12 10 9 9 12 12 12 12 12 12 10 10 12 12 10 12 10 9 10
12 12 11 11 11 14 14 14 14 14 14 12 12
 11

   
E7b9
   
A7
            
101 1

     
2 2 2 1


3 2 1 3 3 3 1
1


1 4 1 2 1 1 1 2 1
3

If you have trouble with these fast licks (many people do) practice
them slowly with metronome and focus on the notes on the beats
by giving light accents with your pick.

                    

3


11 10
13 12 12 10 12 10 9 9 12 12 10 9
12 9 10 11 12 11 11
13 11 12

        
 
2
A7
 
1
D-

2

    
1 1


1


2 1 1 3
103 3 2 1


1

 
3 2


3 1 1 2 12 1

 

                 



12 15 13 15 13 13 12 13 5


14 15 7
12 15 14
14 15 12
12
13 121312

    

      
E-7 3


D^ 3


B-7

             
1 1
105 1 2 1 4 1 1 2 1 2 3
3


3 1 2 3


2 4 2 1 2 1 2 2 3 1 3 2 1 3 3 1 1 3

3
       3
3
minor arpeggio with
Standard Stochelo lick for maj. 7th chords. added 9
A similar lick in bar 112.
3 3
                          3


1/2

 

12 10 12 10
7 7 9 8 12
6 4 6 4 7 9 9 11 12
7 4 7 8 9 9 9
7 5 4 5 4 10 9 7 9 10
5 7 7
12

A7 D^

          

(2)

   
109 1 2 1 4 1 4
(2)
1 1 4
1 G#º 1 1
4

     
4 3 2 3
1 2

 
2 1 1 1
3 1 1 4 2 1 1 4 2 1


2 3 4 2 1 2 2

3
   
Making music out of the D major scale. Notice Stochelo's
fimgering. This is his personal fingering for playing
descending major scales. Practice thses descending
scales with this fingering in all keys!

     3                           


9 10 9 7 7 4 5
12 10 12 10 8 7 8 10 10 8 7 6 7
9 7 6 4 6
9 7 5 4 6 7 4
7 5 4 5 7 5 4
5 7

   
B-7

D^
 
113 2

        
1 1 3
1 4 2 1 1 3 1 1 1


1 2 1 1 2 1 3 1 3

    
1 1 4 1 1 1 2 1 3 2

          3
3

Great lick for D maj. 7th, even though bar 114 says B-7 this phrase will work fine over two bars of D

3  
                   3      


5 9 7
7 10 7
6 9 6 7 7
4 7 9 7 9 7 6 7
7 5 4 5 9 7
7 5 7 5 4 5 9 8

     
 
    
E-7
   
2 2

   
1

 
3 4 1

 
115 2 2

     
4 1 4 1 1 1


1 2 1 3 3
2 1 1 1


1 3 1 1 1 1

 3 3 3
Practice this minor phrase in all keys!

  
   3                

3 3



7 9 14 12
7 10 8 10 8 7 8 15 12 15 13 12 1312
7 12
8 9 14 12 14 12 11 12
7
 13

 
       
E7 4

 
3 1
117
   
1 1 2


1 1

   
1 2


2 1


1 1 1 3 3


3

B minor arpeggio with added 9

 3            

  

10 14
12 14 12 11 12 12
11 11
12 11 12 11 9 11 12

  
A7

  
B¨-7 4

  
1
119 3

        
2 3 3 1 2 1 3 1 1 1
3 1


3 1 1 2 1 2 1 1 1 2 1 1 2 1

        
     3
3 3

Descending minor arpeggio

    
        3  3          3  


13 9
11
10
11 8 5 7 8 6 7 7 8 7 6 7
8 4 7
9 8 9 8 6 5 6 5 4 5

     
D^
  
          
4

 
121 4

  
1


4

         
3 1 1 1 2 4 1 1
1 1 3 1 3 1 1


3 1 1 1 3 1 1 1 1 1 1 2 3 1

Standard licks for Dmaj. 7. In fast tunes you can fill four bars of major 7th chord if you change the 16ths to 8th notes!

3 
                           


10 7
8 7 6 7 10 7 7 10 8 10 8
9 7 6 7 9 7 6 7 7 7
9 7 6 7 9 7 9 7 8 9
14

E7

   
0
B-7 3

  
1
123
 
1

    
1 2 1 3 3 2


1 3 1

 
2 2

 
Standard dim lick for E7 ending on a harmonic

             


7 12
7 9
7 7 10
9 6 9
9 9 5 6 7

E-7

        F#7
B-7

 
    
D7

2 3
E7
            
1 1
A-7
 
1 3
125

 
3 2 1

  
1 1 1 1 1

  
1 1 3 2


3 1 1 3 3 3 3 1 2 1 3

3 3
    

  
 3     3                    
    

12 12 10 12 10 9 5
12 11 8 10 8 7 7
9 7 6 6 9 9 9 7 6 5 5 5 8
8 11 11 11 9 8 7 7 4 7
6 4 5

G^ G-6

           
   
4
1
4 3 2
1
129
  
1
2


2 3

   
1 1


3 1 3 1 3 1 2 3 1 1 2 1 2 1

3
    
3

Practice these two bars in every key. There are many songs in which you can use these licks (all those
songs with IV to IVm for example)

 
 3    3                


10 7 10 6
8 7 8 7 8
7 9 7 7
9 9 7 8 5
9 8 7 5
6 5 6 5
 15

      
B7

  
F#7 4

       
1 1 3
131 1 1


2 4 3 2 1 1 3 1

        
3


1


1 2 2 1 3 1 2

   3 3

 
          3         3 
 

9 14 8 10 8 7
11 10 7
9 12 8
8 11 9 8 7 7 7 9 7
7 8 9

A7

      
E7 B7
F#7
       
133
 
3
            
3 1

   
1 2 2 2 1 1

  
1 3 1 1 3 1 1 3 1 3 3 3 1 3 2 3 2 1
2


       3
                  3
  

7 7 7 7 7 7 7
7 7 6 9 9 9 8
6 9 9 7 7 9 7 5 8 8 9 8 7 7 9 7
9

3 3 1
3 2
3 3
3


4 1
4

       
4 1


1
E7 1 D¨^ 1
D^
   
C^
 
A7 2 2 2

  
137

 
2 2

   
2

  
3 1 2

    
1 2 2

 
1 3 1 1 3 1 1 4 1 1

      
3   


       3
          

   

3 4 5 9
7 7 7 7 3 4 5 10
7 7 6 4 5 6 9
6 9 9 7 7 9 7 5 8 2 3 4 9
3 4 5 9 9
3 4 5