1932-Βorges-a defense of basilides the false
1932-Βorges-a defense of basilides the false
1932-Βorges-a defense of basilides the false
In about 1905, I knew that the omniscient pages (A to All) of the first volume
of Montaner and Simon's Hispano-American Encyclopedic Dictionary con
tained a small and alarming drawing of a sort of king, with the profiled
head of a rooster, a virile torso with open arms brandishing a shield and a
whip, and the rest merely a coiled tail, which served as a throne. In about
1916, I read an obscure passage in Quevedo: "There was the accursed
Basilides the heresiarch. There was Nicholas of Antioch, Carpocrates and
Cerinthus and the infamous Ebion. Later came Valentin us, he who believed
sea and silence to be the beginning of everything." In about 1923, in Geneva,
I came across some heresiological book in German, and I realized that the
fateful drawing represented a certain miscellaneous god that was horribly
worshiped by the very same Basilides. I also learned what desperate and
admirable men the Gnostics were, and I began to study their passionate
speculations. Later I was able to investigate the scholarly books of Mead (in
the German version: Fragmente eines verschollenen Glaubens, 1902) and
Wolfgang Schultz ( Dokumente der Gnosis, 1910), and the articles by Wilhelm
Bousset in the Encyclopedia Britannica. Today I would like to summarize
and illustrate one of their cosmogonies: precisely that of Basilides the here
siarch. I follow entirely the account given by Irenaeus. I realize that many
doubt its accuracy, but I suspect that this disorganized revision of musty
dreams may in itself be a dream that never inhabited any dreamer. More
over, the Basilidean heresy is quite simple in form. He was born in Alexan
dria, they say a hundred years after the Cross, they say among the Syrians
and the Greeks. Theology, then, was a popular passion.
In the beginning of Basilides' cosmogony there is a God. This divinity
majestically lacks a name, as well as an origin; thus his approximate name,
pater innatus. His medium is the pleroma or plenitude, the inconceivable
museum of Platonic archetypes, intelligible essences, and universals. He is
66 J O RG E L U I S B O R G E S
an immutable God, but from his repose emanated seven subordinate di
vinities who, condescending to action, created and presided over a first
heaven. From this first demiurgic crown came a second, also with angels,
powers, and thrones, and these formed another, lower heaven, which was
the symmetrical duplicate of the first. This second conclave saw itself repro
duced in a third, and that in another below, and so on down to 365. The lord
of the lowest heaven is the God of the Scriptures, and his fraction of di
vinity is nearly zero. He and his angels founded this visible sky, amassed the
immaterial earth on which we are walking, and later apportioned it. Ratio
nal oblivion has erased the precise fables this cosmogony attributes to the
origin of mankind, but the example of other contemporary imaginations
allows us to salvage something, in however vague and speculative a form. In
the fragment published by Hilgenfeld, darkness and light had always coex
isted, unaware of each other, and when they finally saw each other, light
looked and turned away, but darkness, enamored, seized its reflection or
memory, and that was the beginning of mankind. In the similar system of
Satornilus, heaven grants the worker-angels a momentary vision, and man
is fabricated in its likeness, but he drags himself along the ground like a
viper until the Lord, in pity, sends him a spark of his power. What is impor
tant is what is common to these narratives: our rash or guilty improvisation
out of unproductive matter by a deficient divinity. I return to Basilides' his
tory. Cast down by the troublesome angels of the Hebrew God, low hu
manity deserved the pity of the timeless God, who sent it a redeemer. He
was to assume an illusory body, for the flesh degrades. His impassive phan
tasm hung publicly on the cross, but the essence of Christ passed through
the superimposed heavens and was restored to the pleroma. He passed
through them unharmed, for he knew the secret names of their divinities.
"And those who know the truth of this history," concludes the profession of
faith translated by Irenaeus, "will know themselves free of the power of the
princes who built this world. Each heaven has its own name and likewise
each angel and lord and each power of the heaven. He who knows their in
comparable names will pass through them invisibly and safely, as the re
deemer did. And as the Son was not recognized by anyone, neither shall the
Gnostic be. And these mysteries shall not be pronounced, but kept in si
lence. Know them all, that no one shall know thee."
The numeric cosmogony of the beginning degenerates toward the end
into numeric magic: 365 levels of heaven, at 7 powers per heaven, require
the improbable retention of 2,555 oral amulets: a language that the years re
duced to the precious name of the redeemer, which is Caulacau, and to that
A DEFENSE OF B A S I L I D E S T H E FA L S E
•Helen, dolorous daughter of God. That divine filiation does not exhaust the con
nections of her legend to that of Christ. To the latter the followers of Basilides assigned
an insubstantial body; of the tragic queen it was claimed that only her eidolon or sim
ulacrum was carried away to Troy. A beautiful specter redeemed us; another led to bat
tles and Homer. See, for this Helenaic Docetism, Plato's Phaedrus, and Andrew Lang,
Adventures among Books, 237-248.
68 J O RG E L U I S B O RG E S
is predicated in them. Like the grandiose sunsets on the plains, the sky is
passionate and monumental and the earth is poor. That is the justification
for Valentinus' melodramatic cosmogony, which spins an infinite plot of
two supernatural brothers who discover each other, a fallen woman, a pow
erful mock intrigue among the bad angels, and a final marriage. In this
melodrama or serial, the creation of the world is a mere aside. An admirable
idea: the world imagined as an essentially futile process, like a sideways, lost
glimpse of ancient celestial episodes. Creation as a chance act.
The project was heroic; orthodox religious sentiment and theology vio
lently repudiated that possibility. The first creation, for them, was a free and
necessary act of God. The universe, as St. Augustine would have it under
stood, did not begin in time, but rather simultaneously with it-a judgment
which denies all priority to the Creator. Strauss claims as illusory the hy
pothesis of an initial moment, for that would contaminate with temporality
not only the succeeding moments but also the "precedent" of eternity.
In the first centuries of our era, the Gnostics disputed with the Chris
tians. They were annihilated, but we can imagine their possible victory. Had
Alexandria triumphed and not Rome, the bizarre and confused stories that
I have summarized would be coherent, majestic, and ordinary. Lines such as
Navalis' "Life is a sickness of the spirit,"2 or Rimbaud's despairing "True life
is absent; we are not in the world," would fulminate from the canonical
books. Speculations, such as Richter's discarded theory about the stellar ori
gin of life and its chance dissemination on this planet, would know the un
conditional approval of pious laboratories. In any case, what better gift can
we hope for than to be insignificant? What greater glory for a God than to
be absolved of the world?
[1932] [EW]
2That dictum- "Leben ist eine Krankheit des Geistes, ein leidenschaftliches Tun"
owes its diffusion to Carlyle, who emphasized it in his famous article in the Foreign
Review, 1829. Not merely a momentary coincidence, but rather an essential rediscov
ery of the agonies and enlightenments of Gnosticism, is the Prophetic Books of Wil
liam Blake.