Historical Background of Book Conservation
Historical Background of Book Conservation
Historical Background of Book Conservation
Don Etherington
To cite this article: Don Etherington (2007) Historical Background of Book Conservation,
Collection Management, 31:1-2, 21-29, DOI: 10.1300/J105v31n01_02
INTRODUCTION
This paper will outline the milestones of the last forty years within the
field of book conservation and its related field of library preservation. I
would like to dedicate this paper to the late Peter Waters and Paul Banks,
the early seventies, I think Paul Banks, Gary Frost, Carolyn Horton and
I were the only book conservators who were members of the Interna-
tional Institute for Conservation’s (IIC) American Group, the forerun-
ner of the American Institute for Conservation.
In the late sixties and seventies, a number of important research
libraries like the Newberry, Yale, and the New York Public Library began
to develop formal preservation programs. The Newberry established a
policy where a percentage of its book purchasing budget was allocated
for preservation activities, which was very forward-thinking. It is sad
that few other libraries have followed suit.
The New York Public Library established its conservation division
in1972. This was followed by Johns Hopkins University in 1975 through
the efforts of John Dean who established an apprenticeship program in
preservation practices. In 1985 Dean established a new preservation
program at Cornell University. Since that time, Dean has raised over
$15 million in grant funds for its programs–a major success story if
ever there was one. Dean’s work in helping under-developed countries
in their preservation programs is legendary.
The Folger Shakespeare Library has had a book repair program since
1932 but expanded it into a conservation laboratory under Johannes
Hytoft in 1970. Since 1977, Frank Mowery has been the head of the lab,
now considered one of the foremost in the nation with a very active edu-
cational program that attracts interns and conservators from all over the
world.
The New England Document Conservation Center (later renamed the
Northeast Document Conservation Center) opened its doors in 1973 under
the directorship of George Cunha. It would be the first major regional
and cooperative conservation center for books and archives. Cunha had
previously been the Conservator of the Boston Athenaeum Library,
where he wrote the two-volume work entitled Conservation of Library
Materials in 1971. He was a tireless proponent for library preservation
and gave many speeches around the country in an effort to spark interest
in this subject. In that same–albeit more restrained–vein, Peter Waters
and I gave many library and archival preservation workshops in various
parts of the country. It seems to me that the ones held at the University
of California at Santa Cruz were perhaps more influential as many par-
ticipants took the preservation bit at Santa Cruz and ran with it, estab-
lishing successful preservation programs at major libraries through out
the country.
Towards the end of the seventies book and paper conservators were
separating themselves a little more from the preservation librarians by
24 The Changing Book: Transitions In Design, Production, And Preservation
books, given instructions on how to dry them and sent home with an
armful of books. Interestingly, after being dried, all the books were
returned to the Library.
A conference, entitled “Conservation and Disaster Recovery: Interna-
tional Cooperation at the Library of the USSR Academy of Sciences,” was
organized in September of 1990 in Leningrad, inviting conservators,
chemists and librarians to give papers on various aspects of the disaster
and their subsequent research results. One useful product that was
developed specifically for this disaster was the “pizza box.” Developed
by Peter Waters and his son Michael using computer-driven box mak-
ing machinery, custom clamshell boxes were made from corrugated ar-
chival board. The idea being these boxes would add less thickness to the
enclosed book thus minimizing the growth of the overall collection on
the shelf. This was part of the Phased Conservation program within the
overall disaster recovery effort.
During this time, the need for more formal academic training in con-
servation and preservation was recognized by the late Carolyn Harris
and Paul Banks. Over the course of many months, these two organized
and planned what was to become the conservation and preservation pro-
gram at Columbia University. Beginning in 1981, the program was of-
fered under the auspices of Columbia’s School of Library Sciences with
the science segment being taught through New York University’s Insti-
tute of Fine Arts and with Gary Frost conducting the book conservation
training component. The conservation portion of the program took three
years to complete and was intended to train workbench conservators.
The end result of this program would be a Master of Science in Library
Sciences along with an advanced certificate in Library Conservation.
The preservation portion of the program took two years to complete cul-
minating with a Master of Science in Library Sciences as well as an ad-
vanced certificate in Library Preservation Administration. In 1991, The
Columbia University conservation and preservation program relocated
to the University of Texas at Austin.
Simultaneously, one of the more important achievements in book and
paper conservation happened within the newly titled American Institute
for Conservation of Historic and Artistic Works (AIC): the development
of both the Book and Paper Conservation Catalogs and, in particular,
the paper treatment catalog. The Paper Conservation Catalog first came
to being during the 1982 meeting of the Book and Paper Group of the
AIC, held in Milwaukee, Wisconsin. The book treatment and structure
segment is currently being worked on, though slowly.
Don Etherington 27
REFERENCE
Throughout the seventies and eighties a number of major books were published on the
subject of conservation of library materials. Notable amongst these were:
Clapp, Anne F. “Curatorial Care of Works of Art on Paper”; Oberlin, Ohio. Intermuseum
Conservation Association, rev ed. 1973 (New York: Nick Lyons Books, 1987).
Horton, Carolyn, “Cleaning and Preserving Bindings and Related Materials” Chicago:
Library Technology Program, American Library Association, 1967. (2nd edition
revised 1978).
Middleton, Bernard, A History of English Craft Bookbinding Technique Holland Press,
London, 2nd supplemented edition (Originally published: Hafner, 1963; 4th edition
revised, 2000, Oak Knoll Press).
Morrow, Carolyn Clark and Gay Walker “The Preservation Challenge” in “Library
Conservation: Preservation in Perspective,” edited by John P. Baker & Marguerite
C. Soroka, Stroudsburg, PA: Dowden, Hutchinson & Ross (1978).
Don Etherington 29
doi:10.1300/J105v31n01_02