Theory of Music Grade 5
Theory of Music Grade 5
Theory of Music Grade 5
May 2010
Your full name (as on appointment slip). Please use BLOCK CAPITALS.
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________________________________________ ____________________________
Centre
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Instructions to Candidates
1. The time allowed for answering this paper is three (3) hours.
2. Fill in your name and the registration number printed on your appointment slip in the appropriate
spaces on this paper, and on any other sheets that you use.
3. Do not open this paper until you are told to do so.
4. This paper contains seven (7) sections and you should answer all of them.
5. Read each question carefully before answering it. Your answers must be written legibly in the
spaces provided.
6. You are reminded that you are bound by the regulations for written examinations displayed at the
examination centre and listed on page 4 of the current edition of the written examinations syllabus.
In particular, you are reminded that you are not allowed to bring books, music or papers into the
examination room. Bags must be left at the back of the room under the supervision of the invigilator.
7. If you leave the examination room you will not be allowed to return.
1
2
3
4
5
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7
Total
(ANS–05)
May 2010 (A) Grade 5
Example
Name this note:
A * D * CP *
This shows that you think C is the correct answer.
C# * A# * D# *
Cello * Bassoon * Viola *
1.3 Which is the correct grouping of main beats for this bar?
*
* *
6* 3* 8*
2
May 2010 (A) Grade 5
Boxes for
Put a tick (P) in the box next to the correct answer. examiner’s
use only
G# * Ab * Bb *
1.7 Which note is the supertonic of the major key shown by this key signature?
Eb * C * Ab *
*
Imperfect cadence in F major
3
May 2010 (A) Grade 5
2.1 Write a one-octave F melodic minor scale in crotchets ascending then descending.
Use a key signature.
2.2 Write the key signature of the key shown. Then write its one-octave arpeggio in the rhythm
given below:
B major going up then down
— Alfred, Lord Tennyson
Sun - set and even - ing star,
4
May 2010 (A) Grade 5
4.1 Transpose this melody down a perfect 4th. Use a key signature.
Borodin
5.1 Using minims, write out 4-part chords for SATB using the chords shown by the Roman numerals.
Double the root in each case, even if the chord is in first or second inversion.
(G# minor) V (Eb major) iib
6.1 Use notes from the chords shown by the chord symbols to write a tune above the bass line.
Decorate your tune once you have the main harmony notes in place.
p molto legato
5
cresc. dim.
9
p
13
p cresc.
17
p
6
May 2010 (A) Grade 5
Boxes for
examiner’s
use only
7.2 To which related key has this piece modulated by bar 8?____________________________________
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7.5 In which bars are there five notes of a chromatic scale put one after another (treble part)?
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7.6 Bracket ( ) a one-octave scale which begins and ends on the tonic of the home key (bass part).
7.7 Give the numbers of two bars where there are lower chromatic auxiliary notes.________________
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7.8 Name the notes that are unaccented passing notes in bar 19 (treble part, top line)._____________
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