The Great PretenderA Psychobiography of Freddie Mercury
The Great PretenderA Psychobiography of Freddie Mercury
The Great PretenderA Psychobiography of Freddie Mercury
by
Dewald Louw
Bloemfontein
8 February 2017
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Photograph of Freddie Mercury
e1472551231488.jpg
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Acknowledgements
Many people expressed their continuous support throughout this research project. I wish to
Prof Paul Fouché, for introducing me to the intriguing field of psychobiography, as well
as his patience, guidance and optimistic nature as a supervisor that motivated and
Mr Danie Steyl and Dr Jacques Jordaan, for their professional contribution in editing this
thesis.
My parents, Flippie and Maria, my sister, Tania, as well as my life partner, Nicole, for
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Declaration by the Language Editor
08 February 2017
Yours faithfully
J.D.T.D. STEYL
PATran (SATI)
SATI REGISTRATION NUMBER: 1000219
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Declaration by the APA Editor
7 February 2017
Hereby I, Jacques Jordaan (I.D. 7905125022080), confirm that I have APA edited the following
thesis:
Yours sincerely
Dr. J. Jordaan
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Student Declaration
I declare that the mini-dissertation hereby submitted by me for the Magister Artium
(Counselling Psychology) degree at the University of the Free State is my own independent
work and that I have not submitted it previously at another university/faculty. I further cede
08/02/2017
___________________________ ___________________________
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Turnitin Certificate
This work has been evaluated for originality by means of the Turnitin service.
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Table of Contents
Page
Acknowledgements ................................................................................................. ii
vii
1.7 Chapter Summary ..................................................................................... 6
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3.4.1 Stage 1: Basic trust versus basic mistrust (0 to 1 year). ................... 29
3.4.8 Stage 8: Integrity versus despair (65 years and onwards). ............... 40
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3.7 Erikson, Psychobiography, and Applicability of his Theory for the
Study ....................................................................................................... 45
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4.6 History and Trends in Psychobiography ................................................. 62
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5.2.3.1 Cross-cultural differences explained......................................... 75
xii
5.3.1 Ethical considerations explained............................................... 87
xiii
Chapter 7: Findings and Discussion: The Psychosocial Personality Development
7.2 Conceptual Outline to the Presentation and Discussion of Findings .... 109
7.3 Mercury’s Psychosocial Development throughout his Life Span ......... 110
7.3.1 Stage 1: Basic trust versus basic mistrust – Hope (0 to 1 year). .... 110
7.3.2 Stage 2: Autonomy versus shame and doubt – Will (1 to 3 years). 115
7.3.3 Stage 3: Initiative versus Guilt – Purpose (ages 3 to 6). ................ 119
7.3.5 Stage 5: Identity versus role confusion – Fidelity (ages 12 to 18). 127
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7.3.7 Stage 7: Generativity versus stagnation – Care (40 to 65 years). .. 137
8.3 Limitations of the Study and Recommendations for Future Research . 147
8.4 Value of the Study and Recommendations for Future Research .......... 151
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List of Tables
Page
Table 4.1: South African Master’s and Doctoral Level Psychobiographies ......... 66
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Abstract
This study entails a psychobiography of the entertainer, Freddie Mercury (1946 – 1991).
Mercury was known for his theatrical stage persona and fearless expression of his sexuality.
As many other performers, Mercury became the great pretender in front of audiences,
compensating his own inner desires for the satisfaction of his music fans. The workings of the
mind of this musical genius with his multi-layered personality continue to intrigue music
fanatics around the world. The primary aim of this study was to explore and describe the
case psychobiographical research design, Erikson’s theory was employed to uncover and
Mercury was selected as the subject for this study by means of a non-probability purposive
sampling procedure. He was undoubtedly one of the most successful music legends in
entertainment history and was selected as the subject based on the interest value and unique
background during his early years. 24 November 2016 marked the 25th anniversary of
Mercury’s death, and numerous biographers and music historians have captured and celebrated
Freddie Mercury’s life. However, Mercury’s personality development has not been analysed
or documented before. In addition, a psychobiographical approach has not been employed with
regard to Mercury.
the public domain. To assist in uncovering Mercury’s life history, the biographical data were
distinguishable historical life periods were identified, and prominent themes in the biographical
data were identified and extracted for further analysis by using Alexander’s model.
Furthermore, a conceptual matrix that presented the guided analysis and discussion of the
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findings was compiled. The secondary aim of this study was to test the proposed psychosocial
personality development theory and its principles, as stated by Erikson by means of analytical
generalisation.
The findings of this study suggest that Mercury to a large extent navigated through the
second, third and seventh psychosocial stages successfully, while he did not resolve the crises
confronted with in Erikson’s first, fourth, fifth and sixth stages. In addition, the unsuccessful
theory. The study also supports the applicability and relevance of the psychosocial personality
psychobiographical study.
development, psychobiography
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Chapter 1
This chapter provides an introduction and overall orientation to the study. Firstly, the rationale
and problem statement of the study is provided, followed by a discussion of the research aim
and theoretical orientation. Finally, the chapters of this study are highlighted briefly.
This study is a psychobiography of the life of lead vocalist of Queen, Freddie Mercury (1946 –
1991). In an attempt to explore and describe the psychosocial development of Mercury, the
1963, 1964, 1968, 1977) theory was used to explore the psychosocial development of Mercury,
A single-case psychobiographical study across Mercury’s life span was employed as the
(1950, 1963, 1968, 1977) psychosocial personality development theory was utilised to explore
and describe his life. The biographical data that were collected for analysis consisted primarily
media articles and interviews. Next, the rationale and problem statement of the study are
discussed.
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1.3 Rationale and Problem Statement
personality) theory systematically to present and transform a subject’s life into a comprehensive
and illuminating narrative. The intention and questions asked with regard to a psychobiography
are psychological in nature. Thus, the emphasis is on the individual’s inner world and the
influence his or her experiences have on his or her behaviour and functioning (Schultz, 2005).
Celebrities are especially challenging to understand in the 21st century, as traditional and
social media present a sensational view of the individual to their audiences. In addition, stage
performers and vocalists are often characterised only by their music or career achievements,
and in many cases, little is known about the individual’s private life. These high-profile
celebrities are idolised frequently to an extent where an unrealistic picture of them is presented
to the world. Therefore, an in-depth life narrative can bring forth a more accurate understanding
of these superstars and how their life histories inform their daily (or sometimes controversial)
behaviour and functioning. As a result, this approach can portray famous ‘hyped-up’ celebrities
as ordinary human beings who excelled in their profession, without isolating only their strengths
(professional achievements) and weaknesses (often misinterpreted and sold by the media as
sensation).
Schultz (2005) mentioned that psychobiography has progressed slowly, despite promising
expectations, because too few researchers have worked in the field. According to him, most
research psychologists prefer nomothetical (universal) problems and much more rigorous
idiographic in nature. Hurlburt and Knapp (2006) emphasised the importance of balancing
between nomothetic and idiographic approaches for the science of psychology in general.
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Unfortunately such balance has not been maintained, however, and psychobiography, as well
In South Africa, psychobiography has been evolving rapidly over the past few decades,
although it has not reached its full potential (Fouché, 2015). To encourage the ongoing
Niekerk (2010) suggested that interest and passion for the field of active academic social
and African individuals as chosen subjects (Fouché, 2015). Fouché (2015) also argued that an
increase in current celebrities psychobiographies could assist in triggering the interest of the
younger generation in this research field. Psychobiography not only presents logistical and
administrative value, but also provides comprehensive academic benefits for the theoretical
Fouché and Van Niekerk (2010) stated that psychobiography could also contribute to
longitudinal research and theory, amongst others in the fields of health psychology, career
could also benefit from the value of psychobiography by becoming biographers (Elms & Song,
be utilised and applied. In addition, new nomothetic hypotheses could be tested to encourage
approached as a goal in itself, and add to the existing body of psychobiographical research.
on the subject’s significance or interest (Howe, 1997). According to Elms (1994), it is advised
that the subject chooses the researcher and not the other way around. Freddie Mercury was
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selected as the subject for psychobiography because of his significant life story and interest
value. Mercury was a vocalist and stage performer, known for being the frontman of the music
group Queen. Born as Farrokh Bulsara in 1946, he lived in Zanzibar until he was sent to India
to attend boarding school at the age of eight years (Jones, 2012). As an emerging adult, he
moved with his family to England, where his music career catapulted him into stardom.
Mercury was diagnosed with the human immunodeficiency virus (HIV) in 1987 and died from
bronchial pneumonia related to acquired immune deficiency syndrome (AIDS) at the age of 45
in 1991 (Dolezal & Rossacher, 2000). Mercury’s life was characterised by promiscuity,
unstable romantic relationships and a deep desire to soothe his emotional void. A
Ebscohost and Psycinfo) and offline (including biographies such as Freddie Mercury: The
Definitive Biography by Jones, 2012, and Somebody To Love by Richards and Langthorne,
2016) revealed that no psychobiography had been done on Freddie Mercury to date.
The study also sheds some light on psychosocial personality development with regard to the
applicability and relevance of Erikson’s (1950, 1963, 1968, 1977) theory. This study may
contribute to the existing available South African and international psychobiographies and
assist in the further refinement of principles of Erikson’s (1950, 1963, 1968, 1977) theory.
The primary aim of this study was to explore and describe the psychosocial development of
Freddie Mercury. The study specifically analysed and described Mercury’s psychosocial
functioning. Noteworthy is that this study did not attempt to generalise the findings to a greater
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population through statistical generalisation. Instead, the secondary aim that guided this study
was to test the principles of the psychosocial theory by means of analytical generalisation (Yin,
2014). This entails that the research findings were compared solely to the proposed expected
outcomes of Erikson’s (1950, 1963, 1968, 1977) theory utilised in this study. To facilitate this
comparison, a dialogue was created between the exploratory-descriptive findings and the
applied theoretical principles and propositions of Erikson’s theory of development. In the next
Erikson’s (1950, 1963, 1968, 1977) psychosocial theory was employed to explore and describe
Mercury’s psychosocial personality development. Erikson (1950, 1963, 1968, 1977) proposed
“fundamental plan” (Erikson, 1963, p. 65) and unfolds chronologically in eight stages, while
the individual is confronted with societal demands in each stage. The individual’s personality
develops and acquires ego strengths as he or she successfully integrates the opposing forces
confronted with in each stage and navigates the psychosocial stage successfully. According to
Erikson (1950, 1963, 1968, 1977), if integration fails during early stages, it will affect the
following section.
This study consists of eight chapters. The first chapter overviews the introduction and the
problem statement. Chapters 2 to 4 are discussions with regard to literature review. A concise
but thorough historical description of the most important aspects of Freddie Mercury’s life is
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provided in Chapter 2. This is followed by a comprehensive discussion of Erikson’s (1950,
detailed discussion of the preliminary methodological and ethical considerations with regard to
the psychobiographical approach. Chapter 6 focuses on the research design and methodology
of this study.
Chapter 7 presents the results and findings related to Mercury’s psychosocial personality
development. Chapter 8 provides a conclusion of the study and a discussion of the limitations,
value of the study, and recommendations for future research. In conclusion, the researcher’s
This chapter has given the reader a general orientation to the study, including the rationale and
problem statement. In addition, the research aim and the theoretical orientation of the study
have been presented. This introductory chapter has also given an outline of the chapters of the
study that follow. Chapter 2 provides a concise historical overview of Freddie Mercury’s life.
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Chapter 2
In this chapter, a thorough historical overview is provided of the life of Freddie Mercury,
presented over six historical periods ranging from his birth in 1946 until his death in 1991. In
addition, the major themes and events in each of these periods are also incorporated.
Six periods of development are revealed in the literature review on the life of Freddie Mercury.
These six periods are categorised according to Mercury’s physical location during his early
years (Zanzibar, India and England), as well as significant life events occurring during
adulthood (his career development, identity expression, and HIV diagnosis). These periods,
although distinguishable, are also interrelated, and combine the salient biographical
Farrokh Bulsara was born on 5 September 1946 in Zanzibar, Tanzania (Jones, 2012). Bulsara
was the family’s first-born son and a healthy boy, weighing 3.1 kg (Dolezal & Rossacher,
2000). Jones (2012) mentioned that his parents, father Bomi Bulsara and mother Jer Bulsara,
named him Farrokh, which was one of the limited options available in their Parsee religion.
The Parsees were modern adherents from the monotheistic Zoroastrian faith, who immigrated
to India to avoid religious persecution by the Muslims. Orthodox Zoroastrians support the
suppression of homosexuality, declaring it as not only sinful, but also devil worship (Jones,
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2012). Farrokh grew up in a spacious stone-stained flat, overlooking the sea (Jackson, 2012).
Jones (2012) classified the family as one with middle to high socio-economic status, as both
parents worked for the local British government. The Bulsara household had servants who
maintained the residence and assisted looking after the children, while both parents regularly
attended work and social events (Dolezal & Rossacher, 2000). Bulsara was cared for primarily
by his nanny and his niece during this time (Jones, 2012). As a child, he received neither much
corporal punishment nor much affection from his parents, who were always busy (Dolezal &
Rossacher, 2000). Young Bulsara first encountered the world of fame during his first year,
when his baby photo won the local “Photo of the Year” competition (Jones, 2012).
In 1951, at the age of five, Bulsara went to the Zanzibar Missionary School (Szabelski,
2012). There he was taught by Anglican nuns and reportedly enjoyed painting and drawing
(Jackson, 2012). According to Jones (2012), Bulsara was painfully shy and developed the
ability to be very precise with regard to his schoolwork and artwork. His mother and sister
remember him as a child who enjoyed listening to a variety of music, including British artists.
According to Bulsara’s sister, Kashmira Bulsara, Zanzibar was not very exciting for children,
as there were few activities to keep them busy (Jones, 2012). Bulsara walked to school every
day and enjoyed visiting the harbour where ships, filled with spices, left the docks for the big
ocean (Dolezal & Rossacher, 2000). Jones (2012) noted that Bulsara grew up in an environment
where he was allowed to explore the streets, rub shoulders with the local fishermen, and keep
himself busy by drawing or painting. During his time in Zanzibar, Bulsara was well aware of
the rigid religious constraints regarding homosexuality, while Tanzanian laws supported the
suppression of sexual acts between same-sex individuals (Dolezal & Rossacher, 2000). As a
young boy, he was ceremoniously accepted into the Zoroastrian faith by undertaking a cleansing
bath, symbolising clarification of mind and soul (Jones, 2012). During later years, Bulsara
recalled his time in Zanzibar as calm and peaceful (Freestone & Evans, 2001). He would often
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escape to the tranquillity of Zanzibar in his own mind, especially when he felt overwhelmed by
Jones (2012) noted that educational services for boys were not of a high standard in Zanzibar.
Bulsara’s parents sent the eight-year-old boy to a boarding school in India. On 14 February
1955, he enrolled at the St Peter’s Church of England School in Panchgani, in the Indian state
of Maharashtra (Dolezal & Rossacher, 2000). According to Jones (2012), Bulsara’s journey
from Zanzibar to Panchgani included eight weeks of travelling by ship and bus. During these
travels, Bulsara experienced homesickness. He worried about his sister’s emotional well-being,
as she was severely distressed when he had to leave Zanzibar. In addition, Bulsara was anxious
about what awaited him in India. Bulsara saw his parents only once a year, and his relationship
with them grew distant (Szabelski, 2012). During his first few years in India, he felt alone and
harboured deep resentment towards his parents for sending him away (Dolezal & Rossacher,
2000). As he recalled during later interviews, he viewed himself as “a bit clingy” and cried
himself to sleep at night (Jones, 2012, p. 45). During this time, seeking for solace, Bulsara
befriended three other boys in the school. They became inseparable and slept close to each
other in the dormitory (Dolezal & Rossacher, 2000). During the school’s half-term breaks,
Bulsara preferred visiting his maternal aunts in India, instead of his parents and sister in
Zanzibar (Jackson, 2012). Reportedly, Bulsara was very hesitant to talk about his Zanzibar
background and African roots (Jones, 2012). According to Jones (2012), Bulsara’s peers and
schoolteachers struggled to pronounce his name the traditional Persian way. They quickly
adopted a more Western approach and began calling him Freddie, a change in identity Bulsara
gladly welcomed.
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During his time in Panchgani, where Bulsara observed poverty for the first time, he came to
the realisation how privileged he was (Thomas, 2012). According to Jones (2012), the St
Peter’s Church of England School was known for its authoritarian and rigid discipline. Only
cold water was available for baths, and although all faiths were respected, attendance of Sunday
Catholic ceremonies was compulsory. Bulsara was a shy boy and quickly realised that he would
have to hold his own and stand up to the school bullies, which at first proved to be a steep
learning curve for him (Dolezal & Rossacher, 2000). Other boys easily bullied him, and he
occasionally was caught up in fights with them. Bulsara was punished by cutting his hair short,
something that devastated him (Jackson, 2012). At the age of 10, he began to display an aloof
streak (Jones, 2012). Jones (2012) mentioned that Bulsara was not a team player and preferred
one-to-one activities, like table tennis, chess, and drawing. His favourite subject was art and
he would spend his spare time sketching and painting pictures for his aunt and grandparents in
Bombay. He also took on piano lessons and sang in the choir (Thomas, 2012). Bulsara excelled
in everything he did. He was the table tennis champion of the school. At the age of 12, he won
the Junior All-rounder award, and in the following year received the prize for Academic
During the 1950s and 1960s, Bombay enjoyed a cosmopolitan shift when Eastern cultures met
with Western influences (Jones, 2012). This allowed Western pop and rock music to take hold
in India. Bulsara enjoyed the exposure to classical music while studying the piano, but adored
the contemporary styles even more (Dolezal & Rossacher, 2000). He would often play the lead
roles in school musicals and was known for portraying several female characters on stage
(Jones, 2012). Bulsara formed his first band, called The Hectics, and the boys started
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performing at school concerts (Jackson, 2012). The shy boy came out of his shell behind the
keyboard as he thrived on the attention he received during performances on stage (Jones, 2012).
During adolescence, Bulsara became aware of his imperfections. His nickname was
“Bucky” because of his protruding teeth (Jones, 2012, p. 48). Janet Smith, one of the school’s
teachers, described Bulsara as “extremely polite and generous” and mentioned that he had the
habit of calling everyone “darling” (Jones, 2012, p. 49). According to Smith, that gave her a
clear indication that Bulsara was homosexual. Nevertheless, Bulsara was attracted to Gita
Bharucha, a local 15-year-old girl he met when the neighbouring girl’s school joined them for
choir practice (Jones, 2012). Although it is rumoured that Bulsara was sexually active from the
age of 14, Bharucha denies and strongly doubts these claims (Jones, 2012). According to
Bharucha, she and Bulsara were particularly close, but not serious; they would hold hands, but
During Bulsara’s Grade 10 year, he lost interest in his studies and failed his last examination
(Dolezal & Rossacher, 2000). He left for Zanzibar in 1963 and finished his last two school
years at the Roman Catholic St. Joseph's Convent School (Jones, 2012). Back in Zanzibar,
Bulsara referred to himself as British and did not desire to return to India (Thomas, 2012). A
former local policeman, Bonzo Fernandez, remembered Bulsara as a good cricket player and
someone who always dressed smartly (Jones, 2012). During his adolescence spent in Zanzibar,
Bulsara and friends enjoyed swimming in the ocean and cycling around the island (Jones, 2012).
In 1964, during the Zanzibar Revolution, the Bulsara family feared for their safety and fled to
Feltham Middlesex, London. Jones (2012) mentioned that Zanzibar would have been too
constraining for a restless spirit like Bulsara. Bomi Bulsara, his father, had a British passport
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and got a job as a cashier in England (Dolezal & Rossacher, 2000). Bulsara, then 18 years old,
was still financially dependent on his parents in London. According to Thomas (2012), if
Bulsara had a choice, he would have been born only at 21 years of age in London. Bulsara
enjoyed the anonymity of the city and the diversity of individuals who all dressed differently
(Brooks & Lupton, 2008). This gave him the courage to grow out his hair. He was motivated
and determined to succeed on his own. During his first few months in London, he set up a
second-hand clothing store and worked in a container warehouse at London Heathrow Airport
(Jones, 2012). Bulsara’s co-workers frequently teased him for his feminine hands and
flamboyant persona, to which he responded that he actually was a musician (Jones, 2012).
Jer Bulsara wanted her son to be a lawyer, but he was determined to become a professional
illustrator instead (Jackson, 2012). According to Jones (2012), Bulsara studied at Isleworth
Polytechnic School from 1964 until 1966, when he attained an A-level qualification in Art. He
then joined the Ealing College of Art in 1966 to study graphic design and illustration and
graduated with a diploma at the age of 23. Art school taught Bulsara to become very fashion
conscious, and he would spend hours in front of the mirror (Jones, 2012). He lived like a gypsy
and idolised American rock artist Jimi Hendrix’s flamboyance and sense for fashion. These
new influences caused Bulsara to become restless and rebellious, as he strived to be a step ahead
Bulsara was a fan of several local music bands and would follow them to performances,
enjoying their music (Jones, 2012). After the lead singer of the band Smile had left, Bulsara
joined the remaining members, Brian May on guitar and Roger Taylor on the drums (Jones,
2012). Bulsara was open to experiment and enjoyed the unique identity every band member
had. In 1970, Bulsara announced to May and Roger that he had decided to change his surname
to Mercury, a reference to “God to the fans” (Jones, 2012, p. 84). Later, May stated that the
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old Bulsara was still present, but he would present himself to the public as this god (Jones,
2012). Bulsara, now Mercury, would offer numerous suggestions to the band to reinvent their
style and recommended they adopt a much more theatrical approach (Dolezal & Rossacher,
2000). The band changed their name to Queen, an attempt to avoid any known connotations,
which allowed them the necessary creative freedom (Jones, 2012). However, Mercury admired
the regal quality of the name and was well aware of the homosexual association attached to it
(Jones, 2012). In addition, John Deacon joined the band as bassist in the early 1970s. Queen
would continue to become one of the greatest musical groups of the 20th century, with 18
number one albums and estimated record sales of 300 million copies (Queen, 2016).
May noted that Mercury’s attention span was extremely short, as he could not focus on a
task for longer than 90 minutes without experiencing boredom (Dolezal & Rossacher, 2000).
He had a permanent restlessness inside him. According to Jones (2012), Mercury was
impulsive and constantly had to be active, do something, or seek out excitement, often
channelling a childish energy. During later years, as the band grew more successful, Mercury
would go on lavishing shopping sprees, admitting that it made him feel good (Jones, 2012).
Mercury experienced immense boredom while standing next to the rest of the band on-stage.
Therefore, he decided to take on a more central position in front of the band, where he could
have freedom to perform and project his energy into the audience (Brooks & Lupton, 2008).
Mercury stated his desire to be seen and, referring to his strut when walking on stage, claimed,
Mercury enjoyed the different layers of his personality and found his own camp and
flamboyant persona amusing (Brooks & Lupton, 2008). He projected supreme confidence on
stage, as the lights and movement disguised his dark eyes and imperfect teeth (Dolezal &
Rossacher, 2000). David Freestone, Mercury’s personal assistant from 1979 until 1991, noted
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that Mercury felt compelled to go out and act in a way that would entertain people (Freestone
& Evans, 2001). However, Mercury was a fish out of water when not performing. May recalled
that his shyness got the better of him when he had to talk to fans after performances (Jones,
2012). Mercury was painfully self-conscious about his lack of height, teeth, skin, and whispery,
lisped voice (Jones, 2012). Freestone and Evans (2001) remembered Mercury as someone who
desired to blend into the background and felt safe only when entering a crowded room
Mercury’s sexuality was questioned and a topic of debate throughout his career. Until the
1970s, Mercury dated women, but had a passion for meeting men (Jones, 2012). Although he
was interested in men, the insecure Mercury never had the confidence to act upon it (Thomas,
2012). According to some, Mercury considered himself heterosexual until his middle 20s
(Jones, 2012). He was afraid of the possibility of being homosexual and especially the
disappointment and shock it would bring to his parents and sister (Thomas, 2012). Until his
death, he never openly spoke to his family about his sexual preferences (Dolezal & Rossacher,
2000). According to Jones (2012), Mercury created a bold theatrical stage persona, which
allowed him to express his true self without feeling exposed and vulnerable. However, in his
private capacity, friends often noticed Mercury being self-conscious, retreating in his shell and
at times even coming across as being depressed (Freestone & Evans, 2001).
Mercury met Mary Austin in the early 1970s (Jackson, 2012). Jones (2012) noted that Austin
was a shy girl coming from a poor background. Mercury mentioned that he had a very special
emotional bond with Austin and would refer to her as the love of his life (Jones, 2012). They
had many things in common: Both were estranged by their parents and both had “tip of the
iceberg” personalities that tended to reveal little of their true selves (Jones, 2012, p. 91). Some
refer to Austin as the mother figure in Mercury’s life (Dolezal & Rossacher, 2000). Austin was
14
shy and soft spoken and presented a stable temperament that Mercury desired in himself (Jones,
mother (Jones, 2012). She was highly sexual but accepted his living a promiscuous lifestyle
separate from her, and she always waited patiently for his return (Jones, 2012). Mercury had
an honest transparent relationship with Austin, something he never had with his own biological
mother. Their sexual relationship lasted six years before they decided to move in together.
Mercury promised Austin that he would one day marry her, and his parents wanted Austin to
be the mother of his children. However, Austin noticed that Mercury was uncomfortable with
himself. Governing his conflicting needs has taken its toll on Mercury (Freestone & Evans,
2001). During Christmas in 1976, Mercury gathered the courage to tell Austin that he was
bisexual, which she denied, responding to Mercury that he was actually homosexual (Jones,
2012). Austin supported his homosexuality, as she was fascinated by seeing him at peace.
Austin and Mercury continued their close emotional relationship, but she allowed Mercury to
date and have sexual encounters with other men. According to Hallstron, Mercury would
always feel guilty for letting Austin down, and compensated by taking care of her financially
and making sure she would never have to work a day in her life, even after his death. Mercury’s
feelings of guilt toward Austin fuelled his creativity – in essence, he needed her to be successful
One of Queen’s greatest hit songs, Bohemian Rhapsody, a musical masterpiece of 5 minutes
and 57 seconds, was written by Mercury and released in 1975 (Thomas, 2012). Freestone,
his homosexuality (Jones, 2012). According to Freestone, Mercury used Bohemian Rhapsody
15
to say goodbye to his old version and come to terms with his homosexuality, also
From 1975 onwards, Mercury dated several men and women, progressing from one
relationship to the other (Jackson, 2012). Mercury, then in his 30s, still perceived his sexuality
as something private, and never made it public. He enjoyed keeping the public and media in
suspense, often portraying himself as mysterious to keep their interest in him (Jones, 2012).
Responding to journalists questioning his sexuality, Mercury said, “I sleep with men, woman,
cats – you name it! I’ll go to bed with anything! My bed is so huge, I can comfortably sleep
six. I prefer my sex without any involvement!” (Jones, 2012, p. 314). Mercury would be
energised and intrigued by partners who challenged him. Freestone and Evans (2001) noted
that these interpersonal conflicts brought excitement for Mercury and fuelled his creativity.
Mercury said, “I generate a lot of friction, I'm not the easiest person to have a relationship
with. I try too hard. In one way I am greedy, I just want it all my own way. I demand a lot,
During the late 1970s, Mercury decided to update his look and adapt his image for the new
decade (Jones, 2012). He adopted an image dominated by leather trousers and jackets, which
were perceived as much harder than before. He did not want to dress “crazily” anymore, and
felt that the world had changed, demanding an image more casual and direct. In the early 1980s,
16
Mercury changed his image again, adopting a fashion statement known as the clone look. It
involved a moustache (speculated to cover Mercury’s teeth), closely cropped hair, a muscular
upper body, and tight-fitting denim jeans (Thomas, 2012). The clone look was a well-known
homosexual identity that portrayed the idealised working-class man in the 1970s and 1980s
(Jackson, 2012).
During the period of 1975 to 1985, Mercury became rebellious and enjoyed hosting big
parties and frequently visiting gay clubs around New York, Munich, and London (Thomas,
2012). Sexually transmitted diseases were not taken seriously by the public during this time
and only became a public concern in the 1980s. According to Jones (2012), BBC disc jockey
Paul Gambaccini recounted running into Mercury at a London club one night in 1984. In a film
documentary directed by Thomas (2012), Gambaccini asked Mercury if AIDS had changed his
attitude about free-ranging sex, to which Mercury replied, "Darling, my attitude is 'fuck it'. I'm
doing everything with everybody". Mercury would frequently meet men during his parties and
have sexual encounters with them. At one stage, Mercury dated Winnie Kirchburger, Barbara
and Jim Hutton, and would have sexual encounters with all three partners simultaneously in
one bed (Jones, 2012). During social events, Mercury and his partners would use cocaine to
create an instant high and enhance his libido. According to Jim Hutton, Mercury’s boyfriend
from 1983 to 1991, Mercury never became addicted to cocaine, and stopped using it easily if
he wanted to (Dolezal & Rossacher, 2000). Despite his promiscuous behaviour, he did not trust
people easily (Jones, 2012). He exhibited true emotional connection solely with friends he
could really trust, including Austin, Freestone, and Hutton (Freestone & Evans, 2001). Mercury
Excess is a part of my nature, dullness is a disease. I'm definitely a sexual person. I love to
surround myself with strange and interesting people - make me feel me more alive. Straight
17
people bore me - I like freaky people. My nature, I'm restless and highly strung. Deep down
I'm a really emotional person, a person with a lot of extremes. That's often distractive both
Mercury started dating an Austrian actress, Barbara Valentin, in the early 1980s (Dolezal &
Rossacher, 2000). Valentin was known for her big breasts and strong personality (Jones, 2012).
Mercury and Valentin shared similar status and fame. According to Valentin, Mercury never
viewed homosexuality as something driven by biological influences, but rather perceived being
gay as a choice. She noted that being gay was a role Mercury preferred to play, that was exciting
and seen by him as forbidden fruit. Nevertheless, Valentin mentioned that Mercury admitted
to her that his parents would never have accepted his being gay (Jones, 2012).
Mercury was known for being a painstaking perfectionist, often throwing tantrums directed
at his fellow band members or management to demand he got his way (Freestone & Evans,
2001). During the recording of Another One Bites the Dust, Mercury was so into the music and
committed to perfect the vocal take that he sang until his vocal chords started bleeding (Jones,
2012). In addition to having terrible mood swings, he also had a great fear of flying or riding
It is unclear when Mercury officially found out he was HIV positive (Jones, 2012). Tests in the
early 1980s were still unreliable, and multiple HIV testing had to be conducted to obtain a clear
diagnosis. Some close colleagues speculated that Mercury already could have known in 1983,
although no evidence is on record that Mercury was tested at the time (Jones, 2012). May noted
that Mercury showed symptoms during Queen’s controversial concert tour in Sun City, South
Africa (Thomas, 2012). Mercury had a lingering throat infection that caused him to lose his
18
voice, resulting in several performances being cancelled. Some friends thought he had a liver
Mercury started the recordings of his first solo album in Munich during 1983, when producer
Reinhold Mack noted how Mercury enjoyed staying in a house where everyone felt like family
to him (Thomas, 2012). According to Mack, Mercury never experienced being part of a close
family as a child. In 1984, Mercury released his first solo single, Love Kills, which would be
followed up by the release of his first solo album in 1985, Mr Bad Guy. Mercury named the
album that after telling journalists that he was Mr Bad Guy (Jones, 2012). The album did not
sell, and Mercury’s record label viewed it as a failure. Very disappointed in his first solo
According to Hutton, Mercury was diagnosed with HIV in 1987, although Mercury still denied
any health-related concerns to the media (Thomas, 2012). Hutton mentioned that Mercury was
not ashamed of contracting the virus, but rather annoyed by the stigma attached to it (Jones,
2012). Mercury got tired of the rock and roll style and found it more challenging to present his
Mercury’s version of The Great Pretender was released in 1987. Although not his final
recording, many acknowledged it as Mercury’s farewell song, as the music video portrayed a
summary of his career with referrals to Mercury’s previous recordings, costumes, and fashion
statements (Thomas, 2012). The Great Pretender and Bohemian Rhapsody stand as a testament
to the tormented soul behind the rock star (Jones, 2012). Mercury associated closely with the
lyrics of The Great Pretender, stating that his career was just an act:
19
I'm lonely but no one can tell”
According to Taylor, Mercury was obsessed with classical music and operas, and had great
admiration for the Spanish soprano Montserrat Caballé (Dolezal & Rossacher, 2000).
Freestone went to numerous operas with Mercury and recalled how fascinated Mercury was
with the vocal control classical singers exhibited (Thomas, 2012). Freestone noted how nervous
Mercury was the first time he met Caballé; he was chain smoking one cigarette after another
(Freestone & Evans, 2001). According to Tim Rice, Mercury viewed Caballé as the best
vocalist in the world (Jones, 2012). Rice believed it was one way of Freddie having love for
women which he could really express and indulge in (Thomas, 2012). May stated that the
classical music style was not something that Queen would allow Mercury to experiment with
(Thomas, 2012). Not knowing much about the classical genre, Mercury composed music for
him and Caballé on the piano, which gave him some control over the process, as he felt
competent in playing the piano (Dolezal & Rossacher, 2000). Knowing his HIV status, he was
motivated to work hard and produce a successful album, according to Freestone (Freestone &
Evans, 2001). Mercury’s duet album with Caballé was released in 1987, including the hit single
By 1987, at the age of 41, Mercury’s health deteriorated and his symptoms progressed
(Jones, 2012). According to Jones (2012), he completely lost his libido and stopped having
sex. Mercury said, “I lived for sex. I was extremely promiscuous, but AIDS changed my life"
(Jones, 2012, p. 301). Mercury developed sores all over his body, including on his right foot,
making it more challenging for him to walk (Thomas, 2012). He retreated from the public eye
and indulged in renovating his house in Kensington, named Garden Lodge (Jones, 2012).
Freestone recalled how much Mercury enjoyed renovating his properties and stated that he
20
wanted to leave behind his own little piece of paradise (Freestone & Evans, 2001). Mercury
adored cats and sought comfort in them as his illness progressed (Jones, 2012). In 1988, Queen
started working on their next album, and Mercury was committed to continue as usual. He
officially told the other band members about his illness, but demanded that he would like to
continue working until he dropped dead (Thomas, 2012). May noted that Mercury worked
tirelessly in the studio and wanted to leave as much behind as he could (Dolezal & Rossacher,
2000). Hutton said, “Working helped him to have the courage to face his illness. If he didn't
have the music, he wouldn't have lasted." (Jones, 2012, p. 307). Mercury’s energy levels were
diminishing, and he often had to sit down while recording. The album, The Miracle, was
released in 1989, but the band was not able to tour due to Mercury’s poor health. In addition,
Queen also released their last album with Mercury in 1991, Innuendo. May recalled how
special those recording sessions were (Thomas, 2012). They were a close-knit family, enjoying
According to Freestone, Mercury resigned to the fact that he was going to die, and did not
become depressed (Freestone & Evans, 2001). At Garden Lodge, in Kensington, Mercury
started drawing and painting again, something he had not done since being in college (Jones,
2012). In 1990, Mercury told his sister, Kashmira, and her husband, “What you have to
understand, my dear Kash, is that what I have is terminal. I am going to die” (Jones, 2012, p.
322). His 45th birthday, on 5 September 1991, was spent quieter than in previous years.
According to Hutton, Mercury did not want people to see him so distressed and preferred to be
remembered as the old Freddie (Thomas, 2012). Ten days before Mercury passed away,
Queen’s manager, Jim Beach, visited Mercury to discuss the future. Mercury said to Beach,
"You can do anything you like with my music, my image, but never make me boring!" (Thomas,
2012). In October 1991, Queen released the single The Show Must Go On (Richards &
Langthorne, 2016).
21
Mercury was losing his sight (Richards & Langthorne, 2016). He ordered the household
staff to stop giving him medication, except for pain killers (Jones, 2012). According to
Freestone, Mercury was going to decide when he was going to die (Freestone & Evans, 2001).
He did not want the illness to control his life – as soon as it did, he took control again by ceasing
his treatment (Jones, 2012). The only regret he had was that there was so much more music
inside him (Freestone & Evans, 2001). According to Jones (2012), Mercury’s parents and sister
visited him and they drank tea in his bedroom. Mercury entertained them, still pretending there
was nothing to worry about. Mercury was surrounded by close friends during his final months
alive, including Freestone, a previous boyfriend and the house chef, Joe Fanelli, Austin, and
Hutton (Thomas, 2012). At 20:00 on 23 November 1991, after approving the final version to
Following enormous conjecture in the press, I wish to confirm that I have been tested HIV-
positive and have AIDS. I felt it correct to keep this information private in order to protect
the privacy of those around me. However, the time has now come for my friends and fans
around the world to know the truth, and I hope everyone will join with me, my doctors and
all those worldwide in the fight against this terrible disease. (Gilmore, 2014)
Twenty-five hours later, on 24 November 1991, the 45-year-old great pretender, Freddie
This chapter explored and described the most important personal and socio-historical events in
the life of Freddie Mercury. Mercury’s life span was discussed over six historical periods that
ranged from his birth in 1946 to his death in 1991. In the next chapter, a thorough theoretical
22
Chapter 3
In this chapter, the researcher discusses the psychosocial developmental theory of Erik Erikson.
proposed theory, its contents, and the eight psychosocial stages of development are explained.
This section is followed by a discussion of the potential forms of psychopathology that result
in the unsuccessful resolution of the respective life stages. Furthermore, the ninth stage, a
proposed additional stage of Erikson’s theory, is overviewed briefly. The relationship between
Erikson and psychobiography, as well as the applicability of his theory for this study, is also
discussed. Finally, the researcher examines the criticism against Erikson’s theory and applies
Erik Homburger Erikson, born in 1902, was a prominent forerunner for human development
and psychoanalysis and an accredited Pulitzer Prize and National Book Award winner
(Friedman, 2000). He is known for his coined term, identity crisis, and his innovated proposed
eight stages of psychosocial development. The ninth stage was added later. Erikson’s personal
subjective experience seemed to influence and guide his work. His Danish Protestant father
and Danish Jewish mother separated before he was born, which resulted in his being brought
up by his mother and stepfather, Theodore Homburger, a German Jewish paediatrician (Coles,
2001). Erikson never knew anything about his biological father, and his mother kept all
23
information regarding his birth a secret. Erikson was given his biological father’s surname,
Salomonsen, at birth, but later he adopted his stepfather’s surname, Homburger. This identity
confusion, in addition to other factors, probably sparked Erikson’s interest in the fields of
psychology and psychoanalysis, which inevitably led to the instigation of the theory of
psychosocial development (Paranjpe, 2000). Erikson passed away in 1994 (Friedman, 2000).
During the 20th century, Freudian principles developed further and surpassed consciousness
into the social world and later the complete life span (Hoare, 2005). Erikson was influenced by
the revolutionary thinker, Sigmund Freud, especially by his proposed psychoanalytic theory.
In brief, Freud hypothesised that humans are shaped by their earliest experiences and driven by
unconscious inner motives and emotional conflicts (Hall, 1954). He coined the three
components of the personality, namely the id, the ego and the superego. Freud (1938)
associated the id with our reservoir of unorganised instinctual drives, which are already present
at birth and mainly unconscious. “Simply put, the ID wants what it wants when it wants it”
(Seligman & Reichenberg, 2010, p. 42). In opposition to the id, the superego acts as a rigid
conscience that internalises rules, morals and guidelines of the individual’s world.
Furthermore, the ego could be seen as the mediator between the id and the superego. The
superego is the executive organ of the psyche that manages motility, perception, reality testing,
and modulation and delay of drive expression (Sadock & Sadock, 2007).
theory of psychosexual development. His five psychosexual stages include the oral, anal,
phallic, latency, and genital stages through which all humans develop (Blatt & Levy, 2003;
Freud, 1930, 1936, 1938). The oral stage (0 to 18 months) revolves around the mouth, also
known as the erotic zone, as it soothes the child by eating and sucking (Carver & Scheier, 2000;
24
Freud, 1930). The need for gratifications shifts from the oral stage to the anal stage when the
child finds social pleasure in impressing his or her parents and physical enjoyment in the
emptying of the bowel (18 to 36 months) (Fiske, 1988; Freud, 1936). The phallic stage (3 to 5
years) is known for the child’s exploration and enjoyment of the genitals, as well as his or her
unconscious sexual desires for the parent of the opposite sex (Carver & Scheier, 2000; Freud,
1930, 1936). During the latency stage (5 years to puberty), the child’s sexual drives are shifted
to the background and become less important when social interest increases (Blatt & Levy,
2003; Freud, 1930). Freud’s psychosexual development concludes with the final genital stage
(puberty onwards) when sexual drives escalate and the individual develops a mature adult
sexual identity that allows him or her to engage in intimate and sexual relationships (Carver &
Erikson agreed with Freud’s proposed theory of infantile sexuality and instinctual
development. Erikson further agreed that the inner dynamics of personality plays an important
role, but added to the theory that personality evolves through systematic stages of development.
In his book, Childhood and society, Erikson (1950) stated the importance of societal influences
in each of the psychosexual stages. Erikson proposed a matching phase for each psychosexual
stage, each presenting with a mode of behaviour. Erikson (1950, 1963, 1968, 1977) emphasised
the rational ego and its adaptive powers, and placed less focus on the sexual urges as the drivers
of development, as well as on the unconscious, irrational id. He further emphasised that the
development of the ego is more than the result of intrapsychic needs or inner psychic energies.
He expanded his proposed concept of the ego to include self and identity and stated that the ego
develops over the course of a lifetime. Furthermore, Erikson noted the importance of social
influences and the reciprocal regulation between individuals and the culture and traditions of
25
3.2.2 Erikson and personality development.
According to Erikson, the study of human development reflects the interdependence of people
at all ages. This is notable in a human cycle where children become adults and where adults
guide and nurture children. An individual moves on from the experience of being competent
in each life stage in order to master the challenges of the next stage (Newman & Newman,
2006).
Meyer and Moore (2008) defined personality as the constantly changing but nevertheless
relatively stable organisation of all physical, psychological, and spiritual characteristics of the
individual that determine his or her behaviour in interaction with the context in which the
individual finds him- or herself. Furthermore, Sigelman and Rider (2009) defined human
development as the systematic changes and continuities that are present in a person from
conception to death. This description entails that development involves changes that are
systematic, patterned, and relatively stable, while continuities or ways in which the individual
remains the same are also present. To conceptualise a life span approach to human
development, moulds of transition and transformation from one era of life to another need to
be identified, while the intergroup differences and individual diversity in groups need to be
acknowledged.
For early theorists like Freud, the developmental process is concluded by late childhood or
adolescence (Sadock & Sadock, 2014). Erikson (1950, 1963, 1968, 1977) pioneered the
positive view of humanity and saw humans as active and rational participants in their own
development. In addition, he proposed that the human experience of life is the result of the
26
Erikson’s (1950, 1963, 1963, 1977) theory was rooted in the concepts of epigenesis, which
originated from embryology. Epigenesis claims that the personality unfolds systematically in
relation to the sociocultural and environmental setting (Capps, 2004). This unfolding of
development happens in predetermined, sequential, and predefined stages, each of which must
be resolved satisfactorily for development to advance efficiently (Capps, 2004; Coles, 1970,
2001). The principle of epigenesis also states that the unsuccessful resolution of any specific
stage has a domino effect on all remaining stages. This effect on subsequent stages could take
Therefore, the success of a particular stage partly depends on the individual’s success or failure
The psychosocial theory aims to uncover the inner experiences that result from interactions
between biological, psychological and societal systems. The reciprocal dynamics between the
three systems means that any change in one of the systems will bring about changes in the
others. Erikson (1950, 1963, 1968, 1977) proposed that each one of the three systems could be
explored for patterns of continuity and evolvement over a lifetime. These systems have
adaptive capacities that are responsive towards societal demands and can be modified by the
individual’s own choices. These integrative dynamic systems of biology, psychology, and
society result in a malleable and complex view on human thought, behaviour and, inevitably,
Erikson (1950, 1963, 1968, 1977) did comprehensive research for 15 years and proposed the
eight psychosocial stages of ego development, which he coined the Eight Ages of Man. He
27
hypothesised that within these eight stages, the individual has to find a new orientation towards
himself or herself and towards his or her social environment. As the individual is introduced
to a new stage, a new dimension of social interaction opens up. Each interaction involves the
engagement with him- or herself, as well as with his or her social world (Elkind, 1970). Erikson
(1950, 1963, 1968, 1977) referred to the conscious sense of self as ego identity, which develops
only through social interaction. This ego identity is malleable and is constantly modified as the
individual is exposed to new experiences and information through daily participation with his
The eight stages of ego development indicate markers along a continuum in which sexual,
physical, cognitive and instinctual changes merge to initiate an inner crisis or conflict (Sadock
& Sadock, 2007). Resolving these crises or conflicts results in either psychosocial regression
or growth and the development of specific virtues also known as ego strengths or inherent
strengths (Erikson, 1950, 1963, 1968, 1977). Erikson referred to this crisis or conflict as a
significant turning point in development because during the crisis, the possibility for both
individual growth and failure is at its greatest. Each of these stages, during which a healthy
balance between these extremes or terms of conflict must be achieved optimally, is dichotomous
(Coles, 2001). During this process, the individual is exposed to positive and negative aspects
of the crisis. Both these aspects are integrated into the psyche, and as a result, the crisis is
resolved successfully and equilibrium is reached (Capps, 2004; Coles, 2001; Erikson, 1950,
1963, 1968, 1977). Although Erikson placed the crises on a particular timeline along the life
span continuum, he also allowed space for individual spontaneity and flexibility during these
conflicting times (Sneed, Whitbourne, & Culang, 2006). The eight stages are predetermined,
but can potentially present themselves during any point in the life span as a function of specific
psychosocial forces, or what Erikson coined as “hazards of existence” (Erikson, 1963, p. 274).
In turn, earlier stages can be revisited later in life, and later stages can reach pre-eminence much
28
earlier than expected. Therefore, all psychosocial crises can come forth at any age during the
life span (Coles, 1970, 2001). Although Mercury never reached the chronological age
associated with the last stage, all of Erikson’s eight stages will be discussed in this chapter to
The first stage of psychosocial development, basic trust versus basic mistrust, is considered the
most fundamental stage of life. Erikson and other theorists (Blatt & Blass, 1996; Mahler, Pine,
& Bergman, 1975) claimed that the development of a basic sense of trust in infancy is a
significant cornerstone for any further healthy personality development. Erikson (1968, p. 96)
described trust as “the most fundamental prerequisite of vitality” and “a capacity for faith”.
According to him, trust is the fundamental element, rooted at the very core of a person’s sense
of identity, which shapes or hinders all other aspects of personality development (Boon &
Holmes, 1991).
The stage of basic trust versus basic mistrust starts at birth and usually extends throughout
the first year of life (Elkind, 1970). The conflict the child experiences revolves around whether
or not he or she is able to depend on other people to be responsive to his or her needs. Infants
are dependent on their primary caregivers to feed them, soothe them, respond to their gestures,
and return their smiles and babbles to develop a sense of trust. Therefore, the caregiver’s overall
responsiveness is crucial for later development, according to Erikson (1950, 1963, 1968, 1977).
to the infant (Sigelman & Rider, 2009). Conversely, infants who develop secure attachment to
a trustworthy and nurturing caregiver are more able to develop healthy, close, and trusting
relationships later in life (Hook, 2002; Louw & Louw, 2014; Maier, 1988; Seligman &
Reichenberg, 2010).
29
Simultaneously, as infants resolve the psychosocial crisis of basic trust versus basic mistrust,
they also come to the realisation that they are separate from their caregivers (Erikson, 1950,
1963, 1968, 1977). As an infant develops trust, he or she also begins with the internal process
of self-definition (Blatt & Blass, 1996). Thus, infants begin to experience themselves as
separate from others and, as a result, a sense of self starts flourishing. Erikson (1950, 1963,
1968, 1977) noted that an infant needs to develop trust in this first stage in order to establish a
During this first year of life, the infant experiences life through his or her senses – the eyes,
mouth, ears, and touch. Erikson (1950, 1963, 1968, 1977) named this social modality the infant
utilises, to get. Thus, the infant learns to receive what is offered and to provoke what is desired
(Sadock & Sadock, 2014). In addition, another social modality is prevalent, which entails the
taking and holding on to things. This is elicited when the infant actively starts to reach out and
grasp at his environment instead of being passively receptive to stimuli (Sigelman & Rider,
2009).
Only if these social modalities are fulfilled, they can contribute successfully to the resolution
of the associated conflict (Seligman & Reichenberg, 2010). By providing the infant with
objects to get and to take and hold on to, he or she will be able to master this stage and gain the
ego strength of hope. In addition to the social modalities, social institutions defend the ego
strengths that emerge during each stage (Erikson, 1950, 1963, 1968, 1977). For Erikson (1950,
1963, 1968, 1977), religion is the aspect of society that contributes greatly to this stage and
safeguards the trust and hope that have been gained. The first stage also sets up infants to feel
safe enough to extend their array and miscellany of experiences required to develop a sense of
30
3.4.2 Stage 2: Autonomy versus shame and doubt (1 to 3 years).
After toddlers have resolved the first stage and gained a sense of trust, they enter the next stage
of psychosocial development, namely autonomy versus shame and doubt. This crisis comes
forth during the first to third years of life when the child develops new mental and motor
abilities (Elkind, 1970). During this life period, children develop muscular and sphincter
control, experiment with new behaviour, and test the boundaries, while learning new skills. The
toddler’s sense of self is reinforced through these activities, resulting in the expression of their
The toddler develops a sense of control when his or her caregiver acknowledges the child’s
competence in what he or she is doing at his or her own pace (Hook, 2002; Sigelman & Rider,
2009). This sense of autonomy is developed when the toddler realises that he or she is able to
control muscles, impulses, themselves, and their surroundings. Toddlers that are allowed to
learn from their mistakes without being embarrassed or reprimanded, and given the opportunity
independent adults (Steinberg, Elmen, & Mounts, 1989). In contrast, if children are exposed to
caregivers who are overcritical, overprotective, impatient or harsh, the toddler will develop a
sense of shame and doubt about his or her own ability to act independently (Corey, 2016;
“This stage can be decisive for the ratio between … the freedom of self-expression and its
suppression. From a sense of self-control without loss of self-esteem comes a lasting sense
of autonomy and pride; from a sense of … loss of self-control, and of parental overcontrol
comes a lasting sense of doubt and shame.” (Erikson, 1968, pp. 70-71)
In this stage, the toddler exercises two sets of social modalities simultaneously, namely
holding on and letting go, according to Erikson (1950, 1963, 1968, 1977). Toddlers experience
31
their first encounter with ego strength, or will, as they explore their muscular and sphincter
control. The social institution believed to safeguard will is law and order, a legal system which
provides parameters for the privileges and limitations of autonomy (Massey, 1986). By trusting
their surroundings and gaining the necessary autonomy to engage with their world, children are
more able to engage with the attitude of initiative in Stage 3 (Hamachek, 1988).
The third stage focuses on initiative versus guilt (Erikson, 1950, 1963, 1968, 1977). This stage,
dedicated to ages three to approximately six years, is known for children’s ability to explore
and master their bodies (Sadock & Sadock, 2007). Improved gross and fine motor skills, along
with the development of language and imagination, give the child the ability to do activities
like riding a tricycle, running, and using scissors to cut. Children in this stage utilise directive
play and interpersonal interactions to assert their power and control. Thus, various activities
are initiated rather than being a mere response to or an imitation of another’s action (Elkind,
1970).
These abilities acquired during this stage allow children to intrude on the boundaries of the
adult world. Therefore, the stage is also coined as the stage of intrusion (Linn, Fabricant, &
Linn, 1988). Parents play a significant role in determining whether the child will resolve the
stage successfully (Baron & Spear, 1989). It is also important that the child form attachments
with parents of both genders and identify with the parent of the same gender (Seligman &
Reichenberg, 2010). Initiative is reinforced when parents give children the opportunity and
freedom to initiate motor play. In addition, intellectual initiative is established when parents
answer children’s verbal questioning respectably. In contrast, guilt is fostered when parents
scrutinise motor activity, respond to questions as being an annoyance and play or fantasy as
32
The social modality of this stage is described as being on the make (Erikson, 1950, 1963,
1968, 1977). Erikson (1950, 1963, 1968, 1977) described initiative as the most important
governor of the child’s conscience, which is established firmly during this stage. The child’s
internalised from social and parental authority (Sadock & Sadock, 2014). This conscience is
critical and inflexible at first, but sets up the foundation for the development of morality at a
Children that successfully resolve this stage develop initiative that allows them to approach
bigger tasks and proceed in life (Erikson, 1950, 1963, 1968, 1977). By pursuing bigger plans
and taking pride in the accomplishments of goals, the ego strength of purpose is acquired. By
not resolving this stage, a sense of guilt and a confused or pessimistic view of self are generated
(Sigelman & Rider, 2009). The social institution associated with the third psychosocial stage
is that of economic endeavour (Erikson, 1950, 1963, 1968, 1977). Early childhood dreams
transform into potential and realistic aspirations in adulthood. The social institution of
economic endeavour gives children the opportunity to make the transition from fictional
counterparts to living adult heroes whose achievements could be pursued. The acquired
initiative and sense of purpose provide the necessary building blocks for success when primary
school children face the conflict of industry versus inferiority in Stage 4 (Louw & Louw, 2014).
The child’s period in primary school is also known as Stage 4, namely industry versus
inferiority. According to Erikson (1950, 1963, 1968), the child is exposed to learning well and
doing well during these years, which, if accomplished successfully, will generate a sense of
competence, or industry. Conversely, failure to perform tasks leads to inferiority. The concept
of industry is the dominant theme of this stage, in which the child explores how things are made,
33
how they work, and what they do (Elkind, 1970). Evans (1981, p. 26) defined this curiosity as
“a wish to learn, a wish to know”. By producing things, the child learns that he or she gains
recognition (Carver & Scheier, 2000). Children establish a sense of industry only when their
efforts are encouraged, they are given the opportunity to finish tasks, and their outcomes are
praised. However, when children’s efforts are viewed as unruliness or mischief, a sense of
As mentioned in previous sections, parents contribute greatly to whether children will master
stages successfully. The first three stages are resolved in the social context of children’s
primary caregivers and immediate family. As children enter the fourth stage, they are exposed
to new environments, predominantly the system of formal education, where the focus is shifted
towards teachers and the broader societal evaluation, judgement, and appraisal (Baron & Spear,
1989). Therefore, the child’s sense of industry versus inferiority is influenced by his or her
school experiences (Carver & Scheier, 2000). For example, a child seen as popular by his peers
would consider him- or herself as industrious, whereas a bullied child would feel inferior when
he or she compares him- or herself with other peers (Sigelman & Rider, 2009).
During the fourth stage, the child masters social and cognitive skills. Children evaluate their
own competence in primary school and often engage more in social comparisons than they do
in previous stages. They are likely to acquire a sense of industry if those comparisons are
positive (Sigelman & Rider, 2009). In turn, the sense of competence will reinforce academic
and social skills. Healthy development in this stage involves success in the academic and social
fields (Seligman & Reichenberg, 2010). Children also master new working habits, increased
productivity, and are able to meet more complex challenges (Baron & Spear, 1989). Children
who master these abilities are more responsible and resilient during adulthood (Seligman &
Reichenberg, 2010).
34
If this stage is resolved successfully, the ego strength of competence is established (Erikson,
1950, 1963, 1968, 1977). Furthermore, children discover the significance of technology and
instruments as they utilise basic utensils and tools in school (Sadock & Sadock, 2007). The
social institution that shapes and facilitates participation in productivity is technology (Massey,
1986). The first four stages lay the groundwork for young people entering the next phase, Stage
The fifth stage, identity versus role confusion, is also the stage for which Erikson is most
recognised. In the past, numerous historians studied identity in depth. From as early as the
17th century, the broad meaning of identity has been explored by the curiosity of John Locke,
Robert Langbaum, and David Hume (Gleason, 1983). According to Erikson (1980), clarifying
the term is challenging, because its core is rooted in both the individual and the communal
cultures. The identity could be described as a reciprocal interaction between the workings of
the individual personality and the acquiring of a sense of selfhood that arises from participating
in society, internalising its cultural values, acquiring a variety of statuses, and acting out
After Erikson had tried out several career options, including art, his concept of identity
stemmed mainly from his psychoanalytical work, which was predominantly with children
(Friedman, 2000). His life as a European refugee, someone who travelled often, especially in
the United States, and who was acquainted with prominent social scientists of that time, also
influenced and enhanced his view on identity (Coles, 1970). According to Gleason (1983),
Erikson first started using the term identity against the background of World War II. During
the period of Erikson’s development of identity, the rise of World War II and Adolf Hitler
35
further intrigued him to study the interaction between historical events and personality
development.
Adolescents predominantly become preoccupied with identity as they experience the variety
of physiological and social changes accompanying the onset of puberty (Sadock & Sadock,
2014). During this period, they aim to define themselves in terms of how they fit into society,
what their life goals are, as well as the identification with their sexuality, religion and career, to
name a few (Sigelman & Rider, 2009). As adolescents experiment as part of their exploration
process, they often re-invent and revolutionise their outward appearance, school subjects,
previously cultivated roles and skills with current prototypes becomes the primary concern
(Seligman & Reichenberg, 2010). Although the adolescent is still unequipped to become an
adult, previous childhood fantasies and roles are no longer suitable (Sigelman & Rider, 2009).
During this stage, adolescents become more self-conscious, as others’ evaluation of them as
individuals gain more importance as opposed to how they see themselves. Therefore,
developing a defined ego identity requires congruence between confidence in one’s ability to
maintain inner sameness and continuity, and the sameness and continuity of one’s meaning for
others (Erikson, 1980). Therefore, role confusion stems from a discrepancy between one’s own
sense of self and the sense of self ascribed to one by others, which is also coined as identity
diffusion – an unclear sense of self and confusion about one’s place in the world (Montgomery,
2005; Sigelman & Rider, 2009). According to Montgomery (2005), if an individual has
developed a clear sense of identity that is true to the self, it would also match the identity that
If the individual attains a clearly focused identity, it will result in the acquisition of the ego
strength of fidelity (Erikson, 1950, 1963, 1968, 1974, 1977, 1980). This represents faithfulness
36
to the promising self-definition as well as to an ideology that provides a version of self-in-world
(Sadock & Sadock, 2007). The ideology consists of a preferred set of societal ideals and values
that becomes the social institution that presents the imagery required for establishing a positive
psychosocial identity (Massey, 1986). For Erikson, successfully resolving the stage of identity
versus role confusion was an essential precondition for overcoming the crisis faced in early
adulthood, namely intimacy versus isolation, in Stage 6. Individuals should have a clear
identification of self before they can truly love and accept another person (Baron & Spear, 1989;
Erikson, 1950, 1963, 1968, 1974, 1977, 1978, 1980; Montgomery, 2005).
Erikson proposed that psychosocial growth continues throughout the adult years. Stage 6,
intimacy versus isolation, roughly includes the period of courtship and early family life that
ranges from late adolescence to the beginning of middle age (Elkind, 1970). Erikson’s (1950,
1963, 1968, 1977, 1978) term of intimacy implied much more than only sexual intercourse.
Intimacy also refers to the ability to share and care for another person without fear of losing
oneself in the process. Therefore, in order to resolve this stage successfully, it is essential that
the individual should have acquired a solid sense of his or her own identity in the previous stage
(Hook, 2002). Stage 6 largely depends on the successful resolution of prior stages and, thus, if
previous crises were unresolved, they are likely to reoccur during this stage (Craig, 1996; Hook,
2002).
In contrast to previous stages, parents do not contribute directly to the outcome of this stage.
Instead, they contribute indirectly, as they played an important role in the child’s resolution of
the earlier stages (Elkind, 1970). However, the social environment in general still advances or
hinders the establishment of a sense of intimacy. As mentioned previously, intimacy need not
37
involve sexuality only, as it also includes relationships between friends (Corey, 2016; Hook,
2002).
A strong ego is required to fend off the fear of ego loss threatened by close friendships, like
in the case of inspiration by teachers, in the orgasms of sexual union, and all other close
affiliating collaborations. The primary concern during this stage is protecting the integrity of
the ego and prevent it from being lost or transformed into something or someone else. For
Erikson, a healthy functioning adult is able to establish a mature love while expressing an
overall work productiveness that does not undermine his or her being a loving person (Elkind,
1970).
During this time of courtship, the successful resolution of the crisis of intimacy versus
isolation prepares the person to form, participate in, and commit to long-term relationships
(Erikson, 1950, 1963, 1968, 1977, 1978). If Stage 6 is resolved, the individual has acquired the
ego strength of love. If the individual fails to resolve the crisis, a sense of isolation develops
and the individual ends up alone without anyone to share or care about. The social institution
associated with this stage is an ‘ethical sense’, which nurtures a relationship with a loved partner
(Massey, 1986). Stage 6 sets up the crises that will be faced in the next stage for middle-aged
Erikson (1950, 1963, 1968, 1977, 1978) referred to generativity as the inauguration and
guidance of the next generation. If the individual has resolved previous life crises, he or she
now has the freedom to direct his or her attention to help others (Sigelman & Rider, 2009).
Also known to this stage, is a sense of community or willingness to direct one’s energy, without
a hidden agenda, to the solution of social concerns (Corey, 2016). In addition, the individual
38
comes to terms with reality and the discrepancy between his or her dreams and the goals actually
they acquire a sense of having produced something that will be sustainable and outlive them.
Establishing this sense of having been generative is the result of activities such as parenting,
mentoring, leading, and teaching (De St. Aubin, McAdams, & Kim, 2004; Slater, 2003).
Furthermore, researchers affirmed that an achieved sense of generativity is more likely for
middle-aged adults than it is for younger populations (McAdams, Hart, & Maruna, 1998). This
confirmed Erikson’s proposed theory that this stage is most suitable for the middle-age years.
Individuals who achieve this sense of generativity tend to be compassionate people, committed
caregivers, productive employees, effective mentors, and community workers (Seligman &
Reichenberg, 2010).
According to Erikson (1950, 1963, 1968, 1977, 1978), the ego strength of care is acquired
in this stage. If the individual fails to resolve this crisis, it often results in stagnation (Corey,
2016). This leaves individuals feeling disconnected from and uninvolved with their community
and results in a struggle to contribute effectively to society (Sigelman & Rider, 2009).
Individuals who fail to resolve this stage are often preoccupied with themselves and
predominantly gain pleasures through self-indulgence (Erikson, 1950, 1963, 1968, 1977, 1978).
The broad spectrum of social institutions, including religion, politics, recreation, education, and
medicine, contributes to fostering generativity (Massey, 1986). As the adult progresses through
the various psychosocial stages, he or she reaches the eighth stage, namely integrity versus
despair.
39
3.4.8 Stage 8: Integrity versus despair (65 years and onwards).
Stage 8 of the psychosocial cycle resembles roughly the living years when people’s major
accomplishments and efforts are approaching completion and when energy is directed to
reflection (Elkind, 1970). The crisis that elderly adults face is integrity versus despair (Erikson,
1950, 1963, 1968, 1974, 1977, 1978). As the life span nears completion, an important challenge
at this stage of development is dealing with the fear of death (Craig, 1996). If this crisis is
resolved efficiently, adults will experience a sense of meaning in their lives that will assist them
in coming to terms with the inevitability of death (Sigelman & Rider, 2009). As the individual
navigates through the previous seven stages, integrity is gained (Erikson, 1950, 1963, 1968,
1974, 1977, 1978). As the young adult constructs a life story or narrative identity, accepting
his or her life the way it unfolded as the only life he or she could have lead becomes the focal
A sense of integrity is gained as the individual reflects on his or her life with contentment.
According to Erikson, Erikson and Kivnick (1986), this sense of integrity is attained by most
adults. By resolving this crisis, the ego strength of wisdom can be acquired and passed on
through an integrated heritage (Massey, 1986). If the eighth stage is unresolved, it is the result
of reflecting back on one’s life as a sequence of missed opportunities and life paths. The
realisation that it is too late to start over leads to a sense of despair at what might have been
(Elkind, 1970). To be successful in this stage, to a certain extent, all previously mentioned ego
strengths must have been developed and all preceding psychosocial crises resolved. However,
Erikson (1950, 1963, 1968, 1977, 1978) pointed out that each culture requires a particular
combination of the resolved crises. To achieve integrity, individuals should engage and
participate, to a greater or lesser degree, in the social institutions (e.g., science, arts, technology,
politics, and religion) that are essential to their home culture (Massey, 1986). In the following
40
section, the researcher will discuss the aspects pertaining to the unsuccessful resolution of
3.5 Psychopathology
stages could just as easily result in unfavourable outcomes (Blatt & Levy, 2003). Although the
failure of specific stages often results in the acquisition of the dysfunctional opposite of each
disorders might also develop (Sadock & Sadock, 2014). Although this study aimed to explore
the diagnostic or psychopathological traits of the subject, the following section will help
illuminate and explain any dysfunctional symptoms with which Mercury presented throughout
his life span. To help understand Mercury’s personality in Eriksonian terms (see Chapter 7),
The acquisition of mistrust stems from the unsuccessful resolution of Erikson’s first stage of
psychosocial development. Persons with this sense of mistrust view and experience others and
the world they live in as being untrustworthy and threatening (Lewicky, 2006). This lack of
trust developing during the early years of an individual’s life could result in the development
The individual’s belief that other people are unreliable or even harmful to them could
41
the pessimistic view that these individuals have of others, their social relationships and the
world, could lead to secondary disorders such as depressive disorders, social anxiety, and
When the failure of the second stage of psychosocial development results in the sense of shame
and doubt, the individual could lack self-confidence and view him- or herself as a failure (Linn
might feel obnoxious, unwanted, and filthy. This often results in misbehaviour later in life.
Children internalise their experience and evaluation of others of them and develop an attitude
that acts in accordance with what they believe others think of them (Sadock & Sadock, 2014).
Furthermore, rigorous and inflexible parenting during toddlerhood could lead to feelings of
being controlled and inhibited. In turn, this could predispose a child to develop paranoid
compulsive disorder, attention deficit hyperactivity disorder and conduct disorder (Sadock &
Sadock, 2007).
3.5.3 Guilt.
If a child’s initiative is punished inappropriately during Stage 3, the child will be overcome
with a sense of guilt. This build-up of feelings of guilt often results in the child
overcompensating by striving for perfection (Dunkley, Zuroff, & Blankstein, 2006). The child
tries to avoid future punishment by trying to be perfect in everything he or she does. Individuals
who are driven by this inappropriate guilt and the fear of disappointing others’ expectations
42
might develop psychosomatic disorders or obsessive-compulsive personality disorder (Linn et
al., 1988; Sadock & Sadock, 2007). Sadock and Sadock (2014) further argued that excessive
prohibitions or punishment during the third stage could possibly produce sexual inhibitions,
such as erectile disorder or impotence. The overarching sense of guilt inevitably could result
in the development of other mood disorders, including major depressive disorder (Sadock &
Sadock, 2014).
3.5.4 Inferiority.
If a child’s efforts at attaining its goals are thwarted in Stage 4 of psychosocial development, a
sense of inferiority develops (Baron & Spear, 1989). These feelings of incompetence and
adult, which could lead to work inhibitions (Sadock & Sadock, 2014). Conversely, the adult
might compensate by reaching for money, power, and status to fend off any feelings of
inferiority (Sadock & Sadock, 2014). Although such accomplishments could mask the sense
of inferiority, it will not necessarily produce a sense of industry. As mentioned in the previous
stage, the sense of guilt and beliefs of inadequacy are highly associated with depressive
disorders (Allan & Gilbert, 1997; Gilbert & Allan, 1998; Gilbert, Allan, Brough, Melley, &
Miles, 2002).
If the fifth stage of psychosocial development is unresolved, role confusion will leave
individuals with an unintegrated identity and a disturbed image of self (Sneed et al., 2006). In
most cases, the individual is disturbed primarily by the confusion of his or her occupational and
sexual identity (Erikson, 1950, 1963, 1968, 1974, 1977, 1980). The confusion about one’s role
43
impulse-control and conduct disorders, gender dysphoria disorder, and psychotic disorders
(Sadock & Sadock, 2007). In addition, the person could develop the inability to separate from
caregivers, and prolonged dependence could occur, resulting in the development of dependent
personality disorder and separation anxiety disorder (Sadock & Sadock, 2007).
3.5.6 Isolation.
or distance oneself (Erikson, 1950, 1963, 1968, 1977, 1978). If an individual distances him- or
herself or shut others out, the person will be unable to form meaningful relationships or become
intimate with partners (Linn et al., 1988). This lack of capacity to express and receive love, as
well one’s isolation from others, is known to develop schizoid or avoidant personality disorders
3.5.7 Stagnation.
development (Timmer, Bode, & Dittmann-Kholi, 2003). Consequently, the individual might
try to escape this sense of stagnation with compensatory behaviour, like indulging in alcohol
and drugs or engaging in sexual infidelities (Hoare, 2005). Furthermore, as middle-aged adults
start to review their lives, individuals that feel stagnated and feel disappointed with their
accomplishments thus far, could be more prone to depressive disorders (Sadock & Sadock,
2007).
44
3.5.8 Despair.
challenging to accept their lives as they are and experience feelings of hopelessness, which
could result in severe depressive disorders, including suicidal ideation (Charles, Reynolds, &
Gatz, 2001). As individuals reflect on their lives with panic as they realise that time has run
out and chances are used up, anxiety disorder could develop because of their being concerned
about the future (Sadock & Sadock, 2014; Whitbourne & Whitbourne, 2017).
Erikson’s wife, Joan Erikson, continued with his earlier work, The life cycle completed (Erikson
& Erikson, 1998), and added an additional ninth stage. The married couple confronted their
ageing selves only in their late 80s and 90s, which led Erikson’s wife to believe that
development beyond the eighth stage is possible (Brown & Lowis, 2003). During this proposed
last stage, the individual completes the full circle and is confronted by the same issues with
which he or she was born. The key component of the ninth stage is to gain hope and trust, while
the elderly is simultaneously losing strength, autonomy, and control. Therefore, this stage
mirrors the crisis of the very first stage of psychosocial development (Haber, 2006). Navigating
him- or herself through the last few years of life, individuals are challenged to persevere and be
as fully alive as possible until the inevitable experience of death (Verbraak, 2000).
3.7 Erikson, Psychobiography, and Applicability of his Theory for the Study
According to Noland (1977), some of the best psychobiographies of the time were the two
produced by Erikson, namely Young Man Luther (1958) and Ghandi’s Truth (1969), where his
acknowledged both normal and abnormal ego development while maintaining a focus on the
45
interaction of the individual human ego with a facilitating or non-facilitating environment at
every stage of the human life cycle (Noland, 1977). This gave Erikson the opportunity to
explore both the individual and communal components of a life. As discussed in Chapter 4,
psychobiography. Furthermore, Erikson could make inferences about early experience without
reducing a life to a few unconscious, repressed infantile themes (Noland, 1977). As discussed
in Chapter 5, interpreting a life solely based on early experience or infantile wishes is one of
Erikson (1993) stated that descriptions and interpretations of a subject’s life are inevitably
Bertaux (1981) and Capps (2004), Erikson is viewed as a passionate predecessor with regard to
psychobiography and the studying of lives. In addition, Erikson’s work was considered for use
as a general prototype in psychobiography (Noland, 1977). Erikson’s (1950, 1963, 1968, 1977)
psychosocial theory allowed the researcher to analyse Mercury from a life span approach, from
birth until death. In addition, it enabled the researcher to merge moment and sequence in
Mercury’s life and his community into one integrated structure that connects inner experience
and outer reality. The findings and discussion of Erikson’s theory as applied to Mercury are
provided in Chapter 7.
Over the years, Erikson’s theory has been scrutinised by various critics. These criticisms
include that the theory is too idealistic and optimistic (Hook, 2002). Although Erikson indeed
proposed that growth continues in adulthood and that adults are capable of constructive change
(Douvan, 1997), he also emphasised the negative outcomes for every unsuccessful resolution
of each life stage in his theory. Thus, this criticism does not seem to bear significant weight,
46
and its relevance for this study, in which both normal and abnormal development received equal
attention, is limited.
The psychosocial theory has also been subject to various criticisms of general psychoanalytic
theory. Hoare (2005) and Welchman (2000) argued that the psychosocial theory is difficult to
operationalise due to its limited scientific rigour, with regards to the ambiguous labelling of the
crucial developmental concepts. Criticism scrutinize the theory’s ability to explain the
developmental delays and their effect on future development accurately (Marcia, 2002; Raskin,
2002; Weigert & Gecas, 2005). In his defence, Erikson (1974, 1975) noted that the idiographic
manner in which each subject investigates and manages their psychosocial crises, differs
Erikson was also criticised that his theory reflects a male bias and is unhelpful to explain
female development (Douvan, 1997; Hook, 2002). If this accusation on this theory were true,
it would not be relevant for this particular study, as the subject is indeed male. According to
Hook (2002), Erikson’s theory represents 20th-century capitalistic values of a Western society
and therefore, could not have been culturally sensitive. Although this might be a hypothesis,
Erikson also never explored the cross-cultural applicability of his theory (Brown & Lowis,
2003). Nevertheless, Mercury’s father was working for the British government, and the family
moved to England when Mercury was still young (Jackson, 2012; Jones, 2012; Thomas, 2012).
Mercury was exposed mainly to the context of the Western society. Thus, this criticism does
Louw and Louw (2014) mentioned that the psychosocial theory of personality development
development and limited inferences to emotional development. With regard to the study, the
47
researcher did acknowledge all relevant developmental indicators from the collected data, but
focused predominantly upon how the environment interacts with the subject’s personality
This chapter focused on Erikson’s theory of psychosocial development, which was discussed
and explained. The researcher introduced Erik Erikson to the reader, as well as his theoretical
outlooks and theory. The context of Erikson’s theory was approached and explored by
analysing both normal and abnormal development. Finally, the specific applicability of the
theory for the study was discussed, and a critical reflection of the theory was given.
48
Chapter 4
This chapter provides a discussion and better understanding of psychobiographical and case
study research. The relationship between psychology and biography will be discussed first,
other related concepts such as autobiography, biography, life history, life story, psychohistory,
will be analysed, and light will be shed on its related concepts, namely case method, case
research epistemology, case research objective, case research design, and case research method.
Finally, it is important to discuss the history of psychobiography, the trends it followed, as well
individual words: psychology and biography (Fouché & Van Niekerk, 2010). Roberts (2002)
suggested that life history and life stories are both in the interest of psychologists and
biographers, who include biographical data in their research. The difference between these two
disciplines lies in the interpretation thereof, and the degree to which biographical data are
interpreted by the use of psychological theories (Fouché & Van Niekerk, 2010). Howe (1997)
indicated that the term psychology refers to a scientific discipline. It is dependent on reliable
evidence and incorporates conceptual models to make sense of development, personality, and
49
behaviour. Biography is an approach that is more individualised, subjective, and intuitive and
underscores the uniqueness rather than the shared similarities among individuals (Fouché &
Van Niekerk, 2010). Psychobiography is not purely idiographic, though, as the shared
Furthermore, psychology draws its data from conceptual paradigms, where biography uses arts,
literature, and intellectual tools of history to outline an individual’s development (Howe, 1997).
psychology (Jacobs, 2004). McAdams (1994) noted that, prior to modern psychology,
conceptualisation of psychological theory. Thus, such research did not contribute to the
development of general truths (Rosenwald, 1988). Theorists like Simonton (2003) were of the
opinion that, in their pursuit to produce universal scientific knowledge, psychology researchers
tend to use participants who share a similar historical and social context as that of the researcher.
Simonton (2003) further argued that the use of historical data, as a substitute, would produce
information about human behaviour that is far more diverse in terms of culture. Such a process
Strouse (1988) defined a biography as the telling of a life story by investigating events and
experiences. Alternative definitions include those of Cole and Knowles (2001), who described
according to fictional conventions. In the past, most biographers rarely utilised psychological
theory to make sense of their subjects’ lives (McAdams, 1994). To explain individuals’ lives
within their specific structural and cultural settings, biographers utilise alternative interpretive
50
methodologies (Roberts, 2002). Schultz (2005) envisioned the biographer’s role as one that
informs the reader about an individual’s entire life, which in most cases has ended. Thus,
according to Howe (1997), a biography could be depicted as the study of an individual’s life
Runyan (1984) criticised biographies, stating that the biographical methodology is seen as
being too subjective with a shortage of structure to be viewed as scientific. Smith (1998) further
elaborated on the subjectivity of biographers, requesting them to be cognisant of the doubts and
value discrepancies that may come forth in writing about a person’s life. To map the
progressive course of an individual’s life, biographers rely on history, literature, and art, which
are often criticised (Fouché & Van Niekerk, 2005). When analysing the uniqueness and
complexity of the methodology, it is clear that this process or observatory skill is insufficient
and requires to be viewed more theoretically. In defence, McAdams (1994), who was in favour
of the biographical sphere, highlighted that (a) critics of the single-case method hold a very
limited stance on research; (b) well-written biographies are greatly enriching; and (c) their
Elms (1994) described the connection between psychology and biography as an uneasy
alliance. The root of this relationship lies in the noticeable different methodological approaches
utilised by these disciplines (Elms, 1994). Psychology often contains biography, and vice versa,
which further blurs the boundary between them (Elms, 1994; Schultz, 2005). Traditionally, the
biographical approach has been a controversial topic in the field of psychology, filled with
uncertainty about its status (Anderson, 1981; Runyan, 1982). Although personality
psychologists have not identified themselves as being biographers in the past (Elms, 1994),
others like McAdams (1994) suggested a psychologically informed biography as the ideal
51
means with which to encapsulate a human life situated in time. Although psychobiographical
research has been criticised as non-scientific, ongoing efforts by social scientists and
personality psychologists contributed to valuable life history research (Elms, 1994; McAdams,
1988). Elms (1994) stated that both disciplines can be identified by their controversial alliance
psychology. Over the last century, psychobiographical research has gained greater appraisal,
respect, and recognition due to the increasing number of psychobiographical studies that have
been conducted (Schultz, 2005). Psychobiography has gained momentum and continues to
attract the interest of scientists and lay audiences alike (Ponterotto, 2013a, 2015).
methods, and findings play a major role” (Bromley, 1986, p. 9). Schultz (2005) related to this
the use of psychological theory and research” (p. 14). According to Runyan (1988),
“psychobiographical research concedes an in-depth study of the whole person in time and
context through the narrative of individual experience” (p. 219). For both social sciences and
psychology, the rise and advancement of making sense of fascinating individual lives, is
McAdams (1994) stipulated that the aim in doing research on individual lives is to identify
the core latent story that animates a person’s life. The researcher’s focal point is on a single
facet of a life or one mysterious inquiry (Schultz, 2005). To achieve this, psychobiographers
and psychological sense of the individual under study (Roberts, 2002). The curiosity about and
52
investigation into motives make psychobiography both interpretive and explanatory (Schultz,
psychobiographers interpret and explain individual lives under study (Runyan, 2002). Thus,
which is concerned with exemplifying and understanding the stories people tell about their lives
(McLeod, 1994). Psychobiography as an engaging discipline seeks to make sense of the ever
subjective accounts individuals give to their past, present and future (Roberts, 2002). To gather
information about life stories, sources like letters, journals, diaries, and biographical material
could be used (Runyan, 1982; Willig, 2013). To eliminate irrelevant data, emphasis is placed
upon personal documents that construct a biographical sketch of the individual in a historical,
social, and psychological context (McLeod, 1994; Plummer 1983). Thus, psychobiography
essentially serves to illuminate inner, subjective experiences and the connection between life
and theory (Schultz, 2005). Ponterotto (2012, 2013b) mentioned that psychobiography is not
merely a biographical sketch of the person’s identity and accomplishments in a particular field,
but also exposes the inner life of the subject as well as the motivation and psychological
concepts that underlie the individual’s cognitive processes, emotions, and behaviour. Despite
psychobiography as “the study of an entire life, from birth to death, with the aim to discern,
discover, and formulate the central story of the entire life, a story structured according to
psychological theory” (p. 12). Because of the unique and holistic nature of psychobiography,
it elicits a better opportunity for the study of personality than traditional longitudinal research
does (Carlson, 1988; Fouché & Van Niekerk, 2005). In addition, an understanding of how
53
individuals reform their past and construct their present, future, and interpersonal relationships
Van Niekerk (2007) proposed the following five universal characteristics shared by
2. The focus on life span research as opposed to studying separate individual historical
episodes.
and historians.
psychological and historical significance of their life story, instead of gathering data with
With these proposed characteristics in mind, the following section aims to elaborate on some
similarities between various related concepts in the field, which include autobiography and
biography, life histories and life stories, psychohistory, historical psychology and
54
4.4.1 Autobiography and biography.
Autobiography refers to the story of an individual’s life, or a section thereof, written by the
subject of the story (Bertaux, 1981; Bromley, 1986). It can be regarded as the documentation
of an individual’s life by the same person (Biggs, 2007). The perspective from which an
referring to objective facts and records (Roberts, 2002). Autobiography still shares elements
of biography, as it also utilises a variety of sources, like in the case of biography (Bromley,
legitimate conventions (Cole & Knowles, 2001). For Howe (1997), good biography formulates
an individual’s life through the incorporation of literature, history and art, which trace the
individual’s progress through life. Schultz (2001) commented that, in most biographies,
concrete ungrounded psychological conclusions seem to appear out of thin air, with obscure or
poorly examined theory and research. When comparing autobiography and biography with
psychobiography, the former two lack scientific methodology and a psychological viewpoint
on the individual (Runyan, 1984; Schultz, 2003). The definite and intended introduction of
psychology into writing about someone’s life would expose the researcher’s findings to scrutiny
story in which the intention behind the subject’s behaviour could be understood better (Schultz,
2001).
In life histories, patterns and relationships among several lives are examined, and objective and
subjective data obtained from multiple sources are utilised (McAdams, 2006; Yin, 2014).
55
According to Bromley (1986), life history can be described as a “scientific reconstruction and
interpretation based on the best evidence available, of major formative, critical and
accumulative episodes in a person’s life” (p. 8). Life histories aim to elicit the commonalities
between the various subjects under study, as opposed to focusing on the uniqueness of an
Life stories entail biographical accounts of individual lives (Bujold, 1990; McAdams, 1994;
Runyan, 1982). Although a life story usually provides a thorough description of an individual’s
life, the most significant aspects thereof are highlighted (Atkinson, 1998; Roberts, 2002). Thus,
the subjectivity of the author’s personal thoughts, feelings, and intentions are illuminated by
this necessary key feature (Fouché, 1999). Howard (1991) commented that life stories place
less emphasis on facts and more on meanings. While life histories are interpretive and the
presentational work of the researcher, the author of life stories commonly applies them to
psychological theory in an attempt to interpret social, political, and cultural events historically
(Berg, 1995; Loewenberg, 1983; Runyan, 1988; Schultz, 2005). There is underlying tension
between the disciplines of history and psychology, which makes the scope and definition of
(1988), the relationship dynamics between these two disciplines are identified not only by the
recognition and cooperation of mutual interest, but also by a degree of suspicion, occasional
56
Historical psychology refers to the history of psychological phenomena and/or the history
influences on the course of life (Runyan, 1988). Historiography is primarily past orientated and
aims to shed light on present-day questions of interest about the historical past (Anderson, 1988;
Simonton, 2003). Data sources from the past are studied intensely to reconstruct past data into
a meaningful array of historical explanations (Berg, 1995; Denzin, 1978). These data sources
Personality assessment can be described as being related to the measurement and evaluation of
lives in progress (Fouché, 1999). Various psychological assessments and instruments are
employed to analyse the influences that have shaped the individual in terms of behaviour and
other personal characteristics (Aiken, 1997; Fouché, 1999). It looks into the individual’s way
of being in the present and analyses forces such as values, traits, modes of thinking, and identity
that epitomise and differentiate the person from other individuals (Claasen, 2006). Similar to
specific points on a timeline, and a set of connectors that relate the individual to the influences
that led to that particular configuration (Alexander, 1990; Cohen & Swerdlik, 2005; Pieterse,
2009; Swart, 2010). However, the two disciplines are different in that psychobiography does
not require an element of prediction, as in the case with personality assessment (Alexander,
1990). Psychobiography is concerned directly with the problem of understanding and allows
the researcher to track human development in a manner that exceeds static personality
assessment of clinical case studies (Alexander, 1990; Fouché & Van Niekerk, 2005).
57
4.5 Psychobiography as Case Study Research
Case study research can be described as an intensive investigation of a singular unit such as a
person, group, or organisation bound within a specific time and contextual setting (Runyan,
1982; Stake, 1995; Yin, 2014). Psychobiography and life history research are viewed as good
examples of specialised case study research (Babbie & Mouton, 2001; Cozby, 1997). Although
case study research is related to other forms of research, such as action research, field study,
In the following section, an overview of these characteristics is provided in terms of the case
research epistemology, case research objective, case research design, and case research method.
The term epistemology entails the researcher’s belief about the method by which knowledge is
constructed (Willig, 2013). Contrasting views of reality, including the interpretive and
positivistic paradigms, rely on differing ideas about the nature of knowledge and need
alternative approaches to the research (Hart, 1998). The interpretive paradigm seeks to explain
how people attribute meaning to their circumstances, and how they develop and make use of
rules that govern their behaviour. The positivistic paradigm emphasises the power of
1989; Willig, 2013). Case study research is particularly versatile and can be used in both
traditions (Willig, 2013). For psychobiography, case research fits best within a qualitative
framework as an attempt to extract meanings from complex social behaviours and to understand
the nature of a phenomenon (Struwig & Stead, 2004; Yin, 2014). In contrast, case research
could lend itself to be used within a quantitative paradigm where predetermined variables would
be measured according to predefined measures (Strauss & Corbin, 1998; Willig, 2013). A
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psychobiography is an interpretive practice, utilised not to elaborate on human behaviour in
terms of universal laws, but rather to interpret and understand intentions and meanings that
Case studies arose from the need to understand complex social phenomena, which opens the
door for the investigation of meaningful and holistic characteristics of real-life events (Yin,
2014). In addition, case studies place emphasis on development and change (Willig, 2013) and
take on a holistic approach that welcomes the development of idiographic insight (i.e.,
Case study research may be used to construct theory, describe phenomena, and test existing
theoretical relationships and concepts (Fouché, 1999; McLeod, 1994; Willig, 2013). In case
study research, the construct of analytical generalisation mostly prevails and describes the
when a scientist generalises from a single experiment to theory (Yin, 2014). In addition, case
studies could also help facilitate conceptual refinement of emerging theoretical formulations or
result in the exploration of new insights into psychological and social processes, from which
According to Neuman (2003) and Willig (2013), case research can be described as a process
explanations developed for observed relationships (Fouché & Van Niekerk, 2005). The
proposed by Bromley (1986) and Cavaye (1996). According to Cooney (2010) and Glaser and
59
Strauss (1967), grounded theory is a formalised approach to inductive case research. Therefore,
Propositions are tested by collecting and relating data from the observed reality with logical
both deductive and inductive case research could be facilitated, as the research objectives might
include the exploration and/or testing of theory (Bromley, 1986; Fouché, 1999).
Research design may be described as a logical series that connects data to the original research
questions and subsequent findings of the study (Bless, Higson-Smith, & Kagee, 2008; Yin,
2014). Each research design brings about multiple complexities, with some designs involving
the study of a single case, and others include the study of multiple cases (Bless et al., 2008). A
phenomenon in a single-case study can be investigated in depth and provide a rich description
thereof (Cavaye, 1996). A single-case study also enables theory construction through the
development and refinement or confirmation and refutation of concepts against existing data
(Yin, 2014). In a multiple-case study, data from various cases might be analysed, providing the
researcher the opportunity to verify that findings are not merely the result of a single, unique
For the use of psychobiography, a single-case study design is commonly relied on. However,
this is not absolute, and a multiple-case design could be employed at times. An example of a
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studies of Mormon prophets (Saccaggi, 2015). The method selected for Saccaggi’s (2015)
study was a multiple subject psychobiography where the lives of two subjects were investigated.
studies of subjects by bringing exploratory, intensive interviews into conversations with one
another (Rosenwald, 1988). Bujold (1990) found that such designs have proven useful in the
biographical study of career development, while Gronn (1993) used this approach in the
variables, and explicit control is absent in this approach (Neuman, 2003; Struwig & Stead,
2004). The case method adopts an idiographic understanding of the case under study (Hart,
1998; Willig, 2013) and incorporates multiple techniques and tools for analysis and data
collection (Fouché & Van Niekerk, 2005; Willig, 2013). In addition, it draws the focus to
relative data through a holistic approach to various dimensions of the case and adds to
knowledge by relating findings to generalisable theory (Yin, 2014). Yin (2014) further stated
that case research is ideally suited for situations where separation of the variables of the
The researcher needs to select methods of analysis and data collection delicately to produce
appropriate materials for the study (Yin, 2014). For data collection, the two types of methods
are (a) quantitative or nomothetic methods based on numerical data and (b) qualitative or
idiographic methods based on linguistic data (Bromley, 1986; Yin, 2014). Mostly, a
combination of both quantitative and qualitative methods is used in case research (Willig,
2013). In qualitative research, the assumption of various realities exists, whereby the world
may be viewed as a subjective function of personal perceptions and interactions (Willig, 2013).
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Furthermore, qualitative researchers describe, explore, and comprehend phenomena in their
context with the aim to attribute meaning to them (Babbie & Mouton, 2001). In aiming for
contextual understanding in qualitative research, in-depth and direct knowledge of the research
setting is pivotal. Therefore, qualitative case methods are associated with observation, verbal
data, and interviews (Stake, 1995). In contrast, outcomes of case research with a quantitative
research dimension are determined with procedural measures such as indices, checklists, or
questionnaires (McLeod, 1994). The findings in these studies are reflected in the form of
numerical ratings or indicators such as frequencies over time (Willig, 2013; Yin, 2014).
A variety of sources of information are used in case study research, which might include
interviews, documents, observations, artefacts, archival records, and photographs (Struwig &
Stead, 2004). The two most prominent sources of data used by historical researchers are
primary and secondary data sources (Berg, 1995). Primary data sources, including excerpts
from interviews, are materials generated directly by the subject under study (Strydom &
Delport, 2005). Secondary data sources, including biographical literature on the subject’s life,
consist of material that is taken from someone else (Woolums, 2011). Qualitative evidence, for
instance diaries, personal documents, letters, and recorded data, is used primarily in
The purpose of this section was to provide an overview of psychobiography as case study
research and the underlying features and characteristics commonly shared by both approaches.
The next section takes a glimpse at the history and trends in psychobiography.
Before the 20th century, literary biographers rarely employed psychological concepts when
interpreting their subjects’ lives (McAdams, 1994). This may have been partly due to
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researchers’ tendency to glorify their subjects by relinquishing accuracy and in-depth studying
of the ancient rulers’ lives (McAdams, 1994). This desire to glorify significant individuals
caused biographers to neglect their subjects’ imperfections, failures, desires, feelings, and
As psychoanalysis came to the foreground and gained popularity, more focus was placed on
the consequences of childhood desires and frustrations for adult life (Runyan, 1982). In 1910,
Freud published Leonardo da Vinci and a Memory of his Childhood, which sparked the first
true affiliation between literary biography and psychology. Freud’s work was viewed as the
guidelines for psychobiographical research. Some of them include rejection of both idealisation
and pathography and the avoidance of both, along with arguments built upon a single cue, and
conclusions based upon inadequate data (Elms, 1988). Although the guidelines were clear,
Freud violated them in the very work in which they were proposed. His endeavour to illustrate
the dynamics underlying creativity proved problematic because his argument that Da Vinci’s
creative images originated primarily from an infantile wish was difficult to prove (McAdams,
1988; Scalapino, 1999). Still, despite his flawed methodology, Freud’s work proved influential,
as it redefined the aim of biography and psychology as applied psychoanalysis (Elms, 1994;
McAdams, 1988).
The number of psychoanalytic biographies escalated during the 1910s and 1920s; thus,
numerous elicited criticisms of the method surfaced, with reductionism taking precedence
(Runyan, 1988). Despite being criticised, psychobiography prevailed, and early works such as
Prince’s (1915) Psychology of the Kaiser: A study of his sentiments & his obsessions and Hall’s
(1917) Jesus the Christ, in light of psychology, were attempted. Other noteworthy studies
continued during the 1920s and 1930s including works on Darwin, Lincoln, Caesar, Napoleon,
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and Nietzsche (Runyan, 1988). During the 1940s, a decrease was seen in the study of individual
lives, but interest slowly caught on again during the 1950s when a renewed production of
psychobiographies were sparked (Runyan, 1988). Notably among them was Erikson’s (1958)
throughout the 1960s, as evidenced by Erikson’s (1969) related follow-up study, Gandhi's
deciphering of individual lives (Elms, 1994). Despite rosy beginnings, Schultz (2005) noted
that psychobiography progressed slowly due to the lack of researchers in the specific field. He
added that psychologists in the academic sphere usually preferred to pursue rigorous methods
there has been an increase in formal training lately, especially in the United States, and
of Bobby Fischer: Understanding the genius, mystery, and psychological decline of a world
symbolic loss: A psychobiography of Ralph Waldo Emerson by J. M. Kramp (2012); The genius
and madness of Bobby Fischer: Understanding his life from three psychobiographical lenses
64
by J. G. Ponterotto and J. D. Reynolds (2013); Psychobiography and Virginia Woolf by M.
(2015); Isak Dinesen: A psychobiographical study of a woman's life span from a Jungian
perspective by L. A. Befera (2016); and John F. Kennedy, Jr. and the Torn Self: A
The first psychobiography in South Africa was written in 1939, but psychobiography was
officially initiated as a research project at the University of Port Elizabeth (now Nelson Mandela
Metropolitan University) only in 1995. Since then, an increasing number of studies at master’s
and doctoral level have examined the lives of sporting, religious, political, and literary figures
(Perry, 2012). In South Africa, most psychobiographical works have been supervised by Roelf
van Niekerk and Paul Fouché at the University of the Free State in Bloemfontein, Rhodes
(Fouché, Smit, Watson, & Van Niekerk, 2007). An outline of some completed
psychobiographies conducted in the South African context is presented in Table 4.1. (Perry,
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Table 4.1
66
Subject Researcher Degree Year
Paul Jackson Pollock Muller, T. M.A. 2010
Christiaan de Wet Henning, R. Ph.D. 2010
Bram Fischer Swart, D. K. M.A. 2010
Brenda Fassie Gogo, O. M.A. 2011
Olive Schreiner Perry, M. J. Ph.D. 2012
Note. Adapted from The life of Olive Schreiner: A psychobiography (Unpublished doctoral
dissertation) (p. 130), by M. J. Perry, 2012, University of the Free State, Bloemfontein, South
Africa.
produced in the South African context at the time of this study include The life of Helen Suzman:
the “Dracula Killer” by Hanlie Nel (2014); Winston Churchill’s ‘Black Dog’: A
Psychobiographical Case Study for Depressive Realism by S. Human (2015); Roald Dahl: A
Fouché and T. Holz (2015); The career development of Christiaan Neethling Barnard: A
study of the “Milwaukee Killer” illustrated through the Schahriar Syndrome Model by S.E.
Pretorius (2015); John Lennon: A Psychobiography by Dayana Osorio (2016); The life of Steve
Jobs: A Psychobiographical Study by Ruvé du Plessis (2016); and The Faith Development of
Van Niekerk and N. Nortjé (2016). Despite the increase of psychobiographical studies, Fouché
(2015) proposed some suggestions to increase the quality and output of psychobiography in
curriculum-driven field and researchers’ passion for the genre, as well as more extensive
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networking between national and international psychobiographers, are required. Furthermore,
Fouché (2015) emphasised the need for more studies of significant female and African
Africa, more current celebrity psychobiographies need to be undertaken to trigger the interest
of the younger generation in research in the field (Fouché, 2015). In addition to considerable
development of South African psychology (Fouché & Van Niekerk, 2010). Other professionals
in the field of psychology advocate the enriching value of psychobiography for the testing and
improve the quality of psychobiography in South Africa, Fouché and Van Niekerk (2005)
investigate and produce a unique description of the individual in the subject’s entire socio-
historical context (Carlson, 1988; Elms, 1994). This gives the researcher the opportunity to
study the whole personality and identify individualised patterning processes rather than singular
components (Elms, 1994). Therefore, the researcher has the flexibility to compile a holistic
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4.7.2 Subjective reality.
Psychobiography reveals the subject’s inner experiences and an in-depth description thereof
(Fouché & Van Niekerk, 2010). The way in which reality is interpreted subjectively, namely
subjective reality, is more valuable than objective reality, according to Corey (2016). Being
knowledgeable about the subject’s subjective reality enables the researcher to relate with the
subject, which facilitates an emotionally compelling retelling of the subject’s life story
(Runyan, 1984).
Psychobiography takes into account the individual’s entire context, which fosters a holistic
understanding of the subject under study (Roberts, 2002). By exploring life materials, the
cultural influences on human development come to the foreground, as the individual subject
can be viewed within the vastness of his/her entire socio-historical context (Fouché & Van
Niekerk, 2005, 2010). Because of this, both larger contextual and sub-contextual contributions
Psychobiographical research is conducted on finished lives with the sole purpose of tracing
patterns of behaviour and development that can be identified across an individual’s entire life
span (Carlson, 1988), thus providing an integrated and comprehensive overview of human
development so that a thorough understanding of personality is formed (Fiske, 1988; Fouché &
Van Niekerk, 2010). One advantage for the researcher is that this process presents a complete
representation of human development within the particular time setting (Alexander, 1990).
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4.7.5 Theory testing and development.
The material on a life history gathered by the researcher for a psychobiography provides the
ideal platform to test and develop theories of human development (Carlson, 1988). The theory
used guides the identification of design and objectives in data collection and can be used as a
compare any findings of the study with current existing theory to test, extend, or develop it
(Yin, 2014). Thus, these insights gained from psychobiographical research could draw
research and refinement of theory (Schultz, 2005). Academic fields in which psychobiography
has proven valuable in the testing and development of theory include ageing and gerontology,
development, and career development (Fouché & Van Niekerk, 2010; McAdams, 1994).
This chapter shed light on the various characteristics and approaches that are shared between
psychobiography and many other related fields. These subtle differences between the various
concepts often result in confusion. Furthermore, the alliance between psychology and
biography that gave birth to psychobiography became clearer. Although the advantages of
psychobiography were discussed, the design and methodology of this approach are often
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Chapter 5
In this chapter, the core methodological issues and challenges that might influence the quality
of the psychobiographical study are discussed. Furthermore, the researcher highlights the
strategies that were implemented to eliminate these obstacles and/or minimise their effect. In
approach, as well as the important ethical guidelines and suggestions followed by the researcher
Although the psychobiographical approach has numerous advantages and significant value, it
has also received much criticism (Anderson, 1981; Elms, 1994; Runyan, 1988; Schultz, 2005).
such criticism has been justified by even the most loyal advocates of psychobiographical
research (Anderson, 1981; Elms, 1994; Fouché, 1999). For a psychobiography to qualify as an
ideal approach, the researcher needs to be aware of current criticisms and frequent obstacles
known to psychobiography and should attempt to surmount them, or at least mitigate their effect
(Schultz, 2005). In the next section, the primary limitations and hindrances inherent to
stated in the writings of Fouché (1999), Anderson (1981), Runyan (1988), Elms (1994), Schultz
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5.2.1 Researcher bias.
When qualitative research is conducted, the presence of subjectivity on behalf of the researcher
is unavoidable (Flick, 2006; Morrow, 2005). This statement supports that absolute objectivity
and neutral engagement in the life of the individual under study are unfeasible, as reported by
many psychobiographers (Anderson, 1981; Elms, 1994; Meissner, 2003; Schultz, 2005).
Ponterotto (2014) stated that psychobiographers are often drawn to their subjects because of
a long-time fascination with the specific individual. Intense emotional responses towards the
subject, including countertransference, are often evoked in the researcher, which only
intensifies given the in-depth and timely nature of psychobiographical study (Meissner, 2003;
Stroud, 2004). Contrasting emotional reactions might occur when times of idealising the
subject are muddled by alternate times of disparaging him or her (Anderson, 1981). Researcher
bias has an effect not only on the outcome of the study, but also in terms of data collection,
recommended that they describe their relationship to the individual and declare their biases and
can pen down his or her emotions regarding the subject and include the information in the
methodology section of the research (Ponterotto, 2014). Ponterotto (2014) mentioned that this
information could also serve as a form of triangulation. According to Erikson (1958, 1969,
1993, 1994), psychobiographers could reflect on the effect of emotions, perceptions, and
personal history and apply a level of disciplined subjectivity to recognise the subjective nature
(2013) coined the term personal reflexivity, which involves the researcher reflecting upon ways
in which his or her own beliefs, political views, values, experiences, interests, personal long-
72
term life goals, and social associations have shaped the research. Furthermore, reflexivity could
relate to how researchers think about how the study may have affected and possibly changed us
The following strategies were implemented to minimise and prevent the criticism of researcher
bias. First, the researcher chose a subject about whom he felt considerably inconclusive. While
gathering and reading information about Mercury, the researcher found it challenging to bind
uncertainty serves as a means to prevent premature assumptions and conclusions. Although the
attempted to understand and make sense thereof throughout the study. Thus, as a secondary
strategy, the researcher maintained a sufficient degree of empathy for Mercury, which buffers
against possible denigration of the subject (Anderson, 1981; Elovitz, 2003; Fouché, 1999).
Finally, the researcher was aware of his feelings towards Mercury throughout the research and
reflected on these emotions by having his supervisor, Prof. Fouché, review the case study draft.
researcher-subject relationship and the validity of data on which the case was based could be
enhanced.
5.2.2 Reductionism.
human development and personality. However, when compared with quantitative methods, the
73
reductionism can exist in various areas. Overemphasis is often placed on infantile and early
childhood experiences and how those factors shape personality, as stated by Anderson (1981),
Runyan (1988), Wallace (1989), Elms (1994), and Howe (1997). Schultz (2005) supported the
importance of childhood influences on personality development, but did not approve of it as the
only considerable contributor. Furthermore, Erikson (1993, 1994) used the term originology,
originology as “the reduction of every human situation to an analogy with an earlier one, and
most of all to that earliest, simplest and most infantile precursor which is assumed to be its
Psychobiography has also been criticised for excessive emphasis placed on psychopathology
at the expense of normalcy and well-being (Alter, 2002; Anderson, 1981; Elms, 1994; Fouché,
1999). Terms referring to such a tendency include overpathologising (McAdams, 1994) and
pathography (Schultz, 2005). This type of reductionist error might mislead the researcher to
reduce an entire life to a neurotic tendency (Meissner, 2003; Scalapino, 1999) with inflexible
should be cautious to another form of reductionism that involves the application of a static
psychological theory and overemphasis on psychological variables, which could cause other
important external social, historical, and cultural factors to be left out, and thus an inaccurate
Elms (1994) suggested that the researcher distances him- and/or herself from reductionism and
move towards complexity. In an attempt to do so, the researcher employed several strategies.
First, a developmental theory was applied in which the subject’s entire life span was studied.
This allowed the researcher to avoid limiting the study to a particular developmental period and
74
succumbing to the reductionist error or originology. Secondly, the researcher consciously
experiences and actions, instead of pathologising the subject. Thirdly, as suggested by Fouché
and Van Niekerk (2005), the researcher conveyed a holistic view of Mercury’s life by
conducting a thorough literature study and including various sources of data. To assist the
literature related to Mercury’s life period was also reviewed (Howe, 1997). Finally, to make
this research more approachable to readers from outside the psychological profession, the use
the individual’s life under study due to the difference in the researcher’s and subject’s cultural
contexts (Anderson, 1981; Stroud, 2004). Psychobiographers have often been reprimanded for
forcing such applications to work (Runyan, 1984). To limit the effect of cross-cultural
incompatibility, Anderson (1981) and Neuman (2003) advised to employ a culturally empathic
Mercury’s socio-historical context and develop an appropriate frame of reference (Brooks &
Lupton, 2008; Freddie Mercury, 2016; Freestone & Evans, 2001; Jackson, 2012; Jones, 2012).
The data were utilised in reviewing the historical, social and cultural information regarding
75
Mercury’s life. In addition, the psychological theory and approach employed in this study
acknowledge the significance of historical, social, and cultural effects on the individual.
Psychobiographers are often perceived as deprived in their efforts to analyse an individual with
whom restricted or no contact is possible (Anderson, 1981; Izenberg, 2003; Meissner, 2003;
Runyan, 1988; Schultz, 2005). This limits the researcher with regard to including the subject
by questioning him or her and obtaining his or her view on suggested hypotheses. The
researcher is compelled to compile a picture of the subject from the available primary and
secondary sources, which could contain less information than what might have been available
from direct contact with the subject (Anderson, 1981; Runyan, 1988).
In contrast, analysing an absent subject could have several advantages. Anderson (1981)
and Elms (1994) stated that, in most cases, various sources of information are available to the
psychobiographer covering the subject’s entire life span. This gives the researcher the
opportunity to distance himself from the subject, which results in a more objective and accurate
view of the individual’s life. In addition, the researcher is not bound to ethical therapeutic
requirements, such as informed consent (Carlson, 1988) or confidentiality (Elms & Song,
2005), which redirects the focus from solely maladaptive behaviour to a more balanced
The researcher conducted a thorough literature search to reduce the limitations caused by the
absence of the subject under study. Various biographical data on Mercury were gathered and
76
reviewed, among which were books such as Freddie Mercury: The Definitive Biography (Jones,
2012) and Freddie Mercury: His Life in His Own Words (Brooks & Lupton, 2008), as well as
newspaper articles. The total collection of materials is summarised in Chapter 6 and included
According to Stroud (2004), psychobiography has been scrutinised for being elitist and easy.
Runyan (1988) stated that elitism tends to ignore the lives of ordinary individuals and instead
focuses on rulers, leaders, and privileged members of society. In defence, Runyan (1988)
described psychobiography as applicable to individual lives from any social status, as the focus
subjects should be selected based on their individual characteristics, irrespective of social status
interpretations that predominantly elevate the subject. Thus, elitism depends not only on the
individual selected, but also on the interpretations employed by the qualitative psychobiography
(Runyan, 1988).
life from birth to death), it has been criticised as easy (Runyan, 1988). Runyan (1988) and Elms
(1994) agreed that writing a superficial biography would indeed be easy, but conducting a
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The complexity of psychobiography is demonstrated in its demands to utilise various sources,
Mercury was selected as the subject of the study primarily because of his unique personality
characteristics and behaviour. He only became known during young adulthood and was
considered a regular individual born into a middle socioeconomic class family (Jones, 2012).
Furthermore, Mercury’s stardom did not exempt him from challenges faced during normal
development, such as his own identity exploration during adolescence and his struggle with
terminal illness (Brooks & Lupton, 2008). Thus, the criticism of elitism, only as a selection
criterion for the subject analysed, does not appear justified in this study.
challenging task, which is far removed from criticism of the study as being within an easy genre.
The thorough literature review conducted to understand Mercury’s cultural and socio-historical
contexts made the study even more complex. The life span theory employed demanded broader
data collection and analyses as well as an integration of findings. In addition, the numerous
constructs related to the study, for example Mercury’s secrecy regarding his health diagnosis
expectations. Firstly, any psychological interpretations of the subject’s life should be viewed
78
as supplementary to already existing explanations. Thus, psychological interpretations do not
replace economic, political and historical explanations, among others, but add to them
(Anderson, 1981; Stroud, 2004; Vorster, 2003). Secondly, all explanations should be regarded
as speculative, rather than definitively factual or conclusive (Anderson, 1981; Elovitz, 2003;
Meissner, 2003).
The case study of Mercury was carried out mainly from a psychological point of view, as
recognised by the researcher. The interpretation was limited to the one theory discussed in
Chapter 3. Thus, the researcher cannot and does not claim to have unravelled the complete
that the purpose of the study was to sketch a possible psychological understanding of Mercury
within the framework of the psychosocial theory of Erikson, rather than an attempt to propose
overwhelming amount of information from which only relevant data should be extracted (Elms,
1994; Fouché, 1999). Therefore, it is a challenging task for a psychobiographer to manage data
in such a way that significant information is revealed (Alexander, 1988). A method proposed
by Alexander (1988, 1990) assists in the reduction of biographical data, and the identification
of salient data requiring further enquiry. Firstly, to provide a framework from which the large
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amount of data could be organised, Alexander (1988, 1990) proposed questioning the
psychobiographer could employ for further extraction and organisation of important data (see
1. Primacy
2. Frequency
3. Uniqueness
4. Negation
5. Emphasis
6. Omission
7. Error or distortion
8. Isolation
9. Incompletion
The researcher gathered a large amount of publicised and available data on Mercury. This made
it possible to cross-reference information and allowed the researcher to engage with the data
throughout the study. A variety of published materials were available to the researcher,
including concert video footage of Mercury, newspaper articles, lyrics written by Mercury,
existing biographies, and interviews with the subject, his family and acquaintances. Finding
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archival data that were accessible or retrievable was somewhat challenging, although most
information was already condensed or compiled into many of the existing published materials.
The strategies suggested by Alexander (1988, 1990) were utilised to reduce the available
data gathered to a manageable amount and to extract the relevant and important information.
Firstly, the researcher was guided by specific questions rooted in the psychological theories
employed in the study, according to which the data was organised. Secondly, the above-
mentioned nine indicators of salience were used to identify information that required further
enquiry. The strategies utilised to reduce and organise the unlimited amount of biographical
One of the most prominent criticisms against the psychobiographical approach includes
concerns about its validity and reliability (Fouché, 1999; Yin, 2014). These scepticisms relate
to the trustworthiness of the psychobiography and the quality of the methodology and research
design. Some specific mentions that are of concern include (a) the validity of retrospective and
introspective data, which errs towards being subjective; (b) the ability of the method to test
proposed hypotheses; (c) the internal validity of the approach, as alternative explanations
regarding the individual often already exist; and (d) the external validity of the research method,
as findings of the case study cannot be generalised safely (Howe, 1997; Runyan, 1988; Schultz,
2005). Yin (2014) proposed that the same four tests common to all social science research
methods can be used to measure the quality of any case study. These tests are (a) internal
validity; (b) external validity; (c) construct validity; and (d) reliability. These tests are often
referred to and known in qualitative research as (a) credibility; (b) transferability; (c)
81
confirmability; and (d) dependability (Yin, 2014). The tests and their applicability to the study
studies are (Neuman, 2003; Yin, 2014). According to Yin (2014), credibility in
psychobiography concerns the accuracy of inferences, which is rooted in the accuracy of the
data gathered. To examine such accuracy, the psychobiographer has to be aware of all other
should also beware of drawing final conclusions from insufficient information. Krefting (1991)
and Rudestam and Newton (2014) suggested that the researcher spend enough time with the
data to increase in-depth exposure and sufficient submersion, allowing any distortions and
repeated themes to be investigated and validated further. In addition, researcher bias could pose
Researcher bias might result from the researcher’s enthusiasm for a specific theoretical
orientation or interpretation and/or his or her subjective perception of the preferred individual
(Elms, 1994). The strategies utilised to surmount researcher bias are discussed in section 5.2.1.
To enhance the credibility of case study research such as psychobiography, the process of
triangulation has been suggested (Willig, 2013). Triangulation stems from the idea that
merging of various perspectives result in shared confirmation of data to clarify themes or theory
and to ensure that all related components of the phenomenon are explored (Flick, 2006). Cross-
checking data by using triangulation limits the possible distortion from a single source and
minimises the risk of a biased researcher (Tindall, 1999). Patton (2014) indicates four types of
triangulation that could be utilised for case study research. Firstly, data triangulation
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maximises the variety of data sources that the researcher uses to compile the same questions.
thus providing various perspectives. Method triangulation involves the use of multiple methods
of enquiry, while theory triangulation refers to the use of different theories to interpret the same
set of data. Triangulation not only enhances the trustworthiness of a psychobiography, but also
External validity relates to the applicability of the findings to different contexts and whether
the findings of the study can be generalised beyond the immediate case study (De Vos, 2005;
Yin 2014). Runyan (1988) cautioned psychobiographers not to aim at generalising their
findings beyond their study, as it is questionable and controversial to propose that a subject is
framework for generalising conclusions (Yin, 2014). Yin argued for a distinction between
statistical generalisation, where the sample is intended to generalise to the larger population
(as in quantitative survey research), and analytical generalisation, where a particular set of
results is generalised to a broader theory (as in qualitative case study research). Consequently,
is a less important criterion (Fouché, 1999; Stroud, 2004). For the purpose of this study,
Construct validity and confirmability relate to the formation of (a) the appropriate operational
measures for the concepts under study; and (b) neutral findings based completely on the
information and ideas of the theoretical frameworks and literature and not on the researcher’s
83
preferences and characteristics (De Vos, 2005; Yin, 2014). Yin (2014) proposed that all
considered data, constructs and variables could be traced by producing a chain of evidence.
The utilising of data triangulation (i.e., multiple data sources) would assist with the process
(Krefting, 1991). Furthermore, according to Fouché (1999) and Yin (2014), a conceptual
matrix could be employed to ensure transparent presentation of the operational definitions and
the variables of the study. In addition, an auditor could be helpful in observing the progression
of the study, comprehending the nature of the interpretations and the decision-making process,
and deciding whether other researchers would draw similar deductions from the data (Flick,
2006; Krefting, 1991; Yin, 2014). This study was anchored theoretically within Erikson’s
1968, 1977) theory and constructs were employed to guide, structure and anchor this study
theoretically.
Dependability refers to whether the findings, conclusions, and recommendations are consistent
with the presented data (Krefting, 1991). Yin (2014) argued that, in order to allow another
researcher the opportunity to arrive at the same findings and conclusions if the same case study
was conducted, dependability aims to limit biases and errors in the study. Therefore, for the
study to be reliable, a good fit between the research question, data collection, and analysis
procedures is vital. To make this plausible, the research process should be documented
thoroughly in detail (Flick, 2006). Yin (2014) proposed the development of a case study
database and the use of a case study protocol, which can serve as helpful.
The following strategies were applied to address issues regarding validity and reliability:
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5.2.8.2.1 Internal validity or credibility.
To minimise Yin’s (2014) issue regarding internal validity, it was important for the researcher
to maintain credibility by making general inferences while conducting this study. Credibility
was deemed important, as the researcher’s aim was solely to investigate and describe the life of
the subject in the context of a psychological theory and not to conclude a cause-and-effect
relationship. Firstly, credibility was achieved through extensive and prolonged exposure and
engagement with the biographical data on Mercury’s life, which involved thorough exploration
and analysis of all available data. Secondly, the researcher applied data triangulation and
researcher triangulation. By making use of data triangulation, the researcher investigated and
analyses and methodology with the researcher’s supervisor. Theory triangulation was not
employed, as only the psychosocial developmental theory was used in this study. However,
this did not affect the internal validity or credibility of the study negatively, as the aim of this
minimise researcher bias, an evaluation of the researcher-subject relationship was obtained (see
5.2.1.2).
The issue of transferability was not an important concern in this study, as the aim of the research
contrast, Mercury was selected as a complex and unique individual whose life and personal
development were followed closely and publicised by the media. Therefore, the purpose of this
study was to compare the findings with the propositions of the psychosocial personality
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5.2.8.2.3 Construct validity and confirmability.
To ensure confirmability, the researcher clearly identified the concepts and stages under study,
the theory was utilised. The conceptual framework for the theory and the data analysis matrix
are discussed in detail in Chapter 6. Furthermore, the researcher presented this study to his
To ensure dependability, the researcher employed a systematic and consistent approach to data
selection and analysis. The formulating system consisted of a conceptual matrix, in which the
relevant salient data were organised and examined. The matrix was rooted in the constructs of
the psychosocial personality development theory and guided by Alexander’s (1988, 1990)
guidelines for identity and organising of salient data. The matrix is discussed in more detail in
Chapter 6.
considerations, the researcher had to consider specific ethical considerations that could be
crucial in the psychobiographical process (Fouché, 1999; Stroud, 2004). The following section
discussion of the strategies employed by the researcher to ensure that the study was conducted
ethically.
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5.3 Ethical Considerations in Psychobiography
According to Haverkamp (2005) and Ponterotto (2010, 2014), qualitative research methods
involve some unique ethical dilemmas, such as informed consent and confidentiality. For the
psychobiographer, issues like privacy and confidentiality are of utmost importance as the
researcher delves deep into and investigates the individual’s personal world (Elms, 1994;
Runyan, 1988). Elms (1994) stated that the issue of whether the subject under study is a living
arise include the information allowed to be used and whether the findings of such a private life
demand for clearly stated ethical guidelines in psychobiography research. When the American
Publication are reviewed, it is clear that the focus is placed primarily upon ethical dilemmas
geared toward psychologists working in clinical settings where clients are evaluated. Most
psychobiographers study deceased subjects and never had face-to-face interaction with the
individuals before (Elms, 2007). Conversely, in 1976, the American Psychiatric Association
assembled a task force that established two ethical guidelines for psychobiography (Runyan,
deceased subjects, preferably without any surviving family members who likely may be
influenced negatively by unfavourable findings; and (b) living subjects who have given
informed consent (American Psychiatric Association, 1976). These guidelines did not make
specific mention of respect and confidentiality, but Elms (1994) recommended that all private
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information of subjects be treated accordingly. In addition, Ponterotto (2013a) stated that
of their psychological evaluations and illuminate the possible consequences and limitations of
their assessments.
A basic tenet of psychological practice is the principle of informed consent, especially with
Psychobiographers should inform individuals under study about their right to withdraw from
the study at any time during the research process or decline participation right from the
beginning (American Psychological Association, 2002). This complicates ethical scenarios for
psychologists who study deceased subjects. However, the ethical codes of the American
Psychological Association (2002) make provision that permits exemption from the normal
informed consent process when the research would not likely cause any harm or distress to the
subject and when already existing data are utilised, and where the outcome would not place the
Furthermore, Elms (1994) stated the significance for researchers to self-reflect on their own
ethical work and ensure that their study is at least ethically justified to a certain degree.
This study was conducted as an academic exercise and in an academic context and therefore
posed fewer ethical challenges. The researcher chose to study the deceased subject, Freddie
Mercury, who passed away more than 20 years ago, which eliminates the requirement of
informed consent. During the process of the study, the researcher constantly worked to
triangulate the data sources before offering any psychological interpretations or opinions. The
information gathered of Mercury involved existing published materials that were already in the
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public domain and freely accessible by anyone. This limited any possible embarrassment, legal
or financial risks for Mercury’s surviving family members and acquaintances. In addition,
reporting on archival information poses minimal risk of civil or criminal liability brought
against the subject. A variety of positive and negative media coverage about Mercury as a
public figure was published. Still, throughout the study, the researcher maintained the
necessary level of respect for the individual, despite the intention of the sources from which the
data were gathered. It is the psychobiographer’s responsibility to ensure that the research was
thorough, while maintaining a balanced perspective. The researcher chose not to make any
contact with Mercury’s living family members (his mother and sister) or any other personal
2005), the researcher was able to write down and set aside his own impressions of Mercury as
well as any personal biases (see section 8.5). This allowed the researcher to consult with the
research to the foreground and discussed the researcher’s attempts to overcome and reduce
them. The section was then followed by a brief discussion of the prominent ethical
particular study. In the next chapter, the research design and methodology of the study are
discussed.
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Chapter 6
This chapter focuses on the design and methodology of the study. Furthermore, the selected
research subject is presented, and thereafter the research objectives, research method, data
collection, extraction, and analysis procedures are discussed. Finally, the trustworthiness of the
study is discussed, and the management of the ethical dilemmas relevant to this research are
examined.
The study on the life of Freddie Mercury could be described as life history research (Plummer,
1983; Runyan, 1982) with a qualitative single-case research design (Yin, 2014). In life history
research, the collection and course of experiences in the subject’s life are followed (Babbie &
Mouton, 2001). A single-case study design is utilised to test, clarify, and challenge proposed
theories against a specific individual case (Yin, 2014). Fouché (1999) stated that the research
design can be defined as a single-case psychobiographical study over a life span. In the design,
psychological theory is used systematically to reconstruct and rediscover the subject’s life and,
as a result, present an illuminating narrative that adds to construction of theory and knowledge
(McAdams, 1994).
researcher to provide a precise and rich description of the psychological development of the
subject’s personality over his life span; thus, the subject’s life is better understood in its socio-
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historical context (Fouché & De Vos, 2005; Neuman, 2003). In addition, the descriptive-
dialogic approach of the study assists the researcher in providing an accurate picture and
description of a phenomenon, as well as in testing and elucidating the aspects and content of
specific models and theories (Edwards, 1990; Martin, 1996; McLeod, 1994). In this study, the
researcher specifically refers to Erikson’s (1950, 1963, 1968, 1977) psychosocial theory of
The selection criteria of a subject for psychobiographical study are based primarily on the
psychobiographers should allow themselves to be chosen by the subject and not the other way
around. Farrokh Bulsara, better known as Freddie Mercury (1946 – 1991), served as the single
Mercury was selected as the research subject for this case study by means of a non-
probability sampling procedure known as purposive sampling. Purposive sampling makes use
of the psychobiographer’s judgement to clarify the characteristic traits required and to ensure
richness of data (Strydom & Delport, 2005). Furthermore, Neuman (2003) praised purposive
sampling in conjunction with case study research as effective when the aim of the study is to
achieve in-depth understanding of a particular individual and when the case is unique or part of
a specialised population. In addition, the subject was also selected based on theoretical
sampling. Theoretical sampling is the process of selecting data based on the intention to
formulate, apply, evaluate, or enhance theory (Bagnasco, Ghirotto, & Sasso, 2014). It
compliments purposive sampling and enhances data collection as the researcher pursues
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Mercury was undoubtedly one of the most successful music legends in entertainment history
(Richards & Langthorne, 2016) and was selected as the subject of this study based on the
interest value, his unique personality dynamics, and his significant contribution to the
international music industry. An initial literature review (both online and offline) revealed that
a significant body of information on Mercury exists (Brooks & Lupton, 2008; Freestone &
Evans, 2001; Jackson, 2012; Jones, 2012) allowing an in-depth and comprehensive
investigation into various psychosocial aspects of his life. In addition, none of the existing
The primary objective of the study was to explore and describe the psychosocial development
of Freddie Mercury. The focus was specifically on exploring and describing the life of Mercury
development. The theory was used as a framework to conceptualise Mercury’s life stages and
to indicate how each stage and crisis influenced his personality, relationships, career,
development, as Erikson focused on the influence that culture and society exert on identity
and represents the exploratory-descriptive nature of the study because it involves in-depth
As a secondary objective of the study, the content and components of Erikson’s (1950, 1963,
1968, 1977) psychosocial theory was tested. By testing the theory, the deductive approach and
the descriptive-dialogic nature of the study were reflected. The descriptive-dialogic nature
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entails a process through which theoretical propositions and conceptualisations are validated or
findings and the theoretical concepts and propositions was facilitated (Edwards, 1990). To test
the theoretical model, analytical generalisation was utilised (Cavaye, 1996; Yin, 2014).
for this study. This method conceptualises the subject within both the nomothetic and
idiographic paradigms (Elms, 1994; Runyan, 1983), as discussed in section 1.3. Hugo
whereas the term nomothetic reflects universal characteristics (Hurlburt & Knapp, 2006). This
research method, with the complementary single-case design integrated, focuses on the holistic
To collect data on the life of Freddie Mercury, a comprehensive search on the World Wide
Web, the information system services online, at the SASOL Library of the University of the
Free State, and in bookstores was conducted. Data from primary and secondary sources were
used. As previously discussed (see section 4.5.4.), primary sources are produced directly by
the individual under study (Strydom & Delport, 2005), and secondary sources about the subject
are generated by someone else (Woolums, 2011). The information collected were used as the
basic units of analysis in accordance with the primary objective of the study.
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All data were extracted by utilising Alexander’s (1988, 1990) nine principles of salience, as
discussed in section 6.7.1.2. Primary sources that were examined for analysis included audio-
visual footage from interviews with Mercury produced during video documentaries, archival
concert footage, as well as music videos and creative work produced by Mercury himself,
including music lyrics, poems, and letters. Secondary sources used included several
biographies produced before and after Mercury’s death (such as Somebody to Love: The Life,
Death and Legacy of Freddie Mercury, by Matt Richards and Mark Langthorne (2016); Freddie
Mercury: The Definite Biography, by Lesley-Ann Jones (2012); Freddie Mercury, by Peter
Freestone and David Evans (2001); and Freddie Mercury: The Biography, by Laura Jackson
(2012)), newspaper and media articles on his personal life and career, and publicly available
All data sources used are documented in the reference list. Documenting all data thoroughly
is believed to benefit the trustworthiness of the study and to provide a collection of information
for other researchers to access and retrieve for future use (Fouché, 1999; Yin, 2014). One of
the most challenging tasks for the psychobiographer is to examine, extract, categorise, and
analyse the gathered materials (Alexander, 1990; Fouché, 1999; McAdams, 1994; Schultz,
2005). Therefore, data extraction and analysis is discussed in the following section.
In qualitative research, data in textual narrative form are analysed by extracting themes or
prominent constructs (Cresswell, 1994; Schurinck, 1998). With the psychobiographer’s effort,
the surplus of fact and opinion in data should be sorted to accurately identify information that
is irrelevant from privileged data (Schultz, 2005). After the data have been collected, one of
the challenges the psychobiographer has is to organise the data in such a manner that the data a
source contains are revealed (Alexander, 1990). This serves the aim of a psychobiography to
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illuminate salient experiences and events of the subject’s life and use psychological theory to
sort the information into a rich narrative. To analyse psychobiographical data, Alexander
(1988, 1990) proposed two strategies for the extraction, organisation, prioritisation and analysis
According to Alexander (1988, 1990), two strategies are used to extract core-identifying units
from gathered biographical materials: firstly, by questioning the data, and secondly, by letting
the data reveal itself. The researcher utilised Alexander’s model, and both strategies were
employed in the study. These strategies are discussed in the following section.
Initially, the collected materials were approached by means of the first strategy, questioning the
data. This strategy was employed by extracting and organising the information carefully into
the stages of personality development. This helped with the sorting of the excess data to answer
operationalised questions within the theory applied and elucidate important information about
the individual under study (Alexander, 1988, 1990). To stay true to the real objectives of the
study when extracting units of analysis, the researcher adhered to the following guidelines while
Which of the data in the collected material would enable and facilitate the exploration and
the researcher conceptualised Mercury’s life history in terms of Erikson’s (1950, 1963, 1968,
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relevant and applicable to the proposed theoretical orientation and conceptualisation of the
psychological framework were selected for extraction. This process also demonstrated the
To what extent does the content of the applied theory (Erikson’s psychosocial theory) relate to,
compare with, or match the milestones of psychosocial development observed in the extracted
data and vice versa? The interaction and dialogue between the exploratory-descriptive findings
and the psychological framework used assisted the researcher to make comparisons between
the proposed theory and conceptualisations of the psychological framework. This gave the
researcher the opportunity to test the content and propositions of the theory, which reflected the
Alexander’s (1988, 1990) second strategy employed to extract data is known as letting the data
reveal itself. The aim of this strategy is to reduce the overwhelming amount of data to more
manageable quantities and to assist the researcher in selecting and marking data for further
investigation of possible underlying conscious and unconscious intent (Alexander, 1988, 1990).
Alexander (1988, 1990) proposed nine principles of salience that guide the researcher in
extracting salient data. The researcher followed these principles orderly and consistently to
select data and themes that were relevant and important in terms of the study.
6.7.1.2.1 Primacy.
Data presented first in a text could have psychological significance and should be investigated
closely (Schultz, 2005). Elms (1994) also agreed that information presented first is perceived
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as most significant or foremost in mind. This principle is also reflected in psychotherapy
sessions where the initial few minutes between a client and his therapist are fundamental for
what will follow (Alexander, 1988, 1990). Therefore, during data extraction, the researcher
would pay closer attention to information such as introductory statements, first experiences,
The following examples demonstrate the principle of primacy of the data: Most early
encounters with Mercury as a child recalls him as being painfully shy and withdrawn (Jackson,
2012; Jones, 2012). Mercury experienced his first encounter to fame as a baby when his mother
entered his photo into a local “Baby Photo of the Year” competition, which he won (Jones,
2012). Mercury and his younger sister used to listen to rock and roll music on English radio
stations when they were young, and Mercury enjoyed singing songs with his friends (Jackson,
2012). Mercury’s mother recognised his special music talent from an early age, and the family
encouraged him to take piano lessons during his first years in school (Richards & Langthorne,
2016). Mercury was a versatile learner at school, practising sport, music, and art (Jones, 2012).
One of Mercury’s earliest musical influences was the Indian Bollywood star, Lata Mangeshkar
(Jackson, 2012). After arriving in India as a young adolescent, Mercury took the first step to
transform his identity when he began referring to himself as “Freddie” (Jones, 2012). Shortly
after, he formed his first school band, “The Hectics” experienced attention from the loving
audiences (Jackson, 2012). Brian May, the lead guitarist of what would later on be known as
the band Queen, remembers his first encounter with Mercury and vividly recalls Mercury’s
6.7.1.2.2 Frequency.
represent frequency (Schultz, 2005). Alexander (1988, 1990) stated that such repetitions or
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obsessive reference to a theme, event, or message points to an increased certainty regarding its
significance. Although Elms (1994) cautioned that such monotony could decrease awareness
or perceived importance of a message, he was of the opinion that the significance thereof should
not be underestimated.
industry. He was known to proclaim from a young age that he would one day become a famous
pop star (Jones, 2012). Later, as a student in England, he declared to one of his friends that he
would not only become a pop star, but instead would transform into a legend in the near future
(Jones, 2012). His perseverance and determination to succeed as an artist was also prevalent
by the number of failed music bands of which Mercury was part, before having a breakthrough
with Queen (Jackson, 2012; Jones, 2012). Furthermore, the data reveal that Mercury
continuously explored and experimented with his own identity, including his sexual identity.
Arriving at his school in India, he changed his own name and continued reinventing himself
throughout the years. Later he also changed his surname and engaged with numerous different
musical styles and fashion statements (Jackson, 2012; Jones, 2012; Richards & Langthorne,
2016).
6.7.1.2.3 Uniqueness.
This salient indicator relates to aspects in the collected data that are unusual or singular and
therefore worthy of closer inspection (Alexander, 1988; Elms, 1994). These may include
researcher should be cognisant of normal development and recognise the more subtle signs of
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uniqueness, such as any deviations from generally accepted language or cultural expectations
(Alexander, 1988).
Uniqueness presented itself frequently in Mercury’s life. One of the most unusual series of
events was Mercury’s exposure to different cultural and religious contexts early in his life when
the family moved from Zanzibar to India and finally to England. This greatly influenced his
identity development, and contributed to his love for fashion, art, unconventional styles of
music, and his willingness to experiment with different stage personas (Jackson, 2012; Jones,
2012; Richards & Langthorne, 2016). In addition, Mercury's untimely death, as well as his
pneumonia at age 45 (Jones, 2012). Finally, he preferred to keep his illness private and away
from the public eye until the day before he passed away (Jones, 2012).
6.7.1.2.4 Negation.
This relates to that which is denied or turned into its opposite (Alexander, 1988; Elms, 1994).
Elms (1994) stated that an individual’s perception about himself is as significant as the
statements (Alexander, 1988; Fouché & Van Niekerk, 2005). Elms (1994) viewed such
statements as truths that the individual wants to believe or wants others to believe of him or her.
psychological fact, and this refutation could indicate the confirmation of the opposite.
Negation could be observed in Mercury’s resistance in accepting his mortality and revealing
his struggle with HIV to the world. Although he already tested HIV positive in 1987, he refuted
the rumours numerous times when confronted by others, even after developing a frail
appearance during his last few years (Jones, 2012). Mercury’s desire to present himself as the
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legend that he believed he was, was still prevalent in the last few weeks of his life (Jackson,
2012). Mercury released a press announcement revealing his illness only a little more than 24
hours before he passed away (Freestone & Evans, 2001). Although it is not believed Mercury
was in denial of his illness, he protected his fearless and unbeatable persona until the very end
6.7.1.2.5 Emphasis.
Alexander (1988) proposed three types of emphasis of which the researcher must take note,
namely over-, under-, and misplaced emphasis. Overemphasis occurs when an incident,
seemingly significant information such as major life events being underscored. When emphasis
is misplaced, irrelevant information is emphasised with unwarranted force because the outcome
is not credibly linked to the stated or implied means (Alexander, 1988; Elms, 1994; Schultz,
2005).
The literature review indicates that Mercury’s introverted personality traits were
underemphasised. Jim Hutton, his personal assistant and last romantic partner, referred to
Mercury as being reserved and quiet (Freestone & Evans, 2001). He stated that Mercury was
“an average Joe” in his private interaction with him (Jones, 2012). This resulted in an
overemphasis on Mercury’s bold stage persona. Furthermore, emphasis on Mercury’s love for
and attraction to women was misplaced. It is widely documented and assumed that Mercury
had several romantic relationships with other males and that he therefore was homosexual
(Richards & Langthorne, 2016). However, an intensive literature review reveals that his sexual
orientation could be described more accurately as bisexual. Mercury dated several women
during his life span and was in a long-term relationship with Mary Austin, whom he described
as the love of his life (Jackson, 2012; Jones, 2012). Mercury started seeing other men mostly
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after his intimate relationship with Austin ended, but he would always refer to Austin as his
true love (Freestone & Evans, 2001). Mercury left a significant portion of his estate for Austin
in his final will (Jones, 2012). In addition, Mercury was also romantically involved with
6.7.1.2.6 Omission.
This entails the absence of expected content, or the information that is missing (Alexander,
1988; Schultz, 2005). Omission, which is also referred to as the Sherlock Holmes rule, implies
that a vital clue in the subject’s life might be revealed only when questioning what is missing
from a picture (Elms, 1994). In addition, Alexander (1988) points out that, by favouring rich
descriptions of events and actions, the subject’s affect is most often omitted.
Omission, especially rich description and explorations about his personal life before he
became famous as the music icon, is evident in Mercury’s life. After Mercury had become
involved with the rock band Queen, he received vast attention from the media and curious music
journalists (Jones, 2012). Therefore, most materials available are writings of Mercury as lead
singer of Queen, and not of his early childhood and adolescence (Richards & Langthorne,
biographers successfully compiled a timeline of his life by collecting data primarily from his
mother, sister, and acquaintances (Brooks & Lupton, 2008; Dolezal & Rossacher, 2000;
Jackson, 2012; Jones, 2012; Richards & Langthorne, 2016). Details of Mercury’s life are
provided in Chapter 2.
Schultz (2005) noted that the principle of salience inevitably involves the presence of mistakes,
most often regarding times, people, and places. According to Alexander (1988), distortions or
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errors could be an indication of significant hidden motives or conflicts that could be missed
easily.
prevalent with regard to specific dates, timelines, and age (Jackson, 2012; Jones, 2012;
Freestone & Evans, 2001). Most biographers do not agree regarding the specific timeline of
events during his childhood and adolescence, which results in some errors (Brooks & Lupton,
2008; Jackson, 2012; Jones, 2012; Dolezal & Rossacher, 2000; Richards & Langthorne, 2016).
Although the accuracy of specific dates and periods connected to these events are speculative
in essence, most biographers do agree that the incidences indeed occurred (Freestone & Evans,
2001; Jones, 2012). Examples include some biographers disagreeing on Mercury’s exact age
when he started attending school as a youngster in Zanzibar (Jackson, 2012; Jones, 2012).
6.7.1.2.8 Isolation
Isolation relates to a specific section of information that stands out from the material or does
not fit (Alexander, 1988, 1990; Schultz, 2005). This raises the question of how the data
logically make sense in the presented context (Elms, 1994). These noticeable associations or
comments that are out of place could illuminate the hidden meaning of the isolated fragment of
Mercury’s desire to break away from Queen and release music as a solo artist could be
interpreted as an act of isolation and a disruption in his career pattern (Jones, 2012). This
intention could have been driven by his medical diagnosis at that time (Jackson, 2012; Jones,
2012). As he fell ill and approached the end of his life, he became much more withdrawn and
private, possibly reflecting on his own life and pondering on existential dilemmas, as discussed
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6.7.1.2.9 Incompletion.
dismissed without closure (Alexander, 1988; Elms, 1994). It points to the subject’s failure to
conclude a story which might be evident in him abruptly, ending a sequence before its closure,
using distraction without a return to the original sequence, or completing a means-end sequence
incompletion as the avoidance of specific actions or thoughts that elicit associated negative
emotions.
The most significant example of incompletion is Mercury’s untimely early death at the age
of 45 (Jones, 2012). This not only ended a music career of a legend, but also left the public
shocked around the world, causing fans to even desire Mercury’s talent more (Jones, 2012).
The researcher was able to utilise Alexander’s model to reflect on the information
systematically and consistently (Alexander, 1988; Fouché, 1999). In addition, the model aligns
with Yin’s (2014) proposed strategies for case study analysis. One of Yin’s (2014) strategies
combining the theoretical orientation and the research objectives, the researcher could identify
salient data in the material for which Alexander’s guidelines proved useful.
Yin (2014) proposed a second strategy to formulate a case description, namely to make use
of a descriptive framework to organise and integrate case information. To succeed in this goal,
the researcher compiled a conceptual matrix that facilitated data extraction and categorisation.
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6.8 Conceptual Matrix
A data analysis matrix (Fouché, 1999; Yin, 2014) was applied to this psychobiographical
research study. The researcher categorised the data collected in the conceptual matrix, which
was utilised as a screening grid during data analysis. This matrix was developed according to
the framework of the psychological theory applied in this study. The Matrix of Psychosocial
Personality Development over the Historical Lifespan of Freddie Mercury (see Table 6.1 on p.
108) was produced to organise data in the frameworks proposed by the psychosocial
developmental theory.
In Table 6.1, the periods of historical development in Freddie Mercury’s life (as discussed
in greater detail in Chapter 2) are presented in seven rows on the left. These periods range from
birth (age 0) to death (age 45). The seven columns at the top of the matrix represent the
psychosocial developmental theory of Erikson (1950, 1963, 1968, 1977) in terms of the seven
psychosocial stages that Mercury underwent. Attention was paid specifically to the
developmental crises that corresponded with Mercury’s psychological and social development
during the collection, extraction and analysis of the salient biographical material related to
historical period of 0 to 7 years represented Erikson’s first, second and third stages, the second
historical period of 8 to 12 years represented Erikson’s fourth stage, the third period of 13 to 17
years represented Erikson’s fifth stage, the fourth period of age 18 to 28 represented Erikson’s
sixth stage, and the fifth period of 29 to 38 years and the sixth period of 39 to 45 years
represented Erikson’s seventh stage. Erikson’s (1950, 1963, 1968, 1977) theory of
The matrix in Table 6.1 assisted the researcher in analysing and organising the biographical
data collected on Mercury’s life consistently and systematically. In doing this, the research
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succeeded in producing a longitudinal portrait of each of the stages of psychosocial personality
development. The results and findings of the theory as applied to Mercury’s development over
Various criticisms surround the validity and reliability of the psychobiographical research
design and its methodology (Fouché, 1999; Yin, 2014). These limitations known to
psychobiographical research, as well as the proposed strategies employed to reduce the possible
The strategies employed in this study to ensure rigour and trustworthiness involved the
following:
1. Lengthy and continuous comprehensive engagement with the biographical data on the
individual.
4. Aiming for analytical generalisation rather than statistical generalisation (Yin, 2014).
6. Making the researcher aware of the subject’s cultural and sociohistorical contexts
(Ponterotto, 2014).
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7. Utilising a conceptual matrix in which all historical periods of the individual’s life were
In addition to being aware of the validity and reliability of the study, the researcher also
recognised the ethical considerations posed by the study. The ethical considerations inherent
To limit ethical considerations, the researcher opted for a deceased individual as the subject for
this psychobiography. Some concerns related to this study included possible invasion of the
subject’s family’s privacy and potential embarrassment to the individual’s surviving relatives
and acquaintances. To compensate for this ethical dilemma, the researcher collected
information that already existed in the public domain for this study. This limited the chances
of invading privacy and the possibility of embarrassment. Furthermore, all collected data were
already publicly available, to minimise any harm done to the subject’s reputation, his legacy or
his family members. Lastly, this psychobiography was approved by the Departmental Research
In this chapter, the research design and methodology were discussed. The chosen subject, the
research objectives, and the data collection procedures were discussed. In addition, the
techniques utilised to extract and analyse relevant data were described. This entails Alexander’s
model and his proposed strategies of questioning data and letting the data reveal itself, as well
106
as some examples of how these techniques were applied. Furthermore, the development and
the use of a conceptual matrix were discussed. To conclude this chapter, the strategies used to
107
Table 6.1
The Matrix of Psychosocial Personality Development over Freddy Mercury’s Historical Life Span
108
Chapter 7
Freddie Mercury
conceptual outline, the findings are presented across the relevant seven psychosocial stages
proposed by Erikson (1963) as they relate to the historical periods of Mercury’s life. The
researcher concludes the chapter by providing a reflection on the key findings relating to
chapter. Erik Erikson’s theory of psychosocial development (Erikson, 1963, 1980) was used
as the psychological theoretical framework by which the collection, extraction, analysis, and
presentation of salient biographical data with regard to Freddie Mercury were conducted. The
theory of psychosocial development was utilised as the framework within which Mercury’s
Mercury’s life spans seven stages of the life cycle proposed by Erikson (1963). The findings
related to the psychosocial development of Mercury throughout his life span are presented in
the following section and discussed in terms of Erikson’s proposed psychosocial stages,
developmental conflicts and ego development (as discussed in Chapter 3). Biographical
examples of Mercury’s life, which relate to the developmental aspects relevant to the specific
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stages of psychosocial development, are presented, whereby the collected data are described by
conceptual matrix (see Table 6.1) was used to assist in categorising the data.
The following sections present the findings of the six historical periods of Mercury’s life within
the framework of Erikson’s theory. For every psychosocial stage, the theoretical propositions
specific to that stage are summarised, followed by an investigation of the relevant historical
periods, as laid out in Table 6.1. In addition, the data described under a particular psychosocial
stage are limited to the time span within that historical period that is relevant to the specific
developmental stage. The following is discussed in each section: (a) Mercury’s development
and resolution with regard to the primary psychosocial crisis in the relevant stage of Erikson’s
theory, and (b) the ego strength and its development relevant to the specific stage. To support
the findings and discussion of each psychosocial stage, examples and reported evidence from
According to Erikson (1963), an individual faces his or her first psychosocial crisis during the
first year of life. Hamachek (1990) indicated that the approximate period of this stage could
even be extended from birth to 18 months. The baby is confronted with opposing forces that
need to be integrated, which involves unconscious beliefs of trust or mistrust towards the world
and oneself (Erikson, 1963, 1980). If the infant resolves the first psychosocial crisis and
succeeds in integrating these subconscious attitudes, he or she develops a sense of basic trust
in the world, including in his or her own ability to cope, which allows the ego qualities of hope
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and faith to emerge (Erikson, 1963; Erikson & Erikson, 1998). This psychosocial stage
Section 2.2.1 contains the biographical data related to this period in Mercury’s life. Mercury
was the first-born son of Bomi and Jer Bulsara (Jones, 2012). Mercury was named Farrokh, a
very fashionable name in the Parsee religion during that time. Although a popular name, it was
also a very generic name (Jones, 2012). Erikson (1963) emphasised the quality of relationship
between an infant and his or her primary caregiver as a requisite for the successful resolution
of this crisis. Erikson (1963) further emphasised the importance of the emotional bond between
the infant and his mother. Jer Bulsara, who passed away at the age of 94 years on 13 November
2016 during the writing of this chapter, can be described as a friendly, warm and motherly
individual (Dolezal & Rossacher, 2000). Data collected from primary sources containing
interviews with Jer Bulsara indicated a healthy relationship between her and her son, Farrokh
(Dolezal & Rossacher, 2000; Jones, 2012; Thomas, 2012). However, the researcher
acknowledges that the data collected from Mercury’s mother could be biased and possibly
unreliable; therefore, it cannot be analysed without considering the triangulation of other data
sources.
Mercury’s parents could afford servants that maintained the household (Jones, 2012). The
staff included nannies that looked after Mercury when his parents were away attending frequent
social gatherings and religious festivities at the Fire Temple in the city (Thomas, 2012). It is
reported that his niece also took over as caregiver on some occasions (Jones, 2012). Mercury’s
parents were not very strict, but he also did not receive much affection from them (Jones, 2012).
Jones (2012) described in her biography of Mercury, “When the family still lived in Zanzibar,
their children were cared for day to day by their nanny, Sabine. While neither Freddie nor
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Kashmira was chastised with beatings, they were never cuddled much either” (p. 41). The
literature does not indicate that Mercury was physically or emotionally neglected during his
first year, but it is unclear who his primary caregiver was and with whom he formed an
attachment, if any. The researcher also noted that, as Mercury grew older, he never referred to
his nanny or niece again, which might indicate that no emotional bond was established between
either one of them during infancy. Furthermore, very limited data are available about Mercury’s
relationship with his father, Bomi Bulsara, and Mercury rarely commented about his father
In general, Mercury had a good relationship with his parents over his lifetime and often sent
them postcards or invited them for dinner at his home in London (Jones, 2012). His parents
taught him always to have respect for them, and he acted accordingly throughout his life.
Although the literature indicates frequent communication and contact between Mercury and his
parents, the researcher questions the quality of the relationship. During later years, Mercury
never felt comfortable enough to share or discuss his sexuality and social lifestyle with his
parents and sister (Dolezal & Rossacher, 2000). Even when Mercury was diagnosed with HIV,
he waited until being gravely ill before revealing his illness to his sister (Jones, 2012). Instead,
Mercury preferred to open up towards his devoted friends, including Austin, Freestone, and
Hutton (Dolezal & Rossacher, 2000; Jones, 2012; Thomas, 2012). Thus, it appears that the
quality of Mercury’s relationship with both his parents was ‘shallow’, although his respect for
them maintained their relationship throughout the years. Erikson (1963) noted that the extent
to which infants learn to trust their environment depends predominantly on the quality of the
relationship between the mother and child, and not the quantity of food or expression of love.
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According to Erikson (1950, 1963, 1968, 1977), the unsuccessful resolution of the first stage
of psychosocial development results in the acquisition of basic mistrust. This acquired belief
presents itself throughout the individual’s life and is recognisable in exhibited behaviour and
interpersonal relationships (Lewicky, 2006). The sense of mistrust alters how individuals
function and conduct themselves in their daily lives, as well as in their perception of themselves,
others, and the world (Erikson, 1950, 1963, 1968, 1977; Lewicky, 2006). In addition,
maladaptations during this stage manifest in sensory distortions (Erikson, 1963). When
Mercury’s future behaviour is analysed, the following examples indicate that he had a sense of
mistrust rather than trust. Mercury was known for smoking, using alcohol and cocaine, and
engaging in promiscuous sexual behaviour (Jackson, 2012; Jones, 2012; Richards &
Langthorne, 2016). Sadock and Sadock (2007) interpreted such behaviour as an attempt at self-
nurturance and satisfaction. Erikson (1950, 1963, 1968, 1977) elaborated that inadequate
parental nurturing in the first stage, a prerequisite for the development of a sense of trust, could
result in the desire to self-nurture in the future. Substance-dependent personalities have strong
oral-dependency needs and use chemical substances to soothe themselves, because they view
human beings as untrustworthy and unreliable (Sadock & Sadock, 2014). Furthermore, it is
well documented that Mercury did not trust people easily (Dolezal & Rossacher, 2000; Jones,
2012; Thomas, 2012). Infants who do not develop a secure attachment to a nurturing and
trustworthy caregiver may find it challenging to be able to develop solid, intimate and trusting
relationships later in life (Hook, 2002; Louw & Louw, 2014; Maier, 1988; Seligman &
relationships in the form of insecurity (Corey, 2016). Reportedly, Mercury was observed as
very aloof at the age of 10 years and preferred individual activities like drawing and chess
to people that he did not know (Jones, 2012). He distrusted people who were involved in the
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music industry and did not like attending events where industry professionals and the media
were present (Jones, 2012). In addition, Mercury’s contact with partners was predominantly
limited to sexual acts, as he struggled to allow deep emotional bonds to form, with the exception
of Austin and Hutton (Thomas, 2012). Mercury said, “The more I open up, the more I get hurt.
I’m riddled with scars and I just can’t take it anymore” (Jones, 2012, p. 56).
When the subject’s life is explored, it appears that Mercury did not acquire the virtues of
hope and faith. Erikson (1963, 1977) mentioned that hope is an important component for the
development of care, competence, purpose, will, fidelity, and love due to its inherent orientation
towards the future. Mercury’s outlook on life was not specifically future orientated, and he was
known for being impulsive, living in the now and savouring the present moment (Richards &
Langthorne, 2016). Although his tendency to be mindful of the present possibly enhanced his
creativity, it also resulted in his avoiding reality. Mercury shut himself off emotionally from
his illness and its inevitable future consequences (Jones, 2012). He prohibited his friends and
staff members to mention anything about his illness (Jones, 2012). Freestone noted that
Mercury never presented with any depressive symptoms or hopelessness (Jones, 2012), but
biographical data suggest that Mercury was inclined to avoid or suppress any unpleasant
emotions (Jackson, 2012; Jones, 2012; Richards & Langthorne, 2016). His inclination for
substance use could also have been an attempt to escape reality. Erikson (1950, 1963, 1968,
1977) regarded religion as the social modality that safeguards the acquired ego strength of hope
and faith. Mercury grew up in a religious family and went to Catholic schools in Panchgani
and Zanzibar (Jones, 2012). However, Mercury did not commit himself to any religious
paradigm later in life (Jones, 2012; Thomas, 2012), which could have been the result of not
acquiring the ego strength of hope and faith during the first psychosocial stage.
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With a generic family name and no specific caregiver from whom to receive attention or
emotional feedback, it is possible that Mercury felt invisible and unimportant growing up in the
Bulsara household. The researcher speculates that this would have contributed to Mercury’s
lifelong desire to be bold and to be noticed by the world. When considering the above-
mentioned biographical data of Mercury, the researcher hypothesises that Mercury did not
resolve the first stage of basic trust versus basic mistrust successfully, which resulted in his
acquiring a sense of mistrust in himself, the people around him and the world. Consequently,
Mercury did not acquire the virtues of hope and faith. According to Erikson (1950, 1963, 1968,
1977), the failure to navigate the most fundamental psychosocial stage, would have had an
According to Hamachek (1990), Erikson’s second stage is relevant for the child between the
approximate ages of 18 months and three years. The child learns to gain control over his or her
body as physical maturation occurs (Elkind, 1970). The toddler is confronted with balancing
the forces of autonomy versus those of shame and doubt (Erikson, 1963). Autonomy protects
the individual against loss of self-esteem and is associated with the general sense of pride, will,
self-control, and goodness (Erikson, 1963; Freiberg, 1985). Conversely, in opposition, shame
indicates self-consciousness, and doubt points to fearing the unknown (Erikson, 1963).
Caregivers who allow their children to practice their new abilities at their own pace encourage
the development of autonomy (Hook, 2002). However, if these new attempts to act
independently are punished harshly, a sense of shame and doubt is fostered (Corey, 2016). If
this crisis is resolved successfully, the ego strength of will is acquired. The first historical
period of Freddie Mercury’s life also relates to the second stage of Erikson’s psychosocial
development.
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7.3.2.1 Zanzibar (1946 – 1953).
Biographical data on this stage of Mercury’s development, which still forms part of the first
historical period (as seen in section 2.2.1), are sparse. Erikson (1963) noted that, as the young
child reaches out to explore his or her environment, caregivers should strike a delicate balance
between being restrictive and being permissive. Graves and Larkin (2006) regarded clear
boundaries as crucial, as this allows the toddler to explore his or her curiosity without crossing
In the Bulsara household, it appears that nannies and Mercury’s niece predominantly took
care of him during the early years (Dolezal & Rossacher, 2000). Mercury’s parents were known
for being neither strict nor too permissive with Mercury and his sister, Kashmira (Jones, 2012).
According to Jer Bulsara, young Mercury would entertain guests on occasion by singing songs
for them, possibly fostering his feeling of pride and happiness (Kokozej, 2013). Although it is
unclear to what specific age Jer Bulsara referred when these events occurred, it appears that
Mercury was encouraged and allowed, by at least his mother, to explore his own abilities and
exhibit them to others. Surely, this would have helped Mercury foster a sense of autonomy, as
he received attention and praise from others when he entertained them. Children who are
allowed to attain independence and learn from their wrongdoings without being reprimanded
or shamed are likely to become self-confident, independent, and competent adults (Steinberg et
al., 1989).
The Bulsaras lived in a spacious “stone town flat overlooking the sea” (Jones, 2012, p. 31).
Zanzibar, a small island off the coast of Tanzania, has fair weather and temperatures ranging
between 22 and 33 degrees Celsius throughout the year (Stone Town, 2016). The town is safe
for children to roam, as the alleys are too narrow for cars to commute. The limited photos
available of Mercury during early childhood, are pictures taken of him being outdoors,
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including a picture taken with his mother on a carriage pulled by a local man (Macaskill, 2016).
The researcher thus hypothesises that Mercury was not restricted or prohibited by his caregivers
in exploring the environment. Furthermore, the literature does not indicate in any way that he
was punished for any specific wrongdoings or exploration attempts during this historical period
in Zanzibar.
Excessive and inappropriate shaming as a child often leads to the development of delinquent
behaviour as an adolescent or adult (Sadock & Sadock, 2007). The literature does not indicate
any delinquency with regard to Mercury’s behaviour as a child or during later years. In
addition, Mercury was never accused of breaking the law or viewed as being oppositional
defiant. Therefore, the favourable conditions during this period of Mercury’s life suggest that
The researcher proposes that the social institution of law and order could have had an
influence on Mercury’s development. The Tanzanian laws during this historical period set
defined parameters with regard to homosexuality, and prosecuted any sexual acts between
same-sex individuals (Jones, 2012). Furthermore, the Bulsaras, who practised Zoroastrianism,
(Dolezal & Rossacher, 2000; Jones, 2012; Thomas, 2012). In addition, Mercury’s religious
upbringing continued with his enrollment at three different Catholic schools situated in
Panchgani and Zanzibar over the course of childhood and adolescence (Jones, 2012). Sadock
and Sadock (2014) noted that extreme inhibition and control during childhood could result in
the individual acting in exactly the opposite way, often presenting with rebellious behaviour.
Although it appears that Mercury acquired the overall sense of autonomy by resolving this
psychosocial crisis, the researcher proposes that he did react rebelliously towards the immense
restrictions religion and governing laws placed upon him with regard to his future sexual
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behaviour. As Mercury explored the more liberal western cultures of London, New York, and
Munich during adulthood, it appears that he rebelled against previous religious constraints.
Ironically, he utilised his acquired sense of autonomy and free will to express his sexual fluency
fearlessly by indulging in the homosexual social culture in the 1970s and early 1980s. Children
from the age of two years begin to develop a gender identity, as they begin to differentiate
between males and females (Allan & Gilbert, 1997). However, children do not yet have a sense
of sexuality or sexual preferences at this young age, as it only develops much later. Therefore,
the researcher does not suggest that Mercury was aware of his sexual preferences during this
historical period between the ages of 1 and 3, but rather proposes that specific values against
homosexuality were communicated and instilled by his social environment. These values would
behaviour.
It appears that Mercury acquired the ego strength of will. Erikson (1958, 1993) regarded the
especially when engaging in rebellious behaviour. There is no evidence from the available data
to suggest that Mercury did not develop willpower during this stage. He was known for being
an above-average academic achiever at school, as well as a high achiever in sport, which won
him numerous awards in Panchgani (Jones, 2012). His autonomous ability to exercise free will
is reflected in his commitment as recording artist in the studio during later years. Mercury was
known for being very particular, often perfecting vocal takes until his vocal chords bled
(Thomas, 2012). He presented with the necessary self-discipline and responsibility to act on
his professional goals. Mercury used cocaine at social events (Jones, 2012; Thomas, 2012).
However, Freestone and Valentin mentioned that Mercury never appeared to be addicted to the
substance, and was able to exercise the necessary willpower to stop using it when he decided
to (Jones, 2012).
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Owing to the favourable conditions to which Mercury was exposed during this stage, it
appears that he successfully resolved the psychosocial crisis of autonomy versus shame and
guilt. As a result, Mercury acquired the virtue of will. The successful emergence of autonomy
and free will enables children to reinforce the beliefs associated with initiative in the next stage
(Hamachek, 1988).
According to Erikson and Erikson (1998) and Hamachek (1990), the ages between three and
six years confront the pre-school child with the third psychosocial crisis, initiative versus guilt.
A sense of morality is instilled during this period, which guides the individual towards what is
permissible and allows his or her imagination to envision what is possible (Erikson, 1963).
During this period, the child begins to initiate various activities instead of just imitating what is
perceived from others (Elkind, 1970). With enhanced motor and cognitive potential, children
can manipulate and provoke reactions from people, which may cause them to experience a sense
of guilt about their initiated behaviour (Welchman, 2000). If the young child is able to balance
and integrate the opposing forces of initiative versus guilt, a sense of purpose emerges as the
acquired ego quality. This stage occurs during the first historical period of Freddie Mercury’s
life.
Biographical data related to this time in Freddie Mercury’s life are presented in section 2.2.1.
Seligman and Reichenberg (2010) regarded the identification with the same-sex parent as an
important component of this stage. “Bomi was neither a dominant role model nor macho hero
to his son” (Jones, 2012, p. 41). Mercury was more comfortable in the presence of the matriarch
of the family and never showed any inclination to follow in his father’s footsteps with regard
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to Bomi’s occupation as a government employee (Jones, 2012). As discussed in the first stage,
the literature does not indicate a particular special attachment between Mercury and his father
(Dolezal & Rossacher, 2000; Thomas, 2012). Other important events during this historical
period included the birth of Mercury’s sister, Kashmira Bulsara, when he was five years old,
possibly limiting the attention he was used to receive (Jones, 2012; Thomas, 2012). This lack
of paternal modelling and parental praise easily could have thwarted Mercury’s initiative in
Stage 3. However, with an already well-established sense of autonomy and possibly a sense of
mistrust in his parents, the researcher speculates that Mercury compensated by setting his own
standards and quickly learnt to function independently. It appears that Mercury initiated
activities such as drawing and painting, and enjoyed listening to music by himself (Jones, 2012;
Thomas, 2012). During his later years in India, Mercury would often send drawings he had
made to his aunts, indicating that he did have a sense of mastery with regard to his artwork
(Richards & Langthorne, 2016). The researcher proposes that Mercury’s independent
functioning might have been a coping mechanism during this time of perceived invisibility.
Erikson (1963, 1980) argued that a sense of initiative is a prerequisite for every learning
experience or action a person undertakes. Initiative also serves as a surplus of energy, which
assists the individual in dealing with failures effectively and pursuing goals with improved
effort (Erikson, 1980). Mercury’s sense of initiative is prevalent throughout his life span. Apart
from being an above-average academic student, he engaged in various activities during his time
in Panchgani, including boxing, table tennis, chess, choir, and art (Dolezal & Rossacher, 2000;
Jones, 2012; Thomas, 2012). Also as an entertainer, he was well known for initiating change
within the musical sphere and experimented with his presented stage persona over the course
of his career (Dolezal & Rossacher, 2000). In addition, Mercury seemed to overcome failures
and setbacks quite easily, as is evident by his immediate effort to move on to the next project
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when his solo album sales did not live up to the record label’s expectations in 1985 (Jones,
The unsuccessful resolution of the propositional forces of initiative versus guilt is likely to
instil a sense of guilt in the individual (Erikson, 1963). Mercury presented with guilt feelings
in adulthood, especially towards Austin after he had revealed to her that he was bisexual (Jones,
2012; Thomas, 2012). However, the researcher hypothesises that Mercury’s guilt feelings were
not the result of the unsuccessful navigation of the third psychosocial stage specifically, but
rather due to continuous moral contradiction with which Mercury was confronted. During this
stage of development, children listen to stories that provide them with cultural templates for
initiatives and goals they may pursue some day (Stevens, 2008). In the Bulsara household,
Mercury’s caregivers read to him various fables and legends, including The Arabian Nights, to
initiate him into the Parsee culture (Kokozej, 2013). At the age of five, Mercury attended the
Zanzibar Missionary School, where he was taught by Anglican nuns (Dolezal & Rossacher,
2000; Jones, 2012). There he apparently enjoyed drawing, painting and modelling and
developed the ability to work precisely (Jones, 2012). The effect a heightened sense of morality
during this stage and exposure to different religions and cultures must have had on the young
Mercury is questionable. The Catholic school he attended must have brought up questions for
Mercury with regard to the validity and truthfulness of his own Zoroastrian and Parsee
background. A few years later, Mercury was ceremoniously accepted into the Zoroastrian faith
in Zanzibar at the age of eight, just a few months before he left for India to attend another
Catholic school in Panchgani (Jackson, 2012; Jones, 2012; Richards & Langthorne, 2016). This
could have elicited guilt feelings for Mercury being confronted with contrasting religious
paradigms and cultural traditions. Mercury was not known for being religious later in life
(Dolezal & Rossacher, 2000; Jones, 2012; Thomas, 2012). The researcher further speculates
that, apart from mistrust in them, contrasting religious values could have been the reason why
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Mercury distanced himself from his own family during middle childhood, in an attempt to avoid
Fuelled by religious reinforcement in his early years, Mercury possibly felt immense guilt
after revealing his homosexuality to Austin, as he felt he had disappointed her after initial
promises of marrying her (Jones, 2012). Despite referring to her as the love of his life, his sense
of guilt would inevitably stay with him forever, as is evident by his continued efforts to include
her in his life by employing her as his personal secretary, buying her property close to his own
home, and by leaving the biggest part of his estate to her after his death (Dolezal & Rossacher,
A sense of guilt also could have contributed to Mercury’s perfectionism. Erikson stated that
parental and societal authority are internalised as the child’s conscience, driven by the super-
ego, gives rise to the ability to self-observe, self-regulate, and self-punish (Sadock & Sadock,
2007). The researcher speculates that the lack of authoritative feedback Mercury experienced
made him rely on his independent self-regulation. This could have increased guilt feelings
during later stages, as well as the desire to perfect everything in order to avoid self-punishment.
Despite the lack of ideal parental feedback or support for his initiatives during the third stage,
Mercury seemed to have acquired a sense of initiative because nobody ever scrutinised or
punished his attempts. In addition, his successful navigation of the previous stage, and the
emergence of the sense of autonomy, resulted in the necessary independence to help him cope
and continue functioning on his own. Erikson (1950, 1963, 1968, 1977) argued that individuals
yield the ego strength of purpose when they devise bold plans and take pride in their
achievements. With the successful resolution of this stage, and relevant evidence of Mercury’s
professional achievement over his lifetime, it seems that he did acquire the ego strength of
purpose. This virtue allows the individual to embark upon ambitious projects and progress in
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life (Erikson, 1950, 1963, 1968, 1977). Mercury’s determination to be a successful musician
was evident throughout his professional career. He was known for suggesting bold plans to his
fellow band members, often leaving them speechless with his controversial ideas with regard
to the reinvention of their music and fashion statements (Jackson, 2012; Jones, 2012; Thomas,
2012). Erikson (1950, 1963, 1968, 1977) proposed economic endeavour as the social institution
for this stage. During this time, children’s imagination and dreams become attached with
tangible goals in adulthood. Therefore, their fictional counterparts are replaced with actual
adult heroes. Mercury was introduced to pop stars during this psychosocial stage, as the Bulsara
family enjoyed listening to British music at their house. This would have given Mercury the
opportunity to admire their talents and establish life goals for himself (Jackson, 2012; Jones,
2012).
It appears that the third stage resulted in the acquired sense of initiative, as is evident by
behaviour Mercury initiated in the future. However, Mercury presented with an underlying
sense of guilt fostered by cultural and religious confusion during his childhood, as well as
strength of purpose, to assist in preparing for Stage 4, namely industry versus inferiority.
Erikson proposed that the fourth stage spans the child’s life from approximately the age of six
until the age of 12 (Erikson & Erikson, 1963; Hamachek, 1990; Shaffer & Kipp, 2013). During
this time, the child usually enters a more formalised educational environment, such as primary
school, and develops a sense of industry when he or she is able to work with tools, produce
things to satisfaction, and adapt to the rules of cooperation inherent to the structured tasks facing
him or her (Erikson, 1963). If the child’s efforts are criticised for being inadequate or viewed
as mediocre while their peers are recognised and praised, the child can be at risk for developing
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a sense of failure or inferiority (Erikson, 1963). If the stage of industry versus inferiority is
navigated successfully, he or she develops the ego strength of competence and feels equipped
to handle the tools and utensils of adults in collaboration with others (Erikson, 1963). This
The biographical data during this historical period of Mercury’s life were discussed in section
2.2.2. Baron and Spear (1989) noted that the child’s social context expands during this stage,
and other influences, such as the school environment, teachers and peers, become increasingly
important. Numerous events occurred during this historical period in Mercury’s environment.
Probably the most significant was Mercury leaving Zanzibar. At the age of eight years,
Mercury’s parents sent him to India to attend the St Peter’s Church of England School in
Panchgani (Jones, 2012). His parents were not satisfied with the level of education available
to boys in Zanzibar and decided to send him to India, where Mercury’s aunts also stayed nearby,
in Bombay (Thomas, 2012). This was an emotional time for Mercury, as he had to travel alone
by ship and train for eight weeks to reach the school (Jones, 2012). Not only was Mercury’s
social environment expanded, but he also was completely cut off from his previous support.
Mercury recalled how distressed he was, being away from Zanzibar and worried about his one-
year-old sister’s emotional well-being without him (Jones, 2012). Kashmira remembered how
angry she was at Mercury for leaving her (Dolezal & Rossacher, 2000). Mercury, referring to
himself as “a bit clingy” (Jones, 2012, p. 45), would cry himself to sleep at night, angry with
his parents for rejecting him and disillusioned by the new, strange environment. Mercury grew
distant from his parents during this period, often visiting his aunts in India once a year during
half-year breaks, instead of reaching out to his parents in Zanzibar (Szabelski, 2012). Mercury
sent letters to his parents, but these writings were described as rather “unemotional” attempts
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to keep contact with them (Jones, 2012, p. 42). Although the child’s social context is
broadened, Elkind (1970) noted that perceived negative evaluation or punishment from parents
could contribute to a sense of failure and inferiority during this stage. The researcher also
hypothesises that Mercury’s acquired sense of mistrust during the first stage was again
reinforced during this historical period when his parents sent him away. Mercury could have
perceived this as not being a good enough son, or as not being loved by his parents.
Nevertheless, this would certainly affect his functioning later in his life.
During his visits to his aunt, Bomi’s sister, Jer, in Bombay, Mercury learnt to play the piano
(Jones, 2012). Jer was a kind lady and was used to caring for smaller children (Jones, 2012).
It is possible that Mercury preferred the company of Aunt Jer, as he received the love and care
that he was craving for from his own family during these visits.
and alpha-males. To soothe his separation anxiety, he met three boys and found comfort in his
relationship with them (Dolezal & Rossacher, 2000; Jones, 2012). They became inseparable
and stayed close together in the dormitory (Jones, 2012). Occasionally, other boys in the school
bullied Mercury. Mercury always was a skinny boy, and he was self-conscious of his lack of
height (Thomas, 2012). His size could have made him more susceptible for being bullied during
this period. Sigelman and Rider (2009) mentioned that children begin to compare themselves
with their peers during Stage 4 and are likely to acquire a sense of inferiority if those
comparisons turn out unfavourably. Such confrontational events can assist the child in learning
the necessary social skills to utilise in adulthood (Sadock & Sadock, 2014), although this does
not seem to be the case with Mercury. Although Mercury mentioned later that his initial years
at the boarding school had taught him assertiveness, he would react by withdrawing from the
crowd. Boeree (2006) argued that the common pathology of inertia, also known as an
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inferiority complex, can develop due to the unsuccessful resolution of this stage. At the age of
10, Mercury began to display a “very aloof, somewhat condescending streak” (Jones, 2012, p.
46). He avoided team sports and preferred solo and one-to-one activities such as chess,
sprinting, boxing, and table tennis (Jones, 2012). In addition, he would keep himself busy by
painting and producing drawings (Richards & Langthorne, 2016). Despite these adversities,
Mercury won the Junior All Rounder prize at age 12, followed by the prize for Academic
Prowess the following year (Jones, 2012). That was not the last time Mercury would rely on
Several events in the biographical data indicate that Mercury presented with a sense of
inferiority. Freestone mentioned that, as an adult, Mercury was a shy and insecure individual
(Thomas, 2012). Although he could hide behind the bold stage persona, he was uncomfortable
talking to people he did not know (Dolezal & Rossacher, 2000). Even after successful
performances, Mercury would ask his band members or personal assistants how they thought
he performed on stage (Dolezal & Rossacher, 2000). It is well documented that Mercury was
self-conscious about his physical features (Dolezal & Rossacher, 2000; Jones, 2012; Thomas,
2012). Furthermore, Mercury was unable to enter a room full of strangers without being
accompanied by a close friend, and he was very private about his personal life (Jones, 2012).
Mercury referred to himself as a boring, ordinary individual who always felt compelled to
entertain people in an attempt to hide his own insecurities (Thomas, 2012). Shapiro and Fromm
(2000) mentioned that feelings of inferiority often manifest through compensatory behaviour
later in life. During young and middle adulthood, in an attempt to overcome his inferiority,
Mercury would develop the drive for power, prestige, and money, by becoming addicted to
fame and referring to his entertaining persona as legendary (Jones, 2012; Sadock & Sadock,
2007). Even with Queen by his side, Mercury would later mention that he was the only member
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(Thomas, 2012). His lifelong search for true love, although primarily driven by a lack of
affection as an infant, could also be interpreted as compensatory behaviour to fend off his sense
The above literature indicates that Mercury did not resolve the fourth psychosocial stage and
acquired a sense of inferiority as a result. Erikson (1950, 1963, 1968, 1977) considered the ego
strength of competence, related to this stage, to emerge from the ability to use tools, such as
utensils at school, and excel in producing things. However, Erikson (1950, 1963, 1968, 1977)
also argued that the development of virtues or ego strengths is not possible without navigating
the psychosocial stage successfully. Despite Mercury’s vast input in producing creative work
such as drawings, paintings and music, it appears that he was haunted by feelings of insecurity
about his work. He was known for being perfectionistic and self-critical during vocal
recordings in studio (Thomas, 2012). In a 1982 interview with Mercury, he expressed his
constant dissatisfaction about Queen’s performances, always trying out new songs and
technical changes (such as new stage lighting) for every concert (Freddie Mercury, 2016).
The findings pertaining to the fifth stage of psychosocial development are discussed in the
following section.
The life stage between 12 and 20 years, which lasts through adolescence into emerging
adulthood, introduces the opposing forces of identity and role confusion (Erikson, 1963;
Hamachek, 1990). Erikson’s theory of psychosocial development refers to the sense of identity
as the individuals’ conscious sense of his or her uniqueness, as well as his or her unconscious
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unsuccessfully, it often leads to role confusion, which results in the uncertainty about one’s
sense of self and the imitation of others (Freiberg, 1985). If this stage is resolved successfully,
the outcome of the adolescent’s navigating through this period is fidelity (Erikson, 1980). This
involves the ability to commit and be loyal towards one’s chosen roles, beliefs and affiliations
despite the inevitable confusions and contradictions presented by alternative value systems
(Stevens, 2008). This developmental stage spans the historical period of Darling (section
7.3.5.1).
Biographical data related to this time in Freddie Mercury’s life are presented in section 2.2.3.
During this period, Mercury was still enrolled at the St. Peters Church of England School in
Numerous biographical data are relevant with regard to Mercury’s identity. Mercury was
always very reserved about his background in Zanzibar (Freestone & Evans, 2001; Jones, 2012;
Thomas, 2012). However, his African-Asian roots were not something from which he could
distance himself, as he had very particular physical Persian features (Jones, 2012). During the
1950s and 1960s, India enjoyed the Western influences with popular icons such as Elvis Presley
and Cliff Richard (Jones, 2012). Mercury, shying away from his Persian roots during late
adolescence, would call himself British, referencing his father’s connection with the British
Government. The first occurrence of Mercury manipulating his identity occurred soon after he
had arrived in India. The local boys struggled with the correct pronunciation of his name,
Farrokh, so Mercury started calling himself Frederick, a much more acceptable English name
(Jones, 2012). He was soon pleased when teachers and peers adapted the new name even
further, calling him Freddie. During this period, Mercury joined a school band, The Hectics,
although only as the “boogie-woogie piano-playing style” keyboard player (Jones, 2012, p. 47).
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The Hectics soon became the talk of the town and Mercury learnt how to behave to impress the
screaming neighbouring schoolgirls in front of their stage (Jones, 2012). The reserved Mercury,
described as “extremely polite and well-mannered” during his time in India, turned into a
flamboyant performer behind the keyboard (Jones, 2012, p. 49). During that time, he gained
the nickname “Bucky” because of his protruding teeth. Erikson (1963) mentioned that, apart
from developing an individual identity, adolescents also desire a social identity as they become
aware of how they are perceived by others. Brian May mentioned that Mercury felt comfortable
on the stage, as he thought the stage lights and distance between him and the audience disguised
his physical imperfections (Thomas, 2012). Nevertheless, evidence suggests that Mercury was
popular among his peers, and therefore would have had the opportunity to construct a social
identity. Mercury, who once won academic awards, lost interest in his studies and failed grade
10 (Jones, 2012). The researcher hypothesises that, until then, Mercury’s sense of mastery was
rooted in his academic achievement and artwork. However, as soon as he began receiving
recognition as a stage performer, his focus shifted towards the activity from where he could get
his sense of approval. Being an entertainer would give him the false sense of love, recognition,
Erikson noted the importance of ideology for young adolescents as they are presented with
different beliefs and social values to explore in developing their own identities (Erikson, 1963;
Stevens, 2008). With a well-established sense of autonomy and free will, the researcher
hypothesises that Mercury already showed his first signs of rebellion against his religious and
Parsee upbringing by adopting the controversial Westernised lifestyle of rock and roll.
adolescents, in search for their identities, transform their appearance, relationships, major
subjects and group memberships (Seligman & Reichenberg, 2010). This historical period also
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gave Mercury the opportunity to experiment with his sexual identity. Mercury’s relationship
with the school girl Gita Bharucha was short-lived and could be described as a good friendship,
rather than a romantic relationship (Jones, 2012). Maybe it was another attempt to find
motherly love, instead of a girlfriend. During this time, Mercury increasingly presented
characteristics of a feminine nature. The biographical data reveal that Mercury participated in
several school musicals, often playing female characters with ease (Dolezal & Rossacher, 2000;
Jones, 2012; Thomas, 2012). Janet Smith, whose mother taught Mercury the subject of Art,
was convinced of his homosexuality and mentioned that he had the habit of calling others
Darling (Jones, 2012). “It was very much inside of him, a fundamental part of him. I couldn’t
help feeling sorry for him, as the others would make fun of him. Funny thing was, he didn’t
seem to mind” (Jones, 2012, p. 49). Biographical data provide inconsistent evidence of
Mercury’s sexual preferences during this period, with some claiming that he was sexually active
with other boys in Panchgani, while other sources suggest Mercury said he was heterosexual
until his late 20s (Dolezal & Rossacher, 2000; Freestone & Evans, 2001; Jones, 2012; Thomas,
2012). Nevertheless, as this was a time of identity exploration, this historical period exposed
According to Erikson (1950, 1963, 1968, 1974, 1977, 1980), an adolescent ceases
experimentation when the integrated identity is formed. With the acquired knowledge of who
they are and where they fit into society, individuals no longer require trialling of different roles.
Thus, the continuation of self-experimentation could indicate that the individual is still
searching for his or her identity. Numerous pieces of evidence suggest that Mercury never
achieved a true identity, and the researcher speculates that he prioritised the development of his
public persona to compensate for his own inferiority. Mercury’s public persona was the
extreme opposite of himself, an attempt to keep interest from others into his own personal life
as far away as possible. Throughout Mercury’s life span, the restless spirit experimented with
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different so-called identities, including the leather look with the characteristic moustache in
1979, the clone look at the beginning of 1980, as well as breaking away from Queen to create
a solo identity, and the drastic musical shift in genre from rock and roll to classical music with
Caballé in 1987 (Dolezal & Rossacher, 2000; Jones, 2012; Thomas & Lupton, 2011; Thomas,
relationships and his use of substances like cocaine, nicotine, and alcohol (Jones, 2012).
Without his self-created persona, Mercury was vulnerable and always had to be supported by
close friends, personal assistants, and trusted staff (Freestone & Evans, 2001; Jones, 2012).
After failing grade 10, Mercury went back to Zanzibar in 1963 to complete his last two years
of school (Jones, 2012). Biographical data indicate a strong desire from Mercury to forget
about India and move on (Dolezal & Rossacher, 2000). In addition, Mercury never had contact
with any of his previous friends in India again (Jones, 2012). Jones (2012) mentioned that
Mercury’s time in India was a period of confusion with regard to his sexuality, and that his
creative pursuits drove him to reach for goals that were more glamorous (p. 49). When the
Zanzibar Revolution broke out and threatened the safety of the Bulsaras, the family fled to
England in 1964 (Szabelski, 2012). It appears that Mercury’s exposure to different countries
and cultures during his early years would bring years of inspiration for Mercury’s creativity and
musical expression, but would also leave him drifting in search of his true self.
With a lack of self-definition, the researcher hypothesises that Mercury did not navigate the
fifth stage successfully, resulting in role confusion. Consequently, he did not acquire the ego
strength of fidelity, which would make it difficult for Mercury to commit to a specific role,
belief, or sexual affiliation (Erikson, 1968). Failing to resolve the psychosocial crisis in
reaching an integrated identity, along with his prior unresolved crises, would prove to make it
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7.3.6 Stage 6: Intimacy versus isolation (18 to 40 years).
The first developmental crisis that plays out exclusively on adulthood, intimacy versus
isolation, occurs approximately between the ages of 18 and 40 years (Hamachek, 1990).
Erikson argued that young adults who successfully navigated through the stage of identity
versus role confusion have the desire to merge their secure identity with that of others (Erikson,
1963). When the individual develops the capacity for intimacy, while maintaining his or her
need for some isolation, he or she is able to love another person and accept love from others
(Erikson 1989). Conversely, isolation, as the opposite of intimacy, involves distancing oneself
from social contact or forces that are perceived as threatening to one’s unstable sense of identity
(Erikson, 1963). The successful resolution of this stage gives rise to the ego strength of love
(Erikson, 1989). The developmental stage spans the historical periods of The Great Pretender
This developmental stage corresponds with the entire historical period of The Great Pretender
(as discussed in section 2.2.4). During the historical period under discussion, Mercury moved
with his family to Feltham, Middlesex, England, in 1964 (Jones, 2012). After the unsuccessful
navigation of the previous stage, identity versus role confusion, Mercury continued his search
Mercury enjoyed a sense of anonymity in the big city of London (Dolezal & Rossacher,
2000). The researcher hypothesises that this could have reminded him of his childhood in
Zanzibar, where he always functioned below the radar without receiving much attention from
his social environment. This protected the shy, sensitive, and introverted young adult from
exposing his vulnerabilities, but still did not satisfy his desire to belong, love, and be loved.
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During this historical period, we see Mercury further defining a persona that would be far from
the real Farrokh Bulsara. In an attempt to possibly clarify some sort of identity, he grew his
hair and changed his surname to Mercury in 1970 (Jones, 2012). According to biographers, the
surname, Mercury, could have indicated his desire to be a god-like, powerful person who would
The literature indicates that Mercury never had the courage or self-confidence to be a solo
artist in early adulthood. Before 1985, Mercury collaborated only with other musicians who
had existing bands (Jones, 2012; Thomas, 2012). May noted that the bold Mercury was hesitant
and shy to talk to audiences between songs (Jones, 2012). With a sense of inferiority and a
possible fear of exposing himself, it appears that Mercury felt comfortable being supported by
other musicians. His insecurities, including his awareness of his own physical imperfections,
would have made it difficult for him to carry a performance by himself. In addition, the
environment in which he was with other musicians also might have felt like a loving family to
him. This could have soothed his childhood experiences of perceived rejection and feelings of
not being loved. Thomas (2012) mentioned that Mercury enjoyed staying with his colleagues
in the same house during recordings in Munich in the 1980s, as he never had the experience of
In 1970, Mercury met Austin (Jones, 2012). Biographical data point out that both were
estranged from their parents during childhood, and both hid their multi-layered personalities
from the outside world (Dolezal & Rossacher, 2000; Jones, 2012). Austin was described as
Mercury’s idealised mother – someone who provided him with all the love he desired, but also
approved of his promiscuous and rebellious behaviour that would never have been accepted by
his biological parents (Jones, 2012; Szabelski, 2012; Thomas, 2012). During this historical
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7.3.6.2 I Want to Break Free (1975 to 1984).
Biographical data on this historical period are presented in section 2.2.5. During this period,
Mercury travelled the world with Queen, which gave him access to expressing his rebellious
The biographical data are unclear about when exactly Mercury became aware of his sexual
attraction to men. Although he revealed his sexual preference to Austin in 1975, when he was
29 years old, he would most likely already have reflected on his sexuality much earlier (Jones,
2012). The researcher hypothesises he had a confused sense of self and guilt feelings towards
disappointing his parents and himself, which kept him from revealing (or facing) his sexuality
earlier. A secure identity not only assists the individual in establishing a sense of intimacy with
a partner, but also helps in forming a comfortable relationship with oneself (Erikson, 1980).
Erikson (1963) regarded identity as the ability to commit oneself to a relationship with another
despite the inevitable personal sacrifices and compromises it would entail. For Mercury, this
would have proved to be too difficult to sustain his relationship with Austin, while suppressing
Mercury and Austin remained devoted friends until his death. Erikson (1950, 1963, 1968,
1977, 1978) mentioned that prior unresolved crises are likely to resurface again during the stage
of intimacy versus isolation. The researcher hypothesises that Mercury’s impaired sense of
trust in others and himself, his heightened sense of guilt, and his confused self and social
identity made it impossible for him to commit to an exclusive long-term relationship with
Austin or anyone else. However, driven by guilt, fear of rejection, and a desire for love, he
could never distance himself from Austin completely. She would always act in his best interest
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This historical period was driven by a few key factors with regard to Mercury’s psychosocial
personality development. Firstly, his role confusion would continue his search for an identity
by adopting the leather look during the late 1970s, the clone look in 1980, creative
experimentation with different musical genres, and an attempt at being a solo artist (Dolezal &
Secondly, Mercury’s desire for love and acceptance would continue during this stage. His
excessive use of alcohol and cocaine during social events could be regarded as an attempt at
self-soothing (Sadock & Sadock, 2014). Furthermore, Mercury mentioned that his lavishing
shopping sprees lifted his mood and made him feel good (Jones, 2012). Mercury was known
for having one-night stands during this time, and his inconsistent relationships with partners
emphasise his inability to be intimate. His relationships from this historical period and onwards
include David Minns (1975 – 1978), Joe Fanelli (1978 – 1979), Thor Arnold (1980), Bill Reid
(1982), Winnie Kirchberger (1983 – 1985), Barbara Valentin (1982 – 1984) and Jim Hutton
(1985 – 1991) (Dolezal & Rossacher, 2000; Freestone & Evans, 2001; Jones, 2012; Thomas,
2012). The researcher views Mercury’s various romantic endeavours as indicative of his
continuous search for love and affection, as well as for some sort of identity, emotional
connection, or association. Biographical data also indicate that Mercury often engaged in
infidelity, sometimes dating partners without the awareness or consent of the other. The
individual’s ethical sense acts as the social institution in Stage 6 and can be acquired only if
intimacy is valued and nurtured in a relationship (Massey, 1986). Mercury’s relationship with
the majority of his partners was primarily of a sexual nature, with ‘shallow’ emotional depth
(Jones, 2012). Thus, Mercury apparently had difficulty to be emotionally intimate in these
relationships, which could be a result of his mistrust in others and an impaired capacity to accept
and tolerate such commitments along with their compromises (Erikson, 1950, 1963, 1968,
1977, 1978).
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According to Hutton:
Freddie would ponder from time to time whether the lack of affection during his early
childhood was what led to a disproportionate obsession with physical love in adulthood….
a craving that all too often manifested itself in meaningless sex, because he couldn’t get the
one without the other. Sex was never the substitute for the thing he wanted most, which was
affection… proof that he was loved. He was quite childlike about it. All the petting and
stroking which he lavished on his cats, for example: it was what he wanted for himself.
Erikson (1950, 1963, 1968, 1977, 1978) noted that the capacity for intimacy also applied to
other partnerships and relationships, such as acquaintances, family and friends. Mercury’s
relationship with his parents and sister continued to be distant during this historical period
(Jones, 2012). Although Mercury’s parents would often visit him at his home, he would
compartmentalise his life, keeping the family separate from his social endeavours (Jones, 2012).
Mercury would often introduce his boyfriend, Jim Hutton, as “the gardener” during his parents’
visits, in fear of revealing his sexual preference (Freestone & Evans, 2001). Erikson (1950,
1963, 1968, 1977, 1978) stated that isolated individuals keep themselves distant from any
When the abovementioned biographical data are analysed, it seems that Mercury did not
navigate the stage of intimacy versus role confusion successfully. His previous unresolved
crises made it challenging for him to solve the propositional forces in this stage. It appears that,
with a sense of isolation, mistrust, inferiority, and a confused self, Mercury did not acquire the
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7.3.7 Stage 7: Generativity versus stagnation – Care (40 to 65 years).
Erikson’s longest stage, generativity versus stagnation, beginning at approximately age 40 until
retirement, is his longest proposed stage in the life cycle for most individuals (Hamachek,
1990). During this stage, the individual finds him- or herself in the position of having to guide
his or her own offspring through the stages of psychosocial development (Erikson & Erikson,
1998). Individuals acquire a sense of generativity outside their immediate family to act as
productive members of their communities (Erikson, 1963; Erikson & Erikson, 1998). During
this period, the individual becomes less self-centered and begins to assist in the teaching,
ego strength of care (Graves & Larkin, 2006). According to Erikson and Erikson (1998),
previously acquired ego strengths (i.e., hope, will, purpose, fidelity, and love) are essential for
guidance through Stage 7, as the individual promotes these ego virtues to the next generation.
This crisis was relevant for the last period of Freddie Mercury’s life and spanned the historical
period of Love Kills, which lasts until his death in 1991 (section 7.3.7.1).
The biographical data on this historical period are presented in section 2.2.6. After spending
some time in Munich, Mercury settled with his partner, Jim Hutton, in their new house in
Kensington, England, in 1985 (Jones, 2012). Mercury was diagnosed with HIV in 1987, and
he started withdrawing from the social nightlife he was used to during his 20s and 30s (Dolezal
& Rossacher, 2000; Freestone & Evans, 2001; Jones, 2012; Thomas, 2012). He also stopped
being sexually active, in fear of spreading the HIV virus further. Mercury described sex as an
integral part of his life (Jones, 2012), and the researcher hypothesises that it was a way for him
to express his love to others, and to experience some affection from them. Mercury’s physical
condition deteriorated quickly and he was soon unable to attend tours with Queen (Jones, 2012).
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According to Erikson (1963), when ego interests are not expanded during this stage, stagnation
occurs, which inevitably leads to regression to past crises as seen through the occurrence of
Stagnation most probably occurred for Mercury when he lost the opportunity to pursue
previously unresolved crises and ego strengths during this historical period.
The successful resolution of this middle-age crisis involves the individual acquiring a sense
of having produced something that would outlive him or her (Erikson, 1998). This sense of
being generative usually evolves from activities such as mentoring, teaching, and parenting (De
St. Aubin et al., 2004; Slater, 2003). With his time running out, the biographical data indicate
that Mercury made several attempts to foster generativity and leave something behind that
Firstly, the researcher hypothesises that Mercury fostered generativity through his music.
After announcing his illness to the other members of Queen, he mentioned that he would
continue working until he dies (Thomas, 2012). During the late 1980s, Mercury made several
attempts to do as many recordings and creative projects as possible (Jones, 2012). These
included more albums with Queen – The Miracle and Innuendo – as well as endeavours he
never pursued before, such as producing and performing a classical album with opera star
Caballé (Dolezal & Rossacher, 2000). As a successful artist, Mercury could have known that
his music would continue satisfying music lovers all over the world for years to come.
Secondly, Freestone mentioned that Mercury enjoyed renovating Garden Lodge during this
time, as he believed Mercury wanted to leave something behind that would be meaningful to
and care about people and interests that are beyond the capacity of the individual (Erikson &
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Erikson, 1998). After Mercury’s death, in an attempt to provide for the generations to come,
Mercury left a big portion of his wealth to his parents, his sister, Hutton, Freestone, Joe Fanelli,
and Terry Giddings (Mercury’s bodyguard and driver) (Dolezal & Rossacher, 2000). In a last
attempt to suppress his guilt feelings towards Austin, Mercury left her fifty percent of his estate,
including his house, Garden Lodge (Jones, 2012; O’Casey, 2011; Thomas, 2012).
Corey (2016) argued that the seventh stage involves a sense of community for the individual
with the intention to have an effect with regard to social issues. Mercury never had children of
his own and did not consider himself to be a suitable family man (Jones, 2012). Erikson
emphasised that individuals are as dependent on their children as their children are on them,
due to the “need to be needed” (Erikson, 1963, p. 258). However, the researcher speculates
that Mercury focused his generativity on his inner circle of friends, including his partner, Jim
Hutton. With Mercury’s longing for love and fear of being alone, he surrounded himself with
friends by offering them jobs to work for him. During this historical period, most of Mercury’s
Ironically, although the seventh stage is characterised by the acquisition of the ego strength
care, Mercury received care and love from those who devoted themselves to him (Erikson &
Erikson, 1998; Jones, 2012; Thomas, 2012). Failing to achieve a sense of generativity often
leads to stagnation (Corey, 2016). Furthermore, when individuals struggle to contribute to their
community, they might feel uninvolved and disconnected from their social environment
(Sigelman & Rider, 2009). Mercury’s immobility, due to his illness and being bedridden, most
certainly exacerbated the distance between him and society during this historical period.
Mercury passed away at the age of 45, only five years into the proposed seventh stage.
Therefore, it is impossible to conclude whether Mercury would have resolved this stage
successfully, had he lived longer. However, in the light of the biographical data discussed
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above, the researcher is of opinion that Mercury did try to reach out to his closest friends during
his final years and expressed care and generativity by leaving financial contributions and his
musical legacy.
When Freddie Mercury’s life is analysed, certain important findings with regard to the
1980), can be highlighted. These important aspects are associated with the similarities between
and points of departure from different components of Erikson’s theory and Freddie Mercury’s
life, namely (a) the proposed seven conflicts that confront every individual during his or her
psychosocial development; (b) the emergence of ego strengths as a result of the synthesised
opposing polarities with regard to these psychosocial conflicts; and (c) the timing of Erikson’s
The task of the ego to integrate specific oppositional forces is the first component of
Mercury’s psychosocial stages were found in the biographical data. Mercury managed to a
large extent to navigate successfully only through the second, third, and seventh stages,
autonomy versus doubt, initiative versus guilt, and generativity versus stagnation. The
remaining four stages relevant to Mercury’s life appear to have been resolved unsuccessfully
The analysed biographical data on Freddie Mercury’s life were sufficient to assist the
biographical data on some stages were much richer with regard to a specific pole, with data
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often lacking for the opposite pole. Mercury’s first three stages in childhood were often
described from subjective views of family members or friends. This frequently led to a
polarised view, with limited data on Mercury’s own experience of that historical time.
Therefore, the researcher triangulated the biographical data of a stage with data from future
behaviour and navigated stages, and consequently made inferences on what Erikson proposed
successful or unsuccessful navigation would predict, instead of just analysing the limited data
available in the given historical period. The stages in which both sides of the dominant
development, with intimacy versus isolation and generativity versus stagnation being the two
stages with the richest biographical data from which conclusions could be drawn. The findings
presented on these two stages (see sections 7.3.6 and 7.3.7) offered rich descriptions of both
opposing forces; thus, the process of their synthesis was understood in greater depth than were
The second component of Erikson’s psychosocial theory applied to the biographical data on
Freddie Mercury relates to the ego strengths that emerged once integration of the
abovementioned opposing forces had taken place successfully. Based on the biographical data
analysed, Mercury only to a large extent navigated successfully through three psychosocial
crises, namely stages 2, 3, and 7. When Mercury’s life span is explored, it appears that he did
acquire the ego virtues of will, purpose, and care. The successful synthesis of these virtues
does not fit the proposed epigenetic nature of Erikson’s conceptualisation (as discussed in
Chapter 3) whereby individual development is viewed as cyclical with every stage of the cycle
integrating the earlier ego strengths in order to resolve the current conflict (Erikson, 1963;
Erikson & Erikson, 1998). According to Erikson (1963; Erikson & Erikson, 1998), the failure
of earlier psychosocial stages would make it impossible for Mercury to acquire generativity and
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Thirdly, the timing of the developmental stages proposed by Erikson’s theory seems to
correlate well with Freddie Mercury’s life span. In general, the findings on Mercury’s life cycle,
as discussed in section 7.3, are consistent with the interrelatedness of Erikson’s psychosocial
conflicts. However, the findings also illuminate some deviation from the psychosocial theory
in Mercury’s life, with regard to the specific timing of Mercury’s experience of some of the
developmental conflicts.
As discussed in section 7.3.4, Mercury was sent away to India and experienced bullying at
school during the crisis of industry versus inferiority. In addition, numerous pieces of evidence
from the biographical data suggest that Mercury portrayed a sense of inferiority throughout his
life. However, his sense of inferiority could have been fostered in Stage 1 already when he
experienced his family as emotionally distanced and was given a generic name that would
suppress his desires to stand out. In addition, Mercury’s feelings of guilt could have been the
reason why he felt inferior as a child, not only towards others but also towards the powers the
religious society enforced on him. Thus, it is plausible that his sense of guilt developed much
earlier as he was exposed to religious values, and not only during the crisis of initiative versus
guilt. Also in Stage 3 of psychosocial development, the biographical data indicate that Mercury
acquired not only initiative, but also a sense of guilt. This contradicts Erikson’s theory that
The researcher ponders about Erikson’s theory and the criticism with regard to its bias
characteristics, he also preferred the company of women in his family during infancy (Jones,
2012). Furthermore, Mercury did not pursue the stereotypical male role and rejected any
influence his father had on him during childhood. This correlates with the notion that Mercury
was sensitive and possibly more in touch with his emotional self in comparison with other boys
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of his age. Studies by Ochse and Plug (1986) indicated that white women seemed to face the
crisis of identity versus role confusion and intimacy versus isolation sooner than white men did.
Mercury enrolled at St Peter’s Church of England School when he was eight years old. The
researcher speculates about the influence the all-male school had on Mercury during that
traumatic time when he felt betrayed by his parents. It is possible that his exploration of
identity, including his sexual identity, began earlier than Erikson’s proposed timing of identity
versus role confusion. If this was indeed the case, it could explain his aloofness at the age of
10 years, as well as his limited intimacy with Gita (Jones, 2012; O’Casey, 2011).
Erikson (1950, 1969, 1977) proposed that all psychosocial crises could emerge sooner or at
a later time in an individual’s life. The timing of Erikson’s last stage, integrity versus despair,
still could have been relevant to Mercury’s life cycle. Mercury had a terminal illness and faced
several years knowing that the HIV virus would inevitably cause his death. Elkind (1970)
described this eighth stage as a period of reflection, after most life accomplishments have been
achieved. As the life span nears completion, the individual is faced with the task of dealing
with the fear of death (Craig, 1996). As a driven and ambitious individual, Mercury most
certainly must have thought about his time lived and reflected on his untimely illness. Although
Freestone mentioned that Mercury showed no signs of depression and did not seem to have any
despair, the biographical data show that Mercury regressed to previous unresolved crises.
Living outside the spotlight away from the public, Mercury seemed to become more congruent
and let go of his stage persona to which he had held on his whole life. In a way, Mercury dealt
with his true identity, which was present all along, and came to terms with it. He appeared to
resemble the seven-year-old boy, Farrokh Bulsara, who lived in Zanzibar: He was quiet and
soft spoken, preferred to function on his own, started painting and drawing again in Garden
Lodge, and was close to his loved ones and his cats. Mercury regressed to experience what he
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confronted the forces of the ninth stage, where the individual is reintroduced to the crisis trust
versus mistrust. During the last few years of Mercury’s life, he was confronted with gaining
hope and trust, while experiencing the inevitable loss of autonomy, strength, and control.
Although Mercury trusted his devoted caregivers during his last days, he took matters into his
own hands and ironically rejected the treatment that kept him alive and died on his own terms.
Therefore, the researcher supports Erikson’s proposed idea that crises of each psychosocial
stage are not limited to one specific stage, but can be experienced by the individual at any age
during the life span. Mercury faced the crises of the eighth and ninth stages much earlier than
Table 7.1
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7.5 Chapter Summary
In this chapter, the findings and discussion of the psychosocial development of Freddie Mercury
throughout his life span were presented. The seven stages of the life span as proposed by
Erikson (1963, 1980) were presented and discussed. In conclusion, the applicability of
Erikson’s theory to Freddie Mercury was touched on, including the relevance of Erikson’s
proposed eighth and ninth stages. In the following and final chapter, the conclusions and
limitations of the study, as well as recommendations for future research, are presented.
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Chapter 8
This is the final chapter and concludes the study. The chapter points out some possible
limitations of the study and touches on recommendations for future research. Thereafter, the
value of the study is discussed, followed by a final reflection by the researcher, through the
8.2 Conclusion
This research project provided a psychobiographical description of the great pretender, Freddie
Mercury (1946 – 1991). In an attempt to achieve the primary objective of the study, the
psychosocial development of Freddie Mercury was explored and described. This objective was
1968, 1977) theory. Rich biographical data of Mercury’s life, to which the theory could be
As a secondary objective of this study, the applicability and relevance of the proposed
content of the psychosocial theory were tested. To achieve this, a comparison of the research
findings with Erikson’s (1950, 1963, 1968, 1977) proposed conceptualisations and propositions
had to be conducted. To facilitate the attainment of these two objectives, the exploratory-
descriptive and descriptive-dialogic nature of the psychobiographical study were utilised (see
section 6.4).
The respective findings, as related to Erikson’s theory, were provided in Chapter 7. With
reference to the study, the following conclusions with regard to Mercury’s psychosocial
146
development might be drawn: Firstly, according to the findings, Mercury’s navigation through
the first, fourth, fifth and sixth psychosocial stages was to a large extent unsuccessful.
Secondly, the findings of this study support the use of Erikson’s (1950, 1963, 1968, 1977)
theory to gain some insight into Mercury’s psychological functioning as an individual. Thirdly,
it appears that Mercury’s unsuccessful navigation of the first crisis, trust versus mistrust, largely
affected his future development negatively and had a significant effect on his overall
psychological functioning throughout his life. Fourthly, it seems that Mercury revisited the
first stage, trust versus mistrust, at the end of his life cycle before he passed away.
The following section proposes some limitations of the study as well as accompanying
Erikson’s (1950, 1963, 1968, 1977) theory posed to be a limitation to the study with regard to
the proposed timeline. Although the specific age parameters serve as an effective guideline for
the operationalisation of the psychosocial personality theory, it consequently led to more rigid
application of the stages than Erikson originally intended. Erikson and Erikson (1998) stated
that human development is flexible and that age specifications could not be validated for every
stage independent of social criteria and pressures. Furthermore, Erikson’s (1950, 1963, 1968,
1977) theory posed to be a limitation to the study with regard to the insufficient and vague
explanatory structure of most of its constructs. The psychosocial theory provides some
plausible aetiological explanations for the attainment of specific outcomes during certain stages
(e.g., initiatives that are scrutinised or punished could result in a sense of guilt for the
individual). Except for general pathological markers, the theory neglects to give specific
147
criteria that would result in such an outcome. An example includes the sense of industry that
an individual will acquire if Stage 4 is navigated successfully. The acquisition of industry refers
to the ability to work with tools to produce things of which others will approve. However, the
theory does not clarify the nature of these tools, or what kinds of things the child has to produce
to resolve the crisis successfully. Therefore, any tools, whether school utensils, musical
instruments, or even social skills, as well as any produced thing, such as paintings, a piece of
In addition, it is unclear if a sense of inferiority is fostered only by the failure to produce tangible
things, or also by other aspects that could foster feelings of worthlessness. In this light, the
researcher was confronted by the question whether Mercury’s ability to produce artwork could
produce a sense of industry and therefore compensate for any feelings of inferiority.
The limited differentiation between the two opposing outcomes of each crisis and their
consequences proves to be another limitation of Erikson’s (1950, 1963, 1968, 1977) theory in
this study. Mercury perceived himself as invisible (unseen and unheard) during his early years
However, these outcomes might as well have been interpreted as compensatory behaviour for
an acquired sense of shame or doubt. Similarly, Mercury presented with some signs of
generativity, by creating timeless music, renovating his house, and leaving wealth to his devoted
friends and family. However, this behaviour could also be seen as compensatory efforts to
soothe Mercury’s sense of stagnation, as he did not have a family of his own or children that
Although numerous sources were utilised to collect biographical data of Freddie Mercury, most
sources lacked rich descriptions of the subject, or presented a repetition of Mercury’s well-
148
known facts. Most biographies and documentaries also contextualised Mercury only as a
member of Queen and not necessarily formed a personal perspective that described Mercury’s
life solely. Consequently, the researcher had to rely strongly on Jones (2012), Thomas (2012)
and Dolezal and Rossacher (2000), as these biographies focused primarily on in-depth
descriptions and detailed encounters of Freddie Mercury’s life span. Furthermore, although
most biographies attempted to provide some biographical data on Mercury’s childhood, the
researcher often found the literature on his early years vague and inconsistent. Consequently,
the researcher explored only the most dominant themes and data that could be triangulated with
other sources and evidence. Therefore, it must be clarified that this study is only a
that future psychobiographers choose subjects on whom a vast amount of biographical material
is available.
As mentioned, the researcher often questioned the accuracy and objectivity of the
biographical data and sources, which serve as another limitation of this study. Although
numerous sources reflected on Mercury, most of the authors were family members, colleagues,
or close friends of Mercury. This clouded the objectivity and agendas of the sources and had
including dates and periods, which made it difficult to compare the biographical data with the
proposed timings of the psychosocial stages. Nevertheless, it appeared that the minor
inconsistencies in the biographical data did not affect the primary findings concerning Mercury,
149
8.3.3 Psychobiographical research.
that must be attended to are discussed. This section elaborates on some additional limitations
This particular study has a low external validity, as the findings regarding Mercury’s
population. However, as discussed in sections 5.2.8 and 6.4, statistical generalisation was not
the aim of this study, but rather analytical generalisation. Thus, the findings with regard to
Mercury’s development were compared with Erikson’s (1950, 1963, 1968, 1977) psychosocial
personality development theory, and not with other subjects or the general population.
Another limitation of this study is its low validity with regard to a causal relationship.
However, the intention of this study was to explore and describe Mercury’s life in the context
not thwart the credibility of the study, however, as credibility was achieved through continuous
and in-depth engagement with the biographical data on Mercury’s life. As discussed in sections
5.2.8.2, 6.6, 6.7, 6.8, and 6.9, this was achieved by means of exploration and analysis of
Various other frameworks and psychological theories can be used to explore and describe
the life and functioning of Freddie Mercury; therefore, the findings and discussion of this study
relate only to Erikson’s (1950, 1963, 1968, 1977) theory of psychosocial personality
development. The findings in this study should not be viewed as the only explanation of
150
The qualitative character and narrative aspect of a psychobiography makes it a lengthy,
comprehensive, and time-consuming endeavour (Fouché, 1999; Stroud, 2004). The researcher
acknowledges that the preparation, research, analysis, and discussion of the findings demanded
considering doing a research study should be well aware of the comprehensive and tedious
nature of the psychobiographical approach. In this light, the value of the study, including the
Erikson’s (1950, 1963, 1968, 1968, 1977) theory has been recommended for use in
psychobiography due to its significance (Noland, 1977). The researcher was well acquainted
with the theory and could associate with it, as the researcher has an interest in psychodynamic
influences. In addition, the theory allowed the researcher to explore the life of Mercury
holistically and longitudinally across the entire life span. The fact that the researcher could also
explore the influence that Mercury’s environment and social context had on his inner
Apart from this study, mental health professionals worldwide use Erikson’s (1950, 1963,
1968, 1977) theory to assist them in conceptualising their clients and inform their therapeutic
treatments accordingly (Berzoff, Flanagan, & Hertz, 2011; Kivnick & Wells, 2013). In this
study, the theory assisted in gaining psychological understanding of the subject, which seems
to promote the applicability and relevance of the theory for future research. However, mental
health professionals are always encouraged to hold on lightly to any theory or proposed model
with which they engage in their work with patients (Greene & Kropf, 2011). Furthermore, the
151
uniqueness of each individual should never be overshadowed by the rigid application or
enforcement of theories, their proposed constructs, and outcomes (Berzoff et al., 2011).
Simultaneously, the application of Erikson’s (1950, 1963, 1968, 1977) theory in this study
demonstrated the importance of a flexible and open ‘mind set’ as adopted by the researcher.
An example of this is how Mercury’s sense of guilt emerged from his religious environment
and not solely from the unsuccessful navigation of Stage 3. In addition, Mercury’s occupation
as an entertainer was also considered, as it is not abnormal for stage performers to have a well-
defined, bold stage personality. However, the biographical data indicated that Mercury’s
persona was not only suited for entertainment purposes, but also to compensate for his
insecurities.
The subject of this study was the front man and flamboyant performer of Queen, Freddie
Mercury (Jones, 2012). Mercury is often referred to as the best vocalist of the century, and
many consider him the ultimate showman of rock and roll (Dolezal & Rossacher, 2000; Jones,
2012; Thomas, 2012). As much as Mercury was popular for his charismatic persona, he was
also considered mysterious and known for protecting his privacy (Jones, 2012). In this light,
this study might contribute to the existing body of knowledge regarding Mercury and provide
Most biographical data focused on Mercury’s adult life, after Queen had achieved success
in the international music sphere. Thus, Mercury’s life as a musician is well explored with
regard to his vocal ability, his masterful compositions and his contribution to Queen’s star
the subject, and data on Mercury as a human being with intense emotional experiences were
lacking. This study took a longitudinal approach by considering Mercury’s life span from birth
152
until death, also considering the influences his social context had on him, as conceptualised by
the psychosocial theory. Therefore, this study did not strive to understand what made Mercury
development. This introduced a new dimension to Mercury’s life and shed light on him as an
However, the significance of Mercury’s life cannot be ignored. He was selected based on
interest value, his unique achievements, and his exotic upbringing that helped shaped his life.
The fact that Mercury formed part of a specialised population, namely rock and roll legends,
increased the effectiveness of purposive sampling (Neuman, 2003) and thus made Mercury a
In Chapter 4, section 4.7, the value to psychobiographical research was overviewed. Next, the
The psychosocial personality development of Freddie Mercury was analysed and discussed
in the study, providing a much more novel and alternative description of Mercury’s life than
subject’s development and functioning, a psychological framework was applied to the rich
biographical account of Mercury’s life. This illuminated not only the value of biography for
psychology, but also the value of psychology for biography (Elms & Song, 2005; Fouché &
Van Niekerk, 2010). In addition, the significance of contextual factors, such as religion,
communities, culture and family, and their influence on individual development and
functioning were highlighted. Owing to the psychosocial theory, the researcher was forced to
also interpret the personality development of Mercury against the relevant socio-cultural and
153
contextual background extracted from the biographical data. Finally, the study contributes to
the already existing body of psychobiographies in South Africa and adds to the growing field
in academic psychology. The next section provides some general personal reflections regarding
the study.
Ponterotto (2014) stated that psychobiography entails a very personal endeavour for the
mentioned that personal reflexivity relates to how the research was influenced and shaped by
our “own values, experiences, interests, beliefs, political commitments, wider aims in life, and
social identities” (p. 10). Furthermore, it might entail reflecting about how the study influenced,
affected, and possibly changed us as individuals and as researchers (Willig, 2013). These
elements, which could also be unconscious, contribute to the research approach, whether we
acknowledge them or not. In accordance with these statements, the researcher elaborates on
his relationship to the subject and “bracket out” (Ponterotto, 2014, p. 83) any personal biases
or expectations.
One of the strongest incentives for having undertaken this study was the researcher’s own
background and experience in the South African music industry. As a musician and vocalist
himself, the researcher was intrigued by Mercury’s raw talent and his fearlessness expressed
during performances. Apart from the researcher’s admiration for Mercury’s creative abilities,
he also has empathy for the various forms of stereotyping, discrimination, stigmas, performance
anxiety, and professional pressure to which any prolific stage performer is often exposed. As
an entertainer, one often put the expectations and needs of an audience before you own, and
easily lose your perspective on your own desires and uniqueness. In addition, it becomes more
154
and more difficult to distinguish your stage persona from your core self, as these two often
become entangled with each other – resulting in role confusion in itself. These are aspects of
Mercury with which the researcher could associate well. To describe Mercury as a musical
prostitute would not be an overstatement – in the end, all the record labels, managers and even
so-called devoted friends milked his fame and earning ability, while all Mercury wanted was to
experience real love. Therefore, with curiosity, admiration, empathy, and pity, the researcher
wanted to know more about the man who desired somebody to love.
constructs like resilience, perseverance, and motivation drew him closer to the life of Mercury.
Mercury went through numerous adversities in a historical period when bisexuality was taboo
and HIV was stigmatised as an illness among homosexuals. Despite these events, including a
lonely childhood and social anxiety, Mercury always had the resilience to stay strong and
pursue his dreams. Although Mercury had some insecurities, the researcher finds it fascinating
how Mercury still exhibited a sense of optimism and a vibrant energy. This is certainly a
Finally, the researcher would like to point out that, as an aspiring counselling psychologist,
he was still in the initial stages of his psychology career when this study was conducted.
Ironically, the researcher compiled this reflection on the evening of 24 November 2016, exactly
25 years after Freddie Mercury passed away. The researcher thus cannot ignore the coincidence
that a life long gone inspires the dream of another. Through this psychobiography, the
and adversities holistically across the life span. This will most certainly assist the researcher in
155
his future professional and personal psychological journey. In conclusion, the researcher leaves
This chapter concluded this study and stated the limitations and recommendations for future
research. The value of the study and additional recommendations were then presented. Finally,
the chapter was concluded with the researcher’s personal reflective remarks about the study.
156
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