Psychiatric Interviewing - Shawn Christopher Shea
Psychiatric Interviewing - Shawn Christopher Shea
Psychiatric Interviewing - Shawn Christopher Shea
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CHAPTER 1
The Delicate Dance: Engagement
and Empathy
When a doctor tells me that he adheres strictly to this or that method, I have my doubts
about his therapeutic effect. … I treat every patient as individually as possible, because the
solution of the problem is always an individual one …
Carl G. Jung
Memories, Dreams, Reflections
In the following pages, we will begin a study of the interviewing process. We will be
examining the craft in which one human attempts the formidable task of understanding
another human. By way of analogy, this task is not unlike exploring a darkened room in
an old Victorian house, holding only a candle as a source of illumination. Occasionally,
as one explores the shadows, a brisk wind may snuff the candle out and the room will
grow less defined. But with patience, the explorer begins to see more clearly. The outlines
of the family portraits and oil lamps become more distinct. In a similar fashion, the
subtle characteristics of a patient begin gradually to emerge. This quiet uncovering is a
process with which some clinicians appear to familiarize themselves more adeptly than
others. It is as if these more perceptive clinicians had somehow known the layout of the
room before entering it – and indeed, in some respects, they had.
Their a priori knowledge is the topic of this chapter. We will attempt to discern some
of the underlying principles that determine whether an initial interview fails or succeeds.
As Jung suggests in the epigraph to this chapter, these principles do not harden into rigid
rules. Instead they represent flexible guidelines, providing structure to what at first
appears structureless.
Perhaps a second analogy may be clarifying at this point. A book on 19th century art
by Rosenblum and Janson provides some useful insight.1 In it, the authors attempt to
describe the numerous processes that lead to the creation of a work of art, including
environmental influences, political concerns, and the goals and limitations of the artist.
With each painting, these historians appear to question themselves vigorously concern-
ing concepts such as color, composition, originality, perspective, and theme. In short,
Rosenblum and Janson utilize a specific language of art consisting of concisely defined
terms. This language provides them with the tools to conceptualize and communicate
their understanding. Since the language is one understood by most artists, the concepts
of Rosenblum and Janson can be widely discussed and debated.
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4 Clinical interviewing: the principles behind the art
The work of the art historian is not at all unlike our own; as clinicians, however, we
are concerned with a living art. We can better study the characteristics of this living art
once we possess a language with which to conceptualize our interviewing styles. With
this language, the principles that seem to provide an experienced clinician with a “map
of the Victorian room” naturally evolve. From these principles we will garner a more
engaging, flexible, and penetrating style of interviewing.
IN SEARCH OF A DEFINITION
A Bit of Interviewing Examined and the Discovery of a Map
There probably exists no better method for uncovering a definition of interviewing than
by analyzing a brief piece of clinical dialogue. Even in a short excerpt, clarifying principles
may begin to emerge.
The following dialogue was taken from a videotaped initial interview. Of particular
note is the fact that the supervisee was disturbed by a not uncommon problem faced by
an interviewer, “the wandering patient.” Specifically, the supervisee commented, “I
couldn’t really even get a picture of her major problem (she had presented complaining
of being very depressed), because she took off on every subject that came to her mind.”
In this excerpt, the interviewer, who had done an excellent job engaging her, uncovering
her stresses, and allaying her initial anxieties, for she had never worked with a mental
health professional before, was, at this point in the interview, attempting to discover
whether she was suffering from the symptoms of a major depressive disorder. He wanted
to understand better what symptoms were present and their severity – information that
he could subsequently use to collaboratively develop an initial treatment plan with her.
The patient, a middle-aged woman, had been describing some problems with her son,
who was suffering from an attention-deficit disorder.
Pt.: … He’s a behavior problem; maybe a phase he’s going through. (Interviewer writes
note.) He’s exhibiting crying spells, which don’t necessarily have a reason. The
teacher is trying to interview him to see what exactly is wrong with the child
because he’s tense and crying, which isn’t like him; he’s been a happy-go-lucky kid.
Clin.: Is he still kind of hyperactive?
Pt.: Oh yeah … now that we’ve lowered the medication he’s a little bit better, but I was
just mad at the doctor; you know, one of them should have explained it to me.
Clin.: I would think that must be very frustrating to you.
Pt.: It was.
Clin.: And how has this affected your mood?
Pt.: Ah … I have a husband who works shifts (interviewer takes note), and he wants
to be in charge of everything. I had a job until last February, when I got laid off.
I was working more than full time. My husband does not pitch in at all. I was
working about 60 hours a week. He wouldn’t lift a dish, which really gets
to you.
Clin.: Uh-huh; I’m sure.
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The delicate dance: engagement and empathy 5
Pt.: Especially when you’re working Saturdays and Sundays and you start at 6:30 in the
morning and don’t get home ‘til 8:00 at night.
Clin.: What kind of work?
Pt.: I was working in electronic assembly. I was an X-ray technician for 10 years and
then we decided to settle down and have a family. I was working at the hospital up
in Terryhill. And, uh, he said, and I can see his point …
At first glance, one can quickly empathize with the interviewer’s frustration, for indeed
this patient is in no hurry to describe her mood or her depressive symptoms. Instead,
when asked directly about her mood, she immediately darts down a side alley into a
series of complaints about her husband. She appears to wander from topic to topic. But
with a second glance, an interesting observation is apparent concerning the communica-
tion pattern between these two co-participants. It is unclear who is wandering more, the
patient or the interviewer. It is as if the two had decided to take an evening stroll together,
hand in hand.
Specifically, the interviewer had intended to explore for information concerning
depression. But when the interviewer asked about mood, the patient chose to move
tangentially. At this crucial point, where the patient left the desired topic, the interviewer
left with her. Unintentionally the clinician may have immediately rewarded the patient
for leaving the desired topic by taking notes. His scribbling may have inadvertently told
the patient to continue by suggesting that what the patient was saying was important
enough for the clinician to jot down. The interviewer further rewarded the tangentiality
of the patient by proffering an empathic statement, “Uh-huh; I’m sure.” As if this were
not enough, the clinician followed the patient down the alley by asking a question about
the new topic (e.g., “What kind of work?”).
Thus, both the patient and the clinician had an impact upon each other, their
interface defining a dyadic system unconsciously committed to the perpetuation of a
tangential interview. If we examined the next 10 minutes of this interview, we would see
a continuation of this joint rambling, an unproductive process that resulted in almost
no further information regarding the patient’s depression and the pain beneath it, mat-
erial much needed in order to begin collaborative treatment planning and subsequent
healing.
This example illustrates the point that interviews define interactional processes, some
of which facilitate communication and others of which inhibit communication. These
processes are so distinctive that one can name them. For instance, the above process
could be named “feeding the wanderer.” If one is trying to uncover specific information
within a set topic, then the process of feeding the wanderer represents a maladaptive
technique. Curiously, if one were attempting to foster an atmosphere conducive to free
association, the same technique might be beneficial. In either case, the interviewer can
and should be consciously aware of this technique, implementing it when desirable and
avoiding it when it would not be efficacious. For example, in Chapter 3 we will discover
that the interviewer may have been able, in the above dialogue, to lead this patient effec-
tively into a less digressive mode of speech through the use of sensitively well-timed
focusing statements.
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6 Clinical interviewing: the principles behind the art
As we search for a definition of the interview process, we have already stumbled upon
a cornerstone characteristic of all good clinical interviewing. It is not done solely by habit.
Good clinical interviewing is the art of choice. The gifted interviewer always tries to match
his or her interviewing techniques and strategies to the uniqueness of the patient, the
demands of the clinical situation, and the vibrancies of the patient’s culture. Allen Ivey,
whose books I highly recommend, captured this cornerstone brilliantly with his concept
of “intentionality,” which is a characteristic both of clinicians, as they engage patients,
and patients, as they engage life:
Intentionality, along with cultural intentionality, is acting with a sense of capability and
deciding from among a range of alternative actions. The intentional individual has more
than one action, thought, or behavior to choose from in responding to changing life situ-
ations. The culturally intentional individual can generate alternatives in a given situation
and approach a problem from multiple vantage points, using a variety of skills and personal
qualities, adapting styles to suit different individuals and cultures.2
In this book our task will be, both for beginning and experienced clinicians, to explore
a variety of interviewing techniques and strategies that will allow us to creatively choose
which of these are most effective for which patients, enabling us to become more and
more adept at creating intentional interviews while nurturing intentional interviewees.
With this goal in mind, we can now turn our attention to defining exactly what an inter-
view is. This definition would be equally true for an assessment interview by a social
worker or a television interview by a talk show host. The general definition reads as
follows:
An interview represents a verbal and nonverbal dialogue between two participants, whose
behaviors affect each other’s style of communication, resulting in specific patterns of inter-
action. In the interview, one participant, who labels himself or herself as the “interviewer,”
tends to ask questions in attempts to achieve specific goals, while the other participant
generally assumes the role of “answering the questions” but undoubtedly has his or her
own goals.
This definition emphasizes the interactional process of the interview. It also allows one
to refine the definition depending on the desired goals and the context of the interview.
To make this definition more specific to the clinical assessment, one has only to look for
the goals particular to the clinical situation.
In a broad sense, these assessment goals are as follows:
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The delicate dance: engagement and empathy 7
Furthermore, the goals of the initial interview will vary depending on the demands of
the assessment situation, including issues such as time constraints and the interviewer’s
determination of what type of data seems clinically necessary in order to make an appro-
priate disposition. For instance, a crisis clinician called into an extremely busy emergency
department to interview a victim of domestic violence will clearly sculpt a different
interview than a therapist performing an initial intake at a community mental health
center who, in turn, will create a different initial interview than one undertaken by an
analyst asked to spend an hour or two with a well-educated patient requesting psycho-
therapy for chronic depression. In short, the needs of the clinical situation should deter-
mine the style of the interview but can do so only if the clinician remains willing to
intentionally and flexibly alter his or her approach.
In any case, the above considerations emphasize one of the frequent challenges facing
the initial interviewer, namely to gain a thorough and valid database in a limited amount
of time while sensitively engaging the patient. The shorter the time period provided, the
more complex the task appears. To return to our Victorian room, it is as if a clinician
were being asked to make an inventory of a darkened room in a restricted amount of
time while being careful not to disturb the decor too much. No easy task, even for a
master of parlor games.
Perhaps this challenge reaches its most formidable peak when an interviewer or con-
sultant is placed in the unenviable role of performing an intake assessment. From his or
her assessment, frequently limited to the “50-minute hour” or less time by the numerous
time pressures present in a busy clinic, the interviewer must determine the treatment
disposition of the patient. We shall now turn our attention to the difficulties inherent in
such intake interviews.
The discussion so far has indirectly provided an operational definition of such an
assessment interview. From this definition, a map of sorts can be formulated as shown
in Figure 1.1. This map, delineating the various goals of the assessment interview, begins
with the engagement process, which, in many respects, determines whether the other
goals will be successfully achieved. As engagement proceeds, the data-gathering process
unfolds, leading to a progressive understanding of the patient. This understanding of the
patient as a unique person depends upon the clinician’s ability to see the patient’s view
of the world and recognize the patient’s fears, pains, and hopes. As the interview pro-
gresses, the clinician begins to formulate a clinical assessment, including a tentative dif-
ferential diagnosis and a practical list of the patient’s concerns and desired goals. From
both the assessment of the patient’s situation and an understanding of the patient as a
person, the clinician and patient can co-formulate a treatment plan suited to the indi-
vidual needs of the interviewee, while acknowledging the constraints placed on treatment
by the limitations of the mental health system itself.
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8 Clinical interviewing: the principles behind the art
Person-Centered Interviewing
As we use our map to explore our Victorian room, especially as the shadows darken and
we meet areas where the patient is hesitant to share, our efforts must be guided by a
compass that can provide a sense of direction in the darkness. What is this compass? It
is the realization that our major goal for being in this room is simple, concrete, and
unwavering – we are there to help the person who has sought our care.
At first glance this axiom may seem so self-evident as to not need to be stated. But any
experienced clinician can relate to the intense time pressures of the work, the weariness
engendered by the work, the mountains of paper work attached to the work, the admin-
istrative hassles hindering the work, and their own unconscious needs sometimes
undermining the work that can make it surprisingly easy to lose this sense of direction.
For decades talented innovators, such as Carl Rogers, have felt this point to be so impor-
tant that terms have been coined such as “client-centered counseling” (and in the fields of
medicine and nursing: “patient-centered medicine”) to highlight it. The newest term that
has evolved for this concept – “person-centered” – beautifully captures the essence of our
mission. It is a term more commonly encountered in European literature.
From the person-centered perspective the clinician views the interviewee as a cascad-
ing series of unique moments in time, in which the biology, psychology, intimate rela-
tionships, family dynamics, culture, and spirituality of our patient intersect to create the
unique person before us. It is an ever-shifting matrix of which we are a part as soon as
the patient enters our office. Our goal as clinicians is to understand this uniqueness, help
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The delicate dance: engagement and empathy 9
our patients to better understand their strengths and weaknesses, and to learn how to
navigate this complex human matrix more effectively.
Throughout the pages of this book we will use a person-centered perspective as our
compass. Our interviewing principles, techniques, and strategies will be enriched by our
efforts to see the world through the patient’s eyes as well as our own, to make sure that
we have a collaborative understanding of what the patient views as his or her problems
and his or her goals first before sharing some of our own suggestions. It is a perspective
that gently reminds us to understand what the person seeking our help wants us to
provide before trying to provide it.
In person-centered interviewing the patient is not viewed as the problem but as a
unique individual filled with solutions to the many problems that life invariably brings
to all of us. There is a humbleness to a person-centered interviewer. It is the wisdom that,
even at our best, we do not know all the answers, for we do not even know all the ques-
tions. Thus it is intensely important to listen to what our patients have to teach us and
the questions that they bring us.
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10 Clinical interviewing: the principles behind the art
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The delicate dance: engagement and empathy 11
technique, an interviewer can learn what sensations he or she experiences when engage-
ment is optimal – in essence, what a good interview feels like. Educators have suggested
that once this internal and idiosyncratic feeling stage has been identified, the clinician
can use it as a type of thermometer, to determine the intensity of blending at any given
moment.3
Naturally, this subjective feeling will vary from one interviewer to another. Conse-
quently it may help to examine some of the descriptions clinicians have related concern-
ing this feeling state.
a. “To me good blending feels more like a conversation and a lot less like an interview
or interrogation.”
b. “I know blending has occurred when suddenly I realize during the interview
that I’m actually talking with a person with real pain, not a case with imagined
defenses.”
c. “When the blending is good, I notice that I feel more relaxed, sometimes even giving
off a sigh. Curiously I also feel more interested.”
These descriptions suggest the personal uniqueness of the blending process. It is this
personal uniqueness that allows the concept of blending to function as such a reliable
and sensitive tool for monitoring the degree of engagement. If clinicians can train them-
selves to intermittently check the progress of blending, they will have discovered a
window from which to study the unfolding engagement process. To this extent, the
interview becomes less nebulous and more tangible. It evolves into something that can
be modified.
This increased tangibility can be furthered by utilizing the second major avenue for
monitoring the blending process, an objective look at the behavioral characteristics of
the interview itself. The behavioral clues suggested by body language will be discussed
in Chapter 8. In this chapter, an examination of the timing and structural characteristics
of the verbal exchange will be highlighted.
The issue facing the interviewer involves finding concrete behavioral cues from the
verbal exchange that indicate the presence of good blending. Wiens4 and colleagues have
provided some simple but fascinating methods of analyzing the temporal characteristics
of speech by studying three major speech variables: duration of utterance (DOU), reac-
tion time latency (RTL), and the percentage of interruptions. The DOU can be roughly
equated with the length of time taken up by the interviewee’s response following a ques-
tion. The RTL represents the length of time it takes an interviewee to respond to a ques-
tion. The percentage of interruptions represents the tendency for the interviewee to cut
the clinician off before a question has been finished. One can look at all of these variables
in relation to the clinician’s speech patterns as well.
With regard to blending, these variables offer a potentially more objective measure of
effectiveness, because certain patterns of exchange may suggest weak blending. For
instance, a guarded or suspicious patient often produces curt responses to questions (a
short DOU), long pauses before answering (long RTL), and occasional cut-offs as the
patient corrects the interviewer for inaccuracies in his or her statements. If an interviewer
spots such a pattern emerging, it may be a clue to ineffective engagement.
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12 Clinical interviewing: the principles behind the art
Another example at the opposite end of a continuum concerns the hypomanic, his-
trionic, or anxious patient who tends to wander. These wandering patients frequently
present with a long DOU and a very brief RTL and may also actually cut the interviewer
off frequently, a process triggered by the patient’s over-eagerness to make their points.
Interestingly, the interviewer may find himself or herself reciprocating with cut-offs in a
vain effort to get a word in edgewise.
Moreover, with histrionic, hypomanic, or manic patients, the blending is frequently
marked by a peculiar superficial quality. With regard to spontaneity of speech, these
patients often open-up inappropriately quickly, as opposed to the gradual increase in
blending seen with most patients. Consequently, the observed blending possesses a one-
sided and shallow quality, aptly called by one student “unipolar blending.”
In the above two examples, we have seen that variations in basic patterns of verbal
output, such as a DOU and RTL, can provide objective indications of the adequacy of
the blending process. One might ask whether this objective technique offers any advan-
tage over the subjective approach described previously. I believe that it does. But one
method does not appear more valuable than another; rather each method complements
the other. For instance, occasionally clinicians are duped by their subjective sense of
blending into missing the psychopathology of patients with histrionic defenses or those
experiencing hypomania.
One of the reasons this problem occurs is that the clinician feels at a subjective level
that the blending is unusually good. Indeed, the clinician is fascinated by the patient’s
story. In actuality, the blending is artificially good, representing the unipolar blending
just described. In fact, unipolar blending, if recognized by the clinician, could provide
the clue that “something is wrong here.” The patient’s engaging style and subtle dramatics
are misleading the clinician. If in this instance the clinician could step back to look at
the DOU and RTL, the clinician might recognize the hallmarks of a unipolar blending
and consequently evaluate the possible psychopathologic causes of it. In this case, the
objective technique sidesteps the confusion created by judging the blending process
solely by the subjective method.
The other advantage of paying attention to more concrete parameters such as DOU
and RTL is the ability to use these criteria to judge the effectiveness of a specific technique
employed by the clinician. If, for example, the clinician attempts to actively engage a
patient who seems hesitant to talk, one of the earliest and most easily recognized markers
of success will be an increase in DOU. Corresponding changes in the subjective feeling
of increased blending may appear only later and may be less easily recognized.
A third method of determining the degree of blending consists of the patient’s self-
report. Occasionally, a patient will spontaneously tell an interviewer to what degree the
interaction is enjoyable. More commonly, the interviewer may inquire, as the interview
winds down, “What was it like talking with me today?”
To this question, some patients may pointedly discuss specific concerns, sometimes
providing appropriate and constructive criticism. Often, due to a reluctance to appear
unappreciative or rude, patients will reply that everything was fine, even if it was not, but
their nonverbals may betray their true feelings. A hesitant “yes” surely indicates some
discomfort upon the part of the patient, providing us with a rich opportunity to
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The delicate dance: engagement and empathy 13
non-defensively uncover their concerns and address them. At such moments of hesitation,
the clinician can comment, “You know you look a little hesitant there, is there anything I
may have done or said that might have made you uncomfortable?” The answers are some-
times surprising. By non-defensively exploring the patient’s concerns, we will have greatly
increased the likelihood that there is going to be a second interview.
Other surprises may appear when the self-report contradicts the subjective and objec-
tive methods of evaluating blending. For instance, I am reminded of a young man who
appeared somewhat disinterested as we spoke. He talked softly and with little animation.
As we proceeded, I felt awkward, as if this were going to be a bad mix of personalities.
Although both the objective and subjective signs of blending suggested poor engagement,
to my surprise, at the end of the interview he reported feeling very at home with me. He
stated that he had enjoyed the interview, and he appeared sincere.
His diagnosis was paranoid schizophrenia in remission. It was either a residual blunt-
ing of affect from his schizophrenia or perhaps a side effect from an antipsychotic that
was creating both an outward and an inward suggestion of poor blending; the engage-
ment was not, in truth, weak. This disparity highlighted the type of miscommunication
that this patient could easily convey to other people, an aloofness that was both disarm-
ing and misleading. Attention to blending by self-report greatly enhanced my under-
standing of the manner in which this patient embraces the world and is embraced by
the world. It also suggested the possible utility of social skills training or perhaps a
medication adjustment.
Thus, the clinician can benefit from learning to judge blending by combining the
subjective, objective, and self-report approaches. With these three techniques in mind,
the interview becomes at once less mystifying and more gratifying. The gratification arises
from the realization that the interviewer can learn to creatively alter the interview process
itself.
Once blending has been analyzed, the clinician possesses a concrete idea of the
strength of the engagement process with any particular patient at any given moment.
Weak engagement may indicate that invalid data is more likely. It may also be a harbinger
that the patient may be less interested in the clinician’s treatment recommendations or
recommendations for follow-up. Moreover, a weak engagement process suggests one of
the following three conditions:
1. The interviewer’s actions are actively disengaging the patient
2. The interviewee’s psychopathologic processes or defenses are interfering with
engagement
3. A combination of the above
If the clinician feels that the damaged blending can be attributed to the first condition,
then the clinician can attempt to consciously alter his or her style of interaction. For
instance, a paranoid patient may be put off by an extroverted style of interviewing. In
such an instance, the clinician may decide to tone down their extroversion in an effort
to ease the patient’s fears.
If the weak blending can be ascribed to the second condition, then the clinician may
be alerted to the types of psychopathology that could be blocking the blending, such as
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14 Clinical interviewing: the principles behind the art
with the histrionic process described earlier. Naturally, if the third condition is the issue,
increased attention to both style of interaction and psychopathology can be brought into
play.
At this point we have reviewed three methods of directly assessing blending that allow
us to indirectly assess the engagement process itself. It is valuable to reflect on the map
of the interviewing process delineated earlier. On this map, the interviewer begins with
the engagement process for a good reason. The engagement process affects all subsequent
goals of the interview.
More specifically, poor engagement raises significant doubts about the validity of the
database because patients generally do not freely share with people they do not like.
Moreover, without effective engagement, one will seldom gain knowledge of the intimate
corners of the patient’s “room” alluded to in our comparison of an interview with an
exploration of a dark Victorian room. Hence, the clinician leaves with only a superficial
understanding of the patient’s pain. Furthermore, without valid data falling into place,
the clinician’s assessment and diagnosis are frequently in significant jeopardy. Finally, if
the engagement process proceeds poorly, the patient may never return for a second
appointment, casting the shadow of irrelevance over the work of the first interview.
Thus one is left with the realization that this somewhat nebulous concept of engage-
ment appears to be the pivotal process on which much of clinical practice turns. Fortu-
nately, this process is not as mercurial as it first appears. The dance of engagement begins
with empathy.
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The delicate dance: engagement and empathy 15
In contrast, with identification, the clinician not only recognizes – and briefly shares –
the patient’s feeling state, the interviewer continues to experience the patient’s anger or
sadness. Such a misguided clinician fully embraces the patient’s feelings as his or her
own unconsciously. A clinician who is experiencing identification, in essence, agrees with
the patient’s feelings and is personally invested in accepting these feelings as being both
accurate and reasonable.
The importance of this distinction lies in the fact that identification often marks the
pathway toward such unrecognized therapeutic gremlins as burnout and unidentified
countertransference. The persistent appearance of strong feelings of identification may
alert clinicians to the need to begin or return to their own therapy, because such identi-
fication can quickly destroy the therapeutic process.
One feels compelled to say a silent prayer for the poor patient with borderline features
who meets a clinician that boldly proclaims, “I can feel your pain.” Borderline patients
have enough problems with identity diffusion without finding “silly putty” coating the
edges of their clinician. Thus a simple but important lesson to be learned from the study
of empathy is that most patients are not searching for a person who feels as they do;
they are searching for someone who is trying to understand what they feel.
G. T. Barrett-Lennard sheds further light on the concept of empathy by recognizing
the fact that empathy is effective only if it involves both the interviewee and the inter-
viewer.5 Thus empathic skill is not limited to the clinician’s ability merely to perceive
the internal reference of the patient, but also includes the clinician’s ability to convey
this perception to the patient with an empathic statement or gesture. He calls this
shared response the “empathy cycle,” a concept providing an excellent framework with
which to study the practical application of empathy. Consequently, we will look at each
phase of Barrett-Lennard’s cycle in detail, using it as our framework for the rest of the
chapter.
The empathy cycle consists of the following phases: (1) the patient expresses a feeling,
(2) the clinician recognizes this feeling, (3) the clinician conveys recognition of the
feeling to the patient, (4) the patient receives this conveyance of recognition, and (5) the
patient provides feedback to the clinician that the recognition has been received.6 With
this cycle in mind, the empathic process begins to make significantly more sense. In fact,
one can see that a breakdown in empathy can arise at each of these five stages.
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16 Clinical interviewing: the principles behind the art
One feels the pathos of this situation, in which the mother’s defenses of denial and ration-
alization prevent the expression of core feelings of pain. If the interviewer should attempt
to make an empathic statement such as, “It sounds like you’re really going through a lot
with John,” I doubt the response would be positive. In this case the patient’s own uncon-
scious defenses have prevented the empathy cycle from spontaneously unfolding.
Second Phase of the Empathy Cycle: Clinician Recognizes the Patient’s Feelings
But phase 1 does not have a monopoly on the common breakdowns that prevent the
establishment of an empathic contact. In phase 2, the recognition of the patient’s feel-
ings, problems may arise if the clinician’s perceptual or intuitive skills fall short, perhaps
related to his or her own defenses or psychopathologic undertow. In particular, interview-
ers need to be aware of the impact of their immediate emotional status on their ability
to empathize accurately. For example, a clinician who has recently experienced an unset-
tling session in supervision may have significant trouble attending to a patient’s subtle
clues of inner pain. At the other extreme, a recently divorced clinician could easily project
his own feelings of betrayal onto a patient undergoing a trial separation, when, in fact,
the patient is not experiencing such feelings at all. In both situations, the clinician’s
emotional state prevents an accurate perception of the interviewee’s feelings.
In this light, it can be stated that interviewers have only themselves to serve as mea-
suring instruments. The clinician has no microscope or magnetic resonance imaging
(MRI) to provide insight. However, like a sophisticated machine, interviewers can unin-
tentionally bias their data. Before beginning an interview, it is often useful to check the
bias of the instrument by pausing for a moment of reflection, asking what feelings are
present, before proceeding to meet the patient. Such a simple process may alert the clini-
cian to potentially distorting factors such as feeling rushed, angry, sad, or simply weary.
Once alerted to their biases, interviewers may hope to stand one step further away from
invalid data.
The second phase of the empathy cycle also raises several interesting questions con-
cerning the actual nature of intuition. Margulies and Havens7,8 have emphasized two
frames of mind that appear to be integral aspects of the empathic process. In the first
place, the clinician must possess the ability to listen with an attitude of disciplined
naiveté, literally attempting to feel the world of the patient without seeking cause and
effect, classification, or moral judgment. This receptive listening perspective was master-
fully developed by the psychological school of phenomenology, which we shall discuss
at greater length later in this book. But the bottom line can be simply stated: The clini-
cian must learn to suspend analytic thought when such thought may be destructive to
the engagement process.
The second frame of mind that Margulies discusses concerns the ability of the clini-
cian to imagine the inner experiences of the patient by creatively projecting himself or
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The delicate dance: engagement and empathy 17
herself into the patient’s world. He likens this ability to the poetic imagination of artists,
emphasizing the ability to move actively into the patient’s world, or “inscape,” as this
phenomenon has been called.9 When the clinician does this well, he or she not only
paints a picture of the patient’s world, but also enters it.
The ability to listen while suspending analysis and the ability to sensitively project
into what another person may be experiencing can be viewed as two skills from which
intuition is born. They remain pivotal to effective clinical practice, typically reaching
powerful proportions when clinicians achieve a high degree of blending.
Here we stumble upon a fascinating irony, because one of the characteristics of a gifted
interviewer is the ability to know not only when to use these intuitive skills but also
when not to use them. Phrased slightly differently, a skilled clinician draws from both
intuition and analysis. In a matter of a few minutes the skilled interviewer may juxtapose
periods of intuitive listening with moments of analytic thought. Indeed, the two pro-
cesses, in the hands of a seasoned clinician, tend to guide each other. For example, a
clinician may intuitively sense a patient’s extreme fear of a disintegration of the self.
Besides immediately helping the clinician to blend with the patient, this intuitive feeling
might prompt the clinician to later explore, in a diagnostic sense, whether the patient
may have defenses and behaviors consistent with having a borderline personality or a
narcissistic personality.
Similarly, an analytic process can lead a clinician to a higher level of empathy. For
instance, a clinician may observe that as the interview proceeds, the patient avoids eye
contact and becomes increasingly anxious. This analytic observation may prompt the
clinician to be more empathically aware of the patient’s feeling of being ill-at-ease. At
such moments the clinician may gently ask, “I’m wondering what it has been like for
you coming to see a therapist?” Subsequently, an empathic mode of listening may sig-
nificantly help the patient to relieve his or her sense of guilt or embarrassment. The
important point remains that intuition and analysis are complements, not antagonists.
Both skills are utilized frequently during the first encounter.
Strategic Empathy
One such unexpected twist arises from the fact that not all empathic statements work
equally effectively with all patients. With many patients appearing for their first appoint-
ment, some empathic statements appear to be appropriately engaging, but “nothing
special,” while other empathic statements appear to be compellingly powerful “grand
slams” enhancing the therapeutic alliance. Another perhaps even more puzzling aspect
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18 Clinical interviewing: the principles behind the art
Interpersonal Stance
One can categorize patients, with some degree of caution, into two types: those who are
trusting and those who feel guarded. Most of our patients are reasonably trusting and
we will find that the interviewer can effectively use a wide variety of empathic interview-
ing techniques with such patients with little likelihood of empathic backfiring. It is with
the latter patient, the so-called guarded patient, that empathic statements most frequently
display the nasty habit of disrupting the engagement process. The guarded quality of
these patients may arise from a variety of sources, including high anxiety or fear (perhaps
in a patient particularly uneasy about therapy or involuntarily forced to be assessed), an
idiosyncratic or situational fear of the clinician (for example, in a patient who has an
immediate negative transference to a clinician who physically resembles an abusive
parent), a long-standing character trait of suspiciousness (as seen with a paranoid per-
sonality), or frankly pre-psychotic or psychotic paranoia.
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The delicate dance: engagement and empathy 19
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20 Clinical interviewing: the principles behind the art
Pt.: After my wife abruptly left me, it was like a star exploded inward, everything
seemed so empty … she seemed like a memory and my life began to fall apart. Very
shortly afterwards I began feeling very depressed and very tearful.
Clin.: [low valence of certainty] It sounds like everything seemed to be collapsing around
you.
Clin.: [high valence of certainty, said with a gentle tone of voice] Your world had
collapsed in so many ways, all of them so very painful. (the patient nods his head
in agreement and begins to cry)
As a general rule, empathic statements with a low degree of certainty, which tend to
employ words like “It sounds like …” generally can be used effectively to enhance blend-
ing with both a trusting and a guarded patient.
In the case of a trusting patient, a skilled clinician may strategically choose to use an
empathic statement with a higher valence with regard to certainty as shown above. Such
a statement may suggest to the patient that he or she is in the presence of a clinician
who “really gets it” and is seeing things through their eyes in a phenomenological sense.
The well-timed use of an empathic statement with a high degree of valence regarding
certainty can be compellingly engaging with a trusting patient.
Sometimes empathic statements with a high valence regarding certainty begin with
phrases such as “It is” or “There is.” With the above patient, the clinician might have
said, “There is so much pain in a divorce of this nature, it’s essentially beyond words.”
These phrases can sometimes be unusually effective for engagement purposes.9 Such
third-person singular impersonal phrases tend to suggest a shared experience to the
patient, in the sense that the clinician acknowledges the validity of the patient’s experi-
ence while simultaneously suggesting one would (or even has) experienced similar emo-
tions. When well timed, these phrases can shore up a faltering alliance.
On the other hand, empathic statements with a high valence of certainty may disen-
gage a guarded patient, as shown in the following:
Pt.: I can’t believe how cruel people can be. My ex-boss won’t even talk with me, won’t
even give me a minute of his damn time. It hurts, yes it does. But at this point I’ve
got a million problems and nobody to help me.
Clin.: It is very overwhelming to have so many problems. [high valence of implied
certainty]
Pt.: How would you know what it feels like, have you ever been fired?
Clin.: No, I can’t say I have, but it surely must be a devastating process. [yet another
empathic statement with a high valence of certainty]
Pt.: To some people perhaps (slight glare from patient).
In this passage, the clinician’s attempt at an empathic statement with a high valence of
certainty seems to have unsettled the patient, a verbal boomerang of sorts. Perhaps this
backfire has its origins in the patient’s desire for a private and hence safe world. More
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The delicate dance: engagement and empathy 21
explicitly, this patient appears to dislike the process of being told what he is feeling or
should be doing, for this world is his world, and trespassers are not encouraged.
This trespass has led to a rather awkward moment, in which the patient challenges
the clinician’s ability to understand him, which is not exactly the response desired by
the interviewer, who suddenly finds himself dodging the cutting edge of an almost para-
noid accusation.
One can speculate that if the clinician had used an empathic phrase with a lesser
valence of implied certainty such as, “It sounds like it could be very overwhelming to have
so many problems,” instead of the phrase, “It is very overwhelming to have so many prob-
lems,” perhaps the interaction may have been less antagonistic. Perhaps … Nevertheless,
as we will see later in this section, even empathic statements with a gentle degree of
certainty are often ill advised when the patient is frankly paranoid.
Pt.: After my wife abruptly left me, it was like a star exploded inward, everything
seemed so empty … she seemed like a memory and my life began to fall apart. Very
shortly afterwards I began feeling very depressed and very tearful.
Clin.: [low valence of intuited attribution] It sounds as if your whole life truly began
falling apart.
or
Clin.: [high valence of intuited attribution] It sounds like it was terribly frightening to
lose her so suddenly, almost like the loss of your mother so many years ago (the
patient pauses for a moment, reflecting on the clinician’s intuited association and
promptly begins to weep).
In the empathic statement with a low valence of intuited attribution, the clinician essen-
tially employs the same wording as the patient “life began falling apart,” but might give
a sensitive emphasis by adding a word such as “truly.” In this respect, the interviewer
has, in an accurate fashion, mirrored back the patient’s thoughts. Minimal intuition is
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22 Clinical interviewing: the principles behind the art
displayed here. Consequently, there exists little chance that the statement will be per-
ceived as inaccurate or too invasive by either a trusting or a guarded patient. Moreover,
if said in a caring tone, this gentle response can convey concern while demonstrating an
attentive listening style. It may represent a rudimentary level of empathy. It does convey
caring when done well. Empathic statements that essentially mirror back the exact words
of the patient, such as this example, are sometimes simply called “reflecting statements.”
Reflecting statements are useful but have significant limitations, because they do not
particularly demonstrate great sensitivity or understanding by the clinician.
In contrast, the second example illustrated above – a nice illustration of an empathic
statement with a high valence of intuited attribution – when used with a patient with a
trusting interpersonal stance may suggest to the patient that he or she is in the presence of
a keenly perceptive therapist. For instance, in our example, this sensitivity was suggested
by the clinician’s use of the term “frightening,” a feeling never mentioned by the patient
but nevertheless felt to be present by the clinician. When accurate, such empathic con-
nections can be powerful indeed. Moreover, the second part of the clinician’s response,
suggesting a relationship of the current grief to an earlier mourning for the patient’s
mother, also represents an intuition made by the clinician. To the trusting patient, such
a powerful empathic statement may suggest that he has found a particularly understand-
ing and insightful listener. The use of empathic statements with a high valence regarding
intuited attribution often characterize the dialogue of a gifted clinician.
Once again, however, one must ask whether or not an empathic statement with a high
valence of intuited attribution can get a clinician into trouble. Not surprisingly, the
answer is “yes,” especially with guarded patients. By way of example, guardedness is often
associated with an inordinate attention to details, demonstrated by an unexpected value
on accuracy. This need for accurate understanding at all costs is bolstered by the fear that
“no one understands what I’m really feeling.” With these two processes in mind, one
can easily imagine the potential traps awaiting the clinician who unwittingly uses an
empathic response with a high valence of intuited attribution with a guarded patient. In
this case the patient is veering towards an almost paranoid stance:
Pt.: After my wife abruptly left me, it was like a star exploded inward, everything
seemed so empty … she seemed like a memory and my life began to fall apart. Very
shortly afterwards I began feeling very depressed and very tearful.
Clin.: It sounds terribly frightening to lose her so suddenly, so similar to the pain you felt
when your mother died.
Pt.: No … no, that’s not right at all. My mother did not purposely abandon me. That’s
simply not true.
Clin.: I did not mean that your mother purposely abandoned you, but rather that both
people were unexpected losses.
Pt.: I suppose … but they were very different. I never was afraid of my mother …
they’re really very different.
Needless to say, this attempt at empathic connection leaves something to be desired. The
patient’s attention to detail and fear of misunderstanding have obliterated the intended
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The delicate dance: engagement and empathy 23
empathic message, leaving the clinician with a frustrating need to mollify a patient who
has successfully twisted an empathic statement into an insult of sorts.
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24 Clinical interviewing: the principles behind the art
strategic empathy, we have some tools for helping both ourselves and our patients to feel
more comfortable when paranoid process is active.
Years ago when I was the medical director of a psychiatric emergency room, I would
sometimes observe a most striking phenomenon – “the paranoid spiral” – that was
common, especially with naturally empathic trainees (who had had little experience with
paranoid process up to that date). As mentioned earlier when describing patients with
extreme guardedness, paranoid patients have an even more intense need for accuracy in
how clinicians describe them and an almost overwhelming need for psychological dis-
tance. Even empathic statements with a low valence are often rejected, and empathic
statements with a high valence, regarding implied certainty or intuited attribution, are
downright anathema to many paranoid patients, because to the patient it feels like the
interviewer is trying to “get inside my head.” Watch what happens in the following dia-
logue, which illustrates a paranoid spiral:
Pt.: Things have gotten a little dicey with my husband. I’m not certain what the
problem is. He just doesn’t communicate the way he used to. He’s not warm. We
used to show a lot of affection. It’s just not good.
Clin.: Sounds like it’s gotten pretty tough. [an empathic statement with a low valence of
certitude but a relatively high valence of intuition]
Pt.: (said testily) I didn’t say “it’s gotten tough,” I said “It’s just not good.” (note that
the patient has disavowed the clinician’s empathic statement, a real red light that
paranoia is out and about)
Clin.: Oh (pause) I’m sorry … I think I see what you mean (patient glares). What else have
you noticed? (to a naturally engaging clinician, who throughout his or her life has
normally engaged very well with people using such empathic statements, this
unexpected tenseness with the patient is psychologically jarring – sometimes
representing the first time anyone has responded to his or her empathic
communications in such an odd way. This psychological jarring was probably the
cause of the clinician’s somewhat awkward response, “I think I see what you mean.”)
Pt.: It’s just too weird. It’s like he’s not the same person. Sort of unpredictable. It’s not
that I think he is having an affair or anything. But he sure seems to be interested in
our pretty next-door neighbor, if you know what I mean. It’s pretty upsetting. And I
think he might be spying on me.
Clin.: I can see where that would be unsettling to lose trust in someone you have always
trusted. [an empathic statement with a high valence of intuition and certitude,
which would be quite effective with most people – but this patient is not “most
people”]
Pt.: It’s not unsettling, it’s upsetting. (patient glares again) And it has nothing to do
with trust.
Clin.: Oh. (pauses) Well, how do you put it all together?
Pt.: Well, finally, we have a good question (pauses). Let’s be blunt here, I think my
husband has become a strange man. You might call him evil. It’s the “divorce
game,” him trying to drive me nuts so that he can divorce me.
Clin.: How do you mean?
Pt.: For about 3 months he’s had them on me. I know they’re watching, every night at 6
o’clock. I feel their presence. I think they use telescopes and maybe mind probes to
see me, a terrible position to be in.
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The delicate dance: engagement and empathy 25
In the paranoid spiral, as we are seeing above, the patient may even disavow empathic
statements with low valence. The interviewer immediately registers the disengagement,
but because they feel less engaged, the interviewer uses, by habit, what they often have
used to improve engagement in everyday life and with previous patients – more empathic
statements. Naturally, this further disengages the paranoid patient, who wants more
distance, not more intimacy, from the interviewer. Because the interviewer acutely feels
the progressive uneasiness of the encounter, they often try empathic statements with an
even higher valence, for with trusting patients these statements have often been power-
fully engaging in the past. Well … “it ain’t gonna work here.”
I have actually seen such interviews spiral downwards, plummeting into a stony
silence, hence the name “paranoid spiral.” (This misstep is an easily understandable
strategic error for an inexperienced interviewer; in my first year of residency I fell into
this trap so many times my supervisors needed a rope to get me out!) In some patients,
this reflexive use of empathic statements by the interviewer can stoke considerable hostil-
ity, perhaps placing the patient near the edge of violence. In fact, the comment from the
above patient, “trust me I’m not defenseless,” could be a veiled threat to the clinician,
well worth heeding.
Returning to our original definition of an interview, we can see that the paranoid spiral
is a beautiful example of the fact that “an interview represents a verbal and nonverbal dialogue
between two participants, whose behaviors affect each other’s style of communication, resulting
in specific patterns of interaction.” It is also a beautiful example of the value of one form
of intentional interviewing, strategic empathy, for a clinician armed with knowledge
regarding strategic empathy does not need to move reflexively. We have choice. Not every
patient wants to be on the receiving end of empathy.
Once paranoid process has been spotted, as with the first disavowal of the mixed
valence empathic statement seen above (“Sounds like it’s gotten pretty tough”), the
experienced interviewer can shift gears. Generally speaking, at this point all empathic
statements should be avoided, until there is evidence of sound engagement. Once good
engagement has been secured, if any empathic statements are going to be employed, one
should start with low-valence statements and see the impact on the patient. Any further
disengagement suggests empathic statements should probably be avoided for the rest of
the interview. For clinicians who routinely use empathic statements throughout their
interviews, this process requires true discipline and intentionality. Such discipline will
be amply rewarded, for this use of strategic empathy often works remarkably well. The
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26 Clinical interviewing: the principles behind the art
patient experiencing the pangs of paranoia can begin to feel a bit safer because of the
intentional shifting away from the use of traditional empathic statements.
Thus far we have seen what not to do with paranoid patients. Now let us turn our
attention to what interviewing strategies an intentional interviewer might choose to use
to avoid the paranoid spiral. If we look closely at the above exchange, we will see that
the interviewer is already (albeit, without intentionality) using an interviewing strategy
that is often effective with patients coping with the pain of paranoid process. Notice that
when the clinician simply showed a genuine interest in how the patient perceived what
was happening to him with questions such as, “… how do you put it all together?” and
“How do you mean?” the engagement flowed smoothly.
It is critical with a paranoid patient to help them to share as openly as possible, for
inside their paranoid delusions the seeds of dangerousness, to both self and others, may
be present. The use of an interested, yet non-empathic, conversational manner with para-
noid patients may help the clinician to uncover such critical material, while simultane-
ously helping the patient to feel more comfortable. This interviewing strategy, designed
to bring forth the sometimes dangerous secrets hidden within paranoid process, has been
called “greasing the wheels” of delusional conversation by David Robinson.10
Curiously (yet logically, if one employs what we now know regarding empathic
valence), there is one type of empathic statement that might be useful when coupled
with Robinson’s conversational strategy of greasing the wheels – reflecting statements. As
we saw earlier, reflecting statements are empathic statements with extremely low valence
regarding intuited attribution, for they simply mirror back what the patient has said.
With paranoid patients, the clinician might find that the use of absolutely pure reflecting
statements (employing only the exact words of the patient) works very well. Coupling their
use with Robinson’s strategy of greasing the wheels, the highly antagonistic exchange
seen above might have gone very differently:
Pt.: Things have gotten a little dicey with my husband. I’m not certain what the
problem is. He just doesn’t communicate the way he used to. He’s not warm. We
used to show a lot of affection. It’s just not good.
Clin.: What has changed the most in your opinion? (greasing the wheels)
Pt.: It’s just too weird. It’s like he’s not the same person. Sort of unpredictable. It’s not
that I think he is having an affair or anything. But he sure seems to be interested in
our pretty next-door neighbor, if you know what I mean. It’s pretty upsetting. And I
think he might be spying on me.
Clin.: What have you noticed about him as far as spying behavior? (greasing the wheels)
Pt.: For about 3 months he’s had them on me. I know they’re watching, every night at 6
o’clock. I feel their presence. I think they use telescopes and maybe mind probes to
see me, a terrible position to be in.
Clin.: Sounds like a terrible position to be in (pure reflecting statement). Have you
thought what you might need to do about it? (greasing the wheels)
Pt.: Yeah, I just might have to pay a visit to my “pretty next-door neighbor,” the little
bitch. She’s the one who is pushing the spying.
Clin.: When you say pushing the spying (pure reflecting statement), what do you feel
needs to be done? (greasing the wheels)
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The delicate dance: engagement and empathy 27
Pt.: (patient pauses, looks intensely at the interviewer and with a knowing smile says)
Maybe a little 22-caliber bullet might catch her attention, if you know what I mean.
Pt.: Where have you been? I’ve been waiting here for over 20 minutes. What the hell is
going on?!
Clin.: I’m sorry you’ve been waiting, Mr. Jackson. I know it’s not fun to be kept waiting.
[empathic statement said sincerely]
Pt.: Not fun?! You gotta be kidding me. (pause) No, it’s not fun. How would you like to
be kept waiting? You know, I have a job that I had to leave early today just for this
appointment.
Clin.: Mr. Jackson I’ve already told you I’m sorry, but sometimes I might be late for a very
good reason. Today, I got hung up with a patient over at the inpatient unit who
needed some extra help and was in crisis. I would do the same thing for you. I will
almost always be on time for our appointments, but sometimes these emergencies
come up. I’m really sorry. I hope you understand.
Pt.: Well, I’m really sorry too. (pauses, then continues in a testy voice) I’m really sorry
I’ve got to pay for this type of crap.
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28 Clinical interviewing: the principles behind the art
This clinician is having another “fun” day at the office. Fortunately there is a style of
empathic statement that seldom backfires in these situations. These empathic statements
are called “defusing statements.” I often find that when a patient first makes an angry
comment towards me, I often feel flustered and caught off-guard, not entirely certain
where to proceed. At such moments, I find that any of the following three defusing state-
ments are often effective:
Watch the use of one of these defusing statements with Mr. Jackson and how the defus-
ing statement gives a more powerful genuineness to the clinician’s apology:
Pt.: Where have you been? I’ve been waiting here for over 20 minutes. What the hell is
going on?!
Clin.: Mr. Jackson, who wouldn’t be upset! I’m almost 30 minutes late. I truly apologize.
I’m sorry you’ve been waiting.
Pt.: Yeah, well … (said with a mild, but less hostile intensity) you shouldn’t keep a
patient waiting.
Clin.: You’re absolutely right. I got hung up with a patient over at the inpatient unit who
needed some extra help. Listen, what I’d like to do is give you this session free, for
all of your inconvenience. Does that sound okay with you?
Pt.: Well (tone of voice softens) well, yeah, sure. You’re not gonna make a habit of this
are you?
Clin.: Of giving you sessions for free? (pauses, then smiles)
Pt.: (patient catches the humor) No, of course not. (laughs) Of being late.
Clin.: Absolutely not, sometimes emergencies do arise. I’d try to call ahead to my secretary
if that happens in the future. Hopefully it won’t. Thanks so much for being so
patient. (patient shakes his head in a “these things happen” kind of way)
Pt.: Don’t worry about it.
As this illustration demonstrates, it is hard to keep being angry with someone who
agrees with you. The clinician further addresses the situation by using a technique –
compensation (offering to do the session for free) – that we will examine in more detail
in our chapter on anger transformation, as well as a bit of well-timed humor. But the
patient’s anger had already been lessened significantly by the adroit use of the defusing
statement (“Who wouldn’t be upset!”) and the sincere apology given immediately upon
its use.
Notice also that the first clinician became somewhat defensive and began defending
why he was late. In contrast, the second clinician almost presented his appropriate
reason for being late as an afterthought, keeping the focus upon agreeing with the
patient’s perspective, exactly where the focus should be kept after using a defusing state-
ment. Such a stance can seldom do anything but begin to defuse anger as long as it is
sincere.
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The delicate dance: engagement and empathy 29
Unlike with guarded and paranoid patients, notice that these defusing statements
work well despite having a high valence with regard to implied certainty. In fact, they
work precisely because they have a high degree of valence regarding implied certainty. It
is the power of the clinician strongly agreeing with the patient that transforms the
moment. Indeed, each of these three defusing statements has a slightly different valence
regarding the degree of certainty, with “It makes sense to me that you would be upset”
having the least and “Who wouldn’t be upset!” having the most. I have found that the
angrier the patient, the higher the valence of the defusing statement that I use. With our
new knowledge, we can now use strategic empathy to match the right defusing statement
with the right patient. Intentionality, once again, the secret of the art.
Client: Yesterday was my day off. I just sat around the house doing nothing. I had
some errands to run, but I couldn’t seem to make myself get up off the couch
and do them.
Therapist: You had trouble getting going on your day off.
Client: I do this with every assignment. I wait until the last minute and then whip
together the paper. I end up doing all-nighters. I don’t think the final product is
as good as it could be.
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30 Clinical interviewing: the principles behind the art
Therapist: Waiting until the last minute has become a pattern for you and you think it
makes it so you don’t do as well as you could on your assignments.
Good paraphrases tend be “short and sweet.” Also note that like all empathic statements
they can vary as to their valence with regard to implied certainty. The paraphrase “You
had trouble getting going on your day off” represents a high valence of implied certainty,
as does the subsequent paraphrase, “Waiting until the last minute has become a pattern
for you and you think it makes it so you don’t do as well as you could on your assign-
ments.” The latter paraphrase could easily be given a lower valence of certainty, if perhaps
the patient seemed a bit wary, by simply rephrasing it as, “It sounds like waiting till the
last minute has become a pattern for you and you think it makes it so you don’t do as
well as you could on your assignments.”
Ivey14 talks about sometimes introducing a paraphrase with a separate phrase alerting
the patient that the clinician is trying to make sure that he or she “gets it” – a phrase he
calls a “stem.” Examples might be: “Demaris, I hear you saying” or “Looks like the situ-
ation is …” He also sometimes ends a paraphrase with an added question as to whether
the patient thinks the paraphrase was “on the mark,” a concept he calls “checking-out
accuracy.” Illustrations of such check-outs might be as follows: “Am I hearing you cor-
rectly?”, “Is that close?”, and “Have I got it right?”
In an earlier work, as a way of enhancing empathic resonance, Ivey describes the use-
fulness of matching both stems and check-out questions to the style of communication
that the patient uses to express themselves – a concept that Grinder and Bandler, in
neurolinguistic programming (NLP), call representational systems.15 Sommers-Flanagan
and Sommers-Flanagan have broadened this approach to include any paraphrase that is
based upon matching the patient’s sensorial predilection for expressing their personal
experiences, a technique they simply call “sensory-based paraphrases.”16 No matter what
you want to call it, Ivey succinctly describes this engagement technique with both stems
and check-outs below:
Visual patients tend to respond best to visual words (“Looks like you’re saying you see the
situation from this point of view …”); auditory patients respond best to tonal words (“As I
hear you, sounds like … does that ring a bell?”); and kinesthetic patients respond to feeling
words (“So the situation touches you like … and how does that grab you?). With many
patients a mixture of visual, auditory, and kinesthetic words will be even more powerful.17
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The delicate dance: engagement and empathy 31
For instance, often clients come for therapy because of feeling stuck and not making any
progress in terms of personal growth or problem resolution. In such a case, a therapist
might reflect, “It seems like you’re spinning your wheels” or “Dealing with this has been
a real uphill battle.”19
Watch the power of a simple empathic metaphorical paraphrase with a graduate student
in sociology who has been struggling to finish her dissertation and is being pressured to
wrap things up by her dissertation committee:
Pt.: I just don’t feel very motivated right now. And I don’t know what is up with me.
Maybe I’m just depressed. I really like my topic for my dissertation, but I’m not
even fully sure why it is important.
Clin.: That sounds frustrating. [gentle, low-valenced empathic statement]
Pt.: Very much so. (pauses) It’s really sort of confusing. I don’t really know what I want
to do anyway. I’m not really a researcher at heart, but everyone in my class seems
dead-set on being an academic and getting grants and stuff. But then what else
would I do with a doctorate in sociology?
Clin.: You know, it seems to me that, for you, it feels almost like you’re on a treadmill,
and you’re going nowhere fast. (metaphorical paraphrase)
Pt.: That’s exactly it. In fact I am on a treadmill of sorts. And I don’t have control of the
speed of the damn thing, my dissertation committee does.
Clin.: What will happen if the treadmill stops?
Pt.: I’m not sure I follow. What do you mean?
Clin.: Well, if the treadmill stops – you get your dissertation in – you will have to make a
decision, won’t you, about what you’re going to do with your life?
Pt.: Yeah, I suppose. (pauses, reflects for a moment, then sits up more animatedly) Wait
a minute, wait a minute. You don’t think (pause), you don’t think that one of the
reasons I am stalling on my dissertation is the fact that, as long as I am stalling, I
don’t have to make a decision, do you?
Clin.: I don’t know, maybe it’s one of the things we can look at in therapy.
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32 Clinical interviewing: the principles behind the art
Pt.: Well I don’t really think it’s right for the university to be so upset with me for not
paying back the loan. I mean it was 7 years ago and I simply don’t have the money.
It really hurts me too.
Clin.: It sure sounds like a difficult spot to be in, what with all those pressures and
financial responsibilities. I bet it seems like you have no place to go, you know, sort
of stranded, probably makes you feel like everyone is against you. I bet you feel
isolated and lonely, like there is no place to go for financial advice or help, almost
like a criminal.
Pt.: Uh-huh (painful pause).
Clin.: What are you thinking of doing?
In this example, the empathic statement has all the power of a two-page descriptive
paragraph in an adventure story. It is far too long. In general, empathic comments display
their engagement best when they are concise and unambiguous.
This example also points out one method of determining the effectiveness of any given
empathic comment. Put succinctly, effective statements usually result in an increased
verbal production by the patient. A decrease in patient speech, as shown earlier, often
follows an ineffective comment. Leston Havens describes this process elegantly:
A more exacting test of successful empathy is the extent to which our responses stimulate
and deepen the other’s narrative flow. Does the speaker stop or change subjects? Are the
expressions of feeling increased or decreased? One of the moments of greatest clinician
drama occurs when a strong empathic flow encounters a memory heretofore forbidden to
consciousness or denied.20
There remains one last comment to make before leaving the discussion of the third phase
of the cycle. Empathy is probably not primarily conveyed through empathic statements.
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The delicate dance: engagement and empathy 33
Fourth Phase of the Empathy Cycle: Patient Accurately Perceives the Clinician’s
Empathic Statement
In the fourth phase of the empathy cycle, in which the patient receives the conveyed
empathic statement, problems can also arise. Specifically, the patient’s psychopathology
may limit his or her ability to perceive empathy or even to understand language itself.
Such a situation can occur with delirious patients or severely psychotic patients. In
extreme cases, empathic statements can be malignantly transformed into an auditory
illusion, perhaps becoming a derogatory statement or threatening insult.
Another situation concerns manic patients who quite simply are sometimes too busy
talking to even register an empathic statement. Indeed, at times it is not clear whether
they care if the clinician is being empathic or not. With these patients, attempts to empa-
thize may actually be counterproductive, being in some respects contrary to what they
most want at that moment, an audience.
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34 Clinical interviewing: the principles behind the art
techniques and strategies, in addition to the use of empathic statements, that can allow
us to deepen the therapeutic alliance? The answer is “yes,” and the interviewing tech-
niques that do so are the topic of our next chapter.
REFERENCES
1. Rosenblum R, Janson HW. 19th century art. New York, NY: Harry N. Abrams; 1984.
2. Ivey AE, Ivey MB, Zalaquett CP. Intentional interviewing and counseling: facilitating client development in a multicultural
society. 8th ed. Belmont, CA: Brooks/Cole, Cengage Learning; 2014. p. 8.
3. Ward NG, Stein G. Reducing emotional distance: a new method to teaching interviewing skills. J Med Educ 1975;
50(6):605–14.
4. Wiens AN. The assessment interview. In: Weiner I, editor. Clinical methods in psychology. New York, NY: John Wiley;
1976.
5. Barrett-Lennard GT. The empathy cycle: refinement of a nuclear concept. J Couns Psychol 1981;28(2):91–100.
6. Barrett-Lennard GT. 1981. p. 94.
7. Margulies A. Toward empathy: the uses of wonder. Am J Psychiatry 1984;141(9):1025–33.
8. Margulies A, Havens L. The initial encounter: what to do first. Am J Psychiatry 1981;138(4):421–8.
9. Margulies A. 1984. p. 1031.
10. Robinson DJ. My favorite tips for exploring difficult topics such as delusions and substance abuse. Psychiatr Clin
North Am 2007;30(2):239–44.
11. Sommers-Flanagan R, Sommers-Flanagan J. Clinical interviewing. 2nd ed. New York, NY: John Wiley & Sons, Inc.;
1999. p. 78–80.
12. Ivey AE, Ivey MB, Zalaquett CP. 2014. p. 148.
13. Sommers-Flanagan R, Sommers-Flanagan J. Clinical interviewing. 5th ed. Hoboken, NJ: John Wiley & Sons, Inc.;
2014. p. 72.
14. Ivey AE, Ivey MB, Zalaquett CP. 2014. p. 148.
15. Bandler R, Grinder J. The structure of magic 1: a book about language and therapy. Palo Alto, CA: Science and Behavior
Books; 1975.
16. Sommers-Flanagan R, Sommers-Flanagan J. 2014. p. 75–6.
17. Ivey A, Ivey M. Intentional interviewing and counseling: facilitating patient development in a multicultural society. 4th ed.
Belmont, CA: Wadsworth Publishing Company; 1998. p. 116.
18. Sommers-Flanagan R, Sommers-Flanagan J. 2014. p. 76.
19. Sommers-Flanagan R, Sommers-Flanagan J. 2014. p. 76.
20. Havens L. Exploration in the uses of language in psychotherapy: simple empathic statements. Psychiatry
1978;41(4):336–45.
21. Havens L. 1978. p. 338.
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CHAPTER 2
Beyond Empathy: Cornerstone
Concepts and Techniques for
Enhancing Engagement
The first rule of life is to reveal nothing, to be exceptionally cautious in what you say, in
whatever company you may find yourself.
Elizabeth Aston
The Darcy Connection1
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38 Clinical interviewing: the principles behind the art
These patient concerns are less roadblocks than they are gateways. And the way we
address these issues, how our characters and humanness show themselves, is through the
interview itself. There are many interviewing principles, techniques, and strategies that
provide concrete methods for talented clinicians to intentionally, and surprisingly rapidly,
address these issues. This is a chapter about these principles and techniques, and how
we can become such clinicians. And it all begins in the waiting room.
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Beyond empathy: cornerstone concepts and techniques for enhancing engagement 39
with respect to the interviewee. In short, the patient comes away with the feeling that the
clinician is not going to pass judgment on him. In many cases, this safe feeling contrasts
starkly with the patient’s recent experience (and, at times, lifelong experience) of encoun-
tering a long string of raised eyebrows on the faces of friends, family members, and
employers. It is up to the interviewer not to follow this parade of frowns.
In this regard, it becomes important for the clinician to work out the potentially dis-
turbing feelings raised by emotionally charged issues such as divorce, religion, sexual
orientation, suicide, violence, child abuse, rape, and abortion. No matter what the clini-
cian’s view of these activities, in the initial interview, the goal remains to show no judg-
ment to the patient. Instead, the interviewer attempts to convey interest in finding out
the significance of these ideas to the patient, recognizing the truth in the very wise state-
ment of Armond Nicholi, Jr., that “whether the patient is young or old, neatly groomed
or disheveled, outgoing or withdrawn, articulate, highly integrated or totally disinte-
grated, of high or low socioeconomic status, the skilled clinician realizes that the patient,
as a fellow human being, is considerably more like himself than he is different …”4
Practically, one effective method of spotting potentially disruptive topics for oneself
consists of monitoring interviews for topics that one consistently avoids. For instance,
one interviewer may discover that he or she seldom knows anything about the religious
beliefs of his or her patients, whereas another interviewer never asks about sexuality. Such
gaps in data gathering may point to precisely those topics about which the interviewer
has strong opinions. It is in these areas that conveying unconditional positive regard may
be problematic.
It is not only controversial issues that can disrupt the conveyance of unconditional
positive regard. In fact, as clinicians we may unwittingly sound like parents at the most
unlikely times. In the following dialogue with a young man suffering from paranoid
schizophrenia, this disconcerting process rears its head in a subtle form:
Clin.: Tell me more about what you’ve been doing since your last hospitalization.
Pt.: Things are going well. I’m getting along much better at home, and I haven’t needed
all those drugs the doctor told me to take.
Clin.: (pause, clinician looks up from clipboard) So you haven’t been taking your
medications like you’re supposed to.
Pt.: No, I just think they fog up my mind.
Clin.: We’ll need to talk about that a little later.
Clin.: Tell me more about what you’ve been doing since your last hospitalization.
Pt.: Things are going well. I’m getting along much better at home, and I haven’t needed
all those drugs the doctor told me to take.
Clin.: What were some of the medications you were using?
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40 Clinical interviewing: the principles behind the art
Pt.: I think it was called Haldol and a little pill … Cogentin or something like that.
Clin.: Tell me a little bit about what you felt like while you were on these medications.
Pt.: It was strange. I don’t know which one was doing it, but I always felt doped up, like
I was in a fog.
Clin.: That sounds like an unpleasant side effect.
Pt.: Yes, it was.
This interviewer has successfully conveyed concern without a price tag of obedience.
Ironically, later in the interview, I would suspect the latter clinician would be in a more
favorable position to persuade the patient to try an antipsychotic again.
This discussion suggests another characteristic – non-defensiveness – that contributes
to a feeling of safety for the patient. Patients are very quick to perceive defensiveness in
an interviewer. Defensive posturing by the clinician may create in the interviewee the
feeling that “I’ve got to watch what I say here.” The following example illustrates a defen-
sive position by the clinician, as a woman describes her anguish concerning her son’s
problems with schizophrenia:
Moth.: I just don’t know what to do with him. Nothing the doctors do ever helps. It’s
always the same. I don’t think they know what they are doing. They haven’t tried
megavitamin therapy, and I hear that it sometimes works miracles. I want you to try
that treatment.
Clin.: Well, let’s get something straight, these kinds of therapies are simply unproven and
maybe unsafe. So we don’t use those here.
Moth.: But some people claim they’ve been helped.
Clin.: Don’t believe everything you read Mrs. Jones.
Here we see the paternalistic tone that can so readily destroy a patient’s trust. The clini-
cian’s self-system has been activated, resulting in a defensive, “educational” posture,
which only serves to reciprocally activate the patient’s own self-system. This interaction
might have been avoided with the following approach, beginning with a gentle empathic
statement in which the clinician’s intuition about the mother’s inner world is right on
the mark:
Moth.: … They haven’t tried megavitamin therapy, and I hear that it sometimes works
miracles. I want you to try that treatment.
Clin.: It sounds like you’ve really gone through a lot of frustration, Mrs. Jones. In a little
while we’ll talk about the pros and cons of different treatments, including
megavitamin therapy, but first I want to hear more about your son so that I have a
better understanding of exactly what we are dealing with here.
Moth.: Sure. It’s long and complicated. But it all started about 3 years ago …
Our discussion of the principles behind the development of a safe alliance began with
the words of Harry Stack Sullivan. Sullivan also provides an important note upon which
to close our discussion. One of the contributing factors to the development of an
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Beyond empathy: cornerstone concepts and techniques for enhancing engagement 41
overactive self-system is the not-so-maladaptive fear that strangers may harbor ulterior
motives. In short, a patient may fear that he or she is going to be used or even abused.
It is hoped that conscious abuse of a patient is a rarity in our field, but less sinister
abuse may enter the picture unconsciously. Clinicians may have ulterior motives of which
they have little, if any, awareness. For example, a clinician may depend on a patient for
the gratification of the clinician’s need to feel liked or important. If the patient feels that
the clinician needs something from them, such as respect, caring, or fondness, the rela-
tionship is no longer a safe one. Once again, the patient is faced with watching what he
or she says, from the fear that professional help will be withdrawn if certain needs are
not satisfied.
Sullivan stated this principle elegantly:
Besides offering a safe relationship, the initial interviewer also actively engages the patient
in a positive fashion, utilizing those gestures and words that suggest to the patient that
future interaction will be enjoyable and rewarding, as seen in our next topic.
CLINICIAN GENUINENESS
The term “genuineness” has been described by a variety of researchers.6,7 As was the case
with empathy, genuineness appears to be a nebulous term at first glance. Once again, an
operative definition provides clarification. One can state that “being genuine” occurs
when the following is present:
The behavioral characteristics of the clinician suggest to the patient that the clinician is
feeling at ease both with himself and with the patient. It is frequently marked by three
characteristics in the clinician: (1) responsiveness, (2) spontaneity, and (3) consistency.
Perhaps there exists no better arena for examining these characteristics of clinician genu-
ineness than looking at the reactions of a clinician to patient humor. When faced with
humor some clinicians display a curious sense of awkwardness, as if humor should not
be allowed during an interview. In essence, these clinicians “run-over” the moment of
humor. Rather than responding with a smile or a chuckle, they maintain a somber
expression.
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42 Clinical interviewing: the principles behind the art
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Beyond empathy: cornerstone concepts and techniques for enhancing engagement 43
Clin.: What has it been like coming down to the emergency room today?
Pt.: Unsettling, to say the least. I feel very awkward here, sort of like I’m vulnerable. To
be honest, I’ve had some horrible experiences with doctors; I don’t like them.
Clin.: I see, well, they scare the hell out of me too (smiles, indicating the humor in his
comment).
Pt.: (chuckle) I thought you were a doctor.
Clin.: I am (pause, smiles), that’s what’s so scary.
Pt.: (smiles and laughs)
Clin.: Tell me a little more about some of your unpleasant experiences with doctors,
because I want to make sure I’m not doing anything that is upsetting you or
frightening you. I don’t want that to happen.
Pt.: Well, that’s very nice to hear. My last doctor didn’t give a crap about what I said,
and he only spoke in huge words.
In this example, the clinician has skillfully transformed a potentially “loaded moment”
into a shared resolution through humor. If patients realize that avenues for discussing
their needs and complaints are open, they frequently feel less frightened. The presence
of pathways for “filing complaints” paradoxically often decreases the need for their use.
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44 Clinical interviewing: the principles behind the art
This excerpt also illustrates the common finding that experienced interviewers fre-
quently appear to enjoy the process of interviewing itself. Experienced clinicians feel at
home in the interviewing process, their own self-systems purring quietly. It is this sense
of natural balance in the clinician that remains one of the most powerful of engagement
tools. This balance is complemented by the next trait to be discussed, yet another impor-
tant tool in the engagement process.
CLINICIAN EXPERTISE
In order to explain the concept of clinician expertise most effectively, it may be best
temporarily to view the interviewing process solely from the patient’s perspective. To the
patient, certain questions are of paramount importance. The answer to one of these ques-
tions in particular holds unusually powerful significance, perhaps even determining the
degree of final interest in whatever treatment recommendations may be made. It is a
logical question. It is a natural question. And it can be paraphrased simply as follows:
“Can this person help me?”
To ignore the reality that the patient is attempting to answer this question can lead
to serious problems in engagement. To begin with, the act of hanging out our shingles
as mental health professionals suggests that we have something to offer to patients for
which they will exchange money, time, and trust. On a basic level, they are generally
expecting to find a good listener, albeit a “paid ear” of sorts. But at a deeper level, they
are also expecting something else, something more. They are expecting to find an expert,
a term I find mildly threatening, because it comes pre-seasoned with more than a pinch
of pride. One feels hesitant to declare oneself an expert in so vast a field as human
behavior, feelings, and psychophysiology.
But the term becomes more palatable, and indeed appropriate, if one keeps in mind
two of the principles behind it. First, being an expert does not mean that one has all the
answers or, for that matter, can necessarily provide relief. And second, being an expert
does suggest that we have been rigorously schooled in an effort to consolidate a body of
knowledge found useful in our field. It is the presence of this body of knowledge that
may most successfully answer the patient’s pressing question, “Can this person help me?”
In this regard, it is also useful to remember that in an anthropological sense, the initial
clinician is fulfilling the role of a healer, and whether one is a shaman or a social worker,
as a healer one is expected to possess knowledge not commonly available to the patient.
From the above discussions, it should be apparent that, at both a personal and a societal
level, the clinician’s expertise as perceived by the patient is critical to the engagement
process.
The next logical question is, “How does one convey expertise effectively during an
initial interview?” The answer lies primarily not in what we tell the patient but in what
we ask the patient. It is the quality of our questions, not the quantity of our words, that
generally convinces a patient that the clinician knows something that might help.
Questions, like empathic statements, can be categorized along a number of continua,
including: (1) open-ended versus closed-ended, (2) probing versus non-probing,
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Beyond empathy: cornerstone concepts and techniques for enhancing engagement 45
(3) fact-finding versus opinion-finding, and (4) structured versus unstructured. Ques-
tions along the full range of these continua can be clinically useful, and all can be sur-
prisingly ineffective as well. Their effectiveness or ineffectiveness seems to depend upon
their timing as well as their appropriateness for the task facing the interviewer at any
specific moment.
In the next two chapters a great deal of time will be spent discussing the flexible use
of questions at different phases of the interview. But at this point, I want to focus on an
especially useful type of question, a type of question that can unobtrusively yet effectively
convey expertise to the patient: the fact-oriented question.
By the term “fact-oriented question,” I am referring to questions concerned with the
concrete realities of the patient’s situation, symptoms, and problems. Questions such as,
“Are you having any problem falling asleep?” or “Has your appetite changed?” represent
typical examples of fact-oriented questions. Frequently, fact-oriented questions concern
diagnostic issues, and they are generally closed-ended in nature.
Some initial interviewers shy away from fact-oriented questions, because they believe
that such questions are generally disengaging. In this regard, I agree that they can be
disengaging when used at the wrong moments, too frequently, or in checklist fashion.
And an interviewer should learn to avoid these pitfalls. But when asked sensitively, fact-
oriented questions are powerful engagement tools that also yield large amounts of valu-
able information for effective treatment planning and triage decisions.
To illustrate the point, let us look at the mid-phase of an initial interview with a
woman in her late 20s. Rather than just moving tangentially with the patient, the inter-
viewer begins a more structured effort to tease out the symptoms upsetting this patient
in an effort to arrive at a useful diagnosis. Keep in mind that the clinician has used many
open-ended questions and empathic statements in the earlier sections of the interview.
Indeed she will continue to intermittently utilize both as she explores for the presence
of an anxiety disorder by effectively increasing her use of fact-finding questions.
Pt.: I am terribly frightened about going back for my masters, I mean, is it worth it? …
When I think about it, I get all uptight.
Clin.: How do you mean?
Pt.: I start to fret and worry. I feel extremely tense and wound up like a crazy alarm
clock, ready to explode.
Clin.: Over the course of any given day, say over the last month, how much of your day
do you spend worrying like that?
Pt.: Oh, I’d say at least 70%, sometimes almost the whole day.
Clin.: (said gently) Sounds miserable.
Pt.: It really is, and the bad part is, I can’t stop it.
Clin.: Sounds like you find it difficult to relax.
Pt.: Oh my God, yes! Even when I come home I feel like I’ve got to do something,
something needs to be done and if I don’t do it I’m a bad person. It’s strange.
Clin.: People develop a lot of tensions during the day, especially in a job like yours. I’m
wondering if you find yourself having muscle aches, trembling sensations, or eye
twitches related to your tension.
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46 Clinical interviewing: the principles behind the art
Pt.: Funny you should ask. You may have noticed, but my left eye twitches when I’m
tense, drives me nuts.
Clin.: How long has that been going on?
Pt.: I’ve had it … let’s see … maybe 5 or 6 years, but ever since deciding on grad school
it’s been really much worse.
Clin.: How do you mean?
Pt.: I look like a “mad winker” (patient and clinician chuckle). It really can be
embarrassing.
Clin.: I’m sure it can be (warmly chuckles again). Tell me, have you noticed any other
evidence of tension in your body, other than the twitching?
Pt.: I’ve had a lot of diarrhea lately, I don’t know if that’s related or not, and I also have
been feeling flashes of feeling real hot, makes me think of my mother and
menopause, but I’ve had those kinds of flashes off and on for years.
Clin.: With these hot flashes, do you notice any change in your pulse rate or breathing
rate?
Pt.: No, I can’t say I have.
Clin.: Have you ever found yourself suddenly having an abrupt episode of being
extremely anxious, all at once?
Pt.: No … let me think, … not really.
Clin.: When you say “not really,” what have you experienced?
Pt.: About a week ago I really got upset about Bob, but I wasn’t really anxious, I was
mad.
Clin.: What about periods when you suddenly became very frightened, perhaps of dying,
without any apparent reason?
Pt.: No, that I can clearly say I’ve never had.
Clin.: Any periods when you suddenly found yourself panicing and perhaps short of
breath or noticing tingling sensations in your fingers or around your mouth?
Pt.: No, I don’t get that either.
Clin.: What about your concentration?
Pt.: Now that’s shot. I can’t concentrate at all. I’ve particularly noticed that when doing
the books at work. Math comes simple to me and usually I fly through that stuff,
but over the past 2 months I feel really frazzled. It takes forever.
Clin.: Earlier you mentioned the relationship of these feelings to your fears about grad
school. What are some of the connections you see?
Pt.: Well, in the first place, I don’t think I can do it. I mean I’m smart, at least I think
I’m reasonably intelligent, but I don’t know about the discipline I’d need. I think
that worries me most.
Clin.: What else worries you?
Pt.: What would happen to Bob and me, I mean, when would I see him? I don’t know,
maybe never …
I have used a rather lengthy example because I want to emphasize the usefulness of
sensitively utilized fact-oriented questions. In this excerpt, their gentle structuring, while
clearly providing answers to diagnostic questions concerning anxiety disorders, may have
also helped to convey a variety of important metacommunications to the patient, such
as the following:
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Beyond empathy: cornerstone concepts and techniques for enhancing engagement 47
1. This interviewer is obviously interested in finding out exactly what symptoms and
experiences I have been feeling.
2. This interviewer must have worked with similar problems before because the ques-
tions asked hit upon a lot of the feelings and symptoms I have had.
3. This interviewer seems to be thorough and is actively exploring many different
issues.
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48 Clinical interviewing: the principles behind the art
has a surprisingly high lifetime prevalence rate of about 2.5%, yet very few outpatient
therapists report treating the high number of patients suffering from this disorder that
this high prevalence rate would suggest.
The reason is simple. People with OCD are often terribly embarrassed by their symp-
toms and guilt ridden by the dramatic fall-off in their functioning resulting from their
symptoms. I have treated very few people with OCD who have not said things like the
following to themselves over the years: “I must be one of the craziest people in the world.
There is really something very wrong with me.” As a result, the vast majority of people
suffering with OCD do not present to us complaining about their OCD symptoms; they
present complaining of being depressed or anxious, or having marital problems or prob-
lems at work. To uncover OCD symptoms, a clinician often must directly ask about them
or forever be unaware of them. Few people feel comfortable meeting a total stranger and
saying things like, “It takes me 2 hours to shower each morning because I have to keep
repeating my washing because of germs,” or “I am plagued by repeated images of knifing
my baby even though I know I would never do it. It frightens me so much that I am
hesitant to go into the nursery without my husband along.”
So strong is the self-recrimination and stigmatization of many people with OCD that
studies have shown that they suffer, on average, for about 11 to 14 years before seeking
help.10,11 Sadly, OCD is often a hidden disorder for which many people who could receive
help never do.12,13
Obviously, all people presenting with depression or anxiety should be screened for
OCD, but it is not the importance of screening that interests us here. It is the power of
a closed-ended, fact-finding question to enhance engagement that is of interest, as seen
in the following illustration, where I have just finished uncovering the depressive symp-
toms of a patient who had presented complaining, “I’ve got a really bad depression, and
I really need help for it.” We are about 20 minutes into the interview:
Pt.: … Yeah, the sleep problems really are rough. Like I told you, I wake up every
morning exhausted. I hate getting out of bed. Sometimes I start to sit up to get out
of bed and then just lie back down.
Clin.: Sounds really very tough, very painful (said softly).
Pt.: Yeah, it really is. I’ve been depressed off and on for over 10 years. My marriage has
basically been ruined.
Clin.: Hmmm (empathic tone). You know, Mary, some of my patients who are as
depressed as you are, tell me that they worry a lot. Now some people worry about
stuff that people often worry about, like money or relationships. But I have a fair
number of people who worry about stuff that they feel it is very odd to be worrying
about. Like some of my depressed patients tell me they are constantly worried they
have germs on their hands and wash their hands repeatedly. Others tell me they are
worried they have left the stove or an iron on and must repeatedly check it, perhaps
spending 10 minutes saying words like “it’s off” over and over while looking at the
stove or iron. Have you had anything sort of like this happening to you? (closed-
ended, fact-finding question)
Pt.: (patient sits up and looks cautiously surprised) Sort of, yeah,
sort of.
Clin.: What have you experienced?
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Beyond empathy: cornerstone concepts and techniques for enhancing engagement 49
Pt.: I’m afraid of germs a lot. (pauses) I mean a real lot. I wash my hands all over the place.
Clin.: Oh, that’s very common. I’ve had patients sitting in that very chair who tell me they
wash their hands over 200 times a day (patient looks truly shocked). I’ve even had
patients wash their hands so often they start to damage the skin on the back of
their hands.
Pt.: You have? (said with genuine surprise)
Clin.: Oh yeah (nodding head in agreement).
Pt.: I don’t wash my hands that much, but I wash my hands a lot, maybe 100 times a
day. Sometimes I can’t get to work, because I have to keep washing, so I call in sick.
It’s horrible. It’s so weird, and I let everybody down at work.
Clin.: You know what, Mary?
Pt.: What?
Clin.: I think I know what might be going on with you. I think you may have obsessive–
compulsive disorder – what we call OCD. I know it feels weird to you, but it’s
surprisingly common.
Pt.: Other people do these things? I’m not crazy?
Clin.: At this very instant, I would guess several million other people have OCD, and no,
you are not crazy. (warmly smiles) In addition they all do exactly what you have
done. They are so embarrassed that they tell no one, not even their spouses about
their symptoms.
Pt.: Oh my God! (patient bursts into tears) Oh, my God. Can you help me with this?
Clin.: Yeah, I think we can help you. (patient sits back, still crying from relief, wiping
away the tears) It is actually a disorder that we have lots of different treatments for.
In 30 years of practice, I am hard pressed to recall any empathic statements that I have
made that can match the power of such closed-ended, fact-finding questions to enhance
the engagement process as evidenced by the simple, yet sensitive, inquiry into the pres-
ence of OCD illustrated above. Their power emanates from their metacommunication of
clinician expertise, reassuring the patient that the interviewer has seen “this nightmarish
thing” before. In this case, it allowed Mary to share a hugely guilt-producing secret for
the very first time, after silently carrying its weight for over 10 years. Simultaneously, such
questions also metacommunicate the greatly reassuring fact that many other people have
had similar symptoms. Pretty powerful stuff for a single well-timed question.
In a last note concerning clinician expertise, we can see the complementary functions
of all the factors discussed so far under the rubric of engagement in both Chapters 1 and
2. Indeed, the ability to blend effectively with a patient is mirrored by the clinician’s
ability to blend a variety of techniques, such as: (1) the strategic use of empathic state-
ments; (2) the creation of a safe environment; (3) the ability to convey genuineness
through spontaneity, responsiveness, and consistency; and (4) the conveyance of a reas-
suring knowledge base. These four attributes lay the groundwork for quickly establishing
an effective therapeutic alliance.
At this point we have nearly completed our exploration of the engagement process,
the first way-station in our map of the interview. Yet there remains one more concept
that can provide us with a surprisingly robust platform for enhancing engagement – the
concept of collaborative interviewing.
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50 Clinical interviewing: the principles behind the art
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Beyond empathy: cornerstone concepts and techniques for enhancing engagement 51
understand the goals that the patient views as important and the methods the patient
wants to use to arrive at these goals. The clinician can then attempt to forge a collabora-
tive and shared understanding both of these goals and the methods for reaching them.
It is important to remember that in collaborative interviewing, we do not necessarily do
whatever patients wants us to do, rather we make a sincere effort to help our patients to discover
for themselves what it might be best for them to do.
Cheng points out that decades ago, Borden,26 with the delineation of his transtheoreti-
cal model, helped to lay the foundation for these collaborative approaches when he
described a sound therapeutic alliance as having the following three components (note
that two of Borden’s three “pillars of engagement” are related to collaborative goal setting
and treatment planning):
1. Agreement on goals, which are the desired outcomes of the therapeutic process
2. Agreement on tasks, which are the steps that will be undertaken to achieve the
goals
3. Bond between patient and therapist, which encompasses Rogerian aspects such as
trust, respect, genuineness, unconditional regard, and empathy
It can be seen from Borden’s definition that collaborative models fully embrace all
of the engagement techniques we have already explored. What they add is merely an
emphasis point, but it is an important point – the power of intentionally focusing upon
seeing the world first through the patient’s eyes, then helping the patient to discover for
himself or herself his or her own goals, methods, and motivations for effective change
and healing. When done well, such a focus has powerful ramifications for enhancing
engagement.
Collaborative approaches, such as motivational interviewing (MI) and the medication
interest model (MIM), are so valuable in establishing a powerful alliance in the initial
interview that we will devote an entire chapter to each of them in Part IV of our book
on advanced interviewing techniques. In the meantime, let us look at two techniques
from the psychotherapeutic model known as solution-focused therapy that can be imme-
diately adapted to the initial interview itself.
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52 Clinical interviewing: the principles behind the art
Things aren’t going too well here at the ranch, are they? Part of the communication
breakdown is that this interview is not person-centered. It is parent-centered. Moreover,
the clinician is not waiting to hear directly from the patient what the patient sees as the
problem.
In contrast, solution-focused interviewing is goal-directed and attempts to uncover,
from the patient himself or herself, exactly what goals they seek. It is important not to
assume what the patient wants, but to hear it in the patient’s own words. Sometimes
there are surprises. Cheng28 suggests two nice questions for this purpose:
He then offers the following excellent illustration of these techniques at work with the
same disgruntled teenager:
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Beyond empathy: cornerstone concepts and techniques for enhancing engagement 53
cognitive traps. The initial interviewer can sometimes open these traps, by gently pulling
the patient into the “possibilities” of the future with the following question:
“If you woke up in the morning, and a miracle had happened, so that your life was the
way you wanted it to be, what are some of the things that would be different?”
There are many ways to phrase the miracle question; I happen to like the one above – for
it is direct. Notice that it also asks “what are some of the things that would be different”
(gently opening the door to multiple goals) as opposed to “how would it be different”
(sometimes closes the door to all but one goal).
Cheng30 provides a beautiful illustration of the miracle question at work:
Clin.: Imagine that tonight you go to bed, like you normally do. Then, imagine that while
you’re asleep … [pause] … a miracle happens. Imagine that because of this miracle,
your depression [or whatever the patient’s problem is] goes away. What will your
day be like tomorrow?
Pt.: Well, I guess I would wake up, and rather than sleep in, I’d wake up on time and
get ready instead of procrastinating. Then I’d eat breakfast rather than skipping it,
and at breakfast, we’d all get along better without fighting. Then I’d go to work, and
I’d have more confidence, so I would say “no” to people if they ask me to do too
much …
The miracle question has opened up a veritable cornucopia of potential goals for therapy
including (1) waking up earlier, (2) decreasing procrastination, (3) eating breakfast on
a regular basis, (4) improving discourse at the breakfast table, (5) being more confident,
and (6) being able to appropriately set limits on expectations at work.
Now imagine that this was a patient who had been pressured by his wife to enter
therapy. Now further imagine that earlier in the interview he had belatedly admitted that
he might have “a little bit” of a drinking problem (one of the reasons for not waking up
on time) and also had a “tiny” temper problem (breakfast conversation issues). If instead
of using the miracle question, the clinician, at the end of the interview, spontaneously
suggested that they address both of these obviously important problems, things might
not move successfully towards a second interview.
If instead, the clinician, after employing the miracle question, said something like,
“Well there are all sorts of things we will be able to focus on in therapy if you’d like, for
instance you noted earlier you wished you were drinking less, but let’s focus first on some
of the things you most want to change like the waking up early and eating breakfast on
time. Let’s say we could start by working on two of the things you mentioned if a miracle
had happened, which two would you be interested in starting with in the therapy?”, a
second session is much more likely to be in the works.
Ultimately, the number one goal from the clinician’s viewpoint in an initial interview
is to ensure that there is a second one, for we can’t help someone who is not in our
office. Paradoxically, as the sessions proceed and the alliance strengthens, this particular
patient may discover for himself that it is difficult to get up on time and have civil
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54 Clinical interviewing: the principles behind the art
conversations at breakfast if one drinks heavily. At that point, the patient himself may
recognize that the focus needs to shift to recovery issues, and he will be much more self-
motivated to do so. The seeds for this subsequent therapeutic breakthrough were directly
planted in the initial interview by the clinician’s intentional decision to use the miracle
question as a means of enhancing engagement.
CONCLUDING STATEMENTS
In our first two chapters we have attempted to develop a practical language through which
we can study the engagement process. We began with an operative definition of the
interview itself and uncovered a useful map for exploring its nuances. We have subse-
quently covered a lot of ground, examining key concepts and techniques for securing
and enhancing engagement, the first way-station on our map, including blending, stra-
tegic empathy, the creation of safety, genuineness, clinician expertise, and collaborative
interviewing techniques.
It is hoped our new language offers us a chance to explore effectively our own styles
of interviewing, while greatly increasing the opportunity to learn from observing others.
This language of the interview has revealed the fact that interviewing is an art and, like
the art historians mentioned in Chapter 1, one can discuss this craft precisely and con-
cretely. Indeed, the language we have uncovered, utilizing words such as interpersonal
stance, empathic valence, the paranoid spiral, responsiveness, spontaneity and consis-
tency provide us with the details of the map regarding interviewing process. The interior
of our Victorian room now appears considerably less foreboding.
We have developed a language with which to begin our study of the interviewing
process. But this language is incomplete, for an examination of the complex interplay
between clinician and patient, as critical data and history are uncovered, represents a
pressing matter as yet unexplored. Other factors have yet to be considered such as the
sometimes-daunting tensions existing between the engagement process, time constraints,
and the gathering of a useful and thorough database. It is this volatile interaction that
creates the dynamic structure of the interview. And it is to an understanding of how to
shape this structure that we will now turn our attention.
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2. Sullivan HS. The psychiatric interview. New York, NY: W.W. Norton; 1970.
3. Egan G. The skilled helper: a model for systematic helping and interpersonal relating. Monterey, CA: Brooks/Cole
Publishing Company; 1975. p. 97.
4. Nicholi AM Jr. The therapist–patient relationship. In: Nicholi AM Jr, editor. The Harvard guide to modern psychiatry.
Cambridge, CA: Belknap Press of Harvard University Press; 1978.
5. Sullivan HS. 1970. p. 12.
6. Rogers CR, Traux CB. The therapeutic conditions antecedent to change: a theoretical view. In: Rogers CR, editor. The
therapeutic relationship and its impact. Madison, WI: University of Wisconsin Press; 1967. p. 97–108.
7. Egan G. 1975. p. 90.
8. Ryle A. Psychotherapy: a cognitive integration of theory and practice. New York: Grune & Stratton; 1982. p. 103.
9. Egan G. 1975. p. 93.
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10. Pinto A, Mancebo MC, Eisen JL, et al. The Brown longitudinal obsessive compulsive study: clinical features and
symptoms of the sample at intake. J Clin Psychiatry 2006;67:703–11.
11. Cullen B, Samuels JF, Pinto A, et al. Demographic and clinical characteristics associated with treatment status in
family members with obsessive–compulsive disorder. Depress Anxiety 2008;25(3):218–24.
12. Torres AR, Prince MJ, Bebbington PE, et al. Obsessive-compulsive disorder: prevalence, comorbidity, impact, and
help-seeking in the British national psychiatric morbidity survey of 2000. Am J Psychiatry 2006;163(11):1978–85.
13. García-Soriano G, Rufer M, Delsignore A, Weidt S. Factors associated with non-treatment or delayed treatment
seeking in OCD sufferers: a review of the literature. Psychiatry Res 2014;220(1–2):1–10.
14. de Shazer S. Clues: investigating solutions in brief therapy. New York, NY: W.W. Norton & Company; 1988.
15. Budman S, Hoyt M, Friedman S. The first session in brief therapy. New York, NY: The Guilford Press; 1992.
16. Miller S, Hubble M, Duncan B. Handbook of solution-focused brief therapy. San Francisco, CA: Jossey-Bass; 1996.
17. de Jong P, Berg I. Interviewing for solutions. New York, NY: Brooke and Cole Publishers; 1998.
18. Guterman JT. Mastering the art of solution-focused counseling. Alexandria, VA: American Counseling Association; 2006.
19. Miller W, Rollnick S. Motivational interviewing: helping people change. 3rd ed. New York, NY: The Guilford Press;
2013.
20. Rollnick S, Mille WR, Butler CC. Motivational interviewing in health care: helping patients change behavior (applications
of motivational interviewing). New York, NY: The Guilford Press; 2007.
21. Shea SC. Improving medication adherence: how to talk with patients about their medications. Philadelphia, PA: Lippincott
Williams & Wilkins; 2006.
22. Shea SC. The “medication interest model”: an integrative clinical interviewing approach for improving medication
adherence – part 1 – clinical applications. Prof Case Manag 2008;13(6):305–17.
23. Shea SC. The “medication interest model”: an integrative clinical interviewing approach for improving medication
adherence – part 2 – implications for teaching and research. Prof Case Manag 2009;14(1):6–15.
24. Jobes DA. Managing suicidal risk: a collaborative approach. New York, NY: The Guilford Press; 2006.
25. Cheng KS. New approaches for creating the therapeutic alliance: solution-focused interviewing, motivational
interviewing, and the medication interest model. Psychiatr Clin North Am 2007;30(2):156–66.
26. Borden E. The generalizability of the psychoanalytic concept of the working alliance. Psychother Theory Res Prac
1979;16:252–60.
27. Cheng M. 2007. p. 160.
28. Cheng M. 2007. p. 160.
29. de Shazer S. 1998.
30. Cheng M. 2007. p. 161.
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CHAPTER 3
The Dynamic Structure of the
Interview: Core Tasks, Strategies, and
the Continuum of Open-Endedness
Unceasingly contemplate the generation of all things through change, and accustom thyself
to the thought that the nature of the universe delights above all in changing the things
that exist and making new ones of the same pattern.
Marcus Aurelius1
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58 Clinical interviewing: the principles behind the art
both a more efficient interview and a more exciting one. As we shall see, the ability to
intentionally sculpt the structure of the interview is one of the differences between a
good clinician and an outstanding one.
INTRODUCTION: PHASE 1
The introduction begins when the clinician and the patient first see one another. It ends
when the clinician feels comfortable enough to begin an inquiry into the reasons why
the patient has sought help. When done well, it lasts a minute or two. When done poorly,
it hardly occurs at all, or worse yet, the clinician and/or the patient regrets having been
a part of it. The introduction represents one of the most important phases of the inter-
view, because patients will frequently have formed their initial impression of the clinician
by its end. This initial impression, whether justified or not, may help to determine the
remaining course of the interview and perhaps even of therapy itself.
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The dynamic structure of the interview 59
reviewing these concerns in more detail here, for it is in the introduction phase that we
have our first opportunity to address them, before they can create a lasting problem with
engagement:
Not all patients are dealing with all these fears, but most patients are probably coping
with a good number of them, either consciously or unconsciously. The goal of the clini-
cian and the goal of the patient are really the same at this moment in the interview: in
short, to help the patient to feel more at ease. To achieve this more comfortable state of
affairs, after some friendly chit-chat the clinician can address some of these questions in
the introduction either directly or indirectly. If done sensitively, the patient’s initial
anxiety should begin to decrease and the interview should begin to gracefully move
forward.
There exists no correct method for handling these fears. Consequently, each clinician
needs to determine a comfortable style of addressing these issues in his or her own
fashion. I shall give two examples. The first example is the work of an inexperienced
clinician. The second dialogue demonstrates one method that addresses the issues more
smoothly.
[The clinician enters brusquely, shaking the patient’s hand very firmly. The clinician does not
smile.]
Clin.: Well John, my name is Dr. James, I’ll be conducting the interview. I understand you
have some problems. Tell me about them.
Pt.: Let me see, I’m not really sure where to begin.
Clin.: Why don’t you start at the beginning. I understand you’ve been acting a
little odd.
Pt.: Who told you that?
Clin.: Your wife, but that’s neither here nor there, I need to know when it all began.
It is hard not to chuckle at this exchange, for the interviewer has successfully aroused
almost all of the anxieties mentioned earlier. Even such word choices as “I’ll be conduct-
ing the interview” suggest that the patient should expect no control here, although the
clinician’s overpowering handshake may have already served as a premonition of this
fact.
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60 Clinical interviewing: the principles behind the art
The following dialogue represents a more satisfying solution to the demands of the
situation.
[The patient enters the room (or if there is a waiting room the clinician will have greeted the
patient there). The clinician smiles warmly and spontaneously. He walks over to the patient
at a normal pace and shakes the patient’s hand with a gentle firmness.]
Clin.: Hello, my name is Dr. James. I’m one of the senior psychiatrists at the clinic. Why
don’t we sit over here. By the way, if you like, I can hang your coat up (gestures
toward wall).
Pt.: Thank you (patient passes coat and sits down).
Clin.: Did you have any trouble finding a parking space?
Pt.: No, not really. It’s not that bad at this time of the day.
Clin.: Good. Sometimes people have some problems with it. … You ought to see it here
when the college kids are coming back – it’s a zoo. (clinician pauses, smiles) Don’t
worry; I’d never schedule us on that day.
Pt.: Good to hear. (patient smiles)
Clin.: Oh, before we get started, would you like some coffee or tea?
Pt.: I don’t think so.
Clin.: We got some good chai tea.
Pt.: No, really. Thanks though.
Clin.: Well, why don’t we begin by my giving you some idea of what to expect today.
Pt.: That sounds good to me.
Clin.: By the way have you ever seen a therapist before or any type of mental health
professional?
Pt.: No. I can’t say that I have.
Clin.: Oh, I better be nicer than usual (smiles, patient laughs).
Clin.: First of all, do you like to be called Mr. Fenner or William or Bill?
Pt.: I don’t like the name William. “Bill” would be just fine.
Clin.: Good. (pauses) When your wife called to set up your appointment, she passed on
some of her concerns. She said you had wanted her to do that.
Pt.: Well, sort of. She said she would, and I told her to go ahead. I didn’t know if she
had or not.
Clin.: She didn’t say a lot, but she did say a few things. And shortly we’ll talk about how
much you want me to share or not to share with her about our work together as
well as how much input you want her to have. I want to make sure that I know
directly from you what you’re comfortable with, but, for now, let me just
summarize my impression from her call. She certainly seems concerned and a little
confused about what you’ve been thinking and feeling recently. She seems to feel
that you may be somewhat depressed. What I’d like to do is begin by hearing from
you and getting your perspectives on what, if anything, has been going on. We’ll
talk for about 40, or so, minutes, and then we’ll spend about 10 minutes chatting
about what might be of value to you and the types of options for work together we
might have. How’s that sound?
Pt.: That sounds good.
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The dynamic structure of the interview 61
Clin.: Good, But before we get started, though, this might be a good time to explain more
about confidentiality. I know you haven’t been in therapy before, but have you ever
heard the term confidentiality before as far as therapy goes?
Pt.: Sort of, I think. It’s what you were talking about before, about what can or can’t be
shared with Sally.
Clin.: Exactly. Let me fill you in on the details … (interviewer discusses confidentiality, a
process we will address in detail shortly)
[After confidentiality is explained and discussed, the interview might proceed as follows:]
Clin.: Perhaps we could start with your telling me a little about how you see things at this
point. I know from Sally that she feels you’re depressed, but what is more
important is what you think.
Pt.: It will take me a second to get in gear here … well … let’s see … In the first place, I
must admit I’ve been feeling sort of down, not depressed mind you, but down.
She’s right about that.
Clin.: Uh-huh.
Pt.: Things have been going poorly at work. My boss left and he was replaced by a, let
me just say, someone more difficult to get along with. The end result has been that
I’m not enjoying my work like I used to.
Clin.: And where is it you work?
Pt.: Down at the lumber company.
Clin.: Go on (said gently).
Pt.: Well, about 3 weeks ago I did something I’ve never done in all my 20 years of work
… (pause, clinician waits) I called in sick without actually being sick.
Clin.: Uh-huh.
Pt.: It’s really unusual for me to do that.
Clin.: Okay.
In this introduction, which has imperceptibly moved into the opening phase, the clini-
cian has smoothly addressed many of the potential concerns mentioned earlier. In par-
ticular, a large element of respect has been conveyed to the patient by the simple gesture
of offering to hang up his coat and by addressing the information his wife communicated
during the appointment call. The clinician also clearly appears to be on no one’s side,
emphasizing the desire to hear the patient’s opinions, and even stating that the issue of
a problem with the patient has not been determined yet by the comment “and getting
your perspectives on what, if anything, has been going on.”
Storr2 points out that the situation may be slightly different if the patient has been
referred by a fellow mental health professional or from an inpatient unit. In these cases,
Storr adds a nice touch, as follows:
Clin.: I’ve read your notes and I have some idea of your background and your present
trouble, but I would be grateful if you would go over some of it again. I know that
you have told it all before to various people and that it must be very tedious for
you to repeat it, but I find it difficult to remember details from notes made by other
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62 Clinical interviewing: the principles behind the art
In this example, Storr conveys respect and concern, essentially acknowledging that the
patient might find repeating the story again somewhat irksome. The last statement also
indicates, from the perspective of person-centered interviewing, the clinician’s desire to
understand the patient as a unique individual, not just a case. Some clinicians also prefer
to end the introduction by asking, “Before we go on, do you have any questions?” Such
a question once again conveys a sense of respect, while checking for possible patient
concerns.
Going back to our own example of an effective introduction, we find that the clinician
has also managed to give a sense of control to the patient with phrases such as, “Perhaps
we could start with your telling me a little about how you see things at this point. I
know from Sally that she feels you’re depressed, but what is more important is what
you think.”
The clinician also asked the patient how he would like to be addressed. One will
encounter many vehemently held opinions both for and against using a patient’s first
name. I shall not add many pages to this debate, because I think the intensity of the
debate has led to overstated arguments on both sides. I, personally, feel that one should
not assume a first name basis without asking first. Some patients may find a first name
threatening or a “put down,” especially if the patient is a young adult or is much older
than the clinician. Consequently, when first greeting a patient, I always use his or her
last name.
On the other hand, the ability to use the patient’s first name can be a powerful asset
in engagement. When used sparingly, and with good timing, it can effectively help
patients to share difficult material. In a cultural sense, first names are generally used by
people who care about us and are privy to our private thoughts. Consequently, I have
found it both satisfying and rewarding to simply ask the patient how he or she would
like to be addressed. This question accomplishes several tasks:
1. It conveys respect.
2. It gives the patient direct control over an important ego issue. (Some patients
do not like to be called by last names and others do not like to be called by first
names.)
3. One may learn a significant amount concerning the dynamics of the patient as
revealed by the patient’s preference.
For instance, very strong opinions voiced by the patient may represent the presence of
personality pathology or defensive posturing, thus offering the clinician immediate grist
for the mill. A patient developing grandiose thinking as part of a manic episode may
adamantly insist on being called “Dr. Jones.” At the other extreme, patients with regres-
sive tendencies may sheepishly smile while stating, “Please just call me Jim.” With experi-
ence one can begin to discern the sense of self-identity implied by the patient’s response
to this simple question. Indeed, one wonders what psychodynamic issues, if any, may
lie beneath ambivalent responses such as, “It doesn’t really matter, you can call me Jim,
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The dynamic structure of the interview 63
Jack, or Jimmy.” One can see that even in the introduction phase, the data-gathering
process has begun.
There are some exceptions to the above guidelines. If the clinician knows beforehand
that the patient has a history of paranoia, it may be advisable to use the last name
throughout the interview, because such “distance” may be more comfortable for a patient
with a paranoid interpersonal stance, as we saw in our exploration of empathic valence.
Patients who are much older than the clinician may prefer to be addressed by last name.
In the opposite direction, children and adolescents generally should be addressed on a
first name basis from the start. In these cases, though, it is often useful to ask the patient
which first name to use. For instance, the family may call an adolescent “Sue,” yet the
adolescent would prefer being called “Susan.” Such a simple show of respect can go a
long way towards ensuring a powerful engagement.
I should add that with regard to addressing the patient, I have yet to find any problem
arising in either the initial interview or subsequent psychotherapy using the above
approach. In the end, the reader must decide, from his or her own experience, what feels
most comfortable.
In familiarizing the patient with the ensuing interview process, some clinicians go one
step further than illustrated above. They specifically describe for the patient what to
expect, depending on the goals of the interview, an approach that directly addresses the
patient’s underlying question of “What is going on here?” After the clinician and patient
have introduced themselves, the dialogue may proceed as follows:
The purpose of a more extended description of the process is twofold. First, it is hoped
that the patient’s fear of the unknown will be decreased. Second, the description of the
process serves as an educational strategy, subtly alerting the patient to the fact that large
amounts of data will be covered in 50 minutes. This may allow the clinician to
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64 Clinical interviewing: the principles behind the art
collaboratively structure the ensuing interview more effectively. It also provides one
method for smoothly switching gears later with transitions such as, “As I mentioned
earlier, I’d like to learn a little more about your family. How many children do you have
besides Jenny?” At the end of this interaction, the clinician also demonstrated the use of
well-timed humor to break the anxiety of the first meeting.
Before moving on, one final point may be of value. As with all the other aspects of
interviewing we have discussed so far, the format of the introduction varies from one
patient to another. In some instances in which the patient is extremely psychotic, the
patient may quickly cut short the introduction. In such cases, it is wise to follow
the patient’s lead, because clearly such patients have a need to tell their story quickly. It
would be inappropriate to adhere rigidly to the typical format of the introduction with
such patients. The format is a guide, not a rule.
Addressing Confidentiality
At some point near the end of the introduction, or as one is transitioning to the opening
phase of the interview, it is typical to address confidentiality. It is important to be clear
about confidentiality, for it has critical ramifications for building trust. A dialogue might
evolve as follows:
Clin.: One thing we should talk about before we get going is the topic of confidentiality.
Is that a term you are familiar with?
Pt.: Yeah, sort of.
Clin.: Let me fill you in on what I mean by the term. For the most part, everything you
say in here with me never leaves this room. There is total privacy between us, so
that you feel comfortable sharing whatever you feel you need to share. Does that
make sense?
Pt.: Oh, yeah, I figured that was the case.
Clin.: As with just about anything, there are exceptions to the rule, but these exceptions
make good sense. (Note that these exceptions may very a bit from state to state and
country to country.) If you share something that indicates to me that you might kill
yourself or hurt somebody else, then I might need to talk with somebody else to
get more information or to make sure everybody is safe. Naturally, I’d ask your
permission to do so, but if you refused – in this rare situation – I would need to
break the confidentiality to make sure you or others are truly safe. And, obviously,
if there was child abuse or abuse of an elderly person you are taking care of, I
actually, by law, have to report that activity to the proper authorities to get you the
help you need and to protect any children or elders.
Pt.: Yeah, that makes good sense.
Clin.: Also, other than potentially dangerous situations, if you and I agree that it would
be useful for us to talk with somebody else, I would need to get your written
approval to do so. So if you wanted me to talk with a family member or friend, you
could give me written permission to contact them. I can’t just call them up without
asking you. If we felt another clinician or a physician, or even a lawyer, would be
useful to talk with, I could do so only after you gave me written permission. I take
confidentiality very seriously and the bottom line is that, other than exceptions like
the above, what you say here is totally private between you and me.
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The dynamic structure of the interview 65
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66 Clinical interviewing: the principles behind the art
OPENING: PHASE 2
With the clinician’s first inquiry into the patient’s immediate state of affairs, the opening
phase heralds a more active phase of data gathering. It ends when the clinician begins
to focus his or her questions on specific topics deemed important by the clinician after
listening to the patient nondirectively. Whether a 30-minute emergency room interview
or a 60-minute initial intake, the opening phase should last about 5 to 7 minutes, because
it is the cornerstone of engagement.
Combined with the introductory phase, the opening phase probably represents the
most critical time for establishing rapport with the patient. If the end of the introduction
marked the formation of the patient’s initial impression of the clinician, the end of the
opening phase represents the solidification or rejection of that impression. For the most
part, patients have determined by the end of the opening whether they basically like or
dislike the interviewer. These patient opinions are not irrevocably etched in stone, but it
would take a rather large chisel to change them. In many instances when patients
abandon therapy after two or three sessions, their disapproval may have been seeded in
the opening 7 minutes of the first interview.
The patient has two primary goals during the opening phase: (1) to determine whether
it is “okay” to share personal matters with this particular clinician, and (2) to determine
which personal matters to share. A third major goal of the patient also surfaces, namely
“to tell my story right, so that the clinician understands me.” Despite a well-handled
introduction, the patient’s self-system will usually be activated during this phase, because
it is here that conscious self-exposure begins.
With these ideas in mind, one of the complementary goals of the interviewer becomes
apparent: The engagement process begun in the introduction must be secured during the
opening. The durability and elasticity of this engagement bonding, to a large degree, will
determine the depth of probing and the degree of structuring that the patient will toler-
ate in the subsequent phases of the interview. It is at this time that many of the engage-
ment skills discussed in our first two chapters meet their greatest challenge and yield
their highest reward.
The approach to the opening phase generally proceeds along the following lines: Once
the clinician has ended his or her introduction, an open-ended technique is used to turn
the interview over to the patient on a verbal level. Frequently used openings include the
following:
Such open-ended questions or statements provide the patient with a chance to choose
to begin sharing by talking about something with which the patient feels reasonably
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The dynamic structure of the interview 67
comfortable. Broadly speaking, the goals are to decrease the patient’s self-system while
beginning to uncover the patient’s viewpoint. Both of these goals are generally met by
giving the patient plenty of room to wander during the opening phase.
During this facilitating opening phase, one hopes to begin to see outward signs of
good blending, such as the patient’s assumption of a more relaxed body posture and a
reasonably long duration of utterance (DOU) by the patient following the clinician’s
questions. This facilitation can be nurtured by the use of phrases such as “Go on,” “And
then what happened,” and frequent short conveyances of the clinician’s interest such as
“Uh-huh.” Generally it appears useful to employ at least several gentle (low valence)
empathic statements during the opening phase, because such phrases frequently circum-
vent the patient’s fear of imminent rejection.
The opening phase bears a characteristic that distinguishes it from other phases of the
interview. In sharp contrast to the introduction, in the opening phase the clinician speaks
very little. Furthermore, there exists a strong emphasis on open-ended questions or open-
ended statements in an effort to get the patient talking. Generally speaking, in an uncom-
plicated opening phase, approximately 60 to 90% or more of the clinician’s questions
or statements will be open-ended. During an assessment interview, the opening phase
will probably represent the least verbally active phase for the clinician, because in the
subsequent body of the interview, clinicians tend to increase the frequency of their ques-
tions as they attempt to clarify psychological and situational nuances, diagnostic con-
cerns, and triage issues.
With regard to this open-ended emphasis, two frequent problems are encountered:
(1) premature structuring of the interview before the patient has begun to relax, and (2)
the too frequent use of closed-ended questions. Both of these tendencies remove control
of the interview from the patient, a policy that may serve only to heighten the patient’s
interpersonal anxiety. Perhaps equally important, these activities represent an increased
amount of clinician speech, and, at this early stage of the interview, a direct correlation
can be drawn between clinician confusion and the amount of time that the clinician
spends with his or her mouth open. In short, the opening phase is a time for reflection,
not action, unless a specific patient hesitancy needs to be transformed.
Before proceeding, it is worth noting that some clinicians like to employ a bridge
between the introduction and the opening. This bridge consists of a brief series of demo-
graphic questions that function to provide a cursory background while not intimidating
the patient. The clinician may state, “As we get started I’d like to ask a few background
questions that can help give me some perspective. For instance, how old are you, Mr.
Jones?” Further questions may concern the place of residence, occupation, or a descrip-
tion of the patient’s family. Following these questions, the clinician may proceed with
the opening as described above. Once again, the emphasis is on effective and rapid
engagement. Whether or not to use this approach is an option that becomes a clinician
preference. I, myself, tend not to use this approach, for in my experience it ever-so-slightly
hinders the natural flow of initiating the conversation.
Active engagement techniques are not the only activities of the clinician during the
opening phase. Much of the activity cannot be seen, because it is mental in nature. More
specifically, the opening phase represents an intensely productive assessment period for
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68 Clinical interviewing: the principles behind the art
the clinician. During these initial minutes, the clinician scours the interpersonal coun-
tryside in search of clues that may lead to the most effective engagement techniques for
this particular patient. Simultaneously, the clinician determines the best manner in which
to structure the body of the interview itself. In short, the clinician develops a tentative
game plan, in the sense that a strategy for the interview will be developed, hand-tailored
to the unique needs of the patient.
In the opening phase, the clinician receives a rare opportunity to assess four vital areas:
(1) the patient’s conscious view of his or her problems, as well as the patient’s conscious
goals for the interview itself (e.g., What does the patient want from the interview?);
(2) the patient’s immediate mental state, which can influence the type of interview the
clinician feels would be most clinically appropriate for this particular patient; (3) the
clinician’s own conceptualization of the patient’s problems, as well as the clinician’s view
of the patient’s unconscious goals for the interview (e.g., What, in reality, does this patient
desire from this interview?); and (4) an evaluation of the interview process itself.
Through an understanding of these four variables, the clinician can begin the delicate
matter of matching the patient’s goals with his or her own goals. If common goals are
not collaboratively active, the resultant interview may prove to be relatively unproductive.
It is interesting to note, just as Lazare4 states that outpatient psychotherapy has a con-
tractual nature; in a sense, each initial interview possesses a contractual element. The
contract can be either implicit or explicit – but it always occurs.
Indeed, as we saw in our section on collaborative interviewing, interviews frequently
break down when the participants cannot agree to shared goals. Many of these commu-
nication breakdowns result when the clinician does not recognize the goals of the patient
or, worse yet, knows the goals but does not acknowledge them, resulting in a dysfunc-
tional encounter that is the antithesis of a person-centered interview.
The four analytic tasks of the opening phase are creatively coupled with the intuitive
skills of the clinician. Armed with this interplay between analysis and intuition, the clini-
cian quickly begins an initial “knowing” of the patient. In an attempt to sharpen the
analytic skills of the opening phase, the following acronym, PACE, is useful in reminding
the clinician of the tasks at hand:
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The dynamic structure of the interview 69
and the interviewer. To uncover these perspectives, I often use the following two ques-
tions, or a variation of them, at some point during the opening phase:
1. “In your opinion, what exactly do you think the main problem is at this time?”
2. “What are some of the things that you hope we might be able to accomplish today?”
Many roadblocks to the interview process can arise when the answers to these two ques-
tions are not known by the clinician.
On the other hand, sometimes it is the patient’s conscious goals that actually get in
the way of the interview, as might be seen in malingering or drug seeking. At such
moments, it may be even more important that the clinician be able to ferret out what
the real agenda of the patient might be. If the interviewer becomes aware of these poten-
tially problematic beliefs or agendas, some roadblocks may be diminished, worked
through, or perhaps even nipped in the bud.
To illustrate the usefulness of uncovering a patient’s conscious agenda, it may be useful
to look at a short piece of dialogue. We will picture a man in his mid-30s, who has
scheduled an appointment at the strong urging of his wife. He nervously looks about
the office, as if anticipating the appearance of a Grand Inquisitor. He has a small mus-
tache and a nervous nose. Early in the opening phase the following interaction
develops:
Clin.: Tell me a little bit about some of the reasons you came here today.
Pt.: It is very difficult to say. I don’t know what Jane thinks is happening, but I’m not
nuts. It’s all got something to do with my chemistry, of that I’m sure. Somehow or
other I’m a little speeded up.
Clin.: In what sense do you feel you’re speeded up?
Pt.: I’m feeling excitable, ready to rock and roll, very creative, but maybe a little too
juiced up. That’s why I think it’s biologic, not mental. I’ve been doing some reading
about physical fitness and its impact on emotions, and I think I’ve got some
understanding of what the hell is going on here.
The art inherent in the opening phase consists of listening not only to what the patient
says his or her goals are, but also to what the patient implies his or her goals might be.
A careful examination of this patient’s opening dialogue may yield some pertinent
information.
His opening comment, “It is very difficult to say,” suggests a genuine fear of being
misunderstood by the interviewer. This phrase is followed by the statement, “I don’t
know what Jane thinks is happening, but I’m not nuts.” Paradoxically, the patient relates
that he does not know what his wife thinks yet he implies that she has labeled him as
“nuts.” The connection with his fear of being misunderstood seems clearer: one of his
goals is to make sure the clinician “gets it” – that he is not crazy; a second goal may be
the hope that the clinician will make sure that his wife “gets it.” He probably also fears
that the clinician will not value his opinions, which he openly shares with the phrase,
“It’s all got something to do with my chemistry, of that I’m sure.”
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70 Clinical interviewing: the principles behind the art
With this last statement, he offers an explanation for his problem on one level but
also provides two more important pieces of information: (1) at some plane of awareness,
he recognizes a problem, and (2) he has a need not to view the problem as psychologi-
cal. With the subsequent phrase, “Somehow or other, I’m a little speeded up,” he further
describes his perception of the problem.
With the next question, the clinician demonstrates a desire to understand the patient’s
world by requesting a more phenomenological description of his stated symptom. The
patient’s reply, once again, confirms his immediate need to conceptualize the problem
in physical terms, betraying his fear that the “clinician-inquisitor” will not share this
perspective (a second goal has clearly emerged – the need to convince the clinician that
the problem is physical not mental). Of course, the patient’s insistence on a physical
cause may represent an example of a person who “doth protest too much.” Even the
patient may subconsciously fear a psychological problem.
From this brief dialogue we can see that, in a generic sense, the conscious goal of this
patient is to make sure the clinician hears his side of the story and believes it. This generic
goal manifests itself as two more specific goals: (1) make the point he is not crazy, and
(2) make the point that the problem is physical not mental.
The next question arises: What can be done with this information? First, one can easily
imagine what not to do, as would be exemplified by the clinician’s proceeding with
statements such as, “Perhaps you can start by telling me about some of your stresses with
your son, since your wife seems to feel these stresses are at the root of your problem,”
or “Physiology may play a part here, but first let’s look at some of the psychological issues
that may be playing a part in your problems.” Such blundering inquiries must represent
the clinician’s hidden masochistic needs, because the clinician is adamantly refusing to
explore the patient’s world through the patient’s eyes. A reciprocal desire by the patient
not to accommodate the clinician’s goals and recommendations will most likely follow.
Two can play at this game.
In contrast, let us look at a possible line of questioning that attempts to move with
the patient’s needs while ultimately joining both the goals of the patient and of the
interviewer:
Pt.: I’m feeling excitable, ready to rock and roll, very creative, but maybe a little too
juiced up. That’s why I think it’s biologic, not mental. I’ve been doing some reading
about physical fitness and its impact on emotions, and I think I’ve got some
understanding of what the hell is going on here.
Clin.: Oh, what kinds of things have you come up with?
Pt.: Well, some people have found that running and jogging can release substances in
the brain called endorphins that help people feel good. I’m thinking that maybe
that is why I’m speeded up.
Clin.: Hmm, that’s interesting. How frequently do you run?
Pt.: About 3 miles every day, sometimes up to 5 miles.
Clin.: It sounds like you must be in pretty good shape. How did you get interested in
physical fitness to begin with?
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The dynamic structure of the interview 71
Pt.: I guess you could say it runs in the family, no pun intended (patient and clinician
smile). My father was a jock, and my two brothers both went to college on football
scholarships.
Clin.: Tell me a little bit about them.
Pt.: Oh, they’re both high-powered people, both very successful … (pause), more
successful than me, but I do okay. John is a corporate lawyer in Dallas, and Jack is a
physician.
As opposed to a denial of the patient’s overt goals, this interviewer has implicitly acknowl-
edged them. For example, the clinician picks up on the patient’s hint, “… and I think
I’ve got some understanding of what the hell is going on here,” by asking, “Oh, what
kinds of things have you come up with?” – essentially a variation of our question, “In
your opinion, what exactly do you think the main problem is at this time?” The patient
is being expressly asked to tell his side of the story.
This particular choice of topics by the interviewer has also reinforced the issue of
physiology, which symbolizes an area in which this patient feels safe, a topic in which his
self-system is less likely to be activated by discussion. By moving with this patient’s needs,
the conversation transforms itself gracefully into an exploration of family relations.
This example stands merely as an illustration. Patient needs and perspectives change
with each individual. But certain conscious – although not always stated – patient agenda
items are fairly common, and the interviewer may want to listen attentively for their
presence. The following list includes some of the more common appropriate conscious
needs:
As mentioned earlier, there are some goals that may or may not be compatible with the
goals of the clinician. In particular, problems arise when the patient’s agenda may not
originate from a sincere motivation for help, as with the following more manipulative
needs:
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72 Clinical interviewing: the principles behind the art
3. A desire to have the clinician help him or her in a legal hassle by proving the patient
is “seeing a therapist.”
4. A desire to appear mentally ill for legal purposes.
5. A desire to have the clinician confirm that the patient’s regular therapist is “all wrong.”
6. A desire simply to get a relative “off their back” by “seeing a specialist.”
7. A desire for the clinician to tell relatives and friends that there is “nothing wrong.”
These latter goals can significantly disrupt the development of a sound therapeutic alli-
ance. If a clinician intuitively becomes suspicious that conscious problematic goals might
be present, they can be intentionally sought. If the clinician has not already asked, “What
are some of the things that you hope we might be able to accomplish today?” such
hidden-agenda items may surprisingly surface with a simple variation of this question
said in a gentle and non-accusatory way: “At this point in our talk, it might help both of
us to clarify what we want to accomplish in this interview. What specifically would you
like me to do for you today?”
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The dynamic structure of the interview 73
To this end, the clinician keeps an attentive eye out for behavioral evidence suggesting
unspoken roadblocks to the development of a therapeutic alliance. As discussed earlier,
interpersonal anxiety is to be expected, but unusually high anxiety states may indicate
intense fears of rejection, embarrassment, or ridicule. If the clinician suspects the pres-
ence of these fears, the following, said gently, may bring them to the surface where they
can be dealt with more effectively: “It can be somewhat anxiety provoking to talk with
a therapist like myself, especially the first time we are meeting. I’m wondering what, if
any, types of things might be concerning you as we are talking here today?” Some inter-
viewers prefer a slightly different wording, which is less assumptive of a problem: “It can
be somewhat anxiety provoking to talk with a therapist like myself, especially the first
time we are meeting. I’m wondering what you are feeling as we are talking today?”
James Morrison, in his informative book, The First Interview: A Guide for Clinicians,
takes this one step further in a technique that he refers to as “naming emotions.” If a
patient appears to be stalled, secondary to such hesitancies, Morrison suggests addressing
this process by naming several emotions that could be behind the patient’s concerns. His
gentle, yet direct, approach is as follows:
“I can see that you are having a real problem with that question. Sometimes people have
trouble with questions when they feel ashamed. Or sometimes it’s anxiety or fear. Are you
having any of those feelings now?”5
This technique can open the gate to transform a potentially damaging communication
impasse. It should also be kept in mind that patient concerns may be quite direct, as
evidenced by purposefully vague answers, an irritated or hostile affect, or no answer at all.
With regard to the third area, the discovery of a need to significantly change the struc-
ture of the interview, the issue of disruptive psychopathology rears its head. The question
becomes whether a given patient can tolerate a standard initial interview. This question,
frequently relevant to the emergency room setting, focuses directly upon the patient’s
immediate impulse control. A good clinician becomes facile at recognizing the situation
in which the best interview may be a short one.
For instance, the clinician may happen upon a patient whose thinking has become
laced with delusional ideation. The patient may be furiously pacing about the waiting
room, shaking a fist at voices heard only in the private world of a psychotic nightmare.
When questioning begins, this type of patient may rapidly escalate towards violence. As
such a rapid escalation begins to unfold, the clinician may decide to alter the strategy of
the interview drastically, including its length. This type of agitated behavior may also
suggest the wisdom of interrupting the interview briefly in order to alert the charge nurse
to the possibility of impending violence.
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74 Clinical interviewing: the principles behind the art
devised by the FBI. The clinician may view this patient’s problem as the development
of a paranoid delusion. In other instances, the clinician and the patient may share
similar views concerning the nature of the problem but differ on the issue of its etiology.
Fortunately, much of the time, both the clinician and the patient share similar
conceptualizations.
It is useful for a clinician to be aware of possible diagnostic issues early in the inter-
view, because this tentative formulation may help determine the basic strategy of the
interview itself. By way of illustration, the clinician may be interviewing an elderly man
brought by his family because “he can’t take care of himself anymore.” During the
opening phase, the clinician may notice thought disorganization, thought blocking, and
a striking memory deficit. Normally, the cognitive mental status examination is brief and
generally appears late in the body of the interview. But in this instance, the clinician may
decide that a determination should be made of the severity of this patient’s cognitive
deficit earlier in the interviewing process. Moreover, with this type of patient, the cogni-
tive examination may be lengthened in an effort to explore the degree of cognitive deficit
while uncovering the possible presence of a delirium or dementia.
If severe memory deficits are recognized, then little can be gained by a lengthy inter-
view, which would be both tiring and frustrating for the patient suffering with a moderate
or severe dementia. Instead, this time may be more profitably spent with members of
the patient’s family, because they may provide a more reliable history. Once again, the
clinician moves flexibly, adjusting to the unique needs of the patient and the clinical
situation.
Of equal importance is the determination made by the clinician of the patient’s
unconscious goals. It is worth emphasizing repeatedly that much of the art of interview-
ing consists not of analyzing what the patient says but of speculating on what is not said
and why it is not said. In a similar vein, patients often “half mention” issues, and the
clinician needs to uncover what has been left partially clad. In particular, the issue of
unconscious goals remains one of the major tasks of the opening phase.
The unconscious goals include those psychodynamic drives of which the patient may
be partially or totally unaware. These needs, frequently arising from core psychological
pains, may represent the most telling reasons why the patient has come for help or may
also present significant roadblocks to the task of the initial assessment. An example will
help to clarify this concept.
In this illustration the patient is a man about 30 years of age. His speech has a pres-
sured quality, as if his words need to escape his mouth. He has been brought by his
father, who threatened to commit him after the patient squirted his father with tear gas
during a family squabble.
Clin.: Tell me some more about what brought you here today.
Pt.: (patient looks away disdainfully) I’ll tell you what brought me here today … No!
Before I tell you that, let me reassure you that I’m not crazy! My father’s crazy, yeah,
crazy, a real nut. … I’m an important person with important business, I don’t have
time to waste and I don’t belong here, my father belongs here, you should see him,
let’s wrap this thing up here quickly.
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The dynamic structure of the interview 75
In this vignette, one can see the subtle maneuverings of the opening phase. The art lies
in the interviewer’s ability to recognize the unstated needs of the patient, while subse-
quently attending to some of these same needs. The passage warrants a closer look.
At a conscious level, the patient’s agenda includes items such as convincing the clini-
cian that nothing is wrong, convincing the clinician that the patient’s father is wrong,
and making a quick exit subsequent to an equally quick interview. But it is the uncon-
scious goals that yield the most fertile engagement secrets.
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76 Clinical interviewing: the principles behind the art
The first unconscious goal, the need for praise, manifests itself early in the dialogue. For
instance, the patient immediately raises himself by putting down his father, “the nut,”
and the interviewer with a disdainful look. These defiant steps, indicative of a frightened
ego, are quickly followed by a blunt request for praise, “I’m an important person with
important business.” Later we hear, “I’m a man whose time is worth big bucks,” at which
point he proceeds to display his business card.
It is at this moment that the clinician plays a gentle gambit. Specifically, she goes out
of her way to provide the much needed praise. The clinician does not merely glance at
the offered business card – she calmly admires it. Indeed, it is this quiet admiration that
represents the real and immediate business of this interview, for with its presence the
engagement process can begin to unfold. This quiet praise is furthered by a simple but
elegantly effective acknowledgement of the patient’s importance, “I see you are a vice
president, no wonder your time is valuable.” At last, the patient’s self-system receives a
chance to relax. Someone has seen his worth. Defenses, such as narcissistic put-downs
and accusations, may become less necessary.
Further acknowledgment of the patient’s importance resides in the clinician’s recogni-
tion of the patient’s stated time needs, “Perhaps we should start to get to the point.” With
this apparently appeasing statement, the clinician, in reality, is beginning to structure the
interview. In a relatively short time this patient will be providing diagnostic information
related to mania instead of demanding a shorter interaction.
The second hidden need, the need for control, begins with a subtle redirecting of the
clinician’s attention by the patient, “… my father belongs here, you should see him …”
and ends with a not so subtle directive, “… let’s wrap this thing up here quickly.”
The patient continues to control the interview by interrupting the clinician’s question
by stating a demand, “I need a glass of water …” It is not so hard to imagine that
someone close to involuntary commitment would feel threatened, because he is in reality
threatened with an imprisonment of sorts. Fortunately, the interviewer recognizes this
need and she focuses attention on helping this patient regain some semblance of
self-determination.
First, she procures the requested water. Her strategy of releasing control in the service
of gaining control is further engendered by the phrase, “Tell me more about the misun-
derstanding, the way you see it, and take as much time as you need.” This conveyance of
control is gently bolstered by suggesting that the patient has been appropriately manag-
ing at least some aspects of his life as implied by the wording, “What are some of the
specific stresses you are handling right now?” How different this phrase must sound
compared with a similar content message, “What problems are unsettling you right
now?”, a phrase that would have ignored the patient’s need to feel confident.
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The dynamic structure of the interview 77
This dialogue represents only one of numberless interactions. It is not merely the
specific words that are important here. It is the underlying principle of listening for the
psychodynamic needs of the patient, even when a major psychiatric illness such as
bipolar disorder is active, that warrants emphasis. Uncovering the patient’s unconscious
goals may yield a more compassionate understanding of his or her pain, an understand-
ing that opens the door to engagement. Because this interviewer has deftly attended to
this patient’s unconscious needs in the opening phase, she has distinctly decreased the
possibility of this patient becoming severely agitated. In the hands of a less skilled inter-
viewer, the mania of this patient could easily be triggered into a violent emergency room
incident.
Having completed our examination of the first three tasks of the PACE, it is time to
explore the last task of the PACE – the Evaluation of the interview itself. Before doing
so, in order to consolidate what we have covered, let’s watch an actual interview unfold.
We will sit-in during the first 8 or so minutes of an interview with one of my patients.
In fact, we will return to the patient that we first met in Chapter 1. This time we will
watch the interview consecutively unfold from the introduction through the opening
phase and even into the early minutes of the body of the interview. In this sense, it will
not only illustrate the real-life dynamics of the introduction and opening, it will give us
a preview of how we may transition into the body of the interview itself.
We are now ready to examine the last task of the PACE acronym – the Evaluation of the
interview itself. We will discover that this task serves as a bridge between the opening
and the body of the interview, for parts of it may occur in the opening and parts of it in
the body. As we shall see, problematic processes – such as shut-down interviews – will
generally present and be transformed in the opening phase. Other problematic processes
– such as wandering interviews – may provide hints of their presence in the opening
phase yet be subsequently transformed by the clinician in the body of the interview itself
after more fully manifesting. The successful transformation of all of these hindrances to
engagement are made possible by the various techniques I just referred to at the end of
our video module and to which we now can turn our attention.
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78 Clinical interviewing: the principles behind the art
relatively large amounts of pertinent and valid information, while easily focusing on
issues raised by the clinician. This ideal patient would become increasingly at ease as the
interview proceeded, becoming the proverbial open book. Within minutes, an adequate
level of engagement would be achieved, the patient and clinician working together
towards unified goals.
In reality, ideal interviews are hard to find. Fortunately, good interviews are not. One
of the keys to developing consistently productive interviews remains the ability to spot
bad interviews before they become painful lessons in frustration. By consciously evaluat-
ing the interview process, the clinician opens the door to control and flexibility. Phrased
more accurately, once the clinician has determined the personality of the interview, he
or she may be better positioned to effectively structure the interview by adaptively alter-
ing technique.
To this end, during the opening phase, the clinician needs to attempt a conscious
assessment of the progress of the interview. If pleased with its nascent development,
then the clinician may continue with similar strategies. If displeased, the clinician
may consider new options, yet a further expansion of our abilities to be intentional
interviewers.
The interviewer should be on the lookout for a variety of less productive patterns in
communication, three of which are the shut-down interview, the wandering interview,
and the rehearsed interview. All three of these interview types are common and can lead
to serious problems with engagement and data gathering. All three, once spotted, warrant
a change in strategy. But before a clinician can spot his or her role in the creation of these
problematic interviews, and before we can see how to circumvent them, it is necessary
to examine in detail the key component to their transformation – the words that we use
when framing our questions.
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The dynamic structure of the interview 79
textbooks that call this question closed-ended and some that view it as a prototypic
open-ended question. Puzzling. What exactly is an open-ended question?
Our search for this answer will lead us into one of the most fascinating aspects of
clinical interviewing – the realization that every question, as well as every statement that
we use, possesses a degree of openness, thus impacting on how easy it is for a patient to
talk with us. Moreover, as we saw in Chapter 2, both open and closed questions can be
both engaging and useful depending upon the clinical task at that moment of the inter-
view. As we examine this continuum of openness, paradoxes will also appear. For instance,
some statements may be more open-ended than some questions. In addition, some questions
are simultaneously open-ended and closed-ended. Understanding these paradoxes is criti-
cal for understanding how open or closed our own interviewing style is by habit. With
this self-knowledge, we can move away from interviewing by habit to our goal of inten-
tional interviewing.
To make sense of these paradoxes, we will look at a simplifying, yet sophisticated,
“supervision language” – the Degree of Openness Continuum (DOC) – for categorizing
our own questions and statements. Once mastered, our understanding will allow us to
intentionally pick and choose the type of questions or statements that are most likely to
transform shut-down, wandering, or rehearsed interviews. From paradox, practicality will
be born.
Using the DOC (Table 3.1) we can classify any verbalization we make (whether a
question or a statement) into one of nine mutually exclusive types. By definition these
nine types of questions and statements fall into one of three broad categories with regard
to their degree of open-endedness. These three broad categorizations are: (1) open-ended
verbalizations, (2) variable verbalizations, and (3) closed-ended verbalizations. Where
specific types of verbalizations fall on the DOC depends upon three characteristics:
(1) the degree to which the verbalization tends to produce spontaneous and lengthy
responses, (2) the degree to which the verbalization does not limit the patient’s answer
set, and (3) the degree to which the verbalization, in a generic sense, possesses a tendency
to open up moderately shut-down interviewees.
The nine types of clinician verbalizations are as follows. Open-ended verbalizations
include open-ended questions and gentle commands. Variable verbalizations include
five types: (1) swing questions, (2) qualitative questions, (3) statements of inquiry,
(4) empathic statements, and (5) facilitating statements. Finally, closed-ended verbaliza-
tions include closed-ended questions and closed-ended statements. Let us take a look at
how the system works.
Open-Ended Verbalizations
Keeping in mind that both questions and statements can be classified as open-ended or
closed, we immediately encounter our first paradox: some statements are more open-
ended than some questions. For example, the statement, “Tell me something about your
old high-school girlfriend” is significantly more open-ended than the question, “Did you
have a high-school girlfriend?”
By definition, open-ended verbalizations are difficult to answer with one word or a
short phrase, even if the interviewee is moderately guarded or resistant, as in a shut-down
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80 Clinical interviewing: the principles behind the art
VERBALIZATION EXAMPLE
Open-Ended
1. Open-ended questions 1. What are your plans for the future?
2. How will you approach your father?
3. What are some of your thoughts about the marriage?
2. Gentle commands 1. Tell me something about your brother.
2. Describe your initial reaction to me.
3. Share with me some of your hopes about the marriage.
Variable
1. Swing questions 1. Can you describe your feelings?
2. Can you tell me a little about your boss?
3. Can you say anything about the marriage?
2. Qualitative questions 1. How’s your appetite?
2. How’s your job going?
3. How’s your mood been?
3. Statements of inquiry 1. You have never smoked marijuana?
2. You say you were fifth in your class?
3. So you left the marriage after 3 years?
4. Empathic statements 1. It sounds like a troubling time for you.
2. It’s difficult to end a marriage after 10 years.
3. It looks like you’re feeling very sad.
5. Facilitating statements 1. Uh-huh
2. Go on
3. I see
Closed-Ended
1. Closed-ended questions 1. Do you think your son will pass?
2. Are you feeling happy, sad, or angry?
3. What medication is he taking?
2. Closed-ended statements 1. Please sit over there.
2. I read the letter Dr. Smith wrote.
3. Anxiety can be helped with behavioral therapies.
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The dynamic structure of the interview 81
open-ended question would be as follows, “What would you do if your wife decided to
leave you?” (see Table 3.1 for further examples). This question does not guide the patient
towards any specific answer, nor can it easily be answered tersely. It invites the patient
to share personal experience. Questions that begin with “How” or “What” and do not
limit the potential answer set by asking for a specific short answer, name, number, time,
place, or fact are usually open-ended. Thus the question, “How would you handle your
college days differently if you could go back?” is an open-ended question, whereas “How
many credits did you take last semester?” is not an open-ended question (even though
they both begin with the word “how”).
We have already seen one example of a gentle command. They consist of statements
such as “Tell me something about your old high-school girlfriend,” which direct the
patient to speak but do not markedly limit the potential answer. Gentle commands begin
with words such as “Tell me …” or “Describe for me. …” They are stated with a gentle
tone of voice while expressing a genuine interest. Such statements, in order to be viewed
as a gentle command, as was the case with open-ended questions, cannot limit the poten-
tial answer set by asking for a specific short answer, name, number, time, place, or fact.
Thus, “Tell me what you are finding unpleasant about your new job” is a gentle command.
“Tell me who your favorite colleague is at work” is not. A series of gentle commands or
a mixture of these statements with open-ended questions frequently increases the blend-
ing and spontaneity of even the most shut-down interaction. Generally speaking, gentle
commands represent one of the most powerful tools available for helping hesitant
patients to share more freely.
Closed-Ended Verbalizations
At the other end of the DOC one encounters closed-ended verbalizations. With closed-
ended techniques, it is extremely easy for a moderately shut-down patient to answer with
one word, a short phrase, or a simple “yes” or “no.” Even in instances in which the
engagement is high, these techniques may tend to decrease interviewee response length.
Indeed, as we shall see shortly, closed-ended inquiries are frequently useful in focusing
wandering patients.
Closed-ended verbalizations come in two types: (1) closed-ended questions and
(2) closed-ended statements (see Table 3.1). Closed-ended questions frequently are of a
yes/no format such as, “Did you seek therapy at the time of the accident?” or ask for
specific details such as, “Which hospital were you at in 1982?” Although frequently
hunting for facts, they may also seek out opinions and emotions as seen with, “Do you
think your husband is hard working?”
Closed-ended statements do not suggest that any response is expected from the patient
and frequently are of an explanatory or educational slant as with, “We will begin by
looking at some of your symptoms,” or “I spoke with your previous therapist as you
suggested.”
Variable Verbalizations
Variable verbalizations represent a middle ground with regard to openness, because they
tend to vary in the responses they create depending upon the degree of engagement.
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82 Clinical interviewing: the principles behind the art
When engagement is high, these types of questions often result in the production of large
amounts of spontaneous speech. But when engagement is low and the patient is defen-
sive, angry, or embarrassed, the very same questions can be easily answered tersely. And
therein lies their danger for the clinician, for these questions and statements are tickets
towards monologue when used in a shut-down interview. Consequently, we will examine
the five variable verbalizations: swing questions, qualitative questions, statements of
inquiry, empathic statements, and facilitating statements, in detail.
Swing questions23 are characterized by the distinctive fact that the interviewer literally
asks the patient whether he or she will answer the question. They often begin with
phrases such as, “Can you tell me …”, “Can you describe …”, and “Would you say some-
thing about …” We can now address our earlier question as to how to classify the
question, “Can you tell me a little bit about your past?” Here is our second paradox: it
seems to be both open and closed simultaneously. But, in actuality, it may be best viewed
as laying somewhere in between the two. The impact of such questions literally swings
from open to closed depending upon the degree of engagement with the patient. When
engagement is high, a patient may merrily chatter away following such a question. But
when a patient is hesitant, for whatever reason, these questions can be curtly answered
with responses such as, “not really,” “don’t feel like it,” or simply “no.” Consequently,
as mentioned above, it is generally wise to avoid their use in shut-down interviews.
A second type of variable verbalization is the qualitative question,24 with which the
clinician inquires about the quality of the state of the patient, his symptoms, his rela-
tions, or activities. They frequently begin with the words, “How is your …?” Qualitative
questions such as, “How’s your relationship with your son?” have the potential to
produce a significant elaboration if the engagement is high. But, as was the case with
swing questions, a shut-down patient could easily answer tersely with a phrase such as,
“Just fine.” Operationally speaking, if a question begins with the word “how,” has a form
of the verb “to be” within it, and theoretically could be answered by the single word “fine,”
then it is, by definition, a qualitative question.
The third type of variable verbalization, the statement of inquiry,25 is represented by
a complete sentence followed by a question mark. Unlike closed-ended statements, they
are intended to stimulate a response from the patient as seen with, “You were working
at the factory right after college?” or “You’re viewed as the black sheep in the family?”
The tone of voice of the clinician has a lot to do with the transformation of these state-
ments into questions. The clinician’s tone of voice can move these statements from a
reassuring reflection to a gentle probing to a blunt confrontation. Statements of inquiry
tend to perform one of several functions: clarification, summarization, confrontation, or
interpretation. As with the two previous variable verbalizations, statements of inquiry
can be easily answered tersely or with a “yes” or “no” by shut-down patients, whereas in
situations of high engagement these statements may function as springboards for further
patient elaboration.
It should also be noted that because statements of inquiry lead with a supposed “state-
ment of fact” by the clinician, they all represent a form of leading question. When it is
used to merely reflect back what the patient has said in an engaging fashion, this
“leading” quality is minimal. In contrast, when a statement of inquiry raises a new issue
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The dynamic structure of the interview 83
and/or communicates a clinician judgment, the leading quality can be striking. State-
ments of inquiry that are strongly leading in nature often begin with the word “so,” as
seen with “So, you were an alcoholic even back in junior high?” If a clinician or supervi-
sor wants to find out whether a clinician has a leading style of interviewing, the frequency
of statements of inquiry can often provide insight.
Also note that a particularly problematic statement of inquiry, with regard to poor
validity, is the “negative statement of inquiry.” It includes a negative, such as the word
“not,” as with, “So, you’re not feeling suicidal?” Such statements clearly can lead patients
to feel that the interviewer expects (or wants) them to answer with a “no.” The result is
often invalid data – in this case, potentially dangerously invalid data. I see no redeeming
value in negative statements of inquiry – with one exception. Some clinicians find that
if said with a doubting tone of voice and facial expression on the word “not,” they can
be utilized to challenge malingering or antisocial patients immediately after they make
a patently false statement. But, generally speaking, I suggest eliminating them entirely if
you find them as a part of your interviewing style.
The final two types of variable verbalizations, empathic statements and facilitating
statements, can be usefully discussed together, because they generally tend to open
patients up, although with patients who have a guarded or paranoid interpersonal stance
they may backfire, as discussed in Chapter 1. By definition, as described in detail in
Chapter 1, empathic statements are attempts to convey to patients that one is gaining
an understanding of their feelings and perceptions of the world (see Table 3.1).
Facilitating statements include the wide range of single utterances or short phrases
used to signal that the clinician is carefully listening, such as, “Uh-huh” and, “Go on.”
Although these facilitating phrases tend to urge the patient towards more speech, looked
at on an individual basis they are not as powerfully open as a gentle command or an
open-ended question. With hostile patients they may even backfire. I recall one instance
in the emergency room, when an intoxicated patient began angrily aping both my facili-
tating statements and my head nodding, saying, “Yeah, yeah, yeah, you’re a shrink all
right, yeah, you’re a shrink.” Several minutes later he attacked a safety officer.
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Table 3.2 Interview Typologies
Ratio of
Open-Ended
Natural Body Questions to
Duration of Response Time Language such Closed-Ended Focusing Facilitating Maneuvers,
Utterance (DOU) Latency (RTL) as Eye Contact Questions Statements Empathic Statements
84 Clinical interviewing: the principles behind the art
Shut-down interview ↓ ↑ ↓ ↓ ↑ ↓
Wandering interview ↑ ↓ ↑ ↑ ↓ ↑
Rehearsed interview ↑ ↓ ↕ ↕ ↓ ↑
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The dynamic structure of the interview 85
However, shut-down interviews are not the creation of the patient alone. As emphasized
earlier, all interviews represent interaction. In this respect, the action of the patient just
described suggests the possibility that the interview will become a shut-down interview.
But for this process to unfold fully, the interviewer often must feed it.
This feeding occurs when the interviewer fosters the shut-down pattern by utilizing a
low ratio of open-ended to variable/closed-ended verbalizations. In shut-down inter-
views, both variable and closed-ended techniques generally tend to decrease patient
spontaneity and, hence, hinder the engagement process. This tendency becomes further
entrenched when the interviewer uses a high proportion of focusing statements and other
structuring techniques. It may be even further entrenched if the clinician fails to utilize
facilitating nonverbal maneuvers such as head nodding and an encouraging tone of voice.
During shut-down interviews, especially if there is a negative attitude emerging from
the patient, it is not uncommon for clinicians to feel frustration, which often manifests
itself in a sharpness to their tone of voice and a distinct lack of nonverbal empathic
communication. Ironically, such action fosters the further development of the shut-down
process itself. Thus, the dyadic nature of the interview surfaces once again.
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86 Clinical interviewing: the principles behind the art
Pt.: Yeah.
Clin.: Did you get very lonely there? (closed question)
Pt.: Yeah. (patient rolls his eyes)
Clin.: Could you tell me a little about what that felt like? (swing question)
Pt.: Not much to tell you.
Clin.: Well, I, uh, was it tough being away from your wife? (closed question)
Pt.: Sort of.
Clin.: Would you be able to tell me how she felt about it? (swing question)
Pt.: Don’t really know.
Clin.: Can you tell me if she still loves you? (swing question)
Pt.: Don’t really know that either.
Clin.: What do you think? (open-ended question)
Pt.: I think she might.
Clin.: How’s the communication between you two? (qualitative question)
Pt.: Just dandy.
Clin.: How do you mean? (open-ended question)
Pt.: I mean she still visits, she’s got the kids. We’re divorced.
Clin.: Ah, how often does she visit? (closed question)
Pt.: About twice a year.
Clin.: When is that? (closed question)
Pt.: Take a guess … around Christmas and on my birthday.
The only person probably less comfortable than the patient in this room is the inter-
viewer. Indeed, here is a classic shut-down interview moving into a spiral of silence. It
illustrates several errors described earlier, including an initial barrage of closed-ended
questions. In the latter half, one sees the use of swing questions and an empathic state-
ment, under the mistaken thought that they are open-ended. The result proves otherwise,
for they are variable verbalizations that function as closed-ended with reticent or angry patients.
Then one sees the use of two true open-ended questions, “What do you think?” and
“How do you mean?” But two open-ended questions are too few.
The secret to unlocking shut-down interviews lies in using a series of open-ended
verbalizations as with a combination of open-ended questions/gentle commands, not
just a couple. In addition, the interviewer tries to pick topics that, at a conscious or
unconscious level, the patient wants to talk about. These are usually topics that have a
strong affective charge for the patient or about which the patient has a strong opinion.
Following the first couple of open-ended techniques, the patient’s responses will prob-
ably still be brief. But after six or seven open-ended verbalizations in a row, especially if
an appealing topic has been broached, many patients will start to yield to the awkward-
ness of not responding appropriately.
The above exchange also illustrates how easily other variable verbalizations, such
as qualitative questions, can be shut down by shut-down patients. In the following
example, we will see the course the previous dialogue might have taken if handled
differently:
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The dynamic structure of the interview 87
This clinician is cleverly engaging the patient by utilizing open-ended questions and
gentle commands. Notice the rather remarkable increase in spontaneous speech (longer
DOU) of the former inmate compared to the first interview. In particular, the clinician
has avoided the pitfall of utilizing swing questions and other variable verbalizations,
which could function in a closed role, as evidenced in the earlier example. This clinician
also wisely went into an area in which the patient felt comfortable and, indeed, could
“instruct” the clinician.
The following list reviews the techniques we have discussed for transforming a shut-
down interview and also suggests a few more tips:
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88 Clinical interviewing: the principles behind the art
2. Even an empathic statement (one of the variable verbalizations) can break up the
momentum towards more open patient sharing. Avoid stand-alone empathic state-
ments when trying to unlock a shut-down interview. Instead, if you feel an empathic
statement may be of use, couple the empathic statement with an open-ended tech-
nique by using it as the lead, a technique known as a “piggy-back” empathic state-
ment (e.g., “That sounds like a really tough divorce, tell me more about what your
husband has been doing that is so upsetting.”).
3. Follow up any topic that the patient gives the slightest hint that he or she wants to
discuss (i.e., any topic on which the patient shows an increasing DOU, even for a
brief period of time).
4. Avoid, in general, difficult or sensitive topics such as lethality, drugs and alcohol
abuse, and sexual history.
5. Pick topics that gather general background information such as, “Tell me a little bit
about the neighborhood you live in?” or “What are the people like where you work?”
Or choose topics about which the patient has strong opinions as with, “What are
some of the things your boss does that seem unfair?”
6. Avoid the use of swing questions such as, “Can you tell me …?” or “Would you tell
me. …?” Such swing questions are easily answered with silence or frowns. Instead, it
is frequently best to use gentle commands that often prompt more open sharing.
Curiously, if one has a habit of using swing questions, one can easily break the habit.
In a shut-down interview, when you find yourself about to use a swing question (e.g.,
“Can you tell me a little about problems at work?”), drop off the words “Can you”
and then proceed with whatever you were about to ask. Notice that you will have
immediately transformed your potentially disengaging swing question into an engag-
ing gentle command that begins with the words, “Tell me …”
7. Increase attempts at eye contact, while increasing the reinforcement of verbal output
with head nodding, engaging tone of voice and empathic sounds, except with hostile
or paranoid patients, with whom a less frequent use of such techniques may be
advisable.
8. In initial interviews, avoid long pauses before asking the next question. Long pauses
can be effective techniques for eliciting information from reasonably well-engaged
patients who stop their flow because of their desire to avoid a topic (as might be
encountered in ongoing psychotherapy). On the other hand, long pauses in shut-
down patients frequently create further defensiveness and resentment in a first
encounter. Effective use of long pauses depends on effective timing and good common
sense.
It should also be kept in mind that the above techniques are generally applicable not
only in shut-down interviews but also during the opening phase of any interview. In
contrast, in interviews with good engagement, patients may spontaneously talk about a
variety of painful or sensitive areas fairly early. In even sharper contrast, the first principle
outlined above is specific to shut-down interviews. In naturally evolving interviews, open-
ended techniques are interwoven with statements of empathy and closed-ended ques-
tions, both of which serve to clarify issues and demonstrate the clinician’s interest. Thus
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The dynamic structure of the interview 89
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90 Clinical interviewing: the principles behind the art
be best to leave school?” or “What were the pros and cons of leaving school when you
made your decision?”
The second troublesome question that tends to hinder dialogue in a shut-down
interview may represent the all-time stereotypical “shrink question,” and it reads some-
thing like this: “What are you feeling as we talk?” In actuality, it is both uncommon
and difficult for most people to be aware of their inner feelings. Thus, in shut-down
interviews, this type of question is particularly good at producing looks of consterna-
tion on patients’ faces. Avoid it. It may be of use in certain communication breakdowns,
which we will discuss in a later chapter, or be quite useful later in therapy, or with
patients with whom the blending is high. But in shut-down interviews I find little
use for it. By the way, children and adolescents, in particular, may find this question
puzzling.
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The dynamic structure of the interview 91
learn to quiet all of these facilitating activities in the service of closing off a runaway
interview, but to do so the clinician must first be aware of them.
The patient’s contribution to the wandering interview has many etiologies. Such an
interpersonal style may accompany histrionic personality structure or indicate the earliest
stages of a mania; or this style may represent something much less serious, as seen with
a patient who is simply anxious, a very common cause of wandering.
In any case, several principles may be of value in transforming such an interview into
a more productive exchange. Generally speaking, one does the opposite of what is used
to open-up a shut-down interview. While moving out of the opening phase, begin to
help the patient structure his or her answers as follows:
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92 Clinical interviewing: the principles behind the art
Generally speaking, unless the patient has some serious underlying psychopathology,
such as a manic process, the first several techniques will decrease the wandering process.
In some instances when employing the above techniques, it may also be necessary to
literally cut a patient off in mid-sentence. This technique is fairly forceful and conse-
quently should be utilized after less aggressive focusing techniques have failed, although
clinicians frequently don’t use it early enough. One way to maintain engagement,
even when cutting a patient off, is to use a technique we used earlier with shut-down
patients – the “piggy-back” empathic statement. Only this time, after leading with the
empathic statement, we will follow-up not with an open-ended verbalization but with a
closed-ended question that focuses the patient:
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The dynamic structure of the interview 93
entering a new topic) of open-ended questions or gentle commands, and minimal use
of variable verbalizations. It’s pretty simple. When directly trying to reverse the wandering
style of communication, the interviewer uses essentially only closed-ended questions.
Remember that with a wanderer, all five variable verbalizations essentially function like
open-ended questions. Pay particular attention to avoiding swing questions, for their use,
in a wandering interview, is opening the gate to a potentially wild gallop into tangential
information.
A third major factor in gracefully reining in a wandering interview lies in the effective
use of paralanguage and body language during the structuring process. The art is not so
much in the choice of words but in the method of presentation. For instance, if said with
a concerned tone of voice, a phrase such as, “Let’s look again at what your mood was
like over the past 2 weeks,” will seldom be interpreted as a structuring ploy. On the other
hand, the same phrase said harshly, or in frustration, may quickly disengage a timid
patient.
Let’s examine an interviewer skillfully working with a persistent wanderer. The inter-
viewer recognized the wandering pattern during the opening phase and, consequently,
began to structure as the opening phase ended and the body of the interview began. The
patient presented saying, “I’m really depressed.” We shall pick up the interview at a point
where the interviewer is trying to determine both the presence and severity of the patient’s
depressed symptoms.
Clin.: Tell me what your sleep has been like (gentle command).
Pt.: My sleep, now that’s a good question. Nobody in my family has ever been a sound
sleeper. I remember my father always talking about his restless nights. Same way
with Uncle Harry, although, personally, I think Uncle Harry was a drunk. They say
drunks, I shouldn’t call him that (patient giggles), have really bad sleep.
Clin.: How has your sleep been over the past 2 weeks? (qualitative question, gently
re-focusing the patient back onto the patient’s sleep pattern)
Pt.: Pretty bad, more wound up, what with all the worries on my mind. I’m really upset
about my decrease in pay. I don’t think my boss should have cut my salary. Now
there is a guy who needs to see a shrink. I can’t believe what he does sometimes.
You really ought to see him, a real winner! (note that the patient has “taken off”
with this qualitative question, which one would expect to happen if one uses a
variable verbalization with a wanderer)
Clin.: It sounds like you’ve had a lot of worries related to your boss; I’m wondering if it’s
keeping you up at night. How many hours do you think it takes you to fall asleep?
(closed-ended question)
Pt.: Oh, maybe 2 or 3.
Clin.: Once you’re asleep, do you stay asleep the whole night or do you tend to wake up
occasionally? (closed-ended question)
Pt.: No, no, once I’m out, I’m really out, just like the night after my chem final. I was
so tired I literally slept like a log; but fortunately I was alert enough to pack up for
home, although I don’t know why I should want to go home, why …
Clin.: (cuts off patient) Before we talk about some of the important issues at home, help
me to get an even clearer picture of how your sleep has been affected. For instance,
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94 Clinical interviewing: the principles behind the art
over the past 2 weeks have you been awakening earlier than usual for yourself?
(closed question)
Pt.: No, I can’t say that I have.
Clin.: Do you sleep at all during the day? (closed question)
Pt.: No, once I’m up, I’m really up.
Clin.: How has your energy been recently? (qualitative question)
Pt.: Up and down, mostly down. I guess I’m not as interested in things as I used
to be.
Clin.: How do you mean? (open-ended question)
Pt.: Well, I used to be into jazz dance and ballet. On Wednesday nights I did aerobics.
My sister, Jane, had gotten me into aerobics, she was always a super athlete. Now
there’s another example of a big shot. She has been one pain in the ass for years,
for instance she …
Clin.: (the open-ended question seemed a reasonable way to clarify the patient’s
anhedonia, but, sure enough, the patient is “taking off” again – time for another
cut-off, but deftly tied into a topic of interest for the patient) What about your own
interest in things like dance now – has it increased or decreased? (closed-ended
question)
Pt.: Definitely decreased. I’m finding it harder and harder to enjoy all my hobbies. I’m
even having a hard time reading.
Clin.: Is your depression making it hard to concentrate when you read? (closed-ended
question)
Pt.: Absolutely, it makes it really really hard to read.
In this illustration of some very nice interviewing, the clinician has begun structuring
this interview without disengaging the patient. This toning down of a wound-up wan-
derer was accomplished using a variety of techniques, including focusing statements,
closed-ended questions, and even interrupting the patient with cut-off statements when
appropriate.
Even when using the initial patient cut-off, the clinician maintained both engagement
and blending by conveying the importance of gaining a clear picture of exactly what the
patient had been experiencing. Moreover, the clinician also emphasized the importance
of what the patient was discussing by implying that the topic would be examined later
in the interview. Both of these goals were accomplished with a single elegant phrase,
“Before we talk about some of the important issues at home, help me to get an even
clearer picture of how your sleep has been affected.” Even the use of the words “help
me” were part of the process, for they metacommunicated a shared goal and a clinician
who was genuinely interested in achieving this goal.
Not surprisingly, working with a wandering patient is one of the most frequent prob-
lems for which clinicians request supervision, probably because we are often hesitant to
structure, anticipating a rebuff from the patient. This hesitancy prevents us from learning
how to structure effectively. In a sense, a wandering interview reminds one of an unchecked
nuclear reaction; its ultimate result is a chaotic and sparse understanding of the patient.
On the other hand, the ability to effectively, yet sensitively, structure the flow of the
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The dynamic structure of the interview 95
interview offers the clinician a method of controlling the reaction, so as to garner the
information that can most help the patient and lead to healing.
Later, in the body of the interview, the clinician may find good reasons to
unleash the reaction again while exploring the patient’s dynamics or feelings. The
important point remains that the clinician can intentionally modify the interview
process in either direction, depending on what the goals of the interview are at
that moment.
To end this discussion of the wandering interview, it is of value to list some of the
most common errors that clinicians commit while handling a wandering patient:
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96 Clinical interviewing: the principles behind the art
To transform a rehearsed interview, one must first recognize it (see Table 3.2). Such
interviews frequently announce themselves with early diagnostic statements by the
patient (as with, “I’m a schizophrenic”) and/or a quick and unsolicited review of the
history of the present illness by the patient (a veteran who rambles off the symptoms of
post-traumatic stress disorder as if reading them from the DSM-5). When patients are
reeling off lists of malingered symptoms, their monologues frequently result in quite
long DOUs and short RTLs. Eye contact varies depending upon the situation. It is gener-
ally good, but if the patient is feeling guilt or is uncomfortable with deceit, eye contact
may be poor.
Whatever the root causes of a rehearsed interview, a clinician can inadvertently
collude with the maladaptive process by focusing poorly or by providing an abun-
dance of facilitating nonverbal activities as seen in the wandering interview. Unfortu-
nately, unlike the process of transforming shut-down or wandering interviews, our
knowledge of the DOC provides little advantage, for a rehearsed interview can be fed
by the use of open-ended, variable, or closed-ended verbalizations. Any question or
statement on the DOC that tracks with the patient can reinforce the direction of the
interview.
The following brief vignette conveys a feeling for such an interview:
The problem here is the validity of this data. All angles are being covered so quickly that
one can feel hedged in by the patient’s story, almost as if one should not ask any more
questions. To break this mechanical storytelling, a variety of methods can be used.
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The dynamic structure of the interview 97
– a strategy I like to call “affective interjection.” These affectively charged topics can lure
the patient away from the rehearsed storyline.
For instance, let’s return to the above interview. This time we will see the interviewer
deftly break the flow of the rehearsed interview by using affective interjection to move
the patient into new territory, thus dismantling the patient’s attempt to minimize any
manic symptoms:
Clin.: Tell me what brings you here today?
Pt.: Well, I got out of St. Joseph’s hospital 2 months ago. After I got out, I moved to a
new catchment area, so I need new doctors. I’ve been feeling a little edgy and need
to be on lithium. You see I’m bipolar.
Clin.: I see.
Pt.: Now, I’m not having racing thoughts or problems sleeping, and my energy is just
fine. You’ll probably be hearing from my sister and don’t listen to a word she says.
She over-reacts and she doesn’t understand this disease. Other than my edginess
everything is fine. I’m sleeping just great, no speeded up speech, none of that manic
stuff. Oh yeah, don’t worry, I’m not spending too much money and I’m not over-
sexed or any of that stuff.
Clin.: You mentioned your sister several times, tell me a little bit about her.
Pt.: She’s sort of a jerk and I’ll tell you one thing, I want her to keep her nose out of my
affairs.
Clin.: What has she been doing recently that has been so upsetting?
Pt.: She’s been mouthing off, getting me in trouble.
Clin.: What sort of ways?
Pt.: She got me into the hospital a month ago, when I didn’t want to go. I didn’t need
to be in there, but she called the cops and the next thing I know, I’m committed.
She claims I’m a danger to her children. I would say the greatest danger to her
children is their mother.
In this instance, the patient has been led away from his rehearsed story through the gate
of affect. With this side trip, important information that may not have been intended for
clinician ears has surfaced, namely that the patient was recently committed involuntarily.
Perhaps things are not as cut and dried as the patient wanted the clinician to believe.
It is hoped that the above information explains why a large amount of time has been
devoted to the opening phase, during which the clinician explores the elements of the
acronym PACE. Its importance would be hard to exaggerate, because in it the first hints
of understanding are born in the clinician, the alliance with the patient is solidified, and
numerous steps will have been taken to set a platform for a productive first encounter
and a flowing communication. The clinician is now prepared to enter the patient’s world
more fully.
If both the introduction and the opening phases have been done effectively, the clini-
cian will generally be asked to enter the patient’s world as an invited guest, and there
will be no need for a “break in.” The question now becomes an issue of finding the most
effective method to gather the necessary clinical information efficiently while further
enhancing the therapeutic alliance.
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98 Clinical interviewing: the principles behind the art
Insecurity and uncertainty are everywhere. If you don’t let it become part of your flow, you
will always be resisting and fighting. If the ground here suddenly shakes and trembles,
can you give with it and still maintain your center? … If you can become fluid and open
even when you are standing still, then this fluidness and openness makes you able to
respond to changes.27
Of course Huang is addressing the insecurity and anxieties encountered in martial art
combat and, by extension, into navigating life’s everyday hurdles. I have noticed over
several decades of training interviewers that such psychological tensions also often arise
when exploring the body of the interview. Why is there so much insecurity and uncer-
tainty encountered in this phase of the interview, especially for clinicians in their first
several years of training? The answer is simple: Because it is like nothing they have ever done
before in their lives.
Let me explain. Those of us who have chosen to become mental health professionals,
almost by definition, come to the field because we like people and we have generally
enjoyed talking and listening to people throughout our lives. Indeed, we naturally come
to the field somewhat gifted in listening skills and empathy, or we probably wouldn’t be
coming to the field in the first place. Thus, the skills we discussed in our first two chapters
and were subsequently applied in the introduction and opening phases – empathy and
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The dynamic structure of the interview 99
collaborative listening – are not new to us. We use them every time we talk with a friend
or a family member. As we saw in these chapters, we can certainly hone these skills and
take them to whole new levels of sophistication and competence, but we have already
had years of utilizing them in our daily lives.
In contrast, it would be a rare day indeed, when listening to a friend over a steaming
café latte in a local café, that we would enter the conversation with an intentional goal
of covering, literally, hundreds of pre-determined data points. Moreover, it would be very
odd if we entered this conversation having decided in a pre-ordained fashion that this
massive database would need to be culled in under the time it would take to finish, let
us say, two café lattes apiece. Furthermore, it would be strange indeed if we had decided
that we would deliberately “rein our friend in” to topics we deemed to be appropriate if
Tommy happened to be a bit too loquacious on this particular evening. Such encounters
are the stuff of Monty Python skits. In real life, they would result in a painfully long
evening as well as a painfully short list of friends.
The ability to sensitively and intentionally structure a conversation in order to cover
a massive pre-determined database is simply not a skill set we bring to our psychiatric
residencies and graduate programs from our everyday experiences. Yet this is the exact
skill set required to effectively continue the healing process in the body of the interview.
And it is complicated. I truly believe it is as complicated as performing surgery, for it is
one thing to be empathic when allowing a patient to wander aimlessly. It is entirely a
different matter to communicate empathy while gathering the large factual background
that one needs in order to most effectively help a patient in pain, as we will be asked to
do routinely in a busy community mental health center, hectic private practice, or psy-
chiatric inpatient unit. People are complicated and there is an enormous amount of
invaluable information that we can use to collaboratively create the most effective treat-
ment plan for each unique individual from a person-centered perspective.
Just how complex is the task? Let’s look at what information we need to gather during
the body of the interview in a standard initial intake, as it would be done in a typical
community mental health center or inpatient unit. In roughly a 30- to 40-minute time
frame (the time available for the body of the interview in a 50-minute intake) the clini-
cian will try to sensitively uncover the following databases:
1. History of the presenting problem and primary DSM-5 diagnosis: This database will begin
in the opening but will be refined in the body of the interview and there are fre-
quently multiple presenting situational problems and diagnoses.
2. Interviewee’s perspective: Most of this will be uncovered in the opening, but nuances
will usually appear in the body as well.
3. Screening for other DSM-5 diagnoses: This includes screening for mood disorders,
anxiety disorders, schizophrenia spectrum disorders, eating disorders, substance
abuse disorders, personality disorder, etc.
4. Social history: This includes educational history, employment history, current living
circumstances, and sensitive areas such as incest and domestic violence.
5. Framework for meaning and spirituality: This needs to be explored in a fashion that is
sensitive to issues of cultural diversity.
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100 Clinical interviewing: the principles behind the art
6. Family history.
7. Uncovering of suicidal/homicidal ideation, planning, behaviors, and intent.
8. Past psychiatric history and treatment.
9. Developmental and psychogenetic history.
10. Medical history.
11. Informal mental status.
12. Formal cognitive mental status examination (sometimes optional): This region is reserved
for the more specialized cognitive mental status, in which a clinician examines ori-
entation, attention span, memory functions, and general intellect.
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The dynamic structure of the interview 101
Let us see why. Naturally, much of the patient’s interest in returning has to do with
the continued use of our cornerstone engagement skills (such as strategic empathy and
genuineness) during the body of the interview. But these engagement skills are far from
the whole story, for patients don’t come back to see a therapist solely because they feel
the therapist is a compassionate and caring person (they may have friends that amply
provide them with both of these traits). They come back because they think we can help
them. They come back because we have convinced them that we have an expertise that
their friends do not have. It is our expertise coupled with our caring that creates the all-
important sensation of hope. It is hope that leads to a return visit.
How is expertise communicated? As discussed in Chapter 2, one of the strongest com-
municators of expertise is the power of our fact-finding questions, for they communicate
that we have been there, done that; that we have seen this problem before and we are
comfortable helping people with it. Thus, the questions we ask during the body of the
interview not only uncover invaluable information, but they also metacommunicate to
patients that they are in the presence of someone “who knows what they are doing.” It
does not matter whether we are a shaman or a therapist, the key to healing is inherently
entwined with our ability to create hope through the patient’s perception that we possess
expertise. A shaman may use the casting of magical stones to communicate their secret
knowledge; we do so by the fashion in which we cast our questions.
Fortunately, this magic can be taught, and we will see exactly how to gracefully, and
easily, accomplish this task in our next chapter. It is there that we will further develop
the fluidness and openness that our T’ai Chi Master Huang described as being critical for
success. But before we can do so effectively, it is valuable to view the body of the inter-
view within the context of the entire interview process, for, if handled well, it will grace-
fully telescope into the closing and termination phases, which also require skilled
handling.
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102 Clinical interviewing: the principles behind the art
8. Can I be helped?
9. What are my treatment options?
10. What will happen to me next, and will I see this clinician again?
All of these questions are appropriate and natural. Indeed, the patient, in a sense, has a
right to a discussion of these issues with the clinician. The clinician will possess only
tentative answers to many of them, and the patient should be made aware of this fact.
But even tentative answers may provide a powerfully reassuring experience for the patient.
If answered sensitively, the clinician can help decrease the patient’s fear of the unknown,
including the plaguing question of “What’s happening to me?”
Addressing this point, Sullivan has stated that a patient should gain something from
the assessment process itself.28 He emphasizes that patients frequently gain a consider-
able sense of relief merely by exploring their problems in an orderly fashion with a
concerned listener. An orderly inquiry frequently begets a more orderly and calming
perspective.
One of the main tasks in the closing is to consolidate the positive feelings and stir-
rings of hope that have been generated in the first three phases of the interview, while
helping the patient to come away with tentative answers to some of the disturbing ques-
tions raised above. The types of experiences that, as Sullivan would suggest, a patient can
“take away” from an initial intake can be summarized as follows:
To a significant extent, the presence of such favorable feelings reflects that the interview
has achieved one of its greatest goals – the generation of hope. This generation of hope
will, at least partially, be determined by the manner in which the clinician has handled
the introduction, the opening, and, especially, the body of the interview, as we have
already discussed. But it remains the closing phase in which many of these positive feel-
ings can be significantly consolidated and enhanced. Moreover, if the closing is handled
poorly, then these positive feelings can be rapidly destroyed.
One of the major methods of enhancing these favorable feelings consists of taking
the time to carefully address the questions mentioned earlier. The very fact that the clini-
cian addresses these issues may convey that the clinician can be trusted and seems to
understand the patient’s needs. Indeed, the clinician’s actions represent a direct acknowl-
edgement of the patient’s needs at that moment.
One could discuss the issues concerning the closing phase in great detail, but I think
it may be of more value to look at a closing phase as it unfolds. This dialogue will
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The dynamic structure of the interview 103
represent only one approach to the closing, but it illustrates many of the principles dis-
cussed earlier.
In the following illustration, the clinician has been interviewing a middle-aged
woman at a local mental health center. The clinician is functioning as an assessment
clinician and has decided that the patient is most likely suffering from a major depres-
sion. We will pick up the dialogue near the end of the body of the interview. In order
to highlight the various aspects of this interview phase, the entire closing phase is
included.
Pt.: I don’t think any other members of my family … let me see … no, I don’t think
anyone else besides my sister and my uncle have been depressed like this. My
mother certainly never went through anything like this, perhaps that’s why she
doesn’t seem to understand.
Clin.: Well, it doesn’t seem like too many people in your family have been depressed,
but at least two people have. We’ve covered a lot of ground so far. At this point,
we are coming to the close of our interview today. I’d like to spend some time
summarizing what we’ve talked about and discussing some ways of possibly
helping you to help yourself. But first, you mentioned that your mother doesn’t
seem to understand. I’m wondering how you put together what is happening
to you?
Pt.: Hmmm … it all seems so complicated. I think I may have reached a time of life
when my bad qualities are catching up with me. Certainly I’m becoming a burden
for my husband and I’m not really doing my share.
Clin.: What are some of the reasons that you think it’s happening now?
Pt.: Maybe because I deserve it, I don’t know. Or maybe because the kids are starting to
leave the nest, as they say.
Clin.: Do you think there is anything you might want to add as we close that we haven’t
covered, that might help us to understand what is going on?
Pt.: No, not really, we’ve covered an awful lot … well, one thing though, I didn’t
mention this because it was so long ago, but in college I had one semester in which
I did very poorly in school. Now that I think about it, maybe I was suffering from
the same type of thing.
Clin.: What were you feeling back then that makes you feel these experiences were
similar?
Pt.: Many of the same things. I couldn’t sleep well and I was constantly worried, I was
so worried about flunking out I almost did.
Clin.: Did you seek help back then?
Pt.: Are you kidding! My parents didn’t think anything was wrong except I was lazy. It
never even crossed my mind to get help.
Clin.: Fortunately, you’ve come for help today and I’m wondering what kinds of ways you
thought we might be able to help you?
Pt.: I’m not really certain. Maybe I thought you might have some magic pill that would
take all this away (patient smiles and begins a subdued chuckle). I’ll tell you one
thing though, it was hard to come here.
Clin.: I’ll bet it was … tell me a little about what it was like actually coming here
today.
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104 Clinical interviewing: the principles behind the art
Pt.: Oh, I felt very self-conscious walking in off the street. In fact, I looked around first
to see if anybody I knew was around. When the coast was clear, I shot in like a
dive-bomber … While I was waiting to see you, I felt very awkward. I didn’t know
what I was getting into. I almost left.
Clin.: What made you stay?
Pt.: I think I realized I needed help of some sort. I really am at a loss. What do you
actually think is happening?
Clin.: First, let me reassure you, most everyone who comes for a first appointment feels
much as you have. That’s totally normal. It’s difficult to share with a stranger. You’ve
done an excellent job of helping me to get a good picture of what you’ve been
experiencing. From what you said I have some ideas of what might be going on. I
agree with you that you seem to be dealing with a lot of stresses within your home,
including a changing relationship with your children as they leave and a fair
amount of tension with your husband.
Pt.: Yes, I really didn’t emphasize the problems with Jack but they are there and have
been for years. It’s not just the kids.
Clin.: I think these issues will be very important for you to try to understand better, so
that you can cope with them more effectively. They are complicated. And
sometimes some of the pains we feel from the past, like your leaving home at an
early age, may also be contributing to the present. Because of this, I think it would
benefit you to talk with one of our therapists, perhaps on a weekly basis for a
while, to try to sort things out. In addition, I think there is more to the picture as
well. You described a variety of symptoms such as an inability to sleep, a loss of
energy, decreased enthusiasm, and a loss of sexual drive. All these symptoms
suggest that you may be suffering from a depression that has some biological
component to it.
Pt.: How do you mean?
Clin.: Over the past 40 or so years, we have made tremendous advances in understanding
various forms of depression. It used to be thought that depression was only caused
by psychological problems, but now we have discovered that some forms of
depression are caused, or in some instances made worse, by chemical imbalances in
the brain. No one thinks about how incredibly complicated the brain is. When one
realizes how incredibly complicated the brain is, with over one hundred billion
brain cells, it is no wonder that sometimes chemical imbalances arise. In any case,
the symptoms you have so nicely described today are commonly seen in these forms
of depression. Another item pointing that way is the fact that two members of your
family seem to have also suffered from a very similar depression, and we have found
that the biological forms of depression are frequently seen among family members.
Pt.: What does all this mean?
Clin.: Well, some of these depressive symptoms, perhaps caused, or at least made worse,
by your biology, may make it more difficult for you to effectively work on your
psychological concerns and interpersonal stresses. They may even be making it
harder to cope with your daily chores. Fortunately, we have found a variety of
medications that frequently help to get rid of these depressive symptoms. There are
no magic pills though, nor are there promises for success, but these antidepressant
medications can be very effective with some people. Because your symptoms do
suggest that you may also have a biological depression, I’m going to make a referral
to our Mood Disorders Clinic. If you are interested in going there, you’ll find the
therapists are very skilled in both talking therapies and medications. After they get
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The dynamic structure of the interview 105
to know you better, they will let you know exactly which psychotherapies, or
perhaps medications as well, may help you the most. I am convinced that
psychotherapy would be helpful and I think there is a good chance that a
medication may help too. Oftentimes we try psychotherapy first and if that doesn’t
provide enough relief, we add an antidepressant. (pause) I’ve given you a lot of
information, I’m wondering if this is making any sense?
Pt.: Yes, yeah, I think so at least.
Clin.: Try to tell me in your own words what I’ve been explaining to make sure that I’m
being clear.
Pt.: Let me see, you think that I need to talk with somebody about what is going on
with my husband and also with my kids taking off for school. You also think there
may be something wrong with the chemistry in my brain and that may also be
making me feel depressed. And you think some medications may help.
Clin.: That’s right. This means that there may be more than one way to help you feel
better. Do you think you’d be interested in seeing our therapist, I think it could
really help.
Pt.: Yes, I think I would like to give it a try, at least. I’ve read about depression being
caused by chemical problems too, I just really never recognized myself as being
depressed. And I know I need to talk some of this stuff out, I really do.
Clin.: I really think you will benefit from therapy, and medications may help too. Depression
is complicated. Sometimes depression is hard to recognize. Perhaps back in college
your parents didn’t recognize it in you, just as you didn’t recognize it yourself today.
Pt.: I never thought of it that way, but I guess it’s actually possible.
Clin.: In any case, as we wrap up here, I’m wondering what this interview has been like
for you, was it what you were expecting?
Pt.: For the most part, yes. I really didn’t know exactly what to expect. I really felt we
covered a lot of important ground. It seemed very thorough.
Clin.: Is there anything I could have done differently that might have made you feel more
comfortable?
Pt.: No, no … I felt, I feel very comfortable with you. I do think you could use more
magazines out in the lobby though. It really gets uncomfortable sitting out there.
Clin.: Hmmm … that might be a good idea.
Pt.: Will I be working with you again at all?
Clin.: No, as I mentioned earlier, I only work over here in the Assessment Clinic, but I
think you’ll find the therapists in the Mood Disorders Clinic very knowledgeable
and also very nice. Like myself, they will try to gain a broad knowledge of how
things have been going for you over the years, in an effort to understand you better.
Pt.: Good, do I call them or what?
Clin.: I’ll give you a card here (hands card to patient). This has their number on it, and
you can call later today for an appointment. This card also has our number on it, if
there are any other unexpected problems before your appointment. I think you
made a very good decision coming here today. I think they’ll be able to help you to
help yourself.
Pt.: Well, thank you. I actually feel a little better.
Clin.: Good, I have a feeling things are going to go well for you, and I really enjoyed
getting to talk with you today. Give us a call if there’s a problem.
Pt.: Thank you very much, I enjoyed talking with you too. (patient exits)
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106 Clinical interviewing: the principles behind the art
This is a nice example of a straightforward closing phase. The first thing to note is that
the closing phase takes time. To have this time available, the clinician must leave appro-
priate time for the closing to occur. One of the most frequent problems I see in supervi-
sion remains the over-extension of the main body of the interview, thus forcing the
clinician to rush through the closing phase.
A rushed closing can leave the patient feeling disjointed and uncertain as to what just
happened. To the contrary, during this phase, where engagement looms so critical for
securing a return visit or following up on our recommendations for referral, the clinician
should appear unhurried, concerned, and calm. There is a give-and-take element to the
closing phase. The clinician is truly interested in the patient’s opinions, and this respect
helps the patient to feel a sense of trust and control.
If one looks through this dialogue, most of the questions listed earlier as being per-
tinent to the closing phase were addressed. The clinician added a nice touch by asking
for comments about her own performance. I frequently ask this type of question for
several reasons. Sometimes patients provide very good constructive criticism. Second, the
metacommunication of the clinician to the patient is reassuring, for the clinician is
stating, “I care about how I come across to you and am aware that I sometimes make
mistakes and can improve as well.” This type of metacommunication can help the patient
to feel that he or she will be listened to and not just ordered about.
Before leaving the topic of the closing phase, two areas that are optional components
of the closing phase are worthy of note. The first area is of concern for psychiatrists, nurse
clinicians, and other potential prescribers who are frequently expected to recommend a
medication, if appropriate, at the end of the first session. Introducing a medication is a
fine art and it requires time, probably at least 5 to 7 minutes. Not infrequently, in order
to do it well, it will take longer. Consequently, the clinician must cut back on the body
of the interview by an appropriate amount of time or simply run overtime. I have cer-
tainly done both. Sometimes one has the option of introducing the medication at the
next session, which can provide a more leisurely approach that also may prove to be
more effective.
In any case, it is critical that the discussion of the possible use of medications be done
in a sensitive and engaging fashion, optimizing the patient’s knowledge, comfort, and
interest in the medication. It is unlikely that in the initial interview you will have time
to address all of the following topics. But, from following list you can pick and choose
several tips that will maximize your ability to collaboratively discuss the possible use of
medications and, if applicable, to help the patient match the best medication to his or
her unique needs:
a. Ask what his or her previous experiences with medications have been like.
b. Ask if he or she feels particularly sensitive to meds. If the patient states that this is a
concern, it is important to listen and convey that this concerns you too. Often such
a patient feels better if the physician, nurse clinician, or physician assistant subse-
quently starts off with a lower than normal dose. This is a powerful metacommunica-
tion that the clinician is listening to the patient carefully.
c. Ask if he or she has heard anything about the medication or knows someone who is
taking it. If a close friend has had horrible experiences, this might not be the smart
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The dynamic structure of the interview 107
There are many other considerations in this area, bridging into the topic of ongoing
efforts to increase patient understanding and interest in medications, which are beyond
the scope of this chapter but will be highlighted in Chapter 23 on the medication inter-
est model (MIM). However, the above principles provide a starting point.
The second area that sometimes becomes a component of the closing phase of the
initial interview is asking permission to contact corroborative informants such as signifi-
cant others and friends. This is one reason that the topic of confidentiality not infre-
quently re-emerges for discussion at this time of the interview. In most instances, I find
that this is not a problem. If the patient does have concerns about contacting significant
others, the wisest course is to explore these concerns in detail. By the way, sometimes
the concerns are good ones, and the patient is correct that the person should not be
contacted (e.g., the patient is stuck in an abusive relationship and the spouse/partner
may be abusive if he or she hears about therapy). Many times the patient’s main concerns
deal with future confidentiality. Once reassurances are made on this point, most patients
will feel comfortable with the contact.
If the patient still seems a little edgy, Morrison has a nice way of phrasing the reasons
for contacting a corroborative source:
What you’ve told me is confidential, and I’ll respect that confidence. You have that right.
But you also have a right to the best help I can give. For that I need to know more about
you. That’s why I’d like to talk with your wife. Of course, she’ll want to know what’s wrong
and what we plan to do about it. I think I should tell her, but I’ll only tell what you and
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108 Clinical interviewing: the principles behind the art
I have already agreed upon. I won’t tell her anything else we’ve discussed, unless you give
me permission in advance.29
CONCLUSION
In this chapter we have looked at the ever-changing, dynamic structure of the interview
with a sophisticated analytical approach. The use of these strategies and techniques may
seem awkward at first, but with practice they become a natural and integral part of the
clinician’s style. A new and more penetrating intuition emerges from the balance, poise,
and confidence that characterize an interviewer who understands, not only patients, but
the interview process itself. Moreover, patients sense this internal balance and are
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The dynamic structure of the interview 109
Remember this: One can be a strict logician or grammarian, and at the same time full
of imagination and music. One can be a musician or Glass Bead Player and at the same
time wholly devoted to rule and order. The kind of person we aim to produce, would at
any time be able to exchange his discipline or art for any other. He would infuse the Glass
Bead Game with crystalline logic, and grammar with creative imagination. That is how
we ought to be. We should be so constituted that we can at any time be placed in a dif-
ferent position without offering resistance or losing our heads.30
And so it is with interviewing: flexibility and creativity are born from understanding and
discipline.
REFERENCES
1. Schneider MS. A beginner’s guide to constructing the universe: the mathematical archetypes of nature and science. New
York, NY: HarperCollins Publishers; 1994. p. 288.
2. Storr A. The art of psychotherapy. New York, NY: Methuen; 1980. p. 9.
3. Sommers-Flanagan R, Sommers-Flanagan J. Clinical interviewing. 5th ed. New York, NY: John Wiley & Sons, Inc.;
2013. p. 180–2.
4. Lazare A. Outpatient psychiatry diagnosis and treatment. Baltimore, MD: Williams & Wilkins; 1979.
5. Morrison J. The first interview: a guide for clinicians. New York, NY: Guilford Press; 1993. p. 176.
6. Campbell AA. Two problems in the use of the open question. J Abnorm Soc Psychol 1945;40:340–3.
7. Converse JM. Strong arguments and weak evidence: the open/closed questioning controversy of the 1940s. Public
Opin Q 1984;48:267–82.
8. Dohrenwend BS. Some effects of open and closed questions on respondents’ answers. Hum Organ 1965;24:175–84.
9. Elliott R, Hill CE, Stiles WB, et al. Primary therapist response modes: comparison of six rating systems. J Consult
Clin Psychol 1987;55(2):212–23.
10. Friedlander ML. Counseling discourse as a speech event: revision and extension of the Hill counselor verbal
response category system. J Couns Psychol 1982;29:425–9.
11. Hill CE. Development of a counselor verbal response category system. J Couns Psychol 1978;25:461–8.
12. Lazarsfeld PF. The controversy over detailed interviews – an offer for negotiation. Public Opin Q 1944;8:38–60.
13. Marquis KH, Marshall J, Oskamp S. Testimony validity as a function of question form, atmosphere, and item
difficulty. J Appl Soc Psychol 1972;2:167–86.
14. Metzner H, Mann F. A limited comparison, of two methods of data collection: the fixed alternative questionnaire
and the open-ended interview. Am Sociol Rev 1952;17:486–91.
15. Naik RD. Responses to open and closed questions: an analysis. Indian J Soc Work 1984;44:347–351.
16. Rockers DM. The effects of open and closed inquiry modes used by counselors and physicians in an initial interview on
interviewee perceptions and self-disclosure. Ph.D. dissertation, 1976.
17. Rugg D, Cantril H. The wording of questions. J Abnorm Soc Psychol 1942;37:469–95.
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110 Clinical interviewing: the principles behind the art
18. Schuman H. The random probe: a technique for evaluating the validity of closed questions. Am Sociol Rev
1966;21:218–22.
19. Schuman H, Presser S. The open and closed question. Am Sociol Rev 1979;44:692–712.
20. Singleman CK. Evaluating alternative techniques of questioning mentally retarded persons. Am J Ment Defic
1982;86:511–18.
21. Sigelman CK, Schoenrock CJ, Spanhel CL, et al. Surveying mentally retarded persons: responsiveness and response
validity in three samples. Am J Ment Defic 1980;84:479–86.
22. Shea SC. Psychiatric interviewing: the art of understanding. 1st ed. Philadelphia, PA: W.B. Saunders; 1988. p. 77–9.
23. Shea SC. 1988. p. 80.
24. Shea SC. 1988. p. 80.
25. Shea SC. 1988. p. 80–1.
26. Benjamin A. The helping interview. 2nd ed. Boston, MA: Houghton Mifflin Company; 1974.
27. Chung-liang Huang A. Embrace tiger, return to mountain – the essence of t’ai chi. Moab, UT: Real People Press; 1973.
p. 179.
28. Sullivan HS. The psychiatric interview. New York, NY: W.W. Norton; 1970. p. 219.
29. Morrison J. 1993. p. 166.
30. Hesse H. The glass bead game. New York, NY: Holt, Rinehart and Winston; 1970. p. 68.
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CHAPTER 4
Facilics: The Art of Transforming
Interviews into Conversations
It was said that Wang Hsia’s brush sometimes waves and sometimes sweeps. The color of
his ink is sometimes light and sometimes dark. Following the splotches of the ink he shapes
them into mountains, rocks, clouds, and water. His action is so swift as if it were from
Heaven. Spontaneously, his hand responds and his mind follows. All at once clouds and
mists are completed; wind and rain are painted. Yet, when one looks carefully, one cannot
find any marks of demarcation in the ink.
Chung-yuan Chang, discussing Wang Hsia, Chinese master painter
Creativity and Taoism: A Study of Chinese Philosophy, Art & Poetry1
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114 Clinical interviewing: the principles behind the art
flow emerges. The two participants appear to move with one another. Common hall-
marks of a flowing conversation appear, such as humor and natural body posturing, as
the two become “engaged” in conversation.
The engagement process, spontaneously developed during natural conversation, holds
within itself some pertinent clues as to how we might create a similar naturalistic flow
to a clinical interview itself. Consequently, we will begin our study of the microstructure
of the clinical interview by examining the processes involved in an everyday conversation
as it might unfold in a local café teeming with people, tablets, and smart phones. It is
here, with the sounds of alternative rock and animated chatter bouncing off the walls,
that we may stumble upon some unexpected secrets.
To begin with, if one observes two café habitués chatting over some coffee and cheese-
cake, one will quickly notice – if one possesses a habit of eavesdropping – that their
conversation is not simply a potpourri of unrelated statements. Quite to the contrary,
such conversation usually possesses a gentle structure, determined, albeit unconsciously,
by its participants. In general, one friend brings up a topic, which both friends animatedly
expand. Often the second member of the conversation will ask questions in an effort to
more thoroughly understand the first, while also showing an appropriate increase in
interest.
Once the topic has been discussed, one of the friends will move the conversation to
a new topic. This transition is often prompted by something that has already been dis-
cussed. Frequently the new topic is triggered directly by a preceding statement. And so
the conversation between the friends moves, swelling and ebbing, as more or less inter-
esting topics arise. The basic structure of the conversation consists of succeeding topics
connected by transitions.
A smoothly flowing interview possesses many of these same structural elements. One
of the keys to generating a natural flow of speech during the body of the interview con-
sists of learning to move gracefully from one topic to another while taking cues from the
interviewee’s statements. The interviewer is aware of which topics are most pertinent for
the type of interview being undertaken (initial intake in a community mental health
clinic, university counseling center, private practice office, inpatient unit, emergency
room, telephone crisis center) and can gently guide the conversation to these topics.
Once within a desired topic, the interviewer takes advantage of the natural conversational
mode in order to fully expand that topic. When done well, the interviewer has structured
the interview imperceptibly. The clinician establishes a powerful engagement with the
interviewee while efficiently gathering a strategic database for collaborative treatment
planning.
This ability to structure patients naturally while uncovering a dauntingly large data-
base is one of the most, if not the most, difficult set of skills for clinicians to acquire. As
mentioned in Chapter 3, part of the difficulty is the simple fact that the skills needed to
sensitively gather a large database in a constricted time limit is simply not a skill set used
in everyday life. It is a novel skill set that must be learned.
We have already seen how a carefully delineated supervision language, such as the
DOC, can help a trainee to rapidly learn complex interviewing skill sets such as opening
up a shut-down interview or effectively structuring a wandering interview. The question
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Facilics: the art of transforming interviews into conversations 115
is, can we develop a supervision language that can effectively help a trainee to learn how
to sensitively structure an initial interview? In addition, a clear and concise supervision
language could provide a gateway for self-supervision for the remainder of a clinician’s
career, for once a clinician possesses a behaviorally concrete and unambiguous language
for tagging interviewing patterns and techniques, each interview becomes a potential new
learning experience.
In this regard, I certainly hope that I will be learning something new during my very
last clinical interview. I am reminded of the wise words of the great internist Sir William
Osler, “The hardest conviction to get into the mind of a beginner is that the education
upon which he is engaged is not a college course, not a medical course, but a life course,
for which the work of a few years is but a preparation.”2 Our goal is to create such a
system for our ongoing self-development in the art of transforming interviews into
healing conversations.
Of course, the reason that, historically, trainees had to “wing it” through the complexi-
ties of sensitively structuring the body of the interview was that a simplifying supervision
language, as described above, did not exist for approaching this task until the first edition
of this book. Supervision languages existed for talking about a variety of interviewing
skills, such as recognizing defense mechanisms and the use of specific types of clinician
responses (e.g., open-ended questions and empathic statements), but no language had
been developed to understand and describe how interviewers structure and shape inter-
views as they gather data.
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116 Clinical interviewing: the principles behind the art
gathering a powerful database in a short amount of time will appear a good deal less
daunting.
Content Regions
As with an everyday conversation, an interview tends to revolve around discrete topics.
A “content region” is any area of an interview in which the primary focus of the
interviewer is the delineation of a specific database. As one would expect, during the
exploration of content regions the interviewer continues to carefully attend to patient
engagement.
As we saw in the last chapter, in an initial interview ten or more broad regions are
often focused upon in no set sequence. In order to explore these regions effectively, one
must become familiar with their intricacies. (Some broad regions are composed of
smaller specific content regions. Thus the broad DSM-5 region of substance use disorders
is actually composed of numerous smaller content regions such as cocaine use, opiate
use, marijuana use, etc. And the broad content region of social history is composed of
smaller content regions such as living conditions, employment history, domestic violence
history, etc.) In later sections of this book we will look at methods for sensitively explor-
ing these more specific content regions in detail. At present, it is only important to
emphasize that most topics of discussion can be categorized within one of the following
broad regions. In order to ensure a common, initial understanding of these critical
content regions, let us review them in a little more detail than we did in Chapter 3:
1. History of the presenting problem and/or stresses: This region examines the presenting
situational and psychological problems of the patient. Often this content region is
spontaneously shared by the patient during the opening phase of the interview and
is not part of the body of the interview.
2. Interviewee’s perspective: Most of this material will also be uncovered in the opening,
but nuances will usually appear in the body as well. It generally includes an attempt
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Facilics: the art of transforming interviews into conversations 117
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118 Clinical interviewing: the principles behind the art
One may also uncover evidence that the patient is facing cultural biases and/or
bigotry related to any number of characteristics including race, ethnic group, reli-
gion, sexual orientation, gender identification, presence of a mental illness/physical
disability, body habitus, etc. (see Chapter 20 on culturally adaptive interviewing).
6. Framework for meaning and spirituality: The patient’s unique worldview will be
explored in this region, with a keen sensitivity to issues of cultural diversity and
spirituality (aspects of this topic will be explored as they arise spontaneously in
other content regions as well throughout the interview).
7. Family history: This region includes an exploration of psychiatric illnesses in the
patient’s blood-related family. It commonly includes a survey of entities such as
schizophrenia, mood disorders, anxiety disorders, suicide, excessive alcohol or drug
use, developmental delays, and seizure disorders.
8. Uncovering of suicidal/homicidal ideation, planning, behavior, and intent: This lethality
region requires a careful and sensitive expansion by the interviewer and should never
be omitted. It will be documented as part of the mental status, although it is actu-
ally always woven gracefully into the flow of the interview itself.
9. Past psychiatric history and treatment: This region explores previous mental health
problems, as well as previous interventions, such as forms of treatment (e.g., psy-
chotherapy, counseling, medication, hospitalizations).
10. Developmental and psychogenetic history: This region traces the development of the
individual from birth onwards, and it can selectively include a variety of topics
(depending upon the proclivities of the clinician and time constraints) such as birth
trauma, developmental milestones, toilet training, schooling, and early relation-
ships as viewed through frameworks such as psychodynamic and/or cognitive per-
spectives. If time constraints do not allow an exploration of this region in the initial
interview, clinicians often opt to explore this region in subsequent sessions.
11. Medical history: This region includes past and present illnesses as well as a medical
review of systems. Current medications and allergies are delineated here. In addition,
current physicians, nurse clinicians, physician assistants, and other health care
providers/alternative healers are also elicited in this region.
12. Cognitive mental status: This region is reserved for a specialized cognitive mental
status, in which a clinician examines processes such as orientation, attention span,
memory functions, reasoning, and general intellect. It forms a discrete facilic region
that is easily identifiable during an interview. It is not always performed in an initial
interview in a formal fashion, but it becomes a major point of focus when the clini-
cian is suspicious that the patient is suffering from a delirium, dementia, or other
impairment of cognitive and intellectual functioning such as might occur in schizo-
phrenia or adult attention-deficit disorder (see Chapter 16 where a thorough cogni-
tive examination is illustrated in Video Module 16.2).
This brief survey illustrates that, despite the immensity of an initial database, the contents
tend to fall into relatively discrete regions. Some of these regions may overlap. In general,
however, a given section of an interview tends to focus on a single region, much as a
conversation tends to focus on a single topic at a time.
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Facilics: the art of transforming interviews into conversations 119
Process Regions
In a typical process region the interviewer is less interested in focusing on content and
the gathering of a specific database than on the process of the interview itself – what is
happening between the clinician and the patient or in the patient’s head as the interview
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120 Clinical interviewing: the principles behind the art
is proceeding. (Note that there are also atypical process regions, where once again the
focus is not on data gathering per se, but on a specific interviewer task, such as providing
psychoeducation or a specific therapeutic activity such as crisis intervention.) Let us take
a look at the three most common “process” regions.
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Facilics: the art of transforming interviews into conversations 121
Pt.: Like our kids for God’s sake. We have two really wonderful kids. They mean the
world to me.
Clin.: Tell me about them.
Pt.: They are the best. They are so special. They … (patient proceeds to talk about his
children in great detail)
A free facilitation region is generally used to improve engagement. It also often helps to
lower the defenses of the interviewee so that his or her major concerns will surface. In
some instances it can even be utilized to foster the uncovering of subtle psychotic process,
for it tends to bring to the surface whatever is lying just below the surface, as will be
described in Chapter 11.
2. Transformational Regions
In a transformational region, the interviewer actively attempts to decrease a specific
roadblock to communication stemming from unconscious defense mechanisms or con-
scious feelings of anger or defensiveness in the patient. In previous editions of this book,
these were referred to as “resistance regions,” but the term “resistance” seems to miss the
point that these regions of disagreement are invitations to transforming the relationship
in a positive fashion, if handled well.
They are areas rich in information for understanding what makes the patient tick if
approached as an area of collaborative discovery by the interviewer instead of an example
of patient opposition. Such potential points of disengagement – whether they are
expressed by overt patient anger or by aggressive questions asked of the interviewer by
the patient – may arise from any number of factors including the interviewee’s fears,
expectations, or other ramifications of the self-system. Without a resolution of these
concerns, the validity of subsequent data and the power of the therapeutic alliance may
be greatly reduced. In any case, the defining characteristic remains that in a transforma-
tional region, the interviewer consciously is attempting to resolve a communication
roadblock as opposed to gathering information as would be seen in a content region.
In the following dialogue, we see an interviewer deftly navigating a potential point of
disengagement arising around the clinician’s age, for he is 40 years younger than the
patient. Clearly the interviewer is focusing upon addressing the patient’s hesitancies, not
upon gathering a specific database:
Pt.: My boss was really into my work and thinks I may be a little … you know … I
don’t really think I ought to go on. Do you have a supervisor around?
Clin.: You seem concerned about something …
Pt.: Well, I’d just feel a little better if I were talking to someone a little older.
Clin.: What are some of the ways in which you think an older clinician might be better
able to do to help you than a younger clinician? (note the lack of defensiveness by
the clinician)
Pt.: He’d understand what I’ve gone through better, that’s for damn sure. He’d have a
lot more experiences like I have had, seen a lot more of life.
Clin.: You know, Mr. Greyson, I wouldn’t argue with that for a second. It’s true I am
younger than you, and, consequently, I haven’t experienced the same things. It’s an
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122 Clinical interviewing: the principles behind the art
undeniable fact and an important point that you make. I guess what I’m hoping to
be able to do is to help us both gain an understanding, that is as clear as possible,
of exactly what you’re experiencing and what solutions might be available. My one
advantage is that I’ve worked with many people your age, and they have taught me
a lot about the clever ways they have found for dealing with some of the problems
you are describing. In essence, they have shared their years of experience with me,
just like you’ve been doing, and they have taught me a lot, just like you’re doing.
Maybe some of their experiences, not mine, are what might be useful to you. Does
that make any sense?
Pt.: I guess so. (said a bit reluctantly, but softened in tone)
Clin.: I’m sort of hoping that you might give me a chance to share some of their ideas,
and see how they match up with your own, because you’re right, experience does
count. I think we could be a good team that way – at least I hope so. (patient nods
head in mild agreement) If, by the end of our session today, you still feel
uncomfortable, we can talk about perhaps switching to an older clinician, that’s not
a problem at all. I hope you can give me a chance first though, because I have the
feeling that together, we might be able to turn this thing around for you. Is that
okay with you? To just see how the rest of the session goes?
Pt.: Yeah, I guess so. (said with a gentle agreement)
Clin.: You could help me by telling me a little more about how people have been
pressuring you about your age.
Pt.: It all started with my wife. She left me about 3 years ago, and you guessed it, for a
younger man …
Pt.: My father always kept a stranglehold on me. He wanted to know my every move.
God pity the boy who wanted to take me out. It was like a Gestapo interview for
the guy.
Clin.: What kind of impact do you think your father’s behavior has had on you?
Pt.: He’s made me scared. I’m afraid of him, and who knows, maybe I keep my
distance from him because of it … Sort of strange though, ‘cause when I was
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Facilics: the art of transforming interviews into conversations 123
a kid I always wanted to be around him. I even would wait for him when he was
at work.
Clin.: Go on.
Pt.: Oh, it’s sort of silly, but I wondered if he had a toy or something for me … I
remember a small doll he brought home once, with big black eyes. Just a little doll,
but important to me.
Clin.: And?
Pt.: Not too much more to say, except that it’s sort of sad the way things have turned
out between us.
Clin.: What are you feeling as you talk about your father right now? (patient wells up
with tears)
Here, content is clearly taking a second place to process. The interviewee’s responses
suggest a willingness and a certain degree of proficiency at self-exploration. This type of
region can occur anywhere in an interview, often appearing frequently between content
regions.
Thus far, three types of process regions have been illustrated: (1) the free facilitation
region, (2) the transformational region, and (3) the psychodynamic region. As men-
tioned earlier, other types of process regions exist, including process regions focusing on
interviewee ventilation of emotions, psychoeducation, crisis intervention, or phenome-
nological regions of questioning. These additional process regions often provide windows
through which a better understanding of the patient gradually emerges.
Equipped with a facility to move freely among both content regions and process
regions, the clinician possesses a powerful flexibility with which to approach any given
interviewing task. It is not a matter of learning to interview only in a fairly structured
fashion (emphasizing content) or learning to interview in a nondirective style (empha-
sizing process regions). One needs to master both styles, often delicately interweaving
them into a conversational tapestry.
There does not exist a single “correct style” of interweaving these regions or of sequenc-
ing them. Instead, one finds styles of exploring such regions and creates unique
sequences for each interview of ordering them that may be more or less useful for any
given clinical situation or the needs or personality quirks of a specific patient. Too fre-
quently, students learn only one approach, while building an unfounded bias that other
styles of interviewing are inferior. No surer method of handicapping one’s clinical flex-
ibility can be found.
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124 Clinical interviewing: the principles behind the art
which merge so wonderfully into an interpersonal dance of sorts. In this arabesque, the
clinician introduces himself or herself while both parties “scout-out” who this stranger
is and what are they about, hence the name of the region.
Both process and content are pivotal players in a well-executed scouting region. There
is a premium on free facilitation regions here as the opening phase unfolds, for the
patient is essentially allowed to wander wherever the patient wants to wander, through
the use of many open-ended questions and gentle commands, with a few empathic state-
ments sprinkled into the mixture. On the other hand, as much as the scouting region
emphasizes the use of process, invariably much valuable content-oriented information
will be forthcoming, with patients often spontaneously sharing critical aspects of their
histories early in the interview. Thus, the scouting region (the combination of the intro-
duction and the opening phases) is a unique type of facilic region: It is both a process
region and a content region at once, with an emphasis on attending to the engagement
process, while noting whatever pertinent data spontaneously arises.
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Facilics: the art of transforming interviews into conversations 125
for both participants. But many times, a patient with a normal verbal output, who could
be easily directed, meets an interviewer with poor focusing abilities. Even in this case,
the interview may become quite unproductive, because the patient does not know which
information is most needed in order to maximize treatment planning. The resultant
hodgepodge of dialogue can best be called an “unguided interview.”
One may wonder why unguided interviews are so common. The answer is relatively
simple and hinges upon the concept called “tracking.” Tracking refers to a clinician’s
ability to sensitively follow up the statements of a patient with questions pertinent to
the area discussed. At a more sophisticated level, good tracking also requires the ability
to follow up with questions pertinent to the patient’s immediate emotional state. This
ability to track well is one of the main attributes of a good listener. Indeed, the ability
to track well is a prerequisite to becoming a good interviewer.
And here lies the catch – good tracking must be accompanied by an equally good
ability to focus the patient sensitively. Many mental health trainees have developed good
techniques for tracking through the process of attentively listening to family and friends.
However, few have learned from their previous life experiences equally effective methods
of focusing. Fortunately, this crucial ability to focus sensitively can be learned.
Generally speaking, in the body of the interview, once within a content region, it is
frequently best to expand that region relatively fully (usually to completion), because
the patient will generally find such expansions to feel natural, for the topics of discussion
are essentially related. If the patient spontaneously spins off at a tangent into unrelated
topics, it is often best not to track with the patient into the unrelated topic. If one leaves
a specific content region prematurely (before garnering the information needed to help
the patient), one will have to return to that region (in order to gather the missing infor-
mation) in the same interview, sometimes several times. Obviously, if the interviewer
makes a habit of approaching most content regions in this haphazard manner, it becomes
very difficult to monitor what information has been adequately gathered. Consequently,
mistakes of omission occur more frequently.
This haphazard approach also tends to indirectly interfere with engagement and the
understanding of the person. The amount of thought and concentration required to
remember what has been missed and what still needs to be gathered becomes a signifi-
cant cognitive burden to the interviewer. This unnecessary burden, which often creates
anxiety in the interviewer as he or she becomes progressively aware that valuable infor-
mation is not being addressed and that time is running out, takes away from the con-
scious attention on engagement and understanding the human being that has sought
help. In addition, such a disorganized gathering of information makes the subsequent
creation of the finalized electronic health record, typed after the interview is completed,
remarkably more difficult and time consuming.
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126 Clinical interviewing: the principles behind the art
scouting region, the clinician should formulate a tentative plan for structuring the inter-
view, utilizing the data gained from PACE (see Chapter 3). From this analysis, an initial
content or process region will be chosen as an entrance into the main body of the inter-
view. Frequently, the patient’s own spontaneous discussion will have naturally led into
a specific content region, such as the history of the presenting problem and/or a diag-
nostic area, such as the depression region. If so, the clinician should expand this region
fully and then proceed to the next pertinent region as desired. Wandering patients are
gently refocused if they prematurely leave regions.
To the degree that the clinician determines which content regions are pertinent for a
particular patient in a particular clinical situation, subsequent regions are successfully
entered and expanded as the main body of the interview unfolds. By the end of the first
15 minutes, interviewers will usually have completed the scouting region as well as two
to three content expansions, often having gained a surprisingly good idea of the patient’s
main problems. In the next 15 minutes (the second quarter of the interview), the clini-
cian continues to choose specific content regions and expands them completely in a
sensitive fashion, making sure to always attend to the engagement process by effectively
employing the techniques described in our first three chapters. Naturally, as deemed
necessary, the clinician may pepper the content expansions with process areas such as
psychodynamic regions or free facilitation regions. Slowly the patient’s story emerges,
and with it an increasing sense of understanding. By 30 minutes, it is impressive how
much important information an interviewer, who is intentionally structuring an inter-
view, will have garnered.
If structuring has gone well, the third 15 minutes can be utilized for expanding content
regions deemed more important than originally expected, as well as for gathering data
from the remaining content regions felt to be pertinent for treatment planning and triage.
It is in this third 15 minutes that regions such as family history, medical history, social
history, and the cognitive mental status (if indicated) are often explored.
During the last 7, or so, minutes, regional explorations might continue, and new
questions, generated by the unfolding information, may be asked. But, truth be told,
time is tight here and most of the last 5 to 10 minutes is generally not utilized for further
data gathering. Instead, the clinician focuses on the important tasks described in the
previous chapter that are necessary for a successful closing and termination.
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Facilics: the art of transforming interviews into conversations 127
Fortunately, the fix is pretty simple, but requires some not-so-easy cognitive discipline
by the interviewer. In short, get into the habit of always checking out in your mind
when the first 5 minutes of your interview have unfolded. At that point, ask yourself,
what have I learned from the PACE, and intentionally decide how you are going to make
a graceful transition into the body of the interview. If engagement is weak, one can
intentionally address it and, if necessary, consciously lengthen the scouting region as
needed to ensure engagement. Using the engagement skills delineated in our opening
chapters, I think you will find that, with time, you will seldom need to lengthen the
scouting region past the typical 7, or so, minutes. Develop the habit, right from the begin-
ning of your interviewing career, to note the passing of the first 5 minutes and your scouting
regions will seldom run over-time. Your patients will reap the benefits of being both
better understood and leaving your office with more effective treatment plans for reliev-
ing their pain.
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128 Clinical interviewing: the principles behind the art
This vicious cycle of disengagement can be eliminated if, during the second 15
minutes, the interviewer continues to effectively structure (consistently finishing content
regions and effectively re-focusing patients who are wandering), so that by the 30-minute
mark, the eight to ten content regions that seem most pertinent to a particular patient
have been nicely covered. Once again, it is a matter of developing a sense of time aware-
ness and discipline.
But no matter who we are, and I certainly include myself here, it is easy to slip into
the creation of a dead zone, because it is enjoyable to keep talking about “interesting
stuff” (some of which might be very useful to explore in subsequent psychotherapy but
is not particularly useful during the initial intake). Thus, most of us will occasionally
find ourselves at 30 minutes at a problematic point. Here is where we can avoid com-
pounding our first error with the second one.
If at 30 minutes one finds the interview to be far behind schedule, simply re-group.
Don’t try to gather everything you would normally want to gather. Instead, look at what
is left, consciously decide what you think is most important, and proceed to gather that
information effectively (perhaps a suicide assessment has not been done, a substance
abuse history, or an exploration of pivotal social history as with incest). Explore this
material in an engaging and normal pace. Purposely delete an exploration of the material
that is less critical for an initial assessment (for instance, you may decide to completely
drop the family history, unless you need it to help determine an appropriate medication)
and intentionally shorten other content regions. Less important material can be explored
in future sessions or by future clinicians if you are functioning as a triage agent. When
such a gradual approach is utilized, rigid focusing is seldom required, and the pace of
the interview seems appropriately unrushed to the patient.
Remember, it is okay to miss data. In fact, it is not feasible to perfectly collect all of
the data we listed under our ten categories in most interviews. As I mentioned earlier, I
don’t think I ever have! On the other hand, using the principles, strategies, and tech-
niques of this chapter, it is possible to minimize errors of omission while achieving
surprisingly comprehensive databases for creating effective treatment plans.
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Facilics: the art of transforming interviews into conversations 129
Thus far, we have focused on the general strategy needed to determine and monitor the
regions of dialogue encountered in an interview. Next we will examine the actual process
of exploring a given region once it has been entered.
Pt.: The pressures at home have really reached a crisis point. I’m not certain where it
will all lead; I only know I’m feeling the heat.
Clin.: What’s your appetite like?
Pt.: I guess it’s okay …
Clin.: What’s your sleep like?
Pt.: Not too good. I have a hard time falling asleep. My days are such a blur. I never feel
balanced, even when I try to fall asleep. I can’t concentrate enough to even read.
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130 Clinical interviewing: the principles behind the art
This particular interviewer seems doggedly intent on expanding the depression region,
specifically the neurovegetative symptoms of depression. This style of expansion exhibits
a mechanical quality, as if the interviewer has a list of questions to reel off. Such rigidity
characterizes stilted expansions.
As a study in contrasts, in a “blended expansion” the interviewer once again focuses
on a specific content region. However, in this expansion the interviewer attempts to blend
the questions into the natural flow of the dialogue. Rather than feeling like they are
“being interviewed,” this type of expansion creates in interviewees a sense of gentle flow,
which tends to foster a conversational feel. Moreover, this type of interviewing, by
decreasing the anxiety of the patient, may enhance both the quantity and validity of the
database as well. Earlier in the book we saw an excellent example of a blended expansion
unfolding – when exploring depressive symptoms – illustrated in Video Module 2.1 from
Chapter 2.
In the following illustration, a blended expansion unfolds, with the clinician once
again exploring the diagnostic region of depression:
Pt.: The pressures at home have really reached a crisis point. I’m not certain where it
will all lead; I only know I’m feeling the heat.
Clin.: Sounds like you’ve been going through a lot. (empathic statement) How has it
affected the way you feel in general?
Pt.: I’m depressed. I always feel drained. I’m always tired. Life seems like one giant chore.
Clin.: What are some of your everyday things that now seem like chores?
Pt.: Everything! (smiles weakly) Literally, just about everything, even checking my
Facebook page. I love Facebook. I’ve got a zillion friends. I used to check for
messages a couple of times a day, and I was always posting something or other. But
I just don’t care anymore. It just seems like another chore. It’s so strange. Everything
that was normal in my life is screwed up now.
Clin.: That sounds tough. (empathic statement) What about your sleep? Has that been
affected too?
Pt.: Absolutely. Perhaps that’s the reason I’m drained. I just can’t rest. My sleep is horrible.
Clin.: Tell me about it. (gentle command)
Pt.: I can’t fall asleep. It takes several hours just to get to sleep. I’m wired. I’m wired even in
the day. And I’m so agitated I can’t concentrate, even enough to read to put me to sleep.
Clin.: That sounds pretty bad. (another empathic statement, said gently) Once you’re
asleep, are you able to stay asleep?
Pt.: Never, I bet I wake up four or five times a night. And about 5:00 A.M. I’m awake, as
if someone slapped me.
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Facilics: the art of transforming interviews into conversations 131
In the above dialogue the same region was expanded as in our first illustration (DSM-5
depressive episode), but this time the questioning appeared to flow naturally, generating
an increasing flow of information. The interviewer’s questions seemed to relate directly
to what the interviewee was saying, thus creating a sense that the interviewer was “with”
the interviewee. A nice example of good tracking.
This example also illustrates an important point. While expanding content regions, one
continuously attends to the engagement process. For instance, early in the above selection
the interviewer sensitively utilized a gentle empathic statement, “Sounds like you’ve been
going through a lot.” Further empathic statements followed in a timely fashion. And later,
open-ended techniques were used, such as the gentle command, “Tell me about it,” and
the open-ended question, “How do you mean?” The interviewer thus metacommunicated
an interest in how the patient phenomenologically experienced the symptom, not just
that the patient had the symptom. Such a consistent and effective use of engagement
techniques coalesces to create a feeling in patients that the interviewer is moving with
them in a relatively unstructured fashion, while, in actuality, the clinician is gently struc-
turing the interview, harvesting an ever-more meaningful field of information.
A further point to consider concerning the expansion of regions is the usefulness of
brief excursions out of a region. For instance, while expanding the anxiety disorder
region, the patient may mention the use of Valium (diazepam). At this point, the clini-
cian may choose to expand the medication history briefly, after which he or she can
return to the anxiety disorder region to complete its expansion. Such short excursions
offer yet another flexible option for the clinician. Humor can also be utilized to further
the natural feeling of the interview.
The clinician may also choose to utilize split expansions, with a single region expanded
at several different locations during the interview. Although useful, these split expansions
can lead to serious omissions if the clinician does not keep track of what information
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132 Clinical interviewing: the principles behind the art
has been gathered. But on a limited basis, split expansions further increase the inter-
viewer’s adaptability.
The over-riding point remains the clinician’s need to develop an active and conscious
awareness of the data flow within a content region while simultaneously creating the
sensation of the natural flow of conversation. Perhaps a few facilic principles warrant
review at this point:
1. An effort should be made to achieve blended expansions as opposed to stilted expan-
sions; such blended expansions move with the patient.
2. As long as one remembers to monitor the completeness of his or her database, then
techniques such as split expansions and brief excursions can be useful, but need to
be used judiciously.
3. Always attend to engagement during the expansion of content regions, both on a
verbal and nonverbal level.
Before ending our discussion of the various methods of expanding regions, one more
point warrants attention. Although stilted expansions generally tend to disengage patients,
some patients may, ironically, prefer them. By way of illustration, this peculiar preference
may surface in the case of a patient suffering from hypochondriacal concerns, associated
with the belief that, “Nothing is wrong with my head.” Some of these patients may actu-
ally prefer the checklist flavor of a stilted expansion because it parallels the feeling gener-
ated by a medical review of systems as performed by his or her family practitioner. Hence,
the patient feels more at home with an interaction more redolent of a medical examina-
tion than of a psychiatric assessment. Once again, the art consists of adapting one’s style
to the needs of the patient.
At this time, we can move to the third and last major concern of facilics, the transi-
tions utilized between regions. The ability to master these transitions will determine the
clinician’s ultimate ability to create a smoothly flowing dialogue.
Part III: Facilic Gating – The Fine Art of Making Graceful Transitions
Gates: The Pathways of Conversational Flow
As a conversation or an interview passes from one topic to another, different types of
transitions occur. We will refer to the actual statements or questions joining two regions
as “gates.” Although there exist numerous types of gates, five major forms are most
common: (1) the spontaneous gate, (2) the natural gate, (3) the referred gate, (4) the
implied gate, and (5) the phantom gate. An understanding of the use of these gates pro-
vides interviewers with a simple but elegant method of gracefully maneuvering an
interview.
Spontaneous Gates
The spontaneous gate, as its name suggests, unfolds without any effort by the interviewer.
Instead, the transition results from a change in topic unilaterally initiated by the inter-
viewee. These gates occur when the patient spontaneously moves into a new region
(called a “pivot point”) and the clinician proceeds to ask a follow-up question in this
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Facilics: the art of transforming interviews into conversations 133
new region. The patient does the shifting here. The clinician merely follows, sometimes
using phrases as simple as “Tell me more about that,” or “How do you mean?” In the
following example, a spontaneous gate provides an essentially unnoticeable movement
from the expansion of depressive symptoms into a new region:
Pt.:The past 2 months have been so horrible. I think it’s the worst time of my life. I
just can’t get away from the feeling.
Clin.: Which feelings are you referring to?
Pt.: The sadness; the heaviness.
Clin.: What else have you noticed when you’re feeling sad and heavy?
Pt.: Nothing seems worth doing. It’s late November and my yard is covered with leaves.
Usually they’d all be gone into neat little piles, like a little farm, but not now …
Clin.: Besides not having energy for chores, do you find you can still enjoy your bridge
club or other hobbies?
Pt.: Not really. Things seem so bland. I haven’t even gone to bridge club for several
months. It is all so different from before. In fact, there were times in the past when
I could barely keep still, I was so active. I was a human dynamo. (pivot point)
*Clin.: How do you mean?
Pt.: Oh, I used to be incredibly active, into bridge, tennis, golf, and everything. It was
hard to find anyone who could keep up with me.
Clin.: Did you ever move too fast?
Pt.: In what sense?
Clin.: Oh, sometimes one can get so energized that it gets difficult to get things done.
Pt.: Actually, there were a couple of odd times when people kept telling me to “slow
down, slow down.”
Clin.: Tell me a little about one of those times.
Pt.: About a year ago I got so wound up I hardly slept for almost a week. I’d stay up
most of the night cleaning the house, washing the car, and writing furiously. I
didn’t seem to need sleep.
Clin.: Did you notice if your thoughts seemed speeded up then?
Pt.: Speeded up. I was flying. Everything seemed crystal clear and moved like lightning.
It was strange …
In this example, two topics are being discussed sequentially. In the first content region,
the interviewee’s symptoms of depression are being explored. In the course of this explo-
ration, the interviewee unilaterally brings up a statement that suggests a different diag-
nostic region (one dealing with mania). The pivot point into a new content region was,
“In fact, there were times in the past when I could barely keep still, I was so active. I was
a human dynamo.”
The interviewer then followed this movement into a region exploring manic symp-
toms by simply asking, “How do you mean?” (indicated by an asterisk). Once within the
diagnostic region of mania, a blended expansion of mania was begun. This movement
into a new topic was practically imperceptible.
Spontaneous gates create movement that seems unblemished by effort or apparent
structuring. In this sense, a skilled interviewer will frequently make use of such gates
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134 Clinical interviewing: the principles behind the art
whenever transitions into new regions are desirable. But herein lies a potential pitfall
mentioned earlier: It is frequently not desirable to leave a region before it is fully
expanded. One does not and should not follow every pivot point with a spontaneous
gate into a new region.
Indeed, the concept of spontaneous gates and pivot points provides us with a new
way of conceptualizing both the wandering interview and the unguided interview. These
interviews occur when pivot points are followed by the clinician whenever they appear,
resulting in a consistent pattern of incomplete expansions and a subsequently weak
database.
Pivot points represent critical moments in which the interviewer can consciously
decide whether to stay within an expansion or move with the patient into a new one. If
they want to move (the current region is essentially finished), the interviewer simply
employs a spontaneous gate to enter the new region with the interviewee. If the current
expansion is incomplete, nine times out of ten the clinician will gently pull the patient
back into the current topic and fully complete its expansion.
Any clinician who can gain conscious awareness of such pivot points will gain con-
siderable control over the flow of questioning, clipping the wings of an unguided or
wandering interview before it can even take flight. In this light, I believe that the ability
to immediately recognize pivot points, as they occur, is arguably the single greatest secret
to effectively structuring interviews.
As alluded to earlier, although relatively rare in the body of the interview, a clinician
may decide it is wise to move with a pivot point by making a spontaneous gate, even in
the middle of an incomplete expansion. Such times include the following: (1) the patient
may have unexpectedly related highly emotionally charged material that needs to be
ventilated; (2) the patient may have spontaneously mentioned highly sensitive material
that may best be approached immediately, such as suicide, domestic violence, or incest;
and (3) specific memories may warrant immediate follow-up, such as screen memories,
dreams, or traumatic events.
Of course, during process regions, such as psychodynamic regions or free facilitation
regions, the clinician generally follows most spontaneous gates as they appear, utilizing
an occasional restraint. The scouting region is also often filled with “internal” spontane-
ous gates. Along these same lines, during periods of free association, as may appear in
therapy itself, spontaneous gates are essentially always followed; indeed, they are nur-
tured. But no matter what the facilic situation, we return to the all-important realization
that clinicians can exercise significant choice (intentional interviewing) as to the pattern
any given interview will pursue as long as they recognize pivot points and consciously
decide whether or not to follow them.
Natural Gates
A natural gate consists of two parts: the cue statement and the transitional question. A cue
statement consists of the very last sentence or two made by the interviewee and it contains
content material that can be creatively used as a bridge into a new region by the interviewer.
Note that the content material of the cue statement is still within the content region that is being
expanded. If the interviewer cues off this statement to enter a new region of the clinician’s
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Facilics: the art of transforming interviews into conversations 135
choice, the interviewee will feel that the conversation is flowing from his own speech, as,
indeed, it is. Such a transition seems both natural and caring to the interviewee.
The transitional question is the actual question asked by the interviewer that makes
a bridge from the cue statement into the new region, i.e., in contrast to the spontaneous
gate, the clinician, not the patient, is moving the conversation into a new region.
In the following excerpt we will see a transition made from the content region cover-
ing depressive symptoms (which the interviewer has been exploring for the last few
minutes and currently feels that she has enough information to make the diagnosis) into
the drug and alcohol region. This smooth transformation will be made via a natural gate.
Clin.: Have you been able to enjoy your poker games or your shop work?
Pt.: No, I just don’t feel like doing anything since I’ve been feeling depressed. It’s a
really ugly feeling.
Clin.: Tell me more about what it feels like.
Pt.: Really pretty miserable. Life doesn’t seem the same. I’m tired all the time; no sleep.
Clin.: How do you mean?
Pt.: Over the past several months sleep has almost become a chore. I’m always having
trouble getting to sleep, and then I wake up all night. I must wake up five times
and it took me 2 hours to fall asleep in the first place.
*Clin.: Have you ever used anything like a nightcap to sort of knock yourself out?
Pt.: Yeah, sometimes a good belt really relaxes me.
Clin.: How much do you need to drink to make yourself sleepy?
Pt.: Oh, not too terribly much. Maybe a couple of beers. Sometimes more than a
couple of beers.
Clin.: Just, in general, how many drinks do you have in a given day?
Pt.: Probably … Now, I’m just guessing, but probably a six-pack or two, maybe three
(smiles sheepishly). I hold liquor pretty well. I don’t get drunk or nothing.
Clin.: What other kinds of drugs do you like to take to relax?
Pt.: Well, I might smoke a joint here or there.
In this excerpt, the cue statement was, “I must wake up five times and it took me 2 hours
to fall asleep in the first place.” Note that the patient’s cue statement is still within the
region of depression. But the clinician, wanting to change content regions, sensed that
this statement could be used as a springboard into a new topic. The succeeding transition
question (indicated by an asterisk) imperceptibly achieved this desired transition into
the drug and alcohol region with the phrase, “Have you ever used anything like a nightcap
to sort of knock yourself out?”
Natural gates of this sort are seldom perceived as structuring mechanisms, because
the patient generally feels as if he or she brought up the new topic. This type of smooth
transition can greatly enhance a conversational feeling in the interview, slowly bringing
the patient into a more powerful sense of safety and spontaneity. The interview begins
to take on a self-perpetuating momentum, unique to its own nature.
In Figure 4.1, the immense power of the natural gate, as an intentionally utilized tool
by an interviewer, is demonstrated. We shall assume that the expansion of the stressor
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136 Clinical interviewing: the principles behind the art
region has been winding down. The interviewer feels it is time to move on to new mat-
erial. The interviewer decides to cue off of a statement made by the client regarding his
stress, which can be utilized by the clinician to enter one of any number of new content
regions as illustrated. The flexibility of the natural gate is essentially only limited by the
awareness and creativity of the clinician. The ability to intentionally use natural gates is
one of the cornerstone skills for creating conversational interviews. Master clinicians use
them frequently.
Manufactured “Gates”
One valuable way of using natural gates consists of coupling several of them in a quick
succession so as to gracefully enter a particularly delicate topic that is difficult to enter
without disengagement. In essence, the interviewer manufactures a smooth transition
where one might not have been initially available. I like to call these transitions “manu-
factured gates,” although they are not really a new and distinct type of gate; in essence,
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Facilics: the art of transforming interviews into conversations 137
this is merely the intentional use of serial natural gates. Let us see this sophisticated
strategy put to good use.
Imagine the following situation: About 30 minutes into an initial intake, a counselor
at a community mental health center intuitively suspects potentially dangerous domestic
violence has been perpetrated by the interviewee. In order to get to this delicate topic,
she chooses to manufacture a naturalistic transition. Note that in our illustrative dia-
logue, the interviewer has been expanding the content region regarding recent stressors
with the patient. There doesn’t immediately appear to be an apparent way to sensitively
move into the topic of domestic violence, but she realizes that if she can position the
patient into a conversation about drinking behavior, then the transition could be made
much more easily.
The counselor will use her first natural gate (“Does it ever help you to get away from
all this stress, and you have a lot of stress, by drinking?”) to enter the region of drug and
alcohol use, but she is not doing this in order to expand the region of drug and alcohol
use (which she will do later in the interview). Rather, she is using it as a stepping stone
to an exploration of domestic violence. Look for her timely use of a second natural gate
to immediately leave the topic of substance abuse while cleverly raising the new content
region of violence:
Pt.: … yeah, money is a real problem. I’ve got huge credit card debts. And the damn
creditors are harassing me constantly. Look, I don’t have the money, what do they
want me to do – plant a fucking money tree? Times are bad. I don’t have a job. The
damn repo man took my car. I’m not kidding, they actually hauled it out of my
own driveway. I’ve never really ever been this stressed out. Mind you, I’ll get out of
it. I always do. But, frankly, I don’t know if I’m coming or going.
Clin.: Does it ever help you to get away from all this stress, and you have a lot of stress,
by drinking?
Pt.: You bet. And I deserve a time-out or two. Nothing wrong with a good six-pack or
two to lighten the load, if you know what I mean. It usually works too, unless there
are just too many assholes bothering me.
Clin.: Sometimes when people drink they notice an increased desire to just let off steam,
you know, just pick a fight or something, not much, just a little brawl or two to
liven things up, a chance to flex the old “beer muscles.” Do you know what I
mean?
Pt.: Oh, yeah. I’ve been in my share of brawls. (pauses, smiles) Won a few, too.
Clin.: Has that ever carried over into other areas when you’re drinking? Like when you
and your wife are arguing, does it ever get so intense that you feel like hitting her?
Pt.: Yeah, sort of (pauses, looks away briefly). Just a few weeks ago I wanted to beat the
hell out of her. She can be such a royal pain in the ass.
Clin.: Have you ever wanted to hurt her, in an even more serious way?
Pt.: (pause) Once in a while I guess I have. And sometimes I still think she deserves it.
Clin.: Deserves what?
Pt.: (looks away, pauses, then looks the interviewer right in the eye) To be out of the
picture. It’s crossed my mind, I have to admit it. She’s like a fucking albatross
around my neck.
Clin.: What have you thought of doing?
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138 Clinical interviewing: the principles behind the art
Pt.: Cracking her upside the head with a hammer or something. I don’t know. (pauses)
I just don’t know anymore. (pauses) I don’t think I’d ever do it.
This is a wonderful illustration of skilled interviewing. How does one raise the topic of
killing one’s spouse in an initial interview while getting at the truth, without harming
the alliance or breaking unconditional regard? This appears, at first glance, to be quite a
task. It is not exactly easy to ask people if they are potential murderers.
But this counselor makes the difficult seem surprisingly easy. From previous inter-
views, she knew that the violence region could be frequently entered through a natural
gate from the drug and alcohol region, by relating violent thoughts and behaviors unob-
trusively to the poor impulse control commonly seen with drinking. Consequently, the
clinician steered the conversation into the drug and alcohol region with her first natural
gate. She thus manufactured a nice opportunity to immediately setup a second natural
gate (“Sometimes when people drink they notice an increased desire to just let off steam,
you know, just pick a fight or something …”), through which she subtly entered the
region of violence with barely a hint of structuring. She could then gracefully generalize
into the topic of domestic violence.
Her skilled interviewing might have just saved the life of this patient’s wife and, at the
very least, she uncovered a major arena for immediate therapeutic intervention. Many a
clinician would not have been able to uncover the murderous thoughts of this patient
upon their first meeting. A second meeting might be one meeting too late.
Having secured a sound understanding of how to effectively utilize natural gates –
including how they can be used to build manufactured gates – let us explore them in
more detail via a video module. Natural gates warrant our further exploration, for, in my
opinion, they are one of the most powerful and flexible tools that we have available for
creating a conversational feel to our interviews. There exist an almost inexhaustible
number of ways to creatively and gracefully transition between topics using natural gates,
of which these video illustrations are a tiny sample.
By the way, when using a natural gate to enter a particularly sensitive topic, they are
often introduced by using words such as, “Some of my patients who have been experi-
encing … (at which point the interviewer cues off of the topic of the patient’s last sen-
tence).” This added technique is known as a normalization, and we will be discussing it
in our next chapter on techniques for improving validity. It metacommunicates to the
patient that it is safe to discuss the new topic, for the interviewer has obviously heard it
from other people in similar situations. In any case, you will see this validity technique
added to our natural gates in several of the video examples. Although normalizations
are quite useful when entering a sensitive or taboo topic, they are not a typical – nor a
necessary – part of most natural gates.
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Facilics: the art of transforming interviews into conversations 139
Referred Gates
A referred gate occurs when the interviewer enters a new region by referring back to an
earlier statement made by the interviewee often many minutes earlier. Typical referred
gates begin with phrases such as, “Earlier you had said …” or “I want to hear more about
something you mentioned before …” To the interviewee, a referred gate metacommuni-
cates, “I have been listening very carefully to you; moreover, I want to learn more about
something you said to see if I can help.” It is a wonderful example of a structuring tool
that is simultaneously a powerful engagement technique. Also, it allows the interviewer
to enter a fresh region smoothly at almost any place in an interview. It remains extremely
useful for re-entering a region that was not fully expanded earlier. Structurally, a referred
gate lacks an immediate cue statement, because the cue has been taken from a previous
area of the interview.
In the following illustration we will enter the interview at the end of a psychodynamic
process region in which the patient’s feelings concerning his siblings have been explored.
As this process region winds down, the interviewer, by referring to something said much
earlier, will enter a content region traditionally viewed to be difficult to gracefully broach
– psychotic phenomena – through the use of a referred gate.
Clin.: What was it like for you when your brother would come home from college?
Pt.: Sort of odd; a little bit like a trespass. You see, when he was gone I had the room
all to myself, even the phone was mine alone. As soon as he came back, boom, the
room was his again.
Clin.: What other feelings did you have?
Pt.: Some excitement. I really did look up to him, and when he’d come home he’d tell
me all about college, frat parties, smoking grass; and it was exciting.
*Clin.: Earlier you had told me that sometimes when you were alone you’d have scary
thoughts. Tell me a little more about those moments.
Pt.: Okay. It’s sort of like this: I might be sitting late at night listening to some music
and things seem sort of weird, almost like something bad is going to happen.
And then I have thoughts that keep coming at me and they tell me to do
things.
Clin.: Do the thoughts ever get so intense they sound almost like a voice?
Pt.: They are voices. They seem very real. In fact, sometimes I try to cover my ears. I just
don’t know. I don’t know …
Referred gates, such as the one illustrated above (indicated by asterisk), are unobtrusively
powerful tools for structuring. They can be used for entering new regions essentially at
will, as well as for re-entering incompletely expanded regions. Moreover, when combined
with a creative sensitivity, the clinician can utilize referred gates to enter potentially dis-
engaging regions gracefully as shown above. It is not unusual for 20 to 40% of my gates
to be referred in an initial intake.
One of these awkward regions that frequently poses problems for clinicians is the
cognitive mental status examination. As mentioned earlier in the chapter, it is often
an important aspect of interviewing patients over 50, especially if one is suspicious of
the presence of a dementia or delirium, and sometimes is also indicated with younger
patients as well. While asking questions about orientation and checking digit spans or
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140 Clinical interviewing: the principles behind the art
serial sevens, clinicians worry that patients will feel insulted by the simplistic nature
of the questions. To this end, clinicians may utter phrases such as, “I’m going to ask
you some silly questions now, I hope you don’t mind,” or “Now I have to ask you
some routine questions that I have to ask everybody.” These phrases are usually accom-
panied by an apologetic tone of voice or an insecure rustling of the clinician in his or
her chair.
The irony of such introductions lies in the fact that rather than dispelling anxiety in
the patient, they sometimes create it. The patient can sense that the clinician feels inse-
cure with the subsequent questioning. All that remains for the patient to wonder is why
the clinician needs to apologize. What do these routine questions mean and why does a
professional ask questions if they are silly? In short, the clinician’s sudden obsequious-
ness serves to signal the patient that something odd is afoot.
It is here that one of the many uses of the referred gate becomes apparent. By referring
to earlier statements of the patient concerning problems with concentration or thinking,
the interviewer can enter the cognitive examination smoothly and without a need to
apologize. Quite to the contrary, the interviewer’s interest indicates a sincere concern to
the patient as well as a display of professional expertise.
By introducing the cognitive exam with a referred gate, the interviewer metacommu-
nicates that these questions are being asked for a specific reason – to clarify collabora-
tively the degree of cognitive impairment – a point of potential concern to both the
clinician and patient. Let us take a look at such an approach in action. The patient is
suffering from an agitated major depression and had complained earlier in the interview
of problems concentrating:
Pt.: Overall, I know it’s all my fault. I should never have retired, it’s ruined everything.
But life goes on. I only hope I feel better some day.
Clin.: What do you see for yourself in the future?
Pt.: Hopefully, some pretty good stuff. I’ve always wanted to travel and my wife is
interested in doing so as well, so, I think we will probably do a little traveling. And,
I also used to paint a little bit, maybe I’ll do a little of that too.
Clin.: That sounds sweet. I hope it works out for you.
Pt.: Yeah, me too.
Clin.: You know, a little earlier, you had mentioned that you were concerned about having
some problems concentrating and remembering things. I have some questions that
would give us both a clearer idea exactly how much your concentration and
thinking have been affected by your depression. I think it would be a good idea to
check out these concerns in some more detail, does that sound okay?
Pt.: No problem. That’s why I’m here, to find out what is going on with me.
Clin.: Some of the questions will be very simple, while some of them may get fairly
challenging. Why don’t we start with some of the really simple ones first?
Pt.: Sure.
Clin.: What is today’s date?
Pt.: I think it’s September 21st, 2010.
Clin.: That’s correct. What day of the week is it?
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Facilics: the art of transforming interviews into conversations 141
Pt.: Wednesday.
Clin.: Good. What city is this?
Pt.: Pittsburgh.
This interview dyad moved into the cognitive mental status examination with a sense of
purpose and no hint of uneasiness on the part of the clinician. Even if the patient does
not “pick up” on the referred gate, an easy transition can be made as follows:
Clin.: Earlier you had mentioned how depressed and out of it you sometimes feel at dusk.
I am wondering if during this period of the day you notice any problems with
concentration or your memory.
Pt.: No, I don’t think so. No problems with my concentration.
Clin.: That’s very fortunate, because frequently when people feel depressed, they have
problems with concentration or organizing their thoughts. In fact, I would like to
ask some questions designed to pick up even subtle problems with concentration or
memory, because if we find some subtle problems, it may give us some idea of how
we can best help you. Does that sound okay to you?
Pt.: Yes. I don’t think I’ve got any problems here, but I guess it’s worth taking a look.
Clin.: Good, we’ll start with some very simple questions and move towards some harder
ones. To start with, what is today’s date?
We have just seen the usefulness of the referred gate in guiding the discussion into
a cognitive examination. In a similar way, referred gates can frequently decrease the
awkwardness of entering sensitive regions of discussion such as the drug or sexual history.
This effectiveness probably results from the fact that relating the sensitive material to
previous statements by the patient decreases the perceived social inappropriateness of
the question. This principle may seem a bit abstract at present, but the following illustra-
tion will clarify the concept.
In this interview, the patient was an attractive woman of about 30 years of age. She
had her blonde hair pulled back in a bun, giving an impression of a young professional.
She used her hands to sharply punctuate her words like she was furiously stabbing away
at a laptop’s keyboard. She described her various plights in a dramatic and telling
manner. After 30 minutes, numerous soap opera vignettes had been laid out on the table,
including many years of heavy drug abuse in the past, a striking lack of any stable rela-
tionships, over 100 sexual encounters, and a current investigation by the FBI of her old
friends.
She emphasized her sexual freedom early during the interview stating, “I’m not hung
up on having to like the person I have sex with. Sex is something I can easily divorce
from my feelings.” Later in the interview, as the facts of her life became clearer, I began
to wonder if I was talking with someone who might have developed an antisocial per-
sonality disorder, slickly camouflaged by an engaging interpersonal style. To this end I
wanted to expand the antisocial personality region in more detail.
I wondered if she might be involved in prostitution. Needless to say, asking a person
during an initial interview if he or she may be a prostitute can be a delicate matter. In
this case, a referred gate provided a smooth entry into this sensitive topic:
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142 Clinical interviewing: the principles behind the art
Pt.: All of my men have ended up leaving me. None of them want to be fathers. We
always fight. I’m bored by it all now.
Clin.: Earlier you had mentioned that you have been able to successfully divorce your
sexual feelings from your emotional ones as you’ve matured. I’m wondering if,
because of this ability, you’ve been able to use your body in a purely practical sense,
for instance, did you ever find that desperate financial situations made it necessary
to become involved with something like prostitution? (referred gate)
Pt.: Yeah, I’ve done that too. Back in New York I worked the streets for about 4 or 5
months, not much longer though.
Clin.: What was that like for you?
Pt.: Not really that tough. It’s a dirty business though and I’m glad I’m out of it. But it
helped when I needed it and believe me I needed the money.
Clin.: Did you ever sell drugs back then to help pay the rent and other needs?
Pt.: No. I never really sold drugs, I would use them like crazy – my life has been a wild
one. In fact, someone ought to write a novel about me. I’ve seen it all, but I never
got into pushing drugs.
This referred gate, voiced matter of factly, seemed to flow quite naturally. She did not
appear particularly flustered, and the blending remained high. Once again, to the inter-
viewee, referred gates suggest that the clinician has been listening carefully in an effort
to piece together the patient’s story. One can imagine how differently the above situation
may have unfolded if the clinician had abruptly asked without a referred gate, “By the
way, are you a prostitute?” This method of transition certainly needs a little more polish.
Such abrupt gates are the next topic of discussion.
Phantom Gates
A phantom gate appears to come from nowhere. It lacks a cue statement and also lacks
previous referential points, as seen in referred or natural gates. In short, it jolts the spon-
taneous flow, as the following example will show:
Pt.: I haven’t felt the same for months. I’m always down and I’m sick of it.
Clin.: What does it feel like to be down?
Pt.: Very unsettling. I’m like a slab. I don’t want to do anything. I don’t even have the
energy to text message my friends anymore. I’m not kidding! (pauses) The truth is I
miss doing things with Jennifer. She was my best friend. Silly as this may sound. I
really haven’t been the same since she died.
*Clin.: Was your father an alcoholic?
Pt.: No … (pauses, looks taken aback) I don’t think he was. He drank every once in a
while.
Clin.: What about your brothers, sisters, or blood relatives? Have any of them had
drinking problems?
Pt.: Not that I know of.
Clin.: What about depression? Have any of your relatives been depressed?
This interviewer’s sudden leap into the family history region certainly appeared abrupt
and ill timed. Obviously, if such phantom gates (indicated by an asterisk) occur
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Facilics: the art of transforming interviews into conversations 143
Implied Gates
To complete our summary of transitions used during the body of the interview we can
turn our attention to implied gates. These gates are frequently used during chit-chat
between friends and may have been the predominant gate overheard as we listened in
upon the café conversation mentioned earlier.
Implied gates are structurally similar to phantom gates: they do not cue off the
patient’s immediately preceding statements (as in a natural gate); they do not refer back
to earlier statements (as in a referred gate); and the clinician, not the patient (as seen in
a spontaneous gate), initiates the movement into the new topic. There is one important
difference between an implied gate and a phantom gate: the implied gate enters a region
that is topically similar to the immediately previous region.
Put slightly differently, in an implied gate, the movement into a new region is char-
acterized by asking a question that seems to be generally related to the region already
under expansion. Thus, it is somewhat “implied” that the interviewer is simply expand-
ing a topic already germane to the interviewee. Consequently, implied gates tend to be
much less disruptive to flow than phantom gates.
In the following example, movement is made from the content region dealing with
immediate stressors into past social history, an area frequently also ripe with stress. The
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144 Clinical interviewing: the principles behind the art
As mentioned earlier, unlike a natural gate, an implied gate does not cue directly off
the preceding statement. Furthermore, unlike a referred gate, the interviewer does not
directly refer back to earlier statements. And, in contrast to the phantom gate, the
implied gate seems to fit in fairly naturally with the current flow of the dialogue.
Indeed, when the newly entered region appears very similar to the preceding one, an
implied gate is practically imperceptible and rivals a natural gate for smoothness of
transition.
As the regions connected increase in disparity, the implied gate becomes increas-
ingly more abrupt. Thus, with regard to smoothness, implied gates range on a con-
tinuum between natural gates and phantom gates. When the two regions are closely
related, implied gates approach the gracefulness of natural gates. On the other hand,
if the topics are poorly related, an implied gate may approach the awkwardness of a
phantom gate.
Implied gates can frequently be used to enter new regions smoothly. In fact, occasion-
ally, the clinician may simultaneously expand two regions whose contents are similar in
nature. For instance, one can easily expand the generalized anxiety disorder region and
the major depressive disorder region in a parallel fashion, because anxiety often plays a
role in both disorders.
Miscellaneous Gates
There are two miscellaneous gates that are used much less frequently than the five cor-
nerstone gates we have studied. They, too, merit our attention, for they have good uses
as well.
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Facilics: the art of transforming interviews into conversations 145
Introduced Gate
The first gate is called an “introduced gate.” In an introduced gate the interviewer literally
tells the interviewee, that a transition is about to be made. One of the few places that I
find this type of gate useful is the transition point between the body of the interview and
the closing, where it can provide a graceful transition as follows: “Well we have covered
a lot of ground so far today. We have about 10 minutes left before we wrap up, and I
think it’s a great time for me to provide some thoughts on what might be going on and
we can brainstorm together on the various options that we have to get you some relief
as quickly as possible. As we close, I’m wondering, first, if there is anything that you think
we should have talked about that I might have missed?”
Introduced gates are sometimes used to enter a transformative process region, when
a slow build-up of interpersonal tension is noted by the clinician and a decision is made
to try to dismantle the growing hesitancy. An introduced gate might be utilized as follows:
“At this point, let’s take a moment to sort of re-group ourselves, if that is okay with you.
I might be wrong here, but I’ve been feeling, for awhile, that there is something I am
saying or doing that is bothering you a bit, and I sure don’t want that to be happening,
because I really want to help. What have you been feeling about where we have been
going so far and how we have been doing it?” To which a patient may say something
like, “I think you are missing the point here, Doc, I’m not the problem, my wife is the
problem. She gets as angry as I do …” If this concern had been left hidden, there prob-
ably would be no second appointment, and an introduced gate helped to make the
uncovering unobtrusive.
Observed Gate
Our second miscellaneous gate is called an “observed gate.” It is used more frequently
than an introduced gate and is simple in nature, yet quite helpful. In an observed gate,
the clinician makes note of a patient’s nonverbal behavior, often to enter a free facilita-
tion region or a psychodynamic region. Observed gates frequently begin with phrases
such as, “It looks like you are starting to well-up, what are you feeling?” As with intro-
duced gates, observed gates may also be used to enter a transformative process region as
with, “You sound sort of irritated right now, did I say something that offended you or
you think is off base?”
a. When the patient spontaneously moves into a new region, the clinician always has
the choice of whether to follow it or not. These decision moments are called pivot
points.
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146 Clinical interviewing: the principles behind the art
b. If a premium is put upon sensitive, yet efficient, data gathering, as is the case during
the body of an initial interview, then it is often best not to follow these pivots into
new regions. Instead, the clinician can gently pull the patient back into the current
content region and continue the expansion of that region until it is completed to the
clinician’s satisfaction.
c. If a premium is put upon a dynamic understanding of the patient, then these pivots
into new regions are frequently completed by the use of simple follow-up questions,
creating a spontaneous gate. These wanderings of the patient can provide valuable
insights into the patient’s psychodynamics. These pivot points are also followed if it
appears that the patient has begun spontaneously discussing sensitive areas (such
as suicide, incest, or domestic violence) or seems to need to ventilate disturbing
emotions.
d. Natural gates, in which the clinician enters a new region by cueing directly off the
patient’s preceding statement or two, offer another method for creating smooth tran-
sitions and should be employed frequently.
e. These natural gates offer a particularly effective means of intentionally struc-
turing an interview while conveying an unstructured conversational feel to the
interviewee.
f. Referred gates, in which the clinician refers back to earlier statements by the patient,
offer effective methods of re-entering poorly expanded regions or bringing up new
regions, and once again provide a graceful tool for sensitive structuring.
g. Referred gates are also useful for tying in sensitive or awkward regions such as the
cognitive mental status examination, for the patient feels that this “new topic” appears
to relate naturally to the previously referred to dialogue.
h. Implied gates allow one to join topically similar regions and can also provide parallel
expansions of related regions (such parallel expansions should be used sparingly for
they make it hard to track what information has been gathered and what information
needs to be gathered).
i. Phantom gates should be generally avoided unless used for a specific purpose such
as a tool for derailing a rehearsed interview when using affective interjection.
Facilics provides a simple language with which to follow the complex structuring tech-
niques of both ourselves and those we supervise. To enhance this system, a supervisor’s
“shorthand” has been designed in which easily learned symbols are used to represent
regions and gates. These facilic schematics allow supervisors to quickly create a perma-
nent record of the supervisee’s interview, while providing a concrete and visual spring-
board for immediate feedback to the student or for subsequent group discussion. The
schematic system is easy to learn and to use.
For those supervisors and trainees interested in learning how to use the facilic schematic
system for supervision and/or classroom discussion, we have included an ExpertConsult.com
short, easy-to-use computerized interactive program in Appendix I. In addition, an article from
the Psychiatric Clinics of North America7 for faculty and supervisors on how to effectively use
the facilic system with trainees is also available in Appendix IV.
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Facilics: the art of transforming interviews into conversations 147
This is also an opportune time to review the annotated, direct transcript of an initial
interview that appears in Appendix II. In this interview, taken verbatim from an actual
clinical intake of mine, you will get a chance to see the five phases of the interview
described in Chapter 3, as they naturalistically unfold. In addition, a variety of the facilic
principles we have just examined will be brought to life for you from an interview I
performed while working in a community mental health center.
CONCLUDING COMMENTS
Once a clinician understands the principles of facilics, then the body of the interview
can be developed and altered almost at the whim of the interviewer. These tricks of the
trade can greatly increase engagement with the patient, the effectiveness of the data
gathering, and, ultimately, the validity of the database itself.
In short, initiated by the conscious decisions of the interviewer, the clinical dialogue
unfolds intentionally and in a person-centered fashion. With each unfolding, the initial
hesitancies of the interviewee gradually recede, for the interviewer, instead of opposing
these hesitancies, moves with them. Clinicians familiar with the use of natural gates and
referred gates, as well as the use of natural expansions as opposed to stilted expansions,
can more easily generate interviews that move with the gentle dynamics of an everyday
conversation. The patient feels more relaxed, defenses drop, and both the interviewer
and the patient are more likely to uncover the information and secrets that lead to
healing.
We began this chapter with a quotation concerning a master artist of China, Wang
Hsia, who painted in the 8th century C.E. He worked in a different time and in a different
medium to the one we have discussed. Yet, he, too, was a student of movement. Like
ours, his work was based on a few simple principles, practiced until discipline trans-
formed them into art. Our “painting” is the clinical dialogue we leave behind us. We,
too, strive for sensitivity and subtlety. Perhaps, with work, fellow students of interviewing
will study one of our future transcripts and find, to their admiration, that “when one
looks carefully, one cannot find any marks of demarcation in the ink.”
REFERENCES
1. Chung-yuang C. Creativity and taoism: a study of Chinese philosophy, art, and poetry. New York, NY: Harper
Torchbooks; 1963.
2. Osler W. Aequanimitas. 3rd ed. Philadelphia, PA: Blakiston; 1945.
3. Shea SC, Mezzich JE. Contemporary psychiatric interviewing: new directions for training. Psychiatry 1988;51(4):
385–97.
4. Shea SC, Mezzich JE, Bohon S, Zeiders A. A comprehensive and individualized psychiatric interviewing training
program. Acad Psychiatry 1989;13(2):61–72.
5. Shea SC, Barney C. Facilic supervision and schematics: the art of training psychiatric residents and other mental
health professionals how to structure clinical interviews sensitively. Psychiatr Clin North Am 2007;30(2):e51–96.
6. Shea SC, Green R, Barney C, et al. Designing clinical interviewing training courses for psychiatric residents:
a primer for interviewing mentors. Psychiatr Clin North Am 2007;30(2):283–314.
7. Shea SC, Barney C. 2007. p. e51–96.
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CHAPTER 5
Validity Techniques for Exploring
Sensitive Material and Uncovering
the Truth
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150 Clinical interviewing: the principles behind the art
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Validity techniques for exploring sensitive material and uncovering the truth 151
frightening secrets” that may prompt them to see us again and to follow up with our
immediate treatment recommendations. In these instances, it is the reassuring experience
of an unexpected sense of safety, which we created, that has provided the first kindling
of hope.
Sometimes the result of helping a patient to share a hidden secret in a safe environ-
ment may have an even more dramatic, yet unexpected, effect. It may save the patient’s
life at a later date. The memory of such a positive interviewing experience with us, even
when we may be functioning as a clinician at a telephone crisis center or in an emergency
department, may prompt the caller or patient, months later during a particularly desper-
ate night, to reach for a phone and not a gun.
Also of major importance are those situations in which our patients are a danger to
others as well as themselves, or perhaps only to others. We have all interacted with an
intoxicated patient, who may also be at risk for committing domestic violence (or has
recently done so). And on some occasions during a first meeting, as we have already
seen, we may become suspicious that our patient is experiencing psychotic process. At
such moments, we will need to raise and explore the possibility of psychosis in a fashion
that is not disengaging, yet allows us to uncover possibly dangerous psychotic process
directed at others, such as command hallucinations or paranoid delusions. It is here that
the skills examined in this chapter (and in our chapters on psychosis; see Part II) may
help us to prevent tragedies, such as the unpublicized killing of a parent by a teenaged
child suffering from a psychotic manic episode to the much publicized slayings at Vir-
ginia Tech or an unsuspecting movie theater in a quiet Colorado town.
As if the above reasons were not enough to emphasize the importance of learning
how to sensitively raise and explore taboo material, these skills are also useful for reveal-
ing those occasions when the patient’s intentions may not be in his or her own best
interest. For instance, a patient suffering from schizophrenia who wants to return to work
too quickly, a decision that might result in a severe relapse and perhaps prevent a return
to work for years, may not readily tell the interviewer about the persistence of serious
auditory hallucinations. On the other hand, a different patient, not suffering from schizo-
phrenia at all but actively seeking disability, may tell the clinician about a plethora of
tormenting yet non-existent voices.
Thus, it is important for the interviewer to be alert for signs that the patient harbors
a hidden agenda, such as needing a mental health professional to document that the
patient is too ill to appear in court or to provide the patient with addictive drugs. For
instance, in an emergency department setting, it is not uncommon for people with immi-
nent court appearances to seem unusually interested in hospital admission, because
hospitalization may represent a clever and logical excuse for missing the court date.
The validity techniques we are about to explore have been developed over the past
several decades by a variety of interviewing innovators across a variety of disciplines
including counseling, psychology, psychiatry, nursing, and social work. Some of these
techniques are specifically geared to decrease the likelihood of deception, thus increasing
the likelihood of valid information. They can even help a patient with antisocial pro-
pensities to share more of the truth about their problematic behaviors such as being a
perpetrator of domestic violence or other problems with the law. When utilized
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152 Clinical interviewing: the principles behind the art
effectively, these techniques can elicit sensitive material that one might think would never
be revealed during an initial contact. And, indeed, it would not have been revealed had
not the patient been provided a safe environment for sharing and the interviewer used
skilled interviewing techniques within that environment.
As we begin our study of the validity techniques that address the above issues, we will
see that they come in four clusters: (1) techniques for improving generalized recall, (2)
strategies for avoiding miscommunication, (3) techniques designed to help us raise a
sensitive or taboo topic without disengaging the patient, and (4) techniques for carefully
exploring a sensitive area once it has been raised.
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Validity techniques for exploring sensitive material and uncovering the truth 153
person that I try not to be, I recalled this incident for several years and always got angry,
especially about his swearing at my son. I remembered it like it was yesterday. Only one
problem: He hadn’t sworn. I was so mad on the day it had happened that I had written
down exactly what he said, in quotations, because I wanted it to be available to show
him someday if I needed some interpersonal ammo. Talk about petty! But that’s another
story altogether. The point for us today is the striking memory distortion that began within
hours. In this case, my neurological goo created a “fact” that had no basis in fact. Not
only a false fact, but it was the “fact” that most upset me emotionally about the incident.
Strange indeed! I have come to believe that such strange happenings are occurring when
our patients are reporting “the facts” much more often than we might be aware.
Anchor Questions
Anchor questions are designed to address the above problems to generalized recall by
“stirring” the memory banks of the patient. The goal is to activate important memories
that we are trying to uncover by kindling memory circuits that are nearby. Anchor ques-
tions come in two main types: time-related and location-related.
Pt.: Don’t get me wrong, things haven’t always been bad, or I wouldn’t be with him
still.
Clin.: It sounds like you have had many good times in the past. I don’t doubt that.
Obviously, the recent violence is very disturbing to all involved. If you can, try to
give me a better idea of when he actually started to become violent?
Pt.: Oh, that’s pretty recent.
Clin.: By pretty recent, how do you mean?
Pt.: About a year ago. (pauses) Yeah, I think that’s about right.
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154 Clinical interviewing: the principles behind the art
Clin.: I remember you told me that you moved here to New Hampshire about 2 years
ago. Had he ever hit or slapped you before you came to New Hampshire? (anchor
question focused on time)
Pt.: Hmm. Well (pauses) … yes, yes he did. I remember he slapped me once pretty bad
back in our apartment in Pittsburgh. We used to call it “The Nest.” We loved that
little place, but yeah, he did slap me there, now that I think about it.
Clin.: How about before that, say back when you were in graduate school? (anchor
question focused on time)
Pt.: We weren’t living together then.
Clin.: Oh, I know that. Can you remember though if, perhaps on a date or if he stayed
over or something, did he ever hit you or slap you back then?
Pt.: My God. (looks up, with a puzzled and surprised expression) You know, he did. I
sort of put it out of my mind. One day, after we came back from a party one of my
friends in graduate school had given, he got really mad at me, saying I was flirting
with another grad student. I wasn’t, by the way. But he got really mad.
Clin.: And what happened?
Pt.: He slapped me. Right across my face. It really hurt.
Clin.: Tell me a little more about what happened that night.
Notice the clinician slowly walking the patient back in time with the use of serial time-
related anchor questions, a strategy that sometimes yields surprising results both for the
interviewer and the patient. In this instance, the gentle uncovering of memories has initi-
ated the therapeutic process. Insight has begun, even during the first interview.
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Validity techniques for exploring sensitive material and uncovering the truth 155
following dialogue, watch how the interviewer locks the patient into a specific potential
panic attack.
Pt.: I guess I’ve always just been sort of wired, but it sure has gotten out of hand.
Clin.: When you say “out of hand” does the anxiety ever come on, really suddenly, out of
nowhere, and it is really intense, sort of overwhelming?
Pt.: That doesn’t happen a lot, but it’s what has been happening more and more.
Clin.: I want you to picture the very worst episode like that. (pauses) Can you picture
when that was?
Pt.: Oh yeah, absolutely, it was pretty bad.
Clin.: Where were you when it happened? (anchor question focused on location)
Pt.: I was out driving with my son.
Clin.: What road were you on? (anchor question focused on location)
Pt.: I had just picked my son up from school. I was just outside of Concord. (the
interviewer has now tapped a specific memory bank, the patient is picturing a real
event unfolding in real time)
Clin.: And what happened?
Pt.: Well, it was really weird. I can’t really explain why it happened, but all of a sudden
I got really worried that something bad, real bad, was going to happen. I started
breathing really really fast, and I couldn’t stop. It was scary. I actually pulled the car
over and …
Tagging Questions
Carlat also describes a nice technique for cuing a patient’s memory about a concrete topic
from a list that the patient is having trouble recalling even though the topic is not a
sensitive one.4 For instance, a patient may have trouble remembering a specific medica-
tion he or she has been on, a type of psychotherapy that has been used, or the name of
a therapist.
If one asked a patient, “What medication were you on back in Pennsylvania?” and
the patient answered, “You know, I don’t really remember what it was called, I know it
was for depression.” Then one could use a tagging question. The clinician does this by
simply offering a list of medications from which the patient then tags the correct answer,
“Do you remember if it was called Prozac, Zoloft, Celexa, Effexor?” To which the patient
might respond, “Oh yeah, that’s it. It was called Celexa. It worked really well for me, but
was kind of expensive.”
Exaggeration
Before leaving the techniques related to improving generalized recall, there is a creative
technique for helping to reduce shame if we begin to see it arise as we explore sensitive
material. Sometimes, despite our best efforts to convey Rogerian unconditional positive
regard, it is obvious that an overly conscientious patient is suddenly feeling an inordinate
amount of shame about a “bad” behavior that he or she has just revealed. Although the
behavior may seem fairly insignificant, the interviewer should never forget that the
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156 Clinical interviewing: the principles behind the art
accompanying shame in the patient may be far from insignificant. If this is not addressed,
such painful moments experienced in the initial interview may drive the patient away
from the entire process of therapy. At such times, Othmer and Othmer sometimes employ
a validity technique that they call “exaggeration.”5
Exaggeration is a technique for immediately decreasing a patient’s inordinate
shame, so as to increase the likelihood that he or she will continue to share sen-
sitive material, while simultaneously securing engagement. In this sense, the tech-
nique of exaggeration is not only a validity technique, it is an effective engagement
technique.
Exaggeration works by helping the patient understand that when his or her “shameful
activity” is put into perspective with other types of human “wrongdoings,” the patient’s
activity is not of great magnitude, highlighting the fact that you, as an interviewer, are
far from aghast at the patient’s revelation. Effective “exaggeration” requires a well-timed
sense of humor by the clinician, employed in an already well-secured therapeutic alliance.
When done well, as demonstrated below, it can release a marked amount of interpersonal
tension that otherwise could have resulted in disengagement.
In this vignette, the patient is a conservatively dressed woman with her hair tied
into a meticulous bun. She is a successful department store manager with a portable
“time-clock” for a superego. She strives for perfection and expects it of herself. She
has unfortunately developed a nagging generalized anxiety disorder, for which she
has reluctantly sought treatment, despite the admonitions of her superego that “strong
people do not go to therapists.” In her social history she shares what for her is a
major sin of the past, stealing a candy bar from a drugstore when she was 10 years
old. And even worse, she got away with it. Up to this point, the interviewer has
established a nice rapport with her, but she senses the surprising intensity of the
patient’s shame:
Clin.: In the past, have you ever had any problems with the law or arrests?
Pt.: I was never arrested (pauses, eyes briefly turn to the floor). But I did steal
something once. I know it was a wrong thing to do.
Clin.: Oh, what did you steal?
Pt.: I stole a candy bar when I was about 10. I feel badly about it. I know it wasn’t right
to do (patient appears clearly uncomfortable with herself and hastens to add) – I
haven’t stolen anything since.
Clin.: So let me get this straight. At 10 years old you entered a store, pulled out a knife,
stole $200 worth of clothing, pocketed $500 of jewelry, and, as you left, kicked the
store owner’s half-blind cat (clinician smiles).
Pt.: (Absolutely aghast) Oh my gosh no! (she suddenly catches on to the humor and
smiles for the first time in 20 minutes) Of course not (sheepishly smiling). I guess
it wasn’t that bad after all.
Clin.: Not bad (said with a feigned sternness). Why, you stole a Milky Way bar, didn’t
you! One of the big ones too, I bet. My gosh, I have a mind to call the cops right
now, but the statute of limitations has probably expired.
Pt.: (laughing and smiling) Okay, okay, I get the point. I take things too seriously
sometimes (continues to chuckle).
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Validity techniques for exploring sensitive material and uncovering the truth 157
Clin.: (with a normal tone of voice) You know, Jane, let me go out on a limb here. I bet
you tend to get down on yourself pretty hard.
Pt.: Well, I guess you could say that (smiling).
Clin.: Maybe that is something we can take a look at in the therapy. It may be one of the
reasons that you are so anxious. Does that sound like a good idea to you?
Pt.: Yes. I think that would be a very good thing to do. Although I’m a little bit afraid
to do it.
Clin.: How old were you when you first remember feeling depressed?
Pt.: Hard to say. It feels like I have always been depressed.
Clin.: Just to clarify, I’m not talking about the kind of sadness that we all experience from
time to time. I’m trying to understand when you first felt what we call a clinical
depression, and by that I mean that you were so down that it seriously affected
your functioning, so that, for example, it might have interfered with your sleep,
your appetite, your ability to concentrate, your ability to work. When do you
remember first experiencing something that severe?
Pt.: Oh, that just started a month ago. I’ve never been depressed like this before. Ever.
It’s possible that this patient is suffering from a long-term dysthymic disorder in addition
to her more recent major depression. The clinician’s interviewing skills have prevented
the mistake of viewing her as suffering from many years of a major depression, which
could have led to some missteps in treatment recommendations.
Clarifying Norms
I have found over the years that it is not just technical terms that can lead to miscom-
munication between interviewer and patient. A common problem arises when exploring
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158 Clinical interviewing: the principles behind the art
sensitive or taboo topics in which the culture, in general, or the patient’s family, in par-
ticular, has taken a traditionally enabling stance. I have seen many clinicians ask patients
questions such as, “Have you ever been sexually abused by someone” and receive a con-
vincing “no” when, in reality, there has been substantial abuse. This problem is not about
stigma. In fact, it is the opposite problem.
This phenomenon arises because the patient grew up in a family where psychological,
physical, and/or sexually abusive behavior was the norm, and the patient has no idea
(although they often have vague misgivings about the behaviors) that what was done
was inappropriate. Thus, the patient above was not minimizing; he or she literally does
not know that he or she was abused. I think you will not infrequently encounter this
type of miscommunication when enquiring about sexual abuse, physical abuse, verbal
abuse, and drinking behaviors (many families accept alcoholic behavior as normal). Be
on the lookout for it.
When raising these topics in an initial interview, I often find it useful to use a strategy
I call “clarifying norms” early on. I will use sexual abuse as an example:
Clin.: You mentioned that your dad was a heavy drinker and hit you a lot. Sometimes
when drinking and violence are around, there can also be sexual abuse. Did your
dad ever sexually abuse you that you can remember?
Pt.: Oh no, nothing like that, not that I remember (said with conviction). I mean if he
tried something like that, I wouldn’t have let him.
Clin.: Of course, problems like that can occur in different ways. At any point, as you
were growing up, did your dad try to do things like touching you in your
private areas, fondling you or doing things like asking you to watch him
undress or did he watch you undress or shower? (clarifying norms) Although
these can be hard to talk about, try to remember if he did any of those types
of things with you?
Pt.: Well, sort of. I mean, he used to watch me shower all the time (pauses) – he still
asks me to do it when I go home sometimes (the patient is 17 years old), but I
don’t let him anymore.
Clin.: When he used to do that, what exactly did he do?
Pt.: He sort of snuck in the bathroom while I was showering and just asked me to pull
back the curtains.
Clin.: When he did that, did he keep his clothes on, or did he take them off?
Pt.: No, he usually pulled his pants down.
Clin.: When he did stuff like that, did he touch himself, you know, masturbate.
Pt.: (patient looks sheepish) Yeah, now that’s the part of it I didn’t like. Maybe he
shouldn’t have done that.
Clin.: Did your mom know about this?
Pt.: Nope. (pauses) He told me he would hurt me bad if I ever told my mom. (pauses)
You know, I think my dad might have had sex with my little sister.
Here is some really nice interviewing in which important material is being uncovered.
The little sister is 12, and she is still at home. The validity technique of clarifying norms
has pulled vital information to the forefront with minimal disengagement. If the
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Validity techniques for exploring sensitive material and uncovering the truth 159
clinician had accepted the first “no” of the patient and not clarified the norms, possibly
none of this information would have emerged.
a. “Some of my patients who are really worried about their weight, have told me that
they will do things to make sure that they don’t gain weight like force themselves to
vomit after a meal. Have you ever found yourself doing something like that?”
b. “Sometimes when people get really angry they say things they later regret. Has that
ever happened to you?”
c. “It’s not unusual when there has been a lot of drinking in a family, like you told me
your dad was doing when you were growing up, for there to be some violence. Did
your dad ever hit you or your mom or brothers and sisters?”
Normalization is also one of my favorite ways to raise the topic of suicide as with:
“Sometimes when people are as depressed as you have been, they find themselves having
thoughts of killing themselves. Have you been having any thoughts like that?”
Numerous variations of normalization can be used to raise the topic of suicide, depend-
ing upon the painful circumstances of the patient:
“Sometimes when people have lost their spouse, and I know how much Anne meant to
you, they find themselves having thoughts of killing themselves. Have you had any
thoughts like that?”
“Sometimes when people are in as much pain as you are describing, they find themselves
having thoughts of killing themselves. Have you had any thoughts like that?”
Said with a gentle tone of voice, normalizations often allow a patient to share suicidal
thought more openly.
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160 Clinical interviewing: the principles behind the art
Let us take a look at a similar, but slightly different, validity technique, also very useful
for raising the topic of suicide, as well as many other sensitive areas.
Shame Attenuation
There are two types of shame attenuation, also first described in an earlier edition of this
book.8 In the first type, the interviewer cues off of the pain or the situational stress of
the patient to enter a sensitive topic, such as suicide. In the second type, the interviewer
cues off of the patient’s own defense mechanisms (typically rationalizations) to uncover
material that the culture views as “bad,” such as criminal behavior or substance abuse.
Let’s take a look at the first type of shame attenuation and how it can offer us yet another
graceful bridge into suicidal ideation and other sensitive topics.
“With all of your pain, have you been having any thoughts of killing yourself?”
If bridging off of the patient’s stress, this first type of shame attenuation looks something
like this:
“With everything you’ve been going through, have you been having any thoughts of
killing yourself?”
Very simple, and perhaps a tad less wordy than most normalizations. And, when said
with a gentle tone of voice, very effective. One of the things I really like about this first
type of shame attenuation when used to raise the topic of suicide (or any other sensitive
topic) is how easy it is to use, and it can be used with just about any patient, no matter
what the patient’s circumstances, for psychological pain and personalized stress are ubiq-
uitous. It is one of my favorite ways to raise the topic of suicide.
By using shame attenuation as a bridge from pain, an interviewer can sensitively raise
many other difficult topics. For instance, raising the topic of psychosis is often viewed as
difficult to do in an engaging fashion, and rightly so. It is safe to assume that not many
patients like the idea that their interviewer suspects they are psychotic. But, with the use
of shame attenuation, even this daunting challenge to engagement is surprisingly easy. I
have found the following question effective at this task: “With all of the pain you have
been having, are your thoughts ever so intense that they sound almost like a voice
to you?”
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Validity techniques for exploring sensitive material and uncovering the truth 161
It’s a wonderfully phrased question for it arises naturally from the patient’s immedi-
ately preceding self-report of pain and also leaves a “face-saving out” for the patient with
the words, “almost like a voice.” Thus, he or she does not have to admit to hearing voices
immediately and can say something like, “Well, sort of, but I don’t think they are voices.”
With further questioning, we can sort out whether or not we feel voices may be present.
If present, we can follow up by hunting for command hallucinations (voices that are
telling the patient to do something) such as commands to kill themselves or harm
another.
As we saw demonstrated in our chapter on facilics, both normalizations and shame
attenuations are often utilized with natural gates. Their use with natural gates is particu-
larly popular for transitioning from a non-sensitive topic into a sensitive or taboo topic.
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162 Clinical interviewing: the principles behind the art
If a clinician chose to ask, “Do you think you have a drinking problem?” many such
patients would answer with a rather shocked “no.” In addition, the question itself might
disengage the patient. But in the following example we will see a different approach – the
application of shame attenuation – that results not only in more valid information but
causes no disengagement at all:
Pt.: I guess some of my best times are with my friends. I really would rather be with my
male friends than with my wife and some of her losers. Talk about boring, they
invented the word.
Clin.: Are these the same guys who are your drinking buddies?
Pt.: Yep. They’re the ones.
Clin.: Well where do you guys like to go for a brew?
Pt.: All over the place. We’ll tie one on anyplace anytime.
Clin.: You know, when you are out with your buddies like that, do you have a problem
holding your liquor or are you pretty good at holding your liquor? (shame
attenuation)
Pt.: Oh, I don’t have any problems holding my liquor. I’m not the best mind you, but I
can hold my own.
Clin.: How much can you put-down in a single night?
Pt.: Oh a six-pack, twelve-pack, no problem (said with a cheerful sense of pride).
Clin.: How often in a given week do you drink a six-pack or twelve-pack, in all
seriousness.
Pt.: In all seriousness … I’d say two or three nights a week. Well, make that two nights.
It’s usually only on weekend nights that I really go after it. By the way, I held down
a case one night (pauses) well I sort of held it down (smiles sheepishly).
In this example the interviewer has phrased the question in such a way (“… when you
are out with your buddies like that, do you have a problem holding your liquor or are
you pretty good at holding your liquor?”) that if the patient answers with a positive to
the last part of the phrase (“Oh, I don’t have any problems holding my liquor. I’m not
the best mind you, but I can hold my own”), then he or she is actually stroking his or
her own ego as opposed to admitting a flaw. In fact, to admit that “I have problems
holding my liquor” represents the answer more likely to produce shame.
This exchange is both more comfortable for the patient while also more likely to yield
valid data than a direct question such as, “Do you think you might have a drinking
problem?” or “Do you think you are an alcoholic?” Of course, one must also make sure
that the patient is not purely bragging. This can usually be accomplished by subsequently
delineating the actual drinking history via specific questions aimed at eliciting behavioral
specifics, as this interviewer was just beginning to do.
This technique is so valuable that we ought to see it in a different context. In this
instance the clinician is suspicious that the patient has had problems with irresponsibility
and angry exchanges on the job with his bosses. However, the patient is somewhat cagey
around this topic. The clinician has also accurately intuited that this particular patient
does not see himself as the problem. In his view, the bosses are the problem.
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Validity techniques for exploring sensitive material and uncovering the truth 163
What a difference skilled interviewing makes. We went from a patient reporting, when
asked whether there were any problems on the job, “Nah, none worth mentioning,” to
an open admission of being fired several times, without even a blip in the engagement
process.
Shame attenuation can also be useful in uncovering domestic violence as well. Patients
who have anger control problems, even when they might feel they need help, can find
it very hard to share acts of domestic violence. Shame attenuation can ease their anxieties
and lead gracefully into a more useful exploration of abuse issues with questions
such as:
“It sounds like you are super stressed. Do you feel the stress has ever pushed you to do
something you really regretted, such as striking your wife or your child, something
that is just not like you?”
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164 Clinical interviewing: the principles behind the art
such a behavior. In the spirit of Rogerian unconditional regard, the clinician attempts to
suspend judgment while voicing the question in such a manner that the patient may
respond from the perspective of how he or she sees it. Thus, although a patient with an
antisocial personality frequently sees other people as the troublemakers, the clinician
neither agrees nor disagrees with this stance. Moreover, the phrasing of the question
allows the person with the antisocial structure to express the world as it is seen through
his or her own eyes.
Induction to Bragging
In their outstanding text, The Clinical Interview Using DSM-IV,9 Ekkehard and Sieglinde
Othmer demonstrate a technique that they call “induction to bragging,” which takes
shame attenuation one step further. As with shame attenuation, they believe that it is
quite effective with people displaying an antisocial character structure. In its simplest
form, the clinician attaches a positive adjective to a behavior with a negative association,
as with the following question, “Were you a good fighter?” In this simple form it is no
different than shame attenuation. But when the clinician actually passes on a compli-
ment to the patient in a statement preceding the question, then “induction to bragging”
represents a new and distinct validity technique.
In this use of induction to bragging, the clinician begins with a complimentary state-
ment, which makes it easier for the patient to “almost brag” about a behavior that is
somewhat less than exemplary. Othmer and Othmer give as an example, “You seem to
be sly like a fox …,” a description that a person, shall we say, prone to deceit might find
a bit more to his or her liking than “You’re a deceitful son of a bitch, aren’t you?” – not
that a clinician would say the latter, although many of us have thought it. After giving the
above compliment, the clinician can then proceed to inquire about deceitful behavior in
a more productive fashion, fueled by the patient’s desire to live up to the compliment.
Let’s see how induction to bragging can help a patient to share self-incriminating
information:
Clin.: What other types of things did you and your buddies do back in high school?
Pt.: Oh, we hung out together. I’m not saying we were a gang or something, but we
were somebody you don’t mess around with.
Clin.: Well, you are obviously very big and clearly work out regularly, I bet you don’t take
any shit from anybody? (induction to bragging) How many fights have you actually
been in?
Pt.: Oh, a lot. I could really hold my own.
Clin.: Did you ever use a knife on anybody?
Pt.: Don’t need to. I got these (patient holds fists up and smiles). I used a tire chain on
some guy once.
Unlike Othmer and Othmer, I like to limit the use of the term “induction to bragging”
to those situations in which the clinician literally compliments the patient in a prefatory
statement, so as to clearly distinguish it from shame attenuation. For example, when
using shame attenuation a clinician might inquire about whether the patient may deserve
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Validity techniques for exploring sensitive material and uncovering the truth 165
some praise (“What do you do, do you tend to take their shit or are you the kind of guy
who likes to let the boss know where you stand?”). In contrast, with induction to bragging
there is a direct, clear-cut complement (“Well, you are obviously very big and clearly
work out regularly, I bet you don’t take any shit from anybody.”).
It is not necessary, or typical, to use “swear words” with patients, such as the word
“shit” in the example above. But occasionally it may be useful. In this case, the patient
had first used the word earlier in the interview, thus the interviewer chose to mirror the
patient’s own phrasing, a process that potentially enhanced the power of the induction
to bragging. If uncomfortable with such a word, the clinician can opt to not use it, for
there are many alternative phrasings. Interviewers must use what feels natural to them.
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166 Clinical interviewing: the principles behind the art
itself. In this sense, there are two types of behavioral incidents. In the first style (fact-
finding behavioral incidents), the clinician asks for a specific and concrete bit of behav-
ioral information or a train of thought, such as “Did you load the gun?” or “What
thoughts were going through your mind at that moment?” In the second type (sequenc-
ing behavioral incidents), the clinician simply asks the patient to “chronologically”
unfold the story with questions such as, “What happened next?” or “Right after your
friend accused you of lying, what was the very next thing you said to him?” Below are
some other examples of behavioral incidents:
1. “When you say you ‘threw a fit,’ what exactly what did you do?” (fact-finding behav-
ioral incident)
2. “Did you put the razor blade up to your wrist?” (fact-finding behavioral incident)
3. “How long did you leave it there?” (fact-finding behavioral incident)
4. “What did your boyfriend say right after he hit you?” (sequencing behavioral
incident)
5. “Tell me the next thing that went through your mind?” (sequencing behavioral
incident)
Pascal believes that interviewers frequently collect invalid data because they do not ask
specifically for such concrete information. It is an extremely useful principle, worthy of
illustration.
Let us assume that an interviewer is interested in accurately determining the amount
of open affection shared between a woman and her husband. We will look at two hypo-
thetical dialogues with the same woman but with different interviewers. In the first
excerpt, the interviewer asks primarily for the patient’s opinions, a process that yields
invalid data. In the second excerpt, the sensitive use of behavioral incidents provides a
different story.
Interviewer 1
Pt.: Basically I’ve been very busy, what with the kids and my mother getting sick.
Clin.: Do you feel happy with your husband’s support? (patient-opinion question)
Pt.: Yes … yes he’s been fairly good about it all.
Clin.: Is he very affectionate? (patient-opinion question)
Pt.: (pause) Uh-huh, affectionate enough.
Clin.: Have there been any financial strains?
Pt.: No, not really. Although the past several months have been a little tight, what with
decreased benefits and a new school year starting.
Interviewer 2
Pt.: Basically I’ve been very busy, what with the kids and my mother getting sick.
Clin.: What kinds of things does your husband do to support you? (fact-finding
behavioral incident)
Pt.: Well, he’s been a little less demanding, he doesn’t get upset if the dirty dishes stack
up a little longer or a shirt is a little wrinkled.
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Validity techniques for exploring sensitive material and uncovering the truth 167
Clin.: When he comes home from work, what is his typical routine? (fact-finding
behavioral incident)
Pt.: That’s pretty simple. He’ll walk in the door, I usually don’t see him come in and he
goes straight back to his room to change clothes.
Clin.: And then? (sequencing behavioral incident)
Pt.: Well, let’s see, I usually knock on the door and let him know dinner will be ready.
Clin.: Do you go in and talk with him then? (fact-finding behavioral incident)
Pt.: No, I go straight back. Oh, I usually peek in and say hello, but I have to get back to
the stove.
Clin.: During the course of the night, is he the type of man who likes to hug, or does he
prefer to keep a little more to himself? (patient-opinion question)
Pt.: Well, let me see, he really doesn’t hug a lot. No I can’t say he does.
Clin.: Do you remember the last time he hugged you? (fact-finding behavioral incident)
Pt.: I honestly can’t remember (patient’s affect is becoming more sad).
Clin.: You look a little sad. How long has it been since he last hugged you? (fact-finding
behavioral incident)
Pt.: (patient looks at interviewer and pauses with a little sigh) I think the last time he
hugged me was about 6 months ago near Christmas. I remember because I was so
pleased by it. It’s rare for him to touch me like that anymore. (pause) It didn’t used
to be this way … (breaks into tears).
Clearly, the second interviewer seems to have uncovered a different and more valid story
than the first one. Through the gentle use of behavioral incidents, the second clinician
has gathered evidence that problems exist in the marriage, a situation the first interviewer
missed.
I have found Pascal’s concept of the intentional use of behavioral incidents to be one
of the most powerful interviewing techniques I have ever learned. It is elegant in its
simplicity, powerful in its execution. There is one tough clinical situation where I have
found the application of a series of behavioral incidents into a flexible interviewing
strategy to be invaluable. Specifically, when one is faced with the task of uncovering a
highly sensitive or painful incident, such as a suicide attempt or an act of domestic vio-
lence, the serial use of behavioral incidents is remarkably effective at “getting the facts.”
Here, invalid data (a patient downplaying the seriousness of his or her suicidal intent)
is a mistake that can prove to be fatal.
I like to call this strategy “making a verbal video,” a term that is very popular with
trainees because it so vividly captures the core of the strategy. In cognitive–behavioral
therapies the process is often called a “chain analysis.”
When making a verbal video, the interviewer interweaves a series of fact-finding and
sequencing behavioral incidents that prompts the patient to create a verbal “walk-
through” of what happened. If done well, the clinician should be able to see exactly what
happened in his or her own mind, allowing him or her to better evaluate the extent of
action taken towards suicide by the patient or the degree of violence involved in the act
of domestic violence. If the patient suddenly skips ahead, creating a gap in the verbal
video (we call these “Nixon Gaps”), the interviewer simply rewinds the video by asking
the patient to go back to where the gap began and prompts the story to re-start from
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168 Clinical interviewing: the principles behind the art
there with more behavioral incidents. Let’s see this serial use of behavioral incidents
at work.
Pt.: … I never expected it to get to this point. I’m not even certain what I want to do.
Should I stay with him, should I leave him? I just don’t know, I just don’t know.
Clin.: Just how bad was it tonight?
Pt.: Not that bad (sighs). I mean he better not do it again, but he’s been worse.
Clin.: Anne, if you can help me to get a better feel for exactly what happened tonight, I
might be better able to help. You said he was yelling at you and he had been
drinking heavily, is that right?
Pt.: Yeah, that’s right.
Clin.: And then you told me he hit you. How did it go from yelling to hitting?
Pt.: He was screaming about my not holding up my end of things financially. And I
mean screaming.
Clin.: Where were you in the house? (fact-finding behavioral incident, note it is also an
anchor question focused on location, to enhance recall)
Pt.: Oh, we were in the kitchen. He likes to drink in the kitchen.
Clin.: What happened next? (sequencing behavioral incident)
Pt.: He said, excuse the language, “Get the fuck out of here!” (shakes her head from
side to side with a weak smile of disbelief). I told him I’m not getting the fuck out
of here because I live here, in fact it’s my house.
Clin.: And then what happened? (sequencing behavioral incident)
Pt.: He screamed, “you little bitch” and he hit me. (looks down and tears well up)
Clin.: It sounds very frightening to me. (gentle empathic statement, clinician hands
patient a box of Kleenex)
Pt.: Thanks.
Clin.: Did he hit you with his fist? (fact-finding behavioral incident)
Pt.: Yeah, it really really hurt?
Clin.: Where did he hit you? (fact-finding behavioral incident)
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Validity techniques for exploring sensitive material and uncovering the truth 169
This interviewer has earned her pay tonight. She might also have just saved this patient
from making a very dangerous decision. The facts uncovered through her skilled creation
of a verbal video certainly suggest that it would not be wise for the patient to return
home on this particular evening, and the patient has discovered, through her own words,
the seriousness of the situation.
Also note that the interviewer, near the end of the verbal video, specifically asked what
the parting words of the perpetrator of violence were (“What was the last thing he said?”).
If the patient does not spontaneously share the last words of the perpetrator, I recom-
mend using a direct question to uncover the information as this interviewer illustrated.
Sometimes, as the perpetrator exits, he or she will share a specific threat such as, “I’m
gonna get you bad, I’m going kill you real good, real soon.” With this question, one
sometimes uncovers material clearly indicating immediate or near danger for the patient,
suggesting the need for a safe haven.
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170 Clinical interviewing: the principles behind the art
the clinician will need to utilize verbal videos judiciously in areas in which he or she
deems validity to be of particular importance.
Second, the great utility of the behavioral incident does not mean that patient-opinion
questions are not useful. Quite to the contrary; as we have seen earlier, as person-centered
interviewers, we find the patient’s perspective to be of paramount importance. Interview-
ing techniques are generally neither good nor bad. Interviewing techniques are merely
more, or less, useful for specific tasks.
Patient-opinion questions are invaluable for understanding the patient’s perspectives,
needs, opinions, and goals. We have also seen how they allow us to naturalistically
observe the patient’s defenses and they provide the foundation for collaborative problem
solving. They are just not particularly good for getting at the facts. In contrast, behavioral
incidents are poor at all of the above tasks. But when it comes to uncovering the truth,
put your money on Pascal’s behavioral incident.
Gentle Assumption
With this technique, the clinician, using a gentle tone of voice and non-accusatory
wording, assumes that a suspected behavior is occurring. This gentle assumption meta-
communicates the reassuring message to the patient that the clinician has already encoun-
tered the behavior in other patients.
The technique was first developed by sex researchers, Pomeroy, Flax, and Wheeler,11
who discovered that questions such as, “How frequently do you find yourself masturbat-
ing?” were much more likely to yield valid answers than, “Do you masturbate?” If the
clinician is concerned that the patient may be “put-off” by the assumption, it can be
softened by adding the phrase “if at all” as with, “How often do you find yourself mas-
turbating, if at all?” I have found very few patients to be bothered by the use of gentle
assumptions, if previous engagement has gone well and the tone of voice used with the
gentle assumption is non-judgmental.
The definition of a gentle assumption can be clarified by contrasting this technique
with questions that are not examples of gentle assumption. Any question that asks
whether or not a patient has engaged in a given behavior (e.g., often beginning with
words such as “Have you ever …”) is by definition not a gentle assumption. For example,
when utilizing a gentle assumption to uncover other street drug abuse, after having
explored the patient’s use of marijuana, the clinician would not ask, “Have you ever tried
any other street drugs?” Instead, the clinician would matter-of-factly inquire, “What other
street drugs have you ever tried?” Only the latter type of question demonstrates the tech-
nique of gentle assumption.
Some prototypic examples of gentle assumptions are:
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Validity techniques for exploring sensitive material and uncovering the truth 171
No one knows exactly why gentle assumptions work, but they do. Perhaps, as mentioned
earlier, they metacommunicate that the clinician is familiar with the area and has seen
other people with similar behaviors, indirectly allowing the patient to feel less odd or
deviant. They may also indicate that, at some level, the clinician may be expecting to
hear a positive answer and it is okay to provide one.
It is important to note that gentle assumptions are powerful examples of leading
questions (a defense attorney on Law and Order would be on his feet objecting with each
and every one of them). They must be used with care.
More specifically, gentle assumptions should not be used with patients who feel com-
pelled to please the interviewer (e.g., a patient with a histrionic or markedly dependent
personality disorder) or who might feel intimidated by the interviewer (e.g., a child or
patient with limited intelligence). In such cases, gentle assumptions can lead to a patient
reporting something that is not true, for they feel they are “supposed” to have had the
experience or behavior in question. In my opinion, gentle assumptions are inappropriate
with children when exploring potential abuse issues: in such cases, gentle assumptions
can lead to the production of false memories of abuse.
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172 Clinical interviewing: the principles behind the art
from the patient, the clinician will use a series of denials of the specific to tease out the
truth:
Clin.: What other street drugs have you tried in the past?
Pt.: Oh … Not much, really.
Clin.: How about coke? (denial of the specific)
Pt.: No, no, not really, it’s too expensive.
Clin.: How about if someone gives it to you?
Pt.: (patient smiles) Hey, I’m no fool. Sure, I’ll run in the snow if it’s falling.
Clin.: Would you say 5, 10, 15 times a week?
Pt.: Nah, maybe three, four times a month.
Clin.: How about when you were younger, has there ever been a time when you used
more coke?
Pt.: Oh sure, when I was in the first couple of years of college, I was probably snorting
a couple of lines a day.
Clin.: Have you ever tried speed, even once or twice? (denial of the specific)
Pt.: Now that’s a drug that I can take or leave. (note that if he can “take it or leave it,” it
suggests he has indeed tried it, a fact that leads the interviewer to use a gentle
assumption)
Clin.: What’s it like for you? (gentle assumption)
Pt.: I just don’t like it that much. I don’t like coming down off it, crashing is no fun.
Clin.: Even though you don’t like it very much, how many times have you used it in the
last month?
Pt.: The last month, let’s see, hmm, maybe two or three times.
Clin.: Was there ever a time in the past where you speeded for days at a time?
Pt.: Sure, when I was in college I might speed for 2, 3 weeks at a time. Hey, I was a
Hunter S. Thompson. I was on the road to Vegas (patient chuckles), sort of wish I
was there now.
Clin.: Have you ever used some type of downer like Valium or Xanax? (denial of the specific)
Pt.: Well … some … not a lot. When I was speeding I’d sometimes use some shit like
that if I needed to come down. But nothing in years.
Clin.: How about marijuana, have you ever used marijuana? (denial of the specific)
Pt.: Yeah, now that’s something I’ve used a little more of. (pauses) And now that it’s
legal, I plan to use a lot more of the stuff (patient smiles).
The clinician’s persistence is paying off. It is not infrequent for patients initially to deny
or downplay the use of a drug. But if asked specifically about past use, a patient may
then admit to heavier usage. Thus it is often a good idea with a drug history to probe
both for the recent past and the distant past.
It is important to frame each denial of the specific as a separate question, pausing
between each inquiry and waiting for the patient’s denial or admission before asking the
next question. The clinician should avoid combining the inquiries into a single question,
such as, “Have you thought of shooting yourself, overdosing, hanging yourself, or jumping
off of a bridge or building?” A series of items combined in this way is called a “cannon
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Validity techniques for exploring sensitive material and uncovering the truth 173
question.” Such cannon questions frequently lead to invalid information because patients
only hear parts of them or choose to respond to only one item in the string – often the
last one. In addition, with each use of a single denial of the specific, the interviewer has
an opportunity to observe nonverbal indicators of lying or minimization. Cannon ques-
tions undermine this process, for the patient only has to lie once.
Catch-All Question
One of my favorite features on our website for the Training Institute for Suicide Assess-
ment and Clinical Interviewing (www.suicideassessment.com) is our interviewing “Tip
of the Month.”13 In this feature, which has well over 150 interviewing tips archived, visi-
tors to our website or participants from my workshops submit interviewing tips that they
have found to be particularly useful in their everyday work. Over the years, I’ve learned
an immense amount from these tips and one of my favorites was submitted by Sarah
Davila.14 Her tip, like denial of the specific, helps an interviewer to finish a list. In fact,
it is often used after a string of denials of the specific if the clinician is suspicious that
an odd outlier may have been missed. Davila’s tip was focused upon uncovering unusual
methods of suicide. I’ve broadened its use to other topics and we now call it the “catch-
all question.” Let’s see it at work, first with suicide.
With patients in which one remains suspicious that an important or rather unusual
method of suicide has been withheld, the interviewer asks, “We’ve talked about a lot of
different ways that you’ve been thinking of killing yourself today, is there any method
you’ve thought of, even briefly, that we haven’t talked about?” The answers are sometimes
surprising. This question can also prompt the patient to share that he or she has done a
web search on suicide, offering further glimpses of the patient’s intent.
The catch-all question is useful in many situations other than suicide assessment; here
are some prototypic examples:
1. “We’ve talked about a lot of things that your son is doing at school or at home that
are upsetting to you; are there any that we haven’t talked about yet?”
2. “Are there any other bad experiences you had over in Iraq, perhaps even with fellow
soldiers, that we haven’t talked about?” (may uncover sexual assault)
3. “We’ve talked about a lot of things that your wife is upset about with you; are there
any we haven’t talked about yet?”
4. “Is there any street drug, or perhaps a prescription drug, that you have used to get
high that we haven’t talked about yet today?”
Symptom Amplification
This technique, also originally delineated in the first edition of this book,15 is based upon
the fact that patients sometimes downplay the frequency or degree to which they have
indulged in disturbing behaviors, such as the amount that they drink or the frequency
with which they gamble. Symptom amplification allows a clinician to bypass these dis-
torting mechanisms without disengaging the patient, a disengagement that might have
occurred if the interviewer had directly challenged the patient’s minimization. In fact,
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174 Clinical interviewing: the principles behind the art
with the use of symptom amplification, the clinician allows the patient to naturalistically
use minimization as a defense.
This task is accomplished by setting the upper limits of the quantity in question at
such a high level that, when the patient downplays the amount, the clinician is still aware
that there is a significant problem. For a question to be viewed as symptom amplifica-
tion, the clinician must suggest an actual number in the question. This technique is only
used if one is suspicious the patient is going to minimize.
For instance, a clinician suspicious that he or she is in the presence of a heavy drinker
can, once the topic of drinking has been raised, ask about the extent of the drinking
behavior as follows, “How much liquor can you hold in a single night, a pint, a fifth?”
When the patient responds, “Oh no, not a fifth, I don’t know, maybe a pint,” the clini-
cian is still alerted that there is a problem, despite the patient’s minimizations. To be
effective, when using a symptom amplification, it is important to start with a high
number and go even higher.
Here are some other examples of symptom amplification:
1. “How many physical fights have you had in your whole life, 30, 40, 50?”
2. “How many times have you tripped on acid in your whole life, 25, 50, 100 times or
more?”
3. “How many times have you actually struck your wife, 20, 40, 60 times?”
4. “On your very worst days, when you are thinking the most about suicide, how many
hours do you spend thinking about it, 8 hours, 12 hours, 15 hours?”
There is one important caveat to the use of symptom amplification. The clinician must
be sure that he or she does not set the upper limit at such a high number that it seems
absurd or creates the impression that clinician is unfamiliar with the topic at hand.
Perhaps the funniest example of this error that I’ve had the fortune (or misfortune) to
encounter was when a trainee asked a street-wizened junkie the following question,
“When you’ve used peyote buttons, how many have you used at a time, 100, 200?”
Besides providing an extremely hearty chuckle for the junkie, who immediately began
imagining the single most nauseated human being in recorded history, it also provided
the clinician with a mildly uncomfortable moment when the patient queried, after con-
taining his glee, “You don’t know much about peyote, do you Doc?”
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Validity techniques for exploring sensitive material and uncovering the truth 175
that it can be very effective to insert one validity technique directly inside another one.
One of my favorite applications of this strategy involves inserting a shame attenuation
inside a gentle assumption or behavioral incident, as illustrated by this direct transcript
from my original interview with this adolescent:
Clin.: What about, how frequently have bosses, you know, taken you aside, and
complained to you, or harped to you, about your work, saying that you’re not doing
a good job or what they want?
Pt.: I had one boss, and that’s after the accident, I worked at the deli on Murray Avenue,
I was kinda new there so he couldn’t really harp on me, you know, every day he
would tell me you’re doing this really slow …
With this patient, I inserted a shame attenuation (“or harped to you”) directly into the
middle of a gentle assumption, for I felt the patient frequently viewed bosses and other
authority figures as problematic. By tapping his bias, I thought I might enhance the power
of my gentle assumption to uncover the truth. Very shortly, in our next video module,
which is based upon this patient, we will see this specific clinical exchange brought to
life, and I believe you will see the naturalistic conversational flow that can be generated
using doublets.
Clinicians may sometimes find it advantageous to create triplets, as I could easily have
done with above: “… how frequently have bosses, you know, taken you aside, and com-
plained to you, or harped to you, about your work, saying that you’re not doing a good
job or what they want, 10 times, 20 times, 30 times?” (adding a symptom amplification).
In this instance we see the coupling of three validity techniques: gentle assumption,
shame attenuation, and symptom amplification.
At this point, let me clarify something that, left unaddressed, is sometimes confusing.
All of the techniques we have been discussing are specific and cleanly distinct from one
another. One will not confuse a shame attenuation with a symptom amplification. This
clarity (and lack of overlap) is one of the reasons they are easy to use and easy to teach.
But there is one exception.
Almost all of the techniques, in some variant or another, can be simultaneously
viewed as being an example of a behavioral incident, for they are often requesting con-
crete facts, thus fitting the definition of a “fact-finding behavioral incident.” For instance,
the gentle assumption above (“… how frequently have bosses, you know, taken you aside,
and complained to you, … about your work, saying that you’re not doing a good job or
what they want?”) is simultaneously a behavioral incident. Indeed, some validity tech-
niques are always simultaneously a behavioral incident, as is the case with symptom
amplification in which case the interviewer is always requesting a number.
In supervision, we explain this overlap area with trainees and relate that if a technique
is both a behavioral incident and another more specific validity technique, we will tag it
with the name of the more specific technique, for it illustrates better the use and power
of the technique. Once explained, we find that trainees have no problems with this defi-
nitional overlap.
Now is an opportune time to watch a variety of our validity techniques being utilized
clinically. In the following video module, we will be meeting a rendition of the
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176 Clinical interviewing: the principles behind the art
late-adolescent patient introduced above. We will discover that telling the truth is not
exactly second nature to him. His presentation will prove to be an ideal setting to put
our validity techniques to the test.
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Validity techniques for exploring sensitive material and uncovering the truth 177
subjective. Others, such as psychotic process, are chosen if the patient feels a very serious
or dangerous picture needs to be presented to gain the desired goal (such as admission
to a hospital or as a prequel for an insanity defense).
One of the clinician’s best assets for spotting malingering is a detailed knowledge of
what symptoms are present in what diagnoses, how these symptoms appear when really
present, and what the pain is like that people feel when these real symptoms are present.
Through this person-centered knowledge, we can carefully weigh what the potential
malingerer is describing with what patients coping with the real thing actually experience.
Taking this a step further, some psychological tests for detecting malingering employ
formal scores to measure the patient’s claims of having experienced rare or improbable
symptoms, such as the Structured Interview of Reported Symptoms.17 Rare symptoms
should be just that – rare. If a patient presents with numerous rare symptoms, the likeli-
hood of malingering goes up substantially.
For use in everyday clinical interviews, Phil Resnick describes a technique he calls the
“endorsement of bogus symptoms.”18 With this technique, the interviewer asks the patient
if he or she is experiencing a symptom that the clinician knows is highly atypical for the
disorder being feigned. If the patient endorses having such a symptom, the likelihood
of malingering goes up.
The endorsement of bogus symptoms can be particularly useful when ferreting out
psychotic symptoms, for many patients who are feigning psychosis think that almost any
“crazy-sounding” process is probably found in disorders like schizophrenia or psychotic
manias. As we will see in future chapters, this belief is far from the truth. Psychotic
symptoms have distinctive phenomenologies and symptom pictures.
Resnick suggests that questions such as, “When people talk to you, do you sometimes
see the words they speak spelled out?” or “Have you ever believed that automobiles were
members of organized religion?” may result in positive responses in patients who are
malingering, whereas such experiences would be highly unusual in cases of legitimate
psychotic process. Resnick emphasizes that such questions must be asked in the context
of other questions more typical of psychotic ideation to prevent them from standing out
as unrealistic. With malingers who “hear voices,” I have found subtle questions such as
“Do your voices often slip under the door?” or “Do your voices tend to slam into the
back of your head?” to be effective for eliciting malingered responses. Although voices
could be experienced in these fashions, it is a rarity.
Here are other examples of the endorsement of bogus symptoms for use in differing
disorders:
1. “When you have your flashbacks, do they occur in black and white?” (PTSD: note
that patient flashbacks – re-experiences of traumatic incidents – are not typically
experienced as black and white images.)
2. “When you have your panic attacks, do they tend to stay with you, hammering at
you, for many hours on end?” (Panic attacks are time-limited, seldom lasting in full
intensity past an hour or two; they are usually significantly shorter.)
3. “During your most severe periods of depression, do you usually find that you wake
up feeling pretty good, but as the day progresses the depression becomes devastating
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178 Clinical interviewing: the principles behind the art
so that it is frankly hard for you to function, despite your best efforts?” (With major
depressions, patients rarely awaken refreshed; indeed they often awaken earlier than
they want, barraged by an onslaught of unsettling worries.)
Let us return to Ben, our patient from Video Module 5.1. If you will recall, Ben had
presented to our emergency department saying, “I’m really suicidal and crazy.” As already
noted, at the time of his interview I was suspicious that Ben was malingering, which we
now know was later determined to be true subsequent to his admission. In Video Module
5.4, we will see that it was Ben’s response to my first use of an endorsement of bogus
symptoms that made me strongly suspicious that Ben was indeed malingering.
Gauging Motivation
Leston Havens developed an interviewing strategy for gauging a patient’s motivation to
pursue a self-initiated behavior (e.g., pursue a job change) or recommendation from
others (e.g., attend alcoholics anonymous). Techniques for improving motivation, as
first delineated by Miller and Rolneck,19 are so important that we devote the whole of
Chapter 22 to them. At this point though, Haven’s technique – called “soundings” – is
an example of an interviewing strategy not designed to increase motivation, but to
accurately determine its current level. The following description is adapted directly from
Haven’s lucid writings.20
Curiously, soundings drew its name and its methodology from a most unexpected
“clinician,” Samuel Clemmons, or Mark Twain as he is more commonly known. Few
know that Twain drew his pen name from an everyday process that riverboat captains
used to discover the depth of the treacherous Mississippi River.
In unknown waters, a leadsman would throw over a weighted rope until it hit bottom
and then call up the depth as indicated by the length of rope, yelling out a phrase such
as, “By the mark four!” or “Mark three-and-one-half!” If the depth was found to be 2
fathoms, the boat was in danger of going aground, and the leadsman would urgently
call out, “Mark twain!” This measuring process was called “soundings.”21 It was an accu-
rate way of seeing what could not be seen – the bottom of the river. Havens became
intrigued by the idea that a similar approach might be of use in helping a clinician to
see what could not easily be seen with a patient, the depth of the patient’s motivation.
With soundings, the interviewer tosses out a series of statements of inquiry, which we
first came upon in the Degree of Openness Continuum (DOC; statements of inquiry are
statements in which the inflection at the end transforms the statement into something
that needs to be addressed by the patient as with, “You found having a child to be more
difficult than you had imagined?”). With soundings, this series of statements of inquiry
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Validity techniques for exploring sensitive material and uncovering the truth 179
is carefully sequenced in a progressive fashion so as to probe deeper and deeper into the
patient’s level of motivation. The patient’s verbal and nonverbal responses often represent
a fairly accurate record of how much the patient agrees or disagrees with the statement
proffered by the clinician. With each “sounding,” like our riverboat man, the clinician
acquires a more accurate feeling for what is hidden.
This strategy is more easily understood by way of an example. Let us take a look a
common clinical conundrum – trying to accurately determine a patient’s intention to do
something that is difficult to do, perhaps leave an abusive marriage. Watch as the clini-
cian in this prototypic conversation below helps both the patient and herself to ferret
out the patient’s intention. The patient will announce that she intends to leave her
husband soon. But what does this really mean? How much intention is behind this
statement? The interviewer will toss out a series of soundings, always done with a gentle
tone of voice – never in a challenging tone of voice – to see where the depth of the
intention actually lies:
Pt.: I really feel that somehow I need to get out of this relationship. I know in my heart,
Jim is bad for me. I’ll get out soon.
Clin.: You dream of this? (a sounding)
Pt.: As a matter of fact, I think of it every day. I know that Jim is perhaps my biggest
problem.
Clin.: You might want to do this then, to leave Jim? (a sounding)
Pt.: Yeah, I might need to do it.
Clin.: You feel you can do it? (a sounding)
Pt.: (patient sighs) Well, I guess so … I think so.
Clin.: You feel you will be able to do it within a month or two? (a sounding)
Pt.: Well, I doubt that … No I don’t think that is in the cards in the near future.
“You may sometimes wonder, can this really be true about your neighbor?”
“You feel that there’s too much evidence to doubt it?”
“There doesn’t seem any doubt at all in your mind at his point?”
The clinician pauses after each of these soundings to see how the patient responds both
verbally and nonverbally.
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180 Clinical interviewing: the principles behind the art
Later in the interview, when evaluating the level of the patient’s intention to act on
the delusion (perhaps to violently confront his imagined persecutor), the following
soundings might be of use, once again pausing after each one to listen to the patient’s
response:
To such a series of statements of inquiry, the interviewer might discover that a gun has
been purchased that the patient plans to bring along, “just in case it’s needed,” when he
confronts his unwary neighbor about his supposed schemes.
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Validity techniques for exploring sensitive material and uncovering the truth 181
Pt.: My wife and I haven’t really gotten along well in years (pause). Last weekend we
really went at it.
Clin.: Tell me what happened. (behavioral incident)
Pt.: Well … She just started on me about needing to get a job, that’s her big thing now.
She wants me to go down to the unemployment office today not tomorrow. Today.
So she starts ragging and yelling and I (pause) I just couldn’t take it anymore so I
lost it on her.
Clin.: What do you mean that you lost it on her? (behavioral incident, said gently)
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182 Clinical interviewing: the principles behind the art
Pt.: I left. Just took off in a fit of anger. I waited till she went out to the kitchen, and I
went out the back door, and I didn’t come back for 2 days. I didn’t call her. I didn’t
look for a job. I just bagged it all. Screw her.
I think many clinicians, including myself, would have interpreted the phrase “lost it on
her” as probably indicating physical violence. The behavioral incident dismantles this
clinician assumption and uncovers a much less disturbing, albeit strikingly passive-
aggressive, behavior. Although this assumption would have been in error here, the clini-
cian’s intuition of violence will soon prove to be on the mark. The doorway to an
exploration of domestic violence is opened through an effectively used “validity triplet”:
Clin.: Sounds like you two really do go at it. At such moments, sometimes people have a
hard time controlling their emotions (normalization). With all of the pent-up stress
you two have been under (shame attenuation), how many times have you found
yourself stressed to the point that you may have lost your temper and perhaps hit
her? (gentle assumption)
Pt.: I’ve not really done that.
Clin.: When you say “not really,” what do you mean? (behavioral incident, said in a
non-accusatory tone)
Pt.: Oh, I’ve never actually hit her.
Clin.: Sometimes people mean different things by the same word; to make sure I’m not
being confusing here, let me explain what I mean by the word “hit.” I’m including
anything like using a fist, slapping with an open hand, or pushing her. (clarifying
norms)
Pt.: (sighs) Well, (pauses, shrugs shoulders slightly) I guess you could say I slapped her
a few times.
Clin.: Did you ever slap her so hard that it caused some bruises? (behavioral incident)
Pt.: Not really (pauses, purses his mouth) Maybe a black-eye once or twice.
Clin.: How many times do you think you have slapped her, 20 times, 30 times, 40 times?
(symptom amplification)
Pt.: Not that often. (pauses to reflect) Maybe six, seven times.
Clin.: Has she ever had to get stitches or go to the emergency room? (behavioral incident)
Pt.: Oh no, shit no, never.
At this point, the interviewer is becoming suspicious that the patient may have an antiso-
cial personality disorder and has decided it warrants some further exploration, for the
presence of such a personality structure might have important ramifications for designing
an appropriate referral for therapy. The problem is that the criteria for an antisocial per-
sonality disorder (from childhood problems, such as fire-setting and torturing animals, to
adult behaviors, such as problems with the law and chronic lying) can be potentially dis-
engaging to explore in an initial interview. Let’s see how this interviewer, with the skilled
use of validity techniques, accomplishes this exact task in a surprisingly engaging fashion
just as I demonstrated in our video with Ben:
Clin.: How about outside the house. It sounded to me earlier like you grew up in a really
tough neighborhood where you probably had to know how to fight just to survive.
(shame attenuation) Is that true?
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Validity techniques for exploring sensitive material and uncovering the truth 183
Pt.: You better believe it. There were several kids from my high school killed in
shootings, probably drug shit, I don’t know.
Clin.: You look like you take pretty good care of yourself. I bet you could hold your own
even in a neighborhood like that. (induction to bragging) What types of fights, if
any, did you get into back then? (gentle assumption)
Pt.: Oh, I got into a few fights. Trust me on that one. I didn’t pick them, but the guys
who did wished they hadn’t.
Clin.: Did you hurt anybody so bad they had to go to the hospital or anything?
(behavioral incident)
Pt.: Nothing like that. But I beat them up pretty good.
Clin.: Even though someone else started them, (shame attenuation) did you ever end up
getting arrested? (behavioral incident)
Pt.: Nope. Can’t say that I have.
Clin.: Did you ever get into trouble with the law in some way that we haven’t talked
about? (catch-all question)
Pt.: Oh yeah, I was picked up for vandalism and that kind of shit, but never arrested. I
stopped all that shit as soon as I got out of high school.
Clin.: I know you got yourself out of that neighborhood as fast as you could, that’s for
sure, and that was clearly a smart thing to do. How about after you left there, when
you moved to Los Angeles, did you have any troubles with the law then? (anchor
question, time-focused)
Pt.: Hmmm. (pauses) Well, I guess you could say so, I got fired once for fighting on the
job, and they called the cops then, I wasn’t arrested or anything.
Clin.: Billy, you told me earlier about all the abuse your father did to you, and it sounded
like pretty bad abuse to me, do you think it ties in to some of your own angry
outbursts, like with your wife or this episode back in LA?
Pt.: Absolutely. I’m no therapist, but if you get hammered like that in life, you’re going
to hammer some people back, that wouldn’t surprise me. It’s just the way it is.
Clin.: Another thing that some of my patients have told me, who have had very abusive
parents like your dad was, is that they had to lie to protect themselves, do you
know what I mean by that? (normalization)
Pt.: Hell yeah. After he’d had a drunk on, you’d tell the old man whatever he wanted to
hear. If he asked me if my homework was done and it wasn’t, I’d tell him it was all
done and then I’d get my ass out of Dodge. If he found out that my homework
wasn’t done, he’d beat the crap out of me, I mean he’d beat the crap out of me …
(pauses) Sometimes I had to lie to protect my mom or my little sister too. Yeah, he
was a real bastard.
Clin.: Some people with similar histories of abuse, especially if they had to keep lying
over and over again to protect themselves like you did, tell me that the lying sort of
becomes a habit and they find themselves lying even when they are older and
sometimes when they don’t even realize they are doing it. (normalization) Have
you ever found that to be true for you?
Pt.: (smiles) Well (pauses) … let me put it this way, I’ve been known to tell a lie or two
… if I need to. (smiles again)
Clin.: Have you become a pretty good liar over the years? (shame attenuation)
Pt.: (bigger smile) Let me let you in on a secret, Doc. I’m a super good liar. (pauses)
And I ain’t lying to you. (chuckles)
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184 Clinical interviewing: the principles behind the art
Clin.: (smiles) Now it also sounds to me like your mother, as well as your father, was
abusive to you. She sounds like she was very verbally abusive, did you ever run
away from home to get away from it all? (shame attenuation)
Pt.: Yeah.
Clin.: How many times do you think, 10 times, 15 times, 20 times? (symptom
amplification)
Pt.: I don’t know, maybe around five or six times. But I always came back in a day or
two. I don’t know why, but I did.
Clin.: To get back at them, (shame attenuation) did you ever do things that you knew
would annoy them or frighten them, like set fires?
Pt.: Hell no, he’d have killed me.
Clin.: How about something they couldn’t see? Did you ever try to take what you felt was
justifiable revenge by hurting something that your parents loved like one of your
dad’s dogs, you told me he had several dogs? (shame attenuation)
Pt.: You know, I was so afraid of him, I’d have never risked that, but you know, I sort of
thought of it, because I did like to tease cats for awhile.
Clin.: What would you do? (behavioral incident)
Pt.: We’d stick a cat in a can and then kick it or sometimes we sprinkled the cat’s tail
with lighter fluid and then lit it. You should have seen them fly!
Clin.: How do you view those behaviors now when you look back?
Pt.: That was pretty weird. (pauses) I sort of feel bad about it. I don’t think I’d do any
of that type of stuff now. I’ve learned that there’s no use hurting things in this life,
I’m really pretty much of a pacifist. I’m not out to hurt anybody or anything. Just
mind my own business.
In this illustration, the clinician is eliciting a powerful history, filled with evidence of
antisocial behavior, and yet the patient appears to feel comfortable. Part of this comfort
may be related to this patient’s innate tendency to not feel guilt, but a considerable part
seems to be related to the clinician’s skill in exploring sensitive material adeptly. On a
disturbing level, some of the uncovered antisocial material hints at true sociopathy (with
people and animals being viewed by the patient with a disturbing lack of empathy). Note
how the clinician is skillfully able, without any damage to the therapeutic alliance, to
raise often highly disengaging topics such as the patient participating in animal torture
or fire-setting by tying the topics into the patient’s own rationalizations via shame attenu-
ation (e.g., the patient potentially viewing such behaviors as okay to do because of his
parent’s abuse).
We have concluded our exploration of the four clusters of validity techniques and
have covered a lot of ground. It may be useful to summarize what we have learned in
each cluster:
Cluster 1: techniques for improving generalized recall (anchor questions, tagging ques-
tions, and exaggeration)
Cluster 2: techniques for avoiding miscommunication (defining technical terms, clarify-
ing norms)
Cluster 3: techniques for raising a sensitive or taboo topic (normalization, shame attenu-
ation, induction to bragging)
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Validity techniques for exploring sensitive material and uncovering the truth 185
Cluster 4: techniques for exploring a sensitive topic once raised (behavioral incident,
gentle assumption, denial of the specific, catch-all question, and symptom
amplification)
We have also examined validity techniques for miscellaneous tasks such as Resnick’s
endorsement of bogus symptoms for spotting malingering and Haven’s soundings for
gauging motivation.
Our efforts will not go unrewarded. Through the creative and flexible use of the
validity techniques described in this chapter, we will be much better able to help our
patients to share sensitive topics about which it is often difficult to talk. We will have
gone a great way towards gently cutting through the “mists of words” that Oscar Wilde
alluded to in the epigram that opened our chapter. The result will be a clearer picture
of the reality of the problems that are facing our patients and the behaviors that may
be leading them to cause harm to either themselves or to others, and sometimes both.
It is our patients who will be the beneficiaries of our hard work and our studies. The
art of interviewing will have taken its much-deserved place as the first step in the art
of healing.
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11. Pomeroy WB, Flax CC, Wheeler CC. Taking a sex history. New York, NY: The Free Press; 1982.
12. Shea SC. Psychiatric interviewing: the art of understanding. 1st ed. Philadelphia, PA: W.B. Saunders, Inc.; 1988. p. 372.
13. Shea SC. My favorite tips from the “clinical interviewing tip of the month.” Psychiatr Clin North Am
2007;30(2):219–25.
14. Davila S. Uncovering unusual methods of suicide. Interviewing Tip of the Month Archive from the website of the
Training Institute for Suicide Assessment and Clinical Interviewing (TISA). January 2010. <http://
www.suicideassessment.com./tips/archives.php?action=prod&id=119> [accessed 23 August 2015].
15. Shea SC. Psychiatric interviewing: the art of understanding. 1st ed. Philadelphia, PA: W.B. Saunders, Inc.; 1988.
p. 371–2.
16. Shea SC. Improving medication adherence: how to talk with patients about their medications. Philadelphia, PA: Lippincott
Williams & Wilkins; 2006.
17. Rogers R, Bagby RM, Dickens SE. Structured Interview of Reported Symptoms (SIRS) and professional manual. Odessa,
FL: Psychological Assessment Resources; 1992.
18. Resnick PJ. My favorite tips for detecting malingering and violence risk. Psychiatr Clin North Am 2007;30(2):227–32.
19. Rollnick S, Miller WR, Butler CC. Motivational interviewing in health care: helping patients change behavior. New York,
NY: The Guilford Press; 2007.
20. Havens L. Approaching the mind in clinical interviewing: the techniques of soundings and counterprojection.
Psychiatr Clin North Am 2007;30(2):145–56.
21. Welland D. The life and times of Mark Twain. New York, NY: Crescent Books; 1991.
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CHAPTER 6
Understanding the Person Beneath
the Diagnosis: The Search for
Uniqueness, Wellness, and
Cultural Context
Every physician must be rich in knowledge, and not only of that which is written in books;
his patients should be his book, they will never mislead him …
Paracelsus, Renaissance alchemist and physician1
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188 Clinical interviewing: the principles behind the art
and psychological to familial, cultural, and spiritual – that continuously coalesce to create
the patient, the clinician, and the patient/clinician dyad.
As we shall see in our next chapter, there are a variety of assessment perspectives that
serve as nice complements to one another for accomplishing this integrative task, includ-
ing differential diagnosis using the DSM-5, viewing the patient as a matrix of intersecting
and interacting systems (matrix treatment planning), and understanding the patient’s
core pains. An interviewer can shape a useful formulation of what is right and what is
wrong with the patient through a skilled delineation of the information needed to utilize
these three assessment frameworks. Indeed, these three frameworks provide the classic
foundations for collaboratively developing an initial treatment plan by the end of the
interview, and these are good foundations. Consequently, we will examine them in detail
in the next chapter.
But if one looks at our interview map (Figure 6.1), one will notice that, in addition
to an arrow leading from diagnosis and assessment to treatment planning, there is a
second arrow that leads to treatment planning. It is the arrow that originates from the
understanding of the patient.
Many a well-intentioned interviewer has been trapped by the inviting misconception
that ideal treatment plans can be generated by strict algorithms stemming directly from
specific DSM-5 diagnoses. The spirit behind this goal is an admirable one, to improve
quality of care by ensuring that the best possible evidence-based therapies are utilized.
Unfortunately this concept misses a rather simple, but often-overlooked, reality: an
“ideal” treatment plan that doesn’t work is not ideal, it is foolish. It is the patient’s inter-
est in and agreement with the treatment plan – as well as his or her ability to follow
through with the treatment plan – that will determine whether or not the treatment plan
will work. One cannot simply look at a DSM-5 diagnosis and conclude that one can
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Understanding the person beneath the diagnosis 189
apply a pre-determined best treatment plan dictated by the diagnosis, for it can’t possibly
be the best plan for the patient if the patient does not like it and, consequently, will not
do it. Treatment plans are created for people, not for diagnoses.
Moreover, effective treatment plans are not really made for people by clinicians, they
are co-created by people with their clinicians. This fact is true not only in psychiatry, but
in all branches of medicine. A clinician cannot help a patient to control diabetes, asthma,
or hypertension unless the patient personally chooses, and helps to sculpt, the treatment
plan, and is not blocked by external circumstances (lack of money, problematic circum-
stances, and cultural roadblocks) from following through with the treatment plan that
he or she has chosen.
The art of treatment planning achieves its greatest healing power when it is guided by
a sophisticated understanding of the person sitting before the clinician. The search for
this understanding during the initial encounter will often reveal many factors, including
psychodynamic, interpersonal, and cultural factors, that have little to do with the DSM-5
diagnosis per se, that can suggest powerful ideas for treatment planning. In addition, it
is our understanding of the person beneath the diagnosis that will determine whether
or not we can collaboratively create a treatment plan that the patient will embrace during
the initial interview and in subsequent therapy. Perhaps an illustration will make this
point more clear.
Imagine a clinician at a busy community mental health center who is in the midst of
an initial intake. Further imagine that at this particular center the “intake clinician” is
supposed to triage the patient to whatever clinical program would best be able to help
that individual, ranging from outpatient individual therapy or group therapies to psychi-
atric care or other specific programs, such as an incest survivor’s group, an eating disor-
ders group, or a DBT (dialectical behavioral therapy) group.
Now imagine that the interviewer is quite talented at all of the skills we have been
discussing thus far, from engagement techniques to facilic principles for creating flowing
conversational interviews. The patient is a young woman of about 18, still living at home,
hoping to go to college next year if finances can be worked out, who unfortunately has
become fairly seriously depressed; indeed, there is a strong family history of depression.
We will call our imagined patient, Jennifer.
As the interview is nearing its closing phase, the clinician has become convinced that
Jennifer is suffering from a moderately severe, major depressive disorder from the diag-
nostic perspective of the DSM-5 system. The clinician is also concerned about the depth
of the depression and feels that rapid intervention is indicated, although there is no
suicidal ideation. The clinician decides to recommend a combination both of a referral
to the psychiatrist for medications and to one of the outpatient psychotherapists. The
decision to recommend medications is certainly reasonable considering her diagnosis
(which is accurate) and the rapid progression of Jennifer’s symptoms and the severity of
her pain. Jennifer seems reasonably comfortable with the both recommendations and
states she feels she has benefitted from the interview, thanking the clinician in a genuinely
warm fashion. There is only one problem: Jennifer never appears for either her meeting
with the psychiatrist or her therapist.
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190 Clinical interviewing: the principles behind the art
Now imagine the exact same scenario with the same patient, but with a different clini-
cian. Once again, this is a talented clinician and empathic interviewer. Indeed, she gathers
essentially the same database as our first clinician. She, too, feels the patient meets the
criteria for a moderately severe major depressive episode by DSM-5 criteria. She, too,
feels that the rapid progression of the depression and the of the depth of Jennifer’s pain
suggests the wisdom of using an antidepressant.
On the other hand, during the body of the interview, she does one thing differently
than our first clinician. It relates to something that she noticed – a piece of jewelry. A
cross is hanging from a simple chain around Jennifer’s neck. It has some decorative ele-
ments that suggest it may be an heirloom; perhaps it’s Victorian. Although not expensive,
it is clear that the owner of this cross, Jennifer, has taken meticulous care of it:
Clin.: I can’t help but notice the cross you are wearing. It’s quite pretty, was it a gift?
Pt.: (Jennifer smiles) Oh, oh, thank you. It was a gift. My gran gave it to me on my 16th
birthday. It was hers as a child.
Clin.: That’s a very wonderful gift.
Pt.: You think so?
Clin.: Sure. You had told me earlier what a kind person your gran was, and to have such a
gift from her own childhood I’m sure is special to you.
Pt.: Yeah, I really love her and it’s a neat old cross. (Jennifer looks downward and seems
to be suddenly a little ill-at-ease)
Clin.: You seem lost in thought. (observed gate) Is there something bothering you?
Pt.: (Jennifer looks up at the interviewer). There’s something I probably should have
told you, that I really didn’t explain very well earlier.
Clin.: What’s that? (said gently)
Pt.: Remember when I told you, I was pretty religious?
Clin.: Yes. You told me you had a Christian background. And it seemed to me you
had some very reassuring beliefs and had been praying to God for some
guidance.
Pt.: Right. And that’s all true. But what I didn’t tell you is how religious my family is.
Clin.: That’s alright. Fill me in.
Pt.: Well, we’re all born again. (looks a little sheepish) And here’s the part I
probably should have told you. My whole family, and I mean my whole
family, including Gran, were strongly opposed to me seeing you. I mean
strongly opposed.
Clin.: Oh, I bet that was sort of messy. What happened?
Pt.: They spent almost a half-hour trying to convince me not to come. My mom told
me that God would heal me, and I needed to just pray harder. I told her I’d been
praying for months and God told me that I should seek help.
Clin.: What did she say?
Pt.: She just kinda shook her head. I think she’s pretty disgusted with me.
Clin.: I see. Are you still glad you came?
Pt.: Oh yeah (said with genuine enthusiasm). But I tell you, it was tough. Everybody
was really angry with me, including my two brothers. Right as I was going out the
door, my mom yelled at me, “Mark my words, they’re going to tell you to take a
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Understanding the person beneath the diagnosis 191
medication. That’s their answer for everything. It’s not God’s answer. Whatever you
do, don’t let them drug you.”
When this clinician reached the closing phase of the interview, despite the fact that, on
a theoretical level, she felt an antidepressant might help significantly, she said the fol-
lowing, “You know, Jennifer. There’s lots of different ways we might be able to help you.
But I think a really good way to start is with one of our therapists, you know, a talking
therapy. You have been very easy to talk with, and I think you would genuinely enjoy
working with one of our therapists. And the two of you could see if talking some stuff
out might help with your depression and some of your stresses. How does that sound
to you?”
The clinician chose not to mention medications, not because she didn’t believe that
an antidepressant might help, but because she felt that if she suggested a medication
(just as the family had predicted she would), it would never be taken. And, worse than
that, it might risk alienating Jennifer, perhaps leading her to not proceed with any rec-
ommendations from the interviewer. Instead, she chose a treatment plan that began with
psychotherapy, which also has a good track record with the type of moderately severe
depression that Jennifer is describing.
In addition, if the psychotherapy did not provide adequate relief in the ensuing weeks,
then it would be the psychotherapist who would be suggesting the use of a medication.
If Jennifer had bonded well with the therapist, the therapist’s recommendation for medi-
cation would likely have a more positive reception from Jennifer than the same sugges-
tion made by an initial interviewer. Here is a plan that has a shot at working. It is not
an ideal plan from an ivory tower, but a realistic plan from the practical world of the
clinical trenches where we all work and in which Jennifer lives. The following week Jen-
nifer appears promptly for her session, a cross reassuringly dangling from her neck and
an open mind sitting atop it.
As Paracelsus suggested in our opening epigram, this clinician’s treatment plan was
implemented by the patient because the clinician used her patient as her book. She read
the nonverbal and cultural cues from the pages of this book to collaboratively develop
a treatment plan that resonated with the uniqueness of Jennifer’s family milieu and her
own spiritual story. In this chapter we will focus upon the art of learning to more astutely
understand what patients are saying in their book, as well as learning how to read
between the lines of what they are saying in that very same book. Our goal is to view
not only the patient in isolation but the patient as part of an ever changing set of psy-
chodynamic forces and cultural systems that point to the person beneath the diagnosis.
In this way, we adhere to the age-old wisdom to not judge a book by its cover, a misstep
that can occur if a clinician relies too heavily on a DSM-5 diagnosis alone.
To effectively undertake this search for a more sophisticated understanding, in this
chapter we will look at three topics that help clinicians to understand the patient
beneath the diagnosis: (1) phenomena that can hinder this understanding (focusing
upon ways to avoid them), (2) phenomena that can further it (focusing upon ways to
enhance them), and (3) an introduction to cultural diversity and its role in the initial
interview.
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192 Clinical interviewing: the principles behind the art
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Understanding the person beneath the diagnosis 193
at play with the clinician: (1) Does this patient remind me of any previous patients? (2)
Does this patient remind me of any of my family members, friends/enemies, employers
or public figures? Clinicians must be keenly aware of their own beliefs based upon cul-
tural biases, including racial, religious, and political biases. It is surprising how quickly
and powerfully a clinician can develop a dislike for a patient who holds a differing politi-
cal or religious worldview. I have been disturbed by the intensity of stereotyping I’ve seen
from both ends of the political spectrum with supervisees who are either Progressives or
Conservatives when they discover that their patients are of an opposite political persua-
sion, a problem that has intensified as America has become a more politically divided
nation.
If the clinician discovers that he or she is free of such processes, the clinician can then
legitimately wonder whether parataxic distortion is at work in the patient’s mind. If such
distortion is suggested, an open exploration may decrease the growing antagonism. For
instance, the clinician can ask, “I’m wondering what you’re feeling as we are talking,” or
“I sense you are feeling a little displeased with the interview so far, and I’m wondering
what’s going on?”
This type of non-defensive statement may help to defuse the situation, because it
brings hostile feelings into the open, where they can at least be approached. Moreover,
the clinician should not be afraid to uncover specific feelings of ill will, such as, “I find
you very controlling,” because these feelings can be tapped for clues of psychodynamic
significance, which may be addressed later in the interview with questions such as, “When
have you felt similar feelings in the past?” Once again, the emphasis rests upon allowing
the patient to openly express his or her view of the world, in this case, of the interview
itself. This emphasis upon understanding the patient’s view of the world provides the
gateway to a better understanding of who the patient really is.
Sullivan, who died in 1949, is viewed as a pivotal innovator in what he called the
interpersonal theory of psychiatry.3 His work pioneered the realization that patients are
not social isolates. To understand a person, one must delve into the person’s current
interactions with family, friends, culture, and even the therapist’s unconscious itself. More
recently, theorists such as Ogden have expanded the study of the specific interactions
occurring unconsciously between the therapist and the patient, a psychoanalytic concept
called “intersubjectivity.”4
Intersubjectivity teases apart the dynamic interplay between the therapist’s subjective
experience during the interview with the patient’s subjective experience, highlighting the
fact, as we saw with Sullivan’s parataxic distortion, that an interviewer’s own unconscious
may have the potential to distort both the conscious and unconscious “facts” of the
patient’s story, thus hiding the real person beneath the diagnosis. Jonathon Dunn, refer-
ring to intersubjective theorists, succinctly summarizes as follows:
These theorists see the analyst and the patient together constructing the clinical data from
the interaction of both members’ particular psychic qualities and subjective realities. The
analyst’s perceptions of the patient’s psychology are always shaped by the analyst’s
subjectivity.5
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194 Clinical interviewing: the principles behind the art
I love Dunn’s use of the words “constructing the clinical data,” for they serve to remind
us that the “facts” garnered in an interview are actually educated guesses of what hap-
pened. These guesses are sculpted by the interplay of what really happened with the chisel
strokes made by both the patient’s and the clinician’s unconscious processes. The inter-
viewing instrument in an initial interview – the clinician – is not a thermometer that has
been calibrated for accuracy. The interviewer is more of a human eyeglass that may have
been fitted by personal history with lenses that are prone to see a world with some dis-
tortion. The real patient sitting before the clinician may be a good deal different from
the one sitting inside the clinician’s head.
Reliability is an indication of the extent to which a measure contains variable errors; that
is, errors that differed from individual to individual using any one measuring instrument
and that varied from time to time for a given individual measured twice by the same
instrument. For example, if one measures the length of a given object in two points of time
with the same instrument – say, a ruler – and gets slightly different results, the instrument
contains variable errors.6
One can translate the above somewhat obtuse concept into practical interviewing terms
by remembering that our own interviewing style functions as our measuring instrument.
The question then becomes: Does our way of asking questions change from one indi-
vidual to another and, if so, do we bias patients towards certain answers? Here we see
that the unconscious and habitual patterns of the interviewer may not only distort the
interpretation of the data, as suggested by intersubjectivity, but may actually change how
the measuring instrument is actually used.
This issue of interviewer reliability can be framed within two problem areas, although
many other areas also exist: (1) The interviewer changes his or her style of asking a ques-
tion and is not aware of the impact of this change, and (2) the interviewer has good
reliability (asks questions in the same manner from patient to patient) but unfortunately
reliably evokes invalid information. We will briefly examine each of these potential
pitfalls.
Specific clinical settings predispose to the problem of unconsciously changing styles
(note that this potentially negative process is distinctly different from the positive attri-
bute of consciously and intentionally changing interviewing style to suit the needs of the
patient or clinical situation). This problematic unconscious shifting of styles frequently
shadows the presence of countertransference or emotional strain in the clinician. For
example, if an interviewer feels pushed for time or begins to dislike an interviewee, subtle
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Understanding the person beneath the diagnosis 195
changes in interviewing style frequently emerge. The interviewer may cut-off the patient’s
responses or actually cast a disarming scowl. In other cases, in which a clinician might
ordinarily have requested a pleasant patient to explain a vague response further, the same
clinician might ask for no further clarification from a sarcastic patient, resulting in a
shortened interview and a less valid database. In this sense, processes such as parataxic
distortion can not only distort patient information but impact directly on how the patient
is being asked for information in the first place.
Such changes in style can significantly decrease the reliability of the interviewing
instrument, with subsequent deficits in the validity of the data. All clinicians will experi-
ence such negative emotions. There is nothing innately wrong with these negative feelings
as long as their potential impact is considered and they are not allowed to interfere with
the interview process. Indeed, at times an awareness of such emotions may provide us
with clues to the inner workings of both the clinician and the patient.
The second area of concern focuses on the knotty issue that I shall loosely label as
being “reliably invalid.” In brief, it is possible that some interviewers develop habits that
consistently increase the risk of obtaining invalid data. Actually, we have already seen an
example of this process, because an interviewer who seldom uses behavioral incidents is
probably reliably invalid. Furthermore, as normal humans, most of us have developed
other rather clever ways of not hearing what we do not want to hear. Such ingenious
devices may get us through some touch-and-go dinners with our in-laws, but if unchecked,
these habits may cause problems during a clinical interview. In a more precise fashion,
I am describing processes such as cajoling desirable answers from patients through
choices of words and tone of voice.
Interviewers may not want to hear positive responses to questions concerning sensitive
topics such as suicidal ideation, homicidal ideation, child abuse, or even the emergence
of certain target symptoms such as depression. The hesitancy to uncover positive replies
to such questions probably results from the fact that such responses may demand
increased time from the clinician, legal action, or even generate fear or a sense of failure
in the clinician. Consequently, as we saw with negative statements of inquiry in Chapter
3, clinicians may unconsciously develop methods of decreasing the risk of a positive reply
by including in their closed-ended questions a negative (e.g., “not” or “don’t”), as follows:
An “unusually sophisticated” clinician will reinforce the negative bias by adding a subtle
shake of the head from side to side. In essence, this negative approach to asking for a
“yes” or “no” answer strongly biases the patient to say no. The reason for this negative
bias most likely relates to the fact that the patient feels a need to please the clinician
with a negative response. This biasing remains one of the most common errors I see
during supervision. It represents a particular nemesis when employed around issues of
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196 Clinical interviewing: the principles behind the art
high sensitivity such as sexuality or suicidality, areas in which patients are hesitant to
share positive answers to begin with, and answers which clinicians are occasionally afraid
to hear.
Another reliably invalid type of questioning consists of habitually asking multiple
questions disguised as a single query, the so-called “cannon question.” In Chapter 5 we
saw how cannon questions can cause problems when trying to finish a list, as when the
clinician is using the validity technique of denial of the specific. Cannon questions can
also cause problems with simple fact-oriented inquiries as demonstrated below:
Pt.: I just don’t feel the same, there’s no question about that. Even my weekends seem
bland.
Clin.: When did you begin to feel depressed, to feel hopeless, to feel like life was not
worth living?
Pt.: Probably back around May. Everything seemed to be collapsing back then, near our
anniversary.
In this excerpt, the clinician has unwittingly set up a confusing situation. He or she does
not know if the patient’s depression or the patient’s hopelessness or the patient’s death
wishes began back in May. It is possible, even probable, that the patient’s depression
began much earlier than the deep sense of hopelessness. Only further questioning could
clarify this murky issue that resulted from the use of a cannon question. In addition,
cannon questions are frequently employed during a review of physical systems, such as:
Clin.: Are you having any problem with your eyes, ears, heart, or stomach?
Pt.: No.
Clin.: Have you noticed any coughing, constipation, diarrhea, headache, backache, or
change in bowel habits?
Pt.: No, I don’t think so.
Although time constraints may sometimes lean the interviewer towards cannon ques-
tions, it remains important to realize that such questions may be confusing to patients.
Only one of the words may stick out in their minds, and such confusion can cause con-
siderable problems with validity.
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Understanding the person beneath the diagnosis 197
of the following discussion is borrowed directly from the work of John Whitehorn,7 as
well as further insightful work by Harry Stack Sullivan,8 both pivotal pioneers of inter-
personal psychology.
To begin our discussion, the following question is worth considering as the interview
proceeds: “How does this patient feel that he or she is viewed by others?” In many
instances, the answers to this question will provide clues to the patient’s immediate pres-
ence in our office. Guilt, shame, inadequacy, and fear of failure – these concerns are the
stuff of neurosis. Many of the paralyzing defenses developed by people are erected to
deflect such painful feelings. Whitehorn cogently expressed this idea, “Even in deadly
warfare one’s greatest apprehension is not of death but of being maimed or of failing in
one’s duty, and that, in large part, because one dreads the reactions of other persons.
This is not to downplay the fear of death but rather to emphasize the fear of life.”9
In another sense, developmentally speaking, the child appears to incorporate its sense
of self-worth through a synthesis of perceived parental and family attitudes towards it.
Indeed, persons demonstrating poorly developed personality states, such as the border-
line personality and the narcissistic personality, have frequently evolved from chaotic
childhoods. These developmental issues highlight the importance of interpersonal issues
in the birth and feeding of unpleasant affects such as anxiety and depression. An actress
once told me, “I can play any role once I understand what the character feels guilty
about.”
With regard to the art of understanding the person at a more sophisticated level in
the initial interview, these concerns suggest the utility of a sensitive search for answers
to the question “How does this patient feel that he or she is viewed by others?” In par-
ticular, certain questions concerning the adolescent years may help to open the interper-
sonal door a bit, such as:
This list could almost be endless, but these questions represent samples of pathways into
interpersonal affect related to past and perhaps current symptomatology. Of course,
besides these reflections on the past, the interviewer will also pay heed to the patient’s
immediate concerns about spouse, family members, friends, bosses, and fellow employ-
ees, as well as any current harassment problems on the web.
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198 Clinical interviewing: the principles behind the art
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Understanding the person beneath the diagnosis 199
speech. This awareness is combined with a common sense attitude towards which subject
areas typically produce anxiety. When present, these signs may suggest the presence of
potentially disengaging guilt, at which point the clinician may opt to reduce the tension
by gently asking a question such as, “What has it been like for you to share such com-
plicated material today?”
Asked calmly and sincerely, such questions demonstrate Rogers’ unconditional posi-
tive regard while allowing patients to ventilate fears of clinician rejection, discovering to
their surprise that such rejection is not imminent. The clinician can further decrease
tension by positively reinforcing the patient’s courage for sharing delicate material with
phrases such as, “You’ve done an excellent job of sharing difficult material. It’s really
helping me to understand what you’ve been experiencing.”
A combination of these techniques was useful in allaying the intense interpersonal
anxieties generated in a man of about 30 years of age who had presented for an initial
assessment. Ostensibly requesting self-assertiveness training, he eventually related a strik-
ing list of paraphilias, including voyeurism, exhibitionism, and frotteurism (rubbing
one’s genitals against people in crowded public places). As he spoke, eye contact van-
ished, while his hands picked at one another. Near the end of the session, the dialogue
evolved roughly as follows:
Clin.: John, I’ve been wondering what it has been like for you to share this material? You
look like you’re feeling a little upset.
Pt.: It’s been very unsettling. I have never shared this stuff with anybody, it’s so weird,
… uh … uh … I, I feel ashamed every time I meet someone new, afraid of … what
they might think.
Clin.: What have you been afraid I might be thinking?
Pt.: Oh, that I’m really sick or disgusting.
Clin.: Has there been anything I’ve done or said that has conveyed that to you?
Pt.: (pause) No, no, I can’t say there has been.
Clin.: Good, because I have a feeling there is only one person in this room who feels you
are sick or disgusting, and that person isn’t me.
Pt.: (patient nods head and smiles gently) That could be. (patient visibly relaxes)
Clin.: Why don’t we try to find out more about why these unwanted behaviors developed
so that we can look at potential ways of changing them. It’s important we can talk
about them openly and you’ve done an excellent job so far.
Pt.: Oh, that sounds real good to me.
Clin.: Tell me what you were feeling the last time you exposed yourself.
Pt.: I had had a bad day, I was really angry at a sales clerk …
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200 Clinical interviewing: the principles behind the art
we must rely upon our ever-growing experience to guide us, keeping in mind a most
relevant statement made by a wizened monk in the novel The Name of the Rose by
Umberto Eco: “Because learning does not consist only of knowing what we must or we
can do, but also of knowing what we could do and perhaps should not do.”12
Phenomenological Inquiry
We now have a moment to re-examine the process of engagement and phenomenological
interviewing from Chapters 1, 2, and 3. As we have seen, both engagement and its reflec-
tion (blending) can be improved by utilizing a style of questioning that can lead directly
to a clearer understanding of the patient. This style has its roots in the fields of existen-
tialism and phenomenological psychology, to which the book Existence, by Rollo May,13
remains an excellent introduction. While employing a more phenomenological style, the
clinician attempts to see the world as the person experiences it, to literally see the world
through the patient’s eyes, to understand the phenomenon of being that person.
The emphasis rests upon what Medard Boss called “Daseins-analysis,” a German word
translatable as “analysis of being-in-the-world.”14 In short, the clinician attempts to know
what it would be like and what it is like to be the person sitting across from himself or
herself. To this end, it is often useful to emphasize the world of the senses by asking
specifically about what the patient is seeing, hearing, feeling, smelling, or tasting. From
this sensate inquiry, doors may open into the patient’s feelings, attitudes, and thoughts.
To borrow a phrase from Aldous Huxley and William Blake, it is “through the doors of
perception” that one may enter a patient’s unique way of being, the patient’s inner home.
Indeed, this home may be turbulent, beautiful, or terrifying, but once experienced, the
clinician’s understanding cannot help but be clearer.
Moreover, such sensitive questioning can convey to the patient that the clinician is
interested in the patient as a person, not merely as a new case or diagnosis. In this regard,
in the first interview the clinician may decide to include brief (or sometimes not so brief)
forays into the phenomenology of the patient. These dialogues may be similar to the
following one involving an overweight woman whose eyes see only deadness:
Pt.: I guess I was just sick of everything … everything … so I wanted to get away, to be
by myself away from everybody who can hurt me. So I went into my room and shut
off the light. I lit a few candles and I sat there.
Clin.: What were you looking at as you sat there?
Pt.: Nothing really … occasionally I watched the candlelight flickering, it made the
shadows of the vase dance around on the wall.
Clin.: Do you remember anything else that caught your eye?
Pt.: Uh huh, I remember looking at my high school prom picture.
Clin.: And?
Pt.: I thought how cruel it was the way relationships have to break up. The person in
that picture meant nothing to me now, and I don’t think I really meant anything to
him ever (patient sighs).
Clin.: What else are you feeling in the room?
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Understanding the person beneath the diagnosis 201
Pt.: Lonely and empty. I just wanted to crawl up into a tiny ball like a cocoon.
Clin.: What does the world feel like to you in your cocoon?
Pt.: It feels distant, dark, and numb. I feel, feel sort of blank, but I also am angry. I’m
angry at my mother for never really caring, for putting me in the cocoon in the first
place. I don’t ever remember her hugging me (begins crying gently). I remember
going away for the summer once to stay with my grandparents. And at the train
station I felt very frightened and sad. I kept wondering what my mother would do
when she said good-bye – would she hug me or kiss me, and for how long? And
you know what she did? She did nothing. She said good-bye.
Clin.: That must have hurt.
Pt.: It really did, it really hurt … (perks up) But that’s the way it’s always been.
Clin.: Do you expect people to hurt you?
Pt.: … Yes, yes I do, maybe I’m growing accustomed to it, maybe I even like it.
Clin.: Going back to that night in the room with the candle flickering, did you have any
thoughts of wanting to kill yourself?
Pt.: Yes, I did. As I sat there it all seemed sort of silly, so I began thinking about taking
some pills. I’d stored up some Valium.
Clin.: What thoughts went through your mind?
From this dialogue the clinician can begin to feel the resounding hollowness of this
patient’s world, the intensity of her pain. One gains a sense of her neediness and her
latent expectation of rejection, an expectation that may very well create the very bitterness
that seeds actual antagonistic behavior from others put off by the patient’s hostility. In
any case, the patient seems somehow more “real.” Moreover, this phenomenological
excursion has provided many hints for the clinician of potentially productive regions of
future exploration, another example of intuition guiding further analysis. Indeed, one
wonders if this hollow world represents one petal in the abated flower we call a border-
line personality.
This excerpt began with an active investigation of the room with the patient, moving
into associations generated by this phenomenological exploration. When exploring in
this way, sometimes the patient will share associations experienced at the time being
discussed, while at other times new associations stirred by recounting the experience may
surface. In either case, rich material may become accessible to the clinician. Phenomeno-
logical inquiries are not necessarily based on questions dealing with the five senses.
Frequently the patient’s experience of the world is entered by questions exploring atti-
tudes, opinions, recollections, and by an immediate sharing of feelings as they arise
within the clinician–patient dyad.
Before leaving this excerpt, a quick perusal reveals an interesting twist. Notice that
the clinician switched tenses from past tense to present tense with the phrase, “What
else are you feeling in the room?” Such a switch sometimes facilitates a regression in
the patient to a point where images become more real and less memory-derived. This
type of maneuver can unlock repressed memories and emotions, as witnessed here by
the unexpected emergence of anger directed towards a parent figure perceived as cool
and distant. If one feels the interviewee cannot tolerate such a regression, as in an
unstable patient or a psychotic patient, one would not utilize such a technique. In
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202 Clinical interviewing: the principles behind the art
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Understanding the person beneath the diagnosis 203
In fact, much of the process of uncovering the numerous aspects of the patient’s well-
ness triad is a part of ongoing therapy. In the real world of a busy clinic, during the initial
interview a clinician may only be able to barely touch upon these areas. On the other
hand, an awareness of the importance of these wellness markers can help an interviewer
to explore them as efficiently as possible, when possible, in the initial encounter. Moreover,
the questions described in this section can subsequently be utilized in ongoing therapy.
This is also a good time to re-emphasize another reassuring point made earlier. A
clinician could never cover all of the questions or explore fully all of the content regions described
in this book during an initial intake and should not try to do so. By the end of any intake,
time limitations will have forced us to leave untapped many questions that we wish we
could have covered, from diagnostic questions using the DSM-5, to questions concerning
wellness and aspects of social history. It is just a fact of life.
On the other hand, the resulting omissions do not have to be left to the chaotic whims
of chance. If left to chance, critical data for helping the patient are often missed, perhaps
never to be found, even in subsequent therapy. Instead, one of the major themes of this book
is that a clinician who has become familiar with what topics are most important to explore, and
what interviewing techniques are available for sensitively exploring them, can gather a surpris-
ingly sound database in 50 minutes.
This knowledge of what to ask and how to ask it, coupled with a sophisticated under-
standing of the facilics of an interview, can result in conversational interviews that are
brimming with the information that is pivotal for successful treatment planning. Clini-
cians can, and should, create intentional interviews in which wise decisions are made
about what to delete, when to delete it, and how to delete it. With confidence, the inten-
tional interviewer can make these decisions while noting what it is they want to further
explore in later sessions. Even when time limitations become acute, as in emergency
department interviews, the principles of this book allow the clinician to make wise deci-
sions as to what to delete, while maximizing both engagement and the information
needed for safe triage.
In essence, although we are focusing upon the initial assessment interview in this
book, assessment is an ongoing process. A good clinician will continue to perform assess-
ment in all succeeding sessions of therapy and/or medication management. Whether we
are addressing aspects of the wellness triad or re-thinking our DSM-5 diagnostic formula-
tions, the assessment process continues. Even in the last session of psychotherapy, a clini-
cian is carefully assessing how the patient is handling termination itself. Indeed, it is
only with the soft sound of the door shutting as the patient leaves our office for the very
last time that the process of assessment actually ends.
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204 Clinical interviewing: the principles behind the art
Strengths of Knowledge:
1. Creativity
2. Curiosity
3. Love of learning
4. Perspective (wisdom)
5. Open-mindedness
Strengths of Courage:
6. Bravery
7. Persistence
8. Integrity
9. Vitality
Strengths of Humanity:
10. Capacity to love and receive love
11. Kindness
12. Social intelligence
Strengths of Justice:
13. Citizenship
14. Fairness
15. Leadership
Strengths of Temperance:
16. Forgiveness/mercy
17. Modesty/humility
18. Prudence
19. Self-regulation
Strengths of Transcendence:
20. Appreciation of excellence and beauty
21. Gratitude
22. Hope
23. Humor
24. Spirituality
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Understanding the person beneath the diagnosis 205
Patients present to us not because they intend to discuss their strengths but because they
are worried about their weaknesses. As they describe their presenting crises and as we
explore the immense database required to provide optimum help during the initial
session, it is easy to lose sight of the patient’s strengths.
For instance, if I am interviewing a soldier’s spouse, the above list can help me “to
see” not only the obvious bravery and persistence of the patient’s spouse in Iraq, Afghani-
stan, or wherever the soldier may be deployed, but the less obvious bravery and persis-
tence of the patient in front of me. The patient may be single-handedly maintaining the
well-being of the family, while dealing with the intense fear that his or her loved one
could be killed at any moment. At times we might also find that we are not the only
person in the room who has lost sight of these strengths.
In an initial interview, I find that occasionally I have time to uncover these types of
processes through the use of statements that both explore and simultaneously acknowl-
edge the patient’s strengths as with the following, “However do you find the toughness
to keep everything going at home when your husband is in Iraq and everyday you are
dealing with the fear that he might be killed? It’s really quite remarkable.” Such a sensi-
tive statement can powerfully enhance engagement, while also opening the door to a
useful exploration of the patient’s strengths and self-image. There is much to be learned
if the patient responds, “I don’t know. I’ve never viewed myself as tough.”
In a different fashion, a clinician can decide, initially, to mentally file an observed
strength, purposefully choosing to relay it later during the closing phase of the interview.
Genuine complements provided during the closing phase regarding the strengths one
has seen in an interview often pleasantly surprise a patient. They also can be used for
treatment planning purposes at that time, as with, “How do you think we could tap your
ability to organize material so well, as we develop a plan for helping with your burn-out
at work?” Closing on strengths also tends to provide a positive feel to the ending of the
initial session, better ensuring that there will be a next session.
In some interviews, one may have the time to ask directly about strengths with open-
ended questions such as:
1. “When you look at yourself, what would you view as some of your best strengths?”
2. “What do you think your wife would say are your best strengths?” (insert husband,
partner, best-friend, parents, boss or whomever is appropriate)
Some patients may feel a bit awkward about discussing their strengths openly, and some
cultures may support such reluctance. Robert Biswas-Dienar has found that the following
comment, which acknowledges the cultural taboo of speaking highly of oneself, can
create a “local culture” between interviewer and patient in which the patient can feel
more free to open up: “I know it may feel strange, like you are bragging, but I assure you
I will not take it that way. I am genuinely interested in what you do well.”26
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206 Clinical interviewing: the principles behind the art
listing of potential skills is well beyond the goals of this book and might well fill the
remaining pages. On the other hand, it is useful to have a short list that can function
as a framework for exploring patient skills both in the initial interview and during
subsequent therapy:
Creative Skills:
1. Musical
2. Artistic
3. Mathematical
4. Writing/journaling
5. Reading
6. Web design, app design, or blogging/web journalism
7. Web or console game design
Task Related:
8. Problem-solving skills
9. Organizing skills
10. Marketing skills
11. Selling skills
12. Buying skills
13. Financial planning skills
Interpersonal Skills:
14. Listening to others
15. Providing comfort
16. Nurturing others
17. Teaching and mentoring
18. “Reading” people
19. Interviewing others
20. Being interviewed
21. Public speaking
22. Web-related skills such as social networking
Athletic Skills:
23. Skills in a particular sport
24. Coaching skills
25. Conditioning, nutrition, healthy living, body building, yoga, meditation, martial
arts, etc.
Manual Dexterity:
26. Specific craft or discipline such as carpentry, gardening, auto bodyshop work
27. Precision technical expertise such as metal lathe, woodworking, etc.
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Understanding the person beneath the diagnosis 207
There exist many more categories and each of the above categories could have many other
entries. This list gives us a starting point. As was the case with patient strengths, patient
skills may indirectly be uncovered when the patient spontaneously raises them or
describes situations where they naturally arise. But unlike patient strengths, which might
seem a little awkward to directly raise in the initial interview, patient skills are relatively
easy to raise in the initial assessment. When exploring the social history, one routinely
asks about schooling and job history, thus opening the door to inquiries about specific
skills.
Asking about skills is a particularly rich arena for uncovering the person beneath a
diagnosis. Not only can it uncover skills that can be directly used as part of collaborative
treatment planning, it also provides an open door into the patient’s sense of self-esteem,
secret ambitions, lost dreams, psychodynamic defenses, and interpersonal pressures from
the expectations of others. To enter the region, one can ask directly, as with, “We all vary
on what types of skills we have, what would you say are some of your skills?” If a patient
seems to be a little hesitant to respond, I might add, “What do you think some of your
friends or teachers or family might view as some of your skills if I were to ask them?”
With the right patient (powerfully engaged thus far in the interview, strong ego
strengths, and a clear demonstration of humor earlier in the interview), a clinician can
sometimes use wit to open the topic of the patient’s skills in a rather paradoxical, yet
highly effective, fashion. In the following illustration we will see the power of a well-
timed use of humor and genuineness, as Egan described the concept in Chapter 2, to
swing open the door hiding the patient’s skills. What is behind such doors is sometimes
unexpected, almost always useful, and, occasionally, of significant psychodynamic inter-
est, as we are about to see.
Let us picture a Black male with smartly styled dreadlocks in his early 20s whom we
shall call Jamal. He has presented complaining of depression, which he feels has resulted
from his problems finding a job after graduating from college during a deep recession.
Jamal wears a matter-of-fact, no-nonsense attitude towards life that protects him from
the harshness of reality that he has all too often faced. Tall in stature, he enters the office
with a bent posture, as if his depression was pushing downwards on his shoulders.
Pt.: … there is simply nothing I can do right now. There are no jobs. I’ve been killing
myself looking for 7 months now, it’s just nuts. My girlfriend Tasha and I are really
strapped for money. We’re living together and rent is becoming a problem.
Clin.: It sounds really tough. You certainly have been tenacious at looking. That is evident
from your history. (the interviewer makes explicit an implicit strength from the
patient’s history in an intentional effort to help the patient see a potentially
forgotten positive aspect of himself)
Pt.: Yeah, yeah, that’s true (pauses and looks towards the interviewer with a somewhat
beaten look) – hasn’t gotten me much though, but I suppose it’s good that I try,
not everyone would I suppose.
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208 Clinical interviewing: the principles behind the art
Clin.: Absolutely not. I assure you I have many people who sit in that very chair who
don’t have your strength or persistence (Jamal smiles). You know, one thing you
could do that could help me get a better handle on how you might approach the
stress of hunting for a job would be if I had a better idea of what you think some
of your skills are, you know, what you think you might have to offer on a job
market. We all have things we feel skilled at and a few things we feel unskilled at.
For fun let’s start with the unskilled? What are you terrible at? (said with a straight
face followed by a smile)
Pt.: (patient chuckles) Where do I start? … You mean it?
Clin.: Sure, what are you really, remarkably terrible at?
Pt.: (patient chuckles again) Let me put it to you this way, you don’t want to hear me
sing.
Clin.: I guess American Idol is out? (clinician smiles)
Pt.: (patient laughs out loud) American Idol is definitely out. But, I’m not devoid of
any musical ability. I used to be a pretty good drummer.
Clin.: Oh, what type of drumming?
Pt.: Different kinds, but my favorite shit is heavy metal.
Clin.: How good were you?
Pt.: I was pretty awesome. (catches himself and sheepishly smiles) I wasn’t Mike Smith,
you might not know him, but he played in a band called Suffocation, now that
brother can really play. But I was pretty good. I even won several drumming
competitions while I was in high school. (seems lost in thought for a moment)
Truth be told, I really wanted to make it as a drummer.
Clin.: It sounds like you probably could.
Pt.: Yeah. I probably could have. (shrugs his shoulders) I think I could have made it as
a studio drummer. I would have loved that, but I decided to go to college instead.
Clin.: I’m curious. Did you do that because your parents gave you some pressure to go to
college? I ask that because sometimes parents, with all good intentions, try to push
their kids away from a career in music, recognizing it’s a rough way to make a
living.
Pt.: You know, strangely enough, the answer to that is “no.” In fact, my dad thought I
was very talented and on several occasions, both before I went off to college and
while I was in it, he told me I could take off for a year or two and try to make it as
a drummer and he would support that.
Clin.: I wonder what stopped you?
Pt.: (more deeply lost in thought for a moment) I don’t know. (looks up) I really don’t
know.
Clin.: What do you think you might have been afraid of, that made you choose to shy
away from your own dream?
Pt.: I never thought of it that way. But I guess I must have been afraid of something
about pursuing the drumming (long pause) … failure maybe? I don’t know, but it’s
a really good question.
Clin.: You know Jamal, it doesn’t have to be a question about the past. It can be about
the future?
Pt.: I don’t follow.
Clin.: Last time I heard, the world still needs good drummers.
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Understanding the person beneath the diagnosis 209
Pt.: Hmmm (Jamal’s eyebrows raise with the look of cognitive surprise). Maybe. At least
I’d have plenty of time to practice. (smiles again)
Clin.: Who knows? You might enjoy drumming again, simply because you seemed to love
doing it so much in the past, and your face lit up just now while you were talking
about it. It might even help with the depression a bit. I don’t know. I’m also
wondering if there is anything else you might be able to do with it, even to help
with the financial problems you and your girlfriend are having?
Pt.: You mean, like tutor somebody for money?
Clin.: I’m not certain, but that’s not a bad idea. I really don’t know the field, but maybe
there’s something to be said for checking it out. You seem to really like people, and
it’s a chance to help some kid who could really use the help. I bet you’d be a good
teacher.
Pt.: Yeah, I sort of like teaching, but never thought of it as something I could do with
the drumming. Sort of an interesting idea (pauses) … Tasha and I really, really need
the money.
This highly productive exchange is not the norm for an initial interview, but an initial
interviewer interested in uncovering patient skills, and trained to do so effectively as this
interviewer illustrates, is much more likely to have such encounters. Our clinician has
skillfully uncovered a specific patient skill set, clearly enhanced the therapeutic alliance,
demonstrated his own competence to the patient, and gently parlayed into an explora-
tion of the psychodynamics of the patient while providing some collaborative ideas on
treatment planning. Not bad for 4 minutes of an initial interview, aptly demonstrating
that explorations of patient skill can be successfully integrated into the first encounter.
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210 Clinical interviewing: the principles behind the art
engaged in role-playing games at a local comic and manga store may have strong attach-
ments to the group to which such an activity is appealing. The unassuming back-room
of that little alley shop may be a place of safety, self-growth, and interpersonal refuge for
a student who otherwise would be left alone to deal with the pangs of being an outsider
in the hallways of his high school. Hobbies sometimes become identities, whether one
is an athlete, biker, or goth. Depending upon the expressed interests of the patient, ques-
tions such as the following can lead to revealing dialogues:
Curiously, the same hobby can range from being one that requires highly developed
social skills to one that allows a person who is missing such skills to flee social interac-
tion. It is worth finding out how a specific patient approaches a hobby before assuming
what it means in a stereotypic fashion about socializing. For instance, one might assume
that patients collecting sports cards or vinyl LPs might spend much of their time holed
up alone in their homes perusing their treasures or listening to their finds. Yet both of
these types of collectors could equally choose to hang out at card shops or attend “record
shows” where they eagerly pursue social banter and even enjoy the high-level social
exchanges required when wrangling over price, an art that requires not a small touch of
ego strength. Web activities also range dramatically in their social interaction. The fol-
lowing type of question can provide some surprising insights in this regard: “When you
are playing World of Warcraft online, do you play as a single or do you seek out a party?”
If they seek out a party, it can be revealing to find out whether the party consists of
friends, family members, strangers, or a combination.
As we saw with both strengths and skills, an exploration of interests can point towards
treatment planning ideas based upon already present attributes of the patient that the
patient has simply not thought of using to solve current stressors. We saw this earlier
with Jamal, who had thought of his drumming neither as a potential antidote to his
depression nor as a source of income. As a further example, a person coping with
obsessive–compulsive disorder (OCD) who spends much time on Facebook and feels
quite comfortable on the web, may not have thought to use these skills to utilize a chat
room for people coping with OCD. They might not even know that such chat rooms
exist. More and more crisis centers are providing chat and texting arenas, manned by
expert crisis providers, for patients who are having suicidal thoughts but may be afraid
to talk with someone on the phone.
One can raise the topic of outside interests and hobbies in a variety of straightforward
fashions as with, “When you are not working, how do you like to spend your time?”,
“What types of things do you like to do in your spare time?”, “Do you have any hobbies,
sports, or things you really like to do a lot, like watch television or go online?”, or “Do
you like to use Twitter or other social media very much?” In closing, the very act of asking
about the patient’s interests can enhance engagement. Especially if the patient enjoys a
rather unusual hobby or interest, a gentle command such as, “Tell me more about that,
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Understanding the person beneath the diagnosis 211
I’m not very familiar with it, it sounds very interesting,” when done with a genuine inter-
est, can be surprisingly engaging. Such interludes may even “break the ice” in an interview
where engagement has been lukewarm thus far.
… culture is not a “thing” out there; rather, it is a loosely organized set of interpersonal
and institutional processes driven by people who participate in those processes. By the same
token the psyche is also not a discrete entity packed in the brain. Rather, it is a structure
of psychological processes that are shaped by and thus closely attuned to the culture that
surrounds them. Accordingly, culture cannot be understood without a deep understanding
of the minds of people who make it up and, likewise, the mind cannot be understood
without reference to the sociocultural environment to which it is adapted and attuned.29
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212 Clinical interviewing: the principles behind the art
the patient and the culture of the clinician – the initial interview will unfold. As noted
in an earlier chapter, not only the patient will be changed by the initial encounter, so
will the clinician. Even more mysteriously, whether aware of it or not, by the end of the
hour the patient and the clinician will have subtly changed the culture in which they
find themselves, for they are integral elements in its never-ceasing evolution.
This deepening of the clinician’s understanding of cultural diversity, a process that
will continue throughout the clinician’s career, is addressed in a variety of ways through-
out the remaining pages of this book. We will later devote an entire chapter (Chapter
20) to the topic of culturally adaptive interviewing, at which point we will look at specific
interviewing techniques and strategies for exploring the cultural beliefs of the patient,
especially the patient’s world view and spiritual frameworks. We will also explore in more
detail what we mean by concepts such as “culture” and “cultural competence” as they
are applied to interviewing in a practical everyday sense.
In the meantime, throughout the chapters of this book, we will see that processes we
have already explored – such as empathy and the therapeutic alliance – are affected by
cultural factors. By way of an introduction to this interface, in this chapter we will explore
two specific arenas in which the forces of culture clearly impact on the clinician’s under-
standing of the person beneath the diagnosis: (1) potential misperceptions of each other,
by both participants of the interview, created by cultural biases and (2) roadblocks to
effective treatment planning, as well as fresh opportunities for effective treatment plan-
ning, that are created by cultural factors.
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Understanding the person beneath the diagnosis 213
late for appointments. An interviewer not aware that the patient is simply following
acceptable cultural norms may misinterpret the patient’s behaviors as signs of resistance
or irresponsibility. On the flip side, a Native American patient may find a White American
therapist’s demands for timeliness, as well as their attempts to “pin-down” when subse-
quent appointments should occur – and for exactly how long (50 minutes) – somewhat
puzzling. Both parties may also have different views as to the importance of ending the
sessions “right on time.” A Native American who perceives a clinician as being overly
focused upon such time issues during an initial interview may find himself or herself
feeling uncomfortable with the interaction. The patient could even come away with the
feeling that this particular clinician is a “pushy” person “who seemed more interested in
time than me,” a perception that could easily diminish the likelihood of a second
appointment. Let us look at a different possible area for a cultural disconnect.
All of the largest racial/ethnic subcultures that might be encountered in the United
States (including Asian American, Indian American, White American, African American,
Hispanic American and Native American) hold in high regard the quality of trustworthi-
ness. All of these cultures value a person who is honest, a person who stands by his or
her word. Thus clinicians – no matter what their culture of origin, from Latino/a to Black
to White – also tend to view trustworthiness as an important component for successful
therapy.
Of the cultures listed above, all of which value trust, there is a difference in how the
cultures approach the seemingly unrelated concept of expressing disagreement, especially
when disagreeing with a figure of respect or authority. Yet these two apparently unrelated
cultural values can sometimes intertwine to create a curious misperception by an inter-
viewer. Let’s see how it might unfold.
We will picture an interviewing dyad composed of an Asian graduate student on a
visa sitting with a non-Asian university counselor (the counselor could be Black, White,
Latino/a, or Native American, etc.). The patient is suffering from a depressive episode
during his first year of graduate school.
This patient’s Asian background will provide us with a vivid example of how inter-
viewers naive to cultural norms may inadvertently misattribute negative qualities to a
patient. Compared to the cultures of the non-Asian potential counselors mentioned
above, many (not all) Asians or Asian Americans may tend to shy away from the direct
expression of disagreement and/or confrontation.
Consequently, as the Sommers-Flanagans point out, if an Asian American is hesitant
about a specific treatment recommendation, the patient may not directly say so, for it
would be viewed, within his or her culture, as a sign of possible disrespect to the therapist
with whom they are meeting for the first time.32 Consequently, the patient may generate
the mildest (yet still unwanted) affirmative response available. The mildness of the agree-
ment would be interpreted as a possible or even a probable “no” in the patient’s culture
of origin. But, to the non-Asian therapist, raised in a culture where disagreement is voiced
much more readily, it appears quite obvious that the patient has given a “yes” to the
treatment recommendation.
When, in the next appointment, it becomes apparent that the patient did not do “what
he agreed to do,” it is very easy for the non-Asian therapist to view the patient as being,
at best, ambivalent in nature and, at worst, unmotivated, irresponsible, or even prone to
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214 Clinical interviewing: the principles behind the art
deceit. Clearly the “cultural glasses” of Franz Boas are at work here. Such kulturbrille
distortions can result in a remarkably shaky therapeutic alliance.
For a moment we will stick with this combination of a non-Asian American therapist
and an Asian American or recent Asian immigrant or visitor, for it introduces another
aspect of culture that can interfere with the accuracy of clinician perception – nonverbal
norms. Compared to the other cultures mentioned above, Asians may handle eye contact
differently.
The Asian cultures have a rich, and deeply rooted, heritage of respecting elders. Con-
sequently, during the first meeting with an elder, or any respected figure such as a physi-
cian or mental health professional, direct eye contact may be relatively minimal. A gently
reduced level of eye contact is often the culturally accepted way of expressing deference
to a respected person. Direct and persistent eye contact could be viewed as a sign of
disrespect.33 Unaware of this cultural norm, the non-Asian therapist (whether White,
Black, Latino/o, etc.) could misperceive the lowered eyes and poor eye contact of the
patient as evidence of poor blending, shyness, lack of confidence, or even “attitude” if
the patient happened to be an adolescent.
Culture, then, consists of standards for deciding what is, standards for deciding what can
be, standards for deciding how one feels about it, standards for deciding what to do about
it, and standards for deciding how to go about doing it.34
In our opening vignette with Jennifer, we already witnessed the power of a subculture
– a strict fundamentalist perspective by her family – to create concrete roadblocks to
treatment planning. As Goodenough suggests, it is not only the treatment options for
the patient that may be limited by culture. Such limitations affect all elements of the
treatment team, including the clinicians. We all are wearing the kulturbrille spectacles
that Franz Boas described earlier. Cultures can limit the ability of the clinician to see
viable treatment options that may be appearing in the dialogue of the interview – effec-
tive treatment options that would be readily apparent to a clinician familiar with the
patient’s culture.
As clinicians walk into initial interviews, they enter with distinct biases about treat-
ment planning. Some like to use medications; some don’t. Some like psychotherapy;
some don’t. Those who like psychotherapy may prefer cognitive–behavioral therapies,
others may prefer psychodynamic models, and some embrace both. Some routinely
involve family members in treatment planning. Others seldom do, except in inpatient
settings. Some are open to alternative therapies, others do not believe in them.
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Understanding the person beneath the diagnosis 215
Of critical importance to us, as students of the initial interview, is the recognition that
these biases (and we are all entitled to our individual beliefs about therapeutic interven-
tions) can sometimes distort what we “hear.” At times, clinicians tend to “hear” in the
database those bits of data that support their predispositions towards their preferred
therapeutic interventions. Such a distorting process is potentially damaging, for it can
prevent a clinician from seeing the value of an intervention that is new to the clinician,
but perhaps of great importance to the patient’s subculture. The success of the therapy,
and even the validity of the database upon which it is based, may be dependent upon the
clinician’s ability to spot these kulturbrille distortions.
Cultures and subcultures can provide unique resources for treatment planning pur-
poses, if the clinician is willing to listen to the culture. For example, many clinicians in
the United States and Canada find themselves working with the Hmong, who have had
a significant immigration to North America. Within this culture, shamans can play a
major role in community function and in the approach to healing. Understanding this
cultural fact, an interviewer may opt to invite the patient’s shaman, if requested by the
patient, to consult upon the treatment plan. If one is working within a culture where
shamans or medicine men play a major role (such as the Hmong, Native Americans in
the United States, and First Nations people in Canada), it can be useful to ask, “Have you
talked to a shaman (or medicine man) about your problems?” If the answer is “yes,” by
then asking “What were his opinions?”, unexpected yet useful ideas for treatment inter-
vention may be shared, ideas that the patient is already predisposed to pursue. An open
and respectful discussion of the shaman’s recommendations by the interviewer can meta-
communicate that the clinician is not culturally bigoted or narrow in his or her approach.
This metacommunication can be remarkably powerful in securing initial engagement.
After brainstorming on a treatment plan in the closing phases of an intake interview,
it can also be wise to ask, “What do you think your shaman might think about our plan?”
If there are going to be culturally related roadblocks to treatment planning acceptance,
an astute interviewer will want to know about them beforehand, not after the patient
returns, having already decided against the treatment plan because of the cultural antago-
nism with which it was met. Alerted to such a potential impasse, the clinician may be
able to prospectively transform it.
As the Sommers-Flanagans point out, some cultures, such as the Asian American
culture, tend to downplay the role of individual decision making.35 Most personal deci-
sions by an individual are viewed as directly reflecting the values, worth, and integrity of
the larger family unit. Hence, some Asian American patients may believe that these deci-
sions should be made by the family as opposed to the individual. If this is the patient’s
belief, it is important to involve family members in treatment planning early on. With
almost all young Asian Americans, the following type of question may be both useful
and revealing: “What do you think your parents will think of our ideas for using psycho-
therapy (medications, etc.)?”
Latino/a cultures traditionally place strong emphasis upon the father as the “head of
the family.”36 As with the Asian American patient, it may be useful to ask questions such
as, “What do you think your father will think of this treatment?” If a father disagrees
“back home,” the clinician may need to give considerable support to the patient’s
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216 Clinical interviewing: the principles behind the art
personal choice for treatment, for such parental opposition can be strikingly intense. The
pressures on Latina patients by paternal dictates can be remarkably stressful, literally
destroying a treatment plan before it is begun.
Although we have been focusing on situations in which cultural roadblocks to treat-
ment planning may be related to cultural biases, at times clergy and key family members
can become strong advocates for beneficial treatment interventions that the patient, and
perhaps even the patient’s culture, may be wary of utilizing. For instance, a patient lost
within the terrors of a psychotic process may be more likely to agree to the use of poten-
tially life-saving antipsychotics, not by the entreaties of a clinician from a different
culture, but by the respected words of a trusted figure within the patient’s culture.
I would like to end this chapter by sharing one of the clearest examples I have encoun-
tered of this exact phenomenon. I believe it nicely illustrates some of the key principles
of this chapter. It highlights the importance of trying to understand the patient beneath
the diagnosis in the initial assessment, as well as the fact that to do so, one must under-
stand the cultural context of that patient and of the patient’s symptoms.
It began when I met Anna for the very first time. Anna had been admitted to an inpa-
tient unit dedicated to helping people with schizophrenia. When I entered the room, I
was met by a pair of eyes that had the paradoxical quality of being both piercing and
frightened at the same time. Anna was a 24-year-old African American who had been
admitted the night before, through the emergency department, suffering from what
would prove to be her first break of schizophrenia. She wore a colorful shawl wrapped
tightly about her somewhat overweight body, as if she had enveloped herself in a protec-
tive suit of magical armor. I would soon learn that she was protecting herself from a
hoard of demonic voices and fears of possession.
Anna was strongly opposed to the use of medications. In the initial interview I learned
that she belonged to a Pentecostal church in which her own mother was the minister.
Her mother was, quite naturally, steeped in the beliefs and rituals of her chosen faith,
being quite adept at speaking in tongues and performing exorcisms. I was concerned that
her mother’s religious beliefs were going to be “problematic” from my viewpoint, in the
sense that she might disagree with the diagnosis of schizophrenia and be strongly
opposed to the use of an antipsychotic. She would soon prove me to be very wrong
indeed.
In a subsequent session alone with Anna’s mother, we both shared and listened to
each other’s beliefs shaped by our respective subcultures about what was wrong with
Anna. Her mother had, indeed, been concerned that Anna was possessed and had already
performed an exorcism. When I asked about the impact of the exorcism and also the
presentation and actions exhibited by Anna since possession, she described her church’s
efforts in some detail. I asked about other possessions she had seen, other exorcisms that
had worked effectively, and what she felt the future would hold for both her daughter
and herself. After talking extensively about her previous experiences with exorcism, she
paused for moment and then queried, “What do you think is going on?”
I subsequently shared thoughts about the symptoms of schizophrenia, the potential
role of the brain and neurotransmitters, and some of the subtle pre-psychotic phenom-
enology of psychotic process (social withdrawal, problems with sleep, wariness, mild
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Understanding the person beneath the diagnosis 217
agitation, moments of being lost in thought, all of which often predate for weeks or
months the onset of delusions or hallucinations). It was here that Anna’s mother seemed
particularly interested, nodding on several occasions, the type of nod accompanied by a
quiet “hmmm,” as if nonverbally acknowledging, “I might have seen that.” At one point
she gave a little sigh, and asked, “If Anna has this schizophrenia thing, do you think you
can help her?” Later she commented, “I’m not so sure she is possessed. It’s not like any
possession I’ve ever seen.” Apparently, through her careful listening, she had indepen-
dently arrived at her own personal conclusion that her daughter’s behavior seemed to fit
the description of schizophrenia better than the possibility of possession.
As she was about to leave my office, she turned and commented, “You know, Dr. Shea,
I agree that Anna is probably suffering from what you call schizophrenia, but there is
something important for you to know.” I asked, “What is that?” She said, “Just keep in
mind that Satan causes it. He is always behind our suffering.” She smiled, and walked
out the door.
Two cultures met, both cultures saved face, and both cultures agreed to join forces.
This anecdote serves as poignant reminder that some of the most important culturally
powerful interviews are not necessarily the ones with our patients. They are sometimes
the ones we have with the people who love our patients.
Anna’s mother subsequently convinced Anna to give the antipsychotic a try. The results
were exciting, with an excellent remission within 1 month. Interestingly, during this
episode of her daughter’s illness, Anna’s mother was comfortable asking Anna to not
attend church services, “until God has healed the chemistry of your brain, for I don’t
think it’s a good idea for you to be around thoughts of possession and exorcism until
your brain is working the way God intended it to.” Anna agreed.
I am convinced that Anna’s suffering would have been remarkably more intense and
prolonged (she remained in good remission) had it not been for the interventions of her
mother, whose religious beliefs were open enough to a different perspective to decide
upon an atypical approach to healing from her culture’s perspective. I would like to think
that the openness and genuine respect of the interviewer, myself in this instance, of her
beliefs and her previous successes at healing, set the tone for her reciprocal openness to
my ideas. We will never know for sure.
What I am sure of, however, is that for about 20 minutes, two people – Anna’s mother
and myself – were able to remove their cultural glasses. The kulturbrille effect was sus-
pended, and each participant saw the other with a more accepting eye. More importantly,
it gave us the chance to see that we both shared the same mission – to help Anna with
her great pain. And, appropriately enough, it would be Anna who would ultimately gain
the most from our clearer vision.
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5. Dunn J. Intersubjectivity. From the chapter: Psychoanalytic theories. In: Tasman A, Kay J, Lieberman JA, editors.
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21. Biswas-Diener R. Practicing positive psychology coaching: assessment, activities & strategies for success. New York, NY:
Wiley; 2010.
22. Biswas-Diener R. Positive psychology coaching: putting the science of happiness to work for your patients. New York, NY:
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25. Seligman MEP. Authentic happiness <www.authentichappiness.sas.upenn.edu> [accessed 15 August 2011].
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27. Kitayama S, Cohen D. Handbook of cultural psychology. New York, NY: The Guilford Press; 2007. p. xiii.
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1999. p. 379.
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36. Garcia-Preto N. Latino families: an overview. In: McGoldrick M, Giordano J, Pearce JK, editors. Ethnicity and family
therapy. 2nd ed. New York, NY: Guilford Press; 1996.
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CHAPTER 7
Assessment Perspectives and
the Human Matrix: Bridges to
Effective Treatment Planning in
the Initial Interview
We have already seen how a deeper understanding of the person beneath the diagnosis
can suggest powerful methods for securing a sound initial treatment plan, while simul-
taneously maximizing engagement and the likelihood of a second meeting. One critical
way-station on our map of the initial interview remains untapped – the cognitive art
of assessment. By “assessment” we are referring to the fashion in which the clinician
“puts all of the puzzle pieces together” from the patient’s history. The clinician will
arrive at his or her initial formulation of what the problems are, what are the various
forces at work contributing to the patient’s problems, and what are some of the pos-
sibilities for transforming these problems. This fourth way-station in our map is arguably
the major gateway to our fifth, and final way-station – collaborative treatment planning
(Figure 7.1).
In our first six chapters we have focused upon clinician behaviors as manifested in
specific interviewing techniques and strategies. But it is not only the interviewer’s behav-
iors that define an interview; interviewing is also a cognitive art. In this regard, the initial
interviewer’s mind is alive with assessment possibilities – potential clues to healing.
Much cognitive work is occurring while the interview unfolds, for the interviewer, in
addition to gathering the database, must also “listen” to the database as it reveals itself.
The ultimate goal of the initial interview – in addition to enhancing the likelihood of a
second interview – is to collaboratively develop an initial treatment plan that seeds hope
by the end of the interview and, indeed, begins the healing process. It is from the inter-
viewer’s and patient’s assessment of what is right and what is wrong that treatment
options come to mind. It is this cognitive assessment that creates the bridges leading into
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222 Clinical interviewing: the principles behind the art
effective treatment planning. These cognitive skills, utilized throughout the initial encoun-
ter, are the focus of this chapter.
I must emphasize that this is not a chapter about how to choose specific therapies
and design concrete treatment plans. Such a topic as treatment planning is both complex
and vast – well beyond the scope of a book focused on the interviewing process. The
interested reader is directed to the many outstanding texts on treatment planning.2–4
Instead, this is a chapter about the cognitive processes and decisions that a clinician must
make during the interview itself about what data to gather in the first place and how to
use this data to collaboratively develop treatment plan options with the patient. I believe
that a fundamental familiarity with the basic principles of treatment planning is an
essential part of an interviewing course, for a clinician cannot truly understand how to
interview effectively if one does not understand the reason for the interview – what
information is needed for a treatment plan and why.
This chapter explores three assessment perspectives by which clinicians can organize,
during the interview itself and immediately afterwards, the massive stream of informa-
tion encountered in an initial interview in such a way that the database provides sign-
posts pointing towards possible treatment options. In essence, a sound assessment
perspective can generate a listing, in the interviewer’s mind, of possible treatment inter-
ventions to collaboratively share with the patient. Such ongoing organization can also
significantly enhance the clinician’s ability to rapidly create a final assessment document
(whether dictated, typed, or written), a skill of marked importance in this age of managed
care and tight time constraints, as well as representing the final task of the initial
interview.
Frequently I have seen clinicians falter, not because they lack adequate knowledge
about the use of specific treatment modalities, but because the use of certain modalities
never comes to mind. They become lost in the database, emphasizing certain information
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Assessment perspectives and the human matrix 223
while ignoring, or not even obtaining, other pertinent data. We are dealing with an
information processing problem, a not unexpected dilemma considering the vastness of
the information involved in understanding another person’s problems. In this chapter
we will study a common-sense approach to creating a realistic list of viable treatment
options. No attempt is made to suggest the pros and cons of any specific treatment; rather,
the focus is upon bridging from the process of data gathering in the body of the interview
to collaboratively creating an initial, albeit tentative, treatment plan in the closing phase
of the interview.
This chapter also demonstrates that the treatment opportunities that come to mind
for the clinician appear to be directly related to both the data collected and the method
of organizing the data. For example, a clinician who does not learn to ask questions
concerning the neurovegetative symptoms suggestive of a medication-responsive depres-
sion will most likely not think to utilize such a medication. Likewise, a clinician is less
likely to think of intervening via social work channels if current stressors are ignored.
To avoid such tunnel vision, clinicians can organize their data into schemata that
emphasize conceptualization from multiple viewpoints. In this chapter we will look at
three such systems. Through them, the power of a well-organized database to lead to
effective treatment planning will become apparent.
We shall look at the following three assessment perspectives: (1) the diagnostic per-
spective provided by the Diagnostic and Statistical Manual of Mental Disorders (DSM-5
version),5 (2) matrix treatment planning, and (3) the perspective provided by under-
standing the “core pains” of the patient. Although overlapping at their interfaces, each
of these perspectives generates unique clues for treatment planning. Consequently, it is
often expedient to create an initial treatment plan utilizing all three perspectives. I have
found single-perspective treatment planning to be generally unsatisfactory, akin to begin-
ning a watercolor with only half of the necessary paints. The value of multi-faceted treat-
ment plans, which integrate care longitudinally, has been well described in a variety of
areas by authors such as Kim Mueser and Robert Drake concerning dual diagnoses6 and
McKinnis-Dittrich with elders.7
Each of the three assessment perspectives provides the following benefits for usefully
organizing clinical information:
1. An easy and rapid method of checking, during the interview itself, whether pertinent
data regions for treatment planning have been explored, thus decreasing errors of
omission
2. A reliable method of reminding the clinician to borrow from different data perspec-
tives when collaboratively formulating a treatment plan with the patient
3. A flexible approach to delineating a list of potential treatment modalities with the
patient
In addition, outside of the domain of the initial interview, a clinician who understands
how to effectively utilize these three bridges into treatment planning will have learned
a set of skills that are invaluable in ongoing treatment planning, especially when there
appears to be a roadblock. These treatment-planning perspectives often allow treatment
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224 Clinical interviewing: the principles behind the art
teams to create new and refreshing transformations of stalled moments in ongoing care.
We will begin by reviewing a database gleaned from an actual initial interview. Following
this presentation, the information from each of the three perspectives mentioned above
will be examined, observing the utility in the initial interview provided by each
viewpoint.
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Assessment perspectives and the human matrix 225
memories consisted of standing behind the front door weeping as her father walked away
down the stone path. As she cried, her mother shook her violently, pulling her away from
the doorway.
To my surprise, the wristband bearing the name Paul had nothing to do with past or
present friends or her partner. Instead it referred to herself, for she often fantasized that
she was Paul Newman. This vivid fantasy game was indulged by her partner, who would
call her Paul when they decided to play this game of pseudo-identity. At no time did
Debbie, nor her partner, lose sight that this was merely a fantasy, although she longed
to be anyone but herself. When talking of her fantasy identity, she would occasionally
cry softly, as if punctuating her story with tears.
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226 Clinical interviewing: the principles behind the art
presenting with depressive or anxious symptoms may have severe bulimia or substance
abuse underlying it, which is not shared spontaneously secondary to stigma. For these
reasons, the art of diagnostic formulation remains a cornerstone of sound assessment
during an initial interview.
In my opinion, many treatment failures are the result of such untreated hidden diag-
noses. Studies such as the National Comorbidity Survey (NCS) have shown marked
comorbidity among commonly presenting mental disorders including depression, panic
disorder, OCD, and alcohol dependence.10 In a community sample, over 56.3% of
patients presenting with a major depression had another current psychiatric disorder.11
The rate of comorbidity is even higher with another commonly presenting disorder –
generalized anxiety disorder – where rates of comorbidity have been reported of more
than 90% in both a clinical and community sample.12 By doing a sound differential on
all patients, no matter “how obvious” the presenting symptoms may be for a mood or
anxiety disorder, one may uncover a disorder that is even more problematic or might
even be the root of the patient’s problems.
In addition, diagnostic systems such as the DSM-5 and ICD-10 allow both clinicians
and researchers the opportunity to share their successful experiences in treating a specific
disorder in a common language. When a clinician discovers a treatment plan that is
useful in relieving a resistant major depression, these findings may be applicable to a
patient being treated by a fellow clinician, who might benefit from the shared knowledge.
Formal differential diagnosis is a practical passport to the knowledge housed in journals,
books, and the minds of our fellow clinicians.
A clinical vignette will make this abstract discussion more concrete. I was working
with a couple whose marriage was riddled with a nasty streak of passive aggression and
strained communication. After several sessions, the marital therapy seemed to be bogging
down. The husband, a rather narcissistic man, kept insisting that nothing was being done
for him. In reviewing my notes, I discovered that the referring clinician had diagnosed
the husband as suffering from a dysthymic disorder. I had recently read an article report-
ing that certain types of dysthymic disorders responded well to antidepressant medica-
tion. My patient fit one of these descriptions and consequently was begun on an
appropriate antidepressant. He quickly found significant relief.
However, to the chagrin of both the patient and his spouse, their marital friction
remained painfully present. Up to this point, he had balked at couples therapy, categori-
cally stating, “My problems are all from my depression. Trust me, there is nothing wrong
with my marriage.” With marked marital discord remaining despite relief from his
depressive symptoms, he no longer had an excuse for avoiding the work of therapy,
thanks to the antidepressant suggested by his DSM diagnosis. Suddenly the marital
therapy could move ahead more effectively. This vignette illustrates the power of a
common diagnostic language to provide a clinician with knowledge discovered by others.
Without the diagnosis of dysthymia, and its relation to the article that I had just read,
this pivotal treatment intervention would not have been tried.
Let us explore in more detail how diagnoses can be valuable in suggesting possible
treatment modalities. For instance, major depressions frequently respond to antidepres-
sants and may also benefit from concurrent psychotherapy or, frequently, from psycho-
therapy alone. Bipolar disorder (manic phase) is usually approached with lithium,
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Assessment perspectives and the human matrix 227
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228 Clinical interviewing: the principles behind the art
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Assessment perspectives and the human matrix 229
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230 Clinical interviewing: the principles behind the art
that I suggest routinely employing in addition to the DSM-5: matrix treatment planning
and understanding the core pains of the patient.
Looked at in this simplified fashion, the first step in utilizing the DSM-5 appears con-
siderably more manageable than at first glance. In order to succeed, the clinician must
be well grounded in psychopathology, as will be discussed in Part II of this book. This
knowledge base will allow the interviewer to quickly determine which of the thirteen
areas are most pertinent. As the interview progresses, the clinician can reflect upon
whether each of these broad areas has at least been considered, thus avoiding errors of
omission.
Once the primary delineation has been made, the interviewer can proceed with the
secondary delineation, in which the specific diagnoses subsumed under the broad diag-
nostic areas are explored and the more exact DSM-5 differential diagnosis is determined.
Thus, if the clinician suspects a mood disorder, the clinician will eventually hunt for
criteria substantiating specific mood diagnoses such as major depressive disorder, bipolar
disorder, dysthymia, cyclothymic disorder, other specified or unspecified depressive
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Patient's symptoms
and history
Primary delineation:
– – – – – – – –
Schizophrenia OCD Dissociative Eating Mental disorders Bipolar Somatic Other miscellaneous
spectrum related disorders disorders due to a general disorders symptom disorders and
disorders medical condition disorders V-codes
– – – – + –
Anxiety Trauma / Neurocognitive Neurodevelopmental Depressive Substance
disorders stressor disorders disorders disorders related
disorders disorders
Secondary delineation:
+ – – – –
Major Premenstrual Depressive Depressive
Dysthymia
depressive dysphoric disorder due to disorders specified
disorder disorder medical condition or unspecified
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+ = Symptoms are suggestive of
– = Symptoms are not suggestive of
Figure 7.2 Basic approach to diagnostic utilization with adults (patient with a major depressive disorder).
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Assessment perspectives and the human matrix 231
232 Clinical interviewing: the principles behind the art
disorders, and other specified or unspecified bipolar disorders. This secondary delinea-
tion would be performed in each broad diagnostic area deemed pertinent.
As already described in Chapters 3 and 4, these explorations occur during the main
body of the interview. Most importantly, they are done in a highly flexible fashion, always
patterning the questioning in the style most compatible with the needs of the patient
and the clinical situation. Consequently, the clinician expands these diagnostic regions
in a unique fashion with each patient, mixing them with various other content regions
and process regions. When done well, the result is an interview that feels unstructured
to the patient yet delineates an accurate diagnosis.
V-codes represent conditions not attributable to a mental disorder that might be useful
as areas for the focus of therapeutic intervention. Examples include academic problems,
occupational problems, uncomplicated bereavement, low interest and follow-through
with medications, marital problems, parent–child problems, and others. Sometimes
these codes are used because no mental disorder is present, and the patient is coping
with one of the stresses just listed. They can also be used if the clinician feels that not
enough information is available to rule out a psychiatric syndrome, but, in the meantime,
an area for specific intervention is being highlighted. Finally, these V-codes can be used
with a patient who carries a specific psychiatric syndrome but for whom that syndrome
is not the immediate problem or the focus of intervention. For example, an individual
with chronic schizophrenia in remission may present with marital distress.
Personality Disorders
The basic approach to differential diagnosis with personality disorders follows the same
two-step delineation that we found to be useful in delineating the non-personality related
psychiatric disorders above. In the first delineation, one asks whether the interviewee’s
story suggests evidence of long-term interpersonal dysfunction that has remained rela-
tively consistent from adolescence onwards. If so, the patient may very well fulfill the
criteria for a personality disorder or disorders.
After determining that a personality disorder may very well be present, the clinician
proceeds with the secondary delineation in which specific regions of personality diagno-
ses are expanded. This secondary delineation will result in the generation of a differential
from the following list:
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Assessment perspectives and the human matrix 233
In Chapter 14 we will examine in great detail the many fascinating subtleties involved
in exploring personality structure during an initial interview. One area not covered by
the DSM-5 but sometimes of great value in understanding personality functioning is the
role of defense mechanisms. Defense mechanisms range from those commonly seen in
neurotic disorders such as rationalization and intellectualization to those seen in more
severe disorders such as denial, projection, and splitting.
Understanding a person’s unconscious defense mechanisms (in classic psychoanalytic
thought, defense mechanisms are viewed as being generally unconscious) can help the
interviewer to uncover a more accurate picture of the person beneath the diagnosis.
Defense mechanisms represent unconscious coping skills that protect a person from
intense anxiety and/or unconscious ideas, images, or desires that would create intense
guilt or shame. A detailed exploration of the various defense mechanisms, as they unfold
in ongoing psychotherapy, is beyond the scope of this book, but the interested reader
will find an excellent survey of them in the DSM-IV-TR, where a proposed possible axis
called “the Defensive Functioning Scale” is outlined.16
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234 Clinical interviewing: the principles behind the art
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Assessment perspectives and the human matrix 235
the DSM-5 does acknowledge the importance of such explorations. In this regard, the
World Health Organization’s Disability Assessment Scale (WHODAS) is included in
Section III of the DSM-5, but the WHODAS is not easy to use in the tight time constraints
of an initial assessment. The absence of a designated axis for requiring a sound assess-
ment of current functioning, to me, invites potentially inferior exploration.
A robust assessment of actual current functioning pushes the clinician to carefully
review evidence of immediate coping skills as affected by symptomatology. It is impor-
tant to utilize behavioral incidents in this exploration, for patients, if merely asked
for their opinions, may give misleading answers. By way of example, an acutely psy-
chotic patient who does not want to be admitted to hospital may reply with a simple
“not often” when asked, “Are the voices bothering you frequently?” Utilizing validity
techniques such as behavioral incidents and symptom amplification as described in
Chapter 5, the clinician may find that the dialogue develops more along the following
lines:
Clin.: Looking at the last 2 days, how many times have you heard the voices per day, 10
times a day, 30 times a day, 60 times? (symptom amplification)
Pt.: (pausing and glancing away for a moment) Probably, well … maybe a good 30
times a day.
Clin.: What types of things do they say? (behavioral incident)
Pt.: (pause) They tell me I’m ugly. So what else is new.
Clin.: What do you feel when the voices say mean things like that to you? (behavioral
incident)
Pt.: It hurts, but I try to push them out of mind.
Clin.: Do they ever tell you to hurt yourself? (behavioral incident)
Pt.: You could say that.
Clin.: What exactly do they tell you? (behavioral incident)
Pt.: They tell me to kill myself because I’m too ugly to live.
By starting with a symptom amplification and then repeatedly using the behavioral inci-
dent technique, the clinician has found not only that the voices are bothersome but also
that they are frequent and potentially dangerous.
The clinician may find it to be opportune, during the exploration of current function-
ing, to ask directly about elements of the wellness triad, hunting for strengths, skills, and
interests as described in Chapter 6, for all of these attributes may be of value in helping
the patient to cope more effectively with their current problems. Also keep in mind with
regard to current functioning that sources outside the patient, such as family, friends,
roommates, and employers frequently provide more valid information than the patient.
Once again, when questioning collaborative sources, behavioral incidents can be used
to enhance validity.
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236 Clinical interviewing: the principles behind the art
diagnoses we have generated. With regard to major psychiatric diagnoses (other than
personality disorders), Debbie’s presentation suggests several diagnostic entities. The
primary delineation suggests that her symptoms are those of some type of mood disorder.
Regarding the secondary delineation into the specific mood disorders present, she does
not appear to currently fit the criteria for a major depressive disorder, but she may rep-
resent a variant of persistent depressive disorder (dysthymia). As mentioned earlier, the
presence of this disorder might suggest the short-term use of an antidepressant. Dysthy-
mia can also be approached using a variety of psychotherapeutic modalities, including
cognitive–behavioral therapy (CBT) and psychodynamic models.
Her history suggests no strong evidence for entities such as schizophrenia or other
psychotic processes, although the clinician may want to explore her vivid fantasy produc-
tions in more detail to rule out the possibility of delusional material or dissociative
identity disorder. There is no evidence of a neurocognitive disorder such as delirium or
dementia. Several areas not well explored are the areas of anxiety disorders, obsessive–
compulsive disorders, trauma-related disorders, and dissociative disorders. In a later
interview these omissions can be easily addressed.
Here we see how the use of a diagnostic paradigm can help prevent problematic errors
of omission. Even the best clinician, and I have encountered this process many times in
my own work, will not have time to scan for all potentially pertinent diagnoses because
of the tight time constraints under which we all work. Through the use of a diagnostic
schema such as the DSM-5, one can quickly, and reliably, spot diagnostic areas that were
inadvertently missed, opening up the chance to appropriately explore for potentially
hidden diagnoses in the next interview. To miss a diagnosis such as PTSD (possibly related
to childhood abuse) in a patient with Debbie’s presentation could lead to missed oppor-
tunities for treatment intervention, including such opportunities as a survivor’s group.
Regarding personality dysfunction, several possibilities are emerging that may provide
important clues as to how to proceed. Many of her symptoms, such as her frequent angry
outbursts, her numerous overdoses, and her deep fears of abandonment and being alone,
suggest the possibility of the diagnosis of a borderline personality and perhaps a depen-
dent personality. Both of these diagnoses serve to warn the clinician that Debbie may be
predisposed to becoming overly dependent upon the clinician. Dependency issues may
be important areas for focus in the upcoming therapy. Also of importance is the fact that
a large body of literature exists concerning the treatment of the borderline personality,
literature that can be easily tapped by the clinician. As a triage agent, the diagnostic label
of a borderline personality may also suggest the wisdom of not assigning this patient to
a newly trained or poorly skilled therapist, because such patients are frequently difficult
to manage. Regarding personality dysfunction, one might further explore entities such
as a histrionic personality, a schizotypal personality, or an antisocial personality.
As mentioned earlier, all patients should be conceptualized within the context of
their personality structures and predispositions, no matter how striking the presenting
symptoms of the patient’s non-personality related symptoms may be. In this fashion,
diagnoses such as borderline personality will not be missed. By not recognizing processes
such as the potential for borderline dependency early in therapy, the therapist risks
missing the diagnosis until well into therapy, by which time the patient may have already
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Assessment perspectives and the human matrix 237
become markedly enmeshed and dependent on the therapist. By this point, much painful
acting out may have occurred for the patient, and smooth transitions to other treatment
options, such as DBT, will have been made more difficult. All of this pain could be
avoided by screening for this diagnosis in the initial interview, as was done with Debbie.
An exploration of possible non-psychiatric medical conditions brings many important
points to mind. In the first place, Debbie’s depressive symptoms suggest the possibility
of a mood disorder due to a general medical condition. She needs a medical examina-
tion. If the initial clinician is a psychiatrist, then this clinician has omitted a good medical
review of systems. This omission will need to be rectified. Pertinent laboratory work will
be ordered, and a physical examination may be indicated.
But the exploration of non-psychiatric medical conditions does not end here. The
history of episodic violence may suggest an underlying seizure disorder (caused by head
trauma) that may have been routinely missed by previous clinicians. Once again, the
interviewer will want to ask questions pertinent to this diagnosis and may consider order-
ing an electroencephalogram (EEG) or referral to a neurologist. Her worsening of symp-
toms near her menstrual periods also adds the possibility of a premenstrual dysphoric
disorder, which may suggest the use of medications to relieve cramping and an antianxi-
ety agent used for a day or two near her periods to decrease her premenstrual tension or
the addition of a low-dose selective serotonin reuptake inhibitor (SSRI) antidepressant.
A final medical consideration concerns Debbie’s obesity. One wonders whether there
may be an organic etiology for her obesity, such as hypothyroidism or polycystic ovarian
disorder. One also wonders as to whether her weight represents a powerful psychological
concern, which she was hesitant to discuss because of stigma.
Even though there is no specific axis devoted to assessing psychosocial factors, as
mentioned earlier the DSM-5 system suggests that a careful exploration of psychosocial
factors should be a part of any evaluation. With regard to Debbie, one questions what
the impact of the upcoming wedding will be. Even for the most stable of people, wed-
dings are stressful. Her wedding stresses may be further amplified by cultural bigotries
related to same-sex marriage, once again an arena for supportive counseling in future
sessions. A review of psychosocial factors also indicates that the interviewer has not
explored current stressors very well yet. With regard to triage and the determination of
when Debbie should be seen next, it would be useful for the interviewer to have a much
clearer picture of the current stressors.
Regarding Debbie’s current functioning, the information is sparse here, reflecting a
relative weakness in the database thus far collected. Keep in mind that such database
weaknesses are common, and inevitable, in initial interviews, for there is not enough
time to collect a perfect database. But it is our diagnostic perspective that prompts us to
recognize these weak areas, a recognition that will allow us to explore these important
topics in future sessions. A more thorough examination of current functioning would be
of value in determining disposition. One also wonders what skills Debbie may possess
that may be utilized in her treatment. For instance, her possibly overactive fantasy life,
if toned down, may represent a fertile imagination, which could be an asset in her devel-
opment as an individual. Current functioning and the availability of immediate social
supports clearly warrant further exploration.
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238 Clinical interviewing: the principles behind the art
The above discussion illustrates the immense power of diagnostic systems such as the
DSM-5 or the ICD-10 as methods of organizing data in a fashion that generates treatment
options and also for “pointing out” areas of important clinical information that may
have been overlooked. In addition, if utilized as intended, a clinician employing the
DSM-5 system should be routinely looking for the person beneath the diagnosis by better
understanding the patient’s personality functioning, biological health, and the complexi-
ties of the patient’s psychosocial and environmental stresses.
But these factors may be under-emphasized or overlooked by clinicians because of
the absence of specific axes emphasizing their inherent importance in the DSM-5 system.
In addition, there are other elements of a holistic assessment (such as spirituality, family
dynamics, and cross-cultural nuance) not emphasized by the system. Consequently, even
when used as intended, in my opinion, this assessment perspective alone can yield an
incomplete picture of the patient. We will now turn to an assessment system that directly
focuses upon the areas of relative weakness in the DSM-5, perspectives that may provide
us with new insights into Debbie and how to help her.
Introduction
Matrix treatment planning provides a stimulating and practical method of organizing
and utilizing the data gained from the initial interview that complements the DSM-5
or the ICD-10. The term “matrix treatment planning,” which I am introducing to the
clinical literature in this chapter, is a recent term that I prefer to the more standard and
traditionally accepted term “biopsychosocial treatment planning.” They describe the same
system.
Although they describe the same system, as we shall soon see, I believe there are
advantages to the newer term and the re-emphasis it places upon the interactional prin-
ciples behind the biopsychosocial model as it was first delineated.
The goal in this section is to provide the initial interviewer with a reasonable concep-
tualization of what matrix treatment planning offers, how it is used, and its ramifications
concerning what information needs to be gathered in an initial interview (as well as
during ongoing psychotherapy). To accomplish this task in the sophisticated fashion that
it warrants, we will examine exactly what is meant by matrix treatment planning, includ-
ing the ideas from which it evolved (the biopsychosocial model) and from which it is
still evolving.
As with our exploration of the DSM-5 system, there is no attempt to describe the pros
and cons of specific treatment interventions here. Rather, the intention is to describe how
to maximize the use of matrix treatment planning during the collaborative planning
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Assessment perspectives and the human matrix 239
undertaken with the patient in the closing phase of the interview. Although not the
intention of this chapter, I believe the reader will find that these principles will also be
of use in long-term treatment planning.
Indeed, initially, our exploration of matrix treatment planning will require a some-
what extended side-trip from our interviewing map. The type of sophisticated under-
standing that a clinician needs in order to effectively undertake collaborative treatment
planning, in the closing phase of the initial interview, will demand a focused attention
upon some of the core principles of treatment planning itself.
Before we begin our exploration of the interface between the initial interview and
matrix treatment planning, I would like to add a cautionary note to the reader. At times,
some of the nuances of matrix treatment planning may appear somewhat complex,
perhaps even overwhelming. Truth be told, they are complex. They are also intricate,
delicate, and richly practical.
The goal of this chapter is not for the beginning student to understand and be able to
immediately utilize all of the principles of matrix treatment planning delineated in the
following pages. The goal is to leave the reader with a fascination and a genuine appre-
ciation of the power of matrix treatment planning to heal. If successful, the reader will
leave the chapter with a lively motivation to learn how to effectively employ the concept
of the human matrix.
As you read, you will develop a sophisticated understanding of how matrix treatment
planning principles can be elegantly interwoven into the initial intake. I believe it is
important, in a beginning course on interviewing, to immediately see how this integra-
tion is gracefully achieved by a skilled interviewer, so as to have a model from which to
work from the very beginning of your initiation into clinical interviewing.
As you continue into your more advanced years of training, you will participate in a
variety of courses, internships, and clinical rotations that will provide you ample oppor-
tunities to learn how to implement the principles described in the following pages.
Indeed, it is my hope that in the remaining years of your training (and post-training)
you will frequently return to this chapter to help you integrate the many new skills you
will be encountering.
Thus, sit back and enjoy the ride. The following pages describing the interface between
the initial interview and matrix treatment planning are intended to provide an enticing
and practical preview of the process. Nothing more. It will hopefully provide, in the years
to come, a goal towards which you can work and a model from which you can more
easily achieve that goal.
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240 Clinical interviewing: the principles behind the art
clinicians across all mental health disciplines.19–23 Engel’s work was an extension of what
can be called systems theory or analysis. The following depiction of matrix treatment
planning parallels Engel’s work, but applies it directly for use by mental health
professionals.
The term “matrix” has several definitions. With regard to treatment planning it refers
to the idea that a matrix is the “stuff” from which something, in this case the patient and
the clinician, are created. In matrix treatment planning, human beings are seen not so
much as static “things” with permanent characteristics but rather as an intertwining series
of processes. The patient is viewed as a moment in time, in which various processes
intersect and interact to create what we call a human being. In short, the patient and the
clinician are both viewed as ever-changing processes, evolving with each passing moment.
Since the various systems of a matrix, by definition, represent fields of interdependent
interaction, changes in one system of a matrix almost always create changes in the other
systems within the matrix. If a change in one system has a positive effect on another
system it is called a healing matrix effect. If a change in one system creates a negative
impact on another system it is called a damaging matrix effect. Sometimes a problem in
one system of the matrix can cause such marked problems in a different system that it
appears to the interviewer that the primary problem resides in this secondary system,
when, in reality, this is a misperception – a phenomenon called a red herring effect. Each
system of the patient’s matrix offers a potential wedge for therapeutic intervention.
Guided by such a theoretical understanding, an initial interviewer understands at once
the importance of gathering information from all the systems impacting upon the
patient. To not do so, the interviewer risks making misjudgments as to what is right or
wrong with the patient during their initial encounter. Moreover, the patient may feel as
if he or she is being viewed as an object or mere diagnosis taken out of context, a feeling
that can result in significant disengagement.
In addition, the matrix perspective – because it emphasizes that changes in one wing
may cause unexpected changes in other wings – alerts the clinician that beneficial matrix
effects from unexpected fields of the patient’s matrix may be waiting to be tapped. In
addition, it simultaneously cautions the initial interviewer to carefully weigh finalizing
recommendations until the ramifications of such interventions on more distant fields of
the patient’s matrix can be more accurately assessed.
In matrix treatment planning, each person is viewed as representing the conjunction
of the following six progressively larger systems: (1) the biologic system, (2) the psycho-
logical system, (3) the dyadic system (including intimate relationships), (4) the family
system, (5) the cultural, societal, and environmental system, and (6) the patient’s world-
view or framework for meaning. Each smaller system is subsumed by the system above
it. In matrix treatment planning, each of these systems is known simply as a “wing” of
the matrix. Each of these wings can be used as a level in which to organize data and
subsequently develop a list of potential treatment modalities. The six wings of the human
matrix are illustrated in Figure 7.3.
The original biopsychosocial model, as envisioned by innovators such as Engel and
as implemented extensively by pioneers in the fields of social work, clinical psychology,
and nursing, emphasized that changes made in one system often created changes in the
other wings, whether intended or not. In fact, Engel’s original delineation focused heavily
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Assessment perspectives and the human matrix 241
dic wing
Dya
y. wing
Ps
Bio
Figure 7.3 Wings of the human matrix. (Bio, biological wing; Psy. wing, psychological wing.)
upon the idea that treatment planning, at a sophisticated level, often found ways of
transforming a problem in one wing of the matrix by making changes in another wing
of the matrix.
A clinical example from Engel’s world of internal medicine brings this interactional
quality to life. Picture a man in his mid-50s and his wife presenting to an emergency
room at 2:00 A.M. on a drizzly Saturday, the man having been awakened by a crushing
sensation in his chest. We shall call our hypothetical patient Mr. Franklin. On this par-
ticular night, Mr. Franklin, whose belt cannot quite adequately contain his belly, is wiping
away the profuse sweat pouring from his forehead, a rather odd phenomenon for such
a cool October night.
As the triage nurse rapidly assesses the situation, she accurately recognizes that Mr.
Franklin is suffering from an acute heart attack and must be triaged rapidly to advanced
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242 Clinical interviewing: the principles behind the art
care. A life-threatening emergency has arisen in the biological wing of Mr. Franklin, where
millions of cardiac muscle cells are being starved for oxygen because one of his coronary
arteries, which is supposed to bring them their supply of oxygen, has abruptly clogged.
The faster his heart beats, the more oxygen is needed and the more cells will abruptly
die from lack of oxygen. If enough cells die, Mr. Franklin dies. Here we clearly see a
problem that is solely related to the biological wing of Mr. Franklin’s matrix. Or is it?
The phenomenon that innovators of the biopsychosocial model, whether internists,
nurses, or social workers, found to be fascinating had to do with what happened next.
A palpable anxiety and urgency engulfed the triage room. It could be seen in the eyes of
the triage nurse, the sudden rapid movements of the emergency room staff, and the
increasingly frightened questions of both Mr. Franklin and his wife, “What is happening?
What’s going on?” Terse answers were provided by rushing staff, for all staff recognized
the need for rapid intervention. Both Mr. Franklin and his wife became progressively
more agitated and frightened as the environmental wing of their matrix – the emergency
room triage area – erupted into an anxiety-provoking blur of intervention. As Mr. Franklin
was wheeled away, he called out, “I want my wife with me, I need my wife with me.” His
entreaties, however, rapidly vanished behind the fluttering curtains of the emergency
room as he was whisked off to receive what would prove to be excellent biologically
oriented emergency room care.
But therein lies the problem. Non-biological processes were now negatively interacting
with the biological wing of Mr. Franklin. Curiously, these damaging matrix factors were
inadvertently triggered by the actions of the treatment team. The ramifications of these
factors could prove to be deadly. Complicating the situation was the fact that these non-
biological factors were completely hidden from the treatment team. Let us examine the
situation in more detail.
The fear, on the psychological wing of Mr. Franklin’s matrix, generated by the medical
staff’s rushed behaviors, on the environmental wing of Mr. Franklin, had created a change
on the biological wing of Mr. Franklin. His heart was beating wildly, triggered by his
ever-growing fear and anxiety. More and more oxygen would be needed to keep his heart
cells alive because of their sharp increase in activity, yet no increase in oxygen could pass
through the blocked artery. Consequently, the area of the heart attack was growing larger.
Thousands of Mr. Franklin’s heart cells were now unnecessarily dying, and Mr. Franklin
was more than a few steps closer to death.
The last thing that any emergency room team would want for a man suffering from
a heart attack would be a rapid increase in his heart rate. Yet it was the unintended actions
of the team that were creating this exact result in Mr. Franklin. A more compelling
example of a damaging matrix effect may be hard to come by – a problem on the envi-
ronmental wing (the urgent behaviors of the staff) was creating a damaging matrix effect
on the psychological wing of Mr. Franklin (fear), and this fear (on his psychological
wing) was now creating a second damaging matrix effect on his biological wing (a dan-
gerous increase in his heart rate). The emergency room staff were creating, inadvertently,
the exact opposite change in Mr. Franklin’s heart to what they intended.
From the perspective of matrix treatment planning, some creative proactive measures
could be taken that might prevent this damaging matrix effect from unfolding. What if
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Assessment perspectives and the human matrix 243
emergency rooms had volunteer staff available, trained to rapidly and effectively impact
on the environmental wing of the matrix, exactly in such life-threatening situations. Such
trained volunteers could quickly intervene, providing, in a calming voice, immediate
information to both Mr. Franklin and his wife. They might be making comments such
as, “I’m going to be here for you Mrs. Franklin, throughout the night, to let you know
how things are going and to be a support for you,” and, addressed to Mr. Franklin, “Don’t
worry Mr. Franklin, I’ll take good care of your wife. And the team of doctors and nurses
you are about to meet will take good care of you. I know them personally and they are
really great.” With such interventions, there is a reasonable chance that the heart of Mr.
Franklin, and the hearts of thousands of other Mr. Franklins around the world in similar
emergency rooms, would be beating a good deal more slowly. The chance for Mr. Franklin
to see the light of a new October morning just became a good deal more likely.
Here a change made on the environmental wing of Mr. Franklin produced healing
matrix effects on the interpersonal wing of the worried couple, as well as on the psycho-
logical wings of both Mr. Franklin and his wife. More remarkably, these psychological
changes created a healing matrix effect on the biological wing of Mr. Franklin. Quite
literally, a change on the environmental wing caused a profoundly important change on
the biological wing of a precariously poised heart. By adding the calming influence of a
well-trained volunteer, the heart of Mr. Franklin was beating a good deal more slowly, a
potentially life-saving consequence. From the biopsychosocial perspective, even in the
sterile confines of an emergency room, we do not treat hearts, we do not even treat
people, we treat systems. Everything interconnects in matrix theory.
Note that in the original biopsychosocial model, clinicians look for two types of clini-
cal interventions: (1) intra-wing interventions (interventions occurring within the same
wing as the identified problem) and (2) inter-wing interventions (healing interventions
implemented on an entirely different wing than the identified problem). In the first
category, intra-wing interventions, the clinician surveys each wing of the patient’s matrix,
and if a problem is found, then an intervention is considered that occurs directly in that
wing. Thus, if one finds there is a problem with hypertension on the biological wing,
then one uses a biological intervention (a medication).
In the second category, inter-wing interventions, the clinician surveys each wing of the
patient’s matrix, and if a problem is found, then an intervention is used from a different
wing of the matrix that indirectly changes the wing where the problem is occurring. Thus,
if one finds there is a problem with hypertension on the biological wing, then one uses
a technique from a different wing of the matrix such as meditation or stress reduction
(psychological wing) to impact on the biological problem. In the original biopsychoso-
cial model, as aptly demonstrated in our above illustration from an emergency depart-
ment, there was a heavy focus upon inter-wing interventions as a means of jump-starting
stalled treatment plans and maximizing as many useful interventions as might help the
patient.
It has been my observation that over the decades this original emphasis upon interac-
tion between wings has sometimes deteriorated among treatment teams. Instead, the
emphasis is often upon intra-wing matrix interventions. Is there something wrong on the
biological wing and, if so, is there a medication we can use? Is there something wrong on
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244 Clinical interviewing: the principles behind the art
the psychological wing and, if so, should we use individual psychotherapy? Is there some-
thing wrong on the dyadic wing and, if so, should we use couple’s therapy? Is there some-
thing wrong spiritually and, if so, should we refer the patient for spiritual counseling or
to a clergy? This intra-wing initial treatment planning is excellent in its own right for it
ensures a holistic approach, but it is only a part of the biopsychosocial model as origi-
nally designed, for it has left out the second step involving interventions done between
different wings (inter-wing interventions) that was the hallmark of the original model.
By staying true to the original model’s emphasis upon interventions implemented
between differing wings, an entire array of new interventions may come to mind to the
treatment team, as well as the patient. Such “out of the box” solutions arise if the fol-
lowing types of questions are routinely asked: If there is a problem on the biological
wing, is there something we could do on the psychological wing that might change the
biochemistry of the brain (such as CBT changing the pathophysiology of the brain in
OCD)? If there is a problem with a couple’s marriage, is there something we might do
on the biological wing to one member of the couple that could help to save the marriage
(as with a medication alleviating a severe depression in one-half of a couple, thus helping
to heal the relationship)? Such creative thinking is at the very heart of the original bio-
psychosocial model.
With true matrix treatment planning, where there is an emphasis on tapping inter-
wing healing matrix effects as well as intra-wing interventions, an almost innumerable
number of fresh treatment ideas can be developed. With its renewed emphasis upon
inter-wing interventions, the matrix treatment model is filled with hope and possibilities.
It helps patients, initial interviewers, and the treatment teams they are a part of, to view
each potential roadblock to healing as a new beginning for brainstorming. I am reminded
of the wise words of the Zen master, Shunryu Suzuki:
In the beginner’s mind there are many possibilities, but in the expert there are few.24
Matrix treatment planning allows us, even as experts, to once again become “beginners”
who see many possibilities. To a clinician trained to be a matrix treatment planner, for
every roadblock encountered on one wing of the patient’s matrix, there is the potential
that a solution may be found on a different wing of the patient’s matrix. In this sense
each problem is usefully viewed as a new beginning, for it opens the door to searches
for solutions on new wings. It also allows us to share the optimism of this beginner’s
mind with our patients as we collaboratively treatment plan.
Over the decades, there has been another change in the biopsychosocial model – this
time a positive one. There has been a greater recognition of the importance of both cul-
tural and spiritual aspects in the formation and functioning of an individual, as was
emphasized in the last chapter. A variety of authors have delineated the importance of
this framework for meaning, or as Alan Josephson coined the term, “worldview.” Indeed,
it is now common to refer to “biopsychosocialspiritual treatment planning.” Josephson
and Peteet elegantly emphasize this point, as well as provide a cogent example of an
inter-wing intervention, in an article of direct relevance to the initial interview, “Talking
with Patients about Spirituality and Worldview: Practical Interviewing Techniques and
Strategies” (complete article available in Appendix IV):
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Assessment perspectives and the human matrix 245
Simply put, inquiry in this area [spirituality and worldview] has the potential to enhance
how we can help people and improve our treatment planning. The term “biopsychosocial-
spiritual” reflects the fact that spirituality may, along with biologic, psychological, and
social factors, impact a variety of issues related to clinical care including contributing to
the risk of developing clinical disorders and serving as protective factors … For example,
could an intervention consistent with the patient’s spirituality (e.g., meditation or listening
to Gregorian chant) have a positive impact on the patient’s biology, perhaps accentuating
or replacing the use of an antianxiety agent?25
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246 Clinical interviewing: the principles behind the art
is creating interaction between the wings. Indeed the term tends to highlight each wing
as if it were a separate silo from the other wings. In sharp contrast, the term “matrix,”
by its very definition, indicates a set of interlacing systems. It reminds all clinicians of
the importance of seeking out creative interactional opportunities while both interviewing
and collaboratively treatment planning.
Moreover, I have found the term “matrix” to be immediately recognized and under-
stood by millennial, and even younger, clinicians. Indeed, to anyone under the age of
35, the term “matrix” immediately triggers images of a guy bedecked in a black trench
coat and shades bending backwards like a Gumby on acid, his body deftly avoiding a
hail of hissing bullets. Nevertheless, these very same millennial clinicians know exactly
what a matrix is from their understanding of the exploits of Neo in the Hollywood
blockbuster The Matrix. They immediately view the concept of a matrix as a cogent
reminder that the world is a not exactly what it seems to be – a world of separate objects
and individuals. Instead they are reminded that the world is perhaps better conceived as
a unified and interlaced set of interactional fields where a change on one wing of the
matrix invariably causes changes in the other wings. They recognize that healing in the
biochemistry of the brain may not always mean the use of medications (CBT causing
beneficial changes in the cytoarchitecture of the basal ganglia in OCD), and that, in some
instances (the psychotic hyper-religiosity in schizophrenia), damage in the spiritual wing
may be repaired through the use of medications.
We can turn to the wisdom of C. Robert Cloninger, who applies the importance of
such a worldview to psychology:
As we shall soon see, the matrix model of treatment planning shows interviewers and
clinicians exactly how to navigate the exciting possibilities envisioned by Cloninger’s
world of therapeutic interaction. Indeed, matrix treatment planning (both its name and
its methods) dovetails nicely with contemporary perspectives on the reality of the uni-
verse, such as quantum mechanics and the particle physics mentioned by Cloninger. Such
contemporary schools of science view the world as unified interlacing fields of potential
interaction in which each field interacts with all other fields. In addition, the advent of
the web, social media, and wireless interconnectivity allows changes on one wing of the
human matrix to impact on other wings in a remarkably fast fashion.
It is always nice when a term, such as the term “matrix” fits with the gestalt of a culture.
In addition, I have found that patients find the concept of collaboratively “changing their
matrix” to be understandable, exciting, and self-empowering. Moreover, when clinicians
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Assessment perspectives and the human matrix 247
utilize the concepts of matrix treatment planning, the possibilities generated can
subsequently be translated into actual applications for teams of clinicians and multidis-
ciplinary teams. This process is in line with the concept of “integrative care,” where the
practical implementation of matrix interventions must be communicated and coordi-
nated effectively over time between all persons/organizations involved in addressing the
patient’s problems. Thus matrix treatment planning is a valuable first step in the creation
of truly integrated care that underlies all person-centered health care. In any case, we will
use the term “matrix treatment planning” throughout this book to refer to this re-vitalized
concept of the biopsychosocialspiritual model.
We have now completed our historical, theoretical, and contextual side-trip regarding
matrix treatment planning. We possess the information needed to see how we can effec-
tively apply this material to the clinical interview. Indeed, it is time to see how it was
applied to Debbie herself in the real world of a busy outpatient clinic.
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248 Clinical interviewing: the principles behind the art
approach from this intra-wing matrix perspective, both assessment systems providing
valuable frameworks suggestive of treatment interventions.
Question #1: Healing Matrix Effects Arising From the Biologic Wing
Over the years, I have consistently noticed how patients who do not seem to be benefit-
ting from psychotherapies on the psychological wing (individual therapy), dyadic wing
(couples therapy), or group/societal wing (group therapy) are actually often floundering
because of biological depressions. Once an antidepressant or biologically active herbal
remedy is utilized, the patient’s ability to effectively benefit from these therapies some-
times strikingly improves – a nice example of a biological intervention having a healing
matrix effect on a non-biologic wing, in this instance enhancing non-biologic interven-
tions themselves. In fact, to expect a patient with a severe biologic depression, belea-
guered by an intense loss of energy, drive, and motivation, to be able to effectively utilize
family therapy, is often unrealistic, in my opinion. Many a marriage or employment situ-
ation has been saved by the judicious use of medications and other biological interven-
tions, which have helped not only the underlying biologic dysfunction, but have also
“jump-started” a stalled psychotherapy on the psychological wing of the patient.
With regard to Debbie, perhaps the use of a mood stabilizing medication, such as
Depakote, might decrease her tendency for affective lability, a potentially key trigger to
her angry exchanges on the interpersonal wing of the matrix – an example of a biological
intervention producing a healing matrix effect on the interpersonal and family wings of
Debbie’s matrix. Such mood lability and anger (she had to be forcibly removed by police
from a previous therapist) could naturally disrupt her ability to benefit from psycho-
therapy. Hence, the mood stabilizer might help her to optimize her individual
psychotherapy.
Question #2: Healing Matrix Effects to the Biologic Wing From Other Wings
We can now turn our attention to our second inter-wing question: Could there be inter-
ventions on a non-biological wing that could change the pathophysiology of the brain?
In some instances, wellness interventions on the psychological or worldview wings of
the matrix may actually change brain physiology.28 Examples could include the healing
matrix effects of interventions such as meditation,29 relaxation techniques and biofeed-
back,30 and disciplines from the spiritual wing of the matrix, such as prayer31; it has been
documented that these psychological and spiritual techniques can have significant
changes on brain function.
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Assessment perspectives and the human matrix 249
To give just one example of the multitude of interventions that inter-wing matrix
treatment planning could bring to the table with regard to changing pathophysiology,
let us return to Debbie’s problems with rage. On a speculative and theoretical level, the
more often her neuronal circuits fire with regard to anger and rage, it is possible that
synaptic plasticity and pruning may be resulting in the emergence of increased synaptic
production in these circuits, resulting in an increased propensity for the firing of these
very same maladaptive circuits, a potentially maladaptive positive feedback loop. In this
instance, some of the psychological techniques inherent in therapies such as CBT, DBT,
and mindfulness-based therapies, by decreasing the firing of these circuits, may actually
result in decreased synaptic production in these circuits changing the neurocircuitry itself
– in short, a healing matrix effect (psychological intervention changing the biologic wing
of the matrix).
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250 Clinical interviewing: the principles behind the art
interview functioning as a method to help the interviewer spot, and perhaps alleviate,
potential omissions of useful data for treatment planning. The important point remains
that by conceptualizing in the psychological wing, interviewers prompt themselves to
consider areas of intervention utilizing individual psychotherapy, as well as checking to
see if this region of highly pertinent information has been adequately tapped.
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Assessment perspectives and the human matrix 251
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252 Clinical interviewing: the principles behind the art
years and may represent a potentially powerful resource in therapy. To increase light on
their relationship, the clinician might consider the use of a joint assessment session with
the couple and perhaps the ultimate use of couple’s therapy.
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Assessment perspectives and the human matrix 253
I remember a young woman seeking help for severe marital discord, who complained
that she could not get her mother “to mind her own business.” Later in the interview I
was surprised to find that the patient had recently moved back into the same apartment
complex where her parents lived, ostensibly for convenience. The issue of inappropriate
attachment to her parents appeared as a psychodynamic theme throughout the remain-
ing therapy.
Another important area reveals itself when one inquires about which people are living
under the same roof with the patient. Such questioning may uncover unexpected find-
ings, such as a domineering grandparent whose ideas of discipline clash with the con-
cepts of the parents.
On a more specific level, further questioning may directly begin to unravel the com-
plexities of the family, such as:
With questions such as the above, the initial interviewer can begin to determine whether
a family assessment may be indicated.
An analysis of the family system is not emphasized in the DSM-5, once again high-
lighting the utility of applying several assessment grids when planning treatment. Further
discussion of this critical area of assessment would take us away from the topic of this
book, but the interested reader may find the writings of Stephen Fleck useful in building
a foundation for a more specific approach to family assessment.34,35
In addition to learning more about the patient contextually as shaped by family pro-
cesses, matrix treatment planning also reminds us of the added mission of helping to
relieve the pain of family members and other loved ones who have family members suf-
fering from severe mental disorders, from schizophrenia to PTSD, OCD, and bipolar dis-
order. Indeed, there is an entirely different “initial interview” that we all undertake – our
first meeting with family members. An enormous amount of good can be done in these
sessions, which benefits not only the patient but also the patient’s family. Murray-Swank
and colleagues have written an elegantly practical article of direct significance to the
initial interview, “Practical Interview Strategies for Building an Alliance with the Families
of Patients who have Severe Mental Illness” (complete article available in Appendix IV).36
Turning towards the impact of her nuclear family, Debbie’s poignant early memory
of being tugged away from the door as her father vanishes conveys the sense of a deeply
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254 Clinical interviewing: the principles behind the art
troubled childhood. Clearly, more information in this region will be enlightening, and
the clinician is reminded, once again, of the potential utility of family assessment or
therapy.
Cultural issues can play major roles in understanding the family matrix in an initial
interview. For example, powerful control is often exerted by men over Latina women,
both with spouses and with daughters. While being careful not to stereotype, it is impor-
tant that, as treatment possibilities are touched upon in the closing phase with a Latina
patient, questions such as “What do you think your father (or boyfriend) might think
about this idea?” are considered by the interviewer. In such instances, even a nonverbal
such as the hint of a patient rolling her eyes may speak immeasurably of the powers at
work in her family matrix.
Another important cultural issue may be at work in some immigrant families when
considering the family matrix: In many cultures, the parental generation commands
respect and has implicit power assigned to it, simply because the parents have more
experience and familiarity with day-to-day life, culture, and stresses. However, in families
in which the parental generation does not feel comfortable integrating into the new
culture and society, it is the children who may know more about the family’s new envi-
ronment. These children will have gained much insight from listening to popular music,
utilizing street language, actively engaging friends and strangers on social media, and
interacting with peers regarding moral, sexual, and ethical expectations. Suddenly, a
15-year-old may actually be a better authority on the surrounding culture than the father,
mother, or grandparents living in the same house. Such a reversal of informal power can
lead to a profound disruption in the family matrix.
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Assessment perspectives and the human matrix 255
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256 Clinical interviewing: the principles behind the art
3. “Has anybody ever made fun of you or posted a demeaning video of you on YouTube?”
4. “Does anyone send you vicious or disturbing texts?”
At the end of the initial interview, little was known about the functioning of Debbie at
a group level. Indeed, the absence of her mentioning friends piques our interest, perhaps
suggesting problematic relationships or none at all. There also seems to be a conspicuous
absence of support groups or outside activities.
As introduced in our last chapter, the power of culture and social forces is immense
in understanding the person beneath the diagnosis. Matrix treatment planning pushes
the interviewer to always look for the various social forces shaping the patient’s function-
ing within the community. These forces include economic, political, institutional, and
social class factors.
As Engel’s quotation at the beginning of this section suggests, the patient’s environ-
ment should always be considered. For some patients this will include issues relating to
immediate environment and safety (akin to Abraham Maslow’s first level of needs) such
as availability of adequate food, shelter, and personal safety (as compromised by a dan-
gerous neighborhood, a war zone, or a region of genocide). All of these conditions are
intimately related to the political climate of the patient’s county, federal, and state
governments.
It is also possible that a patient’s society is problematic, disabling the patient through
prejudice or violence related to race, religion, sex, and/or sexual orientation. By way of
example, I find it of use to ask any patient of an Islamic background if they, or their loved
ones, have experienced any problems with harassment since 9/11 and the rise of ISIS.
Similarly, it is of value to ask Jewish patients if they have or are currently encountering
prejudicial treatment. Depending upon geographic location in the world, anti-Semitism
remains very active. Even in the United States, according to the Hate Crime Statistics
compiled by the FBI, the highest rate of hate crimes against religious members in the
United States are perpetrated against people of the Jewish religion (such crimes being
committed at five times the rate towards Jews than any other religious group).38
Once again, the interviewer must remember not to focus solely on individual dynam-
ics, because the patient is part of many different systems, any one of which may be
malfunctioning. It remains a basic tenet of assessment interviewing that one must under-
stand the patient’s culture in order to understand the patient’s behavior.
In this light, the issue of Debbie’s sexual orientation warrants an understanding of
her culture. Interviewing in both the initial and subsequent meetings (re-emphasizing that
matrix assessment is impossible to complete in one session and represents an ongoing process that
is simply begun within the opening meeting) revealed that a possibly powerful support
system had not been well tapped by either Debbie or her partner. They were not well
integrated into the local resources of the LGBT (lesbian, gay, bisexual, and transgender)
community. From an intra-wing perspective, helping both parties to explore the possibili-
ties of support in their local LGBT community could be well worth considering.
Within the societal and environmental wing, one other crucial system is worth noting
when planning treatment, namely, the mental health system itself. The clinician needs
to be aware of the actual resources available for follow-up. It is useless to recommend
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Assessment perspectives and the human matrix 257
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258 Clinical interviewing: the principles behind the art
In this example, the program had unexpectedly backfired with a specific vet, whom
we shall call Ted. Shortly after finding Ted an apartment, his condition deteriorated. He
became seriously depressed, essentially apartment-bound, and developed suicidal
thoughts. When homeless, Ted had been living with a group of vets who had pitched
makeshift tents near a bridge. Ted later reported that the tent city had reminded him, in
a strangely reassuring fashion, of how he had been living in Afghanistan (providing a
sense of community on the patient’s societal and environmental wing of his matrix). It
also offered a sense of familiarity and hence safety, as Ponce talks about in his “caring”
aspect of matrix treatment planning. There were several vets less fortunate than himself
that he enjoyed helping on a daily basis (providing a sense of mission on the wing
devoted to his worldview and framework for meaning). He had also developed some
very good friends (the most powerful driver of his dyadic wing), as well as a sense of
group camaraderie (the glue for the cultural, societal, and environmental wing of his
matrix).
His nice apartment, a real find during the difficult financial problems of the times,
was unfortunately many miles away from the “bridge community.” In addition, for what-
ever reason, Ted intensely disliked public transportation such as the bus system and the
subway (perhaps related to some PTSD phenomenon), so he was unwilling to travel to
a local center that had been set up as a day center for returning vets. The result: with one
single “positive” move (finding a home for a homeless man), severe damage occurred
on almost all other wings of his matrix, resulting in the collapse of the “moment in time”
we call Ted. He was now sitting “at home” in a dimly lit room, television flicker flashing
across the lenses of his glasses hour after hour, reflecting the harsh reality that with the
procurement of improved housing, Ted’s real home had been lost.
One of the advantages of matrix treatment planning is that it gives new meaning to
the concept of understanding the person beneath the diagnosis. Diagnoses (or labels)
are not limited to systems such as the DSM or ICD. Words such as “homeless,” “lonely,”
and “survivor” are all “diagnostic labels” of a sort. But, of course, all homeless people
are not identical, and the solution to homelessness in each case may not be as simple
as “this patient will benefit from our homeless program.” Once again, it becomes impor-
tant to uncover the person beneath the diagnosis of “homeless” – to understand the
invariably interdependent impacts of the patient’s uniquely intersecting matrices. Often-
times this can enable us to sculpt programs collaboratively with the patient, beginning
in the initial interview itself.
A useful question for interviewers to ask themselves when collaboratively treatment
planning during the closing phase of an initial interview is, “What are some of the poten-
tial impacts on other wings of this person’s matrix if we do this intervention?” This
internal question transforms into a useful external question for patients, which I like to
call the “matrix question.” The matrix question can have many variants, but in all its
variations it does not slant the patient towards consideration of healing or damaging
matrix effects, it merely finds out what the patient imagines may result from a proposed
intervention. In the resulting discussion, a patient’s hopes and concerns about the pro-
posed intervention frequently emerge in a naturalistic fashion. One of my favorite varia-
tions of the matrix question is perhaps the simplest: “How do you think your life might
change if we find you an apartment (add an antidepressant, invite your husband to join
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Assessment perspectives and the human matrix 259
us next session, get you into our eating disorders group, get you food stamps – whatever
the proposed intervention might be)?”
For a moment let us imagine a clinician using the matrix question during the closing
of his initial mental health intake with Ted at the VA. We will enter the interview a few
minutes after the clinician had first mentioned the program, an idea that initially seemed
very appealing to Ted:
Pt.: You know this program could really help me out. It’s gonna get cold, real cold, real
fast, soon enough.
Clin.: Oh yeah, we have helped a lot of vets with this program. How do you think things
will change for you if we get you a place to live? (matrix question)
Pt.: For the better, that’s for sure. I’m not looking forward to winter and it would be
amazing to have a shower. (pauses) …You know, will this apartment be near the
bridge?
Clin.: What bridge do you mean?
Pt.: You know, the one where we’ve pitched our tents?
Clin.: Oh … (pauses) … it could be, but probably not. I can’t tell you for sure where the
apartment will be, they’re sort of all over the city, but it will be nice. It will have a
shower, trust me (smiles).
Pt.: Good. (looks a bit introspective) Will I be moving with a group of the vets, you
know, sort of together.
Clin.: We often try to do that. It’s not always possible. Are you worried that you might not
be seeing some of your buddies?
Pt.: (Ted looks up immediately) … Yeah, that’s sort of something that might bother me
a little.
Clin.: You don’t have to worry about that, we have several centers set up around the city
that are right on the bus line, where vets can hang out during the day. They are very
popular.
Pt.: Hmmm (pauses) … I guess it’s better than living under a bridge, that’s for sure.
Clin.: You have really developed some great friendships under that bridge haven’t you?
Pt.: Oh yeah, these are my guys. They’re my family.
Clin.: Ted, could I make a suggestion.
Pt.: Sure.
Clin.: Well, I think we should try to get you on our waiting list for our housing program.
But you know what, I think we should note that you really want to wait and move
only with a group of vets into a shared apartment or shared apartment building.
Now I got to tell you, that could drop you on this list for quite a while. If I’m
honest with you, it could take us well into the winter months. But, I don’t know. I
sense this is pretty important to you, to be near your friends, I mean.
Pt.: (looks a lot brighter) Oh yeah, I would really prefer that plan. I don’t really like
buses too much either, so I’m willing to wait, if that’s okay with you.
Clin.: Sounds good to me (smiles). We better look into getting you a parka, if you know
what I mean.
Pt.: (chuckles) Don’t worry, it got plenty cold at night in the desert.
From this exchange one can see the value of using the matrix perspective as an organiz-
ing lens, even in the first interview. Hopefully it cogently demonstrates why an
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260 Clinical interviewing: the principles behind the art
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Assessment perspectives and the human matrix 261
We have now concluded a brief survey of the six levels used in matrix treatment planning.
Although there exists some obvious overlap with the DSM-5, a matrix analysis provides
many new areas in which to deepen an understanding of the person beneath the diag-
nosis from the perspective of person-centered interviewing, as well as suggesting new
areas of intervention. The concept of the human matrix also provides a more realistic
picture of the patient as one process inextricably woven among the other systems of the
world at large.
Two books for advanced reading on the concepts of the human matrix (one for clini-
cians and one for patients) may be of interest to the reader. For a compelling clinical
exploration of the science and ramifications of different systems on the development of
human behavior (essentially a book about the human matrix), I find Feeling Good: The
Science of Well-Being by C. Robert Cloninger to be a remarkable synthesis of current sci-
entific, clinical, and philosophic knowledge on how we are created by the interactions
of the processes around us. As a bonus, it is also a remarkably compelling read.41 For
patients, Happiness Is: Unexpected Answers to Practical Questions in Curious Times was
written by myself to provide insights on how people (both the general public and people
currently in therapy) can use the knowledge of healing matrix effects, damaging matrix
effects, the red-herring principle, and other nuances of the human matrix model to solve
everyday problems, stresses, and crises.42
Before we move to an exploration of our third assessment perspective – the patient’s
core pains – I would like to revisit a working premise of this chapter. Throughout this
chapter I have tried to illustrate the importance of addressing the basic principles of treat-
ment planning when teaching interviewing itself. Hopefully I have effectively shown the
three benefits of this understanding for the early trainee, as outlined at the beginning of
this chapter. Our assessment approaches provide the following three bridges into treat-
ment planning for the initial interviewer:
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262 Clinical interviewing: the principles behind the art
1. An easy and rapid method of checking, during the interview itself, whether pertinent
data regions necessary for effective treatment planning have been explored, thus
decreasing errors of omission
2. A reliable method of reminding the clinician to borrow from different data perspec-
tives when collaboratively formulating a treatment plan with the patient
3. A flexible approach to actually delineating a list of potential treatment modalities
with the patient
Yet there is one more utility to introducing basic treatment planning principles (as we
have done in this chapter) simultaneously with clinical interviewing itself (keeping in
mind that the actual specifics of treatment modalities and the advanced principles for
treatment planning are to be addressed by their own courses later in training). As trainees
learn the basics of creating an effective initial interview, they do not want to learn bad
habits, only to have to “break” them later in their graduate training or in subsequent
clinical practice.
Thus, learning the art of how to think about treatment planning while one is concur-
rently moving through the various stages of the initial intake, in my opinion, should be an
integral part of the clinician’s way of functioning. It should be introduced in the very
first course on clinical interviewing and refined with each successive course in graduate
training. To view treatment planning as an “afterthought” that occurs once the interview
is done, or only during treatment planning sessions, is unrealistic, for the database col-
lected and the structure of the interview itself are dependent upon how the interviewer
intends to treatment plan. To view the interview and treatment planning in such an
artificial fashion, as if they were separate silos, is, in my opinion, a potentially bad habit.
Moreover, especially when using matrix treatment planning (which requires a good
deal of analytic thought and mental discipline), the clinician is able to see the patient
in a critically holistic and contextual fashion. The real person beneath the diagnosis
emerges. Sometimes this process of seeing the person beneath the diagnosis is viewed as
being solely the result of the interviewer’s innate empathy and intuition. It is not. Natu-
rally there exist clinicians gifted with intuition, but even such clinicians are not bound
by the limits of their “gifts.” Their innate skills can be enhanced.
I am often asked, “Can intuition be taught?” My answer is a simple, “No.” Neverthe-
less, I am convinced that it can be nurtured. James Carse, when describing the poetical
power of Robert Frost, makes a point of significance to us as clinicians:
Frost was a master builder of word walls. He had learned the assorted techniques of putting
words together in a way that made them poetry. But learning the techniques of poetry does not
by itself make great poetry any more than building a well guarantees the vitality of a spring. Just
as the poet has to let the ego step aside, technique too must be abandoned at just the right
moment, allowing the poetic to enter on its own terms.43
Part of the art of interviewing is the clinician’s ability to “let go” of techniques at just
the right moment and to allow oneself to move purely with intuition. To be able to do
so effectively, like Frost, one first spends enormous energy on learning techniques.
Whether one is a poet, a martial artist, or a clinician, it is the disciplined practice of
techniques and their analytic application, over and over again, that allows the techniques
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Assessment perspectives and the human matrix 263
to become part of oneself. Paradoxically, it is at that moment that the poet, martial artist,
or clinician will be able to “let go” of these very same techniques.
Here we come to a clinical paradox of sorts. I believe that by consciously applying the
matrix perspective over and over again, from the first patient to the last, the process of
thinking about the matrix becomes ingrained into the clinician. It becomes absorbed
into the very essence of the clinician. It is taught as part of the beginner’s mind so that
it eventually becomes a part of the expert’s soul. This is why basic treatment planning
from a matrix perspective, in my opinion, is best begun as part of early training. It is why
it appears in the first section of our book on core principles, not in our last section on
advanced principles.
If done in such a disciplined fashion, I assure you that your rewards will be great.
From years of the disciplined analysis of seeing people through the lens of the human
matrix, one’s intuition will be sharpened until one creates interviews like Frost wrote
poetry. As with Frost, such a clinician will have moments in the initial interview when
his or her technique, related to matrix treatment planning, will drop away. At those
moments, they will feel or see something that other clinicians may not have felt or seen.
The clinician, because of years of disciplined matrix thinking will “get it” – perhaps rec-
ognizing a matrix effect that others would have missed. It may be a matrix effect that is
about to trigger an imminent suicide attempt or create the dangerous undertow of an
emerging psychosis, or it may be the intuitive hint of a patient scarred by childhood
abuse.
At such moments a curious reciprocity occurs between clinician and patient. Not only
will the clinician “get it,” but the patient will know that the clinician “gets it” – that this
particular clinician sees what others have missed, that this clinician “sees the real me”
that others glanced past, that this clinician sees my life as a complex interplay of processes
that others may have felt to be unimportant. At such moments, the alliance will be made
vibrant. Healing will begin. A second meeting will be secured. It is the type of moment
in clinical interviewing that somehow goes beyond words. I don’t want to sound too
magical, but truth be told, there is something magical about such moments.
Although Munch depicts a somewhat grim picture of human existence, he was a man
keenly aware of the pains that all of us endure by our very nature of being human. His
ability to intuitively sense underlying pain represents a gift that all clinicians hope to
possess. Indeed, this ability to understand pain provides a major gateway through which
therapeutic trust is born.
Throughout this book, an emphasis is placed on combining intuition and analysis,
and the relationship between the two as just described. Many times the clinician will be
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264 Clinical interviewing: the principles behind the art
able to intuitively sense the pains of the interviewee, but this intuition is enhanced when
guided by an increased awareness of underlying themes. One of the more fascinating
themes is the co-existence of the complexity of human nature with the simplicity of that
same nature. Nowhere is this curious paradox more conspicuous than with the issue of
psychological pain. Patients frequently present with complicated histories and concerns,
sometimes even involving bizarre delusions and idiosyncratic perceptions. But the under-
lying pains from which these patients are fleeing are few in number.
Skilled clinicians possess the knack of cutting through the complexities until the bare
wounds, the core pains, are understood. An understanding of these core pains is a pow-
erful clinical tool. This empathic understanding can suggest avenues for treatment plan-
ning. Even more important, it can also guide the interviewer towards methods of
navigating the patient’s hesitancies that can develop during the interview itself, because
the seeds of such hesitancies are often attempts to avoid these core pains by the patient.
We have already had a glimpse of this process when we discussed methods of transform-
ing communication breakdowns and patient fears in the opening phase of the interview
in Chapter 3.
In any case, an understanding of core pains, and the increased sensitivity such an
understanding can bring, provides an assessment perspective that complements both the
DSM-5 and matrix treatment planning. It is based on the principle that clinicians should
intermittently ask themselves, “What are the core pains that are hurting this patient at
this time?” Or as Edvard Munch would have it, what is behind the mask?
The relevance of the concept of core pains was made plain to me by a psychotic patient
when I was least expecting it. The patient was a young woman in her mid-20s who pre-
sented violently and was riddled with terrifying delusions. During the initial interview
she described her sincere belief that aliens were speaking directly into her mind, taunting
her sanity. Her world was convulsed with a pricking sensation of paranoia. She had
become convinced that the aliens were about to kidnap her to a distant world. Her affect
was intense, and she spoke in a disorganized fashion with a loosening of associations.
At this point, I asked her why she felt the aliens were coming for her. To my surprise
she looked at me as if I had not been listening. Her affect calmed, her speech became
coherent, and she said, “Don’t you understand? I am alone here. No one cares for me. I
have no family, no friends. And I have no reason to be here. Wouldn’t you want to leave
this horrid place if you were me?” At which point she promptly popped back into her
psychotic language and refuge.
In a sense she was right concerning my inadequate listening, because I had become
overly involved in diagnosis and systems analysis. A balancing perspective was needed
– a sense of her pathos on a human level. She provided me with a lesson that led me to
think more carefully about the presence of core pains and methods of conceptualizing
them more clearly even as the interview itself proceeds.
Towards this goal, one can generate a list of core pains that singly, or in combination,
appear to be driving any given individual. Each clinician may have a unique list. The
following serve only as a platform for discussion. To me the core pains are as follows:
1. Intense loneliness
2. Feeling worthless or bad
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Assessment perspectives and the human matrix 265
With Debbie in mind, one can survey these pains, examining their usefulness in both
treatment planning and in understanding the dynamics of the interview itself.
The fear of being ultimately alone remains one of the most powerful and common
pains. In the case of Debbie, it appears to be surfacing in one of its frequent guises,
intense dependency. As such, it serves to remind the interviewer that some patients may
seek an unhealthy dependency on the clinician even during the initial interview. Debbie
would be one such person in whom this process could occur, as reflected by her intense
feelings of abandonment when her significant other goes to sleep.
Her dependency needs may be intimately related to the second core pain, a sense
of worthlessness or of being a bad person. Debbie was convinced of her ultimate
inability to cope with life. In this sense, she probably avoids situations in which she
could modestly succeed, thus depriving herself of the positive reinforcement needed to
gain a sense of mastery. With these factors in mind, the clinician might consider assign-
ing Debbie small, easily accomplished homework tasks, resulting in a gradually increas-
ing sense of worth. In addition, the clinician might employ problem-solving skills
therapy. Such therapy may not only improve her ability to navigate life’s difficulties, it
might have a marked impact on her self-esteem as she moves from a sense of inadequacy
to, “You know, I’ve really learned something about how to cope with life and problem
solve.” In addition, a cognitive therapy approach might reveal that Debbie has a dis-
torted self-image (perceiving herself as a bad or defective person, not uncommon in
people coping with borderline process) maintained by tendencies for negative thinking
and inappropriate self-blame. In this light, techniques such as cognitive restructuring
might be of use.
Like its predecessor, this core pain appears to lead naturally into a discussion of the
next core pain, a sense of rejection or being wronged. This fear reared its head throughout
the interviewing process. Debbie demonstrated poor eye contact and frequently com-
mented, “That’s a stupid thing for me to say.” Such anxieties can hamper the progress of
the initial interview as the patient expends inordinate amounts of attention attempting
to please the interviewer. Alert to this situation, the interviewer may purposely reassure
the patient. For instance, the clinician might choose to say, “You are doing a very good
job of discussing difficult material. It’s really helping me to get a clearer picture of what
has been going on.” Even such a simple statement can make a patient such as Debbie
feel considerably more comfortable, decreasing her fear of imminent rejection.
The fourth core pain, a feeling of failure, overlaps with a sense of worthlessness, but
has an intensity all its own. The initial interviewer needs to attend to this particular pain,
because the patient may bring it into the initial interview. Specifically, the patient may
predict an impending failure in therapy and consequently decide not to appear for
follow-up. If left as a hidden issue, the risk of losing the patient is real. In the closing
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266 Clinical interviewing: the principles behind the art
phase of the interview, the clinician may opt to bring this fear to the surface with ques-
tions such as, “Now that we have talked about possible therapies, I’m wondering what
you think about their usefulness for you?” or “If you tried outpatient therapy, how do
you think it would go?” The interviewer may be able to cite the patient’s success in han-
dling the initial interview as evidence that the patient has the necessary abilities to
succeed in therapy.
The fear of losing external control, the fifth core pain, can be extremely frightening
to patients, because suddenly it seems as if nothing they can do will alter their situation.
This combination of fear and anger can present a fertile field for suicidal ideation. A
feeling of “being trapped” is viewed as one of the significant warning signs for suicide
in recent work by Van Orden and company.45 If one listens to the steelworker laid off
indefinitely or the Detroit factory worker who watches the closing of an automobile
plant, the roar of this pain can certainly be heard. While interviewing elderly patients or
patients coping with chronic illnesses, one should bear in mind that they may be dealing
with a sense of the ultimate loss of external control, death itself. When this core pain
appears particularly prominent, the initial interviewer can make an effort to consciously
increase the patient’s sense of control within the interview itself by using statements such
as, “At this point what do you think would be the most important area we should focus
our discussion on?” Such modest, yet timely, intervention can significantly return some
feeling of control to the patient.
The sixth core pain, the fear of loss of internal control, surfaces in patients who are
becoming increasingly frightened of their own impulses, such as drives towards suicide
or violence. I doubt that this pain could be more vividly portrayed than in patients who
are moving into progressively more psychotic or manic behavior. In Debbie’s case, her
history of episodic violence, as evidenced by her throwing a picnic table bench through
a picture window, suggests that this core pain may be a frequent motivator of her behav-
iors. Fortunately, in her initial interview she appeared to be in good control.
In other situations, the interviewer may find a patient who reports feeling imminently
unstable. In such cases, it is generally, if not always, sound to attend to these fears on
the spot. If the interviewer chooses to ignore these feelings, he or she risks driving the
patient to an act of violence. Ironically, the patient’s own increasing fears of losing control
may act to spur further anxiety, perhaps pushing the patient even closer to a loss of
control. The clinician can gently probe to see what the patient is afraid may happen and
ask the patient if, indeed, he or she feels in control. The appearance of this core pain
may suggest the usefulness of an antipsychotic medication.
We now come to the seventh element in the assessment of core pains, the fear of the
unknown. As described in Chapter 3, most patients are probably experiencing this pain
during the interview itself, because they are frightened of what the results of the interview
will be. As mentioned earlier, a few minutes spent performing a sound introduction can
greatly relieve the patient’s unnecessary fears. In Debbie’s case, her fear of the unknown
may add to her dependent patterns, making her reluctant to try things on her own. With
regard to treatment planning, one sometimes finds that patients such as Debbie do not
have the communication skills or the assertiveness to find out what the future may hold,
thus locking them into the paralysis of the moment. Their lack of assertiveness may
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Assessment perspectives and the human matrix 267
prevent them from asking appropriate questions, even of the interviewer. The presence
of this core pain should alert the clinician to the potential use of assertiveness training
and social skills work, as well as to the need to address unasked questions.
The eighth and final core pain, loss of meaning, addresses the type of material
addressed in the worldview wing of matrix treatment planning. The loss of a framework
for meaning is a common precipitant of anxiety and depression, or it may appear in
response to an ongoing psychiatric disorder such as schizophrenia or bipolar disorder.
Patients may have a variety of differing ways of searching for meaning. With Debbie, we
had already discussed some of her burgeoning interests in her religious roots as well as
Eastern thought. But there was another endeavor that would prove to be powerfully
important in her search for meaning – her interests in creating poetry and artwork.
We have now reviewed our third assessment schema. I have not explored the use of
this system in detail; we will do this in upcoming chapters. Instead I have tried to survey
this assessment system, which provides yet another set of pathways toward treatment
planning. This particular schema provides more on-the-spot information pertinent to altering
the course of the interview itself than either the DSM-5 or the human matrix model, for it sug-
gests various engagement strategies that can transform patient hesitancy or fear before it consoli-
dates. Together, these three assessment perspectives complement each other, helping the
interviewer change a potentially impotent mass of data into a crisp and practical formu-
lation, bridging directly into the treatment planning process.
As the clinician becomes familiar with using these three systems, one of their most
appealing aspects surfaces – their speed. Once familiar with their use, after the interview
the clinician can assess the known database while generating a powerful list of treatment
options in about 5 to 10 minutes. This rapid integration of a large database can be a
godsend in a busy clinic or private practice. Furthermore, the clinician can review the
ongoing treatment plan quickly and with a fresh perspective as time passes.
Before wrapping up this chapter, it may be gratifying to review the course and ultimate
outcome of Debbie in therapy, while also looking at the actual selections that were made
from the lists of potential treatments generated by the above perspectives.
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268 Clinical interviewing: the principles behind the art
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Assessment perspectives and the human matrix 269
her main pathways for finding spiritual stability was her ongoing creation of poetry and
artwork. I decided to place some increased emphasis on this well-established strength
with the hope that further successes in this arena might provide her with a stronger sense
of accomplishment and self-respect using the spiritual wing (artwork) to make a healing
matrix effect on her psychological wing (self-identity).
When first entering this part of the therapeutic process, Debbie would timidly show
me some of her artwork. One could see her fears of rejection, reflected by her almost
sheepish looks for approval and the hesitant handing over of her artwork to a perceived
“master judge.” Even more striking was the signature on the painting, “Paul.” If you recall,
she liked to fantasize that she was Paul Newman. She always used her fantasy identity
when signing her artwork or poetry. As therapy continued, much positive feedback was
provided by both myself and the staff at the day clinic on her artistic progress. Indeed,
her skills improved at a brisk pace.
One day, several years into the therapy, Debbie handed me a piece of her artwork. She
presented it with a quick and confident gesture, commenting, “I like this one a lot, Dr.
Shea.” She passed it to me looking me directly in the eye. I looked down, impressed by
its quality. I then looked down more intently. When I looked up, she was smiling broadly,
“Yeah, it was done by me.” She had signed it “Debbie.” It’s the type of moment in therapy
that one does not easily forget.
Furthermore, as therapy proceeded she stopped wearing her wristband with the false
identity, a behavioral change paralleled by a significant decrease in her fantasy activity.
Several years after her therapy was completed, I saw one of her poems in the local paper.
Her real name sat quietly at the bottom.
Another inter-wing matrix effect was used by utilizing a biologic intervention (medica-
tion) to impact on her anxiety and poor impulse control during her premenstrual unrest
(psychological wing). Specifically, small doses of the antianxiety agent Xanax (alpra-
zolam) were used as deemed necessary by Debbie, and carefully monitored by me, during
her premenstrual phase. The medication proved efficacious. Moreover, she was pleased
by her ability to wisely use the medication in a limited fashion and felt good about
herself that she was maturely controlling a behavioral problem that had previously been
highly problematic. In addition, a behavioral system (an intra-wing intervention), in
which she played a major role in developing, was employed to help her to prevent sui-
cidal and violent activity. The emphasis remained on her to help herself, using her
decreased need for my “parenting,” as reinforcing evidence of her ability to manage
independently.
A further area for intervention appeared in the family assessment. To this end, a
session was arranged for Debbie and her partner (dyadic wing of her matrix). By explain-
ing to her partner certain aspects of the overall plan for increasing Debbie’s indepen-
dence, her partner was better able to support progress. It was also discovered that her
partner appeared to be a loving and dependable support system. This session also served
to decrease her partner’s anxieties concerning the therapy itself, thus decreasing the risk
of resistance generated by her partner. During the course of therapy, several joint sessions
with her partner proved to be valuable. These interventions all demonstrate intra-wing
interventions.
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270 Clinical interviewing: the principles behind the art
With regard to her relationship with her partner, greatly strained by Debbie’s demands
on her partner’s time, a decision was made to partially heal the relationship by using an
inter-wing intervention. Specifically, an attempt was made to relieve Debbie’s dependen-
cies on her partner by nurturing group relationships at the community day hospital.
Group therapy was utilized successfully in this regard. Her relationship with her partner
strengthened considerably as she spent more time with others, while developing more
mature social skills. These interventions on the “group wing” of her matrix had healing
matrix effects both on the dyadic wing with her partner but also on her psychological
wing where she began to view herself as a more worthwhile and capable person.
By 2 1 2 years into the therapy, Debbie had been involved in three 3-month therapy
courses separated by increasingly large interludes. Her mood shifts had stabilized mark-
edly, as had her relationship with her partner. She had only two minor suicidal gestures
in this time period. In the subsequent year and a half, the length between courses of
therapy increased with an eventually uneventful termination of therapy. Needless to say,
police intervention was not required.
CONCLUSION
In this chapter we have looked at the process of effectively organizing the information
gained from an initial interview. It has become apparent that the methods chosen for
conceptualizing data can greatly affect the ultimate usefulness of the data. The three
organizational methods discussed here – the diagnostic perspective of the DSM-5, matrix
treatment planning, and an understanding of the patient’s core pains – when deftly
combined can provide a practical and flexible method for generating a list of viable treat-
ment options during the interview itself. These three assessment systems also establish
a reliable method of noting pertinent gaps in the database.
In the long run, the major reason for performing an assessment interview remains the
generation of a sound treatment plan. Unlike T. S. Eliot in our opening epigram, we are
not undertaking an exploration to know a place, we are undertaking an exploration to
try to know a person. But like T. S. Eliot, “we come to know the place for the first time”
by arriving where we started, the words of the patient during the interview itself. The
treatment plan arises from our attempt to understand the patient and the ever-changing
matrix from which the patient evolves. Ultimately, this understanding must come from
our ability to sensibly organize what the patient is trying to communicate through his
or her words. Once we have gained this ability to quickly organize the seemingly chaotic
information coming our way, treatment plans naturalistically come to mind; it almost
seems as if the database speaks for itself. Our task becomes one of learning to listen, for
the patient’s past history points towards the patient’s future healing.
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Initiative created by the Council on Social Work Education. Release date 09.11.09. <www.cswe.org/File.aspx?id
=25465>; [accessed 9 June 2015].
24. Suzuki S. Zen mind, beginner’s mind. Boston, MA: Shambhala; 2006. p. 1.
25. Josephson AM, Peteet JR. Talking with patients about spirituality and worldview: practical interviewing techniques
and strategies. Psychiatr Clin North Am 2007;30(2):181–97.
26. Ponce DE. Caring, healing & teaching: fundamentals of a ministry for human services. 2nd ed. Makati City, Philippines:
Society of Filipino Family Therapists; 2011.
27. Cloninger CR. Feeling good: the science of well-being. Oxford: Oxford University Press; 2004. p. 317.
28. Newberg A, Waldman MW. Born to believe: God, science, and the origin of ordinary and extraordinary beliefs. New York,
NY: Free Press; 2007.
29. Davidson RJ, Kabat-Zinn J, Schumacher J, et al. Alterations in brain and immune function by mindfulness
meditation. Psychosom Med 2003;65(4):564–70.
30. Cade CM, Coxhead N. The awakened mind: biofeedback and the development of higher states of awareness. Shaftesbury,
UK: Element Books; 1989.
31. Newberg A, Pourdehnad M, Alavi A, d’Aquili EG. Cerebral blood flow during meditative prayer: Preliminary
findings and methodological issues. Percept Mot Skills 2003;97(2):625–30.
32. Schwartz JM, Beyette B. Brain lock: free yourself form obsessive–compulsive behavior. New York, NY: Regan Books; 1996.
33. Cloninger CR. 2004. p. 87.
34. Fleck S. Family functioning and family pathology. Psychiatr Ann 1980;10:17–35.
35. Fleck S. A holistic approach to family typology and the axes of DSM-III. Arch Gen Psychiatry 1983;40:901–6.
36. Murray-Swank A, Dixon LB, Stewart B. Practical interview strategies for building an alliance with the families of
patients who have severe mental illness. Psychiatr Clin North Am 2007;30(2):167–80.
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272 Clinical interviewing: the principles behind the art
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CHAPTER 8
Nonverbal Behavior: The Interview
as Mime
And now a dark cloud of seriousness spread over her face. It was indeed like a magic mirror
to me. Of a sudden her face bespoke seriousness and tragedy and it looked as fathomless
as the hollow eyes of a mask.
Herman Hesse
Steppenwolf1
INTRODUCTION
In this chapter we will explore the intricate processes known as nonverbal behavior. Few
studies are more intriguing or more pertinent for the clinician. It is only fitting that as
we wrap up our review of the fundamental principles of clinical interviewing in Part I,
we should address nonverbal behavior, for nonverbal processes have an impact on all of
the way-stations delineated on our map of the clinical interview. Nonverbal cues play an
obvious and critical role at way-stations such as engagement, data gathering, and in
understanding the person. They even indirectly impact assessment processes, such as
diagnosis, as well as enhance our ability to communicate as we collaboratively treatment
plan in the closing phase of the interview. We will also see that nonverbal behaviors play
a vital role in deciphering and effectively utilizing cross-cultural cues during the initial
interview.
Our study will include not only body movements but also those elements of verbal
communication that are concerned with how the words are spoken. In the early 1980s,
one of the pioneers in the study of nonverbal behavior, Edward T. Hall, speculated that
communication is roughly 10% words and 90% “hidden cultural grammar.” He states,
“In that 90% is an amalgam of feelings, feedback, local wisdom, cultural rhythms, ways
to avoid confrontation, and unconscious views of how the world works. When we try to
communicate only in words, the results range from the humorous to the destructive.”2
A decade later, a review of the more recent research on nonverbal behaviors by Burgoon
showed that Hall’s speculations foreshadowed what would eventually be validated by a
more empirical evidence base, which has suggested that 60–65% of social meaning is
derived from nonverbal behaviors.3
The practical relevance of Hall’s words can be readily seen in the following clinical
vignette. During an afternoon of supervision, I had the opportunity to watch two
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276 Clinical interviewing: the principles behind the art
interviewers interact with the same patient in back-to-back interviews. The patient, a
male in his early 20s, sat with a slumped posture, his head seemingly pulled to his
chest by an invisible chain. His legs were open, and his hands lay resting quietly on
his lap.
The first interviewer was a young woman, who spoke in a quiet but persistent voice.
The blending between the two was weak at best, provoking an occasional upward nod
from the patient, rewarding the starved interviewer with a momentary scrap of interest.
When the second interviewer entered the room, an intriguing process unfolded.
Within 5 minutes, the patient sat more alertly in his chair. Eye contact improved signifi-
cantly and was accompanied by some actual animation in his voice, albeit mild. By the
end of the interview, the conversation was proceeding naturally, and a reasonably good
therapeutic alliance had been formed. Both interviewers were relatively young women,
both of whom conveyed a caring attitude. One wonders what factors resulted in the
clearly more powerful blending of the second interview.
Some of the answers may lie in the communication channels each of these interview-
ers used in an effort to engage the patient. The first interviewer spoke in a quiet tone of
voice intermixed with numerous nods of her head. Such head nodding frequently appears
to facilitate interaction. Unfortunately, visual cues lose their impact if the patient refuses
to look at the clinician. In short, her facilitating efforts were on the wrong sensory
channel. In contrast, the second interviewer spoke in a more lively tone of voice, which
appeared to grab the patient’s attention. More important, her words were frequently
punctuated with auditory facilitators such as “uh huh” and “go on.” The first interviewer
verbalized few such auditory facilitators. The patient had been stranded in the room,
responding with detachment to the clinician’s monotone voice. Like the first clinician,
the second interviewer also utilized head nodding, but her nods became progressively
more effective as the patient met her eyes more frequently.
This example demonstrates the usefulness of flexibly employing different communica-
tion channels depending on the receptiveness of the patient. If the patient’s head is down,
one can increase the number of facilitatory vocalizations. With a deaf patient, one can
increase head nodding. Perhaps more important, this example emphasizes the overall
influence of the interviewer’s nonverbal communication on the patient. It suggests that
we may be able to consciously alter our nonverbal style in an effort to create a specific
impact on the patient – yet another example of intentional interviewing.
This possibility brings us to one of the most important challenges of this chapter. In
order for interviewers to flexibly alter their styles, they must become familiar with the
baseline characteristics defining their own styles. From such a position of self-
understanding, flexibility emerges.
Thus, study of nonverbal behavior provides two distinct avenues of exploration. First,
as the opening quotation from Steppenwolf suggests, one can learn an immense amount
about the patient by studying their nonverbal cues. This aspect of nonverbal behavior is
the most commonly acknowledged. Hesse’s protagonist quickly perceives his compan-
ion’s change of affect as “a dark cloud of seriousness spread over her face.” Second, as
our clinical vignette illustrates, one can discover the impact of one’s own nonverbal
behavior on the patient and subsequently alter it as appropriate.
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Nonverbal behavior: the interview as mime 277
The goal of this chapter is to provide concrete examples of how to use a knowledge
of nonverbal behavior to effectively navigate the above two avenues in a busy clinical
setting. In addition, my hope is to provide an appropriately sophisticated understanding
of the theory and language used to describe nonverbal behaviors by experts in the field.
Such a knowledge will enable the reader to rapidly and effectively explore the fascinating
literature on nonverbal behaviors outside the pages of this book – a literature rich with
clinical implications.
Nonverbal behaviors intrigue us. We see the way a person looks, the way he or she moves,
and how he or she sounds. Nonverbal messages are transmitted through multiple nonverbal
channels, which include facial expressions, vocal cues, gestures, body postures, interpersonal
distance, touching and gaze. We call these channels because, like channels on a television,
they are each capable of sending their own distinct message.”4
Operationally, in our book we will view nonverbal behavior as the general category of
all behaviors displayed by an individual other than the actual content of his or her
speech. Note that, as Matsumato and colleagues state, various factors can impact upon
nonverbal behaviors, including such elements as the speed and intensity of a person’s
movements, interpersonal distance, and the pacing, loudness, and tone of voice used
when speaking. To effectively address these elements from a clinical perspective, I have
found it useful to split the broad category of nonverbal behavior into two general sub-
categories: (1) nonverbal communications and (2) nonverbal activities.
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278 Clinical interviewing: the principles behind the art
Nonverbal Activities
In the second, vastly larger category – nonverbal activities – the overt behavior does not
have a single commonly agreed upon meaning, and the sender may not be consciously
trying to convey a message. Hand gesturing, facial expressions, and even more directive
acts such as chain-smoking cigarettes all represent nonverbal activities. A nonverbal activ-
ity, such as fidgeting with a pen, may indeed be usefully interpreted by the observer as
having a meaning, perhaps indicating anxiety; however, this interpretation is inferred
and may be wrong. In short, nonverbal activities may have numerous meanings.
Ekman and Friesen categorized nonverbal activities into four classes: illustrators and
regulators (which, respectively, play a direct role in either descriptive gesturing or the
regulation and flow of speech) and adaptors and affective displays (both of which may
convey secrets to underlying emotions, feelings, and attitudes).7
Illustrators are hand gestures used to complement, expand, and clarify spoken lan-
guage. Deictic illustrators are used to point at an object while speaking about it. A
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Nonverbal behavior: the interview as mime 279
different style of illustrator (iconic) involves using the hands to outline or suggest an
object that is being described. With the use of iconic illustrators, a person can suggest
characteristics such as size and shape. Gifted public speakers are masters of iconic
illustration. Sign language, as used with the hearing impaired, partially evolved from
iconic illustration and, in my opinion, often achieves a gracefulness deserving of the
term “art.”
Regulators consist of facial movements, hand gestures, and body movements that serve
to control, adjust, and sustain the flow of a conversation. Bente and colleagues have
referred to these behaviors collectively as “dialog functions.”8 They describe specific uses
of regulators such as turn-taking signals (eye contact) and managers of communication
flow (such as head nods, suggesting the speaker should go on and that they are being
understood).
Adaptors are behaviors that are performed, for the most part without conscious inten-
tion, to allow oneself to feel more comfortable. They can include various hand behaviors
such as stroking the face, picking at ones nails, or rolling a pen, as well as more general-
ized body movements such as changing posture, stance, or position in a chair. As with
all nonverbal activities, adaptors may mean many things. On a mundane level, they may
simply indicate that the person needed to change position for the person’s body was
simply growing tired or strained in a particular position. On a more psychodynamic level,
they may indicate various underlying feelings or attitudes, from anxiety to a feeling of
being socially uncomfortable, perhaps a tell-tale sign of patient deceit, as we shall see
later.
Affective displays are generally facial movements (furrowing the brow, tensing the jaw,
intense staring) that tend to spontaneously occur when a human is feeling a particular
emotion. Learning to read affective displays is a critical skill for any interviewer. Promi-
nent affective displays are usually fairly easy to read, for they often have an almost uni-
versal meaning that can generally be inferred regarding emotions such as anger, disgust,
fear, happiness, sadness and surprise (Ekman’s original list of core emotions),9 as well
as more subtle emotional states including amusement, contempt, contentment, embar-
rassment, excitement, guilt, pride in achievement, relief, satisfaction, sensory pleasure
and shame (Ekman’s expanded list of core emotions). Some highly skilled clinicians are
naturally adept at “picking up” on subtle affective displays, a skill that is often viewed
as intuition. On the other hand, interviewers can learn methods for more rapidly and
accurately spotting affective displays, a highly useful skill for any clinician. For the inter-
ested reader, such behaviors are nicely described and illustrated by photographs in Paul
Ekman’s book, Emotions Revealed.10
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280 Clinical interviewing: the principles behind the art
given nonverbal activity means. Even nonverbal activities generally viewed as obviously
representing a specific mood state, such as laughter, can be misinterpreted, depending
upon the interpersonal and cultural context of the laughter. The kulturbrille effect can
be quite striking here.
For instance, in the Japanese culture laughter generally means what it does in Western
culture – the patient is finding something to be humorous. But this common affective
display has several uncommon uses, from a Western interviewer’s perspective, in the
Japanese culture. It can be utilized as a way of covering up or controlling displeasure, as
well as concealing embarrassment, confusion, and shock.11 An interviewer unaware of
these uses of laughter could view a Japanese patient who is laughing intermittently in
an initial session to be demonstrating a powerful degree of blending, when, in reality,
the patient is feeling highly uncomfortable and will not be making a second appearance
with this particular clinician.
In this regard, Wiener and associates criticized some psychoanalytically oriented
researchers as immediately positing unwarranted unconscious meanings to nonverbal
activities.12 Considering this context one is reminded of the old psychoanalytic saw in
which the astute clinician detects that the patient is experiencing severe marital discord
because she is playing with her wedding band. Such interpretations of nonverbal activi-
ties are invaluable if kept in perspective. However, the clinician needs to think about
other possible causes of the stated activity. For instance, this patient may be playing with
her wedding band because she feels intimidated by the interviewer. She releases her
anxiety by playing with objects in her hands. Normally she rolls a pencil back and forth,
but because no pencil is available, she twists her ring. Other interpretations may be
equally correct. To ignore these other possibilities while assuming the marriage is trou-
bled is to ignore sound clinical judgment. On the other hand, having considered the
various possibilities, the experienced clinician may gently probe to sort out which is
correct and may indeed uncover marital discord.
From this discussion, it is reasonable to make the following generalization: Nonverbal
communications are relatively easily deciphered (but even here there are caveats), whereas
nonverbal activities should be cautiously interpreted, because more than one process
may be responsible for the behavior. This point deserves emphasis because both in clini-
cal and popular literature, the idea that exact meanings of nonverbal activities can be
directly read is put forward by some authors. They imply that one can read a person like
a book. In a similar vein, the concept of “body language” suggests that nonverbal activi-
ties are more codified than they actually are.
A similar degree of caution is required as one surveys the research concerning non-
verbal behavior. The body of research appears both vast and promising, but there exist
many limitations. Nonverbal interactions are so complex that it remains difficult to suc-
cessfully isolate variables to study. For instance, suppose a piece of research was designed
to prove that it was the paralanguage (how the words were said) of the second interviewer
in our opening clinical vignette that directly increased blending. An attempt to isolate
this single variable would prove difficult, for a variety of other variables could have had
an impact, such as the interviewer’s physical attractiveness, the distance between seats,
and even the fact that there were two interviews.
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Nonverbal behavior: the interview as mime 281
Even when one successfully isolates the relevant variables, the very act of isolation
poses serious problems. Nonverbal elements seldom function as isolated units.13 Instead,
the various nonverbal elements exert their influences jointly, making the findings of
research based on single channels such as paralanguage or eye gaze somewhat artificial.
A different approach, the functional approach, attempts to study the various nonverbal
elements as they function in unison.
Finally, two cultural elements of academia impact on the quality of nonverbal research.
First, the most common sampling methods used in many studies tend to focus upon
Western cultures, and even within that sample it is common practice to recruit subjects
from undergraduate students – hardly a group that is representative of the general popu-
lation.14 Second, like many other research arenas, research in nonverbal behavior has a
paucity of replication studies, i.e., where published research is repeated to ensure that
the results are valid. In fact, much of the research has not been duplicated for a variety
of reasons including: funding agencies are sometimes unwilling to support replication
studies; researchers often do not want to replicate the work of others, but would rather
“do their own research”; and academic institutions tend to value and reward “original
research” more highly. Thus, in both the academic and popular literature, findings about
nonverbal communication are sometimes cited as being “evidence based,” when the
research may have been of poor quality and/or may never have been replicated.
These research issues are worth mentioning because it is important for the clinician
to realize that relatively limited knowledge exists on nonverbal behaviors that can be
called “factual.” It is safe to say that this body of exciting research is still in its adoles-
cence. In this regard, the material of this chapter is best viewed as opinion concerning
an evolving craft or art. The material itself is culled from a variety of sources, including
clinical work, supervision, research literature, personal communications, and even
popular literature15,16 if it seems to shed light on clinical issues. But despite the lack of
an extensively validated evidence base, I want to reassure the reader that my trainees and
I have found the following material on nonverbal behavior to be invaluable, both in
interviewing and in ongoing psychotherapy.
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282 Clinical interviewing: the principles behind the art
In Part 3, we will wrap up the chapter by exploring a remarkably exciting new arena
for clinical interviewing, the web and its associated world of wireless connectivity, from
texting to chatting. We will find that, within this world, many of the possibilities and
limitations are directly related to nonverbal issues.
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Nonverbal behavior: the interview as mime 283
At the public distance (12 feet or more), vision and audition remain the main chan-
nels of communication. Most important, as people move further and further away, they
tend to lose their individuality and are perceived more as part of their surroundings.
A respect for these spaces is of immediate value to the initial interviewer. In general,
people seem to feel awkward or resentful when strangers, such as initial interviewers,
encroach upon their intimate or personal space. With this idea in mind, it is probably
generally best to begin interviews roughly 4 to 6 feet away from the patient. If an inter-
viewer is by nature extroverted, by habit the interviewer may sit inappropriately close to
the patient, intruding upon the patient’s personal space. Obviously, such a practice can
interfere with blending and should be monitored.
It should be kept in mind that patients do not determine a sense of interpersonal
space by slapping yardsticks down between themselves and clinicians. As observed by
Hall, it is the intensity of input from various sensory channels that creates the sensation
of distance. An interviewer with a loud speaking voice may be invading a patient’s per-
sonal space even when seated at 6 feet. Once again, clinicians must examine their own
tendencies in order to determine how they come across to patients.
To emphasize the point that it is sensory input, not geographic distance, that deter-
mines interpersonal space, one need only consider the impact of a patient who seldom
bathes upon friends, family, and strangers (even clinicians). Such patients frequently
create a sense of resentment, because, in essence, olfactory sensations are supposed to
occur only at intimate and personal distances. These patients invade the intimate space
of those around them even when seated at a distance. The same principle can explain
why even pleasant odors such as perfume can also be resented if they are too strong.
If a clinician intrudes into a patient’s personal space, the clinician can set into motion
the same awkward feelings and defenses commonly encountered in elevators. The artifi-
cial intimacy created by invading the patient’s space results in a shutdown of interactive
channels, so as not to further the intimate contact. Like a person in an elevator, the
patient will avoid eye contact and move as little as possible. The patient’s uneasiness may
even predispose the patient to decreased conversation. In effect, the clinician might just
as well be conducting the interview in an elevator, hardly the image of an ideal office.
This “elevator effect” can also occur if the clinician ignores cultural differences.
Hall’s distances were determined primarily for White Americans. These distances may
vary from culture to culture. One piece of research found that Arab students spoke louder,
stood closer, touched more frequently, and met the eyes of fellow conversants more
frequently.18 Sue and Sue relate that Latinos, Africans, and Indonesians like to converse
at closer distances than do most Anglos.19 They go on to describe that when interviewing
a Latino, a White American interviewer may feel a need to back up, because the inter-
personal space feels crowded. Unfortunately, this need for distance by the clinician could
be perceived as an element of coolness or indifference by the patient (a kulturbrille
effect). In a similar light, the clinician may make the mistake of immediately feeling that
the patient is being socially invasive, when in reality the patient is merely interacting at
the appropriate distance for a Latino/a culture.
Race may also play a role during the interview. Research suggests that Black Americans
may prefer greater distances than White Americans.20 Moreover, Wiens discusses the
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284 Clinical interviewing: the principles behind the art
finding that the sexes of the participants can affect the preference for interpersonal dis-
tance.21 One study demonstrated that male–female pairs sat the closest, followed by
female–female pairs. Male–male pairs sat the furthest apart. More recent work has sug-
gested that psychological gender is a better indicator of the patient’s feeling of comfort-
able seating distance. People with a feminine orientation tended to interact at closer
interpersonal spaces no matter what their biologic sex.22
Kinesics
Kinesics is the study of the body in movement. It includes “gestures, movements of the
body, limbs, hands, head, feet, and legs, facial expressions (smiling, frowning, furrowing
the brow, etc.), eye behavior (blinking, direction and length of gaze, and pupil dilation),
and posture.”23 In short, kinesics is the study of how people move their body parts
through space with an added attempt to understand why such movements are made.
Both nonverbal communications and nonverbal activities are broadly subsumed under
the term kinesics. As a field, it is a natural companion to proxemics. Like proxemics, it
had its own avatar, Ray T. Birdwhistell, who first elaborated his work in 1952 with the
book Introduction to Kinesics: An Annotation System for Analysis of Body Motion and Gesture.24
Birdwhistell was an anthropologist and emphasized understanding body movements
in the context of their occurrence. He also pioneered the study of videotapes in an effort
to decipher the subtle nuances of movement. Through his microanalysis he attempted
to define the basic identifiable units of movement. For instance, he coined the term
“kine” to represent the basic kinesic unit with a discernible meaning.25
Albert Scheflen, a student of Birdwhistell’s, expanded these notions to the study of
broad patterns of kinesic exchange between people. In this context, Scheflen postulated
that kinesic behavior frequently functions as a method of controlling the actions of
others.26 By way of example, hand gestures and eye contact may be used to determine
who should be speaking at any given moment in a conversation (“regulators” as defined
by Ekman and Friesen).
Kinesics plays a role in all interviews. Specific activities may shut down or facilitate
the verbal output of any given patient. Early kinesic studies emphasized the accurate
description, delineation, and definition of facial/body movements and gestures (the
explicit aspects of kinesics). More recently, researchers and clinicians have come to realize
that “how” movements are done may be as important as “what” movements are done.
This newer aspect of kinesic study has been called the “implicit behavioral qualities” of
movement.27 Some studies suggest specifically that dynamic qualities such as speed,
acceleration, complexity, and symmetry of body and facial expressions may have a great
impact on how nonverbal behaviors are interpreted (both how we interpret our patients
and how they interpret us).28 A smile done with abruptness by a harried clinician when
first meeting a patient in the waiting room may be far more disengaging than
engaging.
Both explicit and implicit kinesic factors can greatly change the meaning of the words
spoken by either the patient or the clinician. Once again cross-cultural factors may lead
to significant misunderstandings if the kinesic norms of a culture are not understood. A
poignant example of this kinesic kulturbrille effect is described by Elizabeth Kuhnke:
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Nonverbal behavior: the interview as mime 285
Maria was working in Japan with a Japanese colleague, preparing a patient presentation.
She asked him if he was pleased with the work they had done together. He told her that,
yes, he was. A couple of days later Maria heard through the grapevine that her colleague
wasn’t happy with the result and wanted to rework the presentation. When she asked him
why he’d told her that it was all right when it wasn’t, he replied: “But I told you with
sad eyes, Maria.”29
Besides yielding information that may help the clinician to foster engagement, the study
of kinesics can provide valuable insights into the feelings and thoughts of patients. Freud
phrased it nicely when he stated, “He that has eyes to see and ears to hear may convince
himself that no mortal can keep a secret. If his lips are silent, he chatters with his finger-
tips; betrayal oozes out of him at every pore.”30
Paralanguage
The study of paralanguage focuses on how words are delivered. It may include elements
such as tone of voice, loudness of voice, pitch of voice, rhythm and fluency of speech.31
You will sometimes see paralanguage called vocalics or paralinguistics in the literature.32
The power of paralanguage is immense and popularly acknowledged. Phrases such as,
“It’s not what you said, but the way you said it, that I don’t like,” are considered legiti-
mate complaints in our society. Moreover, actors and comedians are well aware of the
power of timing and tone of voice as it impacts upon the meaning of a statement. The
comedian Jon Stewart is phenomenally adept at changing meaning through the use of
paralanguage, transforming a statement that sounds complementary, at first glance, into
a wickedly funny sarcastic slight, with a delightful twist in his tone of voice.
By way of illustration, the phrase “that was a real nice job in there” appears compli-
mentary at first glance. But one cannot determine its meaning unless one hears the tone
of voice used in its conveyance. It could be far from pleasant if it was said with a sar-
castic sneer by a displeased supervisor following an interview observed via a one-way
mirror.
Besides the tone of the voice, speech is characterized by a number of other vocaliza-
tions. Although not words per se, vocalizations can play an important role in communi-
cation. One set of vocalizations consists of “speech disturbances.”33 Under the heading
of flustered or confused speech, these disturbances include entities such as stutters, slips
of the tongue, repetitions, word omissions, and sentence incompletions, as well as famil-
iar vocalizations such as “ah” or “uhm.” Such disturbances occur roughly once for every
16 spoken words. As would be expected, under stressful conditions these disturbances
increase significantly. Thus they can serve to warn the clinician of patient anxiety as the
interview proceeds.
There is more to vocalizations than just their appearance or lack of it. Some vocaliza-
tions serve to enhance blending, as seen with the frequently used facilitatory statements
“uh huh” and “go on.” But, once again, the way in which these vocalizations are used
can significantly alter their effectiveness, as shown in the following vignette.
The interviewer in question possessed a pleasant and upbeat personality. He was a
caring clinician, but he found patients shutting down at times during his interviews.
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286 Clinical interviewing: the principles behind the art
Although silence may be viewed negatively by Americans, other cultures interpret and use
silence much differently. The English and Arabs use silence for privacy, whereas the Rus-
sians, French, and Spanish read it as agreement among parties. In Asian culture silence
is traditionally a sign of respect for elders. Furthermore, silence by many Chinese and
Japanese is not a floor-yielding signal inviting others to pick up the conversation. Rather,
it may indicate a desire to continue speaking after making a particular point. Oftentimes,
silence is a sign of politeness and respect rather than lack of desire to continue speaking.
A counselor uncomfortable with silence may fill in and prevent the patient from elaborat-
ing further. An even greater danger is to impute false motives to the patient’s apparent
reticence.34
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Nonverbal behavior: the interview as mime 287
from all three of our core elements of nonverbal behavior (proxemics, kinesics, and
paralanguage). Immediacy can be communicated by how close we sit or how far forward
we decide to lean (proxemics). Our emblems, illustrators, regulators, adaptors, and affec-
tive displays all play a marked role in the conveyance of immediacy (kinesics). Tone of
voice, loudness, and pacing of speech further sculpt the sensation of immediacy
(paralanguage).
A variety of nonverbal behaviors impact on immediacy.36 Eye contact, and even pupil
dilation, contribute to it. In a classic study, Hess and Goodwin37 showed subjects pictures
of mothers holding their infants. The pictures were identical except for one small detail
– in some photographs the mother’s pupils had been retouched to appear larger. The
response by the subjects was remarkable, with an overwhelming number perceiving that
the mothers with enlarged pupils loved their babies more. This phenomenon has not
gone unnoticed by marketers, who frequently increase the size of the pupils of individu-
als in their advertisements using Photoshop, in an effort to entice the consumer into a
“closer relationship” with the model or celebrity who is plugging their product.
Other immediacy behaviors include smiles, head nodding, hand gestures, synchronic-
ity of nonverbal behaviors between conversants, and paralanguage. Touch remains one
of the most powerful indicators of immediacy and, consequently, should be used very
cautiously by clinicians, a topic we shall address later in this chapter.
As we saw with empathic statements, one can ascribe a valence to immediacy behaviors
ranging from low valence (the behaviors are not particularly powerful at communicating
immediacy) to high valence (the behaviors strongly communicate immediacy). As with
empathic statements, there is a time and place for both low- and high-valenced imme-
diacy behaviors, a critical principle for understanding how to effectively engage patients
battling with paranoid process or on the brink of violence, another topic we shall soon
examine in detail in Part 2 of this chapter.
Nonverbal Context
Immediacy provides a natural bridge into the role of context in nonverbal behaviors. We
can see from our discussion that immediacy generally is the result of the constellation
of many nonverbal factors, simultaneously interpreted by the patient. Even a culturally
accepted emblem may be received quite differently, depending upon the context in which
it occurs. A close friend of many years might “throw the finger” in a joking fashion at a
friend, following a playful criticism. A variety of other nonverbal activities (such as
smiling, a twinkle in the eye, and a joking tone of voice) indicate that this emblem should
not be interpreted in its normally aggressive fashion, because it was delivered in a humor-
ous context.
Many experts feel that context is one of the most important concepts for understand-
ing and effectively using nonverbal communication. Ekman includes the following ele-
ments as crucial to understanding context: the nature of the conversation, the history of
the relationship, whether the nonverbal behavior is occurring while speaking versus
listening, and how well the identified behavior is congruent with other simultaneous
nonverbal activities such as facial expressions and tone of voice.38
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288 Clinical interviewing: the principles behind the art
Arguably, this last factor – the congruence among all simultaneous nonverbal activities
– has been viewed as one of the most significant determinants of meaning in actual
practice.39 Take for example a smile by a patient. A genuinely warm smile is not limited
to facial movement near the mouth. A genuine smile often has significant muscular
movement around the eyes, with the appearance of smile lines beneath and at the corner
of the eyes, and a narrowing of the lids. Sometimes a genuine smile is also accompanied
by a gentle nodding of the head up and down. But there are many other types of smiles
including the smiles of anxiety or of discomfort with a topic, as well as more hostile
smiles, as seen with repressed irritation, anger, or contempt. During deceit, if the deceiver
feels that a smile is indicated, a weak version of a smile may be consciously attempted.
In contrast to a genuinely warm smile, all of the latter may have minimal contextual
movements of the muscles around the eyes or head, allowing a clinician to more adeptly
recognize that all is not as it seems.
As clinicians, another major factor regarding context is the impact of psychopathology.
A well-intentioned, genuine smile from a clinician can be interpreted as hostile (by a
person coping with paranoid psychotic process) or as flirtatious (by a person with an
underlying histrionic personality structure).
Many experienced psychiatrists of an earlier generation believed that they could predict
the likely mental state of the majority of the patients they met by observations within the
first few minutes of contact before verbal interchange had begun. They did this from
observation of nonverbal behavior—the appearance, bodily posture, facial expression,
spontaneous movements and the initial bodily responses to forthcoming verbal
interaction.40
Sir Denis Hill was concerned that the ability to observe nonverbal behavior astutely
represented a skill that had fallen by the wayside. Let us hope this demise is not the case,
because experienced clinicians today as much as yesterday need to utilize nonverbal clues
throughout their clinical work. The knowledge available today concerning nonverbal
behaviors is significantly more advanced than 40 or 50 years ago. It is to this knowledge
that we now turn our attention.
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Nonverbal behavior: the interview as mime 289
those we term ‘psychotic’ is that in the latter, but not in the former, those aspects of
nonverbal behavior which maintain social interactional processes tend to be lost.”41 An
awareness of these potential deficits in the psychotic patient can alert the clinician to
carefully probe for more explicit psychotic material in a patient whose psychotic process
is subtle.
Perhaps an example will be useful at this time. I was observing an initial assessment
between a talented trainee and a woman in her mid-20s. The patient had been urged to
the assessment by her sister and a close friend. Apparently the patient’s mother was cur-
rently hospitalized with major depression.
By the end of the 50-minute intake, the clinician seemed aware that the patient was
probably also suffering from major depression or some form of a mood disorder. But
the severity of the patient’s condition did not seem to have registered and the clinician
was about to recommend outpatient follow-up. However, the patient’s nonverbal behav-
ior was telling the clinician to take another look.
In the immediately subsequent second interview, which I performed, the patient
disclosed a recent weekend brimming with psychotic terror. She had felt that her long-
dead father had returned to the house to murder her. She was so convinced of this
delusion that she had shared her secret with several young siblings, not a good idea
if one is trying to get baby brother and sister to sleep. Eventually she ran from her
house to escape her father’s wrath. Even in the interview she could not clearly state
that her father’s return was an impossibility, although she hesitatingly said she thought
it was.
Let us return to the interview in order to uncover the nonverbal cues that suggested
the possibility of an underlying psychotic process. The patient, whom we shall call
Mary, answered honestly and appeared cooperative. She displayed no loosening of
associations or other overt evidence of thought process disorganization, but she dem-
onstrated some oddities in her communicational style. With regard to paralanguage,
she demonstrated long pauses (about 4 to 8 seconds) before beginning many of her
responses. This gave her a somewhat distracted appearance as if muddled by her think-
ing. This effect was heightened by a mild slowing of her speech as well as a flattening
of the tone of her voice.
As we have seen, silences, especially of this length, are generally avoided in daily
conversation. Everyday social protocol would ordinarily pressure Mary to answer more
quickly. This breakdown in normal communicational interaction was one suggestion that
all was not well and represents a disruption of the empathy cycle. Her body also spoke
to her internal turmoil.
Although for the most part she had reasonably good eye contact, there existed pro-
tracted periods of time when she looked slightly away from the interviewer in a distracted
fashion, whether she was talking or listening. This lack of “visual touching” during con-
versation is unusual.42,43 In fact, if one had a sound understanding of nonverbal com-
munications, it would have been apparent that Mary was displaying difficulties in her
dialogue function, as displayed by an odd use of the nonverbal activities Ekman called
regulators. As stated earlier, these regulators provide the cues for the timing of everyday
back-and-forth conversation.
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290 Clinical interviewing: the principles behind the art
Frequently, before beginning to speak, the intended speaker glances away briefly. As
he or she looks back, speech will begin. While talking, the speaker will frequently look
away. But as the end of the speaker’s statement is reached, the speaker will look towards
the listener. This glance signals to the listener that the speaker’s message is over. The
speaker and the listener glance at each other’s eye regions for varying lengths of time,
usually between 1 and 2 seconds, the listener giving longer contact. This complex eye
duet was frequently missing with Mary. In depression, the eyes are frequently cast down-
ward, but it was the peculiar manner in which Mary tended to stare past the clinician
that hinted at the possible presence of psychotic process. As Sir Denis Hill had suggested,
Mary had lost some of the nonverbal cues that maintain social interaction.
Mary was also showing disruption of other aspects in her dialogue function. In this
case, the problem with “marking her speech”44 was related to her dysfunctional use of
her hand gestures as conversational regulators. For instance, hand gestures are generally
made as one initiates words or phrases. As the speaker finishes commenting, the hands
tend to assume a position of rest. To keep one’s hands upwards, in front of oneself, can
indicate that one is not done speaking or will soon interrupt.
In Mary, these hand regulators were generally diminished. She sat stiffly with her feet
flat on the floor. Her head seemed to weigh her body down as she sat slightly hunched
over with her fingers interlocked. She displayed little hand gesturing, leaving the inter-
viewer with the odd sensation that it was not clear when Mary was going to start or stop
speaking. Most likely, Mary’s lack of movement was an associated aspect of her major
depression, but it may also have been a ramification of her psychotic process.
A more striking nonverbal clue to the degree of Mary’s psychopathology lay in her
method of dealing with unwanted environmental input, in this instance the questions
of the interviewer. Apparently Mary had been concerned for some time that she might
be “just like her mother,” who was currently in the hospital. In addition, her sister had
experienced a psychotic depression approximately 6 months earlier. Mary had been
attempting to hide from herself the evidence of her own psychotic process, while the fear
of an impending breakdown nagged at her daily. During the interview, as questions
directed her back into her paranoid fears, she began to realize the extent of her problems.
At this moment she did something out of the ordinary.
Mary leaned forward slowly, her elbows perched upon the tops of her knees, with her
head cupped between her hands. In this position her hands literally covered her ears, as
if keeping out unwanted questions or thoughts. All eye contact was disrupted. Mary
remained in this position for a good 5 minutes, answering questions slowly but coopera-
tively. She appeared detached from the world around her. This type of nonverbal adaptor
has been studied under the rubric of “cut-offs.”45 Cut-offs represent nonverbal adaptors
made to dampen out environmental stress. When exaggerated to the degree of appearing
socially inappropriate, as was the case with Mary, they may be indicators of psychotic
process. Indeed, catatonic withdrawal represents a prolonged and drastic cut-off.
One must also attempt to compare nonverbal activities to the patient’s baseline behav-
ior. Mary was normally a high-functioning secretary and most likely possessed better than
average social skills. In this light, her preoccupied conversational attitude, and in particu-
lar her prolonged cut-off, represents very deviant behavior for her. A subsequent interview
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Nonverbal behavior: the interview as mime 291
with Mary’s friend revealed that Mary had been observed at work sitting and staring at
the phone for long periods.
For a moment I would like to take a brief sidetrack on the issue of cut-offs. We have
been discussing dramatic forms of cut-off behavior, which may indicate underlying psy-
chotic activity; however, mild forms of cut-off behavior occur routinely in our work with
nonpsychotic individuals and frequently do not hint at psychopathology per se. These
more subtle forms of cut-off are not without meaning and warrant some discussion.
Morris46 described four such visual cut-offs, to which he attaches some descriptively
poetic names.
With the “Evasive Eye,” the patient shuns eye contact by looking distractedly towards
the ground, as if studying some invisible object. It can create the feeling that the patient
is purposely not attending to the conversation and may frequently accompany the speech
of disinterested adolescents. In the so-called “Shifty Eye,” the patient repeatedly glances
away and back again. With the “Stuttering Eye,” the patient now faces the interviewer
directly, but the eyelids rapidly waver up and down as if swatting away the clinician’s
glance. Finally, in the “Stammering Eye,” the patient once again faces the clinician but
shuts the eyes with an exaggerated blink, sometimes lasting as long as several seconds.
These four eye maneuvers represent nonverbal activities whose meaning may be mul-
tiple. They may indicate that the patient at some level no longer wants to communicate.
Perhaps a specific topic has been raised that is disturbing to the patient, resulting in a
nonverbal resistance. At such moments, a simple question such as, “I am wondering what
is passing through your mind right now,” may uncover pertinent material. Such cut-offs
may also represent objective signs of decreased blending and movement into a shut-
down interview. Exaggerated examples of these cut-offs can also be part of a histrionic
presentation and in this sense could also be seen in both wandering and rehearsed
interviews.
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292 Clinical interviewing: the principles behind the art
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Nonverbal behavior: the interview as mime 293
a warm smile on his face. She made cool eye contact. Her lips did not so much as con-
sider returning his smile. She fluctuated between a baseline of mildly cooperative answers,
with a reasonably lengthy duration of utterance (DOU), to brusque shut-down remarks.
A peculiar piece of body movement gradually evolved as she continued with her
acerbic tone of voice. She tended to lean back in her chair and gradually proceeded to
stretch her legs out in front of her towards the interviewer. The movement was inge-
niously slow but as steady as a barge pulling into a dock. As usually happens, the dock
was gently bumped – by her feet bumping against the interviewers – at which point she
did not pull away. Instead, the “dock” recoiled – with the interviewer quickly tucking his
feet beneath his chair.
Her nonverbal activities may be multiply determined, but one possibility well worth
exploring would be underlying passive-aggressive traits. Later historical information from
the interview tended to further substantiate this diagnostic hunch.
The third and final example is a patient who carefully orchestrated a relatively unap-
pealing opening gambit. She was a tall woman in her mid-20s with long black hair
hanging limply about her body. She was dressed in jeans and a black pullover sweater.
Her first noticeably unusual action consisted of reaching over to pull up a second chair,
which she promptly used as a footstool. She stretched her body out, making herself
conspicuously at home. This settling in did not signify the beginning of an easy engage-
ment, because she proceeded to visually cut the female interviewer off throughout most
of the interview. She would look down at her hands, frequently using the Evasive Eye
movement described earlier.
All of this display was topped with a convincingly dour facial expression. Concerning
paralanguage, she managed to push through her disinterested facial mask an equally
disinterested and mumbling voice. Her attitude visibly disturbed the interviewer. She also
demonstrated one other nonverbal communication with a set meaning. Specifically, she
held her coat on her lap throughout the interview, perhaps communicating an eagerness
to leave.
Her collection of behaviors, all present during the first few minutes of the interview,
suggested a variety of personality traits worth exploring later. Her lack of concern for
making the interviewer feel more at ease could suggest a possible hint of antisocial lean-
ings. Along similar lines, her obvious attempt to display disinterest could be part of the
manipulative trappings of a borderline personality or perhaps of a narcissistic personal-
ity. And, as we saw with our previous example, some passive-aggressive tendencies may
be present. Her behaviors in no way prove that she has any of these disorders, but they
do provide suggestions as to which disorders warrant additional consideration, further
highlighting the importance of noting nonverbal behavior. It is also critical to remind
ourselves that we must be exquisitely careful not to interpret cross-cultural differences in nonverbal
behavior as hints of psychopathology.
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294 Clinical interviewing: the principles behind the art
that can serve as hallmarks of anxiety. The heart will beat faster and blood will be shunted
away from the skin and gut to be preferentially directed towards the muscle tissue that
is being prepared for action. This shunting accounts for the paleness so frequently seen
in acutely anxious people, who look like they have seen a ghost. Saliva production
decreases, and the bowels and bladder are slower to eliminate. Breathing rate increases,
as does the production of sweat.
This last sign, increased sweating, reminds me of one of the more striking and humor-
ous examples of autonomic discharge I have encountered. A medical student was doing
one of his first physical examinations on a real patient, which can truly be an upsetting
experience, as the student frequently feels painfully inept. In this case, the patient was a
child about 9 years old, who could be generally classified under the label “brat.” As the
exam labored onward, with the worried mother looking increasingly fretful, the student
began to sweat profusely. As the student leaned over to listen to the child’s heart, a bead
of sweat fell from his forehead directly onto the child’s chest. Being a subtle kid, he
immediately looked the student in the eye and in a loud voice said, “What’s a matter
with you, you’re sweatin’ all over me!”
As if the poor student was not already stressed enough, that little proclamation did
it. He sheepishly turned to the increasingly upset mother and produced a quick-witted
white lie, “Don’t worry, I’ve got a thyroid condition.” I know this story all too well
because I was the poor panic-stricken medical student. It clearly shows the truth that the
autonomic system does not lie. With our patients, subtle signs of anxiety such as sweat-
ing, damp palms, and increased breathing rate can help us detect anxiety. If the anxiety
represents evidence of poor blending, we may be able to purposely attend to the patient’s
fears. If it represents the presence of unsettling thoughts, we may be inclined to probe
deeper.
If the sympathetic system is not presented with a chance to actually get the organism
into action soon enough, the parasympathetic system may try to counterbalance with a
discharge of its own. In these cases, one may find a sudden urge to urinate or defecate,
as people frequently feel before public performances or job interviews. If a patient begins
a session by immediately requesting the need for a restroom, this may represent a clue
to a higher anxiety level than the patient may verbally admit.
Desmond Morris believes that one type of nonverbal adaptor, which he refers to as
“displacement activities,” can be a good indicator of anxiety.51 These displacement activi-
ties are those body movements that release underlying tension. I recently watched a
businessman waiting for a meeting. As he sat in the lobby, he nervously tugged at his tie
and picked at his clothes. He then hoisted his briefcase onto his lap and meticulously
unloaded it piece by piece, after which he gingerly repacked the case, carefully feeling
each object as he delicately reassembled his “peripheral brain.”
These behaviors were accomplishing very little in the way of needed physical func-
tions, but they offered a calming effect of some sort for the businessman. Other typical
displacement activities include smoking, twirling one’s hair, picking at one’s fingers, nail-
biting, playing with rings, twitching one’s feet, tugging at the ear lobe, self-grooming
activities, tearing at paper cups, and twirling and biting pens. The list could certainly be
extended. For instance, Morris points out that serving drinks and holding them in one’s
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Nonverbal behavior: the interview as mime 295
hands at cocktail parties probably serve to decrease people’s anxiety, as they “have some-
thing to do.”52
Clinically speaking, displacement activities are worth noting during both the initial
interview and subsequent psychotherapy. Each patient seems to display a unique set of
displacement activities. Once decoded by the clinician, these activities can be fairly reli-
able indicators of patient anxiety. When suddenly increased, they may represent a more
reliable indicator than the patient’s facial expression or verbal response that an interpre-
tation was on the mark or that the patient is feeling ill-at-ease with the interviewer or
the topic.
Morris also views another sub-category of nonverbal adaptors as being suggestive of
possible underlying anxiety or fear, which he calls auto-contact behaviors. Auto-contact
behavior consists of movements involving self-touching.53 Such behaviors may consist
of grooming behaviors, defensive-covering behaviors, and self-intimacies.
Self-intimacies are defined as, “movements that provide comfort because they are
unconsciously mimed acts of being touched by someone else.”54 These self-intimacies
appear frequently during interviews. Patients may hold their own hands or sit with their
knees pulled up to their faces, arms literally hugging their own legs. In regressed patients,
one can see even more extreme forms of self-hugging as patients lay in tightly curled fetal
positions.
According to Morris, with regard to frequency, the most common self-intimacies in
order of most to least frequent are as follows: (1) the jaw support, (2) the chin support,
(3) the hair clasp, (4) the cheek support, (5) the mouth touch, and (6) the temple
support. With hair touching, there is a 3 : 1 bias in favor of women. Temple touching
demonstrates the opposite bias with a preference towards men of 2 : 1. Sometimes these
kinesthetic comforters can be tied into other sensory modalities as well. I remember one
patient who would pull her hair across her cheek. She would simultaneously gently sniff
at her hair, which she related as being very comforting. Such activity was a sure sign of
her underlying anxiety, much like a displacement activity.
In this manner, nonverbal activities such as adaptors (including displacement activi-
ties and auto-contact behaviors) may serve to alert the interviewer that the patient is
feeling pained or anxious. It can cue the interviewer that the patient may need some
verbal comforting, perhaps prompting an empathic statement. It can also alert the clinician
that powerful affective material is being approached, possibly suggesting the need for further
exploration.
It is also of interest that anxiety will sometimes display itself not through the appear-
ance of adaptors but through their conspicuous absence. When engaged in an active
conversation, most people will display a normal amount of periodic displacement activ-
ity and auto-contact. If these suddenly stop or are not present from the beginning, then
the person may be experiencing anxiety. In a sense, the person may be trying to avoid
mistakes by doing nothing.
This “still-life response” frequently appears when people are filmed or interviewed in
public. It seems to afflict interviewers even more than patients. Supervisors need to be
aware that this response may be more of an artifact than a stylistic marker of their
supervisees.
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296 Clinical interviewing: the principles behind the art
Another area of interest revolves around facial clues that the patient is visibly shaken
or on the verge of tears. I am sure the reader is well aware of the faint quiverings of the
chin and glazed quality of the eyes that frequently indicate that a patient is close to tears.
But a fact not as well publicized is the tendency for people to demonstrate extremely fine
muscle twitches across their faces when stressed. These frequently occur beside the nos-
trils and on the cheek. In people who demonstrate this tendency, these fine twitches can
be extremely accurate indicators of tension.
By way of example, I was working with a young businesswoman during an initial
interview. She had been referred to me for psychotherapy. She was attractively dressed
with a bright disposition and her speech was accompanied by a collection of animated
gestures. When asked to talk about her history, she launched into a detailed review of
her life since age 16. Of note was her striking avoidance of any events prior to age 16.
When I brought to her attention that she had avoided this earlier timeframe, she
responded that she did not know why and had not noticed it. I asked her if any aspects
of her life seemed different before the age of 16. She commented, “Not really, although
I spent more time with my father back then.” At that point a few muscle twitches
appeared by her left nostril. I commented that I had a feeling she was feeling upset, and
she burst into tears. Subsequent therapy revealed a complex and ambivalent relationship
with her father and other male figures. Throughout therapy, these faint twitches were a
sure sign of tension.
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Nonverbal behavior: the interview as mime 297
nurses were lying. It was an ingenious experiment and represents the foundation work
upon which further research on deception proceeded.
Ekman and his colleague Friesen predicted that subjects would state that while lying
they would focus on making their faces “look natural.” This prediction proved to be true.
The deceivers did attend to their faces more, which suggested that nonverbal activities
from the neck down may provide a better lead concerning deception. Interestingly,
trained observers could pick up clues of deception from videotaped facial expressions.
These micro-expressions may represent accurate clues but are often too difficult to pick
up routinely.
In recent years, Ekman has become increasingly fascinated by the presence and impor-
tance of micro-expressions.56 He feels that many emotions, when being hidden by a
patient, are “given away” by the presence of minute movements of facial muscles fre-
quently lasting 1/15 to 1/25 of a second, which may be reflections of the person’s under-
lying concealed emotion, be that anger, sadness, or disgust. He believes that observers
can be trained to notice these micro-expressions, resulting in an enhanced ability to spot
both deceit and the presence of subtle emotions.
Ekman emphasizes that in these situations patients may be consciously withhold-
ing information or that unconscious defense mechanisms – such as repression – may
be at work. Such moments of withholding may prove to be of critical importance
when uncovering suicidal intent or moments where episodes of incest or intimate
partner violence are being hidden. In this regard, the ability to spot micro-expressions
allows a clinician to recognize that the patient may be withholding material, but it
does not necessarily indicate why. The clinician will need to further explore to deter-
mine whether the concealment is conscious deceit or the product of unconscious
processes.
At such moments, two questions suggested by Ekman may be of value: “Is there
anything more you want to say about how you are feeling?” and/or “I had the impres-
sion you were just feeling something more than what you said?”57 Ekman’s questions
are obviously also of possible value anytime the nonverbal behaviors of the patient
suggest that the patient is having a hard time sharing an emotion. For the reader inter-
ested in learning how to spot micro-expressions, Ekman has developed an innovative
training package, the micro-expression training tool (METT), that is available online
(www.ekmaninternational.com).58
As mentioned above, the body of the deceiver often has a tendency to betray its own
head, so to speak, and further research has substantiated many of the initial findings as
described in Ekman’s fascinating book, Telling Lies.59 Apparently, changes in below-the-
neck movements may be of the most practical significance for accurately detecting decep-
tion, unless one has been trained to spot and interpret micro-expressions.
Nonverbal communications (emblems) can sometimes be useful indicators of deceit.
You will recall that emblems represent nonverbal behaviors that carry a distinct meaning
within a culture, from specific messages such as “throwing the finger” to nodding a yes
or no with the head. Just as slips of the tongue may betray hidden feelings, slips of the
body via the unconscious use of emblems can occur. With the nursing students in the
above study, many felt a helpless sensation that they were not hiding their feelings well.
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298 Clinical interviewing: the principles behind the art
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Nonverbal behavior: the interview as mime 299
must be interpreted in the interpersonal matrix in which it was produced. The nonverbal
concept of context is critically important when interpreting nonverbal clues to deceit.
By way of example, one researcher found that an increased latency of response could
be interpreted in different fashions. If it was followed by a self-promoting comment, then
it was often interpreted as being an indication of deception. On the other hand, if the
pause was followed by a self-deprecating comment, it was often registered in the opposite
direction as evidence of a truthful remark.69
If one notices a variety of potential nonverbal indicators of deception, the following
strategy may be of value. Once the area in which deception is suspected is passed, care-
fully note the patient’s subsequent nonverbal behaviors, including adaptors and paralan-
guage clues. Then sensitively return the conversation to the area in which deceit is
suspected and look for a return of the nonverbal indicators of deceit. If done multiple
times during the interview, and the deceptive patterns continue to disappear (during
benign discussion) and re-appear (during areas in which deceit is suspected), this pattern
should certainly raise the suspicion of patient concealment.
It is probably best to conclude the discussion of cues of deception at this point. Clearly
the research is somewhat tentative, but it suggests that some changes in the baseline
behavior of the patient may provide useful hints that deception may be at hand. Caution
is certainly indicated. Peter Andersen encapsulates the state of the art well as follows:
Two practical points warrant mentioning. First, as the interview proceeds it is generally
a good idea to ascertain the baseline body movements that are typical of the patient.
Second, during sensitive inquiries, such as the elicitation of suicidal ideation and intent
(an area in which the ability to detect concealment may literally be life saving), it is
best to avoid any note taking (whether on paper or by keyboard). Note taking can mark-
edly diminish the ability of the interviewer to observe the subtle nonverbal clues that
may be the only warnings of deception. It also markedly limits the ability of the inter-
viewer to deepen engagement through the use of his or her own eye contact and other
nonverbals.
In the same sense that nonverbal activities may indicate that the patient may be deceiv-
ing the clinician, a variety of important mixed nonverbal messages may be sent to an
interviewer. These mixed messages are not necessarily deceptions. Instead, they may
represent hallmarks of patient ambivalence and confusion.
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300 Clinical interviewing: the principles behind the art
Their work follows naturally from the principles we have been discussing thus far. Put
simply, they state that as a person communicates a message, the message is transferred
through a variety of communication channels simultaneously. The patient’s message may
be conveyed through the content of the spoken words, the tone of voice, the rate of
speech, the amount and type of hand gesturing, the posture, and the facial expression.
These messages are termed paramessages. When all paramessages have the same meaning,
the paramessages are said to be congruent. But if some of the channels convey discordant
information, then the paramessages are said to be incongruent.
The underlying theory is simple; perhaps that is why it proves to be so powerful thera-
peutically. People who consistently communicate with an incongruent style can fre-
quently create a confusing impression. Their incongruence may make the people around
them feel ill-at-ease and uncomfortable. If the clinician can detect this self-defeating
interpersonal style, he or she may be able to help the patient modify it. In a more imme-
diate sense, incongruent paramessages may indicate underlying mixed feelings of which
the patient is unaware. Once again, the interviewer may be able to cue off this incongru-
ence, leading the patient into an exploration of the uncovered mixed feelings.
More germane to the topic of the initial interview, episodes of incongruent commu-
nication may alert the clinician to areas worthy of more immediate investigation or
perhaps regions pertinent to explore in later sessions.
I am reminded of a woman in her early 30s whom I was evaluating for possible psy-
chotherapy and/or medication use. Ms. Davis, as we shall call her, was coping with a
variety of stresses, not the least of which was the loss of her mother several months earlier.
For years she had been her mother’s caretaker and verbal whipping post. Ms. Davis was
mildly overweight with stocky legs, offset by a face embraced by a full head of black hair.
As she spoke, her conversation turned to her bitter relationship with her boyfriend, who
apparently enjoyed her sexually but found marital ceremonies not to his liking. She
commented, “I hate him, I’ll never go back to him. He’s not worth it.”
Harsh words, but one should be wary of taking them too seriously, for Ms. Davis’s
body spoke differently. The words were spoken with a tone of pained resignation, not
biting anger. They had the quality of the child-like pout, “Daddy’s not bringing home a
present from his vacation.” Not only did her voice lack indignation, but her hands inti-
mated a martyr’s role. Rather than the more typical pointing and jerking movements of
an angry accusation, they were held low towards her lap with the palms upwards. This
type of hand positioning is frequently associated with an attitude of supplication and
need.
Put more precisely, Ms. Davis was communicating with an incongruent set of parames-
sages. As Grinder and Bandler point out, all of these messages may have elements of
truth to them. In Ms. Davis’s case, she certainly did have angry feelings towards her boy-
friend, as suggested by the content of her words. But she also had extremely powerful
needs to be accepted by him; indeed, these needs bordered on a masochistic willingness
to be verbally beaten by him. Her tone of voice and hand gestures suggested her strong
need for acceptance. Her breathing rate did not increase or become more spurt-like, as
is frequently seen when someone becomes increasingly angered. This set of incongruent
messages was one of the first clues to her deeply rooted problems concerning hostile
dependence, which became central working issues in the remaining therapy. Indeed, in
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Nonverbal behavior: the interview as mime 301
this regard, her relationship with her boyfriend was no different from her relationship
with her mother.
In any given initial interview, periods of incongruent communication may occur. If
noted, they can serve as road signs that effectively guide the interviewer towards a deeper
understanding of the patient.
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302 Clinical interviewing: the principles behind the art
plan options, hesitant patients may have their fingers closed over their palms, no matter
where they have placed their hands (on their lap, by the side of their legs, etc.). Some
patients will fold their hands together, in effect holding in their own tension or anxiety.
Even when listening intently, a patient who, at heart, does not like what he or she is
hearing may fold their arms or cross their ankles. There may be a subtle, or not so subtle,
leaning back in the chair. All of these movements, occurring while a patient is verbally
agreeing with a treatment plan (an example of discordant paramessages), may suggest
the patient has real doubts about the plan. It is important to uncover these doubts for
two reasons: (1) the patient might have very good reasons, being missed by the clinician,
as to why this is not a good treatment plan and (2) even if it is theoretically a good
treatment plan, as we emphasized in earlier chapters, if the patient doesn’t like it, it is
not going to work.
According to Kuhnke, three other adaptors are worth noting: (1) patients placing their
hands to their cheeks; (2) patients resting their chins on their hands; and (3) patients
placing a thumb under the chin while pointing the index finger up the side of the face.73
These three adaptors may indicate that the patient is actively contemplating what is being
said. At such moments the patient may be aware of his or her own hesitancies. Indeed,
the patient is often actively weighing the pros and cons at the time of such gestures. I
have found it to be an opportune time to ask directly about the patient’s weighing of the
options with questions such as, “What are your thoughts on the pros and cons of using
cognitive–behavioral therapy?” or “What are your thoughts on the pros and cons of trying
an antidepressant?” It can be surprising how well the strategic use of such questions,
based upon an astute observation of these three nonverbal clues, can open up commu-
nications, greatly increasing the likelihood that a truly collaborative treatment plan is
unfolding.
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Nonverbal behavior: the interview as mime 303
man with about 7 years of clinical experience. The patient sat pertly forward, cigarette
hanging aesthetically from her fingers. The therapist, who was dressed casually in a sport
shirt, sat rakishly back, also with a cigarette in hand. Their voices possessed a spritely
coyness. It was unclear whether I was watching the beginning moments of a therapy
session or the opening sequences of a romantic comedy.
In any case, the therapist and his patient were engaging in the courting reciprocal.
Inadvertent participation in such reciprocals can create a variety of problems. Obviously
it can stimulate an erotic transference. Moreover, if initiated unconsciously by the thera-
pist and then reciprocated by the patient, it can lead the therapist towards the inappro-
priate perception that the patient is histrionic.
I am reminded of a talented trainee whom co-workers felt tended to be pleasantly
flirtatious and buoyant with staff. She was surprised, yet concerned, when, after several
of her initial evaluations, a male patient asked her out. On videotape the answer was
obvious. She noted, with some surprise, that she was displaying some mildly flirtatious
qualities during her clinical interviews, which she was able to quickly eliminate.
Scheflen describes the types of kinesic behaviors utilized by both sexes in the courting
reciprocal. According to Scheflen, males have a variety of kinesic actions that they take to
enhance sexual attractiveness. The male attempting to draw attention sexually will move
from any type of slumped position into a stance emphasizing his height and musculature.
Indeed, the male may unconsciously employ many of the same kinesic clues as are used
to display dominance, such as jutting the jaw slightly, sucking the belly in, raising the
shoulders, and perhaps standing more closely than normal social protocol would suggest.
The reciprocal behaviors by women are equally well known, as characterized in
popular culture as reflected in advertisements, films, and graphic novels. According to
Scheflen, a woman who is interested in attracting sexual attention may hold her head
high and at a slight angle, perhaps viewing the potential partner from the corner of her
eye with an inviting glance. The upper body will be lifted to emphasize breasts. Legs may
be crossed “around each other” so as to emphasize the calf musculature and extension
of the foot. In addition, she may intermittently present her hands with her palms up, a
highly affiliative act, in a variety of ways as when pushing back her hair, when smoking,
or when she covers her mouth while coughing.75
During flirtation, another common kinesic reciprocal commonly occurs – tentative
incursions into the intimate proxemic space of the intended partner. At one level this
simply may occur by sitting closer or occasionally leaning forward to whisper into the
ear of the other over the din of the bar. At a different level, one participant may gently
touch the other on the hand, arm, shoulder, or back. If viewed with favor, a reciprocal
touch may be shown, and the dance begins.
Other reciprocal behaviors besides the courting reciprocal can occur in an initial
interview. A striking example was provided by a video made of an initial interview for
use in supervision.
The interviewer was a young woman. Across from her, the patient, a woman just
turning 20, sat with eyes occasionally cast downwards. As the interview unfolded, the
patient produced a folded piece of paper, and she asked the clinician to read the paper
before proceeding. Her voice seemed to step meekly away from her lips. In the meantime,
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304 Clinical interviewing: the principles behind the art
the patient began fumbling with the microphone. She had correctly wrapped it around
her neck but had problems attaching it to her blouse. Noticing her problems the clinician
looked over and asked if she needed help. The patient did not look up for a moment as
she continued to fumble. Then with her head cocked downwards, she innocently glanced
upwards nodding her head “yes.” She gazed with the helpless eyes of a little girl and said
not a word. The clinician promptly leaned over and fixed the microphone.
The parenting reciprocal had emerged as naturally as if enacted between a true mother
and her child. In this brief vignette, the power of the first few minutes of the scouting
period to provide clues for further diagnostic probing is once again amply demonstrated.
This patient’s helpless style and dependent behavior suggested the possibility of some
form of character pathology. Indeed, further interviewing revealed a mixed personality
disorder with histrionic, passive-aggressive, and dependent characteristics. Apparently
this patient had perfected the art of eliciting parental responses as a method of garnering
attention.
In Section A, our focus has been on the power of the patient’s body to convey infor-
mation to the perceptive clinician. In Section B we will now explore the reverse situation,
those moments when the clinician uses his or her nonverbal knowledge and behaviors
to engage the patient.
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Nonverbal behavior: the interview as mime 305
Figure 8.1 A, Preferred seating angle; B, comparison of shared visual fields; C, utilization of desk.
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306 Clinical interviewing: the principles behind the art
The concept of seating raises the more general issue of furniture arrangement. Some
clinicians prefer the use of two large comfortable chairs, away from their desk. Another
alternative is to utilize the desk creatively. In general, I believe a desk should not sit
between the clinician and the patient, because this places the clinician in an authoritar-
ian position, more appropriate for chief executive officers, not therapists.
However, the desk can be placed as shown in Figure 8.1C, with only a corner protrud-
ing between the clinician and the patient. If the clinician’s chair rides on wheels, the
clinician can move the chair, altering the resultant interpersonal distance either by
increasing or decreasing the amount of desk between the participants. I find that such a
desk arrangement, coupled with the use of a wheeled chair, provides me with a remark-
ably quick way of modulating the immediacy of the dyad, an ability that can pay big
benefits depending upon the immediacy needs of the patient, needs that might even
fluctuate over the course of an interview. A paranoid patient may require more distance
from the clinician, which can easily be accomplished by moving only a short way,
because the desk quickly provides a protective barrier. With a well-engaged patient, the
clinician can easily move to a point where essentially no desk intervenes. Another advan-
tage of this seating arrangement is the fact that, whether one is taking rough notes with
a clipboard or a laptop, the note-taking medium can be moved back and forth from lap
to desk unobtrusively.
The overall concept of the clinical setting warrants attention. When designing a private
office, an effort should be made to provide a comfortable and professional atmosphere.
The office represents an extension of the clinician’s persona, and the patient’s first impres-
sion in the scouting period may be significantly affected by the decor of the clinician’s
waiting area or office. Calming prints or photographs, accompanied by several diplomas
and shelves of books, provide a reassuring and pleasant environment.
Trainees are faced with limited financial resources. But three or four unframed art
posters and a few plants can be bought very reasonably, producing a sometimes-startling
change in the atmosphere of the room. There is no need for a trainee’s room to look like
a prison cell. On the contrary, part of the training experience is learning to consider the
principles behind creating an appropriate private office.
Outside the office, situations can be a bit more difficult, because the clinician faces
crowded hospital rooms and disorganized emergency rooms. It remains important in
these situations to consider the comfort of both the patient and the clinician. While
performing a consultation in a crowded hospital room, there is nothing wrong with
saying, “Before we start, would you mind if I slide your bed over, so both of us can have
more room to talk.”
This discussion of seating arrangements leads to the issue of determining an optimum
distance between the clinician and the patient, which will vary for each interviewing
dyad. There does seem to exist a small region in which the clinician’s presence respects
the patient’s sense of personal space while still allowing the movements of the clinician
to have an immediate impact on the patient. This zone of effective interpersonal space
in which the patient feels comfortable with the immediacy sensations of the interaction
may be referred to as the “responsive zone” (RZ).
If the clinician moves out of the RZ towards the patient, then the interviewer risks
frightening the patient or creating a sense of discomfort. On the other hand, if the
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Nonverbal behavior: the interview as mime 307
interviewer leaves the RZ by moving too far away from the patient, then the movements
of the clinician may have little impact on the patient. For instance, the act of gently
leaning forward towards a patient, which can enhance communication during particu-
larly sensitive moments of an interview, may have no effect if done outside the RZ.
Two examples may help clarify the importance of establishing an RZ that seems most
comfortable for each patient. First, if one intuits that a patient may be feeling paranoid,
it is useful to remember that such patients may require a larger space around them in
order to feel more comfortable. In these cases, the RZ is larger and it may be wise to
begin such interviews sitting further from the patient than one normally would sit.
Another option is to position oneself with the corner of a desk or table between yourself
and the patient, for the paranoid patient may feel safer with such a small, yet noticeable,
“protective barrier.” As the interchange proceeds the clinician may find that the distance
can be gradually decreased; hence the RZ frequently may change as the blending waxes
or wanes.
Second, one looks at the problem of accurately eliciting a formal cognitive examina-
tion in elderly patients who are seriously depressed and withdrawn. To attract and main-
tain their attention, the interviewer might need to sit considerably closer than normal.
This more intimate RZ may help decrease the likelihood of obtaining poor cognitive
results secondary to the patient’s lack of attention or interest. If a patient is not interested
in answering, then the risk of getting artificially low scores becomes very real indeed. In
such cases, the tendency to suspect a real dementia when only a pseudodementia is
present can become a true dilemma.
Another way of obtaining the withdrawn patient’s attention during the cognitive
examination is to speak more loudly, effectively moving closer without moving one’s
chair. At times it is also important to ensure attention by literally asking the patient to
look at the clinician as the questions are asked. For instance, the interviewer can gently
but firmly make statements such as, “It may help you to do well on these questions if
you watch me as I actually say the digits to you.” In the last analysis, if a withdrawn
patient is looking down at the floor as the clinician performs the cognitive mental status,
the validity of the results are certainly questionable.
The concept of increasing the validity of the cognitive examination also raises the issue
of touching patients. Touch remains one of the, if not the most, powerful of immediacy
behaviors, for it instantly places one inside the patient’s intimate zone as described by
Hall. As we saw earlier, touch is also part of the courting reciprocal. Consequently, it can
both be misinterpreted by patients easily and be harshly disengaging with paranoid or
angry patients. It must be used with caution and, in my opinion, only if necessary to
achieve a certain effect on engagement.
If you are going to touch a patient, you should get in the habit of asking yourself two
questions before proceeding: (1) What do I want to accomplish by touching this patient?
(Is it being done from the perspective of intentional interviewing or is it being done
merely by habit or from interviewer needs?) (2) Does the act of touching fit with the
patient’s needs for immediacy and the nonverbal context of this specific moment in the
interview?
On the other hand, some clinicians seem to have a block against the idea of ever
touching a patient. Although it is not frequent for me to touch a patient during an initial
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308 Clinical interviewing: the principles behind the art
interview (except for handshakes), I sometimes find touching useful and poignant. With
regard to the cognitive examination, some depressed and withdrawn patients may ignore
the clinician’s attempts to make eye contact and attend to the task at hand. In such
instances, one can touch the arm of the patient, offering comments such as, “I know it
is difficult for you to concentrate right now, but it really is important.” At such times, the
patient may glance up at the interviewer and more effective contact will have begun.
Of course, touching, a method of entering the patient’s intimate space, may also
be used at points at which the patient may benefit from some simple comforting, in
which case the clinician’s decision to touch the patient fits with the both the patient’s
sense of immediacy and the context of the interview. I am reminded of a sad, middle-
aged man whom I interviewed as he was entering the hospital. For all of his life he
had been a kind and hard-working mill worker. Unbeknown to himself he was being
exposed to an extremely toxic industrial poison. Over the years he experienced gradual
changes in his behavior, including irritability and occasional violent outbursts, which
frightened him and produced extreme guilt. Simultaneously, he underwent marked
changes in his intellectual functioning, to the point that he had problems dealing with
everyday activities. Only recently had he learned that his problems were secondary to
brain damage.
As we neared the end of the interview, he told me that he was afraid of the hospital-
ization because “people say mean things to me, they think I’m stupid. Please let me come
in, I promise I won’t hurt anybody, I promise, and I’m not that stupid.” At which point
he began to weep. It seemed only natural to reach over and grasp his arm while reassur-
ing him that I believed what he said and that we would help him make the transition
to the hospital.
Outside of the types of situations described above, touching patients is not common
during initial interviews. As mentioned earlier, touch is a powerful communication that
may carry numerous connotations, not all of which are appropriate. Patients may mis-
interpret touch as an erotic gesture or, at a minimum, as a sign of implied intimacy.
Although the clinician may intend the gesture as a sign of caring, a psychotic patient or
a patient with a histrionic personality may receive a considerably distorted message.
Indeed, if a clinician finds a routine need to touch patients during initial interviews,
it would be wise for the clinician to determine why such a need is arising. Usually it is
not from clinical considerations. Such clinicians frequently have a desire to be perceived
as “comforting angels.” Ironically, this drive to be perceived as “comforting” may get in
the way of effective care giving. Such self-exploration may also reveal flirtatious traits or
histrionic qualities in the clinician. Unchecked, these types of clinician traits can open
the door to sexual misconduct.
At this point we can turn our attention to another aspect of nonverbal behavior, which
frequently emerges if the clinician has effectively determined the appropriate RZ for the
patient. At such times, the appearance of certain nonverbal behaviors can suggest that
the blending process is proceeding well. As mentioned in Chapter 1, several verbal signs,
including an increased DOU, may indicate the presence of improved engagement. In a
similar fashion, nonverbal activities may also be used routinely to monitor the blending
process, for the spontaneous appearance of immediacy behaviors in the patient indicate
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Nonverbal behavior: the interview as mime 309
that the patient is feeling more and more comfortable, safe, and accepted by the
interviewer.
For instance, as blending increases, the patient may begin to make progressively better
eye contact, while spontaneous arm gestures and “talking with one’s hands” may increase.
Along similar lines, if a patient in a shut-down interview begins to talk more with his or
her hands, this may be a hint to pursue the present topic more fully in order to further
strengthen the engagement process. The clinician can also frequently see the patient turn
more towards him or her as blending increases. Relaxation is also shown by an asym-
metry in posture, while tense posture is frequently seen with a person who feels
threatened.77
We have been discussing the nonverbal activities that may suggest powerful levels of
blending. It is important to return to a topic approached earlier, namely, the differences
seen cross-culturally regarding eye contact, for, in a proxemic sense, eye contact can
change how close the patient feels in space from the interviewer. With regard to the
African American culture, eye contact is not considered as important in conveying atten-
tion to a listener as in some other cultures.78 Just being in the room or close to the speaker
may be considered enough to convey that attention is being given.
Direct eye contact may be considered disrespectful in certain cultures, such as with
Mexican Americans and with the Japanese. In this context, a clinician could be making
a serious error in judgment by interpreting poor eye contact with members of these
ethnic groups as an indication of rudeness, boredom, lack of assertiveness, or poor
blending.
Another process that may emerge more frequently when one has successfully found
the RZ is the surprising phenomenon of postural echoing.79 In postural echoing one finds
that two people who are communicating effectively tend to adopt similar postures and
hand gestures. At a café, two lovers may sit across from each other, both heads perched
in their hands, as they animatedly stare into each other’s eyes.
A frequent phenomenon seen in interviewing occurs when one member of the dyad
suddenly shifts position and relaxes. Simultaneously, the other person will also shift and
relax. Moreover, microanalysis of videotapes has suggested that as blending increases, the
minute movements of the interviewer and the interviewee tend to parallel each other as
if a miniature minuet were being performed. During moments of discordant interchange,
this reciprocity decreased.
At one level, these findings suggest that the appearance of postural echoing may serve
as a clue to the clinician that the blending process is on the right track. In a slightly dif-
ferent vein, the clinician can subtly match some of the patient’s postures in an effort to
actively increase blending. For example, if a male clinician is interviewing a steel worker
who is crossing his legs with his ankle over one knee, the therapist may cross his leg in
the same manner, as opposed to crossing his leg at the knees (the latter could be mis-
construed by the interviewee as “feminine”). By adopting a style similar to that of the
patient’s mini-culture, the metacommunication conveyed is that “we do certain things
similarly and we may not be as different as one might first suppose.” This discussion of
the use of postural echoing in an effort to actively engage the patient leads to a consid-
eration of other methods of nonverbally increasing the blending process.
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310 Clinical interviewing: the principles behind the art
Interviewers should make an attempt to learn the frequency with which they typically
head nod. This frequency can vary significantly among interviews. From my own obser-
vations, it appears that interviewers who are particularly adept at engaging patients tend
to head nod numerous times during any several minutes of an interview. As obvious as
the utility of the head nod may appear, I have found that approximately 20% of profes-
sionals I supervise tend to underuse it. A few barely head nod at all.
The power of the head nod became apparent to me in an unexpected fashion during
a session of psychotherapy. I had been working with a middle-aged male patient for
several months. I decided to try a brief exercise in which I would purposely stop my
typical head nodding for several minutes, in order to see what this practice would feel
like to me. To my surprise I found it difficult to do, because it had become habitual. But
more to my surprise, the patient broke off his spontaneous conversation after about 2
minutes and asked, “What’s wrong? Somehow I feel that you don’t like what I’m saying.”
This vignette emphasizes the power of nonverbal cues during clinical interaction.
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Nonverbal behavior: the interview as mime 311
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312 Clinical interviewing: the principles behind the art
sneer. He challenged me frequently with not-so-subtle sniping remarks, such as, “I bet
you think you’re a good listener Doc.” And at one point he suddenly began mocking my
head nodding by aping it, with his jaw jutting outwards while repeatedly grunting out
loud “Uh huhs.” This was not one of my more rewarding interviews. While waiting for
his disposition, he later spontaneously attacked one of our safety guards.
This patient also illustrates the point that if the clinician finds a patient giving nega-
tive responses to typically engaging nonverbal behaviors, then he or she should consider
the idea that the patient may be guarded, hostile, or potentially violent.
Immediacy paralanguage must also be toned down in valence with paranoid patients.
I tend to speak fairly quickly and slightly louder than the norm in everyday life. I have
learned that it is important that I intentionally speak more softly and slowly with para-
noid patients. Thus, to make the necessary adjustments to their immediacy behaviors,
clinicians are required to become more aware of their own nonverbal behaviors, the topic
of our next section.
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Nonverbal behavior: the interview as mime 313
is sometimes even done with psychotic patients and adolescents. In all these cases, the
clinician is flirting with trouble.
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314 Clinical interviewing: the principles behind the art
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Nonverbal behavior: the interview as mime 315
cigarettes or even the proverbial “Freudian pipe” while interviewing patients. My bias
evolves from the feeling that smoking, at the very least, represents a possible distraction
to the patient. More likely, it may actually function as an irritant. Even if one asks per-
mission from the patient, many patients who do not like smoking may find it difficult
to convey such concerns. Pipe smoking is so stereotypic of “a shrink” that it may bias
transference or simply turn some patients off.
The second displacement activity is much more of a mixed blessing, because it clearly
serves some useful purposes. I had never even viewed it as a displacement activity until
I had asked one trainee what his most common displacement activities were, and he
replied, “That’s easy, I’m constantly scribbling notes.”
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316 Clinical interviewing: the principles behind the art
information that can be used to rapidly and most effectively help our patients in the
initial interview is massive. In my opinion, there is no time to waste pretending that we
are well-trained transcriptionists.
Doing a sensitive interview is a human event. Creating a finalized document from the
information garnered in that interview is a mechanical one. Both processes are important.
Both processes require our best attention. Both processes require their own timeframes.
Let me summarize, I do not believe, whether typing or writing, that the finalized note
(e.g., the permanent medical/health/clinical record) should be created during the inter-
view itself. In my opinion, the only notes that should be taken during the interview itself
are rough notes, whether typed or handwritten.
With regard to rough notes, once again I am sharing a bias that some clinicians might
disagree with, I feel that rough note taking should be fairly minimized in the initial
interview as well. Whether you prefer to take your rough notes on a laptop or handwrite
them, they should be utilized to jot down hard-to-remember details such as dates, medi-
cation dosages, previous treatment histories, and family trees. By minimizing the amount
of rough note taking, a clinician can maximize his or her attention to the needs of the
patient and the complexities of the unfolding dyadic relationship – and its clinical com-
plexities – as they unfold in real time.
In particular, during the scouting phase, I believe it is much better to do little, if any,
note taking unless you are taking some demographic background. At this early stage, the
emphasis should be on actively engaging the patient. To this end, I find that patients are
more responsive to clinicians who seem more interested in them than in a keyboard or
a clipboard.
In addition, I strongly advise against any note taking (even the taking of rough notes)
when raising or exploring highly sensitive material such as suicide, incest, or domestic
violence, where it is critical to attend to any nonverbal indications that a patient may be
withholding information. During such delicate explorations, I find it expedient to place
down upon a nearby table or on the floor my means of rough note taking, whether it
be a clipboard or a laptop.
I frequently do not even begin taking rough notes until well into the interview.
When I do begin, as a sign of respect, I often say to the patient, “I’m going to take a
few notes to make sure I’m remembering everything correctly. Is that all right with
you?” Patients seem to respond very nicely to this simple sign of courtesy. This state-
ment of purpose also tends to decrease the paranoia that patients sometimes project
onto note taking, as they wonder if the clinician is madly analyzing their every thought
and action. Along these lines, I advise against any note taking when interviewing actively
paranoid patients.
How many rough notes should you take? The answer is simple – as many as you need
to accurately type up the EHR after the patient has left. This amount may vary among
clinicians. I supervised a trainee, with a “photographic memory,” who created beautiful
finalized notes but took almost no rough notes during the interview itself. The amount
of rough notes taken may even vary with a single clinician, depending upon how hectic
the clinician’s schedule. If the clinician is able to type up the finalized EHR immediately
after the interview is completed (an ideal situation), the clinician may need few rough
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Nonverbal behavior: the interview as mime 317
notes. If the day is hectic, requiring the clinician to wait till later in the day to type up
several initial intakes, then the clinician will probably need to take more rough notes
than usual.
If you choose to use your laptop to make your rough notes, remember that the fields
of your EHR should never dictate the sequencing of your questions or topics. As we saw
in Chapters 3 and 4, the goal is to flexibly structure the various regions and questions
of our interviews to meet the unique needs, concerns, and defenses of our patients. Only
then can we optimize engagement and the subsequent validity of the information gar-
nered in the interview.
One of the most effective methods of taking rough notes on a laptop – if you so
choose to do so – I was taught by a resident. She would sit with both feet on the ground
with her laptop open on her lap. She only typed rough notes, for purposes of recall, as
we have described. Consequently, she was actually typing only about 10–15% of the time during
the interview itself. Most strikingly, and cleverly, any time she stopped typing for a signifi-
cant period, she gently, yet obviously partially closed her laptop to the point where it
was clear to the patient that the clinician could not possibly see the keyboard. In addi-
tion, she would gently lean slightly forward, over the semi-closed laptop lid. The meta-
communication to the patient was immediate and powerful: “I’m not interested in taking
these notes, I’m interested in listening to you.” Furthermore, if she was not going to be
taking notes for an extended period of time, she would set the laptop on the ground or
on a desk or table to her side.
I have found that a significant number of contemporary clinicians, especially if they
are fast typists, prefer to write their rough notes on a clipboard. It gives them more flex-
ibility with how they can sit and lean during the interview and subsequently provides a
quick set of reminders with which they can rapidly type and move through the fields of
the EHR itself after the patient has left. I, myself, have found this to be preferable. But
you will need to discover for yourself which method of taking rough notes (laptop versus
clipboard) works best for you. As demonstrated above, both can be used quite effectively
in my opinion.
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318 Clinical interviewing: the principles behind the art
Part 2 of this chapter, for the craft of utilizing nonverbal behavior is seldom put to a
more critical test.
I would also like to emphasize that violence is frequently a dyadic process. The clini-
cian and the patient represent a two-person system, and it is this system that becomes
violent. Clinicians may inadvertently, with their nonverbal behavior, further escalate an
already agitated patient. Fortunately, this cycle, representing a “violence reciprocal” as
per Scheflen, can frequently be broken.
To begin with, I am reminded of a curious story related by an anthropology professor
during my undergraduate education. He described an interspecies encounter in which
violence was averted by the quick thinking of a field anthropologist. This anthropologist
had been extensively studying the behaviors of a baboon troop. One day he accidentally
startled a mother baboon and her baby. Within seconds the squawkings of the alarmed
mother attracted a swarming bevy of guard males. One can assume their intent was not
of a social variety. Indeed, baboons are both intelligent and ferocious when provoked.
The appearance of an ugly white ape with a mustache and safari hat was more than ample
stimulus to prompt a display of their virility. Indeed, the baboons could have quickly
disposed of the anthropologist.
Having observed baboons demonstrating submissive behavior within the troop, he
purposely replicated their submissive gestures, which apparently involved lowering
oneself and making certain jaw movements. To his relief, the baboons grunted and
snarled but waved off their attack.
Besides being a delightful tale with which a college professor can regale wide-eyed
undergraduates, the above story has a valuable message: A group of animals were about
to interact violently. The violence was prevented by the use of specific nonverbal behav-
iors that functioned as true nonverbal communications (emblems). Like these baboons,
the human animal possesses a repertoire of nonverbal communications and nonverbal
activities that signal the intent to attack and the intent to submit.
The signals of impending attack, when recognized in a patient, can quickly alert the
clinician that something needs to be altered in the interpersonal dyad before a violence
reciprocal ensues. Through a knowledge of the signals of submission, the clinician may
alter behavior in a fashion that appears less threatening to the paranoid or intoxicated
patient. In many instances, these alterations can break the dyadic cycle of violence as
effectively as the anthropologist placating the baboon warriors. It should be kept in mind
that in rare instances, no matter what preventive actions are undertaken, violence will
erupt. The goal is not to eliminate violence but to decrease its likelihood.
Towards this endeavor, the clinician should assess whether the clinical situation indi-
cates that violence is a possibility. In the first place, diagnosis can alert the clinician to
an increased likelihood of aggression. Most psychotic patients are not violent, but psy-
chotic process as manifested in schizophrenia, bipolar disorder, paranoid disorder, and
other atypical psychoses may predispose the patient towards aggression. This is especially
true when paranoid delusions are simmering beneath the patient’s social facade. If fright-
ened, these paranoid patients may go to great extremes to protect themselves, as we
would if we shared their vision of the world. It is always important to remember that
such patients may believe that they are literally fighting for their lives.
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Nonverbal behavior: the interview as mime 319
Other types of psychosis or poor impulse control may present problems. For instance,
patients suffering from organic brain disease, as seen in frontal lobe syndromes, deliria,
and various dementias, may be predisposed towards aggression. The possibility of vio-
lence should arise in the clinician’s mind when interacting with people under the influ-
ence of various drugs, including speed, bath salts, hallucinogens, and phencyclidine
(PCP). Alcohol intoxication remains a major factor in the instigation of violence, espe-
cially in settings such as emergency departments. Because we frequently deal with alcohol
intoxication in social settings in our culture, it is easy to be lulled into underestimating
the potential for violence when dealing with an intoxicated patient. Such patients can
quickly move from jovial jesting into a fit of rage.
Diagnoses do not tell the clinician that any specific patient is about to be violent.
Most people suffering from schizophrenia are not violent, but the diagnosis does alert
the clinician to the possibility of aggression. This consideration may represent the first
step in preventing violence. In addition, the clinician may note that a patient has a history
of assaultive behavior. In such instances, the clinician is well advised to take appropriate
precautions, such as having safety officers unobtrusively nearby and aware of the
situation.
Besides diagnostic and historical factors, the clinician may be part of a situation in
which violence is more likely. If the clinician has been asked to participate in the evalu-
ation of a patient who is being committed involuntarily, then caution is always advised.
There are probably few life situations more frightening than to have one’s freedom taken
away. In this situation, patients should always be considered as potentially violent.
I remember one instance in an emergency department late at night. The patient, an
agitated woman of about 30 years of age, was being committed. Safety officers had been
called down and were appropriately nearby. The patient appeared to have calmed and
was quietly sitting with family members by her side. Everything seemed in control. The
clinician began to move away from the patient and turned her back as she headed for
the staff room. In a matter of seconds the patient was ferociously choking the clinician,
for no apparent reason. I mention this vignette because it highlights the need to think
cautiously while evaluating committed patients. It also reminds one of the old adage
that when working in an emergency department one should never turn one’s back on a
patient, an adage as true today as when it was first coined.
One other clinical situation to keep in mind arises when patients are agitated and
accompanied by family members. In such situations, the clinician should attempt to
determine quickly whether the family member is calming or upsetting the patient. In
emergency rooms, a common mistake is to not separate feuding family members until
it is too late. It is often best to separate the antagonistic family members quickly, and
have different staff members attempt to calm and understand the perspectives of both
parties.
I have strayed from the topic of nonverbal behavior. However, in a practical sense,
the first step in utilizing nonverbal behavior with violent patients consists of recogniz-
ing the violent situation in its infancy, not its adolescence. If the clinician is aware of
the potential for violence, then the following nonverbal techniques can be brought
into play.
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320 Clinical interviewing: the principles behind the art
We will first look at various nonverbal activities that can alert the clinician that vio-
lence may be incubating. Subsequently, we will look at ways to change our own behaviors
in an effort to avoid confrontation.
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Nonverbal behavior: the interview as mime 321
As a person comes closer to overt violence, specific behaviors may serve as reliable
indicators that aggression is imminent. Just like the charging guard baboons with their
bared teeth, humans have evolved symbolic signs of threat.
Morris has described behaviors known as intention movements.84 These intention
movements consist of those small gestures that suggest impending actions. For instance,
when people intend to rise from a chair, they frequently lean forward grasping the arms
of the chair. This is a clear signal that they want to rise, signaling that the conversation
is about to end. The intention movements suggesting possible violence include activities
such as clenching of the fists, whitening of the knuckles while tightly grasping an inani-
mate object, and even a snarling as the lips are pulled back from the teeth. People may
not be as different from baboons as we would like to think.
Perhaps the most common intention movement of attack is the raising of a closed
fist over the head. Overhand blows delivered from this position are the most frequent
blows seen in street brawls and riots, despite the unlikelihood of hurting one’s opponent
in this manner. This behavior may be instinctive in nature, because it is frequently seen
in children who are fighting.
Morris also describes vacuum gestures. These are gestures that represent complete
violent actions, but they are not actually carried out on the enemy. Frequent vacuum
gestures include shaking the fist, assuming a boxing stance, gesturing as if strangling
the opponent, and the pounding of the fist into the opposite palm. Both intention
movements and vacuum gestures serve as late warning signals that violence is near at
hand.
It should also be noted that verbal threats or statements that one is about to strike
out often accompany the nonverbal behaviors described above. When the above late
warning signs are present, violence is a distinct possibility. At this point, an application
of nonverbal skills may help to prevent aggression.
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322 Clinical interviewing: the principles behind the art
There exist no absolute rules for interacting with a patient on the verge of violence,
but there are some principles that can help guide the clinician. In the first place, the
clinician should appear calm. The speaking voice should appear normal and unharried.
It is particularly important to avoid speaking loudly or in an authoritarian manner. With
regard to kinesics, the clinician wants to avoid an excessive display of displacement activi-
ties, which may be misinterpreted as aggressive displays. Moreover, exaggerated displace-
ment activities may create an increasing atmosphere of fear, stoking the patient’s own
fears of an impending loss of control.
Eye contact should probably be decreased, and the hands should not be raised in any
gesture that may signify an intent to attack or defend oneself. To the contrary, it can be
useful to keep the hands low, by the side, and with palms upwards when gesturing.
Upwardly open palms are a submissive signal to many primates including humans.
Unfortunately, probably related to nervousness and fear, some clinicians will place their
hands behind their backs (a soothing auto-contact behavior), a gesture that may raise
fears in the patient that a weapon is being hidden. With regard to posture, one can pur-
posely stoop one’s shoulders slightly in an effort to appear smaller, because humans,
when about to attack, frequently raise their shoulders and chests in a slightly gorilla-like
display. In this regard, I have found it to be very valuable to bend my knees slightly, so
as to decrease my height, when near a potentially violent patient. Similarly, it is probably
also wise to remain in front of the patient, because an approach from behind or from
the side may startle an agitated patient.
One of the most important principles concerns an issue mentioned earlier when dis-
cussing proxemics. At least one study has suggested that potentially violent patients may
have significantly altered buffer zones.86 Specifically, they will feel that their intimate
body space is being invaded at distances that are much greater than for most people.
These patients may feel that the interviewer is “in my face” while standing a full 6 feet
away. In general, the agitated patient needs more room and interpersonal space. This can
be a tough principle to remember, because some good-hearted clinicians feel a desire to
calm the angry patient by touching them. This desire usually goes away after a few unfor-
tunate encounters with feet or fists.
If these principles are followed, accompanied by an intelligent use of safety officers
and medication as needed, many violent encounters can be avoided in emergency
rooms, on inpatient units, and in other settings. With regard to avoiding dangerous
situations, another point warrants mentioning. When sitting in an emergency depart-
ment examination room with a patient whom one does not know, it is probably wise
to arrange the chairs so that the clinician is closer to the doorway, while not obstruct-
ing the patient’s pathway to the doorway. With this arrangement one can always get
away if the patient becomes threatening or produces a weapon. It is naive to think
that these situations do not arise, especially in emergency departments. To pretend that
they do not probably represents a defensive denial that prevents the clinician from
fully thinking about these situations in a manner that could help prevent them in the
first place.
In conclusion, nonverbal processes are core elements of human communication
during violent interactions. A sound knowledge of these processes can help the clinician
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Nonverbal behavior: the interview as mime 323
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324 Clinical interviewing: the principles behind the art
understanding of these nonverbal deficits might help us perform these “interviews” more
effectively. Indeed, most readers of this book will be involved in clinical interviews in
which there is minimal nonverbal communication, including handling our own patients’
crisis calls, covering by phone the crises of the patients of our colleagues who are on
vacation or ill, and performing tele-video interviews, psychotherapy sessions, and
medication checks on patients living in isolated rural areas in whatever country we
might live.
In order to most effectively use the advantages of any new technology, we must be
familiar and open to the idea that there may be disadvantages and limitations to that
very same technology. This is a chapter that explores some of these limitations, in the
hope that we will better be able to tap the many promising advantages of online and
mobile connectedness, as well as other communication advances such as improved
teleconferencing.
IATV offers tremendous advantages for working with those who are in remote areas with
limited access to in-person services; those who are home-bound (e.g., those with agorapho-
bia or a physical disability); those in the LGBT community, who are reluctant to discuss
their concerns with local psychotherapists or counselors; those in jails and prisons, where
mobility of prisoners and access to care are surmountable problems; and those who need
professional services outside usual business hours. Indeed, for some individuals in-person
treatment may not be a possibility due to personal, physical, psychological, financial, or
cultural issues, and IATV may be a viable treatment option for them … Then there are
people who simply prefer the distance and control of the setting that is provided by video
technologies in comparison to in-person meetings.88
In order to more effectively utilize IATV, it is important to realize that although it allows
for more nonverbal communication than telephone work or purely verbal electronic
communication (as with e-mail, texting, and chat rooms), it is still limited in scope, as
anyone can attest who “attends” an all-day lecture series by videoconferencing. Such
educational formats often seem dull and very long, even when watching a talented
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Nonverbal behavior: the interview as mime 325
speaker. Although such dullness provides a wonderful opportunity for texting friends,
playing web games, checking e-mail, sending an Instagram or two, or catching up on the
writing of progress notes, one is stuck with the question of “Why this dullness”? Why is
watching a talented speaker much less enjoyable when participating by videoconferenc-
ing as opposed to attending the training?
I believe that by revisiting the concept of immediacy we will find our answer. Although
the positive feelings of immediacy are partially communicated by factors easily seen by
the use of videoconferencing (facial expressions, head nodding, and gestures), much of
immediacy appears to be related to something else. Part of the “something else” is the
role of proxemics, and for proxemic factors to be felt, there must be a palpable presence
of “the other” in the same room. There is no such presence in videoconferencing or other
forms of IATV, such as skyping. Let us examine this phenomenon in more detail.
With IATV, many of the nonverbal indicators of immediacy, such as facial expressions
and gesturing, are clearly visually present. Consequently, it is surprisingly easy for us, as
clinicians, to be lulled into the perception that we are a real presence to the patient in
the room. But we are not. Our “presence” is merely an image, not a concrete reality.
Patients do not feel our presence in the room as they would in a face-to-face interview.
We are a mere image – a talking head of sorts. To the patient, we are a phantom presence
and vice versa.
Our lack of real presence has many powerful nonverbal implications that can limit
the quality of the assessment process. This lack of the sensation of the presence of another
person in the room, and its resulting problems with creating immediacy, is a phenom-
enon I like to call the “phantom presence effect.” Because of this phantom presence
effect, the ramifications on our ability to create an engaging sense of immediacy will
impact not only our proxemic interactions with the patient but key kinesic interactions
as well.
We have seen earlier in this chapter that people adjust interpersonal distance while
communicating. People (and cultures) can be keenly aware of changes in interpersonal
distance. When doing interviews using IATV, clinicians must be aware of two facts: (1)
The interviewer will not have any of the nonverbal proxemic clues to blending that are
normally provided by the patient’s spontaneous use of space as engagement either
improves (patient tends to move closer or leans forward) or deteriorates (patient is expe-
riencing disagreement, anger, guardedness, or paranoia, resulting in moving away or
“keeping at a distance” from the interviewer). (2) Similarly, the interviewer will not have
the ability to impact on the patient by his or her use of interpersonal distance (moving
closer to a patient during a particularly sensitive or painful moment or “yielding” to an
angry patient by moving away).
Another powerful variable in immediacy that is hampered significantly by the phantom
presence effect is the ability to make eye contact effectively. Once again, we lose clues to
blending and engagement because of this decrement. As with proxemics, we also lose
the ability to have an impact on the patient through our own intentional use of eye
contact.
Even at surprising distances, eye contact and interaction are important creators of the
feeling of immediacy and listener interest. When providing training events, whether
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326 Clinical interviewing: the principles behind the art
nationally or internationally, I have learned that making eye contact with the members
of my audience can significantly impact on their engagement. I can read both their inter-
est level and their “buy-in” to what I am saying (some participants return good eye
contact and supplement it with head nodding and even a smile, others look blandly on
or stare). In addition, these immediacy behaviors also show that the audience member
is keenly aware of my presence and of the possibility that I will personally interact with
them by engaging them with eye contact. Such an expectation of contact on the audience
member is literally “felt,” as evidenced by the fact that some participants will quickly
look away and not return my eye contact. When I pick up on the uncomfortableness of
such an audience member, communicated by his or her nonverbal cues, I know to avoid
such eye contact for the rest of the talk with that particular participant, thus shaping the
use of my eye contact to the unique needs of the audience member.
I mention this non-clinical setting to highlight the importance of eye contact in
engagement and the ability to perceive whether or not someone agrees with you. If I can
have an impact on an audience member at a distance of 50 feet, imagine the power of
eye contact when interviewing at a distance of 5 feet or when trying to recognize the
degree of wariness in an actively paranoid patient. Much, although not all, of this is lost
in IATV interviewing. It also suggests that during the collaborative treatment planning
undertaken in the closing phase, an IATV clinician may be missing some of the important
nonverbal indicators of the patient’s agreement or disagreement.
Considering the great limitations to the effectiveness of eye contact when using plat-
forms such as Skype to undertake interviews, one will want to maximize whatever
remains of the impact on the patient via eye contact. Elisa Rambo offers a useful insight
in this regard. She points out that we tend to naturally look patients in the eye intermit-
tently throughout an interview, “but if you peer straight at your patient’s eyes on the
computer screen, from her perspective you then appear to gaze downwards. Looking
upward, into the camera, seems more like eye contact from her end.”89 Rambo further
suggests reminding oneself to look straight at the computer’s camera at least every 10
seconds or so.
Our discussion of the nuances of a decrease in eye contact suggest that something
even more intriguing may be at work in the generation of the phantom presence effect
itself. This generating factor is a matrix phenomenon, impacting both participants in
the interview. The phantom presence effect may be caused not only by changes in both
parties’ abilities to read and impact on each other, but by fundamental changes in how
intensely each individual is attending and preparing to respond to the environment –
the activation level of each person. The degree to which a person is spontaneously
interested in an environment probably impacts on how easily engaged the person may
be with parts of the environment, such as a clinician. Let us look at this idea in more
detail.
As we have already discovered, to effectively gain a feeling of immediacy, there is a
pre-requisite: a person must be aware that another human being is in the room. Once
this awareness occurs, it is my belief that biological and psychological processes that help
an organism to “be alert” and to “remain alert” are probably triggered. They are triggered
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Nonverbal behavior: the interview as mime 327
to monitor the safeness of the environment and to allow the organism to take appropri-
ate action if threatened by the other presence.
Thus a major psychological component and pre-requisite of powerful immediacy is
the unconscious and conscious awareness that the other person may “try to interact with
me at any moment.” Likewise, the person may become aware that the other individual
in their environment may force them to interact by speaking to them, moving closer, or
touching. All of these factors unite to create a more alert organism, whether it be the
presence of a sales assistant in a shop or a patient sitting in our office. This perceived
potential for face-to-face speakers to cause interaction (making eye contact with an audi-
ence member or spontaneously asking a question to a specific audience member) may
help to explain why live talks are often more interesting than videoconferences – imme-
diacy (hence alertness) is activated by the very potential for uninvited interaction by the
speaker.
As clinicians, we must remember that this powerful precursor of immediacy – the
activation of an alerted state caused by the recognition by the patient of the actual pres-
ence of another person in the room – is not available when communicating via IATV.
This activated alertness, and resulting readiness to interact, can be an important part of
the engagement process. With some patients, its absence may negatively impact the
engagement process, placing an increased emphasis upon the content of what we are
saying (such as an increased need for empathic statements) to generate the same level
of engagement we would have achieved in a face-to-face interview.
Curiously, yet logically, if one thinks about it, we may discover that IATV is preferred
by some patients (perhaps those patients with intense social anxiety or with paranoid
process), for the exact same reason that makes engagement more challenging – the less-
ening of immediacy – because they don’t like the sensation of immediacy. To their great
relief, the feeling of immediacy will be significantly decreased by IATV. There is no way
that a clinician many miles away can “touch me or do bad things to me.”
Another important possible limitation with IATV interviewing is the question of intu-
ition. We do not know exactly what allows us to be intuitive, a skill of particular impor-
tance in many aspects of clinical interviewing, from recognizing when to use an empathic
statement to recognizing acute suicidal intent. Most likely many factors contribute in an
interactive fashion, some of which we have already alluded to earlier in the book. I per-
sonally feel that our own sense of immediacy, while interviewing, plays a significant role.
Consequently, when undertaking an interview via IATV, it is important for the clinician
to recognize that his or her intuitive abilities may be compromised, a realization that
can have important ramifications when assessing for suicide or trying to spot patient
deceit.
Closing on a minor, yet still significant, point, it is important to recognize the effects
of the decreased size of the patient’s image in most IATV interviews. The limited size of
IATV images (sometimes as small as the screen of a smart phone) can significantly
hamper our ability to see or recognize the visually available nonverbal behaviors of our
patient, such as the patient’s facial expressions, head nods, and gestures (many of which
may be off-screen).
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328 Clinical interviewing: the principles behind the art
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Nonverbal behavior: the interview as mime 329
In addition, hesitancies and silences are almost always useful to note, keeping in
mind that they are nonverbal activities that may be multiply determined. A silence
before answering a question could be caused by something benign (as with a patient
carefully thinking through an answer or perhaps being caught off-guard by a question)
to something more troublesome (as when the silence indicates disengagement, hesi-
tancy to share sensitive material, or deceit). At such moments one can gently ask, if
the alliance seems reasonable, “You seemed to hesitate a bit before answering that
question, what was going through your mind?” When timed well, the answers can be
quite revealing.
A brief note on training is in order. To acquire a good handle on assessing the paralan-
guage clues of patients, I believe it is useful to do role-playing exercises that are done
back-to-back. Such back-to-back role-playing better simulates the real world of clinical
practice when interacting with the patient over the phone.
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330 Clinical interviewing: the principles behind the art
grunting” and facilitative phrases (such as “Go on” and “Uh-huh”) can, and should, be
intentionally increased.
In closing on this topic, there is one caveat to be aware of: humor is great on the
phone, but use it carefully. There are many visual nonverbal behaviors that cue people
that a statement is to be taken humorously. These visual cues are totally absent over the
phone. I do not recommend the use of humor by phone with angry, disengaged, or para-
noid patients. In addition, with many people, sarcasm and “kidding comments” may be
misinterpreted over the phone, for we communicate that they were meant in jest primar-
ily by visual cues made immediately after such comments. A patient previously unknown
to the interviewer may not find such a comment to be funny. Even a more familiar patient
can misinterpret such comments when stripped of their visual envelopes.
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Nonverbal behavior: the interview as mime 331
“naked communication effect.” Normally, we clothe all of our everyday words with non-
verbal communications and activities. Their sudden absence can be surprisingly unset-
tling. As one might logically suspect, when the interviewer is performing complex
assessments that carry critical ramifications (such as suicide assessments), the naked
communication effect can be truly unnerving to some clinicians.
Moreover, novel stresses that one might not as easily have anticipated can be experi-
enced by clinicians who are performing such delicate tasks via chat programs. For
instance, useful hesitancies in vocal speech and silence, often indicators of patient affect,
anxiety, and even deceit are absent, which further amplifies the naked communication
effect. But curiously, a new form of “silence” is causing problems.
When chatting online or instant messaging, people don’t always answer questions
immediately. They can wait minutes, hours, or simply not answer the clinician’s question
at all by signing off. One can imagine the potential stress of such delays on a clinician.
Picture a patient who has communicated to an interviewer that he has pills in his hand.
Imagine the psychological strain on the interviewer if the patient did not respond for an
hour in response to the following question, “Are you thinking of overdosing right now,
are you okay?”
The tendency of some patients to not answer immediately when chatting or texting
is creating another unexpected clinical challenge, never before encountered. In traditional
telephone crisis work, clinicians stick with the caller until the call is completed and then
handle the next crisis call. In chat room crisis work, because some patients may demon-
strate many delays before answering, many interviewers must learn to handle multiple
assessments simultaneously. If one or more of the “calls” is particularly “dicey” with
regard to risk, this need for the interviewer to multiprocess can be quite stressful. It is
not everybody’s cup of tea.
It should also be kept in mind that the patient’s slowness in responding may indicate
that the patient is also multitasking. The patient may even be chatting or texting with
someone else while being assessed for suicide by the clinician. They can even be asking
a friend or friends what they think of the interviewer’s responses and suggestions (e.g.,
“This guy thinks I should go to the emergency room for assessment, what do you
think?”). It is truly a new world of interviewing.
One benefit for web interviewers, and it may prove to be a very significant one, is the
ability to engage in ongoing contact, via phone or web, with a supervisor during a dif-
ficult call. This supervision can even be enhanced by the fact that complex exchanges, or
ambiguous statements, occurring earlier in the intervention can be referenced immedi-
ately with total accuracy, for they can be pulled up on screen or downloaded.
I believe that research in this arena, which is desperately needed, will skyrocket in the
years to come. Some excellent research has already begun to shed some useful light. With
regard to instant messaging, Zhou has shown that liars tend to pause more briefly than
truth tellers. In addition, they tend to spontaneously correct their text less frequently.91
Andersen suggests that these results may not merely reflect unconscious processes. They
might be the result of conscious manipulation by the sender. The deceitful sender might
assume that long pauses or numerous corrections could be perceived as evidence of lying.
Consequently the sender intentionally decreases both.92
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332 Clinical interviewing: the principles behind the art
In the final analysis, it is hoped that for those patients presenting with difficult suicide
assessments, the web-based interviewer will be able to persuade the patient to meet with
a clinician face-to-face. In the presence of a caring and skilled interviewer, an even more
effective assessment can then be undertaken, enhanced by the richness of communica-
tions provided by the nonverbal behaviors of both participants.
As we wrap up this section, the interested reader can find some excellent resources
regarding the use of the web as an interviewing medium. A variety of articles are insight-
ful,93–99 and the chapter by John and Rita Sommers-Flanagan is a rich resource for further
practical tips.100
CONCLUSION
In this chapter we have reviewed the basic principles of proxemics, kinesics, and paralan-
guage. It can readily be seen that these processes are at the very root of effective com-
munication. As such integral parts of human interaction, they remain pivotal in the
creation of a successful interview. I can think of no better way to close our chapter than
with a statement by Richard Frankel, the noted researcher on the patient–physician
relationship. It captures the essence of our chapter admirably: “Most physicians in train-
ing spend at least the early part of their careers interacting with their books. The book
doesn’t care what facial expression you have when you are reading it, but patients care
a lot.”101
In Part I of this book we have reviewed many of the basic principles of both verbal
and nonverbal behaviors as they apply to the initial interview. We are now ready, in Part
II, to explore the various mental disorders and symptoms that cause the intense suffering
of the patients seeking our help. We will learn how to better understand these symptoms
and what they mean to both our patients and those who love them. From the painful
world of depression and bipolar disorders to the puzzling and frightening world of psy-
chosis, we will hunt for better ways to interview our patients so that they can share their
pain and their symptoms more easily. Such an exploration will quickly move us into
some of the most complex and fascinating aspects of clinical interviewing.
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CHAPTER 9
Mood Disorders: How to Sensitively
Arrive at a Differential Diagnosis
INTRODUCTION
In the early 1800s as Blake wandered the drab lanes of London, his eyes met the face of
depression at every corner. Depression stalked among merchants, seamen, and prostitutes
alike, because depression impolitely ignored the proper boundaries of social class. Today,
whether on Fifth Avenue in New York or at a community mental health center in rural
Nebraska, mental health professionals encounter faces strongly reminiscent of those that
William Blake described centuries ago. As in Blake’s time, depression masquerades in
many costumes and clinical presentations.
As an illustration of this diversity, I remember working with a woman of about 40,
who had been a successful interior designer. In the midst of a severe economic downturn,
she found herself jobless. Her confidence and self-esteem were affronted with each
passing day. Her belief in herself insidiously weakened as if she were an invalid who
decided that there was no hope. Anxiety attacks punctuated her daily routine. Despite
her pain she continued her frantic job search, terrified by each job interview. Her days
became compacted cells of anxiety neatly delineated by bars of self-doubt.
How different this woman’s presentation appears when contrasted with a strikingly
white-haired woman I met in North Carolina. Although only 50 years old, this woman’s
face was branded by thick wrinkles. She had been extremely dependent on her father, a
caricature of “Daddy’s little girl.” Following his death 4 months earlier, she had felt as if
her skin had emptied. She was no longer whole. The sight of his face could not comfort
her. His touch could not reassure her. She was brought into the hospital on an involun-
tary commitment. According to the police she had been found wandering a local
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338 The interview and psychopathology: from differential diagnosis to understanding
cemetery with a butcher knife in hand. She related that her father’s voice was pleading
with her to join him.
These people were obviously experiencing life very differently, yet both were suffering
from depressive symptoms. I highlight this diversity of presentation to emphasize that
depression, as well as bipolar disorder and other disturbances in mood, are not “things.”
They are constantly evolving processes. Being processes, mood disorders become a way
of living. They are unique for each individual and create damaging effects throughout
the wings of each individual’s matrix.
Nevertheless, there are many similarities in the presentations of mood disorders that
enable the clinician to recognize them despite atypical patterns. This dual capacity of
mood disorders to appear both foreign and familiar provides the interviewer with the
first inkling that sensitively uncovering mood disorders requires many levels of
understanding.
As we have already noted, gifted intentional interviewers integrate the process of dif-
ferential diagnosis with the continuous art of understanding, incessantly searching for
the person beneath the diagnosis. Only when a patient feels the intensity of his or her
clinician’s drive for such an understanding is it likely that the clinician’s help will be
accepted, whether it exists in the form of psychotherapy, medication, or other interven-
tions within the patient’s matrix.
To this end, in this chapter we will explore interviewing tips and strategies that will
allow us to more deftly and sensitively perform a differential diagnosis regarding mood
disorders. At the same time it will provide a sound introduction to the psychopathology
and symptoms of these disorders.
In addition, by learning how to sensitively explore depressive and manic symptoms,
you will be learning interviewing principles and diagnostic strategies that you can gen-
eralize to the differential diagnosis of other major psychiatric disorders (such as anxiety
disorders, substance abuse disorders, eating disorders, and trauma disorders, which are
not included in this book due to size limitations). Indeed, in the video modules at the
end of this chapter, you will have an opportunity, if you so choose, to not only watch
me utilize the interviewing techniques described in this chapter for exploring a major
depressive disorder, but to also watch me utilize the same interviewing techniques to
explore other disorders not addressed in this text (such as panic disorder and adult
attention-deficit disorder).
This chapter on differential diagnosis will also provide us with yet another bonus of
sorts, for as we explore the nuances of the psychopathology and the differential diagnosis
of mood disorders, our explorations will bring us face-to-face with several complex
everyday interviewing tasks (such as delineating an accurate history of the presenting
disorder, taking a past psychiatric history, and uncovering a family history) that are of
practical use in all initial assessments. We will also get a chance to address important
cross-cultural issues inherent in the understanding of the differential diagnosis of mood
disorders.
But before we can begin our exploration of differential diagnosis in this chapter, it is
important that we first examine a topic that will be critical for our understanding of all
of the diagnostic entities discussed, not only in this chapter but in the rest of Part II of
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Mood disorders: how to sensitively arrive at a differential diagnosis 339
this book. Specifically, we need to briefly address the principles of how diagnostic systems
are designed, for how they are designed can create limitations in how effectively you and
I can use them.
To understand these practical and clinical limitations – and the design elements that
created them – we must focus our attention on some of the principles and terminologies
that describe diagnostic design itself. I must admit that when I first encountered these
concepts and terms (such as face validity, inter-rater reliability, categorical versus dimen-
sional design) I found them to be somewhat abstract and off-putting. My goal in the
following few pages is to create a quite different initial experience for you. I want to
provide you with a simple, brief, easily understood, and enjoyable introduction to these
pivotal concepts – an introduction that was not available to me. At the same time, I hope
to do so with the appropriate level of sophistication that befits a well-trained mental
health professional.
In the last analysis, our ability to do differential diagnosis sensitively and effectively
will be directly related to the sophistication that we possess regarding the limitations of
whatever diagnostic system we have chosen to utilize. A diagnostic system employed
without a knowledge of its limitations is a diagnostic system that has the potential to do
harm. By the end of the next few pages, I believe we will have the sophisticated knowl-
edge that we need to avoid this trap. We will then be able to effectively use differential
diagnosis to help kick-start the healing process.
The human brain craves understanding. It cannot understand without simplifying, that
is, without reducing things to a common element. However, all simplifications are arbitrary
and lead us to drift insensibly away from reality.
Lecomte du Nouy
Biologist, and author of Human Destiny
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340 The interview and psychopathology: from differential diagnosis to understanding
At first glance, one would think that it would be best to always design a diagnostic
system that is maximally valid. But there is a catch. Diagnostic systems that are extremely
valid are not necessarily easy to use or even capable of being effectively employed in the
real world of clinical practice, because they may require too much time to perform or be
so complex as to hinder their acceptance by clinicians.
From this practical perspective, it is essential that a diagnostic system be constructed
in such a fashion that different interviewers who interview the same patient will arrive
at the same diagnosis, and in a timely fashion, a characteristic called inter-rater “reli-
ability.” Without reliability, a diagnostic system is essentially useless in a clinical setting.
Without reliability, a single patient could be given radically different diagnoses by dif-
ferent clinicians, either because the clinicians were confused by the too-numerous criteria
or were not able to explore the criteria within the tight time constraints of everyday
practice. Furthermore, with such difficulties in terms of definitions and diagnoses, clini-
cians could not effectively communicate with one another and research would also grind
to a halt.
An ideal diagnostic system would exhibit extremely high validity and extremely high
reliability, while simultaneously being easily completed in an initial interview and easy
to learn. The problem lies in the fact that the requirements for validity and reliability are
often conflicting and require different approaches. Specifically, they often demand an
intentional change in interviewing technique.
Consequently, all diagnostic systems experience a tension between these two desirable
traits. The more reliable a system, often the harder it is for it to be valid, and vice versa.
An old metaphor may be helpful here: You don’t want to miss the forest for the trees.
To use this analogy, the tension in designing diagnostic systems is often between gaining
accuracy on all the trees (validity) versus simply and quickly identifying the overall nature
of the forest (reliability). Truth be told, both are very important, yet neither can be com-
pletely maximized in any given diagnostic system.
Thus, whether one is using the DSM-5 (or a future variant) or the ICD-10 (or upcom-
ing ICD-11), one is never using a perfect tool. But the designers of both of these systems
have done their best to arrive at a compromise that can help guide collaborative treat-
ment planning with the goal of relieving the greatest amount of pain in our patients in
the fastest way possible.
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Mood disorders: how to sensitively arrive at a differential diagnosis 341
It is to a special aspect of face validity that I want to now draw our attention, for it
has direct ramifications as to whether a diagnostic system will be of immediate use to
us during the interview itself. This aspect is a concept I call “descriptive essence.” A diag-
nosis will have high descriptive essence if:
1. As a clinician reviews the diagnostic criteria, the key characteristics of the diagnosis
that delineate it from other diagnoses are immediately apparent. (In less technical
terms: Do the real-life hallmarks of this disorder jump out at the reader as the diag-
nostic criteria are scanned?)
2. When an interviewer reads or hears the name of the disorder, the diagnostic label
clearly suggests the essence of the disorder. (In less technical terms: Does this diag-
nostic tag seem to resonate with the symptoms of a typical patient presenting with
this disorder?)
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342 The interview and psychopathology: from differential diagnosis to understanding
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Mood disorders: how to sensitively arrive at a differential diagnosis 343
The DSM-5 has accomplished this advance by expanding the “specifiers” that one can
add to any specific diagnosis.
For instance, experienced clinicians know all too well that some people afflicted with
obsessive–compulsive disorder (OCD) can develop obsessions that truly reach psychotic
proportions (i.e., the patient is absolutely convinced that they have dangerous germs all
over his or her hands and will die if hand washing is not done). This is, indeed, a very
different individual to a patient with OCD who feels his or her fear of germs is not
normal and wishes that he or she could stop the incessant hand washing for it is not
necessary. In the DSM-IV-TR there was no way to paint this description accurately; in the
DSM-5 the clinician can note whether the patient has one of three levels of insight: (1)
good or fair, (2) poor, or (3) absent or delusional in nature. Naturally, the presence or
absence of insight may have significant implications for both treatment and, equally
important, methods for securing the patient’s interest in that treatment.
With regard to mood disorders, many specifiers can be utilized. It is beyond the scope
of this book to review these in detail, but I urge the reader to become familiar with them,
for they can help one to more accurately uncover the phenomena being experienced by
the patient and communicate that distress more accurately to fellow clinicians.
By way of example, in the DSM-5, Depressive Disorders have the following specifiers:
(1) with anxious distress (including a severity dimension from mild to severe), (2) with
mixed features (allows one to include manic symptoms being concurrently experienced
by the patient), (3) melancholic features, (4) atypical features, (5) psychotic features, (6)
the presence of catatonia, (7) with peripartum onset (if the symptoms emerge during
pregnancy or 4 weeks postpartum), (8) seasonal patterns, (9) the presence of remissions,
and (10) severity (from mild to severe). In my opinion, the added dimensionality of the
DSM-5 has given it an even higher “descriptive essence” than previous DSM systems.
Throughout the chapters on differential diagnosis in Part II of this book, the role of
dimensionality will be addressed in those aspects where it can help us to provide better
care through better diagnostic acumen. We will soon see that it can play a critical role
in achieving a better understanding, recognition, and treatment of bipolar disorder in
particular for, I assure you, not all people who have manic episodes experience them in
the same fashion.
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344 The interview and psychopathology: from differential diagnosis to understanding
In the first place, in order to diagnose accurately the clinician needs to be thoroughly
familiar with the basic criteria of DSM-5. This familiarization does not mean that the
clinician should obsessively memorize hundreds of criteria. On the contrary, this suggests
a working knowledge of what material is necessary to clarify the major diagnoses. This
diagnostic familiarization allows the clinician to focus on the art of eliciting the neces-
sary material while successfully engaging the interviewee. The establishment of a sound
therapeutic alliance, as usual, remains of paramount importance.
The diagnostic criteria for two of the most common depressive mood disorders in the
DSM-5 are reviewed below.2,3 Later in the chapter we will be addressing DSM-5 criteria
for other common mood disorders, such as bipolar I disorder, bipolar II disorder, and
cyclothymic disorder. The DSM-5 defines major depressive disorder and persistent depres-
sive disorder as shown below.
Note: Do not include symptoms that are clearly attributable to another medical condition.
1. Depressed mood most of the day, nearly every day, as indicated by either subjective report (e.g.,
feels sad, empty, hopeless) or observation made by others (e.g., appears tearful). (Note: In
children and adolescents, can be irritable mood.)
2. Markedly diminished interest or pleasure in all, or almost all, activities most of the day, nearly
every day (as indicated by either subjective account or observation).
3. Significant weight loss when not dieting or weight gain (e.g., a change of more than 5% of body
weight in a month), or decrease or increase in appetite nearly every day. (Note: In children
consider failure to make expected weight gain.)
4. Insomnia or hypersomnia nearly every day.
5. Psychomotor agitation or retardation nearly every day (observable by others, not merely subjective
feelings of restlessness or being slowed down).
6. Fatigue or loss of energy nearly every day.
7. Feelings of worthlessness or excessive or inappropriate guilt (which may be delusional) nearly
every day (either by subjective account or as observed by others).
8. Diminished ability to think or concentrate, or indecisiveness, nearly every day (either by subjective
account or as observed by others).
9. Recurrent thoughts of death (not just fear of dying), recurrent suicidal ideation without a specific
plan, or a suicide attempt or a specific plan for committing suicide.
B. The symptoms cause clinically significant distress or impairment in social, occupational, or other
important areas of functioning.
C. The episode is not attributable to the physiological effects of a substance or to another medical
condition.
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Mood disorders: how to sensitively arrive at a differential diagnosis 345
episode. Although such symptoms may be understandable or considered appropriate to the loss, the
presence of a major depressive episode in addition to the normal response to a significant loss should
also be carefully considered. This decision inevitably requires the exercise of clinical judgment based on
the individual’s history and the cultural norms for the expression of distress in the context of loss.
D. The occurrence of the major depressive episode is not better explained by schizoaffective disorder,
schizophrenia, schizophreniform disorder, delusional disorder, or other specified and unspecified
schizophrenia spectrum and other psychotic disorders.
E. There has never been a manic episode or a hypomanic episode.
Note: This exclusion does not apply if all of the manic-like or hypomanic-like episodes are substance-
induced or are attributable to the physiological effects of another medical condition.
Reprinted with permission from the Diagnostic and Statistical Manual of Mental Disorders, Fifth Edition, (Copyright
©2013). American Psychiatric Association. All Rights Reserved.
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346 The interview and psychopathology: from differential diagnosis to understanding
For the novice clinician, after reviewing the above criteria, the first step is to ensure that
one can readily recall them during the interview itself, a task that can appear a bit daunt-
ing at first glance. Cary Gross at Massachusetts General Hospital coined a mnemonic for
easily remembering the symptoms of depression, which was popularized by Danny
Carlat in his outstanding primer on clinical interviewing.4 The mnemonic is based upon
a well-known Latin abbreviation (“SIG”) found on all prescription pads for medication
(prescribers write how the medication is to be taken, as with once a day or twice a day
directly after the Latin word “SIG”). The idea is that the mnemonic represents a “prescrip-
tion” for recalling the symptoms of depression. The mnemonic is as follows – SIG: Energy
CAPSules. I find that for many prescribing clinicians, the acronym is easy to remember
because of their familiarity with this abbreviation. Interestingly, for many non-prescribing
clinicians it is equally easy to remember for the exact opposite reason, its oddness. See
what you think. Each letter represents one of the classic symptoms of a major depression
as follows:
Let us now proceed to our clinical presentations, for no one can better teach the nuances
of depression and bipolar disorder than the people experiencing their destructive power.
Note that, as in the rest of this book, all patient names are fictitious.
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Mood disorders: how to sensitively arrive at a differential diagnosis 347
spontaneously reports seeing no future. Before she left the room, his fiancée, although
obviously concerned, appeared to be somewhat irritated and commented to the inter-
viewer. “He just won’t help himself no matter how much I try to help him. Now I’ve got
to meet with the Liquor Control Board agent alone next week.”
a. “What kinds of things do you like to do when you’re away from work?”
b. “In the past, have you generally enjoyed your work?”
c. “Do you have any types of hobbies or sports you enjoy?”
d. “Do you enjoy reading or watching TV?”
e. “Do you like surfing the web, looking at YouTube or online gaming or shopping?”
f. “How much time do you spend on social media like Facebook or Twitter?”
g. “In the past, have you enjoyed socializing?”
Often I will spend considerable time exploring these interests further, because they can
provide important insights to the clinician about the person’s viewpoints and psychologi-
cal integration, as seen, for instance, in the following:
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348 The interview and psychopathology: from differential diagnosis to understanding
From this dialogue it appears that religious themes may be important issues for this
patient, perhaps contributing to his depressive anxiety or perhaps offering potential
resources for healing. This questioning has not only laid the groundwork for the explora-
tion of possible anhedonia, but it has also served the dual function of gathering pertinent
intrapsychic material about the spiritual wing of the patient’s matrix, while further engag-
ing the patient. At this point one may continue the search for anhedonia with questions
referring to the groundwork laid above.
a. “Over the past several weeks have you felt like doing these activities?”
b. “Do you find it as enjoyable to do these things as you used to or has there been a
change?”
c. “Have you been feeling interested in your hobbies over the past several weeks?”
Clin.: You mentioned your grandchildren. Do you have a good time when you’re around
them now?
Pt.: (sigh) Sort of … Don’t get me wrong, I love my grandchildren, but I just can’t seem
to enjoy anything anymore, even them.
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Mood disorders: how to sensitively arrive at a differential diagnosis 349
Tips for Exploring Early Morning Awakening and Other Sleep Disturbances
Sleep disturbance warrants a thorough discussion. Part of the lore of psychiatry has been
that people suffering from major depressions often display early morning awakening.
The exact frequency of this phenomenon is not entirely clear, although there is good
evidence that both feeling worse in the morning and early morning awakening are fre-
quently present in depressive episodes. As we shall see later, in one type of severe depres-
sion, melancholic depression, both of these symptoms are quite common and quite
severe.
However, in my experience, early morning awakening of a milder, yet still disturbing
nature, is common in major depressive disorders of even a mild to moderate severity.
The symptom of early morning awakening often has a distinctive phenomenology.
It is not just that patients awaken earlier than they would like. It is that patients feel
as if they are abruptly awakened by a steady stream of unpleasant worries. They find it
extremely hard to shake these frets. Once one fret is gone, a new one appears. The worries
are often accompanied by a growing feeling that the prospective problems of the day are
insurmountable. It is very difficult to fall back to sleep, despite staying in bed. One of
my patients, a physician, elegantly captured the pain as follows:
It’s literally one worry after another. Frankly, the sensation is almost more like fear than
worry. You just know you can’t cope with everything you’re supposed to do that day. It’s
simply overwhelming (patient tears up). You just lay there and toss and turn. You absolutely
do not want to get up, because then you know that you have to start the day. On the other
hand, you’re miserable lying there in the bed (he pauses). What a horrible feeling, what
a mess. I wouldn’t wish it on anyone. And, you know, the really funny thing about it is
that it usually gets better as the morning goes on once I get up. I don’t know why I just
don’t make myself get out of the bed because there is no way I’m going to get back
to sleep.
“Do you find yourself sort of jolted out of your sleep in the mornings by worries and
frets, and you can’t get back to sleep?”
“Do you find yourself waking up earlier than you want to and your mind is filled with
worries and you just dread getting up, you just don’t feel you can face the day?”
Another curious, but logical, aspect of early morning awakening is the patient’s frequent
puzzlement that when they went to sleep they were feeling better. It feels as if the worries
somehow worsened during their sleep.
Other aspects of the patient’s sleep cycle are worthy of careful exploration for a variety
of reasons. Thorough questioning conveys to the patient that the interviewer is sensitively
interested in the day-to-day disturbances of the patient’s life caused by the depression.
Furthermore, sleep disturbances can also provide early clues to other diagnostic possibili-
ties. For instance, sleep continuity disturbances (e.g., waking up during the night) are
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350 The interview and psychopathology: from differential diagnosis to understanding
common not only in depression, but also in psychosis, drug and alcohol abuse, and in
the elderly. Difficulty falling asleep can also be seen in a variety of disturbances, includ-
ing depression, mania, anxiety disorders, substance use disorders, adjustment disorders,
and various psychotic processes.
Besides decreased sleep, one should also search for evidence of increased sleep or a
tendency for daytime sleeping. A reversed diurnal pattern of sleep, whereby the patient
sleeps during the day and remains awake at night, can be seen in entities such as depres-
sion, bipolar disorder, and schizophrenia. By eliciting a detailed sleep history, one may
also stumble upon an unsuspected primary sleep disturbance such as sleep apnea, nar-
colepsy, or nocturnal myoclonus.
“It sounds like your depression has really upset your system. Do you think it has also
affected your sexual drive?”
Alternatively, if the patient has been talking at length about the disruption of a romantic
relationship by depressive symptoms one might query:
“From what you are saying, it sounds as if your depression has been causing a lot of
tension between you and your husband. Do you think it has also affected your sexual
relationship?”
I would like to add several points about questions concerning libido. I have found many
patients relieved to know that decreased libido is a common feature of depression. Con-
sequently, after asking about libido, I might add, “I ask about sexual drive because basic
drives such as appetite and sexual desire are commonly decreased by depression.” To
such a statement, patients sometimes respond with sentiments such as “Thank God. I
thought my loss of desire was just another one of my failures.”
Another important issue is the tone of voice. If interviewers ask their questions
matter-of-factly, without hesitation, it greatly decreases the risk that the patient will
feel put off. In a different light, if the patient does react unusually strongly, then one
may have incidentally learned something about the patient’s views on sex, their body,
or on what is proper for them to disclose. Such information is grist for the mill in
later sessions.
As a final note, some people confuse sexual drive with actual intercourse. It sometimes
helps to clarify this issue with remarks such as “By sexual drive, I mean your interest in
having sex, not whether you are actually having it or not.” If this point is not clarified,
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Mood disorders: how to sensitively arrive at a differential diagnosis 351
a patient who is not dating or in an intimate relationship may quickly state that libido
is absent, “since I’m not seeing anyone,” when in actuality a strong libido may be
present.
Gracefully Weaving the Neurovegetative Symptoms Into the Interview
Questions dealing with the neurovegetative symptoms should seldom be asked in a
checklist fashion with statements such as, “I need to ask a few questions now,” or “Let
me just go over a few things here.” Instead, as we saw demonstrated in Video Module
2.1 and will view again in Video Module 9.1, they should be imperceptibly woven into
the fabric of the conversation with appropriately spaced empathic statements – what we
referred to in Chapter 4 as a “blended expansion” – as shown below:
Pt.: I don’t know how to keep coping with all this strain, what with my hours at work
decreasing and now my wife on my back.
Clin.: You’re going through some tough times (empathic statement). Is this affecting your
sleep at all?
Pt.: Oh my God, yes. I can’t sleep at all.
Clin.: Tell me more about it.
Pt.: I’m waking up a couple of times a night. I just toss and turn thinking about Janet
and whether she’ll leave me. I don’t know why she stays, except I think she needs
the money.
Clin.: Sounds miserable (empathic statement). How many times do you think you
actually wake up?
Pt.: Maybe two or three, it’s pretty bad. Sometimes I have a hard time getting back to
sleep. I feel horrible in the morning, not rested at all.
Clin.: Roughly what time are you waking up in the morning?
Pt.: Around 5:00 A.M.
Clin.: Do you wake up naturally or are you sort of jolted out of your sleep by worries?
Pt.: Oh no, I feel horrible. I can’t get back to sleep no matter how hard I try. I just lay
there worrying. It ruins the whole rest of my day.
Clin.: What do you worry about?
Pt.: Oh, basically the job. My boss is really fed up with me. And he probably has a right
to be. I suppose that’s why he cut my hours. (pauses) … I guess I’m worried he’s
going to fire me. And then I worry about my marriage, my kids, money, you
name it.
Clin.: That’s a lot of worries. (said gently)
Pt.: It is. (patient smiles sheepishly) Trust me. It is.
Clin.: It sounds like the mornings are really a rough time for you. Are you having any
problems falling asleep too?
Pt.: Not really, and I never really have. Oh, maybe a little bit years ago, but not much
even now, just a little.
Clin.: Roughly how long does it take you to fall asleep?
Pt.: Maybe 10, 20 minutes.
Clin.: Well, it sounds like your sleep has been pretty disturbed. I’m wondering whether all
the loss of sleep has affected your energy at all?
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352 The interview and psychopathology: from differential diagnosis to understanding
Pt.: None. Everything is an effort. Just getting up is an effort. Trying to cut the grass is
like trying to swim the English Channel. I have no energy, no desire to do anything.
Clin.: What about your golf or your Kindle, you said you liked to read a lot?
Pt.: Sometimes I get a little satisfaction, but I really just don’t enjoy them anymore. I
haven’t golfed in 4 weeks, and I used to golf three times a week. When I was a
young man, I golfed five times a week. I haven’t picked up my Kindle in months.
Clin.: That must be an upsetting feeling, not wanting to do anything. (empathic
exploration)
Pt.: Yes it is (pause) … everybody just thinks I’m lazy … who knows. (through his
empathic exploration the interviewer has uncovered a pocket of guilt)
Clin.: It’s not uncommon for people with depression to lose their interest in things, it’s
not that you’re lazy. It’s really quite common in depression. (interviewer adeptly
assuages the patient’s guilt) Sometimes it even affects their appetite. Have you
noticed any change in your appetite?
Pt.: As a matter of fact, food doesn’t taste very good. I only eat two meals a day, and
sometimes I don’t even eat at all.
Clin.: Have you lost any weight?
Pt.: A little, I think.
Clin.: Are your clothes getting too big or loose?
Pt.: Actually, they are. I probably lost at least 10 lbs.
Clin.: Over how long a time did it take to lose that weight?
Pt.: Oh, about 2 months.
Clin.: So your appetite has decreased, your energy is low, and your interest in things has
decreased. What about your concentration? [and so on]
In summary, anhedonia and the other neurovegetative symptoms are critical areas to
explore when considering any mood syndrome such as a major depressive disorder or
persistent depressive disorder (dysthymia). Furthermore, by asking such questions, one
can gain a vivid picture of what depression feels like for the interviewee. To the inter-
viewee, the interviewer will appear to be one step closer to understanding.
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Mood disorders: how to sensitively arrive at a differential diagnosis 353
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354 The interview and psychopathology: from differential diagnosis to understanding
including evidence of both dependence and significant social dysfunction. He has not
been drinking for over 1 year. Drinking, drug abuse, and depression often go hand-in-
hand. Drinking itself can actually be an organic cause of depression. A variety of pieces
of research have indicated strong associations linking alcohol misuse with both depres-
sive and anxious symptoms and disorders.11
In most cases, these depressive symptoms clear after detoxification. But depressive
symptoms can continue up to 2 months after detoxification, with sleep disturbances
lasting as long as 6 months. Consequently, from an assessment perspective, when heavy
drinking is reported in an initial interview, the validity of the diagnosis of a major depres-
sive disorder is somewhat suspect and may best be viewed as a tentative diagnosis or a
rule-out diagnosis. Many clinicians would wait to see if the depressive symptoms remained
robust and present for some weeks after detoxification and sustained abstinence,
before considering the diagnosis of depression confirmed. In actuality, depressive symp-
toms triggered by the alcohol abuse can actually remain for many months after
detoxification.
As opposed to being caused by the drinking, the depression may precede the drinking
or coincide. In a sense, these patients may be self-medicating with either alcohol or drugs
as opposed to antidepressants. A true major depression is more likely if there is clear-cut
evidence of depressive symptoms before the onset of sustained drinking. In any case, no
survey of depressive symptoms is complete until a thorough drug and alcohol history
has been taken, both of current and past use.
a. Any past psychiatric diagnoses (if the patient is depressed, carefully search for a past
history of depression, mania, or hypomania).
b. Previous hospitalizations (names and dates of hospitalizations).
c. Previous outpatient treatment (including names of mental health professionals).
d. Previous medications (names, dosages, and length of time on medications). I also
often ask if the patient liked the drugs, or if he or she experienced side effects.
e. Previous psychotherapy (name of clinician and when). I often ask the patient’s
opinion of the psychotherapy, as well as a brief description of what he or she did in
therapy.
f. Any history of electroconvulsive therapy (ECT).
g. Current psychotherapies (current medications will be elicited in the medical history).
h. Past use of alternative medicine interventions (St. John’s wort, acupuncture, medita-
tion) and light therapy.
i. Periods of time when the patient feels that he or she could have benefited from
mental health care but did not seek it.
As we have noted before, time limits are tough in contemporary clinical practice. You
will often not be able to cover all of these past history points in the initial interview.
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Mood disorders: how to sensitively arrive at a differential diagnosis 355
Instead, as time permits, the clinician will cover those that seem most important to this
particular patient’s history. Any past history that is missed can easily be garnered in the
next interview or by the clinician to whom the patient is being referred as an outpatient
or to inpatient staff.
Mr. Evans has provided an excellent gateway for understanding many of the elements
involved in making a differential diagnosis where a major depressive disorder is present.
He presents with many of the classic symptoms of a major depressive disorder, indeed,
with melancholic features.
In our next chapter we will explore in even more detail the complex phenomenology
of depression. We will see how an understanding of this phenomenology will lead us to
an array of sophisticated interviewing techniques for uncovering depression and engaging
those depressed patients and their families.
But we are not quite done with Mr. Evans, for our diagnostic impression is about to
be challenged. If we stop here, it seems that we are at risk of falling into a common and
easily sprung diagnostic trap. At this point, let us look at some further, revealing dialogue
with Mr. Evans.
Clin.: Mr. Evans, you’ve been explaining how very depressed you feel. I’m wondering if
there has been a time in your life, even in high school or college or as a young
man, or any time for that matter, when you felt just the opposite?
Pt.: I’m not sure I know what you mean.
Clin.: Well, has there ever been several days or even weeks when you felt really super
energized, didn’t feel a need for sleep, and just felt ready to take on the world. It
might have even happened right after you were feeling depressed and might have
seemed puzzling to you?
Pt.: (very faint smile) Hmm, yeah, I had some problems once, I was really on
the go.
Clin.: Tell me a little about that time.
Pt.: I was working real hard and suddenly it all became so easy, at least I thought it was
easy. It was when I first had become a police officer. I was really excited about my
career. I was really jacked up. It seemed like I just didn’t need sleep. I went for days
with only a couple of hours of sleep. I was like the Energizer Bunny.
Clin.: Did you start to speak rapidly or did any of your friends remark that you were
talking too fast?
Pt.: Yeah. The other officers began calling me motor-mouth. At first I thought that was
kinda funny. (pauses) … God, it all seems so foreign to me now. I’d give my right
arm for one-tenth of that energy right now.
Clin.: Certainly it would be nice for you to have some of that energy now, but do you
think that you might have had too much energy back then?
Pt.: Oh yeah, things got crazy back then.
Clin.: How do you mean?
Pt.: Well I didn’t really know what I was doing. I couldn’t get anything done well. Oh, I
started plenty of stuff, but I didn’t finish anything.
Clin.: Did you start to do anything you were embarrassed about, like spending too much
money or giving your money away?
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356 The interview and psychopathology: from differential diagnosis to understanding
Pt.: Oh yeah, yeah. I did. I wanted to help everybody. I wanted to help the prisoners.
That’s why I tried to let a couple of them go (pause) … and that’s when the Chief
called me in and told me I needed a rest, and they put me in a hospital.
Clin.: So things got so upsetting you needed a hospital?
Pt.: Oh yeah.
Clin.: What hospital was that?
Pt.: St. Anthony’s. It was a tolerable place.
Clin.: Have you ever had any other episodes like that one?
Pt.: Yeah, one other time but just for a couple of days. I didn’t think anything of it.
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Mood disorders: how to sensitively arrive at a differential diagnosis 357
MANIC EPISODE—Cont’d
C. The mood disturbance is sufficiently severe to cause marked impairment in social or occupational
functioning or to necessitate hospitalization to prevent harm to self or others, or there are psychotic
features.
D. The episode is not attributable to the physiological effects of a substance (e.g., a drug of abuse, a
medication, other treatment) or to another medical condition.
Note: A full manic episode that emerges during antidepressant treatment (e.g., medication,
electroconvulsive therapy) but persists at a fully syndromal level beyond the physiological effect of that
treatment is sufficient evidence for a manic episode and, therefore, a bipolar I diagnosis.
Note: Criteria A–D constitute a manic episode. At least one lifetime manic episode is required for the
diagnosis of bipolar I disorder.
HYPOMANIC EPISODE
A. A distinct period of abnormality and persistently elevated, expansive, or irritable mood and
abnormally and persistently increased activity or energy, lasting at least 4 consecutive days and
present most of the day, nearly every day.
B. During the period of mood disturbance and increased energy and activity, three (or more) of the
following symptoms (four if the mood is only irritable) have persisted, represent a noticeable change
from usual behavior, and have been present to a significant degree:
1. Inflated self-esteem or grandiosity.
2. Decreased need for sleep (e.g., feels rested after only 3 hours of sleep).
3. More talkative than usual or pressure to keep talking.
4. Flight of ideas or subjective experience that thoughts are racing.
5. Distractibility (i.e., attention too easily drawn to unimportant or irrelevant external stimuli) as
reported or observed.
6. Increase in goal-directed activity (either socially, at work or school, or sexually) or psychomotor
agitation.
7. Excessive involvement in pleasurable activities that have a high potential for painful consequences
(e.g., engaging in unrestrained buying sprees, sexual indiscretions, or foolish business
investments).
C. The episode is associated with an unequivocal change in functioning that is uncharacteristic of the
individual when not symptomatic.
D. The disturbance in mood and the change in functioning are observable by others.
E. The episode is not severe enough to cause marked impairment in social or occupational functioning
or to necessitate hospitalization. If there are psychotic features, the episode is, by definition, manic.
F. The episode is not attributable to the physiological effects of a substance (e.g., a drug of abuse, a
medication, other treatment) or to another medical condition.
Note: A full hypomanic episode that emerges during antidepressant treatment (e.g., medication,
electroconvulsive therapy) but persists at a fully syndromal level beyond the physiological effect of that
treatment is sufficient evidence for a hypomanic episode diagnosis. However, caution is indicated so
that one or two symptoms (particularly increased irritability, edginess, or agitation following
antidepressant use) are not taken as sufficient for diagnosis of a hypomanic episode, nor necessarily
indicative of a bipolar diathesis.
Note: Criteria A–F constitute a hypomanic episode. Hypomanic episodes are common in bipolar I
disorder but are not required for the diagnosis of bipolar I disorder.
Reprinted with permission from the Diagnostic and Statistical Manual of Mental Disorders, Fifth Edition, (Copyright
©2013). American Psychiatric Association. All Rights Reserved.
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358 The interview and psychopathology: from differential diagnosis to understanding
Bipolar I Disorder
Over the years, several different types of bipolar disorder have been delineated. The classic
form of bipolar disorder, which Mr. Evans would prove to be suffering from, is now called
“type I” in the DSM-515 and consists of one or more major depressive episodes with at
least one full-blown manic episode at some point in the history or a patient who presents
solely with a single episode of mania (such patients generally will subsequently show
depressive episodes, and a lifetime course consisting only of manic episodes is a relative
rarity).
In bipolar I disorder, the mean age of onset for the first manic, hypomanic, or depres-
sive episode is around 18 years of age. But earlier-aged adolescents (and some children)
may show manic symptoms.16 Mania can first appear after age 50 as well. (Late-appearing
manias should alert the clinician to hunt for disease states related to structural damage
to the brain, as with frontal lobe tumors or degenerative processes such as neurocognitive
disorders [NCDs] that happen to impact more on behavior, personality, and language
– as opposed to the memory deficits that hallmark the more classic presentation of NCDs
such as dementias.) Manic episodes tend to come on fairly abruptly, usually over the
course of days and can be quite startling and “unexplainable” to both the patient and
family members.
I have found, though, that if the patient and family members are questioned carefully,
they often describe early warning signs, sometimes unique to a specific patient, of
impending mania. These signs may appear over the course of weeks. These early warning
signs, if present, can prove to be invaluable in preventing relapse.
I remember a family interview in which I asked everybody in the room if they could
think of anything else that warned them that their dad was heading for a manic break.
There was a pause. One of the older sons piped up, “Oh yeah,” shaking his head from
side to side with an almost resigned sense of the inevitable, saying, “That hat with the
little Swiss feather. It’s a fedora, and, Dad,” turning towards his dad, “when you pull that
damn hat out of the closet, I book tickets for a quick vacation, because you’re gonna be
a wild man within 2 weeks.” The entire family burst into laughter, including the patient.
The “positive fedora sign” would prove to be an invaluable early harbinger of an impend-
ing manic episode with Dad.
Manic episodes tend to last for several weeks to several months, although some
patients may tend to show significant partial symptoms between episodes. Compared to
depressive episodes, they tend to be of shorter duration and, as was the case with onset,
they tend to end more abruptly. Roughly 60% of manic episodes immediately precede
a major depressive episode.17 Many patients will show a characteristic style to these
switches that can serve as a “fingerprint,” helping the patient, family members, and clini-
cians to better predict upcoming episodes and hopefully prevent them.
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Mood disorders: how to sensitively arrive at a differential diagnosis 359
are also often hypersexual as well. Indeed, in a euphoric mania the patient’s presentation
almost seems to resemble a carbon opposite of the neurovegetative symptoms found in
withdrawn depression.
Manic patients often exhibit striking changes in speech. They generally demonstrate
a fast, pressured, and loud speech, throughout which they often crack jokes and speak
on a plethora of barely related topics (thus appearing easily distracted). The term “flight
of ideas” – seen as one of the manic criteria in the DSM-5 – refers to a style of speech
originating from these manic tendencies. In flight of ideas, the speech is greatly speeded
up (as are the patient’s thought processes) and although a logical connection between
thoughts is generally maintained, the connection is at times tenuous. The flow of the speech
abruptly shifts from topic to topic, not infrequently triggered by external stimuli, plays
on words, or humor.18 In severe manifestations, the associations are so weak and so fast
that the patient’s language may appear to be disorganized and incoherent.
When I was writing this section on mania, I had one of the most remarkable synchro-
nous events of my life. In a strange way it would prove to be of immediate value to us
in our discussion of mania. I often write in the library of a local college and was stepping
out of a study room for a break. At the time of the break, I was trying to decide what
patient I wanted to describe in the chapter to illustrate a euphoric mania.
As I opened the door, I was abruptly confronted by a man who had his hand raised
as if he was about to knock on the door. He appeared to be in his late 50s, with a rather
wildly arranged patch of grey hair sprouting from his balding head. Without my saying
anything, he immediately proclaimed, “I just did 15,000 jumping jacks in 30 minutes.
It’s a world record. I’m heading for Ripley’s.” Needless to say, I found this greeting a bit
odd. But, things were about to get a good deal odder.
As I stepped into the hallway, I saw that Mr. Matthews, as we shall call him, looked
a bit winded and was dressed in worn clothes inadequate for the wintry weather. I saw
before me a man who was jubilantly pleasant and spoke with great speed and excitement
about his recent exploits, of which there were many.
He stood uncomfortably close to me, and as I would gently step away to increase our
interpersonal distance, he followed, maintaining his inappropriate closeness. In addition,
he had an intense affect with very direct and unyielding eye contact. I must admit that
despite the uncomfortableness of our interpersonal spacing, he was rather fun to engage,
not unlike encountering Santa Claus on speed.
He gestured with enthusiasm as he commented, “You know, I walked around the
Grand Canyon backwards.” At which point he proceeded to do his best imitation of a
Michael Jackson moonwalk. He quickly added, “I can do a hundred backhand push-ups
in a row, want to see?” Before I could say no, he was on the ground doing a perfect set
of six backhanded push-ups (I might add, a physical feat that is quite hard to do at any
age).
An unwary student stumbled upon us, who Mr. Matthews immediately engaged with;
“Hey, you know me, everybody knows me, I give talks at schools all over the country, a
greatly admired athlete with college students, right? Frank Lloyd Wright, get it? I build
buildings, the best in the business. Watch me as I fall into the waters. Get it? Right?” Mr.
Matthews smiled and began laughing. At which point the student dully nodded yes and
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360 The interview and psychopathology: from differential diagnosis to understanding
glanced anxiously at me. For those unfamiliar with Frank Lloyd Wright, he was a highly
innovative architect, who happened to build a residence in Western Pennsylvania called
“Falling Waters.” One cannot find a much better example of a flight of ideas.
Mr. Matthews was demonstrating a classic euphoric manic presentation. His presenta-
tion highlights several points not delineated as DSM-5 diagnostic criteria per se, but they
are subtle phenomenological symptoms and behaviors frequently seen in euphoric
manias.
People experiencing a euphoric mania often show disruptions in the acceptable non-
verbal rules for conversation, ranging from proxemic to paralanguage abnormalities.
They frequently create a profound (and uncomfortable) increase in the sensation of
immediacy (see Chapter 8, page 286) caused by their invasion of personal space. This
uncomfortable immediacy sensation is exacerbated by the loudness of their voices and
the directness of their eye contact. It is sometimes further accentuated by an unpleasant
body odor, for during a manic fury, bathing quickly drops to a low rank on the patient’s
daily “to do” list.
As the above exchange involving Mr. Matthews demonstrates, patients coping with
euphoric mania sometimes assume a false familiarity, abruptly engaging bystanders in
conversation in which they assume the bystander already possesses information as if they
had previously conversed. They often also display what I like to call a “demonstration
propensity,” as was aptly displayed by Mr. Matthews with both his moonwalking abilities
and his ability to perform backhanded push-ups.
With someone whose mania is as advanced as Mr. Matthews, it is easy to spot a mania.
But with much earlier manias, these same propensities may show themselves in muted
forms that, if recognized by a savvy clinician, can lead to the early detection of a hypo-
manic or manic episode with resulting interventions that can prevent a tremendous
amount of pain. Early intervention with mania can dramatically decrease its impact and
ferocity, and may also lessen the number of medications and the sizes of the doses
required to reverse the mania.
Before leaving the topic of spotting a euphoric mania, I want to mention a point that
at first can appear to be paradoxical. All is not necessarily “rosy” inside the mind of a
person displaying a euphoric mania. Besides showing an irritability that can also be seen
in depressed patients, those experiencing a euphoric mania often display a peculiarity of
affect called “affective lability.” A patient experiencing affective lability can move from
laughter to tears remarkably easily and sometimes back again in a matter of moments.
In addition, euphoric manic patients can become remarkably impulsive, a characteristic
of mania that often results in a darker side to the manic break (far from euphoric in
nature), including substance abuse, car wrecks, and both violence and suicide.
It is this violent unpredictability that I most want to emphasize to the reader. It is
important to realize that even in so-called “euphoric” manias, elements of anger and
irritability may lie just below the surface. A state of euphoric mania, as described above
with Mr. Matthews, can transform quickly into an angry and hostile state, sometimes
prompted by the patient responding to limit setting or an attempt to structure the inter-
view itself. Indeed, when I tried to re-direct Mr. Matthews, saying “Why don’t you and I
move downstairs to the lobby,” he turned on me angrily, snapping “Don’t push me
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Mood disorders: how to sensitively arrive at a differential diagnosis 361
buddy. I’m talking to this student right now.” He then smiled and continued rambling
away to the student.
Especially in an emergency department or on an inpatient unit, be on the alert when
interviewing patients with a “happy mania.” Be particularly on-guard if the patient is
pacing and seems intent on getting his or her way. I have seen such patients turn hostile,
and even violent, in a matter of seconds. We will also soon see that manias are often not
purely “euphoric,” but can come in all forms of mixtures and disguises. But first, Mr.
Matthews brings to light another common aspect of manic presentations.
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362 The interview and psychopathology: from differential diagnosis to understanding
regaled him with news of his latest project. He was writing a three-book series on “How
Police Officers Need to Be Nicer to People.” He had not bathed for over a week and also
reported that sleep was for “lower forms of life.”
His mother related that both at home and in the police station he was talking con-
stantly and was a veritable one-man comic monologue. His mother commented dryly,
“He thought he was hysterically funny. He wasn’t.” When asked about hypomanic epi-
sodes in the past she commented, “I am very proud of him and he has done some
wonderful things as a police officer over his life, helped a lot of people; but he was always
my most unique child. I used to call him, my little nutball.” She also mentioned that
when he experienced his one actual manic episode, he had seemed to have problems
thinking straight. When asked what this meant, she described him as having problems
concentrating and remembering things.
There is one other detail from the interview with Mr. Evans’ mother that provides an
important lesson for any clinician. At one point she commented, “Did he tell you that
he pulled a knife on his dad during that manic break. It’s something we didn’t tell the
police department about.” Here was a salient point that Mr. Evans had not shared with
me during the interview, nor was his fiancée aware of it.
This telephone interview with Mr. Evans’ mother highlights several important clini-
cal points. People will often downplay past episodes of mania. I believe it is natural
to do so. Mr. Evans had gone on to have an outstanding career in the police force.
Being in an extremely small town, the police chief eventually decided to overlook
Mr. Evans’ brief manic interlude, eventually allowing him back on the force. It would
have been uncomfortable for Mr. Evans, during our interview, to think back on the
embarrassing behaviors that were present during his manic episode, especially any
violent behaviors. On a conscious level, the behaviors caused by a manic process are
often embarrassing (or guilt producing) for patients. To protect the patient from such
memories, on an unconscious level, defense mechanisms such as rationalization,
repression, and denial may bury the details of a manic episode deep into the uncon-
scious of the patient. Consequently, it is common for past manic episodes to be
“sealed over.”
In the light of this, it is often important, if one uncovers a hint of history suggesting
some hypomanic or manic symptoms in an initial assessment, to interview family
members and other collaborative sources that might provide a more accurate picture of
the severity of the manic symptoms, as was the case with Mr. Evans’ mother. Also keep
in mind that both patients and family members often do not spontaneously report
hypomanic episodes unless the interviewer specifically asks about them, for the hypo-
manic symptoms seem so inconsequential compared to the manic or depressed
symptoms.
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Mood disorders: how to sensitively arrive at a differential diagnosis 363
This cognitive dysfunction may persist even when the patients are euthymic (a term
indicating normal mood where there is no evidence of depression or mania).23,24
If manic patients become seriously sleep deprived, as well as dehydrated and
physically exhausted by a manic overdrive that may stretch for weeks, they can present
with a delirium accompanied by all of the cognitive dysfunction typical of a deliri-
ous state. On very rare occasions, serious cognitive dysfunction and frank confusion
can occur as a typical part of a person’s manic presentation. I have seen this only
one time in my career. It was with a college student with extremely rapid cycling
(multiple switches per day). In this patient, both his girlfriend and his parents related
that in the hour before his manic episodes, he would sometimes appear slightly
confused or cognitively impaired. For instance, one time he seemed confused about
how to drive home and was manic half an hour later. In such instances it is impor-
tant to rule out a seizure disorder, such as partial complex seizures, that could mimic
such a presentation, although this patient proved to be seizure free and responded
well to lithium.
Personality Disorders:
None found
Medical Disorders:
Chronic osteoarthritis
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364 The interview and psychopathology: from differential diagnosis to understanding
Before leaving the discussion of Mr. Evans, some key differential diagnostic points are
worth reiterating.
1. A major depressive episode may present without the reporting of a depressed mood.
Instead the patient will be experiencing a markedly diminished interest in pleasure
in all, or almost all, activities most of the day, nearly every day (anhedonia).
2. Early morning awakening has quite distinctive qualities that can help the interviewer
spot it, while simultaneously engaging the patient more effectively. Severe early
morning awakening is common in melancholic depressions.
3. Neurovegetative symptoms should be artfully woven into the fabric of the interview
via blended expansions and should not be used in a checklist fashion.
4. Alcohol and drug abuse are commonly associated with depression. What may appear
as a major depressive episode may actually be primarily related to alcohol or street
drugs.
5. When patients present with depression, especially a severe episode, it is easy for the
interviewer to forget to ask about manic or hypomanic symptoms, yet it is imperative
to do so.
6. Past manic and hypomanic episodes may not be spontaneously reported and should
always be elicited.
7. It is both natural and common for patients to “seal over” past manic symptoms
because they are embarrassed by them or unconscious defense mechanisms have
hidden them. In such instances, family members may provide more accurate
information.
8. Do not be lulled by the pleasant interactions of a person with a euphoric mania.
People experiencing the euphoria of mania can quickly become irritated and angry,
at which point the interviewer should be on the lookout for potential violence.
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Mood disorders: how to sensitively arrive at a differential diagnosis 365
was very irritable and bitterly angry at the world. His personality became much “darker”
throughout high school, with three episodes of superficially cutting his wrists. Despite
a very good relationship with his parents, he could become hostile and dramatic with
them. One time when asked about having just scratched his wrists by his parents, Danny
startled his parents by yelling loudly and angrily, “I just wanted to see my blood, I’m
in so much pain!” The above information has just been elicited by a psychiatric consul-
tant at the request of Danny’s therapist (who feels he should be started on an
antidepressant).
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366 The interview and psychopathology: from differential diagnosis to understanding
agitated depression, in patients with bipolar disorder, would result in more than 50% of
episodes in bipolar disorder being diagnosed as mixed states.”31
In this regard, the ubiquitous nature of mixed bipolar states suggests that the depic-
tion of depression and mania as being polar opposites may not be as clear-cut as was
once thought. Indeed, mania and depression may not represent opposite categorical
entities. Instead, they may be better conceptualized as being part of a continuum.
The concept of mixed bipolar states receives support not only from recent research
findings, but also from a most curious source – the past. In fact, it is probably inaccurate
to state that modern psychiatry is discovering mixed bipolar states. In actuality, modern
psychiatry, as suggested by Goodwin and Redfield, as well as others, is more accurately
described as re-discovering the concept of mixed bipolar states.
In the late 1800s and early 1900s, these states were well defined by European psychia-
trists, who were interested in both phenomenology and descriptive psychopathology.
Emil Kraepelin, one of the greatest of the descriptive psychiatrists, devoted an entire
chapter to mixed bipolar states in his Lectures on Clinical Psychiatry,32 and he talks of
“depressive or anxious mania” and “excited depressions” in his book Manic-Depressive
Insanity and Paranoia.33 Indeed, in 1899, Kraepelin viewed mixed states as the most
common type of presentation of bipolar illness and carefully delineated six distinctive
mixed states.34 And Kraepelin was far from alone.
The great Eugen Bleuler, who for 25 years was a professor at the University of Zurich
and Director of the famed Cantonial Hospital at Burghölzli, found that mixed states can
present as unique, stable, and particularly destructive conditions.35 His observations on
the tendency of mixed bipolar states to have more severe presentations has been proven
to be remarkably on the mark by more recent research. As early as 1882, Wilhelm
Griesinger, writing from the University of Berlin, described a specific mixed state – “mel-
ancholia with destructive tendencies” – that, as we shall soon see, seems to capture the
very essence of what is now sometimes called a dysphoric mania.36
The concept of mixed bipolar states is not merely a fascinating novelty of modern
research or a quaint finding of distant phenomenological inquiry, it has major impli-
cations for contemporary intervention and healing. Patients that are showing a mixed
bipolar presentation, who are quite depressed but also have several manic symptoms
(but not enough to meet the criteria for a full mania – as would have been neces-
sary for the diagnosis of a mixed bipolar disorder in the DSM-IV-TR system), are
in my opinion fairly common. In the DSM-IV-TR, their bipolarity would often have
been unrecognized, and they would have been misdiagnosed as having agitated
depressions.
Consequently, I suspect that in the past several decades, many of these patients who
might have benefited from mood stabilizers (such as lithium or Depakote) did not
receive them. Moreover, many of them may have worsened when given antidepressants
(as this can sometimes unleash manic symptoms, as we shall discuss later in this
chapter), some with devastating results. It was up to the DSM-5 contributors to change
the fashion in which clinicians conceptualized bipolar process so that these errors in
treatment could be avoided. It was the concept of dimensionality that once again proved
to be the key.
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Mood disorders: how to sensitively arrive at a differential diagnosis 367
Continued
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368 The interview and psychopathology: from differential diagnosis to understanding
Note: Mixed features associated with a major depressive episode have been found to be a significant
risk factor for the development of bipolar I or bipolar II disorder. As a result, it is clinically useful to note
the presence of this specifier for treatment planning and monitoring of response to treatment.
Reprinted with permission from the Diagnostic and Statistical Manual of Mental Disorders, Fifth Edition, (Copyright
©2013). American Psychiatric Association. All Rights Reserved.
Note that when making these diagnoses, the DSM-5 also allows you to add the dimen-
sion of anxiety as a specifier. I believe this added dimensional flexibility of the DSM-5
is important, for many mixed bipolar states, in my opinion, also have significant anxiety
components. Using the specifiers for mixed states and anxious distress, clinicians can
often paint a more valid picture of the patient’s unique combination of symptoms when
experiencing mixed bipolar process. There are as many types of mixed bipolar states as
there are combinations of these depressive, manic, and anxious symptoms. Armed with
a diagnostic system (the DSM-5) that allows one to recognize the unique qualities of
each person’s experience of bipolarity, we can now take a more careful look at Danny’s
presentation.
“Dysphoric Mania”: One Type of Mixed Bipolar Disorder
Differentiating a Dysphoric Mania From an Agitated Depression
Danny’s presentation is instructive for several reasons. As diagnostic systems such as the
DSM-5 evolve and are implemented, it is hoped that the improved degree of understand-
ing provided by the dimensional qualities of the system may allow us to uncover new
categories of illness that can be more quickly spotted. In a paradoxical sense, dimensional
systems sometimes help to ferret out hidden categorical entities. Danny may well repre-
sent one of these advances.
For years there has been debate as to whether or not one of the mixed bipolar states
may be common enough (and demonstrate enough consistency of symptom pattern) to
warrant a separate sub-category within the diagnosis of mixed bipolar disorder, in a
similar sense that we now can specify some major depressive disorders as being “melan-
cholic” in nature. As noted previously, early phenomenologists seemed to be aware of a
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Mood disorders: how to sensitively arrive at a differential diagnosis 369
style of mania that seemed to be in contrast to “euphoric mania.” This type of mixed
state seems to fit fairly closely to what in today’s literature is sometimes referred to as a
“dysphoric mania.”
The issue remains debated. I personally agree with authors such as Strakowski and
colleagues that one must be careful in creating new categories until appropriate research
has been undertaken to show their validity, reliability, and usefulness.38 But it is my hope
that the dimensional advances of the DSM-5 will allow us to eventually clarify the issue.
Danny may very well represent this particular type of mixed bipolar state.
Dysphoric mania is a state that I believe will eventually prove to have validity as a
specifier, and I also believe it has potentially major therapeutic implications when uncov-
ered during an interview. It is worth spending some time understanding its nuances and
its implications for clinical interviewing.
If you will recall, Danny was 18 years old. He was presenting with a severe depression
that was of concern to his therapist because of the risk of suicide. The therapist, who was
quite skilled and had been seeing Danny for his depression and his OCD for several
years, was hoping that Danny might be prescribed an antidepressant. The therapist felt
that Danny had been given an adequate trial of psychotherapy (with a good therapeutic
alliance) but it had not resulted in adequate relief. Indeed, the depression was intensify-
ing and serious suicidal ideation was being expressed. Danny’s therapist had commented
to the consultant that, “Danny’s pain is palpable when he is in my office. In fact, it’s so
intense it scares me. This kid is really hurting. I am worried he will kill himself.” You
will also recall that Danny had become somewhat dramatic in his behaviors, with several
instances of self-cutting and comments to his parents like, “I just wanted to see my own
blood!”
With a patient like Danny, who is clearly seriously depressed, one diagnosis that can
be confused with a mixed bipolar state, such as a dysphoric mania, is an agitated depres-
sion (people with agitated depressions often report their thoughts to be racing and show
marked pacing and irritability). Off the bat, one factor that helps with this differentiation
is the simple fact that agitated depressions are more common in the elderly and signifi-
cantly less common in adolescents and young adults.
Moreover, I believe that future phenomenological research will show that there are
subtle, yet significant, differences in how the depression feels to patients experiencing
a dysphoric manic state in contrast to patients experiencing an agitated depression.
Agitated depressions often manifest with a striking overlay of anxiety and fretting.
Whether the patient is worrying about mundane concerns, such as finances, business
affairs or illnesses (common in the agitated depressions of the elderly), or more unusual
material bordering upon, or moving into, the psychotic realm, as with delusional fears
of disease and death, many people with agitated depressions appear to be overwhelmed
by their worries. The result is an unpleasant sensation of helplessness. Consequently they
often appear to be lost in a wave of agitated disorganization, almost paralyzed by their
fears.
Patients experiencing dysphoric manias also have a high degree of anxiety. But, in
contrast to people experiencing an agitated depression, I have found that individuals
with dysphoric manias do not tend to feel, or look, as overwhelmed or helpless. Instead,
they often report a sense of being driven to do something, almost anything, to fix their
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370 The interview and psychopathology: from differential diagnosis to understanding
problems. Rather than presenting as helpless, they appear driven to action. Curiously, they
are overwhelmed, not by their anxieties, but by their need to take action on their anxieties. I
find this to be a distinctive sensation in manias, including mixed states such as dysphoric
manias. Careful interviewing will uncover that it is reflected both in an intensity to the
patient’s affect and in the intensity with which the patient describes his or her need to
act. It is one of the reasons that manic patients can quickly turn angry if they perceive
that their needs are being thwarted by a clinician, even over something as apparently
unimportant as the need to have a smoke.
As we will see with Danny, this compelling drive to act sometimes feels foreign to the
patient (as if an unfamiliar part of themselves is pushing them to act). This manic sense
of being driven by their urges can also be reflected in the suicidal ideation of these
patients. For example, Danny commented later in his interview, “I don’t really want to
kill myself, but sometimes I almost feel like I have to, like something inside me is pushing
me to do it.” This sense of being driven to act on urges, from gambling and frantic buying
to suicide and violence towards others, is typical of manic states including mixed states
such as dysphoric manias; and I have personally found it to be atypical of agitated
depressions.
If a clinician suspects the presence of a dysphoric mania, the following three questions
can be of use in no particular order:
1. “Do you have any ideas of how to solve your problems?” (Although a patient with a
dysphoric mania may not have decided upon the solution, they often have quite
specific ideas for a possible plan or plans of action. People coping with agitated
depressions often appear befuddled and/or irritated by this question.)
2. “Do you feel like you need to do something about this problem and you need to do
something now?”
3. “Are you feeling sort of driven to do something to solve this problem, almost like
you’re going to need to do something about it even if you don’t feel it’s smart to
do so?”
I have chosen Danny as our illustration of a specific type of presentation for a mixed
bipolar state (dysphoric mania), because I feel that dysphoric manias are frequently
missed in late adolescents and young adults, where they appear to be more common. In
my opinion, missing this diagnosis can result in great and unnecessary pain. The ques-
tion is: why are they so easily missed?
One of the reasons these dysphoric manias are misdiagnosed as agitated depressions
is that some clinicians are unfamiliar with mixed presentations, an unfamiliarity
re-enforced by the use of the DSM-IV-TR (which had an extremely narrow view of mixed
bipolar states, as discussed earlier). Moreover, the intensity and vocalization by the
patients of their depressive pain, as we will see below, is extremely striking. The patients
will often spontaneously make comments to the clinician such as, “I’m extremely
depressed. I’m depressed all the time. I hate life.” Because the pain of their depression
is so palpable, it is easy for the clinician to think of nothing but depression as a diagnostic
possibility.
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Mood disorders: how to sensitively arrive at a differential diagnosis 371
Another reason that these states can be easily missed is the fact that most of the classic
manic symptoms may not be present, and those that are present tend to be of the dys-
phoric type, as opposed to the more classic picture of a manic patient appearing euphoric
and grandiose. Danny’s presentation reflects this potentially confusing picture. It is a
camouflage of a sort, in which the mania fades into the depressive overlay, and it can
lead even an experienced clinician to miss the presence of a mixed bipolar state. Let’s see
it at play with Danny.
Danny was experiencing his thoughts as being intensely speeded up at times and
pressured, as is typical with a mania; but, curiously, according to both his therapist and
his parents, Danny only infrequently showed rapid or pressured speech and it was of a
mild nature. Phenomenologically, I have found that patients with dysphoric manias tend
to find their internal pressure of thought (often filled with disturbing and dark images)
to be unpleasant. Indeed, they often feel an intense desire to get away from it somehow.
In contrast, I have found people experiencing an euphoric mania to frequently find their
accelerated thinking to be exciting and creative. They feel no need to stop it and often
make comments such as, “My thinking has never been so clear!”
Danny also did not move particularly quickly, nor was he prone to pacing (both of
which, if present, might prompt a clinician to look for mania). He showed no flight of
ideas, distractibility, excessive involvement in pleasurable activities (although he had a
mild hypersexuality), or inflated self-esteem or grandiosity (as we saw in the euphoric
mania exhibited by Mr. Matthews regarding his moonwalk around the Grand Canyon).
Indeed, Danny was pessimistic of his future prospects.
He also reported a mild, but significant, tendency to stay up later than normal for
him. At its most extreme, his parents once saw him doing pull-ups outside on a tree limb
because he lacked a pull-up bar in the house. Not particularly odd until one hears the
fact that it was being done at midnight! Thus Danny showed evidence of manic overdrive
but he did not show the progressive tendency to stay up later and later, as is commonly
seen in classic manias. At no point did he show any euphoria or increased happiness.
The question is, Are there symptoms that could tip-off an interviewer to look for a mixed
bipolar disorder in a patient who presents primarily complaining of severe depressive
angst as was the case with Danny?
Three Practical Tips for Spotting a Dysphoric Mania. Let’s take a look at three phe-
nomenological factors that might prompt a clinician to more aggressively search for a
dysphoric mania despite a depressive camouflage: (1) the prominent presence of anger,
(2) the intensity of the patient’s depressive angst, and (3) a discordance between the
severity of patient’s angst and the relative mildness of the patient’s neurovegetative
symptoms.
Regarding our first tip, one thing that the consulting psychiatrist noted quickly from
the history, supported by both Danny and his parents, was the striking amount of anger
Danny was experiencing. It was broad-based in nature, ranging from feelings of betrayal
with friends to contempt for the world at large in response to current events. He had
always socialized well with people and had maintained good friendships, but throughout
high school his friendships, both male and female, were intense affairs with stormy
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372 The interview and psychopathology: from differential diagnosis to understanding
moments. He had always been extremely conscientious (an “A” student, with great
conduct) and had experienced a good relationship with his parents, sharing many of his
thoughts and pains. As with his attitude towards his friends, his attitude towards his
parents had become dismissive and contentious. The intensity of the anger felt during a
dysphoric mania can be quite frightening and, indeed, these patients can be prone to
both planned and impulsive violence.
The following questions may be of help here:
1. “Tell me a little bit more about your anger and who you are angry at?”
2. “How often in a day do you feel irritated or angered by the things people do?” (During
a dysphoric manic episode, patients often feel irritated or angry for much of the day,
with this angry overtone being more prominent to them than their depressive feelings.)
3. “Do you think the world is fair?” (They can look aghast at how stupid this question
is, for, to them, it is obvious that the world is not fair and you may hear a diatribe
making this point.)
There is one other aspect of the anger that patients with dysphoric manias experience to
which I would like to draw your attention. For a moment, let us return to the historically
rich clinical literature of descriptive psychiatry and phenomenology. In this regard, the
words of Wilhelm Griesinger, written in 1882, can provide insights that remain remark-
ably useful for us in our everyday clinical work over 130 years later.39 Griesinger, in
describing a condition that he called “melancholia with destructive tendencies” – which
today I think we would diagnose as a dysphoric mania – elegantly captures the patient’s
brooding anger, which can be pregnant with violence towards self or others:
When further describing the emergence of the patient’s anger and hostility, I believe
Griesinger captures a particularly useful phenomenological quality that characterizes the
anger experienced by patients during a dysphoric mania:
In such cases we often see developed a feeling of bitter animosity towards the world, which
becomes to such individuals perfectly hateful, gloomy, and fearful; and there frequently
arise the impulses to commit these indeterminate acts, by which the individual thinks to
repay the world, in some splendid crime, for all these griefs and imaginary evils, as well
as all those painful impressions, the cause of which he is ever seeking, not in himself, but
in the outer world.
I believe that Griesinger is describing the type of rage that can explode behaviorally into
violence towards loved ones or mass shootings in a Colorado movie theater or on a
college campus. Note well that the predominant focus of the patient with a dysphoric
mania on thoughts directed towards the outer world (as well as a desire to interact with
that outer world) is, in my opinion, generally different to patients suffering from an
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Mood disorders: how to sensitively arrive at a differential diagnosis 373
agitated unipolar depression. Although there can definitely be anger and intermittent focus
on the outer world in unipolar depression, typically the principal focus is more consistently
inwards upon oneself, upon topics such as one’s inadequacies, feeling overwhelmed, feeling
guilt, somatic preoccupations, and withdrawal from the harshness of the world, even
when feeling agitated.
This distinction, which can be readily apparent by merely recognizing the amount of
time your patient spends talking angrily about specific people, the culture at large, and
various “wrongs in the world,” can be a useful indicator that the interviewer is sitting with
an adolescent or young adult experiencing a dysphoric mania not an agitated depression.
Such was the case with Danny, where the angry darkness of his worldview revealed itself
in the consultant’s interview, and was verified as being “really striking” by Danny’s thera-
pist. “This kid is a great kid. I’ve known him for several years, but something is really wrong
here. I mean really wrong.” At one point, Danny told the interviewer, “The world’s a hor-
rible place. It disgusts me. There’s no reason for anyone to really go on living is there?”
With a patient like Danny, it can be productive to explore the patient’s predilections
on the web as well as his or her fantasies, for the patient’s dark preoccupations often will
reveal themselves. Questions such as the following may be of use:
1. “What types websites do you like to go to?” (Be on the lookout for websites focused
upon anger at the culture, violence, and suicide.)
2. “How often do you have images of violence?”
3. “Do you ever picture yourself doing something violent?”
If psychosis ensues, the risk of danger to self and others suggests that an increased search
for dangerous ideation is in order. Psychotic self-mutilation as a freestanding phenom-
enon, or in response to command hallucinations, can occur. Fortunately, at this point,
Danny did not show thoughts of violence or evidence of psychotic process despite his
dark musings.
Let us now move to our second tip for spotting a dysphoric mania – the intensity of
the patient’s depressive angst. If you will recall, Danny’s psychotherapist had commented
to the consultant, “Danny’s pain is palpable when he is in my office. In fact, it’s so intense
it scares me. This kid is really hurting. I am worried he will kill himself.” I have found
that with people experiencing mixed bipolar states that fit the mold of a dysphoric mania,
the intensity of the manic process seems to be translated into a particularly severe angst
that possesses an almost bitter tone to it.
Note well that this intensely painful brooding angst presents as a persistent mood state,
not solely as an intermittent rage response triggered by interpersonal affronts – this latter
trait being commonly seen in people coping with borderline personality disorders (as
we will see in Chapters 14 and 15). Patients with dysphoric manias may have an inter-
personal reactivity as seen in some personality disorders, but it tends to be imbedded
within this persistently dark mood. The intensity of the angst of these patients can
increase their suicidal potential significantly. Coupled with the impulsivity of the under-
lying manic drive, the risk of suicide, in my opinion, can be high.
Let us wrap up our three tips on spotting dysphoric manias by looking at an often-
missed third clue that a dysphoric mania may be present. I have found that the severity
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374 The interview and psychopathology: from differential diagnosis to understanding
of the patient’s reported psychological pain is frequently not matched by the severity of
their neurovegetative symptoms. One would imagine that a person whose depression
was causing this amount of angst (often accompanied by suicidal ideation) would also
demonstrate equally severe neurovegetative symptoms. As we see with Danny, this is not
always the case. His neurovegetative symptoms, although problematic, are not striking
in nature. His appetite is mildly impaired. Energy and concentration were reported as
fine, and there was a relatively mild difficulty falling asleep and no early morning
awakening.
I suspect that the classic neurovegetative symptoms as seen in a unipolar depression
are being overturned by manic energies and drives. Keep an eye out for such a discordance
between the severity of a patient’s depressive angst and the severity of their neurovegeta-
tive symptoms. I believe that it often points towards the fact that a patient is not just
depressed. They may have a mixed bipolar state, specifically, a dysphoric mania.
Interestingly, some evidence exists that the depressions seen in bipolar disorder, in a
general sense, may have a tendency to show some features not typical of classic unipolar
depression. One study showed that bipolar depressions had an increased tendency to
show atypical depressive symptoms, including mood reactivity (think of Danny’s stormy
relationships), overeating, oversleeping, and excessive fatigue.40 In younger patients there
is also a tendency for a higher percentage of “mixed” presentations, as we have been
describing,41 as well as an increase in depressive psychotic features.42 There is considerable
evidence that people experiencing mixed bipolar disorders have a significantly higher
rate of suicide.43–45
It is time to wrap up our discussion of dysphoric manias. As phenomenological and
empirical research unfolds using the now available dimensional qualities of the DSM-5,
my hunch is that the sub-category of “dysphoric mania” will prove to be both valid and
reliable. The term also has very high “descriptive essence” (the words capture the core of
the syndrome effectively). I believe its therapeutic usefulness is high, and that these
dimensional/phenomenological characteristics should be aggressively sought by clini-
cians, even if a specific category does not emerge as a unique diagnostic entity. Evidence
suggests that patients who are experiencing a dysphoric mania frequently respond well
to mood stabilizers. Many will respond poorly to antidepressants alone, and in some
cases antidepressants will unleash the underlying manic rage even further.
Historical Tip-Offs That Raise the Suspicion of Mixed Bipolar States in General
Although we have been focusing upon a possible specific subtype of mixed bipolar dis-
order – dysphoric mania – it is important to remember that patients may experience
many different types of mixed processes, including those in which euphoric symptoms
are common. Whatever the type of mixed presentation, there are two historical factors
that may also point towards a mixed bipolar process in a patient who presents with
depression.
Look carefully at the patient’s family history. It may have both bipolar I and bipolar
II disorders (which we will be exploring presently), sometimes in surprising numbers.
Patients with mixed bipolar disorder may also be more likely to show a positive family
history for depression, anxiety disorders, and alcohol and substance disorders. Danny’s
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Mood disorders: how to sensitively arrive at a differential diagnosis 375
family history was loaded with depression, alcohol dependence, and anxiety disorders.
His paternal grandfather was adopted and nothing was known of the paternal family
history from that point. (It could have been filled with bipolar disorder, but no one
knows.)
The second historical factor that may raise suspicions of the presence of a mixed
bipolar state is the discovery, when taking a psychiatric history, of other bipolar processes
earlier in the patient’s life, such as bipolar II disorder and substance/medication-induced
bipolar and related disorder. Both of these can also present as mixed states. These disor-
ders are so important that they deserve a closer examination. Before we do this, however,
there is one differential diagnostic error that we should make sure we are not making.
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376 The interview and psychopathology: from differential diagnosis to understanding
concerning child and adolescent disorders, suffice it to say that disruptive mood dysregu-
lation disorder cannot be made if the phenomenological criteria for a manic or hypo-
manic episode are present or if the disruptive behavior occurs only during an episode of
major depressive disorder.
It is hoped that this new category will decrease the likelihood that clinicians will
misdiagnose children and adolescents as having bipolar disorder when they don’t, for
the term bipolar disorder is explicitly reserved in the DSM-5 for episodic presentations
of bipolar symptoms. As we have seen, an understanding of the phenomenology of
depression, mania, and mixed bipolar disorder, together with the birth of this new diag-
nostic category, should allow clinicians, in my opinion, to more easily make this dif-
ferential diagnosis. By reducing the rate at which children and adolescents are
misdiagnosed as having bipolar disorder, the DSM-5 will have done a great service by
preventing the unnecessary use of inappropriate medications.
Bipolar II Disorder
According to DSM-5 criteria, a diagnosis of bipolar II disorder is met when a patient has
one or more depressive episodes with at least one hypomanic episode. Some authors
refer to this spectrum of disorders (including hypomanic variations of substance/
medication-induced bipolar disorder, described below) as “soft bipolarity” and argue,
rightly so, that spotting these disorders has major implications for treatment.47 Bipolar
II disorder is surprisingly common, with a lifetime prevalence rate of 1 to 2%. In patients
suffering with recurrent major depressive disorder, it has been estimated that 25 to 50%
have features of hypomania.48
DSM-5 criteria specify that hypomania presents as bursts of low-grade manic-like
symptoms that last for at least four consecutive days.49 The patient may experience an inflated
sense of self-importance or increased energy with less need to sleep; and/or the patient
may feel more talkative and unusually social (perhaps having an increased sex drive as
well). The patient’s thoughts may seem to be racing, and there may be a significant
increase in his or her irritability. These changes will be distinctly noticeable to those who
know the patient well.
What separates these hypomanic symptoms from manic symptoms is not their char-
acteristics, it is their disruptive severity and their duration. In hypomania, the “manic”
symptoms are not severe enough to cause marked impairment in social or occupational
functioning, nor are they severe enough to necessitate a hospitalization. In addition, the
presence of any psychotic process rules out hypomania and requires a diagnosis of mania.
Moreover, in true mania the symptoms must be present for at least a week.
Sometimes patients feel pretty good during milder hypomanic periods and relate to
their interviewers that they are more productive, witty, and creative, which is sometimes
true. Indeed, if we could all be programmed to have a consistent very low-grade hypo-
mania without the irritability, the world might be a better place. It would certainly be a
happier one.
However, the problem is that these episodes are often more disruptive and unpleasant
than they are valuable. During the hypomanic episodes, patients often report feeling
scattered, unproductive, and bothered by an unsettling sensation that “I am just not
myself.” They may be more likely to do things impulsively (e.g., initiate inappropriate
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Mood disorders: how to sensitively arrive at a differential diagnosis 377
drinking binges or regretted sexual liaisons). Because such episodes are an indication of
an underlying instability of mood regulation in the brain, they can frequently transform
into a depressed mood, which is sometimes severe. Unfortunately, a significant percent-
age of these patients go on to develop a full-blown bipolar I disorder.
As we saw with mixed bipolar disorder, this diagnosis is evolving. Daniel Smith argued
convincingly, in my opinion, that the DSM-IV-TR diagnosis was too rigid, for many
patients have hypomanic episodes lasting only 1 or 2 days, as opposed to the 4 days
demanded by the DSM-IV-TR.50 I feel that I have seen hypomanic bursts appear multiple
times in a single day in some patients. It is interesting to note that the ICD-10, when
describing rapid cycling in bipolar disorder, recognizes that mood shifts may occur in
the course of a single day or two. I believe that the new dimensional qualities of the
DSM-5 will eventually result in research that clarifies the frequency with which both
manic and hypomanic bursts can occur (although keep in mind that currently the DSM-5
demands a minimum of 4 days of relatively consistent symptoms to be present in order
to make the diagnosis of hypomania).
In addition to the more typical euphoric manic symptoms typical of the DSM-5 cri-
teria for hypomania, keep an eye out for the presence of consistent dysphoric symptoms,
for I have seen hypomanic bursts that consist primarily or solely of the dysphoric quali-
ties of a mania. Look out for bursts of the following dysphoric symptoms: a preoccupa-
tion with violent and dark images; agitation; difficulty falling asleep; irritability; anger;
an unpleasant racing of thoughts; a destructive impulsivity to gamble, drink, attempt
suicide or violence; and an unpleasant sense of psychological angst and darkness.
With any person who presents with depression, it is important to look for episodes
of hypomania suggestive of bipolar II disorder. The use of a mood stabilizer in these
patients can sometimes significantly improve the quality of their lives. Although not
proven, there is speculation that the addition of a mood stabilizer, such as lithium, in
those patients who would have naturally evolved into having bipolar I disorder, might
prevent them from experiencing this potentially catastrophic evolution. In addition,
antidepressants used alone are commonly considered to be counter-indicated in these
patients, for they may unleash further hypomanic bursts and/or a full-blown manic
episode.
In my opinion, the diagnosis of bipolar II disorder is frequently missed. Every clini-
cian should be on the lookout for it. As we have seen, it is a diagnosis that can be
uncovered rather easily in the initial interview if the clinician asks questions that address
it. If made, it is a diagnosis that can transform, and perhaps even save, a patient’s life.
Let’s take a look at two screening questions that might help us to spot hypomania. Once
again, from a clinical standpoint, I aggressively search for hypomanic bursts that may
occur more briefly than appearing for 4 solid days as required by the current DSM-5
criteria.
After exploring depression with a patient, I find the following question to be a nice
one for uncovering euphoric hypomanic episodes:
“Do you have periods of time, even just for hours or a couple of days or weeks, where
you suddenly and unexpectedly feel unusually happy, super-energized, ready to ‘take
on the world’ and you can’t explain why, it feels almost odd to you?”
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378 The interview and psychopathology: from differential diagnosis to understanding
This screening question covers several of the more common symptoms when experienc-
ing a euphoric hypomanic episode. It is made even more effective (and less likely to yield
false positives) by the phrasing, “… and you can’t explain why, it feels almost odd to
you?” This part of the question stems from a sophisticated understanding of the people
beneath the diagnoses of hypomania. It acknowledges a common response of these
patients towards their symptoms (not just the presence of the symptom). This phenom-
enological understanding can help us to avoid mislabeling someone as having a hypo-
mania when, in reality, they are experiencing normal feelings of “being on top of things”
or “having a great day.”
Many, although not all, people who are truly experiencing hypomanic symptoms are
genuinely puzzled by their own mood shifts. The puzzlement is particularly acute if they
have been feeling depressed and then suddenly and unexpectedly feel hypomanic,
without any positive change in their environment or the interpersonal wing of their
matrix that could explain it. If a patient admits to hypomanic symptoms, and to puzzle-
ment in reaction to their presence, it increases the likelihood that the symptoms are valid
and problematic enough to warrant the diagnosis of hypomania.
After asking the above question, the interviewer can use the question below as a
follow-up screening for dysphoric hypomanic episodes:
“Do you have periods of time, even just for hours or a couple of days or weeks, where
you suddenly, and unexpectedly, find your thoughts really speeded up on you, in an
unpleasant rush that you feel you really can’t control, and your thoughts are sort of
angry and life just seems darker and you can’t explain why you suddenly feel so bad, the
dark shift in mood feels almost odd to you?”
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Mood disorders: how to sensitively arrive at a differential diagnosis 379
persist 1 month after the suspected triggering agent has been discontinued, then the
diagnosis is switched to bipolar I disorder or bipolar II disorder.
As one follows the progress of patients who have met the criteria for substance/
medication-induced bipolar and related disorder over the ensuing years, a small percent-
age will go on to develop bipolar type II disorder. Some of these will subsequently
develop bipolar I disorder. A very small percentage will skip bipolar II disorder and
directly develop bipolar I disorder. It is unclear whether the releasing agent simply
speeded up a disease progression that would have unfolded at a later date without any
use of an antidepressant or other agent, or whether, in some instances, it triggered a
bipolar process in someone who would not otherwise have developed these disorders.
In either case, it is likely, in my opinion, that the patient was genetically predisposed to
bipolar process.
Either situation is a disturbing one. Consequently, I feel it is critical to aggressively
hunt for hypomanic process and a family history of bipolar process in all patients pre-
senting with depression before starting any antidepressant agent. When patients report
current hypomanic symptoms or relate a history suggesting hypomanic process in the
past, if clinically feasible, some clinicians prefer the use of psychotherapy alone. If it fails,
then such clinicians might consider adding an antidepressant after the patient has been
prophylactically loaded with a mood stabilizer such as lithium or Depakote. It is interest-
ing to note that even one of the mood stabilizers, lamotrigine (which has antidepressant
effects), has been documented to trigger or exacerbate suicidal ideation.52
Varying therapeutic approaches and debate as to how to best proceed with a depressed
patient reporting a past history of hypomania go far beyond the scope of this book. I
urge readers to seek out the appropriate literature on these complicated situations. Nev-
ertheless, it is safe to say in a book on clinical interviewing that one should question for
hypomanic or manic symptoms, past or present, with all patients presenting with
depressed symptoms. Their presence can have major implications on how to proceed
therapeutically and in a safe fashion.
We now come full cycle, back to Danny Ramirez. When the consultant asked the
parents the following question, “With Danny’s history of OCD early in his childhood
and his repeated problems with depression, I would think he’s been tried on numerous
antidepressants. How has that gone for him? Have they helped at all?” Before he was
even done with the question, the parent’s glanced over at each other, shook their heads,
and said, “Oh God.”
At the age of 8, Danny’s OCD erupted with a vengeance. (Note that there appears to
be an even higher rate of OCD and other serious anxiety disorders in patients with
bipolar disorder when compared to unipolar depressions, which already have a high
frequency of co-morbidity with anxiety disorders.) Because of the severity of Danny’s
pain, an antidepressant was started, hoping that he would also eventually respond to
cognitive–behavioral therapy (CBT). The antidepressant provided quick and remarkable
help, with a 90% remission within 3 weeks, much to Danny’s relief.
But within 5–6 weeks, Danny developed agitation, sleep problems, and “an attitude.”
Up until the use of the antidepressant, Danny had been the type of a kid who has a big
superego, is pleasant with adults and siblings, receives excellent grades, and demonstrates
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380 The interview and psychopathology: from differential diagnosis to understanding
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Mood disorders: how to sensitively arrive at a differential diagnosis 381
reported, “I’ve been screaming at my kids and husband. It’s like I’m a different person.
It’s so strange. I don’t know what to do. I just don’t know what to do.” To her surprise
she had also developed suicidal ideation of an intensity and quality that had frightened
her. She stressed repeatedly in our session, “You have to understand, I don’t want to die.”
She reported that the morning of the day I saw her she had become particularly
wound-up. While in her bathroom, she suddenly had the urge to electrocute herself by
thrusting her hair dryer into the bathtub. She had never had such thoughts before. She
reported feeling compelled by it, although in her heart she didn’t want to die. It scared
her, and she aggressively threw the hair dryer into the bedroom. When I asked whether
the suicidal ideation felt the same as in the past, she quickly responded, “No. This was
very different. It just came on so abruptly. It was very intense. And it felt different than
anything I’ve ever felt before. It really frightened me.”
Keep in mind that only 10 days earlier she had been doing fairly well (with about a
60% remission in her symptoms and no agitation or suicidal ideation whatsoever). Her
last suicidal ideation, overdosing, had occurred over 8 years ago and was mild in nature.
In my office, she appeared distraught and cried intermittently with her feet twitching
rapidly whenever she crossed her legs. In short, she was “beside herself.” Within 2 days
of markedly decreasing the antidepressant, she felt “almost back to normal,” with no
suicidal ideation. By the fifth day she was fine. Her suicidal ideation never returned.
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382 The interview and psychopathology: from differential diagnosis to understanding
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Mood disorders: how to sensitively arrive at a differential diagnosis 383
Rule out bipolar and related disorder due to another medical condition
Personality Disorders:
None
Medical Disorders:
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384 The interview and psychopathology: from differential diagnosis to understanding
I believe that future research – made possible by the added dimensionality of the DSM-5
– will eventually substantiate the importance of dysphoric manic symptoms as well as
their common appearance in mixed bipolar states. Indeed, it is my personal belief that
future revisions of the DSM-5 may very well include a set of specifiers for dysphoric mania
exactly as it has a set of specifiers for a melancholic depressive disorder.
Such an addition will serve to remind clinicians to look for this specific symptom
cluster, the presence of which can significantly impact treatment planning. In addition,
the term bipolar I disorder (mixed, dysphoric mania) captures the descriptive essence of
Danny’s complex and painful inner world distinctly and with a minimum of words.
Let us review the wealth of diagnostic interviewing points that Danny’s presentation
illustrates:
1. Some patients present with a curious mix of depressed symptoms and manic symp-
toms simultaneously (or that are cycling so fast that they appear to be merged).
2. Mixed presentations may be more common in late adolescents and young adults,
where they are easily misdiagnosed as major depressions with irritability and/or
agitation.
3. Mixed states, especially in this younger age group, may present primarily with dys-
phoric manic symptoms including: an intensely depressive angst, racing thoughts
experienced as distinctly unpleasant, irritability, anger, a dark moodiness, stormy
relationships, impulses for self-cutting and other self-damaging behaviors, suicidal
ideation or violent ideation, and feeling intensely driven to get relief from their dark
and racing thoughts and/or to “right” what is wrong with the world or the people
in their world.
4. In the initial interview (as well as within ongoing sessions), be sure to monitor the
potential for violent behaviors such as self-cutting, suicide, and violence towards
others.
5. Three symptom characteristics may point towards the presence of a dysphoric
mania in a patient complaining of depression: (1) persistent anger as a major
presenting symptom, (2) intense psychological angst, and (3) intensity of a patient’s
psychological angst being markedly more intense than their neurovegetative
symptoms.
6. Two historical markers can also suggest the possibility that a patient is suffering
from a classic bipolar disorder (or perhaps from one of the other types of mixed bipolar
states): (1) a positive family history for bipolar I disorder, bipolar II disorder,
substance/medication-induced bipolar disorder, or cyclothymic disorder, (2) the
patient has a personal past psychiatric history of bipolar II disorder, substance/
medication-induced bipolar disorder, or a cyclothymic disorder.
7. Patients experiencing dysphoric manias may have a predilection to develop psy-
chotic process.
8. The patient’s dysphoric manic symptoms (especially angry outbursts, dark moodi-
ness, stormy relationships, impulsive self-cutting and suicidal ideation and behav-
iors) can be easily mislabeled as evidence of personality dysfunction, resulting in
an inappropriate personality diagnosis such as borderline personality disorder.
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Mood disorders: how to sensitively arrive at a differential diagnosis 385
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386 The interview and psychopathology: from differential diagnosis to understanding
interview he appears tense, complaining, “I’m really having trouble with my thinking. I
can’t concentrate anymore. But they don’t understand.” When asked whether he feels
depressed, he answers, “No, I don’t feel particularly depressed.” He reports problems
with appetite and sleep. But of all his concerns, he is most upset about his business
company, since he feels “Someone in the company, and I’m not quite sure who, is out
to get me. I’m pretty sure my life is in danger.” He has not returned to work since his
triple bypass heart surgery in January, 6 months earlier. He is alert and oriented times
three with a stable level of consciousness. Three members of his family are at his bedside
when the interviewer first enters the room.
a. “How would you describe your mood over the past several weeks?”
b. “Tell me a little bit about how you’ve been feeling recently.”
c. “Would you say that you’ve been feeling depressed?”
If the patient denies depression, the interviewer can switch to a different word than
“depressed,” which, for whatever reason, the patient may identify with more, such as:
It is not uncommon for a person suffering from depression to deny depression while
admitting to sadness. Another useful question for uncovering depressed mood remains,
“When was the last time you felt like crying?” The phrasing of this question automatically
conveys that the interviewer feels it is both common and acceptable to cry, and is an
example of one of our validity techniques (gentle assumption) from Chapter 5. Certain
patients, especially males, feel hesitant to admit tearfulness. This question helps to skirt
this resistance by asking only when they felt like crying. Such sensitive phrasing allows
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Mood disorders: how to sensitively arrive at a differential diagnosis 387
the self-conscious patient many avenues for saving face. The direct question, “Have you
been crying?” may yield false negatives, since it does not offer any avenues for the patient
except denial or admission of tearfulness.
Finally, if the patient denies both depression and sadness (Mr. Whitstone actually
vigorously denied both), the following questions may unearth material suggesting
depressed mood:
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388 The interview and psychopathology: from differential diagnosis to understanding
In a metaphorical sense, this somatic tendency sometimes carries over into the label
chosen for depression, as seen in Middle Eastern cultures where a depressive episode
might be described as having “problems of the heart.” In the Hopi nation the same
episode would be described as being heartbroken. In Chinese and Asian cultures, a
patient may be more comfortable complaining of being weak, tired, or feeling
“imbalanced.”59
As was the case with Danny, Mr. Whitstone’s presentation also emphasizes the critical
importance of sources of information other than the patient. A hallmark of shrewd
interviewers remains the ability to know when their interview was inadequate. In the
case of Mr. Whitstone, both his wife and other family members felt that he had been
pervasively depressed for at least 2 months.
a. “Have you noticed if your thinking appears to have speeded up [hypomania, mania,
mixed bipolar states, agitated depression] or slowed down [melancholic or withdrawn
depression]?”
b. “Are you finding it more difficult to make decisions recently?”
c. “Do you find yourself feeling frustrated when you are trying to make a decision?”
d. “Does it ever seem like your thoughts are getting disconnected or confused?”
e. “Has it been difficult for you to hold a train of thought?”
f. “Are you finding it difficult to read or to follow people as they talk?”
We will examine the important role of the cognitive exam in further delineating the extent
of a patient’s cognitive dysfunction as well as its role in uncovering dementias masquer-
ading as depressions and depressions masquerading as dementias (pseudodementia), in
more detail later.
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Mood disorders: how to sensitively arrive at a differential diagnosis 389
symptoms, and in such cases the DSM-5 allows one to specify that the depression is
“atypical” in nature.
I place the word atypical in quotes because these depressions are hardly atypical in
nature. Estimates in both community and clinical settings indicate that 15.7 to 36.6%
of depressions meet the criteria for atypical depression. As we saw earlier, these atypical
features are seen even more frequently (in up to 50%) with bipolar type II depression
and in dysthymia.60 Some features, such as mood reactivity, also remind one of the
“depressive” states seen in mixed bipolar process, and, indeed, atypical depressions are
more common in bipolar I disorder, especially mixed presentations.
Spotting atypical depressions has distinct clinical implications. Their presence cues
the clinician to thoroughly hunt for evidence of bipolar process, which, if present, may
caution against the use of antidepressants without first covering the patient with a mood
stabilizer or perhaps indicate only a psychotherapeutic intervention if possible. Even if
hypomanic symptoms are not present, it reminds both the clinician and the patient to
be particularly on the lookout for an unexpected unleashing of manic symptoms once
an antidepressant is instituted, in which case the antidepressant can be promptly discon-
tinued, hopefully before major manic symptoms have been precipitated. In addition,
there is evidence that if a patient solely has an atypical depression (without bipolar
process), and the patient’s depression is not responding to medications such as selective
serotonin reuptake inhibitors or tricyclics, they might preferentially respond to mono-
amine oxidase inhibitors61 and/or cognitive psychotherapy.
So what do these atypical depressions look like? In the DSM-5, in order to be viewed
as having an atypical depression, the patient must first meet the criteria for a major
depressive disorder while simultaneously presenting with a phenomenon known as
“mood reactivity.” In addition, the patient must demonstrate two out of four secondary
symptoms.
Let us first look at the concept of mood reactivity. In a classic depression, the patient’s
depressive symptoms, although somewhat fluctuating in intensity over time, are persis-
tently present over time and don’t respond much to environmental triggers. Thus, when
anhedonia is present, a classically depressed patient will not suddenly respond with an
uplift in mood and/or interest when an otherwise enjoyable activity for that patient
presents itself (e.g., the chance to see a favorite movie) or respond positively and with
animation to a compliment from a friend or employer. In contrast, patients with mood
reactivity have the capacity to feel at least 50% better and can even become transiently
euthymic (experience normal mood) when encountering positive events.62,63 It has been
noted that some of these patients can maintain a good mood for hours, or longer, if the
positive re-enforcer continues (e.g., a weekend getaway with a new romantic interest).64
It should be noted that some authors feel, and perhaps this will be reflected in future
diagnostic systems, that the symptom of mood reactivity is not always present in atypical
depressions and should not be viewed as necessary for making the diagnosis.65
In the DSM-5, once the patient demonstrates mood reactivity, in order to be viewed
as having an atypical depression, two of the following four symptoms must be present:
(1) significant weight gain or increase in appetite, (2) hypersomnia, (3) leaden paralysis,
and (4) a long-standing pattern of interpersonal rejection sensitivity that results in
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390 The interview and psychopathology: from differential diagnosis to understanding
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Mood disorders: how to sensitively arrive at a differential diagnosis 391
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392 The interview and psychopathology: from differential diagnosis to understanding
dislodged from his heart and passed to his brain or of a hemorrhage in his brain related
to his anticoagulants; and (3) he was significantly dehydrated.
In relation to organic precipitants of depression, it is important to stress the need for
asking questions about both over-the-counter medications and prescription medications.
A brief list of medications that commonly affect mood includes cimetidine, propranolol,
methyldopa, reserpine, amantadine, steroids, birth control pills, and opiates. Even thia-
zide diuretics can cause depression by altering electrolyte balance.70 Be on the lookout
for depressions triggered by the use of prescribed synthetic opioids, such as OxyContin
and Percocet. The abuse of these drugs is of epidemic proportions in the United States.
They are currently one of the leading causes of death/suicide by overdose.
When considering an organic cause of depression besides medications and intra-
cranial disease, one should keep in mind extracranial diseases such as hypothyroidism,
hyperparathyroidism, lupus, hepatitis, and carcinoma. Pancreatic carcinoma is notorious
for initially presenting with depressive complaints. Looked at more systematically, Ander-
son71 has separated the organic causes of depression into six categories, including:
It is well beyond the scope of this chapter to discuss a thorough differential of the organic
causes of depression, but I heartily urge the reader to review this material.
Naturally, even the best clinician will sometimes miss organic causes of depression
despite a search for them. This failure is to be expected. But in the last analysis, there is
no excuse for not having thought of looking for an organic cause of depression. In par-
ticular, one situation presents itself in which I unfortunately find it very easy to forget
about possible organic factors.
This situation arises when the patient presents complaining of a significant life stress
such as unemployment, housing problems, divorce, or a death in the family. In such
instances it is easy to assume psychological causality, but this assumption can be patently
misleading. Simply because a person has ample reason to be depressed does not mean
that his or her depression does not also have a concurrent organic cause. Quite to the
contrary, physical and psychological disabilities often go hand-in-hand. For instance,
Schmale has reported a high incidence of separation events preceding the onset of
medical illnesses.72
The clinician should think holistically, checking for both psychological and physi-
ologic roots of depression. One can often be fooled by what appears obvious. On
the one hand, apparent adjustment reactions may be hiding something more ominous
biologically. On the other hand, the obvious endogenous depression may actually
be triggered or sustained by some not-so-obvious psychological factor or family
dynamic.
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Mood disorders: how to sensitively arrive at a differential diagnosis 393
Rule out major depressive disorder (with mood-incongruent psychotic features, para-
noid delusions)
Personality Disorders:
Possible paranoid or compulsive traits (derived from data elicited from the family)
Medical Disorders:
Significant dehydration
Status post-bypass cardiac surgery
1. People suffering from depression often deny that they are depressed.
2. Specific questions should be asked in an effort to uncover dysphoric mood not readily
described by the patient.
3. Become familiar with varying presentations of depressive disorders across cultures.
(Also keep in mind that patients may vary on how likely they are to share depressive
symptoms related to the degree of stigmatization associated with depression within
their culture.)
4. Atypical depression often presents with mood reactivity accompanied by symptoms
such as increased appetite, hypersomnia, “leadenness” of the limbs, and rejection
sensitivity.
5. Outside information from family and significant others may be needed to delineate
the diagnosis.
6. Even mood-incongruent psychotic features such as paranoia or thought insertion can
occur during severe depressive episodes.
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394 The interview and psychopathology: from differential diagnosis to understanding
7. It is imperative to ask questions and to order appropriate lab work that can help to
rule out possible organic causes of depression.
Pt.: I’m really feeling horrible. My whole world is collapsing. I don’t know who to trust.
Clin.: How long have you been feeling this way?
Pt.: Years, for years. I can’t think of a time when my life went smoothly. It’s all a big
mess.
Clin.: When you say “for years” do you mean your depression never lifts?
Pt.: Well, not really, I mean, I have my good days. Even a bad apple has its good parts
… so … sometimes I feel fine.
Clin.: When looking back over the past several weeks, did you have some of those good
days?
Pt.: Oh, I actually had a couple of good days last week, right before the big blow-up
with Janet, but I knew Janet would blow it.
Clin.: Tell me how you felt on those days.
Pt.: Fine. In fact, I was having a great day on Friday until Janet had to open her big fat
mouth.
Clin.: You say you’ve been feeling depressed for years, but it sounds like your mood
changes a lot. Have you ever had a period of at least 2 weeks where for the entire 2
weeks you felt down and depressed?
Pt.: That’s a little hard to answer. I haven’t felt that way for a long time … back home
though, yeah, back home I was about 19, I was depressed for almost 4 months straight.
Clin.: Tell me more about it.
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Mood disorders: how to sensitively arrive at a differential diagnosis 395
persistent depressive disorder (dysthymia, refer to page 345 for DSM-5 criteria). Without
a sustained alteration in mood or marked anhedonia lasting for 2 weeks, she will not
fulfill criteria for a major depressive disorder. On the other hand, she appears to have
undergone a 4-month major depression in her teens. Further interviewing revealed that
this episode was accompanied by persistent neurovegetative symptoms. She currently
notes some fluctuating neurovegetative symptoms, including some difficulty falling asleep,
increased appetite, and low energy. From her history she appears to have had a major
depression at age 19, which is currently in remission. This previous depression had
responded to paroxetine successfully.
The above dialogue emphasizes two points: (1) A detailed history of the present dis-
order should be carefully elicited. In this exploration, the interviewer pays particular
attention to both the time course and the duration of the symptoms. The foundation of
a good diagnostic interview remains a good history of the presenting disorder. (2) One
should rigorously evaluate whether the depressive symptoms are sustained or whether
they fluctuate towards normal. Many people whose depressed feelings come and go will
describe their symptoms as unrelenting unless questioned carefully, perhaps related to
the fact that depressive feelings often tend to be experienced as intolerable, thus over-
shadowing the moments of normal mood. The DSM-5 criteria, for a major depressive
episode, require that the depressive symptoms need to have each been present nearly every day
for a period of at least 2 weeks. Consequently, if the interviewer uncovers a significant
fluctuation of symptoms, then he or she must look elsewhere than a major depressive
disorder for a diagnosis.
Incidentally, I have found that statements such as, “I’ve been depressed for years,” are,
curiously enough, often indications that a classic major depressive disorder is not present.
When questioned in more detail, such people often do not describe a sustained depres-
sion. Instead, they relate histories of depressive symptoms that fluctuate in response to
environmental rewards or pleasures, as is commonly seen in some personality disorders,
with a dysthymic disorder, in substance abuse, and in some atypical depressions. The
following questions may be of value concerning the exploration of mood fluctuation:
a. “Do you find that your mood can shift during a single day?”
b. “Would you describe yourself as a moody person?”
c. “When you are feeling down, do you ever find that a friend or ‘something to do’ can
perk you up quickly?”
If the patient answers “yes,” then the interviewer, using behavioral incidents, asks the
person to describe some examples of such experiences. Another very useful question for
determining whether a depression is persistent or not is:
“Some people tell me that, when they are depressed, their symptoms stay with them day
after day. Others tell me that their symptoms come and go almost like a roller-coaster.
Where on that continuum would you place yourself?”
As mentioned earlier, the lack of sustained depressive symptoms suggests other diagnoses
such as dysthymia, cyclothymic disorder, certain personality disorders, or drug abuse or
atypical depressions.
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396 The interview and psychopathology: from differential diagnosis to understanding
Far from being a complete differential, this list represents the common entities that are
often misdiagnosed as major depressive episodes. In contrast to a major depressive
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Mood disorders: how to sensitively arrive at a differential diagnosis 397
episode, these entities tend to show significant fluctuation in both mood and symptom-
atology. To mislabel these disorders as a major depressive disorder can lead to serious
errors in triage or medication prescription, as mentioned earlier. To further illustrate the
point, it could be a fatal mistake to prematurely prescribe antidepressants for Ms. Wilkins,
subsequent to having mistakenly diagnosed her as having a major depressive disorder.
Indeed, Ms. Wilkin’s psychiatric trail is littered with empty bottles signifying her suicidal
gestures by overdosing.
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398 The interview and psychopathology: from differential diagnosis to understanding
circumstances, it is important to explore the symptom picture at the time directly preced-
ing the use of medications.
With the understanding that it may be valuable to emphasize the early phase and the
recent phase, two rather different approaches can be utilized when eliciting the history
of the presenting disorder. Both are effective. Clinicians must determine which seems
best suited to their style and the needs of the specific patient.
In the first technique, as the patient discusses the history of the presenting disorder,
an effort is made to quickly direct the patient to the early phase of the illness. The history
is then taken chronologically from past to present, with less emphasis upon the middle
phase. Stressors and responses to stressors are frequently elicited as the history naturally
unfolds. The strength of this approach is the detailed and well-ordered history that
results. The weakness is the fact that because patient histories are frequently both complex,
and fascinating, the clinician can easily spend too much time on the early and middle
phase, coming away with a hazier picture of the immediate problems and current
presentation.
A brief piece of dialogue will demonstrate two important features concerning the
delineation of the onset of the disorder.
As illustrated in the preceding dialogue, when first asked to date the onset of their dis-
order, patients frequently give an inaccurately late date, because it is easiest to remember
when they began to feel really bad, usually a point several weeks or months after the
onset of the illness. Consequently, they should be gently pushed by asking a second time,
as shown in the example. Another useful method of increasing the validity of the data,
as illustrated in the above dialogue, is to use a validity technique we described in Chapter
5 called the “time-related anchor question,” delineated by Danny Carlat. Time-related
anchor questions prime the memory of the patient by using specific holidays or personal
events that can function as a trigger for increasing memory production.73
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Mood disorders: how to sensitively arrive at a differential diagnosis 399
The second approach for eliciting the history of the present disorder consists of focus-
ing the patient upon the recent and current phase of the illness first. The clinician then
skips to the early phase and delineates the remainder of the history chronologically, with
less emphasis upon the middle phase. This method provides the clinician with a sound
understanding of current symptoms, stresses, and level of functioning, ensuring that these
critical areas do not get short shrift because of time constraints. Patients also frequently
like talking about recent symptoms first. Generally, this method also provides the early
generation of a good diagnostic differential, which can help guide the subsequent ques-
tioning concerning the earlier phases of the history of the presenting disorder.
When delineating the recent history, it is often useful to frame the time period with
comments such as, “Let’s look for a moment at just the last 2 weeks. All of the following
questions deal only with the last 2 weeks. During that time how has your energy been?”
Because the patient has been coping with large amounts of psychological pain and
confusion, even with the above framing, it is easy for that person to eventually begin
discussing earlier symptoms without letting the clinician know that this is the case.
Consequently, it is useful to remind the patient several times of the timeframe with
statements such as, “Once again, just looking at the past 2 weeks, what has your sleep
been like?”
Let us now return to the presentation of Ms. Wilkins, because her history provides
several more practical interviewing points.
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400 The interview and psychopathology: from differential diagnosis to understanding
On the other hand, if the bereavement lasts too long a time and/or begins to persis-
tently intensify over the months following the death, then the diagnosis of a major
depressive disorder should be made instead of an uncomplicated bereavement. Also
clinicians can use their phenomenological understanding to help differentiate normal
grief from the development of a pathologic depressive episode.
In normal grief, the depressive symptoms are less persistent and consistent than in a
major depressive episode. Indeed, in normal grief it is common to see wave-like “pangs
of grief” as the person is reminded of the deceased. In a similar fashion, in normal grief
the neurovegetative symptoms may not be as severe or persistent in nature. Guilty cogni-
tions are more commonly seen in true major depressive episodes when they assume a
generalized feeling of being inadequate, worthless, or weak. In contrast, if guilty rumina-
tions appear in normal grief, they tend to be specific towards letting down the deceased,
as with not visiting enough, not getting a chance to say good-bye, or not telling the
deceased how much he or she was loved.
An uncomplicated bereavement is one of the many “V-codes” in the DSM-5 system
(close to a hundred such codes are enumerated). A V-code is a situation or life stressor
that the clinician feels is playing a significant part in the person’s current difficulties and
warrants attention from the clinician. It is important to remember that V-codes are not mental
disorders. V-codes are, in essence, reminders to subsequent clinicians of various aspects
of the person’s matrix where intervention may be valuable. They can include factors such
as current marital problems, spouse or partner abuse, problems at work, financial or
housing problems, as well as quite specific situations such as deployment to a war zone
for a soldier or the spouse of a soldier.76
The diagnosis of adjustment disorder specified with depressed mood describes those
occurrences in which there is a clear-cut psychosocial stressor within 3 months of the
depression. These disorders are viewed as exceeding normal response by either the
distress being markedly out of proportion to the experienced stressor and/or there is
significant impairment in social, occupational, or other areas of functioning. But even
if there is a clear-cut stressor within the specified timeframe, if the criteria for a major
depressive episode are fulfilled, then the diagnosis of adjustment disorder is no longer
applicable and should be dropped, and the diagnosis of major depressive disorder
should be made. Note that adjustment disorders can be classified with various speci-
fiers, such as depressed mood, anxiety, conduct disturbance, or admixture of such
symptoms.77
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Mood disorders: how to sensitively arrive at a differential diagnosis 401
diagnoses). Ms. Wilkins diagnostic summary, after her initial interview, would be as
follows:
Personality Disorders:
Borderline personality (principal diagnosis)
Medical Disorders:
None
Notice that if a personality disorder is the main presenting problem (often becoming the
focus of care) or the reason for a hospital admission, it can be useful to identify it as the
“principal diagnosis.”
By way of summary, Ms. Wilkins’ presentation illustrates the following points:
1. A careful history of the presenting disorder is the foundation of the diagnostic com-
ponent of an initial interview.
2. The duration of the depressive mood should be thoroughly discussed. To fulfill a
major depressive disorder it must last at least 2 weeks in length with little fluctuation
in symptoms.
3. Many other diagnoses may present with depression. In particular, one should be
careful to check for a borderline personality disorder, dysthymia, drug or alcohol
abuse, an adjustment disorder, or a V-code.
4. The clinician should develop a well thought-out approach to the history of the pre-
senting disorder. Otherwise, it is easy to become lost in the database.
5. Patients frequently date the onset of their illness later than it was in reality. Once a
date is given, ask the patient to carefully consider whether he or she had felt com-
pletely normal in the month or two before that date.
6. One can prime the patient’s memory by referring to holidays or to special events in
the patient’s life (the use of a time-related anchor question).
7. When gathering the recent history, it is useful to frame the time period for the patient
and intermittently remind him or her of the timeframe being discussed.
8. Uncomplicated bereavement (a V-code) may simultaneously fulfill the criteria for a
major depressive episode. If this occurs, the process is still labeled an uncomplicated
bereavement and the diagnosis of a major depression is added as a concurrent
disorder.
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402 The interview and psychopathology: from differential diagnosis to understanding
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Mood disorders: how to sensitively arrive at a differential diagnosis 403
has shown genetic predispositions for many psychiatric disorders are common, ranging
from severe processes such as psychotic depression and bipolar disorder to much milder
processes such as dysthymia.
For instance, the heritability of bipolar disorder has been estimated to be about 60%
to 80% in genetic studies of the concordance of the disorder in monozygotic (same egg)
twins.79 In a similar fashion, patients with major depressive disorders show a higher
prevalence of relatives with major depressive disorders and depressive personalities.
Other studies have suggested some genetic correlation between mood disorders and
alcoholism. For instance, in a well-known study – the Collaborative Study on the Genet-
ics of Alcoholism (COGA) – Nurnberger and associates found that alcoholism and
depression do, indeed, tend to run in families, with evidence that some of this concur-
rence may be related to genetic factors.80
An accurate family history can help patients in several ways. Sometimes, the presence
of a specific disorder in the family history (such as bipolar disorder) can alert the clini-
cian to more carefully hunt for similar symptoms in the patient that might have been
overlooked in the earlier interviewing. The presence of processes such as psychosis or a
strong history of suicide in the family may prompt the interviewer to seek more careful
follow-up or recommend hospitalization to the patient (if one is “on the fence” as to
whether or not hospitalization might be useful for observation or more intensive treat-
ment). In addition, if one uncovers the same psychiatric disorders in family members as
with the patient, it is useful to ask, “Do you know if your dad (or whomever is being
discussed) responded well to any medications?” Excellent response in a family member
can be an indicator that the patient may have a positive response to that specific medica-
tion. Finally, as we have already seen, the presence of bipolar process in family members
(or the unleashing of a manic process after the use of an antidepressant in a family
member) should alert us to be careful with the use of antidepressants in the patient.
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404 The interview and psychopathology: from differential diagnosis to understanding
Clin.: Carl, you mentioned earlier that you sometimes remind yourself of your father. In
what ways is this true?
Pt.: Hmm … Well, my father often seemed upset to me as a kid. He got irritable and
would yell at us, all of us, even Annie, the baby. He just seemed troubled.
Clin.: Do you think he was depressed?
Pt.: Yeah, I do.
Clin.: Had he ever received help from a therapist or psychiatrist?
Pt.: Oh, no! He would never do that. He didn’t believe in that sort of thing; even so, I
think he needed help.
Clin.: While we are talking about your father’s depression, I would like to touch upon
other family members. Sometimes we can gain clues from psychiatric problems in
relatives that may give us better ideas of how to help you.
Following such an introduction to the topic, the clinician can proceed to discuss each
member of Carl’s nuclear family, inquiring specifically about drinking, schizophrenia,
and other affective disorders. With regard to more distant family members, it is important
to state whom you are interested in.
Clin.: The rest of these questions concern any of your blood relatives, including
grandparents, aunts, uncles, and cousins. Have any of your father’s blood relatives
had depression or schizophrenia? (repeat these questions later for the other side of
the family)
Pt.: Well, I’m not really sure. I had an aunt who was sort of crazy.
Clin.: How do you mean?
Pt.: They put her away for a while because she had a nervous breakdown.
The preceding exchange illustrates several points. First, one needs to be careful with
technical words like “schizophrenia” or “bipolar disorder.” Many patients do not know
what these terms mean and will consequently deny their presence. A brief definition may
help clarify the issue. Second, it can be of use to ask the question, “Has anybody in your
family been hospitalized or institutionalized for a mental disorder?” People may remem-
ber a concrete hospitalization concerning a distant relative much easier than a nebulous
process like depression. Third, terms such as “bad nerves” or “nervous breakdown” are
common labels for serious disorders such as schizophrenia, bipolar disorder, or an agi-
tated depression. Such terms warrant further inquiry.
Another important question is simple and to the point, “Has anybody in your family
ever tried to kill themselves or actually did kill themselves?” Surprisingly, after having
denied any serious psychiatric illnesses in their family, interviewees will suddenly recall
a suicide following this question.
This phenomenon parallels the finding that subsequent interviewing will often reveal
positive family history that went undetected in the initial interview. In a similar way, it
is remarkable how interviewing family members of the patient regarding a history of
familial mental disorders pulls forth some surprises. If possible, questioning family
members, in addition to the patient, about mental illness and suicide in the family tree
is a good habit to cultivate.
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Mood disorders: how to sensitively arrive at a differential diagnosis 405
Even the term “nervous breakdown” may sound less stigmatizing to an Asian American
than “psychiatric illness.” If there appears to be confusion over the less direct questions
above, one can ask, “Has anyone in your family, perhaps related to stress, had a nervous
breakdown?” These questions are often of use with almost any patient who is particularly
afraid of stigmatization, no matter what his or her cultural background.
Another potential problem arises if the interviewer is unaware that a particular culture
may use a different word than “depression” for a depressive equivalent. We saw this
problem earlier with the word “nervios” often being used instead of depression (or other
psychiatric disorders). Consequently, when inquiring about a psychiatric family history
with a Latino/a patient (or his or her family members), it can be useful to ask, “Have
there been any of your family members who, when very stressed, developed nervios?” It
should also be kept in mind that many cultures will express depressive equivalents with
somatic symptoms, particularly true in Asian and Hispanic cultures. It is also quite strik-
ing in some refugee populations.82
A final impediment to uncovering a valid family history occurs when the interviewer
is unaware that there are specific major mental disorders unique to the patient’s culture
that are not present in the culture of the interviewer, as we shall examine in Chapter 12.
Obviously, when taking a family history, the interviewer may need to ask directly about
such culture-specific disorders in order to hear about them. A subtle variation occurs
when a similar disorder exists to a DSM-5 disorder, but it might not be viewed as being
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406 The interview and psychopathology: from differential diagnosis to understanding
“psychiatric” in nature in the patient’s culture, hence not shared with the interviewer
when questioning about a family history of psychiatric disorders.
A nice example of this process can be found when interviewing a patient or refugee
from Vietnam. In Vietnamese culture, there is a syndrome called trung gio.83 The syn-
drome has many of the symptoms of a panic attack as defined in the DSM-5. Interestingly,
these attacks are viewed as being literally caused by the wind. Anticipation of such attacks
on a windy day can even result in what might be called agoraphobic tendencies in the
DSM-5. Our point, regarding family history, is that such attacks might not be conveyed
by the patient as being present because they are not necessarily viewed as being a mental
disorder. Instead, they are viewed as being caused by the movements of the wind. In
hunting for a family history of panic disorder with a Vietnamese patient, after asking
directly about panic attacks, the interviewer might add, “Have any of your family members
tended to have problems with trung gio and feel very frightened and upset when they go
out in the wind?”
Clin.: Do you feel your brother had problems with depression or drugs?
Pt.: Him (said with an astonished and sarcastic tone)! No. He’s lily white. He’s never
had any problems.
Clin.: You sound almost surprised by my question.
Pt.: Oh, it’s just that he has always been everybody’s favorite.
Clin.: How have you noticed that?
Pt.: He always made better grades. Report card day was a real pain in the ass for me. I
used to …
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Mood disorders: how to sensitively arrive at a differential diagnosis 407
Personality Disorders:
No disorder but may have narcissistic traits
Medical Disorders:
Chronic bronchitis secondary to smoking
Note that when using the V-code regarding child abuse, it is critical that you explain in detail
in the body of your EHR the exact abuse and your estimate of its severity. This V-code can have
powerful legal ramifications. In this case, after extensive interviewing, if the clinician
believed in the truthfulness of the reporting by Mr. Collier and his wife, he would state
that the physical abuse appeared to be limited to one example of slapping. A wise inter-
viewer would return to this topic in later sessions to see if more abuse was relayed upon
further engagement with Mr. and Mrs. Collier.
Also, after completing this initial interview, I would also advise that the clinician
should consult with a superior to determine whether an interview with the child was
indicated. During this consultation, a decision could be made as to whether any
further requirements existed for reporting to appropriate protective agencies (various
states may have differing laws and regulations governing such reporting of potential
abuse).
In conclusion Mr. Collier’s presentation emphasizes several points:
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408 The interview and psychopathology: from differential diagnosis to understanding
6. Some patients will need you to explain potentially confusing terms, such as schizo-
phrenia or bipolar disorder in everyday language, or they will simply deny their pres-
ence in the family history.
7. Consider carefully cross-cultural differences when taking a family history.
8. A family history occasionally provides a nice take-off point for exploring family
dynamics.
The above five case discussions are not intended to be an exhaustive review of the diag-
nostic subtleties associated with mood disorders. Instead, I have attempted to present a
sound, and hopefully exciting, introduction to the process of differential diagnosis
during an initial interview. My goal has been to show some of the practical interviewing
strategies and techniques for arriving at a DSM-5 diagnosis, while simultaneously showing
how an accurate uncovering of these diagnoses can have profoundly useful ramifications
for our patients’ healing.
I believe it is an opportune time for us to look at some video material. In Video
Module 9.1 below, I will demonstrate the expansion of the diagnosis of a major depres-
sive disorder exactly as described in this chapter. In addition, as mentioned earlier, the
interviewing principles delineated in this chapter on mood disorders are equally appli-
cable to most of the major psychiatric disorders. Thus they can serve as models from
which you can generalize to the expansion of these other disorders.
Consequently, in our optional second video, Video Module 9.2, I thought it might be
fun for the interested reader to have a chance to see both didactic material and subse-
quent interviewing demonstrations in which I illustrate expansions on three disorders
that you will commonly encounter in your clinical practice: panic disorder, generalized
anxiety disorder, and adult attention-deficit disorder. Our optional second video package
allows us to look at didactics and interview segments that cannot be covered in our book
due to space limitations. It’s a bonus of sorts. I hope you find this additional material
to be both useful and enjoyable.
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Mood disorders: how to sensitively arrive at a differential diagnosis 409
In our next chapter, we will move past the art of differential diagnosis and begin to
explore how depressive symptoms are uniquely experienced by our patients and those
who love them. We will see how depression impacts and resonates throughout the matrix
of each patient who enters our offices. From the perspective of person-centered interview-
ing, the art of differential diagnosis is always performed hand-in-hand with the art of
understanding the person beneath the diagnosis. We will now turn our attention to this
equally important second art.
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CHAPTER 10
Interviewing Techniques for
Understanding the Person Beneath
the Mood Disorder
INTRODUCTION
In this chapter, we will search for a more sophisticated understanding of how a mood
disorder is experienced by a patient in each wing of the patient’s matrix as first described
in Chapter 7 on treatment planning. For the sake of conciseness we will collapse the
matrix into the following five wings: biological, psychological, dyadic, familial/societal,
and worldview (as reflected in the patient’s spirituality and framework for meaning). We
will begin with the very smallest system of interaction – biological – and move outwards
through progressively larger systems. We will see how these disorders create damage, and
trigger core pains, throughout the wings of the patient’s matrix from biological and psy-
chological disruptions to the damage done to the patient’s family, friends, workplace,
spirituality, and worldview.
Because there is no time to explore all of the mood disorders, we will focus, specifi-
cally, upon the symptoms of depression, using depressive symptoms as a prototype
through which we might better understand these damaging matrix effects in other mood
disorders, indeed, in all psychiatric disorders. We will see how each depressive symptom
is experienced uniquely by the person beneath the diagnosis, for every depression is a
unique one.
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414 The interview and psychopathology: from differential diagnosis to understanding
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Interviewing techniques for understanding the person beneath the mood disorder 415
a milder depressive state. Thus, the interview begins with the first look, before any words
are uttered.
The slowness of movement probably parallels the disquieting sensation of heaviness
often reported by depressed people. Depression, as Baudelaire suggested with his line,
“When the low heavy sky weighs like a lid …”, often feels like a heavy shawl weighing
down upon the patient’s shoulders. As noted in the last chapter, the arms and limbs of
the patient may feel weighted down, a sensation called “leaden paralysis” in the DSM-5.
This abnormal sensation may be related to the powerfully intense sense of inertia that
can accompany depression. It becomes distressing for the depressed person to initiate
movement; it seems so much easier to simply rest. A young woman with a depressive
disorder vividly describes this phenomenon:
It is so strange. Depression is exhausting in a physical sense. You know, most people have
chores they have to do just to keep their lives going. And if the chores are waiting for you,
and you sit there and look at them, they just seem overwhelming. And I could easily sit
for 2 hours in a chair just looking at some clothes I left on the bedroom floor and not be
able to motivate myself to pick them up. My body just feels heavy, as if it wouldn’t want
to respond unless I absolutely forced it to … Hmm … You know it is actually almost as
if your brain lost half of its ability to control your body in the sense that even making a
decision to pick something up required so much energy that you don’t want to make it.
You feel like it couldn’t possibly be worth it. I just want to vegetate.
This sensitive excerpt brings up another important point with the opening comment, “It
is so strange.” Depressed patients, at times, present a peculiar dichotomy in the manner
in which they cognitively and affectively experience their profound condition. On a
cognitive level, they often feel they are the root of their problem, their speech becoming
an entangled web of self-recrimination and belittlement. They cognitively experience
their depression as being actively caused by their own flaws. Simultaneously, they emo-
tionally experience the depression as coming on them or over them from an outside
source. In a sense, they feel invaded and violated. They feel they are the passive recipients
of a phenomenon that they do not understand or control. This incipient “loss of control”
presents a terrifying threat to their sense of ideal self. Jaspers, with a single word, captures
the pith of this process when he describes depressed patients as experiencing a physical
and emotional “ossification.”2
At present, the etiologic meaning of such radical changes in movement and body
perception in the patient’s biological wing remains unclear. Such changes may represent
a variety of damaging inter-wing matrix effects: psychological defenses to withdraw the
patient from painful external circumstances, social indicators that the person needs help,
cultural attempts to withdraw a malfunctioning person from a potentially dangerous
environment, or spiritual angst revealing itself as the need to withdraw from a meaning-
less world. Or they may be caused by a direct intra-wing matrix effect being the direct
results of a primary biochemical imbalance. Any combination of the preceding factors
is possible. No matter what the etiology of these phenomena, they create frightening
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416 The interview and psychopathology: from differential diagnosis to understanding
experiences for anyone suffering from a depression. In essence, even patients’ bodies
become strangers to them – one more step toward their intense sense of isolation.
The other neurovegetative symptoms also represent an array of biological markers of
depression. Baseline energy withers. Appetite and libido dry up as if parched by the
intensity of the process. These feelings of altered functioning can become immensely
disturbing to patients, sometimes being perceived as further evidence of their personal
failure. With these phenomena in mind, questions such as the following may add depth
to the interview:
As well as allowing patients the chance to ventilate, these questions emphasize that the
interviewer is interested in them as unique people whose depression they alone can
explain.
Before leaving the biological field, I would like to briefly describe some of the biologic
ramifications of an agitated depression. Here too there exists a peculiar dichotomy, as
described by an elderly male patient in response to a question about losing energy, “I
don’t know exactly what you mean, but yeah, I’ve got energy all over the place, driving
me constantly, but no, I don’t have any sustained energy to do anything.” The result in
an agitated depression is often an inability to begin tasks, the patient being disabled by
the frenzy of his or her own agitation.
Note the difference between the disorganized energy seen in an agitated depressive
episode when compared to the organized energy frequently seen in a patient experienc-
ing a dysphoric mania as described in the last chapter. Although the patient with a
dysphoric mania may not successfully complete many tasks, they are compelled to try
them and initially may approach them with a remarkably well-organized drive. As
opposed to the almost frantic inertia seen in a patient suffering from an agitated depres-
sion, a patient with a dysphoric mania may develop and initiate surprisingly intricate
and well-developed plans of action with regards to self-harm, suicide, and violence to
others.
Returning to depression, in an agitated depressive state there exists a nagging need to
move. The energy is unbridled and disobedient. Consequently, the body tends to assume
an incessant display of “bad nerves.” Hands wring each other in a frenzy of confusion.
Fingers pick at the body or pluck the clothes. Sitting becomes an act of will power. From
deep inside the legs there erupts a need to move. Pacing becomes a necessary method of
release as natural as breathing. Especially when the patient is experiencing a depressive
episode marked by melancholia, this agitated state may appear worse in the morning.
In the interview it can be revealing to ask, “What part of the day seems worse to you?”
It is important to remind oneself that a relatively calm patient interviewed at 4:00 P.M.
may have looked remarkably more agitated at 8:00 A.M. Depression nags the body with
an intermittent voice.
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Interviewing techniques for understanding the person beneath the mood disorder 417
I’m so focused inward … When I feel depressed it is such a great pain, and I am paying
so much attention to it trying to control it, that I walk down the street and really don’t
see much at all … I screen out other people because I don’t want to interact with others
… I probably miss a lot. Even in the sense that I can walk down the street where I work
and there can be roses blooming. And if I am really depressed, I don’t even see them. And
I love roses. Whereas, if I am feeling better, even despite the smell of the buses running
around, I will still smell the roses. And I will admire them …
It can come as quite a shock to the interviewer to realize that the interviewer may not
be a feature of the interviewee’s active world. To engage such patients, the clinician needs
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418 The interview and psychopathology: from differential diagnosis to understanding
to enter their world as best as possible. Consequently, the interview with a severely
depressed patient may require a change in style. At times, the clinician must be more
active while also accepting, with patience, the interviewee’s difficulty in responding.
The Window Shade Response
In an even more striking example of the patient’s need to consciously shut out the world,
there is a specific sensation that sometimes plays a role in the shrinking of the patient’s
world. To me, the phenomenon appears to be fairly unique to withdrawn depressive
states, and it is not reported by patients with agitated depressions or anxiety disorders.
I have found it to be a surprisingly reliable marker of the presence of a moderate to severe
depressive episode.
It is a phenomenon perhaps related to the well-documented tendency of depressed
patients to withdraw to their beds for much of the day. When patients seek out their
beds, if they sleep, it is a fitful sleep at best. In point of fact, I find that they are seldom
returning to their beds primarily to sleep. Instead, they are returning to their beds because
they can shut their eyes while in their beds, for it is the natural place in our culture where
it is acceptable to shut one’s eyes. With the closing of their eyes, they have effectively
shut out the stresses of their world. The result is a desperately needed and immediate
sense of relief. Sometimes severely depressed patients will actually draw their bed sheets
over their head, an action often paralleled beforehand by the pulling down of the
window shades so as to darken the room and further isolate themselves from the outside
world.
And here we can see the connection with the uniquely depressive phenomenon that
I hinted at above. Specifically, patients coping with depression not infrequently feel a
need to shut their eyes, even while standing or walking about. It is as if the depressed
patient is escaping the world by pulling down the ultimate window shade – their own
eyes. Sometimes this need to shut the eyes is almost overpowering.
This “window shade response” was poignantly described by a particularly articulate
lawyer, who first introduced me to the phenomenon. I have since found it to be common
in moderate to severely depressed patients. He described it as follows. Note that he too,
as with the patient above, emphasizes the “overwhelming” sensation experienced when
depressed:
It is so odd. It is not a desire to rest or sleep, it’s not sleepiness. I just want to shut every-
thing out. As soon as I shut my eyes, I feel some relief. And I just don’t want to open them
and face the world again … It really feels like I’m driven to do it, because the relief feels
so good … It can come over me, and that’s exactly what it feels like, like the urge to shut
my eyes is somehow coming over me, almost against my will, almost any time when I’m
really depressed.
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Interviewing techniques for understanding the person beneath the mood disorder 419
During this last depression, I forced myself to keep up with my morning walks before work,
which I’m really proud I did. It was tough to do, but I’m glad I did it. But here’s the
strange thing. I’d be walking on the old dirt road up behind my house through a beautiful
woodland and I would feel compelled to close my eyes while I was walking. And I did! I
would do it for several paces intermittently. I didn’t even want to see the woods around
me. I didn’t want to see anything. It’s hard to believe that several hours later, I’d be in
court trying to do my best for my client. If they only knew what I looked like just 3 hours
earlier.
To uncover the “window shade response” I have found the following question to be
useful:
“When you’re really depressed, do you sometimes have an intense desire to just shut
your eyes? It seems almost odd to you how strongly you want to shut your eyes, to
just shut the world out?”
I think you will find the presence of the window shade response to be a surprisingly
reliable marker of a moderate to severe depressive state in the interviewee. As I noted
above, in my experience, it does not appear to be present in patients experiencing a pure
anxiety disorder such as a generalized anxiety disorder or obsessive–compulsive disorder.
In addition, it is very engaging to inquire about the phenomenon, for depressed patients
are often surprised that you are familiar with the sensation.
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420 The interview and psychopathology: from differential diagnosis to understanding
chance to ventilate and describe her financial concerns. When an effort was made to learn
more about her depressive symptoms, the patient would not move on.
Clin.: Mrs. Jones, can you tell me a little bit about the effect of all these troubles on your
sleep?
Pt.: Sleep, can’t sleep … (pause) can’t sleep because of the bills. I just know we won’t
be able to pay the bills. Oh God, my children, we’ll be ruined.
Clin.: No question about it, the money situation needs to be addressed. I’m also trying to
figure out more about your depression too, it’s also a big problem for you right
now. It might be even making it harder to fix the money situation. The reason I’m
trying to learn more about your sleep is that it will help me to understand more
about your depression and what type of medications might help you the most,
that’s why I’m asking you about it. For instance, how long has it been taking you to
fall asleep?
Pt.: I don’t know, all I think about are the bills. I know that somehow I’m to blame.
What will we do? What will we do! Somebody has got to help.
Clin.: Mrs. Jones, I know it can be really hard to not talk about your financial concerns,
and we’ll spend a lot more time doing so later; but, you know, in order to help
you, I think I need to learn more about what your depression has done to you and
what it feels like to you. To help us stay focused, I’m going to ask you some
important questions, and if we get sidetracked I will pull us back to the question. It
will help us figure out which of your symptoms we can help you with as fast as
possible. Once again think carefully, how long is it taking you to fall asleep? (the
preceding is said with a calm but firmer tone)
Pt.: It’s bad, real bad, maybe 2 or 3 hours; I just can’t fall asleep. My nerves are shot.
Clin.: Can you stay asleep or do you keep waking up?
Pt.: Stay asleep! I wish. God knows. I can’t ever get a good night’s sleep. Ever. Ever.
With proper timing, such an intervention may open a cage. At other times, the caging of
the patient will not yield despite the interviewer’s best intentions.
Cognitive Distortions as Conceptualized by Aaron Beck
Aaron Beck, one of the founders of cognitive psychotherapy, has delineated many specific
cognitive impairments in depression. Beck has pointed out that depressed patients may
over-generalize, with statements such as “Everything has fallen apart” or “No one cares
about me.” They can exaggerate, in essence creating the proverbial mountain out of a
molehill with a statement such as, “My boss Mr. Henry looked angry. He’s dissatisfied
with me. I’m sure it is only a matter of time until I’m fired.”
They also have a tendency to ignore the positive. For instance, a businesswoman con-
fused me with the following statement, which illustrates this principle: “It’s the best
Christmas season we’ve ever had. We’re really selling books all over the place. But I set
myself a remarkably high quota. If we don’t meet it, I will have failed miserably as a
manager.”
Beck has also described a trio of distortions – the cognitive triad – that frequently
appears in depression: (1) negative view of the world, (2) negative concept of the self,
and (3) a negative appraisal of the future.4
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Interviewing techniques for understanding the person beneath the mood disorder 421
When I’m really depressed every negative, every unpleasant thing that I could possibly
think of that might be happening to another person like someone being hit by a car or
someone getting cancer or a dog being injured will trigger personal fear and worry that
the world is bad. And so the depression has no justification to ever lift because everything
about life is horrible. It’s all just proof that depression is reality just looking itself in the
face …
Dr. Newhart: (after entering the office) I can’t believe it, I left my wallet at home.
Mr. Herd: I did it … You were worried about me and forgot your wallet over me … I’m
sorry, I’m really sorry. I won’t let it happen again.
Although funny in the Newhart show, the process of self-blame stands as a vicious cogni-
tive trap. In a sense, it may represent a milder variant of the much more ominous
symptom known as delusional guilt.
Third Distortion in Beck’s Triad: Negative View of the Future
Another jarring twist in cognitive process comes to mind at this point. Depressed patients
sometimes exhibit a trait that I prefer to call “an immunity to logic,” which can be very
frustrating to the family, therapist, or initial interviewer. Facts are simply irrelevant. This
immunity to logic, which is just one example of the processes that can lead to a negative
view of the future, was brilliantly depicted by Minkowski, while at the same time illus-
trating the blocking of the future mentioned earlier. Minkowski spent several months
living with a man experiencing a psychotic depression. The following excerpt refers to
Minkowski’s vain efforts to convince his apartment-mate that he would not be horribly
mutilated and subsequently executed:
From the first day of my life with the patient, my attention was drawn to the following
point. When I arrived, he stated that his execution would certainly take place that night;
in his terror, unable to sleep, he also kept me awake all that night. I comforted myself
with the thought that, come the morning, he would see that all his fears had been in vain.
However, the same scene was repeated the next day and the next, until after 3 or 4 days
I had given up hope, whereas his attitude had not budged one iota. What had happened?
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422 The interview and psychopathology: from differential diagnosis to understanding
It was simply that I, as a normal human being, had rapidly drawn from the observed facts
my conclusions about the future. He, on the other hand, had let the same facts go by him,
totally unable to draw any profit from them for relating himself to the same future. I now
knew that he would continue to go on, day after day, swearing that he was to be tortured
to death that night, and so he did, giving no thought to the present or the past. Our
thinking is essentially empirical; we are interested in facts only in so far as we can use
them as basis for planning the future. This carry-over from past and present into the future
was completely lacking in him; he did not show the slightest tendency to generalize or to
arrive at any empirical rules.5
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Interviewing techniques for understanding the person beneath the mood disorder 423
Such a self-loathing only intensifies their feeling of loneliness, because they are repulsed
by their own company. To the guilt-laden patient, it seems as if he or she lacks any
real existence or purpose at all except for his or her pain. As described above, these
feelings can shift imperceptibly into the potentially lethal thought that “I am truly a
burden to those I love.” It is a thought that Joiner feels can be one of the most reli-
able of interpersonal harbingers of a suicide attempt. Sometimes guilt-laden thoughts
may emerge in the interview in a more oblique fashion as in, “Don’t bother with me.
Talk with someone you can help.” The initial interviewer needs to probe beneath such
comments, hunting for the more dangerous logic that “others would be better off if I
were dead.”
Carlat suggests the following types of questions for helping patients share even subtle
feelings of guilt8:
Depressive Helplessness
From their social isolation and their repugnance toward themselves, feelings of helpless-
ness emerge naturally. This profound sense of helplessness can contribute to the inertia
that effectively prevents therapeutic encounters. Phrased succinctly, depressed patients
wonder “Why bother?” The interviewer can easily estimate the role of this factor by
simply asking, “Have you been feeling helpless?” A more sophisticated gauge may emerge
with the question, “At this time, what kinds of ways of getting help do you see for your-
self?” A blank negative or dismal shake of the head in response to this question should
alert the interviewer to the potential seriousness of the depression.
Depressive Hopelessness
Finally, all of the above depressive themes may lead to hopelessness. Beck has demon-
strated that hopelessness represents a more specific and sensitive predictor of suicide
potential than depressive mood itself.9 As such, the interviewer can begin to measure the
degree of hopelessness with an indirect question, such as “What do you see for yourself
in the future?” and/or follow up more directly with, “Are you feeling hopeless?”
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424 The interview and psychopathology: from differential diagnosis to understanding
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Interviewing techniques for understanding the person beneath the mood disorder 425
It makes it harder to interact with people. It decreases your motivation for talking … first
of all because you are so acutely aware of how depressed you are that you are convinced
that other people are going to recognize it immediately, and it is very embarrassing to
think that. So it makes you feel as if any interaction with other people will make you feel
as if you will need to put on a front. It requires a lot of energy to do that. And that makes
you very tired. It is sort of a circular motion … you see how much energy it will take to
relate so you avoid doing it. I have even noticed that if I enter a store or see a Burger
King and I want coffee I tend to speak softer and not really smile like I normally do.
When I am depressed I want to limit the interaction as much as possible so I don’t smile
and I don’t really look at them. I just want to get it over with and get away …
This excerpt illustrates several subtle facets of interpersonal disruption. At one level,
the depressed person feels withdrawn and consequently attempts to decrease interac-
tion. This decrease in interaction robs the depressed person of the chance to gain
positive reinforcement from others, as mentioned earlier. But, perhaps more impor-
tantly, depression decreases the quality of the remaining interactions. The decreased
smiling, the decreased spontaneity, and the curtness of interaction displayed by the
patient can be perceived by others as coolness or aloofness. Once perceived in this
manner, people may treat the depressed person with increased reserve. For instance,
an employee behind the counter at a fast food chain may snap at the person, thus
further creating a hostile environment. This generates a self-fulfilling prophecy in
which the patient creates a hostile world, a world lacking rewards for interactions
with others.
This destructive cycle can be one of the forerunners of the learned helplessness some-
times seen in depression and postulated by Seligman as an etiology of depression.12
Seligman discovered that if you experimentally expose an animal, such as a dog, to ines-
capable aversive stimuli, the dog will eventually stop attempting escape. The animal
appears to give up. It does not attempt to find new ways of coping. Once this learned
helplessness has occurred, exploration ceases. With the cessation of exploration, the
chance for new learning and positive reinforcement vanishes. In a sense, the helplessness
has ensured its own survival. A very similar process may occur in humans, perhaps made
even more damaging by the uncanny ability of the human to cognitively reframe such
interactions into self-derogatory beliefs such as, “Obviously, nobody likes me,” or “I don’t
even know why I bother.”
The interviewer can search for evidence of interpersonal dysfunction and learned
helplessness with questions such as the following:
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426 The interview and psychopathology: from differential diagnosis to understanding
a. “Do you find yourself going out as frequently as you used to?”
b. “Tell me what it is like for you when you are around people at work?”
c. “When you talk with people what kinds of feelings do you have, like if you meet a
friend on the street?”
d. “How do people seem to be treating you?”
e. “Do you find yourself easily irritated or ‘flying off the handle’ recently?”
f. “Does it require much energy to be around people such as your friends?”
g. “Are you spending the same amount of time on social media?”
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Interviewing techniques for understanding the person beneath the mood disorder 427
calm and a calming style. Indeed, any suggestions of haste or irritation may be interpreted
in a highly disengaging fashion by the depressed patient. A frustrated interviewer may
be perceived as, “Just like everyone else, you find me irritating.” Such an interaction
hardly sets an ideal platform for a therapeutic alliance.
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428 The interview and psychopathology: from differential diagnosis to understanding
such a point, pertinent and startling information may emerge. If the clinician had pre-
vented the tearfulness by cutting it off abruptly or by changing topics, then valuable
information might have been lost.
Of course, at times, one might find a patient whose uncontrollable crying prevents
progress. To further the interview, statements said reassuringly but firmly such as the
following may be effective, “Mr. Jones this is obviously very upsetting and would be to
anybody. Take a moment to collect yourself. It’s important for us to talk more about
what is bothering you.”
But, generally speaking, interviewers tend to prematurely shut down crying, perhaps
because it is disturbing to feel another person’s pain. Another emotion may also con-
tribute to this premature shut-down, for the patient’s tearfulness can make the interviewer
feel awkwardly helpless. On a deeper level, it remains important for interviewers to
understand their spontaneous feelings when someone cries. In this regard, part of the
interviewer’s basic training should be a search for answers to questions such as the
following:
By exploring such questions, the interviewer decreases the risk that countertransference
issues will adversely affect the ability to deal with a crying patient. In the last analysis,
many a powerful therapeutic alliance has been forged by a clinician’s calming and mature
response to a patient’s first tears.
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Interviewing techniques for understanding the person beneath the mood disorder 429
Family interaction may be the primary root of the depression, as in a hateful sibling
rivalry or incest. At other times, the depression may have its roots in a biochemical
process yet damaging matrix effects will reverberate throughout the family. A case in point
would be a spouse laid off from work secondary to a severe endogenous depression.
Surely, all members of the family will feel the pains of this depressive process, almost as
if the biochemical imbalance were in their own neurochemistry. Finally, family pathology
may feed a depression already caused by another wing of the patient’s matrix, such as
the biochemical or psychological system. For instance, an abusive spouse may re-enforce
a depressed patient’s guilt by making denigrating comments such as, “You’re letting
everybody down, especially the kids, you’re truly worthless.”
Cultural biases can also impact on how a depression reverberates throughout the
members of a family. In Asian cultures, a family member’s depression may be viewed as
a bad reflection upon the entire family, in which case added shame and guilt may fall
upon the patient struggling with the depression. Such cross-cultural influences may also
make it harder for a clinician, when interviewing an Asian American, to hear the truth
about a patient’s degree of disability from family members for there may be covert cul-
tural pressures to keep this quiet.
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430 The interview and psychopathology: from differential diagnosis to understanding
fearing that nothing will change, despite their best efforts. Not personally experiencing
the patient’s anhedonia and loss of energy, they cannot understand why the patient does
not help himself or herself. They also find their own daily activities continuously inter-
rupted by the complaints and actions of the depressed person. If the initial interviewer
has the opportunity to meet family members, sometimes their statements and nonverbal
messages may be the first clue that depression is the diagnosis.
“I can see that you are providing great support for your mother during her depression
but I’m wondering who is providing you with support?”
I have seen family members burst into tears following such a question as they simply
answer, “No one.”
Occasionally, you will need to inquire about suicidal thought in a family member. It is not
uncommon to help family members to connect with appropriate mental health follow-up
for themselves if necessary.
In the last analysis, it is difficult to over-estimate the pain generated in family members
by watching their loved one suffer. The angst of seeing a child or spouse suffer from a
mental disorder while feeling helpless to relieve his or her pain is, quite frankly, beyond
words. I can vouch for this pain, for I have felt it myself.
One of our greatest gifts as clinicians is to take the time to help relieve the suffering
of those family members who love the patients for whom we are providing care for ill-
nesses ranging from depression to bipolar disorder and schizophrenia. In this regard, be
sure to checkout the wonderful article, “Practical Interview Strategies for Building an
Alliance with the Families of Patients Who have Severe Mental illness” by Murray-
Swank,14 (complete article available in Appendix IV).
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Interviewing techniques for understanding the person beneath the mood disorder 431
a. “Who in your family seems to understand your depression and who doesn’t?”
b. “Who in your family are you concerned about right now?” (The answer may uncover
a family member who is having trouble coping with the patient’s depressive state.)
c. “How do you think your family members view your depression?”
d. “What kinds of suggestions have your family members been making to you about
how to feel better?”
e. “Have you been feeling any pressure from anyone in your family to get better?”
f. “Has anyone in your family told you that you ‘just need to pick yourself up by the
bootstraps’?”
g. “Has anyone in your family said something to you like, ‘I’m sick of you being
depressed all the time.’”
h. “What kind of pressures has your spouse been coping with recently?”
i. “Do you think your spouse views you as a problem?”
Questions such as the above must be asked in sensitive fashion with the clinician always
being aware of their impact on the patient. When used effectively, they will often yield
valuable information about the “psychodynamics” of the family. They may elicit inter-
personal tensions between specific family members, where more direct questioning
might have elicited denial.
For instance, when answering the question about pressures on the spouse, the patient
may relate feelings of guilt for being a burden, feelings of anger towards the spouse for
perceived neglect, disgust at the spouse’s over-attention to work or other family members,
or he or she may seem detached and uninterested in the spouse. From such a question,
one may also learn valuable information about situational stressors in the family system
as well.
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432 The interview and psychopathology: from differential diagnosis to understanding
such as the job environment, church groups, social organizations, and social media
such as Facebook, Instagram, and Twitter, where the patient’s participation may
plummet.
From a different perspective, such systems may act as major stressors triggering the
depression in the first place. Conversely, they may act as important supports, helping to
buffer the patient from their depression. Society itself can be an integral system involved
in depression. Careful questioning might reveal that the husband of Mrs. Thomas had
been forced to retire secondary to economic layoffs. Or perhaps her family had recently
relocated because of increasing taxes in their former state. Likewise, the hospitalization
of patients such as Mrs. Thomas may ultimately affect the Medicaid and Medicare systems
or the Affordable Care Act. The societal cost in treating depression, and in lost productiv-
ity in the workplace, is estimated in the billions of dollars per year, a striking example
of a damaging matrix effect.
1. “You know, I’m not entirely certain how depression is viewed in the West. Back in
the States, do people tend to talk about depression openly or do they hush it up?”
2. “I’m curious about how your family and friends view depression?”
3. “Help me to get a better understanding of how Christianity views suicide, for instance
is it viewed as a sin and could one get to heaven if one had killed oneself?”
The answers to such questions can be quite revealing. They may prove to be the
gateway to an engaging and potentially life-saving discussion. No matter how you
mark it, cultures shape depressive episodes. Conversely, depression leaves its mark
throughout all the interlocking wings of the patient’s matrix. The sensitive interviewer
understands these inter-relationships and attempts to make a reconnaissance of each
system during the initial and subsequent interviews. Through this diligent search, the
puzzle of depression may become clearer and avenues of therapeutic intervention more
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Interviewing techniques for understanding the person beneath the mood disorder 433
apparent. As we’ve just seen in our review of the cultural ramifications of depression,
spirituality itself can partially shape depression. It is time to explore this impact in
more detail.
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434 The interview and psychopathology: from differential diagnosis to understanding
Pt.: Yes I have. Every day. It helps, but I wonder if maybe I ask for too much. Perhaps I
am to blame.
This vignette provides a wealth of information for the clinician. In the first place, religion
obviously plays a major role in this person’s life. The interviewer may want to further
examine the possible therapeutic supports that religion could provide, such as meetings
with a pastoral counselor, minister, or choral church activities. However, it is possible
that religion may be feeding some guilty ruminations that are part of the depressive
process itself. Perhaps even more important, the clinician has some clues concerning
where engagement could go wrong. In particular, the patient’s statement, “Man is not
the answer. Man provides artificial answers,” serves as an alert to the clinician. Specifi-
cally, the patient may find treatment modalities such as psychotherapy or medication as
clearly “artificial answers.” Premature reference in the interview to such treatments could
easily rupture engagement. The clinician will need to proceed cautiously, trying to gently
find out what this particular patient wants in the way of help.
It is beyond the scope of this chapter to discuss the numerous ramifications that the
search for meaning may play in depression. I refer the reader to authors such as Frankl,16
Yalom,17 Josephson and Peteet,18,19 and Cloninger,20 who address these issues in the detail
they deserve. In closing, I am reminded of another example in which understanding the
patient’s framework for meaning helped in the initial interview of a patient with depres-
sive complaints. I had been asked to see this patient as a psychiatric consultant on a
medical ward.
Mr. Kulp (as I shall refer to him) was a 55-year-old man with alcoholism suffering
from moderately severe Parkinson’s disease (a progressive form of muscular rigidity). He
had been admitted with suicidal ideation following a drunken spree. He had many
stressors, not the least of which was a markedly battered self-image created by the stiffen-
ing of his body from his Parkinson’s disease. Mr. Kulp had always prided himself on
being an energetic breadwinner for his family. He viewed himself as a tough Marine.
This latter affiliation surfaced when I asked him if he liked to read. He mentioned
that he loved to read, pointing to his books. When I asked if I could see them, he enthu-
siastically showed them to me. All of them concerned Marines and various war heroes,
which led to a discussion of his former Marine days, including his boot camp experiences.
At the time, I did not know exactly what to make of this information. Later its usefulness
would become apparent.
By way of understatement, Mr. Kulp did not respond positively to my recommenda-
tions that he needed to enter a local alcohol rehabilitation center. As the discussion
proceeded, I felt that he would decide against entering the program. He balked, stating
that it would be too big of a time commitment and too tough. At which point I made
a comment to the effect, “Well Mr. Kulp, I guess you’re right. It’s a tough commitment,
but not your first. It’s sort of like boot camp was a tough commitment. But you needed
boot camp. It made a good soldier of you. Maybe you and your family need this
program.” This statement appeared to affect Mr. Kulp. He eventually decided to enter the
rehabilitation program. Perhaps he would have entered anyway, but the understanding
of his framework for meaning certainly seemed to help. Suddenly the rehabilitation
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Interviewing techniques for understanding the person beneath the mood disorder 435
program was not viewed as a foreign entity; it was akin to his familiar and respected boot
camp. Mr. Kulp had been given a chance to be a soldier again.
REFERENCES
1. Baudelaire C. The flowers of evil. Franklin Center, PA: The Franklin Library; 1977. p. 123.
2. Jaspers K. Symptom complexes of abnormal affective states. In: General psychopathology. Manchester, UK: Manchester
University Press; 1963. p. 598 [Original work published 1923].
3. Minkowski E. Findings in a case of ‘schizophrenic’ depression. In: May R, editor. Existence. New York, NY: A
Touchstone Book; 1958. p. 133.
4. Beck AT. Cognitive therapy and the emotional disorders. New York, NY: The American Library; 1976. p. 105.
5. Minkowski E. 1958. p. 132.
6. Joiner T. Why people die by suicide. Cambridge, MA: Harvard University Press; 2005.
7. Joiner TE, Van Orden KA, Witte TK, Rudd MD. The interpersonal theory of suicide: guidance for working with suicidal
clients. Washington, DC: American Psychological Association; 2009. p. 57.
8. Carlat D. The psychiatric interview. 3rd ed. Philadelphia, PA: Wolters Kluwer/Lippincott Williams & Wilkins; 2012. p.
168.
9. Beck AT, Kovacs M, Weissman A. Hopelessness and suicidal behavior. JAMA 1975;234:1146–9.
10. MacKinnon RA, Michels R, Buckley PJ. The psychiatric interview in clinical practice. 2nd ed. Washington, DC:
American Psychiatric Publishing, Inc.; 2006. p. 229–80.
11. Akiskal H, McKinney W. Research in depression. In: Guggenheim F, Nadelson C, editors. Major psychiatric disorders:
overview and selected readings. New York, NY: Elsevier Science Publishing Co.; 1982. p. 73.
12. Akiskal H, McKinney W. 1982. p. 74.
13. MacKinnon RA, Michels R, Buckley JR. 2006. p. 256.
14. Murray-Swank A, Dixon LB, Stewart B. Practical strategies for building an alliance with the families of patients who
have severe mental illness. Psychiatr Clin North Am 2007;30(2):167–80.
15. Gurman AS, Kniskern DP, editors. Handbook of family therapy. New York, NY: Brunner/Mazel Publisher; 1981.
16. Frankl VW. The doctor and the soul. New York, NY: Vintage Books; 1973.
17. Yalom I. Existential psychotherapy. New York, NY: Basic Books; 1980.
18. Josephson AM, Peteet JR. Handbook of spirituality and worldview in clinical practice. Washington, DC: American
Psychiatric Publishing, Inc.; 2004.
19. Peteet JR. Putting suffering into perspective: implications of the patient’s worldview. J Psychother Pract Res
2001;10:187–92.
20. Cloninger CR. Feeling good: the science of well-being. Oxford, UK: Oxford University Press; 2004.
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CHAPTER 11
Psychotic Disorders: How to
Sensitively Arrive at a
Differential Diagnosis
INTRODUCTION
One wonders what the world is like when a plank in reason splinters, as Emily Dickinson
describes the slip into psychotic process. The more we, as clinicians, can develop a feeling
for this world, the easier it is to uncover subtle psychotic states. As intuitive understand-
ing increases, it also becomes easier to understand the needs of the patient, an under-
standing that leads directly into a more compassionate, person-centered interview.
To begin our exploration, we will turn to Gérard De Nerval, a poet of extreme talent,
who had the misfortune of falling through a plank in reason sometime during the middle
of the Victorian Era. De Nerval was a gifted Symbolist poet, who was also a world traveler
and a man deeply interested in philosophy. He was blessed with a child-like awe of
nature. In 1841 he experienced his first psychotic break. Some 14 years later, psychotic
process would lead him on a cold winter night to an iron gate bordering an alley near
the Boulevard St-Michel. There, the following morning, he was found hanging from a
railing with his neck fatally embraced by an apron string.1
On the morning after his suicide, fragments of a work entitled Le Rêve et la Vie were
found in his pocket. It is this piece that provides us with our first glimpse into the world
of psychosis:
First of all I imagined that the persons collected in the garden (of the madhouse) all had
some influence on the stars, and that the one who always walked round and round in a
circle regulated the course of the sun. An old man, who was brought there at certain hours
of the day, and who made knots as he consulted his watch, seemed to me to be charged
with the notation of the course of the hours …
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438 The interview and psychopathology: from differential diagnosis to understanding
I seemed to myself a hero living under the very eyes of the gods; everything in nature
assumed new aspects, and secret voices came to me from the plants, the trees, animals,
the meanest insects, to warn and to encourage me. The words of my companions had
mysterious messages, the sense of which I alone understood.2
In some respects, it is De Nerval’s last statement that provides one of the most telling
clues as to the nature of psychotic process. As psychotic process becomes more intense,
the patient’s world becomes progressively more unique to the patient, receding further
from the experience of the world as witnessed by others. In this sense, psychosis can be
defined in simple terms as a breakdown of perceptual, cognitive, or rationalizing func-
tions of the mind to the point that the individual experiences reality very differently than
other people within the same culture.
De Nerval’s world became filled with a maelstrom of curious and disturbing sensa-
tions. His words sensitively depict a variety of classic symptoms of psychosis, including
delusions, ideas of reference, and hallucinations. It also demonstrates the fact that some
aspects of psychotic process may be exciting and even beautiful. But – and this is an
important “but” – psychosis is almost invariably ultimately accompanied by an intensely
painful collection of fears. The patient senses impending catastrophe. For instance, De
Nerval states, “An error, in my opinion, had crept into the general combination of
numbers, and thence came all the ills of humanity.” Such paranoid perception can create
a tremendous sense of urgency and responsibility in those experiencing psychotic process.
Perhaps for De Nerval, it was the realization that he could not correct this heinous error
in the universe that led him to believe that his life should be ended because he had failed
both God and humanity.
There are many aspects of psychotic process that, to my mind, demarcate it from the
innovative workings of eccentric and/or creative men and women, whose thought is
clearly at variance with the worldview of most people but is not a psychotic process.
Creative thinking may bear a resemblance to psychotic process, but it is not identical to
it. We shall see that it is not so much the content of the psychotic thinking that is patho-
logic, but more the way in which the thinking occurs that marks the process as
psychotic.
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Psychotic disorders: how to sensitively arrive at a differential diagnosis 439
already seen, mood disorders such as major depressive disorder and bipolar disorder can
present with psychotic symptoms. It is never enough to simply state that the patient
appears to be psychotic, because one must proceed to determine what diagnostic entity
is causing the psychotic process. With some disorders such as schizophrenia and psy-
chotic bipolar disorder, timely recognition can lead to early intervention, lower doses of
antipsychotic medications, and an untold reduction in the patient’s severity and duration
of suffering. Other disorders that can sometimes feature psychosis such as deliria and
central nervous system infections, can prove to be acutely life threatening, requiring
immediate diagnostic recognition. In this chapter we will look at the interviewing tech-
niques and strategies that will allow us to spot these diagnostic distinctions in a sensitive,
rapid, and accurate fashion.
To accomplish this task, we will look at seven clinical vignettes that illustrate the
diversity of possible disorders that can present with psychotic symptoms. Once again,
the emphasis will be upon a discussion of both the symptoms experienced by the patients
and the practical interviewing techniques that allow us to more sensitively and effectively
uncover these symptoms. In the process we will explore the interface between interview-
ing and the delicate art of differential diagnosis.
Before proceeding with this clinical material, it may be of value to review the DSM-5
criteria for schizophrenia, because schizophrenia may very well represent the classic
example of a psychotic illness. One of the main goals in the approach to any psychotic
patient remains the determination of whether or not schizophrenia is present. To this
end the DSM-5 criteria are as follows3:
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440 The interview and psychopathology: from differential diagnosis to understanding
D. Schizoaffective disorder and depressive or bipolar disorder with psychotic features have been ruled
out because either (1) no major depressive or manic episodes have occurred concurrently with the
active-phase symptoms, or (2) if mood episodes have occurred during active-phase symptoms, they
have been present for a minority of the total duration of the active and residual periods of the illness.
E. The disturbance is not attributable to the physiological effects of a substance (e.g., a drug of abuse,
a medication) or another medical condition.
F. If there is a history of autism spectrum disorder or a communication disorder of childhood onset, the
additional diagnosis of schizophrenia is made only if prominent delusions or hallucinations, in
addition to the other required symptoms of schizophrenia, are also present for at least 1 month (or
less if successfully treated).
Specify if:
The following course specifiers are only to be used after a 1-year duration of the disorder and if
they are not in contradiction to the diagnostic course criteria.
First episode, currently in acute episode: first manifestation of the disorder meeting the defining
diagnostic symptom and time criteria. An acute episode is a time period in which the symptom
criteria are fulfilled.
First episode, currently in partial remission: Partial remission is a period of time during which an
improvement after a previous episode is maintained and in which the defining criteria of the
disorder are only partially fulfilled.
First episode, currently in remission: Full remission is a period of time after a previous episode
during which no disorder-specific symptoms are present.
Multiple episodes, currently in acute episode: multiple episodes may be determined after a
minimum of two episodes (i.e., after a first episode, a remission, and a minimum of one relapse).
Multiple episodes, currently in partial remission.
Multiple episodes, currently in full remission.
Continuous: Symptoms fulfilling the diagnostic symptom criteria of the disorder are remaining for
the majority of the illness course, with subthreshold symptom periods being very brief relative to
the overall course.
Unspecified.
Specify if:
With catatonia (refer to the criteria for catatonia associated with another mental disorder, pp.
119–120, for definition).
Coding note: Use additional code 293.89 (F06.1) catatonia associated with schizophrenia to
indicate the presence of the comorbid catatonia.
Specify current severity:
Severity is rated by a quantitative assessment of the primary symptoms of psychosis including
delusions, hallucinations, disorganized speech, abnormal psychomotor behavior, and negative
symptoms. Each of these symptoms may be rated for its current severity (most severe in the last
7 days) on a 5-point scale ranging from 0 (not present) to 4 (present and severe). (See Clinician-
Rated Dimensions of Psychosis Symptom Severity in the chapter “Assessment Measures”).
Note: Diagnosis of schizophrenia can be made without using this severity specifier.
Reprinted with permission from the Diagnostic and Statistical Manual of Mental Disorders, Fifth Edition, (Copyright
©2013). American Psychiatric Association. All Rights Reserved.
It should be noted that there also exists a diagnosis, schizophreniform disorder, that is
applied when a patient meets Criterion A of schizophrenia (as well as having ruled out
depressive disorder with psychosis, bipolar disorder, and schizoaffective disorder) but
the symptoms do not last for 6 months nor necessarily result in a marked decline in
functioning. In the schizophreniform disorder, the symptoms (including prodromal,
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Psychotic disorders: how to sensitively arrive at a differential diagnosis 441
active, and residual phases) must last at least 1 month but less than 6 months. Many
patients who have received this diagnosis provisionally will eventually receive the diag-
nosis of schizophrenia if their symptoms last longer than 6 months and significant
impairment in functioning begins to appear.
For psychotic presentations of an even shorter duration, the DSM-5 delineates the
diagnosis of brief psychotic disorder. This diagnosis is used when the patient has one (or
more) of the following symptoms, with at least one of the symptoms being in the first
three listed: (1) delusions, (2) hallucinations, (3) disorganized speech, and (4) grossly
disorganized or catatonic behavior. The timeframe is at least 1 day but less than 1 month,
with the patient eventually having a full return to his or her previous level of functioning.
If the psychotic episode is triggered by a specific stressor, this stressor should be specified.
Such psychotic episodes are often called brief reactive psychoses in the clinical literature.
To begin our discussion, let us meet some people who have had the misfortune of
falling through a plank in reason. As with Chapter 9, where we examined the differential
diagnosis of mood disorders, it is assumed, for the sake of discussion, that the following
clinical material was obtained during an initial assessment interview unless otherwise
noted.
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442 The interview and psychopathology: from differential diagnosis to understanding
hallucinations should alert the clinician to the possibility that a general medical condi-
tion may be causing the disorder. Schizophrenia can cause visual hallucinations but
auditory hallucinations are significantly more frequent. However, general medical causes
of psychosis (e.g., substance abuse and withdrawal, endocrine disorders, infections,
toxins, and seizures) frequently present with extremely vivid visual hallucinations, with
or without auditory hallucinations.
Fish has suggested that the quality of the visual hallucination may tend to vary
depending on whether schizophrenia or a general medical process is present,4 but no
specific characteristics clearly differentiate them. Nevertheless, some characteristics seem
to be more common in each category and may provide clues to etiology.
Visual hallucinations in patients whose psychosis is caused by a general medical con-
dition, as seen with delirium, tend to vary from the classic psychoses by preferentially
occurring at night, by being briefer in duration, and by being more frequently perceived
as moving. They may also have little personal significance to the patient. For example, a
patient with schizophrenia may hallucinate about a recently deceased relative, whereas
the delirious patient may see snakes.5
With patients for whom the psychosis is caused by drugs or other general medical
conditions, the hallucinations may appear more frequently and more vividly when the
patient is in a darkened room or has his or her eyes shut. This is not the case with people
with schizophrenia, who tend to see their hallucinations with eyes open or who experi-
ence little difference whether the eyes are open or closed.6,7 In this sense, it is of value
to ask patients, “When you see your hallucinations, what happens if you close your eyes?”
With a hospitalized patient it is of value to check with the nursing staff concerning
whether the patient is hallucinating more at night.
With people suffering from schizophrenia, visual hallucinations seldom occur by
themselves. They usually present with auditory hallucinations or hallucinations from
some other sensory modality.8 Also of interest to the interviewer is the fact that
schizophrenic hallucinations are frequently superimposed on an otherwise normal-
appearing environment or may even appear with the surrounding environment absent.
In hallucinogenic drug-induced psychoses, the entire environment frequently seems
distorted with numerous illusions and hallucinations.9 In a similar vein, the visual
hallucinations of schizophrenia tend to appear suddenly, without preceding visual
illusions or less formed visual hallucinations; whereas visual hallucinations caused
by a general medical condition, as seen in delirium, tend to have a prodrome of
visual illusions, simple geometric figures, and alterations of color, size, shape, and
movement.9
Patients with schizophrenia tend to see concrete things such as faces, body parts, or
complete figures, as opposed to geometric patterns or poorly formed images. On the
other hand, once patients whose psychosis is caused by a general medical condition begin
seeing concrete images, it has been my experience that the images frequently appear
extremely real to the patients. The delirious patient may look on with terror, pointing
towards the hallucination, eyeing it warily, or moving away from it as it appears to
approach. Occasionally the patient’s affective response may be pleasurable, as experi-
enced with hallucinations of miniature people, so-called Lilliputian hallucinations,
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Psychotic disorders: how to sensitively arrive at a differential diagnosis 443
sometimes seen in the early stages of delirium tremens (DTs) and other medically related
states.10
In Mr. William’s case, the interviewer asked him if he could point more closely to the
creature in question. Mr. Williams hesitantly obliged by cautiously moving his hand
towards the open space in front of his feet. Abruptly he halted, “I ain’t getting no closer!”
It became even more apparent that the hallucination was vivid and quite realistic. At
times, these types of hallucinations can create a peculiar sensation in the interviewer,
because the actions of the patient, like the movements of a mime, create the feeling that
one ought to be seeing something.
Sometimes the terms “hallucination” and “illusion” are confused. Mr. Williams pres-
ents with a true hallucination, for with hallucinations the perceptual image arises from
an open space and is not triggered by an environmental stimulus. Whatever Mr. Williams
is seeing, he is seeing it in the open space in front of his feet, not triggered by any object
in the room itself. In contrast, with an illusion, the image is triggered by some actual
object or stimulus. For instance, one patient vividly described watching the face of a man
standing beside him on the bus. He saw the man’s face begin to twist in a grotesque
fashion and saw his eyeballs shatter and begin to bleed. This experience represents a
visual illusion and also emphasizes that such illusions may be as striking and terrifying
as true hallucinations.
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444 The interview and psychopathology: from differential diagnosis to understanding
have been as high as 15%, although with good management this number should be
markedly lower.11
As people begin to withdraw from alcohol and sedative hypnotics, they generally
move from mild symptoms of withdrawal towards progressively more severe states such
as DTs. As withdrawal occurs, patients frequently experience sleep disturbances, nausea,
anxiety, over-alertness, tremulousness, and a peculiar intensification of their sensory
modalities. Delirium tremens, itself, often persists about 5 to 10 days, with 62% of epi-
sodes resolving in 5 days or less.12
Even if patients such as Mr. Williams deny recent alcohol abuse, they may willingly
admit to withdrawal symptoms if asked matter-of-factly and without the suggestion that
they have “a personal problem.” In this regard, questions such as the following may be
useful:
a. “Since you stopped drinking, have you been noticing any problems with your sleep,
because many people use alcohol to help with their sleep and without it, they have
problems falling asleep?”
b. “Have you been feeling edgy over the past couple of days, you know, just can’t seem
to relax?”
c. “Over the past couple of days, have you been feeling sick in your stomach?”
d. “Recently, have you found yourself to be more edgy, you know, being startled by
noises or upset by people moving or talking loudly near you?”
To develop DTs, the patient must have used alcohol heavily for a long period of time,
minimally imbibing 4 to 5 pints of wine, or 7 to 8 pints of beer, or 1 pint of “hard”
liquor every day for several months. It does not typically occur under the age of 30,
although it clearly can, and it usually requires consistent use of large amounts of alcohol
for several years,13 most often appearing after a decade or so of abuse. This chronic use
of alcohol sets up a complex set of compensatory physiologic changes in autonomic body
regulation. When the alcohol is abruptly stopped, these compensatory changes go
unchecked, resulting in such abnormalities as increased pulse, increased temperature,
normal or elevated blood pressure, rapid breathing, muscle twitching, and sweating. As
the syndrome becomes more serious, the patient may become so tremulous that walking
appears to be difficult.14
While interviewing the psychotic patient, the clinician should do a quick survey to
see if any of these physiologic signs of withdrawal are present. With Mr. Williams, he
was noted to appear sweaty. The clinician also knew that his pulse rate was elevated
at 100, with a mild increase in temperature. This emphasizes an important point. In
general, a patient presenting with an acute psychosis should have his or her vital signs taken
before the clinical interview, thus alerting the clinician that an acute organic process may be
at work.
Mr. Williams proceeded to become more agitated, claiming that some kind of bug
was crawling on him and that some “wires are running around on the floor. They’re
shocking the hell out of me, man!” It is not uncommon for people with DTs to halluci-
nate about small animals, and sometimes large objects such as trains or the proverbial
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Psychotic disorders: how to sensitively arrive at a differential diagnosis 445
pink elephant. Tactile hallucinations or illusions such as mice or lice crawling on the
skin also occur, as seen with Mr. Williams.14
The clinician astutely cut this interview short, proceeding rapidly with a physical
examination and appropriate medical management, which raises another important
point. These patients need prompt medical attention. If one is not a physician, then one
must immediately arrange to have such a patient seen by one. An appointment for “later
in the day or tomorrow” is inadequate and potentially dangerous.
Before leaving the topic of DTs, a few more points are worth mentioning. Seizures
(“rum fits”) sometimes precede DTs, usually occurring during the first 2 days after the
cessation of drinking. More than one in three patients who have withdrawal seizures will
go on to develop DTs. DTs usually begin 24 to 72 hours after the cessation of drinking
but can appear much later, even as long as 7 or more days later.14 While performing an
initial assessment on a psychotic patient in the hospital, a few issues are worth
considering.
During their hospital stay, some patients may have a temporary alcohol or drug source,
such as a friend, who eventually stops bringing them drugs. In these cases, DTs may not
appear until much longer into the patient’s hospitalization. Keep in mind that even
patients with a higher income may purposely lie about alcohol consumption and may
consequently develop withdrawal problems only as the hospitalization proceeds. Curi-
ously, surgery may delay the appearance of DTs as well. All these facts considered, clinicians
should be alert to the possibility of drug withdrawal in any patient who develops a psychosis at
any time during a hospital stay, especially if the patient’s vital signs are abnormally elevated.
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446 The interview and psychopathology: from differential diagnosis to understanding
The physical examination may provide important clues, such as the various types of
nystagmus (abnormal eye jerks) and hypertension, reported as occurring in 57% of these
patients.17 These patients generally show miosis (smaller than normal pupils) but may
also present with mydriasis (larger than normal pupils), especially if they also ingested
an anticholinergic agent. Increased muscle tone and increased salivation are also common.
Rather than presenting as agitated, these patients may present lethargically or in a coma
if they have ingested high doses of the drug.
At the time of writing this chapter, a new, still-legal drug was hitting the streets. It can
create psychotic states similar to PCP, but is more common than PCP. It is known as
“bath salts” and, in actuality, is not a single agent but is often a concoction of chemicals
that are sought for their psychedelic effect. Unfortunately, wildly psychotic states can
result – ranging from public nudity to extreme violence. One rare, but particularly bizarre,
behavior associated with bath salts has been cannibalism, as seen in a young man under
the influence of bath salts, who was found naked, eating the flesh off of a homeless man’s
face on a street in Miami. Another newer class of drugs that can also trigger psychotic
states has been the synthetic cannabinoids, referred to by various street names including
“spice.”
One cannot leave the topic of street-drug induced psychosis without addressing meth-
amphetamine in more detail. The rise of illicit meth labs has been striking – so com-
monplace, in fact, that it has been the subject of a popular television series; Breaking Bad
is based on the exploits of a former high school teacher turned master of meth produc-
tion. Chronic use of methamphetamine can create a psychotic state that appears remark-
ably like paranoid schizophrenia or a mixed bipolar disorder such as a dysphoric mania
with psychosis. The two most common psychiatric symptoms with meth use are persecu-
tory delusions and auditory hallucinations.18 Even when patients stop the use of the drug,
psychotic symptoms can persist.19,20 Other persistent symptoms, despite continued absti-
nence, can include cognitive impairment, social instability, and an increase in lifetime
suicide attempts.21 For the initial interviewer, any patient presenting in an agitated state
(often accompanied by severe problems sleeping), anger, paranoia, and auditory hallu-
cinations should be considered as a potential methamphetamine user with appropriate
drug screens ordered, even when street drug use is adamantly denied.
Returning in a more general sense to psychosis as precipitated by drugs, a few more
points are worth noting. The rapid appearance of a full-blown psychosis in a matter of
hours should make the clinician very suspicious of a drug-induced psychosis, as might
be seen with LSD, PCP, or bath salts. Processes such as schizophrenia tend to develop
more slowly over days, weeks, or months. Some patients may not know that they have
been given a drug; it may have been slipped to them or sprinkled on a joint. In this
regard, it is always worthwhile checking with friends who may know more about the
actual circumstances surrounding the drug ingestion. One should always be on the
lookout for two possibilities when faced with drug-intoxicated, psychotic patients:
1. Is the patient actually under the influence of more than one street drug?
2. Is it possibly a medication rather than a street drug that is precipitating the psychosis
in this patient?
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Psychotic disorders: how to sensitively arrive at a differential diagnosis 447
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448 The interview and psychopathology: from differential diagnosis to understanding
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Psychotic disorders: how to sensitively arrive at a differential diagnosis 449
Clin.: It really looks like you had your hands full tonight.
Police: You can say that again, this guy’s really out of it. It took three of us to get him
down.
Clin.: Yeah, he’s wound up, maybe he’s on something. Listen, did any of your officers get
hurt? We’d be glad to take a look at them and check them over.
Police: No, don’t worry about it, thanks anyway.
Clin.: By the way, did you need to Taser him to calm him or wrestle him down?
Police: Didn’t need to Taser him, but like I said, it took three of us to wrestle him down. I
think he was hallucinating and must have felt we were after him or something.
Clin.: When you were wrestling him down, did he accidentally get struck on the head?
Police: No, can’t say that he did.
Clin.: The reason I ask is that if he got a blow on the head we need to make sure he
didn’t get a small fracture or something like that?
Police: Hmmm … Well, you might want to take a look, this guy was really wild; someone
might have used a baton on him or he could have smacked his head on the
ground. I’m not sure. It all happened really fast. He was out of control.
Clin.: Okay, thanks a lot for all your help. We’ll take a look at him. I hope the rest of your
night goes better than this. Sounds like you guys did a great job. Thanks for
bringing him in.
This matter-of-fact type of exchange tends to yield accurate answers while unobtrusively
reminding the officers of the dangers of a head blow.
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450 The interview and psychopathology: from differential diagnosis to understanding
(diazepam). In a matter of several hours he calmed down, and all psychotic symptoms
vanished. His case would be summarized as follows:
Personality Disorders:
Deferred
Medical Disorders:
Rule out a variety of alcohol-related diseases such as hepatitis, gastritis, and pancreatitis
As we leave the discussion of Mr. Williams, several key points are worth summarizing.
1. Visual hallucinations, especially if they appear to be particularly vivid and real to the
patient, are frequently seen in psychoses caused by physiologic insults to the brain,
including street drugs, medications, and medical disease.
2. Despite the fact that such physiologic psychoses may tend to have some features that
distinguish them from entities such as schizophrenia, all psychoses can present in a
similar fashion. Consequently, any patient presenting for the first time with psychotic
features should be promptly medically evaluated.
3. One of the most frequent physiologic causes of psychotic symptoms is the use of
street drugs or alcohol.
4. Withdrawal from alcohol in heavy drinkers may lead to an alcohol withdrawal
delirium (commonly called DTs). DTs can be fatal if not treated promptly.
5. The onset of a marked psychosis in a matter of hours in a previously normal indi-
vidual is strongly suggestive of a drug-related etiology.
6. Both over-the-counter and prescription medications may cause psychotic states, espe-
cially in the elderly. Anticholinergic medications are notorious for precipitating
deliria.
7. Although not a common presentation, be on the lookout for psychotic process, espe-
cially visual hallucinations, triggered by the use and/or abuse of medications contain-
ing oxycodone or hydrocodone.
8. If police bring in the patient, the officers should be questioned thoroughly, for they
may have pivotal information regarding differential diagnosis.
9. Any patient who presents violently should be thoroughly evaluated for evidence of
psychotic process and the possible use of drugs such as PCP or newer “legal” drugs
such as bath salts, synthetic cannabis, and other designer drugs.
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Psychotic disorders: how to sensitively arrive at a differential diagnosis 451
quietly darkening with a day’s worth of beard. He has been admitted to an inpatient
unit after having been referred by a college counseling center, who had seen the
student shortly after his return from Christmas break. One of the unit’s social workers
is performing an initial intake. As the interviewer enters the room, Mr. Walker acknowl-
edges him with a slight nod of his head. His speech is soft and mildly slowed. He
appears almost shy. As he speaks, there is barely a hint of facial expression, his voice
painted gray by a conspicuous lack of highlights. All seems bland. Mr. Walker proceeds
to describe a chaotic situation at home. He is being avidly pursued by three filthy
women who enter his house at night. They attempt to force sex on him. When asked
if he knows who these women are, he nods, stating that one is “that devil Miss
Brown.” He proceeds to describe a recent party he attended, where sex games were
played. He relates that he had been tricked into going. As he entered the kitchen
three men tied him to a chair and stripped him. When asked what happened, he
pauses and proceeds to say, “They violated my anus.” As he says these words a slight
smile steals across his face. It had been verified that no such rape had occurred. His
speech is without any evidence of derailment (loosening of associations), tangential
thought, thought blocking, or illogical thought. He is alert and well oriented. Both
he and his family deny that he has used any street drugs. His family says he has
been acting oddly for almost a year, making vague accusations about a Miss Brown
even during the summer. During the interview the clinician feels uncomfortable and
somewhat frightened.
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452 The interview and psychopathology: from differential diagnosis to understanding
is one of the qualities that can create an unsettling emotional response in a clinician, as
it did in this case.
An important point to remember concerning reduced affects is the ironic and some-
times confusing fact that some antipsychotic medications frequently also cause a blunt-
ing of affect as a side effect. The wary clinician must keep this point in mind, because a
patient inappropriately labeled as having schizophrenia by a previous clinician may
present with a blunted or flat affect related to current medication. This blunted affect
may be misinterpreted by the new clinician as further “proof” that the patient has schizo-
phrenia, resulting in a perpetuation of the first diagnostic error.
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Psychotic disorders: how to sensitively arrive at a differential diagnosis 453
ment” in the DSM-5). In addition, patients with true schizophrenia will invariably dem-
onstrate a significant decrease in social and/or occupational functioning over time.
In contrast, patients with delusional disorders tend to demonstrate only delusions,
although they can show infrequent hallucinations. If present, these infrequent hallucina-
tions are always tied directly into the patient’s delusional system (as with a patient with
a paranoid delusion about his neighbor complaining of occasionally hearing his neigh-
bor yelling, “I’ll get you someday, watch your back, watch your back,” or a patient
deluded that he is infested with parasites may have tactile hallucinations within his
abdomen). Also in contrast to schizophrenia, patients with delusional disorders tend to
show surprisingly good baseline functioning at home and at work, as well as demonstrat-
ing a reasonably normal and appropriately reactive affect. We will look at the phenom-
enology of delusions and delusional disorders in more detail later in this chapter.
Keep in mind that not all patients with schizophrenia have delusions.
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454 The interview and psychopathology: from differential diagnosis to understanding
Clin.: What does your son do down in his room all day long?
Moth.: That is what is so peculiar. He talks with her.
Clin.: How do you mean?
Moth.: He talks with this devil woman. I’ll hear voices that sound like a woman’s voice
coming up out of the basement. It is really weird. Late at night I can hear him
arguing with her, swearing at her, and sometimes it sounds like holy hell is
breaking out down there. I’m terrified; I never go down there.
Clin.: When he is with you, does it ever look like he is hearing voices?
Moth.: Oh yes, he’s always mumbling to himself like he’s answering someone.
But the strange thing is that he’s not always like this. Sometimes he seems
so calm and almost normal and other times he’s in a frenzy. Just last night he
came screaming up out of that basement with a butcher knife in his hand.
He kept screaming at me that I’d better make them stop. I couldn’t take it
anymore so I brought him in.
From the above, it is apparent that Mr. Walker is hearing voices and clearly fulfills the
criteria for schizophrenia. It also serves to stress the importance of carefully interviewing
family members or other significant others. For whatever reasons, psychotic patients may
withhold information critical to the diagnosis, and the family often gratefully provides
the missing pieces.
Mr. Walker also illustrates the fluctuating nature of psychotic process. Even in schizo-
phrenia, as we shall see later in the chapter, the severity of the psychotic process may
vary substantially. Many an interviewer has been lulled into a belief that a patient is not
psychotic during the interview. In such cases it is always wise to listen carefully to the
family, because the interviewer may simply be catching the patient during a period of
decreased psychotic process. Moreover, patients with psychotic process may not be too
eager to tell the “shrink” that they are plagued by voices. Their more rational side warns
them that such talk may provide a quick ticket into the hospital.
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Psychotic disorders: how to sensitively arrive at a differential diagnosis 455
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456 The interview and psychopathology: from differential diagnosis to understanding
the mood disorders, than was formally thought. Specifically, the mood disorders of
depressive disorder and bipolar disorder may be more related than has been traditionally
recognized.
Extending this idea, then, is it possible that there may exist continua not just within
a single broad diagnostic category like mood disorders but also between broad diagnostic
categories themselves, for instance, between mood disorders and schizophrenia?
The answer appears to be evolving towards “yes.” The clear-cut distinctions described
above that can distinguish schizophrenia from psychotic mood disorders may prove to
be most true for patients at each end of what, for want of a better term, we will call the
schizo–bipolar continuum. In short, there may be many patients who have a relatively
pure form of schizophrenia (psychotic symptoms appear early, followed by marginal
mood disturbances relatively late in the process) and there may be patients with a rela-
tively pure form of bipolar disorder (manic symptoms appear quite early, followed by
psychotic symptoms relatively late in the disorder). But a significant cohort of patients
seems to lie in-between these two diagnoses.
Note: The major depressive episode must include Criterion A1: Depressed mood.
B. Delusions or hallucinations for 2 or more weeks in the absence of a major mood episode (depressive
or manic) during the lifetime duration of the illness.
C. Symptoms that meet criteria for a major mood episode are present for the majority of the total
duration of the active and residual portions of the illness.
D. The disturbance is not attributable to the effects of a substance (e.g., a drug of abuse, a medication)
or another medical condition.
Specify whether:
295.70 (F25.0) Bipolar type: This subtype applies if a manic episode is part of the presentation.
Major depressive episodes may also occur.
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Psychotic disorders: how to sensitively arrive at a differential diagnosis 457
Note: Diagnosis of schizoaffective disorder can be made without using this severity specifier.
Reprinted with permission from the Diagnostic and Statistical Manual of Mental Disorders, Fifth Edition, (Copyright
©2013). American Psychiatric Association. All Rights Reserved.
The vagueness of this definition certainly would be at home in the campaign speech of any
presidential candidate. But then at this stage of current diagnostic knowledge, this degree
of vagueness may be appropriate. The vagueness of the definition serves to remind us that
categorical diagnostic entities are not necessarily real-life entities, but rather represent
labels for the most commonly observed patterns of behaviors. In this regard, there has been
growing recognition that traditional diagnostic “entities” such as schizophrenia, schizoaf-
fective disorder, and psychotic bipolar disorder, may perhaps be better conceptualized as
being on a dimensional continuum rather than being a set of distinct disease entities.
Future versions of the DSM system may more accurately reflect this dimensional quality.
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458 The interview and psychopathology: from differential diagnosis to understanding
In the late 1970s, Tsuang pioneered the idea that the diagnosis of schizoaffective dis-
order represents a heterogeneous category with two probable subtypes, an affective
subtype and a schizophrenic subtype. According to this theory, schizoaffective disorder
is not likely to represent a genetically distinct category.32 It appears that Tsuang was ahead
of his time. More recent studies have indicated substantial genetic overlap between
schizophrenia and psychotic bipolar disorder.33,34
In addition to genetic evidence, there is increasing data from cognitive, neurobiologi-
cal, and epidemiological studies that there is significant overlap between schizophrenia
and psychotic bipolar disorder.35,36 Even in their prodromal states, there seems to be some
overlap – for example, the appearance of subtle cognitive changes in both disorders
during this phase.37 A nice summary of how the concept of schizophrenia has been evolv-
ing over the past two centuries, up to and including the DSM-5, has been provided by
Bruijnzeel and Tandon.38 The net result of this exploration of the overlapping character-
istics of schizophrenia, schizoaffective disorder, and bipolar disorder is the growing
interest in conceptualizing a “psychosis spectrum” between schizophrenia and bipolar
disorder, in which the schizoaffective states lie between the purer forms of the syndromes
located at opposing poles of the spectrum.39,40
At the present moment, the bottom line with the differential diagnosis of schizoaf-
fective disorder is that people with schizoaffective disorders have many of the striking
psychotic processes seen in schizophrenia but also have persistent and significant mood
disturbances. They seem to differ from people who have psychotic bipolar disorder or
an agitated, psychotic depression in that people with schizoaffective disorder have periods
when they are quite psychotic but their mood is fairly normal. This latter state is seldom
seen with people suffering from a pure mood disorder, whose psychotic process tends
to “rear its head” primarily during a marked disturbance in mood. People with schizoaf-
fective disorders seem to differ from those with classic schizophrenia in having prolonged
periods of time, both early and throughout the process, in which there are striking mood
symptoms, frequently without accompanying psychotic symptoms. In the DSM-5, the
diagnosis of schizoaffective disorder requires that the disturbance in mood continues for
the majority of the duration of the disorder (as seen in Criterion C, above). If psychotic
symptoms begin to appear without concurrent mood symptoms, then the diagnosis must
be changed to schizophrenia.
These recent insights into the nature of schizoaffective disorder (including the concept
of a schizo–bipolar spectrum) are not merely of academic interest – they have practical
implications for initial interviewers and their patients, for diagnoses play a significant
role in future treatment interventions. When an initial interviewer determines that a
patient meets the criteria for schizophrenia, future clinicians may be less likely to con-
sider the use of mood stabilizers such as lithium and Depakote.
In contrast, the diagnosis of schizoaffective disorder serves to remind clinicians that
the patient may have an affective component to the illness, suggesting the use of such
medications. If there is a bipolar quality to the schizoaffective disorder, it also alerts the
clinician to be cautious in adding an antidepressant, for fear of exacerbating or unleash-
ing an underlying manic process. The diagnosis may also have some prognostic impor-
tance, because some authors feel that schizoaffective disorders have a significantly better
prognosis than schizophrenia.41
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Psychotic disorders: how to sensitively arrive at a differential diagnosis 459
Personality Disorders:
None
Medical Disorders:
None
Before leaving the discussion of Mr. Walker, several key points are worth summarizing:
1. Aberrations in affect such as blunting, flattening, and inappropriate affect are fre-
quently seen in schizophrenia.
2. Some antipsychotic medications can cause a blunted or flat affect. Consequently,
when a patient is on an antipsychotic, it is difficult to determine whether the unusual
affect is secondary to the medication or a psychopathologic process.
3. In order for a patient presenting with delusions to fulfill the criteria for schizophrenia,
he or she must also demonstrate one of the following: hallucinations, disorganized
speech, grossly disorganized or catatonic behavior, or the negative symptoms of
schizophrenia (e.g., decreased affect, alogia, avolition, anhedonia, and asociality).
4. Psychotic process frequently fluctuates. The interviewer should keep in mind that the
patient may not be strikingly psychotic during the interview itself.
5. Collateral interviews with family members may provide invaluable diagnostic
information.
6. Recent evidence-based research is suggesting that there may be significant genetic,
cognitive, epidemiologic, and phenomenological overlap between schizophrenia and
psychotic bipolar disorder, suggesting a continuum between the two disorders.
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460 The interview and psychopathology: from differential diagnosis to understanding
7. If you are interviewing a patient who is clearly psychotic, before making the diagnosis
of schizophrenia, carefully look for a history of mood symptoms that may suggest a
schizoaffective disorder, a diagnosis that could have marked implications for psycho-
pharmacologic interventions.
8. Also take a detailed family history, for the presence of many blood relatives who have
experienced mood disorders may further hint that the patient lays somewhere on the
mood end of the schizo–bipolar spectrum.
People coping with schizophrenia may move into partial or full remissions, conditions
that may be indicated in the DSM-5 by adding specifiers such as “multiple episodes,
currently in full remission” or “first episode, currently in partial remission.” It is impor-
tant to remember that patients with schizophrenia need not be psychotic continuously.
The disorder itself can show fluctuations and may also be transformed with the use of
antipsychotic medications.
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Psychotic disorders: how to sensitively arrive at a differential diagnosis 461
Note: Hallucinations, if present, are not prominent and are related to the delusional theme (e.g., the
sensation of being infested with insects associated with delusions of infestation).
C. Apart from the impact of the delusion(s) or its ramifications, functioning is not markedly impaired,
and behavior is not obviously bizarre or odd.
D. If manic or major depressive episodes have occurred, these have been brief relative to the duration
of the delusional periods.
E. The disturbance is not attributable to the physiological effects of a substance or another medical
condition and is not better explained by another mental disorder, such as body dysmorphic disorder
or obsessive–compulsive disorder.
Specify whether:
Erotomanic type: This subtype applies when the central theme of the delusion is that another
person is in love with the individual.
Grandiose type: This subtype applies when the central theme of the delusion is the conviction of
having some great (but unrecognized) talent or insight or having made some important discovery.
Jealous type: This subtype applies when the central theme of the individual’s delusion is that his or
her spouse or lover is unfaithful.
Persecutory type: This subtype applies when the central theme of the delusion involves the
individual’s belief that he or she is being conspired against, cheated, spied on, followed, poisoned
or drugged, maliciously maligned, harassed, or obstructed in the pursuit of long-term goals.
Somatic type: This subtype applies when the central theme of the delusion involves bodily functions
or sensations.
Mixed type: This subtype applies when no one delusional theme predominates.
Unspecified type: This subtype applies when the dominant delusional belief cannot be clearly
determined or is not described in the specific types (e.g., referential delusions without a prominent
persecutory or grandiose component).
Specify if:
With bizarre content: Delusions are deemed bizarre if they are clearly implausible, not
understandable, and not derived from ordinary life experiences (e.g., an individual’s belief that a
stranger has removed his or her internal organs and replaced them with someone else’s organs
without leaving any wounds or scars).
Continued
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462 The interview and psychopathology: from differential diagnosis to understanding
Note: Diagnosis of delusional disorder can be made without using this severity specifier.
Reprinted with permission from the Diagnostic and Statistical Manual of Mental Disorders, Fifth Edition, (Copyright
©2013). American Psychiatric Association. All Rights Reserved.
Ms. Hastings demonstrates many of the classic findings that you will encounter when
interviewing a patient suffering from a typical delusional disorder. These patients fre-
quently appear surprisingly normal. One would hardly suspect any psychopathology,
until one uncovers the topics within the delusional system, at which point, these patients
often describe elaborate ramifications and subplots that would gratify the needs of any
soap opera buff. Their delusions are generally unshakeable. They simply do not believe
that there is anything wrong with them, as evidenced by the fact that Ms. Hastings did
not seek help for herself but for the problem she was having with her husband. In the
long run, the striking inability of these patients to see that their beliefs are delusional
can make these patients frustratingly resistant to therapy.
All of the following delusions can occur in other psychotic disorders, such as schizo-
phrenia and deliria, but when seen as the only sign of psychopathology, they are viewed as
the distinct diagnosis called delusional disorders in the DSM-5.
Arguably, the best-known type of delusional disorder is the persecutory (paranoid)
type. Paranoid delusions consist of beliefs that a person, organization, or a bizarre entity
(such as aliens or vampires) are trying to thwart the patient’s goals, harm the patient
psychologically, or physically harm or kill the patient and/or loved ones. The exact nature
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Psychotic disorders: how to sensitively arrive at a differential diagnosis 463
of the aggressor may vary from patient to patient and tends to be consistent with the
patient’s cultural matrix. The common manifestations and characteristics of paranoid
delusions may change over time as cultures shift. Thus, in our wired age, it is reasonable
to anticipate that more and more patients will complain of being monitored by the
webcams in their computers or of being clandestinely tracked via their smart phones. (It
should be remembered that both of these processes can, in reality, be accomplished by
hackers.)
A different type of delusional disorder has been referred to as “the Othello syndrome,”
in which the patient becomes convinced that his or her spouse is having a sexual affair,
referred to as the jealous type in the DSM-5.43
In erotomanic delusional disorders, sometimes referred to as Clérambault’s syndrome,
the patient comes to believe that a person has fallen madly in love with him or her. The
patient may proceed to pursue the alleged lover across the country or into the bedroom.
Erotomanic delusions are potentially dangerous, for the patient may eventually grow
intensely angry with the perceived lover, because of the person’s repeated rejections. At
times, this anger manifests itself as, “if I can’t have this person, no one can.” The result
can be violent assaults or murder. The classic “Hollywood stalker” is usually a person
suffering from an erotomanic delusional disorder.
Because of their potential dangerousness, erotomanic delusions are particularly impor-
tant to spot in an initial assessment. To do so effectively, it is important to remember
that the delusion is not that the patient loves the targeted other. The delusion is that the
patient is firmly convinced that the other person is truly in love with the patient, no
matter how frequently or vociferously the targeted person denies any feelings towards
the patient. Consequently, psychotic denial doggedly creates a false and painful world
for the patient, reflected by the patient using rationalizations such as, “She is denying
that she loves me because she needs to maintain her marriage for her children,” or “He
is simply waiting for his wife to die from cancer so that he can marry me.” Such denials
and rationalizations can occur despite the targeted person angrily telling the patient to
leave them alone or filing protective restraining orders.
I have found that the following types of questions are useful for teasing out the pres-
ence of a true erotomanic delusion as opposed to neurotic preoccupation and wishful
thinking. The questions are asked in a sensitive fashion without any hint of an accusatory
tone of voice:
1. “What type of evidence do you have that this person loves you?”
2. “What leads you to think that he (or she) loves you, when he has asked you to never
contact him (or her) again?”
3. “How do you put it together that she loves you, if she has actually gone to court to
get a restraining order against you.”
4. “What do you think is stopping this person from openly admitting their love to you?”
When the answer to the last question is a spouse, partner, or love interest of the targeted
person, the interviewer must keep in mind that the delusional patient could be consider-
ing murdering the person who is in the way of “true love.” The patient may actually
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464 The interview and psychopathology: from differential diagnosis to understanding
believe that he or she is doing a favor for the targeted love object by releasing them from
an unwanted relationship, through murder, to be with their real love – the patient.
Another type of delusional disorder consists of an unshakeable belief that one has a
serious medical illness, the so-called hypochondriacal paranoia or somatic type of delu-
sional disorder. These patients differ from those suffering from simple hypochondriasis
by the fact that the belief has reached a truly delusional proportion and is essentially
unshakeable. These patients may also believe that a plot has evolved to hide the truth
from them.
People coping with the somatic type of delusional disorder are generally concerned
that there is something wrong with their bodily functions or sensations. For instance, they
may present with the belief that they are emitting a foul odor, infected with a parasite,
or perhaps that they are being infested by insects that are crawling on their skin at night.
They may also feel that a specific body part is deformed or malfunctioning. In the litera-
ture, this disorder is often referred to as a monosymptomatic hypochondriacal psychosis.
(Note that in the DSM-5, if a patient presents with a pathological preoccupation that
there is something grossly wrong with the appearance of a specific body part, whether
non-delusional or delusional, they will more likely meet the diagnosis of body dysmor-
phic disorder, which is a more common disorder than somatic delusional disorder. Body
dysmorphic disorder is viewed in the DSM-5 as sitting within the obsessive–compulsive
disorder spectrum.)
By way of example, one of our patients was convinced that “my muscles of mastica-
tion are disordered.” He had carefully produced a beautifully drawn anatomic atlas
illustrating the problems with his jaw. At the interview he just happened to bring along
a human skull, which he used to demonstrate in a disturbingly convincing fashion his
specific anatomic defects. Sometimes these patients proceed to develop schizophrenia.
The term “mixed subtype” applies when no single delusional theme predominates.
Ms. Hastings seems to fit this mixed subtype, for both jealous and persecutory themes
are strongly displayed. Unspecified type applies when the clinician cannot determine the
underlying delusional belief or is convinced that the patient’s belief is fairly unique and
does not fall into one of the previous categories.
Brief mention should also be made of the shared psychotic disorder. In this relatively
rare condition, sometimes poetically referred to as “folie à deux,” two patients share the
same delusion. One of the patients develops the delusion after the other patient has
evidenced it for some time, and, in this sense, the other patient is said to be induced
into a delusional system. Frequently one of the patients is a dominant and powerful
personality while the second patient tends to be dependent and suggestible. The second
patient’s delusion may even crumble if not in the presence of the dominant figure.44
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Psychotic disorders: how to sensitively arrive at a differential diagnosis 465
to determine whether she intends harm to either her “cheating” husband or his “goons
next door.”
Robinson has developed two effective questions that can be of immediate value in
addressing this potentially disengaging task in a sensitive fashion45:
In addition, Phil Resnick, a leading innovator in forensic psychiatry and risk assessment,
has described an interview strategy that can shed some light on the likelihood of a patient
pre-emptively attacking a supposed persecutor. I will borrow liberally from his writings
in order to more effectively describe his interviewing strategy, which he appropriately
calls, “confrontation with a paranoid persecutor.”46 It should be noted that paranoid
psychotic patients are often suspicious of clinicians, especially if they are fearful of the
consequences of openly sharing (involuntary commitment, police involvement). Thus,
as Resnick emphasizes, rapport should be carefully established before initiating this
approach.
As an example, we will use a patient who has described fears of being killed by the
mafia to an initial interviewer. The interviewer might inquire, “Mr. Jones, if you were to
see an individual walking toward you in an alley who was dressed like a mafia hit man
and he had a bulge in his jacket, how would you respond?”
One patient might say that he would not do anything because the mafia has so much
power that they could easily kill him if they chose to. A second patient might say that
as soon as the “mafia hit man” came within range, he would take out his .357 Magnum
and blow his head off. If these patients were asked simply whether they had any thoughts
of killing anyone, both might honestly answer no. However, they have different thresh-
olds for killing in misperceived self-defense. Such information can help the clinician
decide as to whether hospitalization is indicated, as well as whether a potential victim
should be warned of danger from the patient.
Let us see Resnick’s strategy of “confrontation with a paranoid persecutor” illustrated
with a reconstructed interview directly from his work47:
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466 The interview and psychopathology: from differential diagnosis to understanding
Clin.: What would you do if you were sitting on your porch and the mailman walked up
to you and started to take something out of his mail bag?
Pt.: I would have to shoot him in self-defense because I know he and my wife are
getting impatient because I am not dying fast enough from the poison.
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Psychotic disorders: how to sensitively arrive at a differential diagnosis 467
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468 The interview and psychopathology: from differential diagnosis to understanding
“Some of my patients tell me that they are afraid that something is being pushed into
their houses, right through the walls and windows, like a gas, a poison, or even radia-
tion. Do you have any worries like that?”
At times, the interviewer can deftly tie the question directly into a paranoid delusion that
the patient has been sharing, in this instance about a neighbor with which the patient
had formed a persecutory delusion:
“Do you feel that Mr. Roberts is trying to break into your house, or perhaps pass some-
thing dangerous into your house like a gas or a poison, or has figured out a way to
look through your walls?”
Personality Disorder:
Defer
Medical Disorders:
Peptic ulcer disease
Chronic bronchitis
1. The diagnosis of a delusional disorder can be classified into seven subtypes: persecu-
tory, jealous, erotomanic, somatic, grandiose, mixed, and unspecified. (It should be
noted that, at this time, it is not yet clear whether these sub-categories will prove to
have any association with etiology or treatment response.)
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Psychotic disorders: how to sensitively arrive at a differential diagnosis 469
2. Outside of the delusional content of their speech, people with delusional disorders
frequently appear and behave quite normally (other than inappropriately pursuing
and contacting the target of the delusional process).
3. If paranoid delusions are present, one must ascertain whether the patient may be
intending to harm or kill the supposed persecutor (specific interviewing techniques
and strategies, such as “confrontation with a paranoid persecutor,” can be intention-
ally utilized to address this critical task).
4. In any patient diagnosed as having a delusional disorder, one should rule out a
general medical cause (a brain tumor, etc.) of the delusional symptoms.
5. Paranoid symptoms are not uncommon with people suffering from primary degen-
erative diseases, such as a neurocognitive disorder due to Alzheimer’s disease
(Alzheimer’s dementia).
6. Paraphrenia, although not currently recognized as a separate DSM-5 diagnosis, may
well represent a specific syndrome in elderly patients. It is characterized by a delu-
sional system that is associated with hallucinations first arising in the elderly.
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470 The interview and psychopathology: from differential diagnosis to understanding
such as a gross loosening of associations (derailment). She does not appear overtly psy-
chotic; rather she seems consumed by her own anxiety.
It is this anxiety that warrants more careful exploration, because anxiety stands as one
of the most frequent early signs of a developing psychosis. To further our understanding,
it may be useful to review what could be called the “life cycle” of psychotic process.
There exist certain overt signs of psychotic process, one or more of which must be
present for a clinician to view a patient as experiencing psychotic process. These “hard
signs of psychosis” include the following: hallucinations, delusions, or evidence of a
formal thought disorder (e.g., a moderate to severe loosening of associations or other
problems in the formation of thought). In a strict diagnostic sense, unless at least one
of these signs are present one does not call the patient psychotic by DSM-5 standards.
In addition, in a clinical sense, the following symptoms represent hard signs of psychotic
process: gross disorganization, gross disorientation, and bizarre behavior.
The conservative approach used by the recent DSM systems for using the term “psy-
chosis” is, in my opinion, a wise one, because it eliminates the dangerous habit of loosely
labeling people as psychotic. Such sloppy clinical work can lead to problems, such as the
inappropriate use of the diagnosis “schizophrenia” when the diagnosis “schizotypal
personality” is more appropriate. In a similar vein, it is important to realize that the mere
presence of one of the above hard signs does not necessarily indicate that a patient is psychotic.
For instance, as we shall see later, auditory and visual hallucinations are occasionally
seen in people who are not psychotic and specific cultural nuances may determine
whether or not a particular behavior or experience is psychotic in a pathologic fashion.
It is equally important to realize that in a clinical sense (pathologically experiencing
the world in a strikingly different way than most people within his or her culture) as
opposed to a strict diagnostic sense (meets the criteria for psychosis in the DSM-5), a
patient can be psychotic without demonstrating these hard signs, especially in the earliest
phases of a psychosis or when a psychotic process is fluctuating over time. We can arrive
at a better understanding of this apparent paradox by examining how psychotic process
naturally unfolds.
Most patients do not abruptly develop the hard signs of psychosis in the course of a
day or two, as if the light switch of reason was suddenly snapped off. Instead, patients
with classic psychotic disorders (such as schizophrenia, schizoaffective disorder, bipolar
disorder, and major depressive disorder with psychotic features) generally move more
slowly into the world of psychotic process.
An excellent example of this concept can be provided by looking at one possible mode
of development of a single psychotic symptom such as a delusion. The phenomenologist
Lopez-Ibor has discussed this specific process in detail58 (Figure 11.1). In the following
discussion we will follow his model with some minor adjustments.
Delusional Mood
In the beginning of a psychotic break, the patient frequently develops what Lopez-Ibor
calls a “delusional mood.” During this phase, the patient begins to feel that something
is not quite right. There may be an intensification of perceptions such as sight and sound.
In a sense, the world is almost clearer than before, because the environment appears
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Psychotic disorders: how to sensitively arrive at a differential diagnosis 471
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472 The interview and psychopathology: from differential diagnosis to understanding
more vivid. New details never before recognized take on new significance; they may never
have even been noticed before. There frequently exists an unsettling feeling that some-
thing ominous may be about to happen, although at other times life may seem refresh-
ingly vibrant. The following excerpt captures this peculiar state of affairs as described by
a patient who had experienced delusional mood:
Delusional Perception
Eventually this process becomes more intense, developing a second phase, which is called
“delusional perception,” a term clarified by the phenomenologist Kurt Schneider. With
delusional perception, the perception itself may be normal in a sensory way, but the
patient’s interpretation of the perception is clearly distorted. The anxiety of the patient
begins to snowball as the patient becomes convinced that something is not right and
that danger is present. In this phase, not only is the environment noticed in a more intense
fashion, but also the details of the environment are felt to be directly related to the patient. The
world becomes at once both highly personalized and terrifying. Ideas of reference occur.
In a sense, patients feel that people are talking about them but do not yet know why.
Not knowing that I was ill, I made no attempt to understand what was happening, but
felt that there was some overwhelming significance in all this, produced either by God or
Satan. … The walk of a stranger on the street could be a “sign” to me which I must
interpret. Every face in the windows of a passing streetcar could be engraved on my mind,
all of them concentrating on me and trying to pass me some sort of message.60
At this point the patient may already be showing marked changes in daily functioning,
avoiding this person or that person, meticulously checking on people’s behaviors,
re-reading comments on Facebook to hunt for a hidden personalized meaning, staying
awake at night and ruminating endlessly. In a very real sense of the word, these patients
are already psychotic, because their perception of reality is markedly different than the
reality of those around them. No hard signs of psychosis in a diagnostic sense have
appeared yet, but they are just around the corner.
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Psychotic disorders: how to sensitively arrive at a differential diagnosis 473
old when the delusions have begun. It is almost as if the delusion evolves as an answer
to why the world has felt so ominous to the patient.
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474 The interview and psychopathology: from differential diagnosis to understanding
Note that both verbal and nonverbal clues may suggest underlying psychotic process
(see Figure 11.1). Interviewers must understand the cultural norms for nonverbal behav-
iors, such as eye contact, to make sure that the clinician is not misinterpreting a normal
nonverbal behavior as a soft sign of potential psychotic process – yet another potentially
damaging aspect of the kulturbrille effect.
When a clinician spots some of the soft signs of psychosis, he or she may want to
expand the region of psychotic questioning in more detail, delicately probing for the
hard signs of psychosis, such as evidence of delusions and hallucinations. The belief that
psychotic patients will always spontaneously reveal their hallucinations and delusions
is patently false. Frequently, one must ask for specific symptoms before they are
proffered.
When patients mention something that could be of a delusional nature, respond with
curiosity. An interested, conversational manner helps to elicit detailed information because
patients who harbor delusions are generally so immersed in them that they occupy the
majority of their thoughts. Your approach is three-fold: (1) grease the wheels so that the
patient feels comfortable sharing information with you, (2) uncover the extent and logic
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Psychotic disorders: how to sensitively arrive at a differential diagnosis 475
of the delusional material; and (3) determine the degree to which the delusion has become
entrenched in the patient’s thoughts (i.e., determine how much insight is preserved or how
much distance the patient has from the delusion).
Examples
1. “I’m interested in what you just said, please tell me more.” (greasing the wheels)
2. “How did this all start?” (greasing the wheels)
3. “What has happened so far?” (uncovering the extent and logic)
4. “Why would someone want to do this to you?” (uncovering the extent and logic)
5. “How do you know that this is the situation?” (determining distance)
6. “How do you account for what has taken place?” (determining distance)
Illustrative Dialogue
Clin.: Do you have thoughts that you focus on a lot of the time and feel strongly about?
(looking for overvalued ideas or delusions)
Pt.: I don’t understand what you mean.
Clin.: I’m asking about ideas that you have that perhaps those around you don’t share or
agree with, but you know to be true and are puzzled why others may not seem to be
convinced, and might even argue with you about them.
Pt.: I have an infestation with a parasite and asked my family doctor to help me out.
Initially she tried, but then seemed to give up and I couldn’t understand why, so I’ve
spent a lot of time looking for a non-prescription treatment.
Clin.: That’s interesting. How did this start? (greasing the wheels)
Pt.: I stepped on a nail about 3 months ago and got an infection. As part of the treatment,
I had to soak my foot a couple times a day. On one occasion, a spider fell into the tub,
and you know how dirty those things are. Well, before I could get it out, the water got
infected with parasites that the spider was carrying.
Clin.: What happened after that? (uncovering the extent and logic)
Pt.: Well, the parasites got into my foot because of the wound and then immediately spread
throughout my body causing a variety of physical problems. I haven’t been well since
that very moment.
Clin.: How do you know that this is the cause of your physical problems? (determining
distance)
Pt.: Internet research. But before I continue, I need to ask you something?
Clin.: What’s that?
Pt.: Do you believe me?
How to Respond When a Delusional Patient Asks, “Do You Believe Me?”
There is no single or “right” way to respond to such a question from a delusional patient.
But, it is important to feel comfortable with various flexible ways of handling it, for it is
not an uncommon question. The fashion in which the clinician responds can have criti-
cal ramifications for engagement, whether the question is asked in a clinic office, inpa-
tient unit, or emergency department. Wherever it arises, it is important to appear
comfortable when providing an answer. Robinson has some practical and effective
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476 The interview and psychopathology: from differential diagnosis to understanding
approaches for handling this potentially awkward situation and once again, I believe it
is best to simply let him speak for himself63:
A major concern of many patients when first sharing a delusion, as in an emergency room
setting, is that they will be viewed as being seriously mentally ill. This fear is a natural
one for a person experiencing a delusion, and to some degree, may even reflect that the
patient has some distance from the delusional material. How the clinician handles this
delicate moment may prove to be pivotal to the relationship and how much more material
the patient will be willing to share. Clinicians do not want to be deceptive, yet we need
to develop enough of an alliance with patients to hear more about their thoughts.
In such situations, you should continue to actively empathize with the patient to preserve
rapport and facilitate the sharing of more information. In addition, tactfully avoid being
the arbiter of reality and telling patients whether or not you agree with them (or whether
or not you think they are right). Examples include statements such as:
There is seldom a situation in which a clinician would openly agree with a patient’s delu-
sional thoughts (e.g., saying something like, “Of course I believe you.”). Such false endorse-
ments can undermine a therapeutic alliance and also come back to haunt the clinician
later in the interview when the patient asks the clinician to follow through on the endorse-
ment with, “You’ll call the police for me then?”
As with all principles there are exceptions in which the clinician may need to temporarily
endorse a delusion, but these are very rare. Such a situation could arise when the clinician
feels that the patient might become violent towards him or her if there is not immediate
agreement with what the patient is saying.
In my own practice, I have found the fourth technique described by Robinson to be one
of my favorites (“The story is an unusual one, so I really want to hear more before making
a decision, tell me about …”). It conveys a respectful interest, yet communicates an open
yet non-affirming stance. It often allows the clinician to quickly return to a sensitive
uncovering of the extent and logic of the patient’s delusion. Let’s see a variation of it at
work:
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Psychotic disorders: how to sensitively arrive at a differential diagnosis 477
insistence upon knowing whether or not the clinician believes the story at that
exact moment)
Pt.: Oh, they are all over the place (patient continues animatedly). They have entered
my brain so I can’t always think straight or concentrate, and I feel this very subtle
moving in my head. I think it might be the parasites moving around.
Clin.: That sounds very disturbing. (actively empathizing)
Pt.: Oh yeah, oh yeah. It is. They have also moved into my feet, and I have a
strange burning sensation in the bottoms of my feet, especially when I am
walking.
Clin.: What have you been doing to help yourself with the physical problems?
(uncovering the extent and logic of the delusion)
This clinician has adeptly responded to the patient’s inquiry and has effectively continued
to explore the extent of actions the patient has taken regarding his delusion of infesta-
tion. Looking for the extent of action a patient takes on delusional material provides
invaluable information regarding the patient’s “distance” from the delusion (i.e., how
much the patient believes or does not believe that the delusion is absolutely true). In
some types of delusions it also provides critical information related to dangerousness to
self or others. For instance, patients with delusions of infestation have been known to
mutilate themselves by attempting to dig out the parasites, information that the clini-
cian’s last question is attempting to uncover.
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478 The interview and psychopathology: from differential diagnosis to understanding
nearly half had experienced hallucinations of their lost partner with visual hallucina-
tions slightly outnumbering auditory hallucinations.78 Older surviving spouses (ages 40
and over) were more likely to experience hallucinations, with some experiencing hal-
lucinations of their spouse over the course of a decade or more without any evidence
of psychosis.
With an older patient, keep in mind the rather curious, yet not uncommon, Charles
Bonnet syndrome, in which central or ocular visual impairment (as can be seen with
cataracts) produces visual hallucinations.79 This syndrome is considered as being akin to
the “phantom limb” phenomenon but occurring in the visual system. It has been esti-
mated that 60% of elderly patients with a severe visual loss may experience one or more
visual hallucinations. Note that the hallucinations in the Charles Bonnet syndrome are
only visual in nature. They are usually both vivid and complex, often creating surprisingly
convincing images of people or small animals. By way of illustration, a case was reported
in which the patient began spreading birdseed in his room at a long-term care facility in
order to feed the “birds” who were strutting about his room on a daily basis. This syn-
drome can be easily misdiagnosed as psychotic in nature, sometimes mistaken for an
early delirium or part of a dementia in the elderly. If the eye defect can be corrected (as
with cataract surgery) the hallucinations vanish.
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Psychotic disorders: how to sensitively arrive at a differential diagnosis 479
Taiwanese religious and cultural perspective, this crying is felt to represent the child’s
dismay that its reincarnation has been prevented. This crying, although an example of a
hallucination and one that is disquieting, should not to be misconstrued as evidence of
psychosis. Without an understanding of this cultural and religious phenomenon, the
patient could easily be mislabeled as experiencing a brief psychotic break or a schizo-
phreniform disorder.81
The Interface Between Cultural Phenomena and the Life Cycle of a Psychosis
We have come to a situation that we encountered earlier, in Chapter 6, but we are now
better prepared to understand it. If you will recall we ended that chapter describing a
young woman with schizophrenia whose mother was a Pentecostal minister. The patient
was suffering from delusions of demon possession, accompanied by intense paranoia
and auditory hallucinations, that would prove to be symptoms of an emerging schizo-
phrenia. Here was an instance in which both the client’s culture, and her mother, clearly
believed in possession and exorcism (non-delusional beliefs in that culture), yet both
the mother and the clinician were able to discern that this particular belief, in this par-
ticular patient, represented a psychotic state. Similarly, in reference to our Taiwanese
example above, a woman 2 months post-abortion could be, by mere chance, simultane-
ously developing schizophrenia or might be developing a major depression with psy-
chotic features triggered by the emotional trauma of the abortion. With such patients,
how does one tell whether hallucinations or beliefs are simply cultural reflections or
represent part of a pathologic process – psychosis?
With our understanding of the life cycle of a psychosis, we can now address this clini-
cal dilemma with a new sophistication and with a clearer-cut interviewing strategy. When
considering whether a hallucination or belief is psychotic in nature, as opposed to a
non-pathologic culturally accepted phenomenon, try to determine whether the halluci-
nation or belief is embedded within a psychotic cluster of phenomena, as might be seen
with delusional mood or delusional perception. This psychotic matrix, although some-
times subtle, will tend to show itself not only while the patient is experiencing his or her
hallucinations but also is likely to have been present before the hallucinations began
and remains after the hallucinations have stopped.
More specifically, psychotic processes seen in disorders such as schizophrenia and
bipolar disorder don’t tend to materialize out of nowhere, nor do they then abruptly
shut-off with the person immediately experiencing the world as totally normal. There is
generally both a prodrome and a residuum that will be highlighted by some of the soft
signs of psychosis. Another tip-off that one is seeing truly psychotic symptoms is that
careful interviewing may uncover the presence of other hard signs of psychosis, not
viewed as normal in that patient’s culture.
Another phenomenon that may alert the astute clinician to the presence of true psy-
chotic process (concerning an otherwise culturally acceptable belief) consists of the
subtle twisting of the culturally held belief into a more vicious and denigrating psychotic
variation. Scott describes a potential illustration of such a psychotic distortion. Among
Bantu peoples, it is culturally acceptable to hear voices that provide instructions to carry
out Bantu customs designed to allay guilt feelings that are shared by the entire tribe. With
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480 The interview and psychopathology: from differential diagnosis to understanding
psychotic process, these voices may shift into a more accusatory tone in which the hearer
of the voices is singled out as being worthy of guilt. Similarly, with the Bantu, the normal
auditory hallucinations are often of a known person (e.g., a relative), whereas psychotic
voices may emanate from unknown sources.82
You will recall in Chapter 6 that it was the patient’s mother, a Pentecostal minister,
who recognized that her daughter’s experiences were not the typical experiences of
members of her congregation, neither during possession nor following exorcism. Her
daughter’s hallucinations and delusional beliefs were part of an ongoing matrix of delu-
sional mood and delusional perception of an insidious and destructive pattern.
Indeed, two other processes that tend to be seen with genuine psychotic processes, as
opposed to culturally accepted normal experiences, are (1) the intensely disturbing
quality of the phenomena, and (2) their tendency to disrupt normal functioning in an
ongoing fashion. Nevertheless, the presence of hallucinations that seem pleasant at times
does not rule out genuine psychotic disorders. Patients coping with schizophrenia occa-
sionally experience pleasurable voices, and may even miss them when alleviated by
antipsychotic medications.
Returning to our Taiwanese example, most women experiencing post-abortion depres-
sion and hallucinations of “their child” crying are not psychotic. But a specific patient
experiencing this phenomenon who also relates weeks of feeling odd, describes persistent
concerns that somebody or something is observing her, and also relates that she has been
preoccupied with suspicious knocking sounds coming from her heater may actually be
psychotic. In this case, the culturally accepted crying appears to be imbedded in an
ongoing psychotic matrix. Indeed, the crying itself is probably being transformed by the
psychotic process into a new psychotic symptom, for the crying of the infant is now being
experienced with an intensity, meaning, and disruption that non-psychotic, post-abortion
Taiwanese women do not experience. Given time, new hallucinations of voices berating
her and delusions of demons may very well appear, providing conclusive evidence that
she is experiencing psychotic process, not just a culturally accepted hallucination.
Back to Ms. Fay: An Illustration of How to Tap a Piece of Illogical Thought for Underlying
Delusional Material
At this point we can return to Ms. Fay. A re-constructed excerpt of her interview proves
to be particularly germane. In it we shall see some of the soft signs of psychosis; in par-
ticular, the interviewer will follow up on an isolated piece of illogical thought.
Clin.: Tell me a little bit more about what your anxiety has been like.
Pt.: (giggles inappropriately) That’s very hard to say … I get uptight and I just don’t
know what to do with myself. I suppose it all has to do with self-image and all that
stuff.
Clin.: How do you mean? (greasing the wheels for psychotic process)
Pt.: Sometimes when I’m alone I just get really frightened and … I don’t know … well,
I … I don’t know if I’m coming or going. I guess I’m just too anxious to be a
woman. I don’t know what else to say. What else do you want me to talk about?
Clin.: When you say that you are too anxious to be a woman, what exactly are you
referring to? (tapping an odd use of language)
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Psychotic disorders: how to sensitively arrive at a differential diagnosis 481
Pt.: I get panicky, you know all goose flesh all over. I never know exactly when it is
going to happen but it always does.
Clin.: But how does that tie in with your being a woman? (looking for illogical thought)
Pt.: It just does. Women have to do certain things and I’m unclear what exactly they are.
It was all so much simpler years ago when my mother was growing up. But today
what with short skirts and rock videos, it’s all more confusing and there is a lot
more responsibility out there, so I’m just too anxious to be a woman and I’m also
too anxious to be a man, so there you have it!
The phrase “I’m just too anxious to be a woman,” is a curious one. The patient did not
appear cognizant of this fact and made no spontaneous attempt to explain herself. At
this point the clinician wisely asked for further clarification. Her subsequent explanation
was also vague, although one can surmise to what she was probably alluding. Her sub-
sequent reply was also somewhat illogical, giving even further suspicion that a psychotic
process is at hand.
Personality Disorders:
Medical Disorders:
None known
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482 The interview and psychopathology: from differential diagnosis to understanding
1. A person may be psychotic in a clinical sense, without demonstrating the hard signs
of psychosis in a diagnostic sense (such as delusions or hallucinations).
2. The so-called soft signs of psychosis should always alert the clinician to the possibil-
ity of a smoldering psychotic process.
3. In the life cycle of a psychosis, hard signs of psychosis generally do not erupt without
a prodromal phase of psychosis in which the patient’s experience of reality is clearly
abnormal but only the soft signs of psychosis are apparent.
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Figure 11.2 Evolution of a psychosis.
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484 The interview and psychopathology: from differential diagnosis to understanding
4. Because psychotic process fluctuates, sometimes even multiple times during a single
day, listen carefully to collaborative sources such as family members, friends, and
inpatient staff, for they may be seeing psychotic process that is absent during your
interview.
5. Generally, it is best to tap areas of intense affect because such areas may be outward
manifestations of delusional material.
6. If the patient uses an odd phrase, shows illogical thought, or utilizes an idiosyncratic
phrase, it is often useful to tap these areas by asking for clarification. In the process
of clarifying, the patient may reveal further evidence of psychotic process.
7. When exploring delusional material: (1) grease the wheels so that the patient feels
comfortable sharing information with you, (2) uncover the extent and logic of the
delusional material, and (3) determine the degree to which the delusion has become
entrenched in the patient’s thoughts.
8. Always consider whether an isolated, seemingly psychotic symptom may be viewed
as normal in the patient’s culture; if so, it may not represent a true marker of psy-
chotic process.
9. Remember that an isolated, culturally acceptable hallucination or belief will not be
embedded in an ongoing matrix of psychotic process and should not be accompa-
nied by the soft signs of psychosis as might be seen in delusional mood or delusional
perception.
10. A patient may have a severe psychotic illness, such as schizophrenia, and also have
a personality disorder.
We can now leave the outpatient clinic at a community mental health center and return
to an emergency room where Mr. Lawrence was brought in by the police and a crisis
clinician. Mr. Lawrence was apparently suffering from an acute exacerbation of his
chronic paranoid schizophrenia.
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Psychotic disorders: how to sensitively arrive at a differential diagnosis 485
restraints. It’s possible that somehow the nurse had been incorporated into a delusion,
although the patient denied the typical delusions he had demonstrated in the past.
I was “on-call” and was called to see if I would give permission to have Mr. Lawrence
admitted to the inpatient unit to seclusion (secondary to his violence in the emergency
department). I always prefer seeing any psychotic patient myself before proceeding with
admission and told the ED staff that I was on my way.
By the time I had arrived on the scene I was surprised to find that Mr. Lawrence was
lying calmly on a cart and appeared quite cooperative, but I attributed his calmness to
the sedating effects of the haldol he had been given. He denied any hard signs of psy-
chosis and also denied any recent suicidal gestures, although he commented that he
had been thinking of killing himself several days earlier. Eventually we were able to
remove the restraints, at which point Mr. Lawrence took a peculiar turn in his clinical
course.
He related that he needed to go to the bathroom. As he walked towards the toilet he
appeared to stagger a bit. Once he reached his destination, he looked about, as if he had
been suddenly teleported into an unfamiliar space, and asked, “What am I doing in
here?” When told that he had wanted to go to the bathroom, he appeared puzzled and
denied ever making such a request.
As the interview proceeded Mr. Lawrence began to appear drowsy, which he attributed
to being up all night and drinking heavily. He could only repeat three or four digits
forwards, whereas he had been able to repeat seven forwards earlier. He also began grasp-
ing at some invisible objects near his feet.
If you think that Mr. Lawrence is beginning to sound similar to our first patient, Mr.
Williams, who presented with DTs, it is because Mr. Lawrence is also suffering from a
delirium (sometimes referred to as an acute confusional state in the literature). It was a
delirium that would eventually threaten his life.
The interview was promptly stopped at this point. I relayed my concerns to the emer-
gency room physician that I was suspicious that Mr. Lawrence had overdosed, despite his
denial both to the crisis clinician, earlier, and to myself. An electrocardiogram (ECG)
revealed some subtle abnormalities. Roughly 30 minutes later Mr. Lawrence stopped
breathing. Fortunately, his life was saved through the effective use of an artificial respira-
tor. Imagine, for a moment, what his fate might have been if he had been admitted to a
seclusion room as initially requested by phone.
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486 The interview and psychopathology: from differential diagnosis to understanding
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Psychotic disorders: how to sensitively arrive at a differential diagnosis 487
The following guidelines provide a practical platform for clinical assessment. In the
first place, a delirium occurs when there exists a rather diffuse pathophysiologic dysfunc-
tion in the brain. Such a diffuse dysfunction will frequently show itself in one of two
ways – a fluctuating level of consciousness or a marked problem with concentration and
the ability to attend to the environment. These two processes should alert the clinician
to the possibility of a delirium. Indeed, if either of these processes appears in a patient
demonstrating the soft or hard signs of psychosis, then one should strongly consider a
delirium work-up.
It therefore becomes critical to evaluate these two aspects during the initial interview
of any psychotic patient. Unfortunately, it is easy to overlook their significance if the
patient is agitated, as was the case with Mr. Lawrence. Let us begin with the evaluation
of the level of consciousness.
People with a delirium tend to present in one of three ways: (1) hypoactive, (2)
hyperactive, or (3) a mixed picture of the previous two states. In the hypoactive state,
which represents the most common state, the patient may appear drowsy or may actually
be hard to arouse. This type of “quiet delirium” is common in elderly patients. Their
somnolent behavior does not bother anyone, and consequently their condition may be
overlooked. In the hyperactive state the patient is “wired.” The patient appears unusually
responsive to any stimulation from the environment and tends to appear driven. This is
sometimes accompanied by marked agitation or aggression. We saw this presentation
earlier with Mr. Williams, the man suffering from DTs. Finally, patients may present with
a mixture. One of the hallmarks of the delirious patient is the tendency for the level of
consciousness to fluctuate. This fluctuation may be so extreme as to move the patient
back and forth between hypoactive and hyperactive states. Mr. Lawrence first presented
to the emergency room staff with a rage-like, hyperactive state and later presented to me
in a drowsy, hypoactive state.
If one is actively looking for changes in the level of consciousness, they are not hard
to spot. But in a busy clinical situation the trick is to be aware of their importance. A
problem arises in the fact that patients tend to move in and out of delirious states rela-
tively quickly. An alert nurse may note a brief episode of delirium that will simply not
be present during clinical rounds the following morning. A frequent physician error is
to assume that if the patient looks good on rounds, then “what’s the fuss?” Unfortunately
such a patient may be developing permanent brain damage during the periods of delir-
ium. Consequently, this type of patient needs a medical work-up despite a good appear-
ance during rounds.
This tendency for the delirious patient to demonstrate a fluctuating level of conscious-
ness is paralleled by changes in the electroencephalogram (EEG).86 In the hypoactive
state, the EEG usually demonstrates a generalized diffuse slowing of the background
activity. During the hyperactive state, fast activity is often seen. At times a normal EEG
may be found.
With regard to determining whether or not the patient is having trouble concentrating
and attending to the environment, the task becomes more difficult. The difficulty lies in
the fact that subtle problems with attention and concentration may not be apparent
unless tested. At times, the clinician may be able to determine that concentration is rea-
sonably good, by noting the patient’s ability to converse in a natural and intelligent
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488 The interview and psychopathology: from differential diagnosis to understanding
fashion. At other times, as was the case with Mr. Lawrence, more formal testing is
required, especially if the evaluator is truly suspicious of the presence of a delirium.
“I’m going to give you some numbers to remember. We will start with something easy,
say two numbers, and then we will do longer strings of numbers. Watch me carefully
as I say the number to make sure you got it. Then wait a moment. I will point to you.
Do not repeat the number back to me until I point to you. This will help us to test
your memory. Any questions? … Good, let’s start: eight; five.” (Pauses for several
seconds, and then points to the patient.)
It is important to say the digits in a steady rhythm so as not to allow the patient to
remember clumps of digits. Consistency in rhythm is particularly important when you
are testing for seven-digit recall. If said like a telephone number, the patient may find
them artificially easy to remember.
After testing seven digits forwards, the clinician can ask the patient to recall digits
backwards, once again starting with two-digit recall. With the digit span test one should
expect an average adult to be able to repeat about seven digits forwards and four to five
digits backwards.
In the vigilance test, the clinician recites (for about 1–2 minutes) a string of letters
randomly from the alphabet. The patient is asked to make a hand tap on the table every
time the letter “A” is said. If the patient is experiencing problems attending to the envi-
ronment, both errors of omission and commission will tend to occur, especially as you
go deeper and deeper into the string of letters. A normal adult should make few if any
errors in the vigilance test. As the series continues, some delirious patients will even forget
what letter they are hunting for. I have found this test to be a surprisingly sensitive one
for picking up problems in concentration as seen in subtly delirious states.
The patient may also be asked to make copies of constructions, such as a cross or a
cube. Once again the delirious patient may find such a task difficult. Also note the time
and the ease with which a patient performs constructions. Sometimes a patient can
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Psychotic disorders: how to sensitively arrive at a differential diagnosis 489
complete a construction such as a cube correctly, but it requires great time and concen-
tration to do so. In an engineer or architect, such delays may actually indicate early
cognitive dysfunction for they should be able to do a cube with great ease.
Finally, problems with writing (dysgraphia) are common and include spelling errors,
clumsily drawn letters, reduplication of strokes in letters such as “M” or “N,” and
problems with alignment and linguistics.87 The patient can be asked to write his or
her name, a sentence or two of their own creation, and/or copy a sentence or two from
a book or magazine. This test is significantly more telling if one can compare the
patient’s handwriting to a sample of his or her handwriting done prior to the behav-
ioral symptoms. (Keep in mind that tests based upon the patient’s writing are limited
in use to patients who are literate and have been taught to use script, which is fre-
quently not taught in grade schools due to the switch to computer keyboards, although
deliria can also cause errors in printing). In Chapter 16, where we will focus our atten-
tion upon the mental status, I will be demonstrating the effective use of these four
tests in Video Module 16.2.
These four tests represent an excellent quick screen for deficits in concentration,
attending abilities, and immediate recall, but one may have difficulty using them with a
hostile patient. Few hostile patients are eager to demonstrate their artistic abilities or play
word games. When these tests are deemed to be inappropriate, one can learn a great deal
by carefully observing the patient. The delirious patient may demonstrate difficulties in
concentration, attending, and other cognitive problems through an inability to follow
commands, a problem remembering questions, a tendency to appear overly sensitive to
noises and other outside stimuli, or simply an appearance of confusion, as was the case
with Mr. Lawrence in the bathroom. The trick is in remembering to look for these pro-
cesses on a routine basis when encountering a psychotic patient.
Inouye has developed a systematic approach to spotting delirium called the Confusion
Assessment Method (CAM) that many view as one of the best methods for diagnosing
a delirial state, which requires only about 5 minutes to perform.88 As one would expect
from the above considerations, it focuses upon the patient’s problems with both con-
centration and fluctuation in levels of consciousness. The CAM is not a structured test,
but it brings a structured approach to delirial assessments. It focuses upon nine charac-
teristics, symptoms, and behaviors: (1) acuteness of onset, (2) inattention, (3) disturbed
thinking, (4) altered level of consciousness, (5) disorientation, (6) memory impairment,
(7) perceptural disturbances, (8) psychomotor agitation, and (9) psychomotor retarda-
tion. We will not review its use in detail here, but the interested reader can find a manual
for its use on the web.89
Thus far our focus has been on the two key characteristics of a delirium – problems
with concentration/attending to the environment and fluctuations in the level of con-
sciousness. It may be valuable now to review a few of the more common clinical
characteristics.90–92
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490 The interview and psychopathology: from differential diagnosis to understanding
A variety of other odd behaviors have been reported during deliria, ranging from wander-
ing aimlessly about the hospital to drinking copiously from the toilet. One particularly
peculiar process has been reported in which the patient continues habitual behaviors in
totally inappropriate places. For instance, in an “occupational delirium,” patients perform
behaviors in the hospital that are normally only done at their place of work. The term
“carphology” has been coined for the behavior of picking at one’s bedclothes, another
abnormal behavior sometimes seen in deliria.
With regard to etiology, the list is extensive. In Table 11.1, a list of common causes is
presented. It is beyond the scope of this book to elaborate on the medical differential
and on the appropriate laboratory and physical examinations. The first and crucial step
remains the uncovering of the delirium during the interview itself.
In a practical sense, interviewers must train themselves to rule out delirium any time a
patient presents with a psychosis. Unless this active process of viewing delirium as a part
of the differential becomes a clinical habit, one runs the risk of missing it. The patient
is the one who pays for such an error, and the cost may be permanent brain damage or
worse.
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Psychotic disorders: how to sensitively arrive at a differential diagnosis 491
Metabolic
1. Hypoxia, hypercarbia, anemia
2. Electrolyte imbalance, hyperosmolarity
3. Hyperglycemia or hypoglycemia
4. Abnormal levels of magnesium or calcium
5. End-stage liver or kidney disease
6. Vitamin B1 deficiency (Wernicke’s encephalopathy secondary to a thiamine deficiency)
7. Endocrine disorders (hyperthyroidism or hypothyroidism, hyperparathyroidism, and adrenal disorders)
Infections
1. Systemic (e.g., pneumonia, septicemia, malaria, and typhoid)
2. Intracranial (e.g., meningitis, encephalitis)
Neurologic Disorders
1. Hypertensive crisis, stroke, subarachnoid hemorrhage, vasculitis
2. Seizures
3. Trauma
Drug Withdrawal
1. Alcohol hallucinosis, rum fits, delirium tremens
2. Other withdrawal states (e.g., from barbiturates, as well as acute intoxication with street drugs)
Intoxication
1. From agents such as digoxin, levodopa, anticholinergics, and street drugs
Post-operative Sequelae
1. Especially following cardiac surgery
Personality Disorders:
Deferred
Medical Disorders:
Respiratory arrest secondary to overdose
1. Psychoses such as those seen with schizophrenia or bipolar disorder often present in
a similar fashion from episode to episode.
2. If a patient’s psychotic presentation seems different than is typical from previous
episodes, then the clinician should strongly consider the possibility of a new etiologic
agent.
3. The presence of a delirium always warrants an aggressive medical evaluation and can
easily be missed in chronic patients.
4. The clinician should always consciously look for evidence of a fluctuating level of
consciousness or a significant problem with concentration and attending to the
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492 The interview and psychopathology: from differential diagnosis to understanding
environment in all psychotic patients; these two characteristics are tip-offs that a
delirium may be present.
Discussion of Kate
During the interview it was easy to see why hysterical traits had been reported. Kate
seemed to be preoccupied, as if pulled into an autistic cocoon. At one point, she turned
and while looking me squarely in the eyes she dramatically said, “Tell me Doctor, what
is reality?” She denied hallucinations and delusions. Her speech was halting and was
interspersed with inappropriate giggles. At times she displayed mild thought blocking
and seemed distracted. She was completely oriented, demonstrated an alert and stable
consciousness, and when cognitively tested, displayed no specific problems with concen-
tration (other than a single error when doing reversed digits and one error on the vigi-
lance test), attending to the environment, or other deficits.
Her numerous soft signs suggested that a psychotic process was present, and she was
hospitalized. Her physical examination was normal in the emergency room without any
neck stiffness nor complaints of headaches. We were somewhat suspicious of drug abuse,
but it seemed unlikely from the history taken from the parents. By the time of admission,
morning had almost broken, and I requested an immediate neurological consult to be
placed upon arrival on the unit, for her presentation seemed difficult to explain, and I
had concerns of a possible neurologic complication such as a central nervous system
infection. The admission bloodwork and the results of the spinal tap performed hours
later by the neurological consultant revealed a diagnosis of viral encephalitis. Approxi-
mately 1 week after her admission, Kate, unfortunately, lay dying in the intensive care unit.
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Psychotic disorders: how to sensitively arrive at a differential diagnosis 493
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494 The interview and psychopathology: from differential diagnosis to understanding
When to Refer for a Physical Exam and What to Do If You Can Perform One
A brief, well-directed physical examination will often uncover many of the life-threatening
processes mentioned above, but not always as evidenced by Kate whose physical exam
was normal. In fact, a patient presenting with the onset of new psychotic symptoms
should seldom, if ever, leave an emergency room without a screening physical examina-
tion. If a new patient presents to a community mental health center, college counseling
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Psychotic disorders: how to sensitively arrive at a differential diagnosis 495
center, or a private practice with psychotic symptoms, every effort should be made to
have the patient seen as quickly as possible, hopefully immediately after the mental
health assessment.
The physical examination can be performed quickly and is geared towards uncovering
evidence of a life-threatening dysfunction. To this end, it focuses on the following five
areas: (1) vital signs, (2) autonomic system dysfunction, (3) heart and lung dysfunction,
(4) neurologic dysfunction and head trauma, and (5) abnormalities of the eyes.
Abnormal vital signs should be retaken. If they remain abnormal, an etiology for the
dysfunction should be sought. Keep in mind that the pulse may be naturally elevated in
an agitated patient, but agitation alone seldom causes sustained pulses over 120 to 130.
Autonomic dysfunction is frequently present during a life-threatening illness. Agents
such as the anticholinergic medications, mentioned earlier, frequently cause the patient
to present with hyperthermia, blurred vision, dry skin, facial flushing, and delirium. The
mnemonic “hot as a pepper, blind as a bat, dry as a bone, red as a beet, and mad as a
hatter” has been used to describe this toxic state.
A note of caution should be added: the anticholinergic syndrome is often incomplete,
or it may be hidden by other active agents such as opiates. For instance, Mr. Lawrence,
who overdosed on Elavil, an antidepressant with many anticholinergic properties, pre-
sented with an increased pulse and a dry mouth, but his pupils were normal in size and
reactive. His skin color was pale, not flushed as would be expected in a classic anticho-
linergic syndrome. Many contemporary psychiatric and non-psychiatric medications have
anticholinergic properties.
This discussion also emphasizes the usefulness of looking at the patient’s eyes. The
clinician should look for abnormal size or responsiveness of the pupils, as well as asym-
metry. Horizontal and vertical nystagmus should be sought. The eye grounds may reveal
evidence of increased intracranial pressure.
Neurologically, one scans for evidence of focal weakness and changes in reflexes.
Reflexes, including the suck reflex, snout reflex, palmomental reflex, and the Babinski
sign, can be quickly screened. The clinician should check for signs of neck rigidity as well
as for hemotympanum of the ears or other signs of a slight skull fracture.
Finally, the clinician should listen to the heart and lungs if an abnormality of the
cardiovascular or respiratory system is suspected.
A screening physical examination as described earlier can quickly flush out a serious
physical condition, sometimes even in the early stages. A common error in this regard is
to admit an extremely agitated patient directly to a seclusion room and subsequently fail
to perform a follow-up physical examination when the patient has calmed down. Once
the patient has calmed, the physician, nurse clinician, or physician assistant should
attempt a screening examination no matter how late it is at night. At times, when one is
strongly suspicious of the presence of a serious illness, the patient may need to be physi-
cally restrained to allow for examination.
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496 The interview and psychopathology: from differential diagnosis to understanding
disorder other than some mild thought blocking (the three classic hard signs of psycho-
sis), she does present with one extremely odd behavior by history – appearing topless
when knocking at her parents’ bedroom door – and the somewhat odd behavior dem-
onstrated in the emergency department – wandering about in the exam area. These odd
behaviors should appropriately raise the clinician’s suspicion of the presence of an under-
lying psychotic disorder in the differential diagnosis. In addition, the thought blocking
she demonstrated during the interview itself is usually a sign of active psychotic process.
Although Kate has some signs suggestive of delirium (possible episodes of confusion and
mild cognitive deficits), she does not currently meet the criteria for delirium. At the time
of her admission, before any lab work had returned, her differential may have looked as
follows:
Rule out:
1. Brief psychotic disorder
2. Psychotic disorder due to another medical condition
3. Unknown substance use disorder
4. Substance/medication-induced depressive disorder
5. Substance/medication-induced psychotic disorder
6. Major depressive disorder with psychotic features
7. Unspecified delirium
Personality Disorder:
Defer
Medical Disorders:
Rule out general medical causes of psychosis (such as infection, partial complex seizure
disorder, etc.)
Before leaving the topic of Kate’s presentation, it may be of value to summarize some
key points.
1. A delirium is not the only way in which a medical illness may manifest as a psychosis.
Diseases such as encephalitis can mimic processes such as schizophrenia.
2. The clinician should routinely consider the various life-threatening illnesses when
evaluating a patient who is psychotic.
3. A screening physical examination should be performed on any patient presenting
with psychotic features (as well as any appropriate lab work).
4. The absence of all the typical signs of the anticholinergic syndrome does not rule out
this syndrome, because it may present with only some of the physical signs.
Let us now move on to our final case presentation. Ms. Flagstone represents an anomaly
among our other cases: She is not acutely psychotic.
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Psychotic disorders: how to sensitively arrive at a differential diagnosis 497
I’ve really never told anyone this story, but it has had a profound effect on me. At the time
I was extremely upset. Everything was horrible in my life. Fortunately, I was not taking
any drugs or else I might not have found God. I was in my kitchen doing the dishes when
a sudden light filled the room. I just knew it was a message from God. He had come to
bring me back to the His flock. From inside the light I heard the Angel Gabriel speak. He
said, ‘Janet, you are with child.’ I knew this was a test from God and I showed strength
by accepting the mission. He talked with me, and I convinced him of my great love of
God. At that point the angel told me that all was well and that I was back with God, my
father. A blinding light moved in and out of the room many times. The whole thing only
lasted about 15 minutes, but my life has never been the same since.
This episode is the only time that she has ever heard a voice, and she denies that she has
any special mission for God other than to be a good Christian.
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498 The interview and psychopathology: from differential diagnosis to understanding
variety of personality disorders may present with “micropsychotic episodes.” These epi-
sodes tend to last from minutes to hours. At times they may extend longer, but as soon
as the episodes appear to be lasting a day or longer, one should immediately begin sus-
pecting a more serious ongoing psychotic disorder. It is much more characteristic for
these events to be short-lived, as demonstrated by Ms. Flagstone, who upon further
interviewing seemed to fulfill many of the criteria for a histrionic personality disorder;
however, this diagnosis is difficult to verify in a single hour and will require further
interviewing.
Micropsychotic episodes, as experienced by people with personality disorders, are
characteristically precipitated by stress, or they may be unleashed by drug abuse, or both.
Processes such as fleeting paranoid ideation, depersonalization, and derealization are
frequently experienced. If drug abuse or stress is frequent, then both the frequency and
duration of the micropsychotic episodes may increase.
Diagnostically speaking, micropsychotic episodes are seen most frequently in the fol-
lowing three disorders: paranoid personality disorder, schizotypal personality disorder,
and borderline personality disorder. Although seen much more rarely, micropsychotic
episodes have been reported in patients dealing with histrionic and/or narcissistic process
if the patients are under intense stress or their natural defense mechanisms are out-
stripped by the pressures of their daily life. For instance, a highly respected priest with a
severe narcissistic personality disorder, who is discovered to be an active pedophile, may
be at risk for micropsychotic process. The public humiliation may prove to be so intense
as to overcome his protective narcissistic defenses. The result could be intermittent brief
lapses of subtle paranoia.
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Psychotic disorders: how to sensitively arrive at a differential diagnosis 499
hallucinations and/or paranoia may erupt. It is fairly common for people experiencing
intense flashbacks to experience auditory hallucinations of the voices and/or sounds that
were present during the original trauma.
At other times, the PTSD patient will experience an atypical type of flashback in which
the emotions experienced during the assault (such as extreme fear and/or anxiety) will
appear during the flashbacks, occurring without a memory of the exact circumstances of
the traumatic incident. Such episodes may be misinterpreted as being evidence of endur-
ing psychotic or paranoid process if the clinician is unaware of such phenomena. I am
reminded of a patient of mine who would sometimes, without warning, experience
intense fears. Her fear was so great that she would sometimes arm herself with a gun and
point it intermittently towards her front door. The episodes of fear would last for an hour
or two. But there were no associated memories flashing through her mind during these
atypical flashbacks, just fear and hypervigilance. Interestingly, these episodes were often
triggered by the sound of a phone ringing. It was conjectured that perhaps she had been
assaulted at a young age, with the memory still repressed, and that, during the assault,
a phone had been left to ring unanswered in the background.
Personality Disorders:
Histrionic personality disorder (provisional, but more historical information needed
before diagnosis can be made)
Rule out other specified personality disorder (mixed with histrionic, schizotypal, and
borderline traits)
Medical Disorders:
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500 The interview and psychopathology: from differential diagnosis to understanding
seemed to move upwards into her throat area. All of these phenomena could be com-
ponents of partial complex seizures (formerly called temporal lobe epilepsy), including
her periods of depersonalization and her mood shifts.
Epilepsy presenting with partial complex seizures is the “masquerader par excellence.”
It can mimic essentially any psychiatric disturbance and is particularly good at presenting
as a psychotic disturbance. A query should be made for partial complex seizures in any
patient presenting with psychotic symptoms. Indeed, with our immediately previous
patient, Kate, you will recall that a partial complex seizure disorder was also a part of the
differential diagnosis, especially because of her episodes of odd behavior (such as dis-
tractedly walking about the back halls of the ED).
Psychotic symptoms may emerge during the seizure itself or between seizures (the
period known as the interictal phase). The seizure activity sometimes begins with a phase
known as the aura, in which patients may experience a variety of odd sensations, includ-
ing fear and anxiety. Patients may feel that they are experiencing a given situation for a
second time (known as déjà vu), or they may have the opposite feeling that nothing is
familiar (known as jamais vu). The patient sensing strange and pungent odors may also
be a predominant symptom. Peculiar abdominal feelings are very frequent. In some
cases, these feelings are the only symptoms, and the patient is said to have “abdominal
seizures.”
As the seizure develops, the patient loses conscious awareness and usually displays
various automatisms such as picking at himself or herself, wandering about, and display-
ing bizarre mannerisms or odd behaviors. To uncover such processes, a useful question
remains, “Have you ever found yourself somewhere and you didn’t know how you got
there?” Two other pertinent questions are, “Have you ever had periods of losing con-
sciousness?” and “Have your friends or family ever told you that they have seen you
doing very odd things that you don’t remember?”
Curiously, personality changes or psychotic-like activity may appear between partial
complex seizures during interictal periods.95 Ms. Flagstone reported some of the more
common interictal phenomena seen in such presentations: preoccupation with religious
or moral issues, a tendency to write copiously, decreased sexual drive, intense mystical
experiences, a deepening and intensification of emotions, and what has been called
interpersonal viscosity. This latter term refers to a tendency to want to keep talking and
be near to people.
It is certainly not always possible to explore all these issues during the initial interview
because of time constraints. However, in later sessions these questions should be rigor-
ously pursued if suspicious of seizure activity. Collaborative interviews with family/
friends can be particularly useful if one is suspicious of the presence of partial complex
seizures. Family/friends may be quite puzzled by the behaviors of the patient (periods
of confusion, aimless or bizarre behaviors) and the patient is completely unaware of
them due to post-seizure amnesia.
It is an unfortunate error to label someone as having schizophrenia when the actual
problem is a partial complex seizure disorder. Such a person would be robbed of the
chance to benefit from a course of antiseizure medications, and would also be needlessly
exposed to the potentially serious side effects of antipsychotics.
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Psychotic disorders: how to sensitively arrive at a differential diagnosis 501
At this juncture, we are rapidly drawing to a close on our case discussions. It seems
appropriate to summarize some of the points brought forward by the case of Ms.
Flagstone.
1. Some personality disorders may present with psychotic symptoms, so-called micro-
psychotic episodes.
2. Micropsychotic episodes are most common in people coping with paranoid, schizo-
typal, or borderline personality disorders. They are less frequently seen in people with
decompensating histrionic or narcissistic personality disorders during times of intense
stress and/or substance use.
3. These micropsychotic episodes tend to extend from minutes to hours and are often
triggered by stress or drugs. Paranoia, depersonalization, and derealization are
common.
4. Partial complex epilepsy may present with psychotic symptoms both during seizures
or between seizures.
5. Consequently, questions should be asked concerning both the symptoms commonly
seen during a seizure as well as relating to interictal personality change.
We have now concluded our survey of diagnoses that may demonstrate psychotic symp-
toms. Figure 11.3 illustrates the rich diversity of etiologic agents that may present with
psychotic symptoms. As mentioned at the beginning of the chapter, the word “psychosis”
Medication-induced
PSYCHOSIS
Delusional disorder
Brief psychotic disorder
Schizoaffective disorder
Delirium, dementia or a psychotic
disorder due to a another Personality disorder with
medical condition micropsychotic episodes
Atypical psychosis
Figure 11.3 Diagnostic possibilities when considering psychosis.
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502 The interview and psychopathology: from differential diagnosis to understanding
is not a diagnosis. The presence of psychotic symptoms mandates that the clinician try
to delineate the possible disorder and the etiologic agent of that disorder.
In order to perform an effective initial assessment, we must possess a sound and flex-
ible knowledge base concerning the differential diagnosis of psychotic process. In this
chapter we have attempted to provide just such a base. Hopefully, we have also shown
that the performing of differential diagnosis from a person-centered perspective is,
indeed, a delicate art in which the clinician always balances the uncovering of diagnostic
symptoms with a keen sensitivity to the uniqueness of each patient’s experience of those
symptoms.
But we have only touched upon how the horrors of psychotic process invade the inner
worlds of our patients and disrupt the familial and societal matrix of which these worlds
are an integrated part. Much remains to be examined if we are to have the tools necessary
to more sensitively explore this world with our patients through the art of interviewing.
In this regard, it seems only fitting to end this chapter with the wise quotation that we
have seen before from the pen of Sir William Osler, “It is much more important to know
what sort of patient has a disease than to know what sort of disease a patient has.” With
the completion of this chapter, we now know the disease. In the next chapter we will
come to know the person beneath it.
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CHAPTER 12
Interviewing Techniques for
Understanding the Person
Beneath the Psychosis
In this unnerved – in this pitiable condition – I feel that the period will sooner or later
arrive when I must abandon life and reason together, in some struggle with the grim phan-
tasm, Fear.
Edgar Allan Poe
The Fall of the House of Usher
Poe aptly describes the fear and anxiety that so frequently walk hand-in-hand with the
process known as psychosis. Amidst this tapestry of fear and anxiety, a plethora of psy-
chological traps are interwoven, including hallucinatory phenomena, oddities of percep-
tion, and difficulties in language formation and cognition. In this chapter we will attempt
to move, wing by wing, through the matrices of our patients to better understand the
destruction that psychotic process causes the people beneath these diagnoses.
As we saw in Chapter 10 where we discovered that depression can cause widespread
disruption across a patient’s matrix, psychotic process spreads throughout each and every
wing of our patients’ matrices like a virus, wreaking havoc on each wing, from the bio-
logical to the familial and the spiritual. The more we understand the nuances of this
destruction and its movement, the more likely we will be able to develop interviewing
techniques and strategies that can help our patients to share their pain with us; this is
the goal of this chapter. We will also discover that psychotic process can impact on the
interview process itself.
Our abilities to navigate these hurdles and to sensitively spot the subtle emergence
of psychotic process is one of the most pivotal and sophisticated skills that any mental
health professional can bring to the table. It is a skill that can help us to begin the
healing process, whether one is a college counselor sitting with a student experiencing
a first break of schizophrenia, a social worker functioning as a crisis worker in an
emergency room encountering a patient with a drug-induced psychosis, or a psychiatrist
working with a patient admitted to an inpatient unit with command hallucinations to
kill himself.
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508 The interview and psychopathology: from differential diagnosis to understanding
Psychotic Disruption of the “Sensation of the Physical Boundaries of the Body” and the
Concept of a “Porous Ego”
Leaving the area of sleep disruption, one is confronted with another set of somatic con-
cerns created by psychotic process, and these concerns are far removed from normal
experiences like sleep: Psychotic patients frequently have problems with determining the
limits of their bodies, and in a parallel sense, the limits of their sense of self, their “real-
ness,” or sense of “mineness,” so to speak.
It has been suggested that patients experiencing psychotic process often regress to an
infantile state in which the body is viewed as part self and part object.1 At such points,
the person may experience such intense feelings of depersonalization or derealization
that they actually move past these phenomena into odd psychotic experiences in which
the patient loses the sense of self or autonomy of self. One such type of experience is
known as a “made volitional act,” vividly described by one patient as follows:
I look at my arms and they aren’t mine. They move without my direction. Somebody else
moves them: All my limbs and my thoughts are attached to strings and these strings are
pulled by others. I know not who I am. I have no control. I don’t live in me. The outside
and I are all the same.2
When intense, such feelings may be associated with a terrifying sense of impending
annihilation. Perhaps, this blurring of inner and outer reality is the almost otherworldly
fear that Roderick Usher felt was his destiny in Poe’s story. It is important to realize the
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Interviewing techniques for understanding the person beneath the psychosis 509
intensity of these fears, because they provide insight into the sometimes violent and
drastic measures of psychotic patients.
The above quotation leads us into a more sophisticated exploration of psychotic dis-
ruptions in the boundaries of the ego. In essence, one can view psychotic patients as
possessing a “porous ego.” The world seems to invade their skins in a distinctly unpleas-
ant fashion. They experience a variety of sensations, which seem to enter from the outside
world while becoming one with them. It is this unidirectional invasion of their integrity
that is partially responsible for their fear and anxiety.3 It is this feeling of invasion, and
the dissolution of the integrity of the body, that characterizes many of what have come
to be known as Schneiderian symptoms.
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510 The interview and psychopathology: from differential diagnosis to understanding
A patient can experience thought withdrawal in different ways. A patient may literally
feel a thought being withdrawn from his or her brain/skull as a perception (a haptic hal-
lucination) or a patient could cognitively believe that his or her thoughts are being
withdrawn, without necessarily feeling it as a sensation (a delusion, without any precipi-
tating hallucination). Both of these are experienced by patients as real inner phenomena
or truths. I believe that for Schneider, it was this inner experience of thought withdrawal
that was most important, not whether the patient’s experience could be subsequently
classified as a hallucination versus a delusion.
Likewise, a patient could interpret this inner phenomenon in various fashions. The
patient could, in a nebulous way, simply feel as if a nonspecific, non-identified outside
agent had done the withdrawing (a feeling state not a delusion); or the patient might
vaguely believe that an outside entity had withdrawn the thought (an over-valued idea);
alternatively, he or she could definitely believe that an outside agent had withdrawn the
thought (a true delusion); further yet, he or she could arrive at a specific belief as to who
(a neighbor) or what (a demon) had withdrawn the thought (an elaboration and refine-
ment of the patient’s delusion).
In my opinion, Schneider, as a phenomenologist, was most likely interested in all of
these aspects, viewing them as integral parts of the patient’s inner experience. It was not
that the person had either a hallucination and/or a delusion that would matter most to
a classic phenomenologist. It was the fact that a person had experienced the phenome-
non of thought withdrawal and had been concerned about it (in whatever unique fashion
it was experienced and in whatever unique fashion the patient had experienced the
concern) that raised Schneider’s suspicion that the patient was experiencing a psychotic
world.
It is also important to understand that Schneider did not believe that the mere pres-
ence of one of these symptoms indicated the existence of psychotic process or even
psychopathology. The symptom had to be embedded within a psychotic matrix, as we
described in our previous chapter. He warned, “a psychotic phenomenon is not like a
defective stone in an otherwise perfect mosaic.”6 The need to examine the specific
symptom within the overall context of the patient’s experience Schneider described as
the requirement for the presence of “phenomenological leverage.” This leverage (psy-
chotic matrix) had to be present in order to determine that a symptom was truly psychotic
in nature.7 With these clarifications in mind, let’s take a closer look at Schneider’s first-
rank symptoms.
Exploring Somatic Passivity and “Made Feelings”: The World of the Porous Ego
Schneider did a marvelous job of capturing the essence of these psychotic sensations,
which, traditionally, clinicians have a hard time uncovering because they are so foreign
to normal experience. A clinician can empathize with paranoia to some extent, because
we have all experienced fear of other people to some degree or another. But “somatic
passivity” and “made feelings” are something altogether different. They are psychologi-
cally foreign phenomena to most clinicians, hence are easily missed. Moreover, despite
the damaging power of these symptoms (and the consequent value of targeting them
for relief via supportive reassurance, cognitive–behavioral therapy, or medications, etc.),
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Interviewing techniques for understanding the person beneath the psychosis 511
many patients – because the symptoms sound so “crazy” to others in the patient’s
everyday culture – will not share them unless directly asked about them by the
interviewer.
With somatic passivity experiences, the patient is the reluctant recipient of bodily
sensations against his will by a force outside of his control such as suddenly feeling that
his intestines are wriggling about inside his abdomen or that his organs are shifting
about. It is easy to see how such peculiar sensations could plant the seeds of delusional
material such as a paranoid fear that someone is purposely twisting the patient’s insides
or that parasites or snakes have infested his intestines. The following type of question
can help to bring such sensations to light:
“Do you ever feel that something is moving or squirming inside of your body?”
Similarly, in made feelings, made impulses, and made volitional acts, the patient once
again feels that something is “being done to them.” Personal control is taken from the
patient (sometimes referred to in the literature as delusions of control). This distinct and
remarkably unnerving feeling that “I am being made to feel something, made to want
to do something, or actually being made to do a specific act against my will” (such as
assaulting or killing someone), is the unifying perception of all three of Schneider’s
“made” symptoms. It is a poignant example of a “porous ego,” made vulnerable to inva-
sion at any moment by psychotic process. Mellor, in a classic article on Schneiderian FRS,
quotes a patient who describes the oddness of a “made feeling”:
I cry, tears roll down my cheeks and I look unhappy, but inside I have a cold anger because
they are using me in this way, and it is not me who is unhappy, but they are projecting
unhappiness into my brain.8
Another of Mellor’s patients insightfully describes the sensation of “made volitional acts”
of which we already saw one example above. In this instance, the patient is describing
that his fingers pick up objects but, “I don’t control them … I sit there watching them
move, and they are quite independent, what they do has nothing to do with me. I am
just a puppet … I am just a puppet who is manipulated by cosmic strings.”9
Notice how it would be natural for any person experiencing these “made sensations”
or somatic passivity experiences to wonder who or what is causing them. This drive to
figure out, “what is happening to me?” is totally normal. Unfortunately, as the patient
seeks out an answer, they will inevitably come upon an unrealistic answer for the original
sensation is psychotic in nature. Their resulting explanation for the made feeling or
somatic passivity experience – a demon is making me feel hate or parasites have invaded
my intestines – is a delusion. Thus we see that delusions are often the result of a person’s
natural hunt for answers to an unnatural, psychotic experience. This sequential understanding
complements what we saw in the last chapter when we described the “life cycle of a
delusion” and the concept that the presence of delusions is evidence of an old
psychosis.
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512 The interview and psychopathology: from differential diagnosis to understanding
“Have you ever felt that something or someone is making you feel an emotion, as if
something is making you feel angry, sad, or bitter?” (uncovers made feelings)
“Does it sometimes feel like something or someone is giving you urges that you would
never want to do normally, like the urge to yell out at a stranger, use a profanity, or
even hurt someone physically?” (uncovers made impulses)
“Right before you assaulted your boss, and I know you feel very badly about that now,
what were you feeling, right before you hit him? (an open-ended indirect method of
potentially uncovering made volitional acts)
“Have you ever felt that something or someone made you actually assault your boss?”
(a closed-ended direct method of uncovering made volitional acts)
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Interviewing techniques for understanding the person beneath the psychosis 513
“Have you ever felt that some person or perhaps something like a demon or perhaps
the web can pull or remove your thoughts from you, you know, against your
will?”
In contrast, with thought insertion, the patient feels or believes that thoughts from a
different entity are being forced or pushed into his or her mind. The phenomenon is a
truly weird experience, often accompanied by over-valued ideas or delusions frequently
tied into demon possession or other types of paranoid delusions, such as a computer or
smart phone pushing thoughts into the patient’s mind. I have found the following ques-
tions to be of use in exploring these sensations:
“You mentioned that your neighbor, Ben, is trying to control you. Does he try to do
things like control your thoughts or even literally push his own thoughts into your
mind?”
“Does it ever feel to you that you can literally feel Satan pushing these feelings into your
mind, against your will?”
“Have you ever felt that thoughts are being pushed into your mind through your smart
phone that aren’t your own?”
This type of passive thought broadcasting is sometimes called “thought diffusion.” I find
the term “thought leakage” more descriptive of the fear attached to the phenomenon by
the people experiencing it. One can imagine the intense concern accompanying such a
phenomenon, for suddenly there is no privacy whatsoever. What one thinks, others can
hear. Generally, thought leaking is experienced in very negative terms. Patients may even
feel that their thoughts are being beamed out on radio or television, or simultaneously
magically posted on Facebook or other social media.
Note that thought broadcasting is a decidedly different sensation to thought with-
drawal. The locus of the experience is not that something is being actively done to oneself
(an agent is pulling my thoughts out), but that one’s thoughts are leaking outwards
through a porous ego.
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514 The interview and psychopathology: from differential diagnosis to understanding
In some rarer instances of thought broadcasting, it feels to patients that they are
capable of intentionally sending thoughts from their minds. In such instances, the
thought broadcasting may be viewed in a pleasurable light – as a special ability or skill.
The following questions can be used to uncover both types of thought broadcasting
(unintentional leakage or an intentional sending of thoughts):
“Jim, are you ever worried that other people can read or hear your thoughts without your
awareness, or perhaps your inner thoughts are somehow posted on the web without
your knowing it?”
“Sometimes people have told me that they have been lucky enough to develop some
unusual or special powers, like ESP. For instance, some people have told me that they
have the ability to send their thoughts outward into the minds of others, sometimes
great distances. Have you ever experienced anything like that, even just a little bit?”
One can quickly sense the inherent strangeness of a world encountered with a porous
ego. One can more easily intuit why these patients frequently seem preoccupied or lost
in thought. It requires tremendous attention to try to sort out the meanings of so odd
and intrusive a world. The clinician must also bear in mind that these patients are fre-
quently attempting to determine which of their sensations are real and which are false.
To the degree that they possess a “distance” from their psychosis, they will realize that
much is unreal. As the psychosis deepens, this distance is lost, and the inexplicable
becomes a reality that needs no explanations.
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Interviewing techniques for understanding the person beneath the psychosis 515
antiemetics. Akathisia represents a symptom in which patients feel that a part or all of
their body needs to move. It is a deep-seated feeling of restlessness. Generally it will show
itself as the physical sign of moving about in an agitated fashion, sometimes with a
smallish, prance-like step.
It is important to remember that akathisia is a subjective symptom, not a physical
sign. In this sense the patient may not always appear agitated or be pacing. Instead, the
person may only experience the unpleasant sensation of feeling intensely restless. By way
of illustration, if in addition to akathisia the patient has also developed the stiff-like
Parkinson’s syndrome described above, the patient may move very little, despite an
intense drive to move. Needless to say, this type of paradoxical situation creates an
extremely discordant sensation for the patient.
It is easy to mistake akathisia for psychotic agitation; consequently the interviewer
must be alert for it. When severe, akathisia represents a new and bizarre sensation that
a patient already having problems with psychotic process certainly could do without.
Some authors have reported incidents in which they felt that akathisia either worsened
a psychotic state or, at times, predisposed the patient to inflict self-damage, including
suicide.
In the following direct transcription, a young professional describes his experiences
with akathisia. At the time of the transcript he was no longer psychotic. When the medi-
cation had been utilized, he had been suffering from a frightening delusional system. He
had also been told about akathisia and its transitory nature, but his psychotic process
appears to have disrupted this information. I have never heard akathisia or its interplay
with psychotic process so eloquently described:
Pt.: I was very aware of a different kind of feeling from what I usually have. It felt as if
it was most immediately recognizable in the morning, in that I felt that I just
couldn’t go through with my normal morning routine, like taking a shower and
shaving and everything I do to get ready for work. It felt more like I couldn’t do it
because I couldn’t stand to wait that long, to go through those things which were
such routine motion.
Clin.: Like, what are some of things that were routine?
Pt.: Well, like standing under the shower. It just seemed impossible to stand under the
shower for any much longer and once I got done with the shower it seemed
impossible to stand there and dry myself.
Clin.: Okay. What do you mean when you say it wasn’t possible. What was it that you felt
would happen if you did stay there?
Pt.: That I would break out of my skin or something like that. But, uh, that I would be
so upset and unsettled that I would just be totally destroyed I think. It’s just very
unsettling.
Clin.: Now, did the experience change over time? In other words, were there parts of the
day where you would feel worse than other parts?
Pt.: It was pretty much general all day. When I got to work, I have a sit-down job. I do
remember that it was hard to stay put. It was really hard to sit. I do a lot of reading
in my job and it was very hard to concentrate on the things I have to read, and as a
consequence it made me feel ineffectual in my work. I just felt totally wiped out at
work. I felt like I really couldn’t keep working if I were to keep having this feeling.
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516 The interview and psychopathology: from differential diagnosis to understanding
Clin.: You mentioned the ineffectual feeling. Did you start to feel upset about being
ineffectual?
Pt.: Oh, sure. Yeah, I felt that I was going to be a failure, really, if I were to keep feeling
this way. I thought it would become evident right away to all the people around me
that I was really screwing this up and that I really couldn’t do my job anymore.
And, in fact, I even got a little panicky about that.
Clin.: Describe that to me.
Pt.: Yeah, I just felt like being between a rock and a hard place because the feeling was
that I had to sit there and keep doing my work because I was at work. On the other
hand, my body felt like I just couldn’t keep doing that anymore, and, uh, it was like
you were in a crisis every second is what it was really like. Between wanting to stay
there and do your job and being unable to do so.
Clin.: Did you have any fears that somehow or other that this state would not go away?
You know, that this was going to continue?
Pt.: Definitely. I had the fear that the drug had set off something in my system whereby,
even if I stopped the drug, that I was going to continue to have this feeling. What
was definitely very much a part of the feeling was the fact that how could I go
through the rest of my life feeling this way? That was very much a part of it.
Clin.: Now, what types of things did this sort of lead you to think then, that you couldn’t
do your work and that this state might not change?
Pt.: Uhmm, I felt depressed about it, and, uh, it led me to feel scared and afraid that
something was going to happen.
Clin.: Do you think that you got more frightened or nervous than you had been before?
In other words, did the unpleasant sensation increase your own anxiety just because
you were having it?
Pt.: Oh, yes. Definitely. I was very anxious being around other people, that they might
perceive that I was in this agitated state.
Clin.: Did you have any feelings that you should try to hurt yourself or that you might
hurt yourself? … because of the …
Pt.: Yes, it did seem, it did occur to me that it would be easier not to live than to live
this way. That probably seems really heavy, but that did occur to me. I did, I had a
resurgence of suicidal thoughts during those feelings.
Clin.: What kinds of things were you thinking at the time?
Pt.: Uh, usually blowing my head off. Really, I was thinking about that and just ending
it all because it just, I think every drug I ever took, I always had the fear that it
would do something, … that it would never go away again.
One aspect that can help the interviewer attempt to sort out akathisia from psychotic
agitation is the fact that akathisia represents a true bodily sensation. Patients will gener-
ally describe a need to move, an actual restlessness within the limbs. This is not generally
the case when the agitation is caused by psychotic process. If the patient lacks other
psychotic symptoms that could be triggering intense anxiety, then it is also more likely
that akathisia is the main problem. But at times the only way to distinguish akathisia
from psychotic agitation is to attempt to treat one or the other process. Fortunately with
the patient described above, the akathisia was greatly relieved by lowering the dose of
the antipsychotic.
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Interviewing techniques for understanding the person beneath the psychosis 517
Interviewing patients who are experiencing extrapyramidal side effects is often a daily
experience for mental health professionals across disciplines, especially if one works in
a community mental health center, an inpatient unit, or an emergency room. Let us now
turn our attention to a puzzling syndrome that a clinician is a great deal less likely to
see on a frequent basis, but is nevertheless important to understand. Indeed, it is its rela-
tive rarity that makes it important that we review interviewing techniques that can help
us to reach these patients when we do encounter it.
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518 The interview and psychopathology: from differential diagnosis to understanding
simply does not know. Consequently, speak normally and be sure to say whatever you
want to communicate, for the patient may not acknowledge what you are saying on the
spot, but he or she may be silently processing it in the moment or later that day. A simple
comment such as, “It’s okay not to talk now, but any time you feel like talking, please
do so. And feel free to ask any of the staff if I’m around. I’ll try to talk with you as soon
as I am available. It would be a nice thing to do.”
A logical question arises as to whether one should attempt a nonverbal technique
such as touching the patient. Generally speaking, I believe that in an initial interview the
answer is no, primarily because one simply does not know what these patients are expe-
riencing. If delusional or actively hallucinating, the patient may perceive the clinician as
attacking. Moreover, some of these patients can move almost immediately from stillness
into hyperactive states.
I am reminded of one such patient who I inadvisedly touched. She was lying on the
floor in an unresponsive state. We were concerned about the possibility of an overdose.
When she did not respond to loud questions, I shook her shoulders. To my shock she
immediately grabbed me and attempted to bite me. Apparently, drugs were not the issue.
However, in certain unusual instances the clinician may decide that it would be useful
to touch a catatonic patient. If such a decision is reached, then some simple principles
should be followed. In the first place, someone else should be in the room, and safety
officers should be aware that the patient may be unpredictable. The patient should be
told in a calm and reassuring voice exactly who the clinician is and what the clinician is
about to do. Patients should also be told why they are being touched and that if at any
point they want to be left alone they should simply say so. The clinician should be pre-
pared to quickly take evasive action.
I am reminded of a woman in her mid-30s, suffering from schizophrenia. During the
interview she sat with her head wrenched straight back while wincing with apparent pain.
For about 10 minutes she refused to answer any questions. Her neck continued to hyper-
extend, as her face further contorted in pain. A second clinician stepped in at this point
and said the following, “Ms. Jackson, I am one of the physicians here. I can see that you
are in some kind of pain. I am concerned that you may be having a type of drug side
effect (dystonic response to her antipsychotic), and I would like to see if I can help relieve
your pain. In a moment you will feel me touching the back of your head. I will be trying
to see if I can get your neck to move more freely. If you want me to stop, just tell me.”
The clinician proceeded to do just as he said, while continuously informing the patient
as to his next move. In about a minute, the patient’s neck straightened, allowing the
interview to continue, although she went on to speak in a disorganized fashion. Her neck
spasm was hysterical, not medication related.
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Interviewing techniques for understanding the person beneath the psychosis 519
hallucinations are one of the true hard signs of psychosis, although, as we have already
seen, they can be experienced by people without psychopathology.
As described by Waters in an excellent overview of auditory hallucinations, the most
common type of hallucination in psychiatric disorders is a voice.12 These voices may be
of people known to the patient, unknown to the patient, reality based (as with a family
member, political leader, or celebrity), or imagined (as with a god, a demon, or an angel).
The voices are commonly single words, but often contain complete sentences or ques-
tions and, at times, are quite complex, including multiple voices conversing (often com-
menting on the patient’s behavior) as well as voices with which the patient engages in
an ongoing conversation.
Hallucinations may also be nonverbal, composed of grunting sounds, machine noises,
unrecognizable sounds, and music.13 One of my patients, a college student suffering from
a psychotic bipolar disorder, told me that about 30 minutes before he would descend
into his most harrowing psychotic periods (characterized by vicious demonic voices), he
would often hear, very distinctly, the pleasant music of an ice-cream truck. He related he
could hear the truck approaching and leaving, and the music was indistinguishable from
the real thing.
He would later discover that he could creatively use this phenomenon as an early
warning sign of an acute psychotic worsening. As soon as he heard the ice-cream truck,
he took a prn (i.e., as needed) dose of his antipsychotic medication often effectively
short-circuiting the demonic voices. Quite remarkable and quite resourceful! It highlights
that each person must determine how to interact with his or her unique hallucinatory
processes. In this case the patient used one type of pleasurable hallucination – the music
of an ice-cream truck – to help him prevent the occurrence of a disturbing type of hal-
lucination – demonic voices.
Auditory hallucinations are commonly seen in psychiatric disorders. It has been
reported that 75% of patients with schizophrenia and between 20 to 50% of patients
with bipolar disorder experience auditory hallucinations. Many clinicians think of audi-
tory hallucinations in association with these two disorders, but it is important to realize
that they can appear with many other disorders. Approximately 10% of patients with
major depressive disorder experience auditory hallucinations and prevalence rates of up
to 40% have been reported for patients with post-traumatic stress disorder, generally
experienced during intense flashbacks.14
Determining whether a patient is having hallucinations, whether abnormal or normal,
is not as easy as one might think, because, for the most part, the clinician must depend
upon the patient’s self-report. As we have seen, errors in validity appear more frequently
when one must depend upon patient opinion as opposed to the elucidation of behav-
ioral incidents. Because of this, it may be best to start with a basic question regarding
the nature of auditory hallucinations, such as “Are they heard inside your head or outside
of your head?” The answer may come as a bit of a surprise.
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520 The interview and psychopathology: from differential diagnosis to understanding
have found its most fertile roots in the writings of Karl Jaspers, whose work we encoun-
tered before in Chapter 10. Jaspers seemed to believe that there was no continuum
between hearing one’s thoughts and hearing true hallucinations. Patients either had hal-
lucinations or they did not. With true hallucinations he felt that two elements were
always present. First, the hallucination was substantial in the sense that it seemed real
and had many of the sensory qualities of a real perception. Second, the hallucination
seemed to occupy space. With an auditory hallucination, this suggests that the voice came
from a given area outside the head.
But Jaspers was incorrect, as Fish and others have pointed out, and modern clinical
experience has borne out.15–17 There does appear to be a continuum, and I have talked
with many patients with schizophrenia who describe their voices as “being in my head.”
In some instances, as the psychotic process progresses, these voices move out into space
and truly seem more real at that point. In other cases, the voices seem to be originating
either from inside or outside the patient’s head, often appearing to be quite real in either
circumstance. But the bottom line remains that auditory hallucinations can be experi-
enced in both ways. And the DSM-5 accepts both voices from inside and outside the
head as representing hallucinatory phenomena.
The concept of the apparent localizability of a hallucination might be better viewed
with regard to whether a voice is heard within the mind (which has no location) or
outside the mind (where a location can be assigned). With some patients, the voice is
heard only within the mind. In contrast, with many hallucinations the voice can be
physically located, and this location may even be reported as being inside the patient’s
head as with “A radio transmitter is broadcasting from inside my head, where my neigh-
bor implanted it.” The internal terrain of the body can actually represent a geographic
space and a source of hallucinatory phenomena in this regard. With other patients, the
voice is heard as coming through the ear, on the surface of the body, or anywhere in
external space.18
Copolov and colleagues reviewed the literature devoted to the location of auditory
hallucinations and performed a study on these phenomena. They found that 34.5% of
their patients reported hearing the voices inside their heads, 27.9% outside their heads,
and 37.6% both inside and outside; these proportions were similar to the previous
studies they reviewed.19 There appeared to be little clinical significance – in terms of
severity of symptoms and the patient distress – when comparing where the patients
perceived their voices originating.
There was evidence that patients who heard their voices internally tended to exhibit
better reality testing and distance from their psychotic process than patients who heard
their voices externally. Counter-intuitively, however, patients who heard command hal-
lucinations only externally, reported being able to resist the commands more effectively than
patients who heard them only internally or both internally and externally. We will discuss
the significance and techniques for exploring command hallucinations shortly.
On a diagnostic note, it is important to be on the lookout for the relatively rare dis-
order of dissociative identity disorder (DID; previously known as multiple personality
disorder). In this disorder, patients may internally hear the voices of their alters. Keep in
mind that if a patient reports hearing voices internally, it is unlikely that he or she has
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Interviewing techniques for understanding the person beneath the psychosis 521
dissociative identity disorder. It is much more likely that the patient has schizophrenia
or some other psychotic disorder. Note that in DID the voices will generally not be
imbedded in a psychotic matrix as described in Chapter 11. Thus in DID one does not
tend to see elements such as delusional mood, delusional perception, and other phe-
nomena suggestive of a budding psychotic process, a useful point for discriminating
between the voices of DID and the voices seen in psychotic disorders such as
schizophrenia.
The Reality of Auditory Hallucinations to the Patient
Auditory hallucinations are viewed as veridical perceptual phenomena, a term that
simply means that patients frequently are convinced of the veracity or realness of the
hallucinations. On the other hand, each patient is a unique individual and their distance
(insight) from these hallucinatory phenomena can vary. In an interview it is useful to
explore what a patient means if he or she comments that his or her voices sound real.
Such patients, upon more detailed interviewing, may tell the clinician that the voices are
quite real but do not sound exactly like normal voices. It is not uncommon for psychotic
patients to be able to identify their hallucinations as abnormal. Sometimes they may
even have names for them.
If a clinician is attempting to decide whether or not a patient is faking hallucinations,
these points become important. A patient who is malingering may tend to describe the
voices as sounding exactly like normal voices, which remains possible in psychosis but
is not typical. The malingerer may also describe the voices as happening all of a sudden,
unaware that hard psychotic symptoms usually have subtle prodromal phases such as
delusional mood and delusional perception. Moreover, the voices found in processes
such as schizophrenia are frequently hostile in nature and often hurl nasty and/or
obscene insults at the patient.
The following type of question can be useful in recognizing malingered
hallucinations:
“Have you ever found that, on a very good day when you have really been feeling fine,
out of nowhere, the voices start in on you, just like that, out of nowhere?” (a positive
response is suggestive of malingering)
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522 The interview and psychopathology: from differential diagnosis to understanding
consistently, an actual auditory hallucination. Both the triggering sound and the auditory
hallucination are heard quite clearly without any distortion.20 For instance, the sound of
a phone ringing triggers a hallucination of a neighbor’s voice denigrating the patient
from the next apartment. Both the sound of the phone ringing and the sound of the
neighbor’s voice are distinct and heard clearly without distorting one another. Thus, in
a functional hallucination, the extraneous environmental sound merely functions as a
trigger for the auditory hallucination.
The Uniqueness of Auditory Hallucinations
From the perspective of person-centered interviewing, it is critical to understand that
hallucinations, although they may share various characteristics among patients as we
have been describing, are, ultimately, phenomenologically unique to each person expe-
riencing them. In a wonderful paper, Stephane and colleagues21 have described the phe-
nomenological structure of auditory verbal hallucinations.
They found that voices vary along 20 phenomena and continua. For instance, voices
differ in their acoustic qualities from clear (like external speech) to deep (like internal
speech or thinking in words). Other acoustic qualities included the personification (male,
female, robot) and loudness. Another variable is of the time course of the hallucinatory
process (constant versus episodic). The linguistics of the voices can clearly vary as in the
syntax (first person, second person, or third person) and the complexity of the commu-
nication (hearing words versus sentences versus conversations). Yet another prominent
feature was what Stephane called the “affective relatedness,” a rather fancy name for
whether the voices were comforting or pleasurable versus frightening or bothersome.
Considering that Stephane and colleagues found over 15 other characteristics, one can
see that voices can present with remarkable variation from person to person. Table 12.1
summarizes Stephanes’s phenomenological categories.
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Interviewing techniques for understanding the person beneath the psychosis 523
From Waters F. Auditory hallucinations in psychiatric illness. Psychiatr Times 2010;27(3):54–58. Based on Stephane M,
Thuras P, Nasrallah H, Georgopoulos AP. The internal structure of the phenomenology of auditory verbal hallucinations.
Schizophr Res 2003;61:185–193.
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524 The interview and psychopathology: from differential diagnosis to understanding
(4) Will it go away when I want it to go away or am I stuck with it? (5) Do other people
hear it? (6) Can it read my thoughts? (7) Does it want me to do something? (8) Must I
do what it wants?
Waters elegantly describes how the answers to such questions coalesce to create a
powerful relationship for the patient, a relationship that can match or exceed the impor-
tance of relationships with actual family members, friends, or society at large:
The content of voices is usually highly personalized. The voices frequently express what the
person is feeling or thinking and speak about his or her fears or worries. Psychiatric patients
view the content of voices to be meaningful and to have personal relevance. The voices are
interpreted to be the manifestation of real people or entities, and this experience contributes
to the intense emotional response to the voices. The personalized content and subjective
reality of voices play a role in the development of strong beliefs about the intent and power
of the voices, and a complicated and intense relationship frequently ensues between patients
and their voices.22
Patients search for answers to their questions about the nature of their voices upon their
very first “contact” with them. The following excerpt lucidly presents the eerie world
created by such a first meeting:
Seated on a steamer chair on the boardwalk of Coney Island, I heard the voice for the
first time. It was as positive and persistent as any voice I had ever heard. It said slowly,
“Jayson, you are worthless. You’ve never been useful, and you’ve never been any good.” I
shook my head unbelievingly, trying to drive out the sound of the words, and as if I had
heard nothing, continued to talk with my neighbor. Suddenly, clearer, deeper, and even
louder than before, the deep voice came at me again, right in my ear this time, and getting
me tight and shivery inside. “Larry Jayson, I told you before you weren’t any good. Why
are you sitting here making believe you’re as good as anyone else when you’re not? Whom
are you fooling? You’re no good,” the voice said slowly in the same deep tones. “You’ve
never been any good or use on earth. There is the ocean. You might as well drown yourself.
Just walk in and keep walking.” As soon as the voice was through, I knew, by its cold
command, I had to obey it.23
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Interviewing techniques for understanding the person beneath the psychosis 525
In the last analysis, there exists no better method of learning about this topic than
the experience of asking questions about auditory hallucinations to numerous people,
ranging from psychotic to normal. Only in this manner will the clinician develop a sound
sense of the range of normal and abnormal responses.
The question now becomes one of, “How do we approach uncovering the vast array
of phenomena we have discussed above in a sensitive and effective manner?”
“When you are feeling very depressed, do your thoughts ever get so intense that they
sound almost like a voice to you?”
The clinician can substitute words such as “anxious” or “stressed” or “upset” for the word
“depressed” in the above question, choosing whatever emotion seems most appropriate
for a specific patient.
The wording of this question allows the topic to be broached in a non-affrontive
fashion, because the interviewer is tying the phenomenon directly into the patient’s pain.
It is further softened by the clinician’s use of the words “like a voice,” a phrasing that
offers a reassuring “backdoor” to the reluctant patient who might fear being viewed as
“crazy.” He or she might respond with something like, “Not really a voice, but sort of
like one.” If this is the case, further inquiry by the interviewer may reveal that the patient
is actually experiencing hallucinations.
Various other options exist for unobtrusively raising the topic of hallucinations
in a patient who has not demonstrated psychotic process to that point in the
interview. The following question is used in the Schedules for Clinical Assessment in
Neuropsychiatry24:
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526 The interview and psychopathology: from differential diagnosis to understanding
“Do you ever seem to hear noises or voices when there is nobody about, and no ordinary
explanation seems possible?”
Now let us turn our attention to the second situation – the patient has already demon-
strated psychotic material in the interview. For instance, a patient may already have talked
about a delusional system. In such situations, it is useful to try to seamlessly tie the
inquiry about auditory hallucinations to the patient’s delusional story. Thus, a patient
who has been describing paranoid delusions about a neighbor named Fred can be asked
the following question, “Do you ever hear Fred’s voice when he is not actually present
in the room with you?” or “Do you ever feel that Fred is trying to talk with you or direct
your thoughts from his house or when you are at work?”
Sensitively Exploring the Phenomenology of Auditory Hallucinations Once Raised
Once the topic of auditory hallucinations has been sensitively raised, the clinician faces
the important task of exploring the patient’s voices phenomenologically. This means that
an effort is made to better understand the uniqueness of the specific patient’s hallucina-
tions as described above, ranging from concrete characteristics (such as loudness, fre-
quency, and content) to more abstract characteristics (such as the patient’s relationship
with the voice or voices). The following questions, in whatever order seems natural to use
with a specific patient, can be used to explore the phenomenology of the patient’s voices
once raised in the initial interview and in subsequent sessions. Generally, it is not pos-
sible to ask all of these questions in an initial interview because of time constraints, but
you can pick and choose from this list:
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Interviewing techniques for understanding the person beneath the psychosis 527
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528 The interview and psychopathology: from differential diagnosis to understanding
Pt.: Yeah, it is, like (pauses) … like, I mean I feel sorry for other people that it’s
happening to.
Clin.: Do you ever hear his voice?
Pt.: I don’t actually hear it. Well, I don’t actually hear it in my ears, but somehow I
hear it.
Clin.: When you are having that experience, does it sound exactly like your normal
thoughts, or are you quite aware that something different is happening and you are
hearing his voice?
Pt.: It’s a feeling, like … it sounds like my thoughts, but they’re a little bit different, the
way I hear them.
Clin.: And how do you hear them?
Pt.: They just seem to come to me. (reflects for a moment) … They just seem to come
to me.
Clin.: Does the voice ever tell you to hurt yourself?
Pt.: Yeah, that’s what it’s telling me.
Clin.: What exactly will it say?
Pt.: Well, he’ll say (pauses) … he’ll find another way to do it … Like he’ll say, like don’t
study, do bad on the test. And that’s his way of saying, “Hurt myself.” And once I
do bad on the test, it will be easy for him to talk to me. It will be hard to not listen
to him.
Clin.: It changes if you feel you have failed at some level?
Pt.: I can hear him louder.
Clin.: Does he ever tell you to cut yourself or to take pills or anything like that?
Pt.: He tells me a little bit, and it makes me feel that way also. He’ll hint sort of. No,
he’ll tell me, he’ll tell me.
Clin.: What will he say?
Pt.: He’ll say mostly, (whispers) “Do it.” He’ll say, “Do it.” Scary …
Clin.: Yeah, it is, I’m sure it is. (Kenney nervously smiles)
When first asked about command hallucinations (“Does the voice ever tell you to hurt
yourself”), it is fascinating to see that Kenney’s first response is that the voices command
him to hurt himself by hurting his grades, a clever punitive superego if ever there was
one! Only upon subsequent, specific questioning about physically dangerous commands
(“Does he ever tell you to cut yourself or to take pills or anything like that?”) am I able
to uncover commands that are much more dangerous in nature.
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Interviewing techniques for understanding the person beneath the psychosis 529
In the 1980s various papers purported that there appeared to be little or no statisti-
cal correlation between command hallucinations and dangerous activities such as
suicide.25–28 However, if one looks at these papers, it becomes evident that none of the
research carefully categorized the hallucinatory phenomena along the critical predictive
phenomenological variables that we shall examine below. Indeed, the research was
generally based on hospital charts, which are notorious for poor reporting of the nuances
of patient phenomenology. No one knows whether these voices were at one end or
the other end of the continuum of dangerousness. Consequently, the statistical analyses
were, in my opinion, essentially meaningless.
In contrast, a well-designed quantitative study by Shawyer and colleagues demon-
strated that some patients do, indeed, act upon command hallucinations, exactly as clini-
cians have reported over decades of experience.29 Furthermore, they isolated several
statistical factors that were correlated with an increased likelihood of a patient acting
upon his or her command hallucinations, including: increased age of the patient, the
view by the patient that the command is positive and will have beneficial results (e.g.,
killing a neighbor will end poverty), and that the command hallucination is tied in
tightly with a well-developed delusional system. In their study, antipsychotic medication
proved to be protective.
In addition, using a phenomenological research framework, Junginger directly inter-
viewed patients in great detail who had recently experienced command hallucinations,
to investigate the likelihood that a patient might act upon the command.30 Of the 20
patients who experienced dangerous command hallucinations, eight acted on them,
providing rather striking support for the potential dangerousness of command
hallucinations.
It is hoped that future research, well grounded both in phenomenology and empirical
studies, will provide better guidelines for predicting the dangerousness of command hal-
lucinations. However, even if better statistics become available, it is crucial to remember
that an act of violence is not merely a statistical event. It is a phenomenological one as
well, determined by the unique processes at work during a specific moment in time in
a unique individual’s psyche. Any given patient may kill himself or herself or another
person, whether the statistics suggest that he or she is at risk to do so or not. Apparently,
patients are not always aware of the statistical rules that they are meant to follow.
As we await better research studies to guide our predictions of dangerousness related
to command hallucinations, it remains the task of each individual interviewer to explore
the personal nature of the patient’s experience of his or her command hallucinations.
Such explorations, admittedly subjective in nature, may still represent our best chance
to reasonably foresee a dangerous act and potentially prevent it.
Phenomenologically speaking, command hallucinations are not black or white experi-
ences, in the sense that the patient either has them or does not. In actuality, command
hallucinations can differ in numerous ways. Some of the defining characteristics include
the content of the commands, the auditory quality of the commands (loudness, duration,
and frequency), the degree to which the patient feels able to resist the commands, and
the emotional impact on the patient (does the patient know the voice and what is the
patient’s perceived attitude of the voice towards himself or herself). In my opinion, all
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530 The interview and psychopathology: from differential diagnosis to understanding
of these variables could have an impact on how dangerous the command hallucinations
might be.
With these variables in mind, command hallucinations can vary from being relatively
innocuous phenomena with little frequency and impact on the patient to dangerous
phenomena in which the voices incessantly hammer at the patient in an effort to provoke
violence. Some people who suffer from chronic schizophrenia have adapted to their
voices and pay them little heed. I am reminded of a 65-year-old vet I was initially inter-
viewing to follow in a VA clinic, who, when asked about command hallucinations,
responded, with a twinkle in his eye, “Doc, don’t get bent out of shape. The Devil has
been telling me to kill myself since I was 16 years old. I didn’t listen to him then, and
I’m sure as hell not gonna listen to him now.” His command hallucinations, even though
related to violence, were of minimal concern. At the other end of the continuum,
command hallucinations can be acutely harassing, loud, insistent, and dangerous. The
question now is: How do we explore the characteristics of these potentially dangerous
phenomena?
Exploring the Content of Command Hallucinations
Command hallucinations can clearly vary in dangerousness depending upon their
content. Any voice that tells the patient to do something is a command hallucination.
On the benign side, the voice might command the patient to “Shut the door,” or “Change
your profile picture on Facebook.” On a more humorous note regarding ourselves, it is
not uncommon for a voice to tell a patient during an interview, “Don’t listen to this guy,”
or “Don’t answer his questions, he’s an idiot!” At the other end of the continuum,
command hallucinations can push for highly dangerous activities towards the self (“Cut
your eye out!” or “Just shoot yourself, just pull the damn trigger, you asshole!”) or
towards other people (“Push him in front of the subway!” or “Slit his throat!”). Swearing
and viciousness commonly accompany command hallucinations, in some instances
increasing the likelihood that the patient may act upon them because of the ferocity of
their tone.
Clearly, the more dangerous the content, the more concern for safety the clinician will
have. However, even if the commands are quite benign, once a voice has begun to give
commands the clinician should routinely follow up with the patient in future sessions,
to see if the voice advances from benign to dangerous content. Once command halluci-
nations have begun, such an advance towards violent content may be forthcoming.
With command hallucinations, the simplest of questions is often the best for their
elicitation, such as, “Do your voices ever tell you to do things?” If the patient answers
yes, then one can simply follow up with, “What do they tell you to do?” No matter
what the patient says, at some point it is important to ask specifically about dangerous-
ness, as with, “Do the voices ever tell you to hurt yourself or kill yourself?” This can
then be followed by, “Do the voices ever tell you to hurt others or that you should kill
someone?”
Exploring the Auditory Quality of Command Hallucinations
To some degree, the auditory quality of hallucinations can influence the amount of pres-
sure they place upon the patient to act on them. I have been surprised at how loud
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Interviewing techniques for understanding the person beneath the psychosis 531
patients report some hallucinations to be. Loudness, long repetitive duration of the com-
mands, and high frequency of occurrence, especially if the patient reports being inces-
santly barraged by the voices, may all contribute to a greater likelihood of a patient acting
upon the commands.
Once again, simple questioning around these issues are often the best such as, “How
loud do the voices get?”, “How often do you hear the commands?”, “Does the voice
repeat the commands to kill yourself over and over?”, “Does the voice insist that you
do so?”
Keep in mind that even though louder more frequent voices may be more compelling
with most patients, for some patients even a whispered command may be enough to
trigger violence, especially if it is being whispered by a highly valued or respected source.
Exploring the Degree to Which a Patient Feels Able to Resist a Command Hallucination
Patients may have surprisingly good insight into their ability to resist the entreaties of a
command hallucination. It behooves clinicians to collaboratively tap their potential
wisdom. Patient reassurances that they will not act are important, but limited in reli-
ability. Conversely, patients’ perspectives that they are not going to be able to control
their urges to act should be taken very seriously. Indeed, sometimes the fear a patient
has that he or she is about to do something that, at heart, he or she does not want to
do is almost palpable to a clinician. Such patients are often relieved to be hospitalized;
indeed, hospitalization is often required in these situations, whether voluntary or
involuntary.
I find the following questions to be of value, and the interviewer can use any one or
a combination of them. (Let us assume here, for the sake of clarity, that the patient has
been describing voices coming from Satan.)
1. “To what extent do you think you can stop yourself from doing what Satan is asking
you to do?”
2. “How concerned are you that you are going to do what Satan is asking you to do?”
3. “Should I, you, or your family be worried that you are going to do what Satan wants
you to do?”
Another useful follow-up to these questions is, “Have you done anything to stop yourself
from doing what Satan is asking you to do?” To such a question, a patient might respond,
“Yeah, I took all of the knives in my house and put them in a shoebox and taped it all
up with duct tape. Then I put it away up in the attic in a spot that is really hard to get
to.” Such a response provides some hints of safety, for it clearly shows that the patient
is trying to protect himself and/or others. Looking at the dangerous side, however, the
answer reveals how real the voice appears to the patient and the extent of the patient’s
own concern that he or she may act upon the command hallucinations. In either case,
it is worthwhile information for the interviewer to know.
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532 The interview and psychopathology: from differential diagnosis to understanding
jabber and essentially ignored it. His unconcerned response to a voice ascribed to a figure
as culturally potent as the Devil is atypical in my experience, yet nicely highlights the
uniqueness of each patient’s response.
One avenue to explore is the importance and/or authority that the patient ascribes to
the owner of the voice. When the voice is attributed to a powerful personal figure, whether
alive or deceased (father, mother, spouse, intimate friend), well-known cultural icon
(political figure, president, pope, or revered Hollywood icon), or an imagined supernatu-
ral figure (God, Satan, demon or angel), the patient may feel more pressure to comply
with the orders of the voice.
This can be particularly dangerous, as implied by the research of Shawyer and col-
leagues, if the authoritative figure is tied into a concrete delusional system in which some
greater good will occur if the patient complies with the entreaties of the voice. For
instance, the patient may hear God saying that, “world peace will occur, if only you would
slay your newborn child.” Or a similar but contrasting example might be that during a
postpartum psychotic episode, a mother believes that her newborn has been possessed
by Satan and hears Satan yelling incessantly, “If you don’t slit your own throat, I will
torture your baby forever here and in eternity.”
In addition to the patient’s view of his or her relationship to the voice and the appro-
priateness to do what the voice wants to be done, the patient’s perceived relationship to
the owner of the voice as reflected by the actual tone of voice of the hallucination, may
play a role in the dangerousness of the command hallucinations. In this respect, particu-
larly vicious voices with denigrations, exhortations, and a malevolent tone of voice can,
in my opinion, break down a person’s natural desires to resist a voice. Indeed, a patient
harangued incessantly by a voice may kill themselves to escape the voice or because the
person is worried that he or she is about to give in to the voice’s exhortations to hurt or
kill another person. Throw some alcohol, street drugs, or sleeplessness into the picture
and we may have an imminently dangerous situation.
I just can’t concentrate on anything. There’s too much going on in my head and I can’t
sort it out. My thoughts wander around in circles without getting anywhere. I try to read
even a paragraph in a book but it takes me ages because each bit I read starts me thinking
in 10 different directions at once.31
This excerpt also hints at another disquieting characteristic sometimes seen. Psychotic
thinking has an internally “contagious” quality to it, in the sense that it triggers a mul-
titude of associations, sometimes close in nature and at other times distant and dis-
jointed. This trend of creative but dystonic associations, which are not under the patient’s
control, is nicely captured in the following excerpt:
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Interviewing techniques for understanding the person beneath the psychosis 533
My trouble is that I’ve got too many thoughts. You might think about something – let’s
say that ashtray – and just think, oh yes, that’s for putting my cigarette in, but I would
think of it and then I would think of a dozen different things connected with it at the
same time.32
This internal abnormality in thought process will frequently show itself externally with
a loosening of associations (derailment) in the patient’s speech. The characteristics of
derailment will be examined in detail in Chapter 16 on the mental status.
At other times, thought processes may become, perhaps because of the previously
mentioned abnormalities, somewhat disrupted. Patients may stop in midsentence and
be unable to return to their original topic. This process, mentioned earlier, is known as
thought blocking. It represents a strongly suggestive sign of psychosis. It is useful to
quietly ask patients what has happened at these moments. Sometimes the patient’s
thought has been disrupted by an auditory hallucination. At other times the disruption
is related to the patient experiencing thought withdrawal.
It is important to know if a patient is actively hearing voices during the interview,
because the patient may feel that the clinician is producing the messages. Generally, it is
not good for rapport to be perceived as commenting, “You’re a drunken slob,” or threat-
ening, “I’m going to chop off your fingers.” This actively hallucinatory state represents
the type of situation in which violence can erupt towards the interviewer.
It has already become apparent that the patient’s thought processes are frequently
affected during a psychosis. Another common problem is the presence of truly illogical
thought. One of the more frequent breakdowns in formal logic is the appearance of what
Rosenbaum has called predicative thinking. This means that the person views things as
similar or identical because they are connected by the same predicate (verb). The follow-
ing example shows this process at work:
Major premise: Jesus Christ was persecuted.
Minor premise: I am persecuted.
Conclusion: Therefore, I am Jesus Christ.33
Other distinct problems with logic, as well as the emergence of magical thought as seen
in young children, frequently accompany psychotic process. But it is not necessarily a
phenomenon that is either present or not present. Many patients will demonstrate
varying degrees of normal logic.
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534 The interview and psychopathology: from differential diagnosis to understanding
Unobtrusively Screening for Paranoid Process, Delusions, and Other Psychotic Process
The initial interviewer has much more access to the process of blending with non-agitated
patients than with agitated patients. The question then becomes one of: How does one
broach the subject of paranoia without offending a patient who has not shown signs of
psychotic process to that point in the interview? The art is to enter the topic of paranoia
by keying off the content of the patient’s conversation, utilizing natural, implied, or
referred gates as follows:
Pt.: I don’t know what to do with myself. I just, I just feel the whole thing is a mess.
Probably, I don’t know, probably the baby is not even aware of our arguments.
When we were first married, everything was so much better. But when the mill shut
down a third time and he lost his job for good, well it all became history.
Clin.: It sounds like an ugly situation at home. Has the tension ever gotten so bad that he
has struck you?
Pt.: Thank God no. I’d leave him, honestly I would.
Clin.: Do you think that in any way he is trying to hurt you, perhaps even trying to get
your friends against you?
Pt.: Oh he’s tried to hurt me in the sense of making me feel guilt, but he knows better
than to mess with me or my friends.
In this subtle fashion, the clinician has smoothly made a foray into the region of para-
noid process. The patient’s comments do not suggest the presence of paranoid ideation.
There is probably no need to explore further for paranoia. With questioning such as that
shown above, most paranoid patients would probably have nibbled at the “bait.” The
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Interviewing techniques for understanding the person beneath the psychosis 535
clinician has scouted for paranoid ideation without the patient having any idea that such
an exploration of psychotic material has occurred.
This leads to the issue of broaching psychotic topics other than paranoia in a non-
threatening fashion. For most interviewers this type of questioning is most difficult when
interviewing a patient in whom the clinician doubts the presence of psychotic process.
Some authors have suggested that interviewers should never ask questions about voices
and other psychotic phenomena unless they strongly suspect their presence. To do so,
they argue, will disengage the patient.
But, as we have already noted when we were discussing the life cycle of a psychotic
process in the previous chapter, damaging psychopathology may be missed with such an
approach. Psychotic process can fluctuate in disorders such as schizophrenia and bipolar
disorder. Or it can be infrequently experienced as micropsychotic episodes seen with
some personality disorders. Such patients may look remarkably intact during any given
interview. For instance, if the interviewer chooses to not screen for psychotic process in
the initial interview, he or she risks missing a painful yet treatable disorder such as
schizotypal personality disorder.
There are other reasons that I have my doubts about such blanket avoidance of this
area of questioning. In the first place, I have seldom, if ever, seen such questioning result
in any lasting problems with engagement in a nonpsychotic patient. I have seen a handful
of patients balk at it, but with skillful engagement techniques, the blending is quickly
restored. Moreover, most patients do not seem offended at all. Thus I generally ask all
my patients about psychotic process at some point in the initial interview
But there is another reason to ask about psychotic phenomena, even when psychosis
is not apparent – a very practical one. When patients do initially balk at such question-
ing, their emotional over-reactions provide a window into their defenses and psychody-
namics, as seen in the following reconstructed dialogue. Let’s return for a moment to an
interviewer raising the topic of auditory hallucinations. The interviewer happened to be
me, and I was using one of my favorite questions for doing so:
Pt.: Let’s get it straight, things have been tough all over for everybody involved and I’ve
been damn upset.
Clin.: When you are really feeling upset, have your thoughts ever gotten so intense and
bothersome that they sound almost like a voice?
Pt.: Oh great, here come the crazy questions (said angrily). Well I got news for you. I’m
not crazy and I’ve been asked all those questions before. (The patient reaches over
and squeezes her boyfriend’s hand, smiling at him while subsequently tossing a
little sneer towards me.)
This hostile display was far from the typical response that I generally receive to this ques-
tion. Indeed, it suggested to me that, from a psychodynamic perspective, this patient was
experiencing a narcissistic insult from my question. It led me to wonder why she might
need to do so, opening a window into an interior pain that might lie just below the
surface of her anger.
Her atypical response alerted me to be particularly gentle with future questions as
well as suggesting the wisdom of looking for possible personality dysfunction in my
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536 The interview and psychopathology: from differential diagnosis to understanding
subsequent social history later in that same interview. Such idiosyncratic responses may
suggest the expansion of diagnostic categories not considered earlier. In this case, further
interviewing revealed that she was coping with a full-blown borderline personality.
Once entering the facilic content region regarding psychotic process, it is not necessary
to beat it into the ground. Quickly, the clinician will achieve some idea as to whether
the region is worth expanding further. If hints of psychotic process emerge, then a full
expansion may be warranted. If no hints emerge, the topic may be left after only a few
probe questions. Part of the art lies in learning how to smoothly enter these psychotic
regions.
Some questions that may be used effectively as gates into psychotic material are shown
below:
Pt.: I have always been a fairly religious person. My father was a devout Lutheran.
Religion runs in our family.
Clin.: On a moment-by-moment basis, how much is God a part of your life?
Pt.: (long pause) He is my life and my breath, so be it.
Clin.: It sounds like He is a very important part of your life. Sometimes people who are
close to God feel that He has a special mission or role for them to play. Do you feel
that you may be lucky enough that God has such a role for you?
Pt.: Yes, I do. I am to bring peace to all nations. And I shall bring a calmness to all that
I touch.
Clearly it would be worth exploring the psychotic region more thoroughly with this
patient. But the important issue from our viewpoint is the naturalness of the gate pro-
vided by religious discussion. Even as the topic was first entered, the intensity of the
patient’s feelings probably suggested to the clinician that something was up.
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Interviewing techniques for understanding the person beneath the psychosis 537
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538 The interview and psychopathology: from differential diagnosis to understanding
I am convinced that this sense of respect and empowerment from a clinician shows
through in the very first encounter with the patient. Clinicians who convey this perspec-
tive often have much more success both in the initial interview and in all subsequent
work. Clinicians who do not convey this feeling are often sitting alone in their offices
during follow-up appointments.
This perspective is elegantly described by Patricia Deegan in an article that I highly
recommend, “Recovery: The Lived Experience of Rehabilitation”:
The understanding, from this section, of the damage incurred on the psychological wing
of a patient’s matrix is at the very heart of the healing process that first begins in the
initial interview. It also conveys the delicate interplays that occur between individuals
dealing with chronic psychotic disorders and the people around them. Let’s take a closer
look at these interactions in a broader sense.
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Interviewing techniques for understanding the person beneath the psychosis 539
“Well, we obviously disagree on whether or not you have bipolar disorder, and that’s
okay, we can agree to disagree (said calmly and with a genuine sincerity). I will always
share with you what I really believe, and I know that you will do the same with me.
And I appreciate your doing so today. We simply have differing opinions on this, and
you are certainly entitled to your own opinion. And, of course, I could be wrong. Only
time will help both of us to sort out exactly what is going on.”
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540 The interview and psychopathology: from differential diagnosis to understanding
The patient should know that if he or she feels a desire to talk again or experiences a
change of opinion, that the clinician is always available for another meeting.
Frustration may also evolve when the interviewer feels that a patient is somehow in
control of the psychotic process, “flipping it on” when it is advantageous to do so. At
some level this manipulation may actually occur on both the conscious and unconscious
plane.
I remember a man about 30 years old who initially spoke in a disorganized and
delusion-littered fashion. As he felt more comfortable with me his thinking became more
organized. When I subsequently probed even in a subtle fashion into his personal life,
he would quickly become disorganized and mumble about “the cheesedogs that were
going to drop a nuclear warhead on Pittsburgh.” Oddly enough I do not think he was
particularly conscious of this process.
One can better conceptualize such behavior if one assumes that at some level, to the
degree that the patient has both insight and motivation, the patient may be able to par-
tially rein in psychotic process. I believe that this tendency to hide potentially embar-
rassing psychotic material would be a natural one. This self-modulation must require a
considerable amount of effort and concentration. Perhaps at times, and depending on
the interpersonal situation, the patient might find it simply easier to just let things go as
they may. At such points, the psychotic process may emerge in a more pressing fashion
as seen above. To the degree that we understand this process, our frustration levels may
decrease.
Frustration may also arise with patients suffering from schizophrenia who are persis-
tently negative during the interview. As Michels suggests, the interviewer may gently point
out that automatically saying “No” to everything is as much a relinquishment of control
as saying “Yes” to all the clinician’s requests.37 Jointly agreeing upon a topic to discuss
may also open up avenues for better engagement.
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Interviewing techniques for understanding the person beneath the psychosis 541
with open-ended questions, gentle commands, and pregnant pauses, the interview itself
may become traumatizing. Gentle structuring will sometimes actually result in a more
organized production of speech as the psychotic defenses recede.
Along similar lines, in some instances an empathic interviewer may so decrease the
anxiety level of a subtly psychotic patient that the observable psychotic process temporar-
ily disappears or recedes significantly. Ironically, the clinician’s style will have distorted
the clinical picture, amply reminding us that as the interview proceeds we become a part
of the dyadic system, whether we intend to or not. In a similar fashion, an involvement
with the psychotic process itself awaits the friends and family members of the patient.
Unfortunately, unlike clinicians, they are not generally trained to handle such bizarre
interactions.
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542 The interview and psychopathology: from differential diagnosis to understanding
embarrassment, guilt, fear, compassion, helplessness, bitterness, love, and the desire to
abandon the patient.
I remember working with one family whose plight illustrates some of the many pro-
cesses at work in the family system. The family was of Creole background. The patient
was an attractive woman in her mid-30s who sat with a defiant jut to her jaw. Upon her
head she wore a faded scarf that lent a sad elegance to her. She had become progressively
depressed, and her mind was swarming with religious delusions. She had had to stop
work and had been living with her mother and a brother, both of whom were taking
care of her children. These family members had not wanted her to seek professional help
because they felt that she would get over it with God’s help.
But she had recently spent several days with another brother who had angrily insisted
that help be sought. Already the psychosis was beginning to dig its claws into the struc-
tural foundations of the family. It is common for family tensions to crystallize around
issues such as, “What to do with Jim (or Sandy).”
While waiting in the emergency room, the patient, whom we shall call Ms. Jenkins,
stood up and began to perform a ritualistic chant. It was sad indeed to watch the mother
and brother hide their embarrassment as they struggled to get her back into her seat.
Later, this same mother and brother would undercut our efforts to hospitalize Ms.
Jenkins. Her mother wearily looked at us saying, “I don’t think there is much really wrong
with her. I don’t think she needs to be in a hospital. She’ll pull out of it on her own. But
thank you for your help.” Her thanks were sincerely given.
The next day the Jenkins family was back. Ms. Jenkins had been acting bizarrely
throughout the night. In the waiting room the mother sat with her arm around her daugh-
ter, her eyes red from the painful recognition that her daughter was no longer the same
person she had raised. Schizoaffective disorder had shifted the matrix. Perhaps forever.
In this regard, it appears useful to remember that, at some level, family members will
be mourning the loss of “the person they knew.” As with any mourning process, various
stages such as denial, anger, bargaining, depression, and acceptance will intermingle and
be experienced at different times. The Jenkins family highlights a common problem
facing the initial interviewer – the presence of a powerful system of denial among family
members. By understanding the mourning of family members, it may help decrease the
angry countertransference feelings that can naturally arise in a clinician when encounter-
ing a frustrating rejection of their help prompted by a parent or spouse in denial.
From the above discussion, it can be seen that in few cases does the initial interview
with a psychotic patient end with the patient. At some early point, the family warrants
an assessment, as well as a chance for later counseling and the potential for the healing
that we can offer. Keep in mind that some family members may become seriously
depressed and perhaps even suicidal, a powerful example of a damaging matrix effect.
Psychosis is, indeed, a family affair.
The tensions of the family may, at some level, precipitate or aggravate the psychotic
process itself, sometimes unintentionally. Research such as the Environmental/Personal
Indicators in the Course of Schizophrenia (EPICS) Project has shown that families in
which members are overly involved with the patient, whether in a hostile way or, perhaps,
even in an overly concerned caring fashion, may hinder recovery, even when the patient
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Interviewing techniques for understanding the person beneath the psychosis 543
complies with medication use.39 Family counseling seems to significantly decrease relapse
rates. This emphasizes the importance of assessing the family and beginning an alliance
with them. Frequently, the initial interviewer is the first person to meet the family and
consequently represents a key person in the attempts to build the much-needed alliance
described above.
Not only is the family affected, but also other important social networks may begin to
collapse around the patient. Jobs may be lost and friendships may become strained and
decline. It is difficult to remain friends with a person who has developed a severe psy-
chotic process. Frequently, both friends and family members will be dealing with feelings
of guilt. A simple phrase said early during an interview may be comforting such as, “I just
finished talking with your friend, who seems very disturbed. I bet you’ve gone through a
lot recently. It was nice of you to come with him today.” As with the patient, engagement
issues remain critical during the opening phases of collaborative interviews.
“Thanks for taking the time to meet with me today about [name’s] treatment. To begin,
it would be helpful to get your thoughts about the problems that [name] is seeking
treatment for. If it is OK with you, I would like to ask you a couple questions to get
your input and learn about your understanding of things. Can you tell me a little bit
about what you think about [name’s] problems?”
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544 The interview and psychopathology: from differential diagnosis to understanding
Questions such as these can help the interviewer learn about family members’ views
about their relative’s psychiatric problems. In addition, such questions can provide useful
information to guide the patient’s treatment. For example, family members often have
valuable observations about prodromal symptoms that signal a risk for relapse in the
patient.41
During the course of this first meeting, many parents will have some of the following
unexpressed fears. Some will have all of these fears, and some will have none. However,
as the interview proceeds, the clinician should take the time to try to sensitively address
and dismantle these concerns. Some of these concerns are listed, directly followed by
samples of clinician statements that can help to allay them:
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Interviewing techniques for understanding the person beneath the psychosis 545
It always pays to find out at an early stage what the family has experienced with other
mental health professionals. The best way to find out is to simply ask. Your inquiry also
metacommunicates that it matters to you what they think of your care. A question such
as the following can help, “I’m wondering what your experience with previous psychia-
trists (substitute whatever your own professional discipline might be) has been like?” It
is also useful to ask, “What are some of the things I can do that would help you? For
instance, how frequently would you like to meet with me?”
The first meeting is also a good time to provide family members with avenues of
support outside of professional help. One of the best places to start is by providing family
members with the telephone number of the local chapter of the National Alliance for
the Mentally Ill (NAMI) if they are not already aware of it. NAMI (www.nami.org) is an
ongoing support group originated by family members who have a relative with a serious
mental illness. Its membership may also include people coping with mental illnesses
and mental health professionals, thus creating a well-rounded representation of people
affected by mental illnesses. It is a superb organization and has chapters all over the
United States. Similar organizations exist in countries throughout the world.
A second platform of support can be found in the many excellent books designed to
help family members who have a loved one coping with a mental illness. Two of my
favorites are Mueser’s The Complete Family Guide to Schizophrenia42 and Torrey’s Surviving
Schizophrenia: A Manual for Families.43
Tips for Initial Interviews With Family Members on Inpatient Units
Once again we shall turn our attention to the wisdom of Murray-Swank and colleagues,
who emphasize the importance of “taking a read” on the emotional state of family
members upon admitting a child or other loved one. Especially if the family member
has never been on an inpatient unit, the environment can appear frightening and over-
whelming; these feelings are often magnified if the unit is a locked one. The following
sensitive acknowledgement of the jarring nature of the situation can be greatly
appreciated:
“I realize that you have really been through a lot during this time – you may be feeling
anxious, worried, overwhelmed, angry, or maybe a combination of many different
feelings – this is certainly understandable, normal, and to be expected as you are
dealing with everything going on with [consumer’s name].”44
This shock of encountering the environment of a locked inpatient unit for the first time
is amplified if the parent or loved one has participated in an involuntary hospitalization.
Experiencing their child’s rage and sense of betrayal creates a pain that is beyond words.
Parents, or other family members, are often besieged by guilt and second thoughts about
having done the right thing. As Murray-Swank asserts, a reassuring comment, such as
that below, at the right moment can be comforting:
“Naturally it can be disturbing to see [name] in the hospital. I just want to emphasize that
you really did the right thing bringing [name] into the hospital, even though he didn’t
want to come in. I think you might have saved his life. It took real courage and love to do
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546 The interview and psychopathology: from differential diagnosis to understanding
what you did. And we are going to do everything we can to help him get better. He is very
lucky he has you, and that you were there to do what needed to be done to help him.”45
Obviously, we could spend many more pages addressing interviewing techniques and
strategies for interviewing family members in a variety of clinical settings, including com-
munity mental health center clinics, inpatient units, private practices, and emergency
rooms, but we are limited by space and time. As the reader works with family members
in these situations, I have found the following three interviewing principles, created by
Mueser and Glynn, to be of help in guiding my interventions: (1) try to let the family
know they are not alone, (2) provide support and allow relatives to vent, and (3) attempt
to instill hope.46
Talking With Patients About Involving Their Family Members in Assessment and Treatment
To initiate contact with families of adult patients, it is necessary to ask a patient to identify
members of his or her family and to obtain the patient’s permission to speak with them.
This process is not always an easy task, for psychotic process has often strained family
relations markedly through no fault of anyone involved. Once again, the insights of
Murray-Swank and colleagues provide an outstanding platform for navigating this deli-
cate tightrope. Consequently, the remaining paragraphs of this section are directly adapted
from their work.47
Patients will have a wide range of family experiences and preferences with regard to
family involvement in their mental health care. As an initial starting point, it is important
to find out who, if anybody, the patient considers to be their “family support system,”
and what role these individuals may play in helping them manage their psychiatric dis-
order (if any). For example:
“I would like to ask you some questions to better understand your family relationships
and support system. Do you have people you would consider to be your family or like
family to you? Who would those people be for you?”
For many patients, significant “family” and potential allies in treatment may include
members of their support network who are not relatives (e.g., friend, pastor, Alcoholics
Anonymous/Narcotics Anonymous sponsor). After identifying the key members of the
support network, it is helpful to learn about patients’ level of contact with these individu-
als – for example: (1) Does the patient live with a family member? (2) If not, how close
do family members live? and (3) How often does the patient talk, text, e-mail, commu-
nicate via Facebook, or get together with family members. Next, it is important to under-
stand the role that these individuals play in supporting the patient, including any
involvement in their mental health treatment. For example:
“So, you have said that you are closest to your two brothers, who you get together with
every couple of weeks. I’m wondering if your brothers have been supportive as you
have been dealing with your mental illness?”
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Interviewing techniques for understanding the person beneath the psychosis 547
Patients may have a variety of experiences with family in relation to their illness. Inter-
viewers should use techniques such as summaries and reflections to gain an understand-
ing of the patient’s experience and help him or her feel supported. Finally, if not yet
known, the interviewer can assess the degree to which family members have been
involved in the patient’s mental health treatment in the past and the patient’s preferences
with regard to involving family in the present. For example, the following questions
might be of use regarding a patient’s siblings:
1. “Have your brothers or sisters been involved in your mental health care by coming
in to meet with your doctor or team in the past?
2. “Have they ever attended any kind of educational programs or groups?”
3. “Would you like to have some or all of your brothers and sisters involved in your
mental health treatment?
4. “What might be the possible benefits?”
5. “What, if any, are your concerns about having them involved?”
Overall, the goals of this discussion are to help the patient: (1) identify family members
who could be allies in their treatment; (2) consider the potential advantages of family
involvement in treatment; and (3) identify concerns they might have about family
participation.
In some instances, the patient may be ambivalent about involving their family. This
is understandable, given the complexity of family relationships and the possibility of the
presence of abusive family members, as well as the personal nature of mental health
treatment. When the patient experiences mixed feelings about involving family in their
mental health care, the primary task of the interviewer is to help the patient make
informed choices, considering the potential advantages and disadvantages of family
involvement in care.
Personally, I feel that if genuinely caring family members would like to be involved,
it can be of immense comfort and support to have appropriately open channels of com-
munication. It is terribly frustrating, and sometimes quite frightening, for a family
member to be told that they cannot hear anything about treatment “because of
confidentiality.”
If such is the case, the pain of exclusion can be softened with sensitive interventions
such as the following, which skillfully employs Leston Haven’s counterprojection tech-
nique (see pages e169–e173):
“As you probably know, medical information is private and protected. Therefore, I can’t
share any specific information about [name’s] treatment at this time without her per-
mission. I know it’s hard for family members in these kind of situations; it is difficult
for us, too, because we really value the opportunity to include patients’ families as part
of the treatment whenever we can. What I can do is talk with [name] the next chance
that I get to try to get her permission to talk with you more about her treatment.”
On a final note, it should be remembered that in a situation where there are concerns that the
patient may be at risk for suicide or violence, confidentiality is trumped by the need to procure
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548 The interview and psychopathology: from differential diagnosis to understanding
the information necessary to perform a sound risk assessment. Information from family members
may be life saving in this regard; at such times, confidentiality must be broken. If at all possible,
in such situations, consult with a supervisor or colleague to decide whether the crisis
requires an over-riding of confidentiality, and document the reasons for such an over-ride
carefully.
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Interviewing techniques for understanding the person beneath the psychosis 549
such as financial concerns or marital distress. All of these are reasonable speculations.
Unfortunately, all of them are wrong.
What the interviewer doesn’t know to ask is the following question, which a clinician
in China might know would be worth an inquiry in a potentially psychotic male: “Some-
times when we least expect it, we can have fears that are really quite frightening, but
might seem sort of strange to us or embarrassing because they are very private fears. They
are so private, it makes them hard to talk about. For instance, sometimes people will get
really worried about their bodies. Back in China I know that some men will get worried
about their penis being damaged or somehow being pulled up into their bodies. I know
that, sometimes in China, some men are even frightened that this could cause them to
die. I’m wondering if you have heard of that or might even be worried about it?”
Bingo. The student’s father looks up and shyly nods his head yes. He is experiencing
a syndrome known as koro. Koro is generally seen in China and South East Asia. Depend-
ing upon locale, it is variously called shuk yang, shook yong, suo yang (Chinese), jinjinia
bemar (Assam), or rok-joo (Thailand).49 In women, the syndrome revolves around a fear
of retraction of the vulva or nipples. Our point is that, because of the sexually intimate
nature of this delusional fear, it would probably never have been spontaneously men-
tioned by the patient above unless he was directly asked about it. Our graduate student’s
father easily could have left this clinic without anyone knowing what he was experiencing
and, consequently, no hope for effective attention and treatment.
Before leaving the problem of missing psychotic syndromes, let us look at an actual
clinical example of a culturally specific syndrome that could be puzzling to an interviewer
familiar only with Western psychotic presentations. It is described by Mezzich and
colleagues:
A 28-year-old mainland Chinese man living in the United States for several years was
hospitalized in a psychiatric ward with delusions and hallucinations of 2 to 3 week’s dura-
tion. These began after he took up the practice of qi-gong, a form of meditation, as treat-
ment for his severe intermittent backaches and chronic exhaustion. According to the
patient, feelings of qi (“vital energy”) were circulating in the “wrong direction” in his
body, and he heard the voices of supernatural beings commenting on how he should practice
qi-gong. He denied depressed mood, appetite or weight changes, substance abuse, or a
history of psychosis. The results of extensive medical evaluation, including electroencepha-
lography and magnetic resonance imaging, were normal. Haloperidol substantially reduced
his delusions and hallucinations, but follow-up information is unavailable because he did
not keep his appointment after discharge.
Transient psychotic symptoms in connection with qi-gong practices are not uncommon,
but duration for more than a few days is unusual. The patient’s picture meets criteria in
the Chinese classification system for qi-gong-induced psychosis …”50
There are numerous other culturally specific disorders, some of which are psychotic:
locura (Latinos); occasionally psychotic: amok (Malaysia), iich’aa (Navajo), boufee delirante
(West Africa and Haiti), Taijin kyofusho (South Asia); and non-psychotic: billis, colera,
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Interviewing techniques for understanding the person beneath the psychosis 551
call depression, as well as many other illnesses, are often caused by the presence of spirits
and ghosts.54
As Al-Issa has pointed out, many non-Western cultures do not make as clear a distinc-
tion between what is real and what is imagined as Western cultures maintain.55 Conse-
quently, a patient from a non-Western culture, such as the Hmong, may be predisposed
to talk more openly with a clinician about such things as spirits and ghosts, relating
matter-of-factly that they see such entities and indeed hear their voices. An interviewer
not familiar with these cultural traditions could easily view the Hmong patient’s talk of
voices as evidence of psychotic process, a striking kulturbrille effect.
Of course, some Hmong patients who are talking about spirit voices may actually be
psychotic. A savvy interviewer will be able to spot such patients, because, if psychotic in
nature, the voices will be embedded in a matrix of the prodromal signs of psychotic
process. Such a patient would most likely, upon careful interviewing, describe symptoms
such as delusional mood and delusional perception while demonstrating a plethora of
the soft signs of psychosis.
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552 The interview and psychopathology: from differential diagnosis to understanding
I simply ask, “What do they think about it?” and often follow up with, “What do patients
in general seem to think about [whatever the medication might be] around here?”
Such a question can provide considerable insight into the gestalt of the community
mental health center subculture of the patient. I once asked a patient about Paxil and
was quite fascinated by the response, “Oh Paxil, Paxil causes a real nasty side effect. We
have a name for it, we call it ‘Paxil-head’ it really gets you wound up.” Paxil was clearly
not the choice for this patient.
Language and Culture: Potential Roadblocks When Uncovering Psychotic Process
As our final topic regarding culture and its impact on how people experience psychotic
process and subsequently communicate that experience with others, we shall look at an
often overlooked barrier to uncovering psychotic process: language. Other than the
abnormalities in nonverbal behaviors that sometimes indicate the presence of psychotic
process, the clinician is dependent upon the self-report of the patient and/or the reports
of concerned loved ones for uncovering psychotic process. For this reason, psychotic
process can be an elusive phenomenon to spot. Patients may be hesitant to share psy-
chotic processes for numerous reasons, ranging from fear of stigmatization to misinter-
pretation of what is being asked by the clinician.
We have already seen that the words we choose can play a pivotal role as to whether
a patient feels safe enough to share psychotic process, but our words are always embed-
ded in the complexities of our personal languages. Language can limit what can be easily
shared with a clinician and what is difficult to share with a clinician who does not speak
the patient’s native language. For instance, we have already seen that with certain Hmong
patients it is hard for them to share depression for the simple reason that they do not
have a word for depression.
Let us now look at a brilliant example of this phenomenon from an actual clinical
vignette shared by Junji Takeshita from the University of Hawaii:
A 79-year-old Filipino male was admitted to an inpatient psychiatric unit through the
court system. He had a delusional belief that his wife was trying to kill him, so he decided
to murder her first. When interviewed in English by a non-Filipino psychiatrist, no delu-
sions or other odd beliefs were noted. He was cooperative and was a model patient on the
ward. However, the psychiatrist felt that poor fluency in English limited the interview.
As a result, the psychiatrist asked several members of the Filipino nursing staff to serve as
interpreters. They noted that the patient was fluent in Ilocano, but had significantly less
understanding of Tagalog, both of which are Filipino dialects. Fixed and extensive delu-
sions about multiple family members trying to kill him were elaborated in Ilocano, while
only fragments of paranoid thoughts were revealed in Tagalog. Interestingly enough, no
delusions were detected when he was interviewed in English.56
Money is tight in all mental health centers. Consequently, interpreters, as well as mental
health professionals who can also interpret, are precious commodities. The above illus-
tration from Takeshita shows us one place to prioritize their use – the uncovering of
psychotic process.
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Interviewing techniques for understanding the person beneath the psychosis 553
Generally, when interviewing a patient whose language you do not speak fluently, if
you are suspicious of psychotic process, strongly consider having the patient re-interviewed.
Try to find an interpreter who speaks the exact language of the patient, or as close as
possible to this. In the above vignette we saw that even the differences between two local
dialects (Ilocano and Tagalog in the Filipino culture) determined whether psychotic
process was shared or not shared. The nuances created by language when discussing the
delusional content of psychotic process, as well as the presence of hallucinatory phenom-
ena, tend to be lost when patients are not conversing in their native tongue. As we can
see with the strikingly paranoid delusions of the above patient, the breakdown in com-
munication caused by language barriers can leave potentially dangerous, or even lethal,
psychotic process untapped.
Takeshita further points out a curious, but important, occurrence occasionally seen in
initial interviews. During psychotic episodes, otherwise-bilingual patients may be less
able, or even unable, to communicate effectively in whatever their second language may
be, in the above case English. With greater and greater disorganization in thinking, some
patients regress and may rely entirely upon their primary language.57
Another potential problem with language is how it relates to and reflects stigmatiza-
tion. For example, in some cultures, serious mental illnesses such as schizophrenia or
psychotic bipolar disorder are viewed as signs of family or personal failure; thus, these
illnesses are sometimes alluded to by the use of euphemisms. If the initial interviewer is
not familiar with these euphemisms, major psychiatric disorders can be missed when
exploring a patient’s past psychiatric history or when taking a family history. Also be
aware that family members may hide serious disorders in relatives when providing a
family history.
By way of illustration, in Japan neurasthenia continues to be used as a euphemism for
serious disorders such as schizophrenia. Another Japanese term, shinshinsho, directly
relates to psychosomatic concerns, but frequently this “psychosomatic” label serves as a
euphemism for a more serious mental illness in the relative. In this instance, a psycho-
somatic illness is significantly less stigmatizing than admitting that one’s loved one has
schizophrenia.58
When interviewing White Americans in the United States, I have sometimes found
that the term “nervous breakdown” is proffered when I am taking a family history. Upon
careful questioning, this term often belies the necessity of a psychiatric hospitalization
in the relative. At a minimum, I have found that the term “nervous breakdown” is gener-
ally used to describe an episode of agitated major depression and, at a maximum, a
psychotic or manic episode.
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554 The interview and psychopathology: from differential diagnosis to understanding
intensity of the delusional world, and this intensity creates the driven quality so charac-
teristic of psychotic process.
One of the saddest aspects of psychotic process remains the irony that it can make a
patient so religiously preoccupied, that religion is no longer a practical support system.
Instead of providing a calm guidance, religious issues become disturbing. This type of
overzealous religious ideation is frequently seen with schizophrenia and mania.
Psychotic religious preoccupation may represent an unconscious effort to replace pre-
vious areas that had provided a sense of meaning to the patient. For instance, the patient’s
family ties may have become critically weakened, thus depriving the patient of a powerful
framework for meaning. In some unfortunate instances, patients may actually come to
view themselves as burdens upon their families. In such situations, one can easily see why
a grandiose religious delusion may serve as a source of much needed solace. It could
represent a very real resurrection of sorts, a resurrection of the patient’s self-esteem.
This process brings to light a curious aspect of the psychotic patient’s search for a
framework for meaning. With some patients, the psychotic delusions literally become
the focal points of their lives. When these delusions disappear, so can the meaning
behind life.
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Interviewing techniques for understanding the person beneath the psychosis 555
Puzzled, I asked him what he meant. He replied, “Send my thoughts out. I can’t do
that, can I?” I responded, “Well, that particular belief is probably part of your schizo-
phrenia too. I’m sorry it wasn’t true for you.” Jake paused for moment, and then he
began to weep profusely. Apparently his delusion was serving as a last-ditch prop for
a severely battered ego. Several years later, I heard that Jake had died from a self-inflicted
gunshot.
As clinicians we will undoubtedly be working with patients in various stages of belief
and disbelief concerning their delusions. Jake reminds us that it is important to try to
understand the significance of these beliefs to the patient at the time of their presenta-
tion. He reminds us that there is always a person beneath the psychosis, beneath each
and every delusion.
Even if the patient’s psychosis is being caused primarily by biologic dysfunction, the
fact remains that the content of the delusions are directly related to the patient’s psycho-
logical constitution, including the patient’s upbringing, memories, values, culture, and
spirituality. In that sense, one may find important clues to underlying fears, strengths,
and issues in these seemingly illogical fantasies.
Finally, it cannot be emphasized enough that the presence of a chronic, severe mental
illness often leads to a quiet desperation that is to be expected when one’s dreams are
being shattered. Accompanied by the intense guilt and shame of “having become a
failure” – a misconception often enhanced by a stigmatizing culture – patients often
lose a belief that there is a purpose and meaning for their existence. The shattering of
such a critical spiritual support is undoubtedly one of the precipitants of the suicidal
ideation we frequently see in patients afflicted by severe psychotic illnesses, as witnessed
by Jake.
It is time to end our survey of methods for exploring psychosis. You might recall that
we began our two chapters dedicated to uncovering psychotic process by visiting the
writings of Gérard De Nerval. De Nerval was the symbolist poet who, unfortunately, was
found hanging from an iron gate in a darkened alleyway of Paris. On that dismal night,
who knows what the voices were saying to him or in what personal hell he found himself.
What we do have are his words. As we reread them now, perhaps aided by our enhanced
understanding of psychotic process from the last two chapters, we will hear them with
a new respect for both their brilliance and the pain that brilliance echoes:
I seemed to myself a hero living under the very eyes of the gods; everything in nature
assumed new aspects, and secret voices came to me from the plants, the trees, animals,
the meanest insects, to warn and to encourage me. The words of my companions had
mysterious messages, the sense of which I alone understood.
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Interviewing techniques for understanding the person beneath the psychosis 557
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