under http://creativecommons.org/licenses/by-nd-nc/1.0/ verify at http://berkleeshares.com/legal-notice Audio CD Tracks sections is to play phrases. Bob Tamagni does a great job on drums Band 7 with this groove and plays 4-bar Play-along 19 (no guitar) phrases throughout the solo.
The intro is a three-note C7 chord
with no 3rd. I like the sound vou get by sliclinginto the b7th and the 5th " Meterman" was written in the style while sustaining the root. Manv of the of the New Orleans funk/r&b group voicings are organ-like. As a matter of fact, the Meters have an orran, so you called the Meters. The group started in c could add one on this nine if you've the 70s and has been very influential; a lot of different bands have picked up got a friend who plays one. on this particular groove. It has roots in march music from New Orleans. Often when there are chord voicings in Some other guys very important to this song, I'll strum between the chord this feel are Professor Longhair, Dr. hits, keeping a constant rhythm while John, and James Booker. Jazz players muting on the rests with the left hand. such as John Scofield and saxophonist Basicallv it is the same approach as Bennic Wallace sometimes show these in the &o. influences in their writing. This is a good one to learn at a jam The Meters' music is mostly session because there is enough form instrumental, and is much more to start things off. Even if it appears about groove than solos. The melody simple, try to develop the solo section. in this tune is a combination of a pentatonic line and some triad rhvthm hits. After the melody, the solos are all played over a C7 chord.
On the recording, I stick close to the
blues sound. Live, it will often drift more "out," and it can get quite free over the C bass pedal. One important thing to do in these one-chord solo
Blues Play-A-Long and Solos Collection for Piano/Keyboards Intermediate-Advanced Level: Blues Play-A-Long and Solos Collection for Intermediate-Advanced Level