Theme Analysis

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Theme Analysis

The Great Gatsby, F. Scott Fitzgerald's classic twentieth-century


story of Jay Gatsby's quest for Daisy Buchanan, examines and
critiques Gatsby's particular vision of the 1920's American Dream.
Written in 1925, the novel serves as a bridge between World War I
and the Great Depression of the early 1930's. Although Fitzgerald
was an avid participant in the stereotypical "Roaring Twenties"
lifestyle of wild partying and bootleg liquor, he was also an astute
critic of his time period. The Great Gatsby certainly serves more to
detail society's failure to fulfill its potential than it does to glamorize
Fitzgerald's "Jazz Age."

Fitzgerald's social insight in The Great Gatsby focuses on a select


group: priviliged young people between the ages of 20 and 30. In
doing so, Fitzgerald provides a vision of the "youth and mystery that
wealth imprisons and preserves" (157). Throughout the novel Nick
finds himself surrounded by lavish mansions, fancy cars, and an
endless supply of material possessions. A drawback to the
seemingly limitless excess Nick sees in the Buchanans, for
instance, is a throwaway mentality extending past material goods.
Nick explains, "They were careless people, Tom and Daisy -- they
smashed up things and creatures and then retreated back into their
money or their vast carelessness or whatever it was that kept them
together, and let other people clean up the mess they had made"
(188).

Part of the mess left in the Buchanan's wake at the end of the novel
includes the literal and figurative death of the title character, Jay
Gatsby. Certainly, his undeserved murder at the hands of a
despondent George Wilson evokes sympathy; the true tragedy,
however, lies in the destruction of an ultimate American idealist. The
idealism evident in Gatsby's constant aspirations helps define what
Fitzgerald saw as the basis for the American Character. Gatsby is a
firm believer in the American Dream of self-made success: he has,
after all, not only invented and self-promoted a whole new persona
for himself, but has succeeded both financially and societally.

In spite of his success, Gatsby's primary ideological shortcoming


becomes evident as he makes Daisy Buchanan the sole focus of his
belief in "the orgastic future" (189). His previously varied aspirations
(evidenced, for example, by the book Gatsby's father shows Nick
detailing his son's resolutions to improve himself) are sacrificed for
Gatsby's single-minded obsession with Daisy's green light at the
end of her dock. Even Gatsby realized the first time he kissed Daisy
that once he "forever wed his unutterable visions to her perishable
breath, his mind would never romp again like the mind of God"
(117).
For the first time in his wildly successful career, however, Gatsby
aspires to obtain that which is unattainable, at least to the degree
which he desires. As the novel unfolds, Gatsby seems to realize that
his idea and pursuit of Daisy is more rewarding than the actual
attainment of her. Gatsby recognizes that -- as he did with his own
persona -- he has created an ideal for Daisy to live up to. Although
Gatsby remains fully committed to his aspirations up until his death,
he struggles with the reality of when those aspirations for his
American Dream are either achieved or, in Gatsby's case, proven
inaccessible. As F. Scott Fitzgerald wrote in 1924, while working on
The Great Gatsby, "That's the whole burden of this novel -- the loss
of those illusions that give such color to the world so that you don't
care whether things are true or false as long as they partake of the
magical glory" (xv).

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