India Partition
India Partition
India Partition
After the Second World War, Britain simply no longer had the
resources with which to control its greatest imperial asset, and its exit
from India was messy, hasty, and clumsily improvised. From the
vantage point of the retreating colonizers, however, it was in one way
fairly successful. Whereas British rule in India had long been marked
by violent revolts and brutal suppressions, the British Army was able
to march out of the country with barely a shot fired and only seven
casualties. Equally unexpected was the ferocity of the ensuing
bloodbath.
Many writers persuasively blame the British for the gradual erosion of
these shared traditions. As Alex von Tunzelmann observes in her
history “Indian Summer,” when “the British started to define
‘communities’ based on religious identity and attach political
representation to them, many Indians stopped accepting the diversity
of their own thoughts and began to ask themselves in which of the
boxes they belonged.” Indeed, the British scholar Yasmin Khan, in
her acclaimed history “The Great Partition,” judges that Partition
“stands testament to the follies of empire, which ruptures community
evolution, distorts historical trajectories and forces violent state
formation from societies that would otherwise have taken different—
and unknowable—paths.”
“I’m kind of a big deal at my mom’s house.”
At the center of the debates lies the personality of Jinnah, the man
most responsible for the creation of Pakistan. In Indian-nationalist
accounts, he appears as the villain of the story; for Pakistanis, he is
the Father of the Nation. As French points out, “Neither side seems
especially keen to claim him as a real human being, the Pakistanis
restricting him to an appearance on banknotes in demure Islamic
costume.” One of the virtues of Hajari’s new history is its more
balanced portrait of Jinnah. He was certainly a tough, determined
negotiator and a chilly personality; the Congress Party politician
Sarojini Naidu joked that she needed to put on a fur coat in his
presence. Yet Jinnah was in many ways a surprising architect for the
Islamic Republic of Pakistan. A staunch secularist, he drank whiskey,
rarely went to a mosque, and was clean-shaven and stylish, favoring
beautifully cut Savile Row suits and silk ties. Significantly, he chose
to marry a non-Muslim woman, the glamorous daughter of a Parsi
businessman. She was famous for her revealing saris and for once
bringing her husband ham sandwiches on voting day.
But Jinnah felt eclipsed by the rise of Gandhi and Nehru, after the
First World War. In December, 1920, he was booed off a Congress
Party stage when he insisted on calling his rival “Mr. Gandhi” rather
than referring to him by his spiritual title, Mahatma—Great Soul.
Throughout the nineteen-twenties and thirties, the mutual dislike
grew, and by 1940 Jinnah had steered the Muslim League toward
demanding a separate homeland for the Muslim minority of South
Asia. This was a position that he had previously opposed, and,
according to Hajari, he privately “reassured skeptical colleagues that
Partition was only a bargaining chip.” Even after his demands for the
creation of Pakistan were met, he insisted that his new country would
guarantee freedom of religious expression. In August, 1947, in his
first address to the Constituent Assembly of Pakistan, he said, “You
may belong to any religion, or caste, or creed—that has nothing to do
with the business of the State.” But it was too late: by the time the
speech was delivered, violence between Hindus and Muslims had
spiralled beyond anyone’s ability to control it.
Hindus and Muslims had begun to turn on each other during the chaos
unleashed by the Second World War. In 1942, as the Japanese seized
Singapore and Rangoon and advanced rapidly through Burma toward
India, the Congress Party began a campaign of civil disobedience, the
Quit India Movement, and its leaders, including Gandhi and Nehru,
were arrested. While they were in prison, Jinnah, who had billed
himself as a loyal ally of the British, consolidated opinion behind him
as the best protection of Muslim interests against Hindu dominance.
By the time the war was over and the Congress Party leaders were
released, Nehru thought that Jinnah represented “an obvious example
of the utter lack of the civilised mind,” and Gandhi was calling him a
“maniac” and “an evil genius.”
From that point on, violence on the streets between Hindus and
Muslims began to escalate. People moved away from, or were forced
out of, mixed neighborhoods and took refuge in increasingly
polarized ghettos. Tensions were often heightened by local and
regional political leaders. H. S. Suhrawardy, the ruthless Muslim
League Chief Minister of Bengal, made incendiary speeches in
Calcutta, provoking rioters against his own Hindu populace and
writing in a newspaper that “bloodshed and disorder are not
necessarily evil in themselves, if resorted to for a noble cause.”
“These pills will cure your O.C.D., but first I wonder if you could
organize my shelves.”
But outside the well-guarded enclaves of New Delhi the horror was
well under way. That same evening, as the remaining British officials
in Lahore set off for the railway station, they had to pick their way
through streets littered with dead bodies. On the platforms, they found
the railway staff hosing down pools of blood. Hours earlier, a group
of Hindus fleeing the city had been massacred by a Muslim mob as
they sat waiting for a train. As the Bombay Express pulled out of
Lahore and began its journey south, the officials could see that Punjab
was ablaze, with flames rising from village after village.
More than twenty years ago, I visited the novelist Ahmed Ali. Ali was
the author of “Twilight in Delhi,” which was published, in 1940, with
the support of Virginia Woolf and E. M. Forster, and is probably still
the finest novel written about the Indian capital. Ali had grown up in
the mixed world of old Delhi, but by the time I visited him he was
living in exile in Karachi. “The civilization of Delhi came into being
through the mingling of two different cultures, Hindu and Muslim,”
he told me. Now “Delhi is dead. . . . All that made Delhi special has
been uprooted and dispersed.” He lamented especially the fact that the
refinement of Delhi Urdu had been destroyed: “Now the language has
shrunk. So many words are lost.”
Like Ali, the Bombay-based writer Saadat Hasan Manto saw the
creation of Pakistan as both a personal and a communal disaster. The
tragedy of Partition, he wrote, was not that there were now two
countries instead of one but the realization that “human beings in both
countries were slaves, slaves of bigotry . . . slaves of religious
passions, slaves of animal instincts and barbarity.” The madness he
witnessed and the trauma he experienced in the process of leaving
Bombay and emigrating to Lahore marked him for the rest of his life.
Yet it also transformed him into the supreme master of the Urdu short
story. Before Partition, Manto was an essayist, screenwriter, and
journalist of varying artistic attainment. Afterward, during several
years of frenzied creativity, he became an author worthy of
comparison with Chekhov, Zola, and Maupassant—all of whom he
translated and adopted as models. Although his work is still little
known outside South Asia, a number of fine new translations—by
Aatish Taseer, Matt Reeck, and Aftab Ahmad—promise to bring him
a wider audience.
“I could have slashed her throat, but I didn’t. . . . I thought she had gone into a
faint, so I carried her over my shoulder all the way to the canal which runs outside
the city. . . . Then I laid her down on the grass, behind some bushes and . . . first I
thought I would shuffle her a bit . . . but then I decided to trump her right away. . . .
”
Ishwar Singh opened his eyes. “She was dead. . . . I had carried a dead body . . . a
heap of cold flesh . . . jani, [my beloved] give me your hand.”
“Wait, what if we convinced the jury that, while they’re wasting their time
with me, the real Socrates is still at large?”
Kalwant Kaur placed her hand on his. It was colder than ice.