The Yellow Wallpaper is a short story written in 1892 by Charlotte Perkins Gilman about a woman suffering from nervous depression whose physician husband confines her to a room with yellow wallpaper. As she obsessively examines the pattern of the wallpaper, she comes to believe that a woman is trapped behind it, mirroring her own feelings of entrapment in the domestic sphere and by her husband's disregard of her mental health needs. The story critiques the unequal status of women in marriage and stereotypes surrounding women's health issues at the time.
The Yellow Wallpaper is a short story written in 1892 by Charlotte Perkins Gilman about a woman suffering from nervous depression whose physician husband confines her to a room with yellow wallpaper. As she obsessively examines the pattern of the wallpaper, she comes to believe that a woman is trapped behind it, mirroring her own feelings of entrapment in the domestic sphere and by her husband's disregard of her mental health needs. The story critiques the unequal status of women in marriage and stereotypes surrounding women's health issues at the time.
The Yellow Wallpaper is a short story written in 1892 by Charlotte Perkins Gilman about a woman suffering from nervous depression whose physician husband confines her to a room with yellow wallpaper. As she obsessively examines the pattern of the wallpaper, she comes to believe that a woman is trapped behind it, mirroring her own feelings of entrapment in the domestic sphere and by her husband's disregard of her mental health needs. The story critiques the unequal status of women in marriage and stereotypes surrounding women's health issues at the time.
The Yellow Wallpaper is a short story written in 1892 by Charlotte Perkins Gilman about a woman suffering from nervous depression whose physician husband confines her to a room with yellow wallpaper. As she obsessively examines the pattern of the wallpaper, she comes to believe that a woman is trapped behind it, mirroring her own feelings of entrapment in the domestic sphere and by her husband's disregard of her mental health needs. The story critiques the unequal status of women in marriage and stereotypes surrounding women's health issues at the time.
by Charlotte Perkins Gilman ⎯ an American feminist intellectual, social reformer, and philosopher ⎯ in 1892. She received considerable attention for publishing “The Yellow Wallpaper,” discussing the unequal status of women within the foundation of marriage: a woman who was confined in a domestic sphere, which robbed her desire for self-expression alongside propagating mental health awareness and the stereotypes attached to it.
The narrator, an upper-middle-class woman,
is married to a physician. The journey begins when her husband takes her on a 3-month summer vacation ⎯ for her to have a perfect rest. They landed on a large ancestral house. The narrator confessed that she is suffering from a mental illness ⎯ a nervous depression. Ironically, her husband and her brother, who are physicians of high standing, don’t believe her. She tried reaching out to them. However, instead of giving proper treatment and medication, they confined her inside a nursery room with a troubling yellow wallpaper and disregarded her sentiments. Even worse, her form of self-expression and meditation ⎯ writing ⎯ was taken away from her.
Throughout the story, the narrator obsesses
over the yellow wallpaper in her room, which Throughout the story, the narrator obsesses over the yellow wallpaper in her room, which disgusts her to the core. She loathes the yellow wallpaper, for it doesn’t please her aesthetic preferences. Every day, she notices differences in the pattern and design; it is moving. Until one night, she confirmed. The sub-pattern in the wallpaper resembles a woman, sometimes a woman, who creeps at night, trapped inside that yellow paper, wanting to escape. Towards the end of the story, the narrator is convinced that she is the woman behind the wallpaper. To free the trapped figure inside, she tears down the yellow wallpaper. BOOK ANALYSIS
The Yellow Wallpaper is a work of fiction. The
author discusses the life of women who remain in the realm of domestic life and mental health, meeting the universality and permanence in literature. This true-to-life short story of Charlotte Gilman about mental health and domestic life can evoke human responses, cross all gender, cultural barriers, and timeliness.
In 1892, women’s obligation to pull off
housekeeping, childcare, and religion was prevalent. To date, women still live on to this domestic sphere, preventing them from expressing their full capabilities in working and carrying out recreational activities and hobbies like writing. Women, in most cases, are still seen as incapable of maintaining their work while doing household responsibilities. The social role and expectations established in women are creating a division between their lives-halting their full development. In addition, the patriarchal family affects women. Men dominating the family or society translates to inequality and domestic violence. In the narrative, the husband takes control of everything, including the slightest detail. As a response, the narrator feels subordinate even if this act is abuse to her body, mind, and soul. After all, John is a doctor and head of the family, which says a lot about the narrator’s subordination.
Aside from this, the narrator is mentally ill. She
is suffering from a “severe nervous breakdown.” Her situation was disregarded by doctors ⎯ his husband and brother itself. They see it as nothing more than a lack of rest. Given her environment, it is the main reason why she is suffering. She lives in a misogynistic society where women are considered as fragile, weak, and dense. She lost her stability because she was forced to become passive and subordinate, hiding her anxieties and fears within a facade of resting in a vacation house. The narrator’s way of relief ⎯ writing ⎯ was off-limits, causing her insanity. Mental health across different countries is not treated seriously. There are stereotypes and discrimination attached. People think you’re crazy, dangerous, or worse ⎯ people think you have no prayer life.
To summarize, this work of fiction is a way of
protesting against prevailing issues (i.e., women imprisoned in the domestic sphere and mental health) in the 1980s and until the present time. It is astounding to discern that these themes were part of the discourse and are relevant until today.