Abstraction: Kama - Love or Pleasure. A Fourth End Is Moksha - The Renunciation of
Abstraction: Kama - Love or Pleasure. A Fourth End Is Moksha - The Renunciation of
Abstraction: Kama - Love or Pleasure. A Fourth End Is Moksha - The Renunciation of
Religions
Indian creativity is evident in religion as the country is the birthplace of two
important faiths: Hinduism, the dominant religion, and Buddhism, which ironically
became extinct in India but spread throughout Asia.
a) Hinduism, literally “the belief of the
people of India,” is the predominant faith
of India and of no other nation. The
Hindus are deeply absorbed with God
and the creation of the universe.
The Purusarthas are the three
ends of man: dharma – virtue,
duty, righteousness, moral
law; artha – wealth; and
kama – love or pleasure. A fourth end is moksha – the renunciation of
duty, wealth and love in order to seek spiritual perfection. It is achieved
after the release from samsara, the cycle of births and deaths. The
Hindus believe that all reality is one and spiritual, and that each individual
soul is identical with this reality and shares its characteristics: pure being,
intelligence, and bliss. Everything that seems to divide the soul from this
reality is maya or illusion.
Life is viewed as an upward development through four stages of effort
called the four asramas: a) the student stage – applies to the rite of
initiation into the study of the Vedas; b) the householder stage – marries
and fulfills the duties as head of the family where he begets sons and earns
a living; c) the stage of the forest dweller – departs from home and
renounces the social world; and d) ascetic – stops performing any of the
rituals or social duties of life in the world and devotes time for reflection
and meditation.
Kama refers to one of the proper pursuits of man in his role as
householder, that of pleasure and love. The Kama-sutra is a classic
textbook on erotics and other forms of pleasure and love, which is
attributed to the sage Vatsyayana.
The Hindus regard Purusha, the Universal Spirit, as the soul and original
source of the universe. As the universal soul, Purusha is the life-giving
principle in all animated beings. As a personified human being, Purusha's
body is the source of all creation. The four Varnas serve as the theoretical
basis for the organization of the Hindu society. These were thought to
have been created from Purusha’s body:
- The Brahman (priest) was Purusha’s mouth. Their duty is to
perform sacrifices, to study and to teach the Vedas, and to guard the
rules of dharma. Because of their sacred work, they are supreme in
purity and rank.
- The Ksatriyas (warriors) are the arms. From this class arose the
kings who are the protectors of society.
- The Vaisyas (peasants) are the thighs. They live by trading, herding,
and farming.
- The Sudras (serfs) are the feet. They engage in handicrafts and
manual occupation and they are to serve meekly the three classes
above them. They are strictly forbidden to mate with persons of a
higher varna.
c) The history of the Vaishnava movement from the end of the Gupta period till the
first decade of the thirteenth century AD is concerned mainly with South India.
Vaishnava poet-saints known as alvars (a Tamil word denoting those drowned in
Vishnu-bhakti) preached single-minded devotion (ekatmika bhakti) for Vishnu and
their songs were collectively known as prabandhas.
d) Shaivism had its origin in antiquity. Panini refers to a group of Shivaworshippers as
Shiva-bhagavatas, who were characterised by the iron lances and clubs they carried
and their skin garments. Shaiva Movement in the South: The Shaiva movement in the
South flourished at the beginning through the activities of many of the 63 saints
known in Tamil as Nayanars (Siva-bhakts). Their appealing emotional songs in
Tamil were called Tevaram Stotras, also known as Dravida Veda and ceremonially
sung in the local Shiva temples. The Nayanars hailed from all castes. This was
supplemented on the doctrinal side by a large number of Shaiva intellectuals whose
names were associated with several forms of Shaiva movements like Agamanta,
Shudha and Vira-shaivism.