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    M Britt Profiles GÇô 5150 Pack 1

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    pavelscribd
    This pack contains 36 studio profiles and 35 merged profiles from a Peavey 5150 amp recorded through two different speaker cabinets, providing options for live performance and recording. The profiles are arranged by amp channel and include rhythm, crunch, and lead tones without effects except for some delays added to audio clips. Users are advised to tweak the profiles as needed using controls like definition, power sagging, compressor and clarity to dial in their desired sound.

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    M Britt Profiles GÇô 5150 Pack 1

    Uploaded by

    pavelscribd
    45 views3 pages
    This pack contains 36 studio profiles and 35 merged profiles from a Peavey 5150 amp recorded through two different speaker cabinets, providing options for live performance and recording. The profiles are arranged by amp channel and include rhythm, crunch, and lead tones without effects except for some delays added to audio clips. Users are advised to tweak the profiles as needed using controls like definition, power sagging, compressor and clarity to dial in their desired sound.

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    This pack contains 36 studio profiles and 35 merged profiles from a Peavey 5150 amp recorded through two different speaker cabinets, providing options for live performance and recording. The profiles are arranged by amp channel and include rhythm, crunch, and lead tones without effects except for some delays added to audio clips. Users are advised to tweak the profiles as needed using controls like definition, power sagging, compressor and clarity to dial in their desired sound.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    45 views3 pages

    M Britt Profiles GÇô 5150 Pack 1

    Uploaded by

    pavelscribd
    This pack contains 36 studio profiles and 35 merged profiles from a Peavey 5150 amp recorded through two different speaker cabinets, providing options for live performance and recording. The profiles are arranged by amp channel and include rhythm, crunch, and lead tones without effects except for some delays added to audio clips. Users are advised to tweak the profiles as needed using controls like definition, power sagging, compressor and clarity to dial in their desired sound.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    of 3

    M Britt Profiles – 5150 Pack

    5150 Pack contains 36 “studio” type profiles as well as 35 “merged” profiles at the same
    settings (all except 1 setting for those doing the math) compatible only with firmware 5.x
    and higher. Your KPA should be using 5.0 or later to use these profiles to ensure optimum
    performance. These profiles have not been tested on earlier firmware versions.

    This pack contains both studio and merged profiles of an old, beat up, and quite lovely sounding
    Peavey 5150. I profiled the amp using two different speaker cabinets: 1. My usual 3rd Power
    Switchback 212 with a Classic Lead 80 speaker and 2. An equally old Peavey 5150 412 straight
    front cabinet with the stock Sheffield speakers that I’ve had since the late 90’s. The profiles with
    the 3rd Power cabinet seem to have more midrange and might be better suited for live
    performance and may be more compatible with some of my other profiles for switching back
    and forth. The 5150 cabs are a little more scooped and I’ve already done some recording with
    them and they sound great as well and should fit the bill for those who think some of my profiles
    sound a bit honky. Options are good.

    Profiles:

    These profiles are broken up first by Studio and Merged. Then they are arranged by amp
    channel:

    Rhythm channel
    Crunch channel
    Lead channel

    The 5150 cab profiles are the second series, for example “5150 Lead 2 9”. I did not find the
    cleaner profiles of the rhythm channel using the 412 cabinet interesting or good enough to
    include here. I didn’t use any pedals during the profiling of this amp.

    I tried to keep effects to a minimum on these profiles. Many do include my stock “pedalboards”
    on the Kemper, but most effects are off and even reverb is kept to a minimum in most cases.
    There are a few delays added when I was making the clips just for fun and I left those on. All of
    the audio clips were recorded directly into ProTools from the analog XLR outputs of the Kemper
    with no additional eq, processing, compression, etc. I used my Tom Anderson Cobra with
    Duncan Antiquity P90’s for the Rhythm clips and the first clean clip of the Crunch channel and I
    used a partscaster snakehead esquire/tele with a Gibson 57 classic pickup for the rest of the
    clips. I find the 57 has a nice thickness but still has some clarity and is a nice baseline for
    middle-of-the-road humbucker output. If your guitar has brighter pickups, maybe start by
    lowering the amp definition and if you have darker, hotter pickups, you may need to turn up the
    definition.

    Enjoy!
    Possibly Useful Info –
    Tweaking – Feel free to tweak these profiles to fit what you want to hear just as you would
    a traditional amp. I strive to keep my EQ section as flat as possible so it gives the user plenty
    of room to adjust as necessary. I find the Definition control extremely useful in dialing in profiles
    as it can sweep the focus of the overall eq without having to grab the eq knobs. I often start
    there. If you find the profile “dull”, start by turning up the Definition. If you find it harsh, try
    turning the Definition down til it smooths out. The Power Sagging, Compressor, Clarity control
    and the speaker Character control can all be helpful as well. Some profiles may require more
    tweaking than others in getting “your” sound out them.

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