Every Artist Plays A Different and Necessary Part in Contributing To The Overall Health, Development, and Well-Being of Our Society
Every Artist Plays A Different and Necessary Part in Contributing To The Overall Health, Development, and Well-Being of Our Society
The art of the Philippines is reflective of the diversity, richness and uniqueness of Filipino
culture. It began during the pre-historic era which is signified by the various paintings and
artworks found on the walls of the caves discovered throughout the region. However,
Filipino Art, as we know today, began with colonization of the region by Spain in the early
16th century. The Spanish introduced Christianity to Philippines and art of the period was
majorly influenced by religion. It thus reflects the religious propaganda through the
country. Art played a significant role in the spread of Catholicism in the Philippines. Traditional art is a
part of a culture of a certain group of people, with skills and knowledge
passed down through generations from masters to apprentices. It portrays the simple life
2. During the first half of the 20th century, American influence made the
Philippines one of the most Westernized nations in Southeast Asia. The
cultural movements of Europe and the United States profoundly
influenced Filipino artists, even after independence in 1946. While
drawing on Western forms, however, the works of Filipino painters,
writers, and musicians are imbued with distinctly Philippine themes. By
expressing the cultural richness of the archipelago in all its diversity,
Filipino artists have helped to shape a sense of national identity. Many
Malay cultural traditions have survived despite centuries of foreign rule.
An artist has the ability to ‘feel strongly’ to be ‘sensitive’ to things and express
this in the paint, gesture, or color. The artist ‘absorbs’ the atmosphere of a place
or the memory of a feeling. Sometimes, it’s a burden for the artist to carry all this
emotion – to be so sensitive.
Philippine arts and letters. ... It recognizes excellence in the fields of music,
dance, theater, visual arts, literature, film and broadcast arts and architecture,
2. Agnes Arellano (b. 21 November 1949, San Juan, Rizal) was born to a
life of ease in the quiet and genteel district of Pinaglabanan in San Juan
del Monte. She belonged to a prominent family of architects that
included her father Otilio (b. 1916), her grandfather Arcadio, and grand-
uncle Juan. Agnes also acknowledges the influence of Chabet (Roberto
Chabet Rodriguez) in the spirit of conceptual art, the semiotic use of
materials, the shedding of artistic inhibitions, the witty and mischievous
aspects of art, the spirit of freedom in exploring ideas, and the use of a
wide range of cultural sources. Equipped with the necessary training,
approaches, and inspirations, she graduated with a Bachelor of Fine
Arts in 1983.
-- Dea, 1996
A walk through the exhibit assails one's senses: the female form in all its nakedness,
full pendulous breasts, vulvas and vaginas, a womb filled with life, skulls in a row,
and more. The male element is not forgotten, in phalluses and giant bronze-coated
bullets, its penile form gleaming under the tropical sun.
3. Ronald Ventura is born in 1973 in the city of Manila, Philippines. He
graduated Painting at the University of Santo Tomas in 1993, where he
worked after the graduation as an Art instructor for a while. For the first time in
2000, he had his two solo painting shows. Ronald Ventura is a contemporary
Filipino artist known for his dynamic melding of realism, cartoons, and graffiti.
Portraying scenes of chaotic disarray, Ventura culls from science fiction, Western
history, Asian mythology, Catholicism, and popular comic book characters, in
producing his work.
“I will paint and update a painting until I am satisfied. It’s like a film director who is shooting a
scene—at certain points he will feel like he needs more extras or more light,” he said of his
working method. “This is the closest analogy to my painting process that I can think of. It is
like a process of addition and subtraction.
The Builders is an oil on wood artwork by Victorio Edades now in the Cultural Center of the
Philippines collection. Victorio Edades, known as the “Pambansang Alagad ng Sining ng
Pilipinas” painted the artwork in 1928.
6. Félix Resurrección Hidalgo y Padilla (February 21, 1855 – March 13, 1913) was
a Filipino artist. He is acknowledged as one of the greatest Filipino painters of the late
19th century, and is significant in Philippine history for having been an acquaintance and
inspiration for members of the Philippine reform movement which included José
Rizal, Marcelo del Pilar, Mariano Ponce and Graciano López Jaena, although he neither
involved himself directly in that movement, nor later associate himself with the First
Philippine Republic under Emilio Aguinaldo.
Las Virgenes Cristianas Expuestas al Populacho or The Christian Virgins Exposed to the
Populace is a famous 1884 history painting by Filipino painter, reformist, and propagandist Félix
Resurrección Hidalgo.
His early paintings, from the period immediately before and after the war,
reflect his personal reaction to the national trauma. “Man and Woman” (also
entitled Beggars), 1945, in an expressionist idiom involving distortion, shows
a couple in rags amidst the skeletons of buildings which we broken like
surrealist sculpture.
9. Roberto "Bobby" Rodríguez Chabet (March 29, 1937 - April 30, 2013) was an artist
from the Philippines and widely acknowledged as the father of Philippine conceptual art.
Women
, 1997