It$Ppavao: (Thiruppavai)
It$Ppavao: (Thiruppavai)
it$PpavaO
(Thiruppavai)
samap-Na
This is an excellent piece of Tamil composition by Andal. She is variously known by her other names Godamma, Godai, and is one
among twelve azhwars (alwars) of srivaishnavite devotional cult. Her father Vishnuchitt Swamy is also one among the twelve
illustrious azhwars. He got her in tulsi (basil) garden when he was engaged in doing the maintenance work of the grove and procure
tulsi and flowers for the worship of vatpatrashayi swamy. Andal’s advent place is Srivilliputtur which is about 80 km from Madurai in
Tamil Nadu (India).
She, toeing the line of her father, was fully dedicated to the worship of the Lord Narayan. While assisting her father, whatever
flower garland she was preparing everyday to be offered to the deities, she used to put them first on her own body around the neck
and look into a mirror to ascertain whether they were properly prepared to enhance the deities’ grandeur. Once her father
Vishnuchitta Swamy noticed this, and with great anguish, he didn’t offer that day any garland to the deities as he considered them
defiled by her because she wore them before they were offered to the deities. To his utmost surprise, he got a dream at night
Narayan commanding him to offer the garlands prepared and tested by Andal only. He could then realize that there was something
special in her. With utmost awe, very carefully, he brought her up.
Coming of marriageable age, she rejected offer of marriage to any human being and offered to marry only Lord Narayan
Himself. Lo and behold! The head priest of Rangnath Swamy temple, SriRanagam (Trichirapalli) had a dream instructed by the Lord
to send a palanquin to Srivilliputtur to fetch her and offer her as His consort. Grand procession was organized and she was taken to
Lord’s sanctum sanctorum with due reverence. No sooner she entered the sanctum than her physical form immersed in the deity’s
Himself.
In Srivilliputtur the Andal’s temple was raised by her father (also called Periya azhwar). Later the pandya king Vallabhadeva
is said to have built around 789 AD the present temple. Great poet, Kavichakravarti Kamban has also sung the glory of the gopuram
of Srivilliputtur in one of his writings.
Thiruppavai is learnt to have been composed by Andal when she was quite young, and is being recited in all srivaishnavites
temples early morning in the dhanurmas (sun remains in 9th zodiac sign, sagittarius), month of Margshirsh and Paush. At Tirumala,
Tirupati, suprabhatam for all the thirty days of the said month is replaced by the recitation of Thiruppavai only.
The word Thiruppavai, among several acknowledged popular meanings, may literally be taken to mean EaoYz pv-a - shreshtha
parva (grand festival). However, another pertinent meaning, “thiru” means respectful, and “ppavai” means marriageable girl, is also
widely accepted. For inner and deeper meaning of the verses one may refer several publications available on various websites.
There are 30 verses, and they depict how to observe the vow in Dahanur mas in honour of Srikrishna. The period of thirty
days of vow begins from the full moon night of Margshirsh month onwards. The observance of sacred vow is similar to “katyayani
vrat ka%yaayanaI va`t “ described in srimadbhagwat mahapuran (skandh 10, adhyaya 22). The gopi of Vrindavan observe this vow to
attain Srikirshna as husband and visit the river Yamuna for bath in early morning before sunrise. In thiruppavai also, in a similar
fashion, Andal knocks the doors of all of her girl friends in the wee hour to move to the river Yamuna for bath. Gathering the friends
and reminding them about the glory of Srikrishna are the contents of first 1 – 15 verses. They take a vow not to eat (verse 2) ghee
and milk, avoid collyrium in the eyes, and flowers in the hair lock for all the thirty days. Thereafter they go to wake up Srikrishna. In
the verse 16 the guards of Nandgop are requested to open the door. Verse 17 wakes up Nandgop, Yashoda, Srikrishna, and
Baldeva. Verses 18 – 20 wake Nappinai, the consort of Srikrishna. Verses 21 – 25 are direct audience to Srikrishna. Besides singing
the glory of Trivikram (verse 3, 17, 24), milky ocean Padmanabha (verse 2, 4, 6), Raam (verse 10, 12, 13), and Srikrishna (in most of
the verses), the glory of Lakshmi-Nrisimha is mentioned specially in verse 23. The solicitations are placed from verses 26-29 to the
Lord. In verse 26 the age old tradition of the vow is mentioned which she has carried forward as a practice from her forefathers. The
last verse is about Andal herself wherein she concludes with the glory of the vrata.
The Hindi translation is being attempted to benefit the devotees not familiar with Tamil. The sequence of words has been
attempted to be maintained similar to the original Tamil composition. The words within quotes “ “ in Hinid version of the verses, are
not in the original Tamil text, and simply intend to facilitate better understanding of the context.
it$PpavaO EaIvaOYNava Bai@t saaih%ya kI ek Anaupma kRit hO.[sako ricayata AnDala svayaM laxmaI ko Avatar ko $p maoM jaanaI jaatI hOM. [naka Avatar sqala
EaIivallaIpu%tur hO jaao timalanaaDu maoM madurO sao 80 ik , maI , kI dUrI pr hO. AnDala AaOr [nako ipta EaI ivaYNauica%t svaamaI baarh AalavaaraoM maoM Aato hOM.
saIta kI trh AnDala BaI pRqvaI sao inaklaI hOM. EaIivaYNauica%t svaamaI AnDala kao tulasaI ko baagaIcao maoM paayao qao . Bagavaana kI saovaa ko ilayao maalaa banaanao
maoM AnDala Apnao ipta kI sahayata ikyaa krtI qaIM. ipta kI Anaupisqait maoM maalaa kI saundrta kao yao svayaM galao maoM QaarNa kr Aa[nao maoM doKkr prKtI
qaIM . ek idna ipta nao [sa caIja kao doK ilayaa AaOr du:KI mana sao maalaa kao Apiva~ samaJa ]sa idna Bagavaana kao kao[ maalaa Aip-t nahIM ikyaa.
Bagavaana nao [nhoM svaPna dokr AnDala ko phnao huyao maalaa kao hIM caZ,anao ka inado-Sa idyaa. ]sa idna soa EaIivaYNauica%t svaamaI AnDala kao Avatar ko $p maoM
doKnao lagao. jaba yao ivavaah yaaogya hu[-M tva AnDala nao EaIrMganaaqa Bagavaana sao hI saMbaMQa baanaanao ka inaScaya ikyaa. Bagavaana EaIrMganaaqa ko inado-Sa sao AnDala
kao DaolaI maoM sajaakr Bagavaana ko maMidr maoM Ait]%saah pUva-k laayaa gayaa. tduprant AnDala nao Apnao kao Bagavaana kI sainnaiQa maoM itraoiht kr idyaa.
EaImad\Baagavat mahapuraNa ko skMQa 10 ko AQyaaya 22 kI ka%yaayanaI v`at kI trh AnDala Qanau-maasa maoM 30 idna v`at krtI qaIM ijasaka ])oSya EaIkRYNa kao
pit ko $p maoM p`aPt krnaa qaa. it$PpavaO ko 30 paSaur [saI p`yaasa ka sajaIva ica~Na hO. paSaur 1 maoM AnDala ApnaI saiKyaaoM kao saUyaao-dya sao pUva- jaagakr
snaana kr pUjaa ko ilayao Aamain~t krtI hOM tqaa paSaur 2 maoM inayamaaoM ko palana ka ivavarNa hO ijasako Anausaar [sa AvaiQa mao dUQa GaI ka %yaaga kr jaUD,o maoM
fUla nahIM baaMQanaa tqaa Bai> saaih%ya ka paz krto hue saMtjanaaoM kao sammaana tqaa dana krnaa hO. PaaSaur 3 evaM 4 maoM Bagavaana kI mah%ta tqaa v`at ko fla
icai~t hOM. paSaur 5 maoM pUjaa kI ivaiQa ka vaNa-na hO. PaaSaur 6 sao 15 tk saiKyaaoM kao jagaanao ka vaNa-na hO. PaaSaur 16 maoM naMd jaI ko rajamahla ko Warpaala
kao jagaayaa jaata hO. paSaur 17 maoM naMdjaI, yaSaaoda, balarama tqaa EaIkRYNa kao jagaayaa jaata hO. PaaSaur 18 sao 20 tk Bagavaana EaIkRYNa kI sahBaaiganaI
naiPpnaaya jaao naIlaa dovaI hOM , kao jagaayaa jaata hO. 21 sao 23 paSaur tk Bagavaana sao baatcaIt kao icai~t ikyaa gayaa hO. PaaSaur 24 sao 29 tk Bagavaana
kI p`aqa-naa tqaa pUjaa v`at ko ])oSaya sao Bagavad kOMkya- krnao ka AaSvaaSana p`aPt kr ]%saah kI PaUNaa-hit maoM GaI ]%plaaivat KIr samaip-t kr EaRMgaar kr
Srikrishna Prapnnachari Page 4 of 24 (Tamil Text in Devnagari script courtesy www.prapatti.com)
it$PpavaO (Thiruppavai)
Bagavaana ka icar sainnaiQa p`aPt krnaa hO. PaaSaur 29 tao pUNa- samapNa- AaOr SarNaagait kao icai~t krta hO jaao vaOYNavata tqaa ]sakI p`pnnata ka _ao%tk
hO. PaaSaur 30 maoM AnDala nao svayaM kao fladayaI it$PpavaO kao rcanao vaalaI batatI hMO.
it$PpavaO ko k[- Saaibdk Aqa- hOM. jaao jyaada laaokip`ya hO vah hO “EaoYz v`at”. ek AaOr saTIk Aqa- hO . “it$” yaaina “sammaanajanak” , AaOr
“PpavaO” yaaina “ivavaah yaaogya knyaa”. it$PpavaO maoM Bagavaana naarayaNa ko ivaiBanna AvataraoM ka yaSaaogaana ikyaa gayaa hO . i~ivak`ma Bagavaana kao PaaSaur 3,
17 evaM 24 maoM, xaIrsaagarSaayaI Bagavaana kao 2, 4 evaM 6 maoM, rama kao 10, 12, 13 maoM, tqaa EaIkRYNa kao k[-yaaoM maoM icai~t ikyaa gayaa hO. EaIlaxmaI naRisaMh
kao paSaur 23 mao ivaSaoYa $p sao vaiNa-t ikyaa gayaa hO,.
AnDala ka it$PpavaO idvya p`baMQa ka ek mah%vapUNa- Baaga hO. [sako Aitir> AnDala ka 143 paSaur kI “naaiccayaar it$maaoila” BaI idvya p`baMQa ka
ek ihssaa hO. naaiccayaar it$maaoila ka ek Baaga hO “vaaNa-ma Ayarama” ijasamaoM AnDala nao Bagavaana EaIkRYNa sao ivavaah ko ivaiBanna kaya-k`maaoM ka sajaIva
ica~Na ikyaa gayaa hO AaOr jaao “saPtpdI” pr jaakr pUra haota hO.timala naaDu ko p`%yaok pirvaar mao var vaQaU ko klyaaNaaqa- ivavaah ko Avasar pr
“vaaNa-ma Ayarama” ka ivaiQavat parayaNa AavaSyak $Pa soa ikyaa jaata hO.
hOM. daonaaoM paSva- maoM BaU dovaI evaM naIlaa dovaI saovaart hOM. EaIcarNaaoM maoM mana kao samaip-t krnao ko }paya sva$p batatI hOM ik v`at ko
idnaaoM maoM dUQa GaI ka %yaaga kr doM. [sasao mana ka Aalasa dUr haogaa.EaRMgaar ko saaQana¸ jaUD,a maoM fUla¸ AaOr AaMKaoM maoM kajala¸ ka BaI
%yaaga kr doM. Bagavat kqaa ko Aitir@t Anya pustkaoM kao na pZ,oM. saMt pu$YaaoM evaM yaacakaoM kI saovaa maoM yaqaa Sai@t dana doM. [sa
trh sao p`sanna rhkr EaIva`t kroM.
3 baZ, kr¸ saMsaar maapa¸ savaao-<ama naaqa ka naama gaayaoM
Apnaa EaIva`t “ka” kroM snaana
duYTaoM sao riht doSa pUra “haogaa” ¸ maah maoM tIna vaYaa- haogaI
baZ,oMgao baDo, Qaana ko Kot¸ CaoTI maCilayaaÐ KolaoMgaI
saundr fUlaaoM maoM cakmak maQaumai@KyaaM saaoyaoM
isqar gaayaoM KD,I¸ gaaop dUhoM¸ qana pkD, kr
va<a-na BaroM¸ ]dar baD,I gaayaaoM sao
iTka} }nnait¸ pirpUNa- rhoM¸ AaAao EaIva`t kroM .
tRtIya pd maoM i~ivak`ma Bagavaana yaaina vaamana Bagavaana kI mah<aa ka smarNa krato huyao batatI hOM ik [nakI AsaIma kRpa sao saMpnnata
saV: AayaogaIM. mahInaa maoM tIna baar vaYaa- haogaI. pRqvaI Qaana kI fsala sao pUNa- haogaI. jala kI pyaa-Ptta maoM CaoTI maCilayaaM Aanaindt
rhogaIM. gaaodmmaa caahtI hOM ik maClaI banakr vao inarMtr saagarSaayaI p`Bau ka dSa-na krtI rhoM. maQauma@KI banakr fUla maoM hI saao jaanaa
caahtI hOM. yah fUla p`Bau kI Syaamala saaOMdya- ka hO ijasamaoM icarkala ko ilayao band hao jaanaa caahtI hOM. sqaayaI saMpnnata kao
ica``~aikMt krto hue khtI hOM ik isqar gaayaoM inarMtr dUQa doMgaI.saBaI pa~ dUQa sao ]%plaaivat rhMogao.vaastva maoM vao¸ AnaMtSaayaI p`Bau ko
xaIr samaud` maoM Aa%masaat hao jaanaa caahtI hOM.
4 samaud` va vaYaa- ko naaqa¸ kuC nahIM raokoM
samaud` kroM p`vaoSa panaI lao¸ garjato }pr ]zoM
jagat ko mau#ya naaqa sva$p jaOsaa SarIr Syaama
caaOD,a saundr kMQaa¸ pd\manaaBa haqaaoM “ maoM “
koSava ka CaoTa naama hO)¸ Gar maoM Anya laD,ikyaaoM kI ik`yaaSaIlata sao haonao vaalao SabdaoM kao tao saunaao. jaagakr byast haonao
sa¸o Gar ko Anya maihlaayaaoM ko isar ko jaUD,a ko fUla¸ ihlaDulakr saugaMQa ivaKor rho hOM¸ tqaa ]nako AaBaUYaNa ko maQaur
Aavaaja manaaohr hOM. @yaa yao BaI jagaanao ko ilayao pyaa-Pt nahIM hOM. Gar maoM maqao jaanao vaalao dhI kI hMaDI kI Aavaaja nahIM
saunatI! Aao p`mauK saKI! Bagavaana naarayaNa evaM koSava (koSaI raxasa ka mauMh faD,nao vaalao) ka naamagaana BaI nahIM saunatI!
8 paUrba ka AakaSa Svaot hao rha¸ gaayaoM
sava-~ car rhIM¸ va`t ko ]%saukta sao jaanao vaalaI
kao raok¸ tumharI p`tIxaa hO
pukaroM¸ KD,o hOM KuSa
jaagaao baalao¸ gaato va`t manaato hue
jaao GaaoD,a raxasa ka mau^Mh faD,a¸ yaaowaAaoM “kMsa ko“ kao praijat ikyaa
dovaaiQadova kI Aca-naa kroM
d`ivat haokr “ vao “ kuSala xaoma pUCoM¸ AaAao EaIva`t kroM .
gaaodmmaa [sa AazvaoM pd maoM sauvah haonao ko Anya AaOr laxaNaaoM kao batatI hOM.pUrba idSaa ka AakaSa saaf idKrha hO¸
gaayaoM carnao ko ilae baahr Aa caukI hOM (Agar nahIM jaagaaogaI tao kRYNa dSa-na ko laaBa sao baMicat rh jaaAaogaI @yaaoMik vao SaIG`a hIM
gaayaaoM ko pICo jaMgala calao jaayaogaoM). Anya saiKyaaM Aa caukI hOM¸ hma ]nhoM tumharo ilayao raok rKo hOM. calaao jaagaao AaOr dovataAaoM
ko isarmaaOr¸ ijanhaonaoM koSaI GaaoD,a raxasa ka mauMh faD,a¸ kMsa ko phlavaanaaoM kao Qvast kr idyaa¸ kI pUjaa kroM. vao kRpalau
hOM¸ hmaara kuSala AvaSya pUCogaoM.
yaaina ik kRYNa jaao galao maoM tulasaI ko maalaa ko saugaMQa sao ]nmaaidt hao rho h¸OM ko naamagaana sao hI jaagaogaI. Aao
saKIiSaraomaiNa! Aa drvaajaa Kaola.
11 yauvaa gaayaoM duhI gayaIM
duSmana ivadark gaaopaoM¸ kI svaNa-lata
saaMp ko fnajaOsaI AQaaoBaaga vaalaI¸ vana kI maaornaI
baahr AaAa¸o sau)d ima~ saBaI kuTuMba
Aayao tumharo AaMgana
Syaama Gana¸ naama gaana krto
na ihlatI¸ na baaolatI¸ saaOBagao @yaaoM
saaoyaI hao¸ AaAao EaIva`t kroM .
ek Ait saundrI maaor jaOsaI saKI¸ jaoa maugaizt SarIr vaalaI hO AaOr AcCo kula kI hO ( gaayaoaM sao saMpnna Sai@tSaalaI
pirvaar)¸ jaao Apnao ipta kI svaNa-lata jaOsaI laaD,laI hO¸ kao jagaato hue gaaodmmaa khtI hOM ik saBaI Pyaaro ima~ Aakr
tumharo AaMgana maoM saaMvalao salaaonao kRYNa ka naama gaa rhI hOM. jaagaao na ! ihlaao tao sahI¸ kuC baaola tao¸ yaa ina%ya mau@t ka
AanaMd AkolaI laotI rhaogaI? AanaMd ka fla sabakao baaMTnao maoM hO.
12 pukartI gaayaoM¸ baCD,aoM kao snaoh vaSa
va%sa smarNa qana saV: dUQa bahata
BaIMgaa Gar pMikla hO dUQa sa¸o p`gaitSaIla gaaop kI bahna
isar pr Aaosa ilae tumharo p`vaoSa War ko baahr KD,o
dixaNa laMka ko Saasak ka naasa krnaovaalao “ka ”
mana hYa-karI gaIt hOM hma gaato¸ tuma mauÐh nahIM Kaolato
kma sao kma jaaga tao sahI¸ @yaa Gaaor inad`a
dUsaro Gar ko saBaI laaoga BaUlao nahI “jaaga gayao “¸ AaAao EaIva`t kroM .
yah pd pUva-vatI- pd kI trh eosao saKI kao jagaanao ka hO ijasaka Baa[- gaaOrvaSaalaI hO.
( pUva- ko pd maoM ipta kao saMbaaoiQat ikyaa gayaa hO AaOr [sa pd maoM Baa[- kao. bahut saarI gaayaoM hOM. Baa[- AavaSyak Bagavat kOMkya- sao baahr gayaa hO.
gaayaoM [saI karNa dUhI nahIM gayaI hOM. gaayaoM baCD,aoM kao yaad kr qana sao dUQa bahakr Gar kao pMikla kr rhIM hOM.)
gaaodmmaa khtI hOM ik saubah ko Aaosa kI prvaah ike vagaOr hma saBaI Aayao hOM. Bagavaana rama ka gauNaanauvaad kr rho hOM.
kovala tuma hI saaoyaI hao¸ baaik saBaI laaoga jaaga cauko hOM.
13 “bakasaur” pxaI ka mauMh faD,a¸ duYT raxasa “ravaNa” ka
isar kaTa¸ ]nakI kIit-gaana krto jaato
saBaI ikSaaoiryaa^M EaIva`t sqala phuÐca gayao
Sauk/` }ga Aayao¸ gau$ Ast hue
pxaI klarva kroM¸ doKao saumanasaI saundrI¸ maRganayanaI
kzaor SaItla jala maoM DubakI nahIM lagaatI
saaoyaI saoja pr¸ Aao baailako¸ AcCa idna “hO Aaja”
CaoD, yaui@t Aalasa¸ hmaaro saMga¸ AaAao EaIva`t kroM .
yah Pad ek eOsaI saundr AaMKaovaalaI saKI kao jagaanao ka hO jaao Bagavat AanaMd maoM ilaPt saaoyaI jaana pD,tI hO.gaaodmmaa
batatI hOM ik sauvah ka tara Sauk` ]ga Aayao hOM¸ pixayaaM klarva kr rhI hOM¸ Anya saiKyaaM Bagavaana kRYNa evaM rama ka
yaSagaana krto snaana kao jaa cauko hOM. ]sao jaagakr SaItla jala maoM snaana ko ilayao p`oirt ikyaa jaa rha hO.
[sa pd maoM gaaoipyaaoM ka War Kulanao ko baad sabaaoM ko Sayanakxa ko samaIp phuMcanao ka AaBaasa imalata hO. vao ek ek kr
saba kao jagaa rhI hOM :- sabako maailak¸ Anna¸ jala¸ Baaojana tqaa KuSaI baaMTnao vaalao nandgaaop jaI kao¸ ifr maata yaSaaoda
kao¸ tqaa svayaM Bagavaana kao ijanhaMonao tInaao laaok kao i~ivak`ma $p maoM maap Dalaa¸ AaOr ifr Baa[- baladova jaI kao¸ jaao
Apnao PaOr maoM saundr saaonao ka AaBaUYaNa phnao rhto hOM.
18 dSaa-to ]%saah haqaI ka¸ na Baagato “rNa sao “¸ Sai@tmaana vaxa sqala
]sa nandgaaop kI pu~vaQaU¸ Aao naiPpnaaya
saugaMiQat koSavaalaI¸ drvaajaa Kaoilayao
jaagao¸ saBaI pxaI pukaroM¸ doK
maaQavaI iSaKr sao kuhu kro kaoyala¸ doK
gaoMd pkD,o ]MgailayaaoM sao¸ ]na Aapko pit ka gauna gaayaoM
laala sarao$h haqa¸ kr ikMikiNa baajao¸ Aap
AayaoM¸ KaolaoM hYa- sao¸ AaAao EaIva`t kroM .
yah pd EaIvaOYNavaaoM ko ilayao Ait mah%vaPaUNa- hO. kha jaata hO Aacaaya- p`var BaaYyakar svaamaI EaIramaanauja svaamaI [sa pd
kao gaunagaunaato hue ek baar Apnao gau$ ko drvaajao pr phuMcao. gau$ pu~I nao jaba drvaajaa Kaolaa tao vao saaYTaMga AiDyana
ko maud`a maoM jamaIna pr laoT kr ]sao p`Naama ikyaa. baoTI daOD, kr Apnao ipta kao Anapoixat isqait sao Avagat krayaa.
gau$ nao ramaanauja svaamaI sao [sa pd ko smarNa ka savaala pUCa¸ AaOr vastuisqait BaI vaOsaI hI qaI ik ramaanauja svaamaI ]sa
samaya it$PpavaO ko [saI pd ka smarNa krto hue gau$ gaRh ko p`vaoSa War pr KD,o qao. flat: ]nhaoMnao gau$ pu~I maoM naIlaa
dovaI ka dSa-na payaa.
[sa pd maoM gaaoipyaaM laxmaI naiPpnaaya yaaina ik naIlaa dovaI sao p`aqa-naa krtI hOM ik vao yaSasvaI sasaur nandjaI kI pu~baQau hOM¸
jaao rNa maoM haqaI ko ]%saah sao APanao caaOD,o CatI ko saaqa Sa~uAaoM ka Samana krto hOM. ifr [nakao saundr evaM saugaMQamaya
koSavaalaI hOM¸ khkr yah yaad idlaatI hOM ik kaoyala vaRxa pr Aavaaja kr sauvah haonao ka p`maaNa do rhI hOM. AaPa Apnao
Srikrishna Prapnnachari Page 16 of 24 (Tamil Text in Devnagari script courtesy www.prapatti.com)
it$PpavaO (Thiruppavai)
haqa maoM saMpUNa- saRiYT kao gaoMdvat rKo huyao rhtI hOM. hma Aapko pitdova ka yaSagaana krnao kao Aayao hOM At: Apnao saundr
laailamaapUNa- haqaaoM sao drvaajaa KaolaoM.
khto hOM Bagavaana rama nao janakpur ko rajapqa sao saIta kao Apnao mahla maoM haqa sao gaoMd foMknao ka Kola Kolato doKa qaa. gaoMd ka rMga
baar baar badla rha qaa. ivaSvaaima~ jaI nao batayaa¸ jamaIna pr gaoMd ka Svaot rMga saIta jaI ko naK ko rMga kao dSa-ta hO. hvaa maoM
]saka naIlaa rMga ]nakI naIlaI AaMKaoM ka rMga lao laota hO¸ AaOr haqa mao laala rMga ]nakI ri@tma hqaolaI ko rMga ka Vaotk hO.
19 tOla dIp “kxa maoM “¸ hist dMt pOr plaMga pr
kaomala gaVo saaoyao
puYp gaucCa sajao baala¸ naiPpnaaya “ijanako “ vaxasqala
rK isar saaoya¸ ivaSaala vaxa sqala “vaalao “¸ maMuh Kaoilayao
kjararo nayanaaoM vaalaI¸ Apnao pitdova
dor hI sahI¸ kBaI BaI¸ jagaa[yao¸ doKao
xaNamaa~ BaI ivalagaava Aap nahIM caahtI
SauBa svaBaava vaalaI¸ @yaa yah nyaaya hO¸ AaAao EaIva`t kroM .
pd 18¸ 19 evaM 20 naiPpnaaya kao ivaiBanna naamaaoM sao saMbaaoiQat krto hMO. Pad 19 maoM phlao Bagavaana sao p`aqa-naa hO ik Aap
dIpaoM sao p`kaiSat kxa maoM haqaI ko daMtaoM sao banao plaMga pr naiPPanaaya ko vaxasqala pr isar rK saaoyao hOM ¸ kRpa kr Apnaa
mauMh Kaoilayao AaOr hmasao kuC baaoilae. kao[- ]<ar na imalanao pr ifr naiPpnaaya sao gaaoipyaaM khtI hOM ik Aba dor hao rhI
hO ¸ sauvah haonao kao Aayaa¸ Aap [nhoM kBaI BaI jagaa[yao ¸ pr jagaa[yao. yah khaM ka nyaaya hO ik Aap [nasao xaNaBar BaI
Alaga nahIM haonaa caahtI hOM. hmaoM BaI Aap sao nyaaya kI p`aqa-naa hO.
Bagavaana vaOkuMznaaqa i~padivaBaUit maoM EaIdovaI¸ BaUdovaI¸ evaM naIlaadovaI ko saaqa ina%ya ivarajamaana rhto hOM. gaaodmmaa nao [sa pd maoM naIlaa dovaI
kao naiPpnaaya sao saMbaaoiQat krto hue ApnaI Aagao kI p`aqa-naa kI hO. [sa p`saMga maoM EaI praSar Ba+ ko Slaaok ka it$PpavaO ko paz
krnao ko p`arMBa maoM sava-qaa smarNa ikyaa jaata hO.
kRpa kr jaaigayao. puna: laxmaI sao p`aqa-naa krtI hOM tqaa ]nakI saundrta ka baKana krtI hOM. pMKa tqaa Aa[-naa maaMgato
hue khtI hOM ik Aap naaqa kao jagaa[yao. (pMKa tqaa Aa[-naa Bagavat kOMkya- ko saaQana hOM. Bagavaana AlaMkar ko baad Aa[-naa maoM Apnaa
sva$p JaaMk kr doKnaa caahto hOM.)
21 pUNa- GaT sao dUQa Clako
bahut dUQa doM¸ dUQaa$ ]dar ga]yaoM
kumaar nandgaaopna ko jaaigayao
Sai@tSaalaI baDo, “[sa “ jagat “ maoM “
ek maa~ “p`aNa “ dIp idKoM¸ jaaigayao
Sa~u praijat Aapko War pD,o
svat: Aayao¸ Aapko carNaaiEat vaOsao hIM
pUjaa kroM¸ Aayao hma¸ yaSa gaana kroM¸ AaAao EaIva`t kroM .
[sa pd sao gaaoipyaaM puna: Bagavaana ka yaSagaana krtI hOM AaOr ]nhoM jagaatI hOM. khtI hOM ik Aap nandjaI ko laaD,lao hOM
ijanako pasa Anaiganat gaayaoM hOM AaOr saBaI va<a-na dUQa sao Baro rhto hOM. haro hue rajaagaNa (jaao jarasaMQa ko praBava ko baad
]sako karagaar sao svatM~ ikyao gayao) Aapko pasa SarNaagat hue hOM. hma BaI AapkI pUjaa krnao AaOr gaaqaa gaanao Aapko
pasa Aayao hOM.
22 saundr baD,o saMsaar ko rajaagana¸ maana
CaoD, ¸ Aapko plaMga “ pOr “ naIcao
eki~t¸ hma Aae Aap pasa
maQaur ikMikiNa¸ mauMh Kaoilae¸ kmala fUla
saundr nayana¸ qaaoD,I saI doiKe hmaarI Aaor
caMd` saUya- vat jaagaoM
daonaao nayana¸ p`dana kroM hmaoM¸ Agar Aap KaolaoM
maR%yau sao ~aNa doM¸ AaAao EaIva`t kroM .
pd 21 tqaa 22 gaaodmmaa Bagavaana kao jaaganao ka p`aqa-naa krtI hOM. saBaI rajaagaNa Apnaa AiBamaana CaoD, Aapko plaMga
ko pMavaaoM ko pasa eki~t hOM. ]nalaaogaaoM kI trh hma BaI yahaM Aayao hOM. Aap ApnaI kRpa kTaxa sao hmaoM AnaugaRiht
kroM. kmalanayana saundr AaMKoM Kaolakr saUya- AaOr caaMd kI trh hmaaro )dya kao p`kaiSat kroM. saundr GauMGau$AaoM kI
trh Aap ApnaI AaQaI KulaI hu[- saundr AaMKaoM sao hmaoM doKnao kI kRpa kroM. (GauMGau$ AaQaI KulaI hu[- AaMK kI trh
idKtI hO)
23 [sa pd maoM EaI laxamaI naRisaMh vaMdnaa hO
vaYaa- kala¸ pva-t gaufa¸ sapi%na saaoyaoM
QaIr isaMh jaagaoM¸ jvaalaamayaI AaMKoM
gad-na koSa JaaDM,o saba Aaor
saMBala kr¸ KD,a haoM¸ gaja-na krMo¸ tOyaar
jaanao kao¸ ivaYNaukaMta fUla kI trh Aap saundr
KD,o haoM¸ Aap AayaoM¸ AaSaIYa kroM¸ saijjat
isaMhasana ivarajaoM ¸ hmaaro Aanao ka
]_oSya jaana AnaugaRiht kroM¸ AaAao EaIva`t kroM .
yah pd Bagavaana ko laxmaI naRisaMh sva$p kI p`aqa-naa hO. vaYaa- kala maoM saaoyao hue isaMh jaaganao pr Apnao koSa JaaD,kr
gaja-to hue KD,a haoM ]saI trh Aap Apnao saundr Syaamala SarIr sao Apnao isaMhasana pr ivarajamaana haokr hmaoM dSa-na dokr
AnaugaRiht kroM.
30 jahaja sao Baro samaud` maMqana ikyaa¸ naaqa maaQavana¸ AaOr naaqa koSavana
caaMd saI saumauKI AlaMkRt ikSaaoiryaaM¸ AayaIM pUjaa kIM
payaIM klyaaNa Eaoyasa¸ saundr paz EaIivallaIpu<aur ka
tajaa kmala fUla maalaa phnaoM Aca-k¸ EaI gaaoda kho
saundr timala maalaa tIsa ka
pZ,o ina%ya [sao¸ caar pva-taoM mao fOlao vaxasqala
laala AMaKoM¸ saundr mauK¸ it$maala “EaoYz Bagavaana “ sao
khIM BaI dyaa payaoM¸ prma sauK payaoM¸ AaAao EaIva`t kroM .
AMitma pd maoM gaaodmmaa [sako ina%ya paz ka fla batatI hOM. koSava evaM maaQava kI kRpa kI duha[- doto hue p`Bau ko saundr
sva$p ko Qyaana kI salaah dI hOM.
gaaoda tsyaO nama [dimadM BaUya evaastu BaUya: