Chant Book
Chant Book
Concluding Mantras
Om Namo Nārāyanāya Dasoham Tava Kesava
Om Dum Durgāyai Namaha
Om Hrim Mahālakshmyai Namaha
Om Aim Saraswatyai Swahah
Om Namo Bhagavate Sivanandaya
Om Namo Bhagavate Vishnudevanandaya
Sri Rāma Rāma Rāmethi Rāme Rāme Manorame
Sahasranāma Tattulyam Rāmanāma Varānane
Contents 3
Contents
Which chant on which day? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
Satsang: Sequence of the Chants . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
Concluding Mantras . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
Contents . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
Foreword . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
Introduction to Kirtan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
Daily Chants . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11-15
Jaya Ganesha . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
Śivāya Namah Om . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
Is there not a nobler mission . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
Swami Vishnu Devananda’s Favourite Bhajans . . . . . . . . . . . . . . . . . 17
Vande Gurudev . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Yamuna Theera Vihari . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Swami Sivananda’s Chants . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19-23
Chidānand . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
Serve, Love, Give, Purify, Meditate, Realize . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
Song of Aridity . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
Song of Salutation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
Song of the Eighteenities . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21
Song of Will (Bhajo Rādhe Krishna) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
Sunāja . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
Vishnu Chants . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25-27
Hari Bol . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25
Jaya Jagadisha Haré . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25
Nārāyana . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25
Shriman Nārāyana . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27
Krishna Chants . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27-35
Achyutastakam . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27
Bansuri . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
Bhajamana Govinda . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
Bhajo Rādhe Govinda . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
Gopālā Ganalolā Muralimohana Nandālalā . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
Gopālā Gopālā . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
Govinda Bolo Hari Gopālā Bolo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
Govinda Jaya Jaya . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
Govinda Krishna Jai . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
Govinda Nārāyana . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
4
Haré Rāma . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
Haré Rāma Gopālā . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
Hari Hari Bol . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
He Rādhe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
Hymn to Lord Krishna . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
Keshava Mādhava Nārāyana . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
Krishna Govinda Gopālā . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
Krishna Govinda Govinda Gopālā . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
Krishna Keshava Pāhimām . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
Krishna Krishna . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33
Krishna Krishna Govinda Janārdana . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33
Mukunda Mādhava Hari Hari Bol . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33
Panduranga Vittalā Hari Nārāyana . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33
Radha Krishna . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34
Rādhe Bolo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34
Rādhe Rādhe Govinda . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34
Rāmakrishna Hari Mukhunda Murāri . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34
Sri Krishna Chaitanya . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34
Vithalā Hari Vithalā . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35
Vithalā Vithalā Hari Vithalā . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35
Hanuman Chants . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
Rāma Pujari Jaya Hanuman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
Veera Māruti Gambheera Māruti . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
Rāma Lakshmana Jānaki . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
Hanuman Chalisa . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
Rāma Chants . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43-47
Ātmarāma Ānanda Nāma . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43
Ātmarāma Ānandarāmana . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43
Ayodhyā Vāsi Rām Rām . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43
Bolo Śrī Rām . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
Hari Nārāyana . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
Jaya Sita Rām . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
Raghupati Rāghava Rāja Rām . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
Rām Rām Bhajamana . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
Rāma Bolo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
Rāmachandra . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
Sitārām Nāma Bhajo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
Sri Raghunātha . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
Sri Rām Jaya Rām . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
Tumi Bhaja . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
Contents 5
Ganesha Chants . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
Ganesha Sharanam . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
Jaya Ganesha Deva . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
Śiva Chants . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49-53
Bolo Bolo Sabmil Bolo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
Hara Hara Mahādeva . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50
Jaya Siva Shankara . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50
Natarāj . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50
Om Namah Śivāya . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50
Sāmba Sadāsiva . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51
Shambho Mahādeva . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51
Shambho Shankara Sadāsiva . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51
Shankara Karunākara . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51
Shankara Shankara . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51
Śiva Shambho Hara Hara Shambho . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52
Śiva Śiva Mahādeva . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52
Śiva Śiva Shambho Shankara . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52
Śiva Śiva Śiva Shambho . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53
Śivāya Namah Om . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53
Śivāya Parameshwarāya . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53
Subrahmanya Subrahmanya . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53
Devi Chants . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55-59
Amba Amba . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55
Amba Parameshwari . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55
Amme Nārāyana . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56
Bhaja Mā . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56
Bhajamana Mā . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56
Devi Devi Devi Jagan Mohini . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56
Durge Durge Durge Jaya Jaya Mā . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56
Durge Jaya Jaya . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56
Gauri Gauri Gange Rājeshwari . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
He Amba . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
Jai Jai Bolo Ananda Amba Mataki Jai . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
Jaya Durge Kali . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
Jaya Ho Mata . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
Jaya Mā . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
Kāli Durge Namo Namah . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58
Kāli Mā . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58
Namostute . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58
Om Aim Hrim Klim . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58
Om Durga Pāhimām . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58
6
Take my Life . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72
Tis a Gift . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73
We all come from God . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73
We are One in the Spirit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73
We are walking in the Light . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73
Hebrew chants . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74-75
121st Psalm . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74
Halelu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74
He-nay Mah Tov . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74
Kol Ha'Olam . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74
Mee Ha'eesh . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75
Shma Yisrael . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75
Special Chants / Prayers / Mantras . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76-79
Dhyāna Ślokaḥ (Gajānanam) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76
Brahmarpanam (Prayer for Meals) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78
Guru Parampara (Nārāyana Padmabhavam) . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78
Loka Samasta . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78
Surya Namaskar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79
Shānti Mantras . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80
Guru Prayers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82
Sunday Prayers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84-96
Prema Mudita . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84
Ādi Divya . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85
Nāma Rāmayana . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87
Brahmā Murāri . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92
Lingāstakam . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92
Jaya Jagadisha Haré . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94
He Prabho . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96
Concluding Chants . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97-121
Concluding Mantras . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97
Mahā Mrutyunjaya Mantra (Om Trayambakam) . . . . . . . . . . . . . . . . . . . . . . . 97
Peace Chants . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98
Universal Prayers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99-117
Ārati . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118
Dedication Song . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120
Ganga Ārati . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121
Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122
8 foreword
Foreword
Mantra Chanting (Kirtan) is supposed to be the easiest and most joyful
technique towards God Realization. Our Masters Swami Sivananda and
Swami Vishnudevananda always emphasized the need of a synthesis of
all Yoga practices: Asana (Postures) and Pranayama (breathing exercises),
relaxation and proper diet for the development of the physical body and
the awakening of the energies. Selfless service to remove egoism. Mantra
chanting and worship for the sublimation of emotion into devotion and
selfless love. Study of the scriptures and introspection for the transcending of
the intellect, and meditation to go deeply within and come to the true nature
of our being: the Self, God, the Truth.
This Chant Book is intended to assist you in the Mantra Chanting. You will
find the text of most of the Kirtans that are chanted in the Sivananda Yoga
Centers. We have also included some illustrations, pictures, explanations,
translations, a fairly detailed Table of Contents as well as an Index with all the
chants in alphabetical order at the end of the book.
The Sivananda Yoga Centers have already edited numerous versions of the
Sivananda Chant book, sometimes smaller, sometimes bigger. We have to
compromise between including everything, and still keeping it compact,
handy and affordable for all.
Mantra Chanting is the most joyful if done in a group. But of course Kirtan is
uplifting also if done alone in your meditation room, while you are working,
driving, walking etc. If you want the notes for the chants, please contact our
Headquarters in Val Morin, Canada for the Chant Book with notes. There is
also a cassette “Mantra Chanting with Swami Vishnudevananda” available in
all Sivananda Yoga Centers. We also recommend the cassettes “Satsang with
Swami Sivananda” for chants with the original voice with Master Sivananda
as well as the numerous cassettes made by Hari in our center in Wilton
Manors (Fort Lauderdale).
For more detailed explanations about Mantras, Kirtan and Yoga in general
we recommend “Meditation and Mantras” by Swami Vishnudevananda,
“Bhakti Yoga”, “Japa Yoga” and “Bliss Divine” by Swami Sivnanda. Most
explanations in this chant book come from these sources.
We hope you enjoy the chanting as much as we do. If you have any
suggestions and comments please contact the Los Angeles Center. You will
find all addresses of Centers and Ashrams at the end of this Chant Book.
Yours in the service of our most revered Master Swami Sivananda and our
beloved teacher Swami Vishnudevananda.
Your Sivananda Yoga Vedanta Centers
Introduction to Kirtan 9
Introduction to Kirtan
EXCERPTS FROM BHAKTI YOGA BY SWAMI SIVANANDA
Mind is a peculiar combination of various moods, temperaments, whims and
fancies, a strange mixture of various sentiments, emotions etc. Therefore the
rishis of yore designed various methods to control the mind. One method
they described is the path of bhakti, devotion or unselfish love. The innate
nature of all beings is to love an external object. We cannot but love or
cherish something in the heart. The Absolute alone exists. Love for external
things is an unconscious internal urge to become unified with everything.
Bhakti yoga, love for love’s sake, includes such practices as puja (ritual
worship), hearing the stories of the Lord and especially kirtan (one of the
nine modes of bhakti), is the easiest, surest and quickest means of God-
realisation. One can realise God through kirtan alone. Kirtan is singing of
God’s name with devotion (Bhava), love (Prem) and faith (Shraddha). Singing
about the Lord is usually known as bhajan in most parts if India. In sankirtan
people join together and sing God’s name collectively in a common place
with accompaniment of musical instruments such as harmonium, cymbals,
drums, etc.
The Sanskrit verb ‘krit’ means praising. Such singing has a benign effect on
both the physical and subtle bodies. It is an excellent method of soothing
the nerves and directing the emotions to a positive goal. During kirtan a
special spiritual power comes from the Indweller of your heart; it purifies the
mind and the heart. Sattva flows from the Lord to your mind. Kirtan gives
you strength to face the difficulties in the battle of life; it is a powerful mental
tonic. There is a power in every word. Even as the name of a thing brings that
object to mind, the name of God generates godconsciousness in the purified
mind. It becomes the direct cause of the realisation of the highest perfection
of God.
There is infinite shakti (power) in kirtan. It will remove all impurities from your
mind. Vedantins say that there are three kinds of obstacles to Self-realisation
- impurities, restlessness and ignorance. To remove them they prescribe
selfless service, worship and meditation. Sankirtan alone can achieve all of
these together. Kirtan removes the impurities of the mind, steadies it and
checks its tendency to vacillate, and ultimately it tears the veil of ignorance
and brings the sadhaka face to face with God. In this Kali Yuga (Iron age),
Kirtan alone is the best yoga; it is the prescribed method of devotion. When
the mind is intent on singing the Lord’s names and glories, worries and stress
are released. The devotee feels the presence of God and thins out his ego. The
heart opens and purifies.
10 foreword
Kirtan is a very effective method of devotion for another reason. Humans are
erotic beings by nature. We love and love; we cannot exist without loving. But
most love is only passion, or is selfish; is not pure divine love. We crave sweet
music. Music melts the heart of even the most stone-hearted person. If there
is anything in this world which can change the heart of a person in a very
quick time, it is music. This very method is made use of in kirtan bhakti, but
it is directed towards God instead of towards sensual enjoyments. Human
emotion is directed towards God, and our love for music is not destroyed.
Music is Nada Yoga, the yoga of sound. The various musical notes vibrate
in the subtle channels (nadis), purifies them and awakens the psychic and
spiritual power dormant in them.
Kirtan opens the heart, fills the mind with purity, and generates harmony
and Divine Love. The person who chants the name of God forgets the body
and the world. The devotee enters into the super-conscious state by singing
devotional music. The chanting of Kirtan, even mechanically done, produces
many positive beneficial effects. When done with devotion and awareness, its
benefits are immeasurable. Kirtan will enable you to realise the Infinite here
and now. Kirtan will save you from delusion. Therefore sing the names of the
Lord always.
Daily Chants 11
Daily Chants
Swami Sivananda emphasised the vital importance of supporting Yoga
practices with the proper mental attitude (Bhava) Chanting (Kirtan) he
himself strictly adhered to this principle. In the daily chants we invoke all
the different aspects and functions of God, thus creating a strong feeling of
devotion and a very pure vibration.
Jaya Ganesha
In devotional chanting several factors are important: (1) the correct
pronunciation, (2) the devotional attitude and (3) awareness of the meaning.
Jaya Gaṇeśa Jaya Gaṇeśa Jaya Gaṇeśa Pāhimām
Sri Gaṇeśa Sri Gaṇeśa Sri Gaṇeśa Rakshamām
“Jaya”, victory to Lord Gaṇeśa (the elephantheaded deity). Dear Gaṇeśa,
Lord of Auspiciousness (Śrī), please save and protect us from all obstacles.
“Pāhimām” means save me, and “Rakshamām” means protect me.
Visualise an elephant moving through the jungle; he easily removes any
obstacles which may block his path. Thus, on any venture, we ask the
Lord to remove all obstacles on our path.
Vishnudevananda Vishnudevananda
Vishnudevananda Sri Guru Nātha
Salutations to Swāmī Vishnudevananda.
Swami Vishnudevananda’s
Favourite Bhajans
Swamiji is the founder of the Sivananda Yoga Vedanta Centers in the West.
He is our beloved teacher, who introduced us to the science of Yoga. He
studied with Master Sivananda for 12 years. When leading Satsang, he
usually chants the following two chants, dedicated to Krishna and to Master
Sivananda. Swamiji often tells us that he is doing is due to the grace of God
and Master Sivananda, and he only tries to be an instrument.
Vande Gurudev
Vande Gurudev Jaya Jaya Gurudev
Jaya Sri Gurudev Jaya Jaya Gurudev
Vande Gurudev Jaya Jaya Gurudev
Jaya Sri Gurudev Sivananda Gurudev
Vande Gurudev Vishnu Swami Gurudev
Jaya Sri Gurudev Vishnu Swami Gurude
Chidānand
Chidānand, Chidānand, Chidānanda Hoom
Har Hāl Me Almast Satchidānanda Hoom
Knowledge Bliss, Knowledge Bliss Bliss Absolute
In All Conditions I Am Knowledge Bliss Absolute
Ajarānand Amarānand Achalānanda Hoom
Har Hāl Me Almast Satchidānanda Hoom
I Am Without Old Age, Without Death, Without Motion
In All Conditions I Am Knowledge Bliss Absolute
I Am Without Fear, Without Worry
Bliss Absolute, Existence Absolute
Knowledge Absolute
Independent, Unchanging, Non-dual Ātman
Immortal Ātman, Advaita Ātman
Eternal, Pure, Perfect, Knowledge Absolute
Bliss Absolute, Existence Absolute
Song of Aridity
Avidity, Cupidity, Stupidity
Audaucity, Turbidity, Instability
Angularity, Eccentricity, Irritability
These are the obstacles to Samadhi
These are the impurities of the mind
Song of Salutation
Rāma Rāma Rāma Rāma Rāma Rāma Rāma Rāma Rāma
Shri Rāma Rāma Rāma Jai Jai Rāma
Rāma Rāma Rāma Rāma Rāma Rāma Rāma Sita Rāma
He who dwells in the heart of Bhaktas
He who destroyed Lanka Ravan
He who ate the fruit of Shabari
To Him I give my salutations
Rāma Rāma Rāma
He who dwells in Mount Kailas
He who is called Tripurari
He who drank the cup of poison
To Him I give my salutations
Rāma Rāma Rāma
He who dwells in the Holy Land,
He who is called Jesus the Christ
He who taught on the shores of Galilee,
To Him I give my salutations
Rāma Rāma Rāma
He who dwelt in Ananda Kutir
He who is Swami Sivananda
He who is our beloved Gurudev
To Him I give my salutations
Rāma Rāma Rāma
He to whom the whole world is His family
He who is called Swami Vishnu
He who works for the peace of humanity
To Him I give my salutations
Swami Sivananda’s Chants 21
Song of Will
Bhajo Rādhe Krishna Bhajo Rādhe Shyāma (x2)
Om Om Om Om Om Om Om Om Om Om Om Om (x2)
Soham, Soham, Soham Sivoham (x2)
I am That I am, I am That I am (x2)
I am neither body nor mind immortal self I am (x2)
I am not this body, this body is not mine
I am not this mind, this mind is not mine
I am not this Prāna, this Prāna is not mine
I am not these senses, these senses are not mine
I am not this intellect, this intellect is not mine
I am not these emotions, these emotions are not mine
I am That I am, I am That I am
I am That I am, I am That I am
I am witness of three states, existence absolute
I am witness of three states, knowledge absolute
I am witness of three states, bliss absolute
I am witness of three states, bliss absolute
I am Satchidānanda, I am Satchidānanda
Existence, knowledge, bliss absolute
I am mind of all minds, Prāna of all Prānas
I am soul of all souls, self of all selves
I am Ātman in all beings, apple of all eyes
I am sun of all suns, light of all lights
I am Pranava of all Vedas, Brahman of Upanishads
I am silence on forests, thunder in all clouds
I am velocity in electrons, motion in science
I am effulgence in the sun, wave in the radio
I am support of this world, soul of this body
I am ear of all ears, eye of all eyes
I am power in electricity, intelligence in mind
I am brilliance in fire, penance in ascetics
Swami Sivananda’s Chants 23
Sunāja
Sunāja Sunāja Sunāja Krishna
Tu Gita Wāla Jñāna Sunāja Krishna
Pilāja Pilāja Pilāja Krishna
Tu Prema Bhara Pyāla Pilāja Krishna
Dhikāja Dhikāja Dhikāja Krishna
Tu Mohause Moorti Dhikāja Krishna
Sunāja Sunāja Sunāja Krishna
Tu Gita Wāla Jñāna Sunāja Krishna
24
Vishnu Chants 25
Vishnu Chants
Lord Vishnu is the preserver of the Universe. He is the embodiment of the
qualities of mercy, goodness, and the all-pervading power which preserves
and maintains the Universe and the Cosmic Order. He is the balance between
creation and destruction. In his left hand he holds the symbols of creation:
the Lotus, the matter of this universe, and the Conch, pure creative energy.
In his right hands he holds the symbols of destruction: the Mace as a gross
physical destruction and the Disc as subtle destructive energy. Vishnu uses
all of them to preserve righteousness and to help the devotee in his path
towards perfection. He incarnates numerous times to save the earth and to
shower his blessings upon us.
Hari Bol
Hari Bol Hari Bol Hari Hari Bol
Keshava Madhava Govinda Bol
Gopālā Bol Govinda Bol
Śiva Bol Śiva Bol Śiva Śiva Bol
Śiva Shankara Sri Mahadeva Bol
Nilakantha Bol Mahadeva Bol
Nārāyana
Nārāyana Nārāyana Jaya Govinda Haré
Nārāyana Nārāyana Jaya Gopālā Haré
26
Krishna Chants 27
Shriman Nārāyana
Shriman Nārāyana Nārāyana Nārāyana
Lakshmi Nārāyana Nārāyana Nārāyana
Shriman Nārāyana Nārāyana Nārāyana
Surya Nārāyana Nārāyana Nārāyana
Shriman Nārāyana Nārāyana Nārāyana
Badri Nārāyana Nārāyana Nārāyana
Sitā Rāma Kaho Rādhe Shyāma Kaho
Sitā Rāma Kaho Jai Rādhe Shyāma Kaho
Shriman Nārāyana
Sriman Nārāyana Nārāyana Nārāyana
Bhagavan Nārāyana Nārāyana Nārāyana
Lakshmi Nārāyana Nārāyana Nārāyana
Guru Nārāyana Nārāyana Nārāyana
Sriman is a name of Nārāyana (Lord Vishnu). Bhagavan means Lord.
Lakshmi (the wife of Vishnu) an Guru (Master) are repeated in this chant.
Krishna Chants
Krishna is the eighth incarnation of Lord Vishnu. His purpose on Earth was
to establish order, which he did by setting down the code for right conduct
in the Bhagavad Gita. His life is a shining example of the Gita in action. As a
child he enchanted all by his mischievous deeds and miracles. As adolescent
he attracted the heart of all by his flute. The flute symbolizes the sound of the
soul, with which God, our own Self, calls us to go within. Is also symbolizes
that if we want to be God’s instrument we must become as hollow as a
flute empty of all egoism: “not my will, but thine, my Lord”. Krishna killed
numerous Asuras (demons, our bad qualities) and always appears in the
moment of need. Whereas Rāma is man as God, Krishna is God as man. In
him is found supreme knowledge and the embodiment of Divine Love.
Achyutastakam
Achyutam Keshavam Rāma Nārāyanam
Krishna Damodaram Vasudevam Harim
Sridharam Madhavam Gopika Vallabham
Janaki Nayakam Rāmachandram Bhaje
Achyutam Keshavam Satyabhamadhavam
Madhavam Sridharam Radhika Radhitam
28
Bansuri
Bansuri Bansuri Bansuri Shyāmaki,
Bansuri Bansuri Bansuri Shyāmaki
He Rāma (x4)... He Krishna (x4)... He Allah (x4)... He Jesus (x4)...
He Buddha (x4)
Oh my Lord, be with me
Oh my Lord, set me free
I am Thine, all is Thine (x4)
Oh my Lord give Darshan (x4)
Bhajamana Govinda
Bhajamana Govinda Gopālā
Govinda Gopālā Gopālā Gopālā
Govinda Bolo Hari Gopālā Bolo (x2)
Gopālā Gopālā
Gopālā Gopālā Gokula Nandana Gopālā
Yadukula Tilaka Gopālā
Yadava Nandana Gopālā
Gopālā Gopālā Devaki Nandana Gopālā
Venu Vilola Gopālā
Vijaya Gopālā Gopālā
Gopālā Gopālā Radha Vallabha Gopālā
Navanita Chora Gopālā
Nanda Kumara Gopālā
30
Govinda Nārāyana
Govinda Nārāyana Gopālā Nārāyana (x2)
Govinda Gopālā Nārāyana (x2)
Hari Govinda Gopālā Nārāyana (x2)
Haré Rāma
Haré Rāma Haré Rāma Rāma Rāma Haré Haré
Haré Krishna Haré Krishna Krishna Krishna Haré Haré
Krishna Keshava Krishna Keshava Krishna Keshava Madhava
Rāma Raghava Rāma Raghava Rāma Rāma Haré Haré
Krishna Chants 31
He Rādhe
He Rādhe Rādhe Rādhe Shyam
Govinda Rādhe Sri Rādhe
Govinda Rādhe Rādhe Shyam
Gopālā Rādhe Rādhe Shyam
Krishna Krishna
Ehi Mudam Dehi Me Sri Krishna Krishna
Pahiman Gopālā Bala Krishna Krishna
Nanda Gopa Nandana Sri Krishna Krishna
Vrindavana Chandra Sri Krishna Krishna
Radha Mana Mohana Sri Krishna Krishna
Madhava Dayanidhe Sri Krishna Krishna
Bhakta Pari Palana Sri Krishna Krishna
Bhakti Mukti Dayaka Sri Krishna Krishna
Gopijana Vallabha Sri Krishna Krishna
Gopa Kula Palaka Sri Krishna Krishna
Sarva Loka Nayaka Sri Krishna Krishna
Sarva Jagan Mohana Sri Krishna Krishna
Radha Krishna
Radha Krishna Karuna Lola Rādhe Govinda
Rādhe Govinda Murali Govinda
Rādhe Rādhe Govinda Murali Gopālā
Rādhe Govinda Murali Gopālā
Rādhe Bolo
Rādhe Rādhe Rādhe Bolo
Rādhe Govinda Bolo
Śiva Śiva Śiva Bolo Śiva Shankara Bolo
Vishnu Vishnu Vishnu Bolo
Vishnu Nārāyana Bolo
Śiva Śiva Śiva Bolo Sivananda Bolo
Vishnu Vishnu Vishnu Bolo
Vishnudevananda Bolo
Hanuman Chants
Rāma Lakshmana Jānaki
Rāma Lakshmana Jānaki
Jaya Bolo Hanumāna Ki
Rāma Rāma Bol Jaya Rām
Rāma Bol Sitā Rām Jaya Rām
Pāvana Rāma Rāma Bol
Sri Raghurāma Rāma Bol
Hanuman Chalisa
Sri Guru Charana Saroja Raja Nija Manu Mukuru Sudhari
Taking the dust of my Guru's lotus feet to polish the mirror of my heart.
Rāma Chants
Rāma is the seventh incarnation of Lord Vishnu, whose purpose was to
establish righteousness in the world. Shri Rāma is always pictured holding
his bow (with which he protects the good and slays the evil demons, our bad
qualities). He is often seen standing next to his wife Sita (Nature) and his
devotee, Hanuman (the monkey god, representing the mind which is most
easily controlled by devotion to Lord Rāma and constant repetition of His
name). Lord Rāma teaches, by example how to live an ideal life in the world.
He is the perfect man in all respects – as a ruler, husband, son, father, and
friend. The great epic Ramayana, written by the great sage Valmiki, is the
story of Rama’s incarnation on earth.
Ātmarāma Ānandarāmana
Ātmarāma Ānandarāmana
Achyuta Keshava Harinārāyana
Bhavabhaya-Harana Vandita-Charana
Raghukula-Bhushana Rajiva Lochana
Ādinārāyana Ānantashayana
Satchidānanda Satyanārāyana
Ātmarāma Ānandarāmana
Achyuta Keshava Harinārāyana
44
Hari Nārāyana
Hari Nārāyana Hari Nārāyana
Hari Nārāyana Hari Rām Rām Rām
Ayodhyā Vāsi Sri Rāmachandra
Ānanda Rupa Jaya Jaya Rām
Rāma Bolo
Rāma Bolo Rāma Bolo Bolo Bolo Rām
Sitā Bolo Sitā Bolo Bolo Sitā Rām (x2)
Hanumān Bolo Hanumān Bolo Bolo Hanumān (x2)
Śiva Bolo Śiva Bolo Bolo Śiva Rām (x2)
Rāma Rāma Rāma Rāma Rāma Rāma
Rām, Rāma Rāma Rāma Rāma
Jaya Sitā Rām
Chant the name of Rama, Sita, Hanuman, Śiva.
Rāmachandra
Rāmachandra Raghu-Veera Rāmachandra Rana-Dheera
Raghu-Veera, Rana-Dheera (x4)
Rāmachandra Raghu-Nātha Rāmachandra Jagannātha
Raghu-Nātha, Jagannātha (x4)
Rāmachandra Raghu Rāma Rāmachandra Parām Dhāma
Raghu-Rāma, Parām Dhāma (x4)
Rāmachandra Mama Bandho Rāmachandra Daya Sindho
Mama Bandho, Daya Sindho (x4)
Sri Raghunātha
Sri Raghunātha Jai Raghunātha
Sharanam Sharanam Sri Raghunātha
Sri Rām Jaya Rām Jaya Jaya Rām Om (x2)
Victory to Rāma of Raghu Dynasty. I take refuge in you.
46
ganesha Chants 47
Tumi Bhaja
Tumi Bhaja Re Mana
Tumi Japa Re Mana
Om Sri Rām Jaya Rām
Japa Re Mana
Let our minds worship and chant the name of Rama.
Ganesha Chants
Ganesha Sharanam
Ganesha Sharanam Sharanam Ganesha
I take refuge in Lord Ganesa (the son of Śiva), who removes all obstacles.
Śiva Chants
Śiva is the Lord of Auspiciousness. He is the representation of the universal
power of destruction in which all existence ends and from which it arises
again. He is usually pictured in a meditative pose holding a trident, and
wreathed by snakes. The river Ganga (Ganges) coming from his hair. The
trident symbolizes the 3 Gunas, the three qualities of nature that Lord Śiva
has under full control. The snakes represent the different inner and lower
forces that Śiva has under control. Instead of poisoning him they serve him
as ornament. The snakes also show the fact that Śiva welcomes all, even
the lowliest as His devotees. The Ganges symbolizes the whole of creation
(Shakti) that flows from Śiva’s head (Sahasrara Chakra representing the
supreme unchangeable consciousness). Sometimes Śiva as Natarāja is
dancing the universal dance of creation, preservation and destruction.
Mostly he likes solitude for meditation. He is sitting on a tiger skin showing
that he has conqured the lower nature. He is having the paraphernalia of a
sadhu (begging monk): Japa Mala (rosary), begging bowl and Yoga Danda
(stick). His female aspect is Durga, the universal mother.
Natarāj
Natarāj Natarāja Sivananda Natarāja
Śivaraj Śivaraja Sivananda Śivaraja
Natarāj
Natarāj Natarāja Nartana Sundara Natāraja
Śivarāj Śivarāja Śivakāmi Priya Śivarāja
Chidambaresha Natarāja
Parthi Purishwara Natarāja.
Śiva, the King of Dancers, is the best dancer (dancing the dance of
creation and destruction of the universe). He is beloved by Pārvati, the
great dancer, the Lord of the earth.
Om Namah Śivāya
Om Namah Śivāya Śivāya Namah Om
Nandi Vahana Namah Śivāya
Sada Lola Hara Namah Śivāya
I bow to Śiva, who has Nandi (the bull) as his vehicle.
I bow to siva, the destroyer of restlessness
Siva Chants 51
Sāmba Sadāsiva
Sāmba Sadāsiva, Sāmba Sadāsiva
Sāmba Sadāsiva, Sāmba Sivom Hara
Om Māta Om Māta Om Sri Mātā Jagadamba
Om Mātā, Om Mātā, Om Sri Mātā Jagadmātā
Uma Parameshwari, Sri Bhuvaneswari
Ādi Parā Shakti, Devi Māheshwari
Shankara Karunākara
Shankara Karunākara Parameshwara Jagadishwara
Shankari Karunākari Parameshwari Jagadishwari
Shankara Shankara
Shankara Shankara Pārvati Manohara
Chandramouli Shekhara Chandra Shekhara
Nandi Vāhana He Nāga Bhushana (x2)
Pāhi Pāhi Pāhi Pāhi Pāhi Shankara (x2)
Shambho Mahādeva
Shambho Mahādeva Chandra Chooda
Shankara Sāmba Sadāsiva
Gangā Dhara Hara Kailāsa Vāsa
Pāhimām Pārvati Rāmana
Śivāya Namah Om
Śivāya Namah Om Śivāya Namaha
Śivāya Namah Om Namah Śivāya
Om Namah Śivāya Om Namah Śivāya
Om Namah Śivāya Om Namah Śivāya
Śiva Śiva Śiva Śiva Śivāya Namah Om
Hara Hara Hara Hara Namah Śivāya
Samba Sadasiva Samba Sadasiva
Samba Sadasiva Samba Sivom Hara
Śiva Śiva Shankara Hara Hara Shankara
Jaya Jaya Shankara Namah Me Shankara
Śivāya Namah Om Śivaha Namah
Śivāya Namah Om Namah Śivāya
Śivāya Parameshwarāya
Śivāya Parameshwarāya
Chandrashekarāya Namah Om
Bhavāya Guna Sambhavāya
Śiva Tāndavāya Namah Om
Salutations and prostrations to Śiva, having the names: Parameshvara
(supreme God), Candrashekhara (a form of Śiva, who has the moon
(Candra) as his crown), Gana (Śiva’s attendants), Sambhava (the producer
of attendants), and Tandava (the dancer of violent dancing).
Subrahmanya Subrahmanya
Subrahmanyam Subrahmanyam Shanmuganātha Subrahmanyam
Subrahmanyam Subrahmanyam Kārtikeya Subrahmanyam
Śiva Sharavanabhava Subrahmanyam
Guru Sharavanabhava Subrahmanyam
Hara Hara Hara Hara Subrahmanyam
Śiva Śiva Śiva Śiva Subrahmanyam
Subrahmanya is the son of Śiva. He is commanding the army of the Devas
(angels, representing the higher mind) in their victory over the Asuras
(demons, representing the lower mind).
54
Devi Chants 55
Devi Chants
Devi is God in the female form as the universal mother. Consciousness, also
called Brahman, Śiva, Atman, Purusha is the static, male pole. Creation, also
called Maya, Shakti, Prakriti is the dynamic, female pole. For many it is easier
to approach God in a female form: As the relationship towards the earthly
mother is usually stronger than towards the father, it is easier to come close
to Durga than to Śiva. Devi is manifested as the physical, astral and causal
universe, uses the powers of creation, preservation and destruction. She
is present in the individual as Maya (illusion), Avidya (ignorance), Trishna
(craving) and Krodha (anger). She is also present as Viveka (discrimination)
and Mumukshutva (yearning for liberation). As the Devi Mahatmya puts
it, she is both the cause for bondage (Bhukti) and liberation (Mukti) of the
individual. As everything is her manifestation, nothing is possible without her
grace.
Amba Amba
Amba Amba Jai Jagadamba
Jai Bhuvaneshwari Jai Jai Mukamba
Mata Mata Jai Jaganmata
Jai Parameshwari Jai Vishwamata
Shakti Shakti Jai Śiva Shakti
Jai Kameshwari Jai Mahashakti
Devi Devi Jai Mahadevi
Jai Chamundeshwari Jai Gauridevi
AmbA Parameshwari
Amba Parameshwari Akhilāndeshwari
Ādi Parāshakti Pālayamām
Sri Bhuvaneshwari Rāja Rājeshwari
Ānanda Rupini Pālayamām
Satchidānanda Rupini Pālayamām
Mā Mā Mā Mā
Ānanda Mayi Mā Pālayamam
Satchidānanda Mayi Mā Pālayamam
Amba, oh highest Goddess, Goddess of the whole universe, primordial
energy of the universe, take care of me.
Goddess of the universe, great queen, whose form is bliss.
56
Amme Nārāyana
Amme Nārāyana Devi Nārāyana
Lakshmi Nārāyana Badri Nārāyana
Bhaja Mā
Bhaja Mā Mā Mā Mā Ananda Mā
Mā Mā Mā Mā Ananda Mā
Ananda Mayi Mā Ananda Mā
Mā Mā Mā Mā Mā Mā Mā
Mā Mā Mā Mā Ananda Mā
Mā Mā Mā Mā Mā Mā Mā
Sri Guru Jai Mā Sri Guru Mā
Mā Mā Mā Mā Ananda Mā
Bhajamana Mā
Bhajamana Mā Mā Mā Mā (x2)
Ānanda Mayi Mā Mā
Ānanda Rupi Mā Mā
Ānanda Rupi Mā Mā
Ānanda Mayi Mā Mā
He Amba
He Amba He Amba He Amba Bol
Ishwara Satya Chit Ānanda Bol
Sāmba Sadāsiva Sāmba Sadāsiva
Sāmba Sadāsiva Bol
Pālaka Preraka Satya Pathi Bol
Amba Amba Jai Jagadamba
Akhilāndeshwari Jai Jagadamba He Amba
Jaya Ho Mata
Jaya Ho Mata Jaya Jagadamba
Raja Rajeshwari Sri Paratpari
Jaya Mā
Jaya Mā Jaya Kali Durge Mā Kali Mā
Jaya Mā… Durge Mā
58
Kāli Mā
Kāli Mā Kāli Mā Kāli Mā Kāli Mā
... Durga... Lakshmi... Saraswati... Mary... Mother
Be with Me... Set me Free...
Namostute
Namostute Namostute
Jaya Sri Durge Namostute
Namostute Namostute
Jaya Sri Durge Namostute
Kāli... Lakshmi... Saraswati... Jagadamba...
Om Durga Pāhimām
Om Durga Pāhimām Om Durga Rakshamām
Om Durga Pāhimām Om Durga Rakshamām
... Devi... Shakti... Kali... Lakshmi... Mother... Mother... Mary
Oh Mother save me, oh Mother protect me
Oh Mother save me, oh Mother bless me
Om Om Om
Om Om Om Om Om Om Om Om Om Om Om Om Om Om
... Devi... Shakti... Kali... Lakshmi... Mother... Mother... Mary (x14)
Om Shakti Om
Om Shakti Om Shakti Om Shakti Om (x2)
Brahma Shakti, Vishnu Shakti, Śiva Shakti Om
Om Shakti Om Shakti Om Shakti Om
Icchā Shakti, Kriyā Shakti, Jñāna Shakti Om
Om Shakti Om Shakti Om Shakti Om
Devi Shakti, Māyā Shakti, Guru Shakti Om
Om Shakti Om Shakti Om Shakti Om
Ādi Shakti, Mahā Shakti, Parā Shakti Om
Om shakti, Om Shakti, Om Shakti Om
Sāmba Sadāsiva
Sāmba Sadāsiva, Sāmba Sadāsiva
Sāmba Sadāsiva, Sāmba Sivom Hara
Om Māta Om Māta Om Sri Mātā Jagadamba
Om Mātā, Om Mātā, Om Sri Mātā Jagadmātā
Uma Parāmeshwari, Sri Bhuvaneswari
Ādi Para Shakti, Devi Māheshwari
Veena Pustaka
Veena Pustaka Dharini Amba
Vani Jaya Jaya Pāhimām
Shakti Dayini Pāhimām
Bhukti Dayini Pāhimām
Bhakti Dayini Pāhimām
Mukti Dayini Pāhimām
60
Guru Chants 61
Guru Chants
On the spiritual path guidance is necessary. We invoke the energy of the Guru
who is truly in our own Self. But as long as we are caught in this Maya, we
need to tune to a real person who will guide us through many obstacles.
Guru Brahma
Gurur Brahma Gurur Vishnu Gurur Devo Maheshwaraha
Gurur Sakshat Param Brahma Brahma Tasmai Sri Gurave Namaha
Sivananda Sivananda Sivananda Pāhimām
Sadguru Devo Sadguru Devo Sadguru Devo Rakshamām
Vishnu Swami Vishnu Swami Vishnu Swami Pāhimām
Sri Gurunatha Sri Gurunatha Sri Gurunatha Rakshamām
62
Guru Mahima
Guru Mahima Guru Mahima
Apāra Mahima Guru Mahima (x2)
Kimvachaneeyam Guru Mahima
Kimvachaneeyam Guru Mahima
Guru Mahima...
Anoraneeyan Guru Mahima
Mahato Maheeyan Guru Mahima
Guru Mahima...
Satchidānanda Guru Mahima
Sri Sivananda Guru Mahima
Guru Mahima...
Satchidānanda Guru Mahima
Vishnudevananda Guru Mahima
Guru Mahima...
Guru Chants 63
Gurudeva
Gurudeva Gurudeva Jaya Gurudev
Sivananda Gurudev Jaya Gurudev
If you want to be like Him
You must follow Him (x2)
Not my will but Thy will my Lord
Not my will but Thine (x2)
Jaya Gurudev
Jaya Gurudev Jaya Jaya Gurudev Jaya (x2)
Jaya Gurudev Jaya Jaya Sivananda
Jaya Gurudev Jaya Vishnudevananda
Jaya Sitārām Jaya Jaya Sitārām Jaya
Jaya Hanumān Jaya Jaya Hanumān Jaya
Jaya Śiva Shankara Jaya Jaya Shankara
Jaya Śiva Shankara Jaya Jaya Shankara
Satchidānanda
Satchidānanda Guru Satchidānanda
Satchidānanda Guru Satchidānanda
Ānanda Guru Om, Sivananda Guru Om
Ānanda Guru Om, Sivananda Guru Om (x2)
(replace ‘Guru’ with Gita... Krishna... Rāma
Śiva... Brahma... Jesus... Lakshmi... etc.)
Sivananda Bhagavān
Om Bhagavān Sri Bhagavān
Ānanda Bhagavān Sivananda Bhagavān
Om Bhagavān Sri Bhagavān
Ānanda Bhagavān Vishnu Swami Bhagavān
Om Om Om Om Om Om (x2)
Rām Rām Rām Rām Rām Rām (x2)
64 Guru Chants
Sivananda Namah Om
Sivananda Namah Om Jai Gurudev
Om Guru Jai Guru Devāya
Vishnu Swami Namah Om Jai Gurudev
Om Guru Jai Guru Devāya
Nāma Kirtan
Jai Guru Jai Guru Jai Guru Jai
Jai Guru Jai Guru Jai Jai Guru Jai (x3)
Sri Rām Jai Rām Jai Jai Rām
Sri Rām Jai Rām Jai Jai Rām (x3)
Sitā Rām Jai Rāja Rām Jai
Gauri Shankar Sitārām (x3)
Śiva Durga Śiva Durga Durga Durga Śiva Śiva
Śiva Kali Śiva Kali Kali Kali Śiva Śiva (x3)
Jai Hara Mano Rāma Jai Śiva Rāni
Jai Kali Jai Durga Jai Mā Bhavāni (x3)
Jai Guru Jai Guru Jai Guru Jai
Jai Guru Jai Guru Jai Jai Guru Jai (x3)
Jai Guru Rāja Rām Haré Krishna Haré Rām
Jai Guru Rāja Rām Haré Krishna Haré Rām
Jai Mā Jai Mā Jai Mā Jai
Jai Mā Jai Mā Jai Mā Jai (x3)
Jai Bhagavān Jai Jai Sivananda
Jai Bhagavān Jai Jai Sivananda (x3)
Lakshmi Nārāyana Lakshmi Nārāyana
Lakshmi Nārāyana Rām
Rādhe Govinda Rādhe Govinda
Rādhe Govinda Shyām
Sri Rāma Rāma Rāma
Sri Rāma Rāma Rāma
Sri Rāma Rāma Rāma
Sri Rāma Rāma Rāma
Vedantic Chants 65
Vedantic Chants
Vedanta means the “end of knowledge”. Vedanta tells us that we are not this
cage of flesh, nor this futile mind or limited personality, but the universal
all-pervading Self, untouched by pleasures and suffering. Vedanta says that
the is world is unreal, Brahman alone is real, and the individual self is one
with Brahman alone is real, and the individual Self is one with Brahman, the
Absolute.
SacharaChara
Sacharachara Para Poorna Sivoham
Nityananda Swaroopa Sivoham
Anandoham Anandoham
Anandam Brahm Anandam
Sākshi Chaitanya Kootastoham
Nitya Nitya Swaroopa Sivoham
Suddhosi Buddhosi
Shuddhosi Buddhosi Niranjanosi
Samsara Maya Pariva Chidhosi
You are pure. You are intelligence. You are stainless. You are untouched by
samsara (birth and death) and Maya. You are pure consciousness.
66
Nirvānsatakam
Six Verses for Liberation by Jagadguru Sankarāchārya
(Song of the Soul)
Day by Day
Day by Day
O dear Lord three things I pray
To see thee more clearly
To love thee more clearly
To follow you more nearly
Day by Day
English devotional chants 69
Door of my Heart
Door of my Heart, open wide I keep for thee
Wilt thou come? Wilt thou come?
Just this once come to me.
Happiness runs…
Happiness runs in a circular motion
Thought is like a little boat upon the sea
Everybody is a part of everything anyway
You can be happy if you let yourself be.
Heavenly Father
Heavenly Father, ley us adore Thee,
Heaven and earth are full of thy glory;
All of creation repeats thy Name,
Hallelu Hallelu, Halleluya
Heavenly Mother of Power and Beauty,
To love and to serve Thee is our Blessed Duty,
All of creation obeys Thy name,
Hallelu Hallelu, Halleluya
Heavenly Master of Wisdom and Kindness,
Rescue Thy children from darkness and blindness
All of creation will follow Thy name,
Hallelu Hallelu, Halleluya
Brothers and Sisters in Love come together,
With strength of the spirit no sorrow can sever,
All of creation is our eternal home,
Hallelu Hallelu Halleluya
Kumbaya my Lord
Kumbaya my Lord Kumbaya (x2)
Someone’s singing my Lord Kumbaya (x2)
… praying… crying… laughing
70
Return again
Return again, return again.
Return to the land of your soul.
Return to who you are
Return to what you are
Return to where you are
Born and reborn again.
Take my Life
Take my life and let it be consecrated Lord to Thee
Take my hands and let them move at the impulse of Thy love
Take my feet and let them be swift and beautiful for thee
Take my moment and my day, let them flow in ceaseless strain
Take my silver and my gold, not a mite shall I withhold
Take my mouth and let it be filled with messages from Thee
Take my voice and let it sing always only for my King
Take my intellect and use any power Thou shalt choose
Take my will and make it Thine, it shall be no longer mine
Take my hear it is Thy own, it shall be Thy royal throne
Take my love, my Lord I pour at Thy feet its treasure store
Take myself and I will be ever only all for Thee
Sri Rām Jaya Rām Jaya Jaya Rām Om
Sri Rām Jaya Rām Jaya Jaya Rām (etc.)
English devotional chants 73
Tis a Gift
Tis a gift to be simple, Tis a gift to be free.
Tis a gift to be where you ought to be.
And when we find ourselves in a place that’s right,
Twill b in the valley of love and delight.
When true simplicity is gained,
To bow and to bend we will not be ashamed.
To turn, to turn will be our delight,
Till by turning and turning we come round right.
Hebrew Chants
121st Psalm
Esah Enai El Heharim Me’ayin, Me’ayin Ya-vo Ezri (x2)
Ezri, Me’eem Hashem Oseh Sha-mayim V’Ah-retz (x2)
I lift my eyes up, unto the mountains
From where, from where my help comes
My help comes, from the Lord,
Creator of Heaven and Earth (x2)
Halelu
Halelu, Halelu, Halelu, Halelu Hodoo L’Ashem (x2)
Hodoo L’Ashem, Halelu-u
Hodoo L’Ashem, Halelu-u Hodoo L’Ashem, Halelu-u
Hodoo L’Ashem
Praise the Lord, thank the Lord.
Mee Ha’eesh
Mee ha’eesh Ha’hafetz Haim
Ohev Yamin, Ohev Yamin, L’irot Tov
Netzor Leshonha Merah
U’Sfahtey-ha Mee’Da-bear Meermah
Soor Merah Ve’Aseh Tov
Bakesh Shalom, Ve’rodfeyhu
He who seeks life
And loves his days to see the good
Restrain they tongue from evil
And thy lips from speaking falsehood
Flee from evil and do good
Desire peace and seek it.
Shma Yisrael
Shma Yisrael Adonai Eloheinu Adonai Ehad
Hear O Israel the Lord our God the Lord is One.
76
Special Chants / Prayers / Mantras
Dhyāna Ślokaḥ (Gajānanam)
At the beginning of any class, lecture, or even personal sadhana, we chant
the Dhyana Slokas. This helps to tune the mind to the divine in its different
aspects. It makes us feel like instruments, and helps to remove the tamasic-
rajasic ego. Divine guidance is necessary for any sadhana to be successful.
The Dhyana Slokas follow nearly the same sequence as the Daily Chants
(Jai Ganesha, etc.). First we invoke Ganesha to remove all obstacles, then
we ask Subrahmanya to give us strength and destroy all negative forces,
internal and external. Next is Saraswati, we pray to Her to give us Divine
Knowledge. Then we ask the teacher (Guru) to guide us always. Finally, we
invoke the Divine Mother Durga, Narayani to bring auspiciousness for all our
undertakings.
Gajānanaṁ Bhūta Gaṇādi Sevitam
Kapittha Jambū Phala Sāra Bhakṣitam
Umā Sutaṁ Śoka Vināśa Kāraṇam
Namāmi Vighneśvara Pāda Paṇkajam
I prostrate myself before the lotus feet of Vighneśvara (Gaṇeśa), the son
of Umā, the cause of destruction of sorrow, who is served by the host of
Bhūta-Ganas (angels), who has the āce of an elephant and who partakes
of the essence of Kapittha and Jambū fruits.
Om Namaśśivāya Gurave
Saccidānanda Mūrtaye
Niṣprapañcāya Śāntāya
Sri Sivanandaya Te Namaha
Sri Visnudevanandaya Te Namaha
Salutations to Guru Śiva (Sivananda) who is the embodiment of Existence,
Knowledge and Bliss Absolute, in whom worldliness does not exist,
who is ever- peaceful. Salutations to Sivananda, Salutations to Swāmī
Vishnudevananda.
Loka Samasta
Loka Samasta Sukhino Bhavantu (x3)
May the whole world attain peace and harmony.
Special Chants / Prayers / Mantras 79
Surya Namaskar
Om Mitraya Namaha
Prostrations to Him who is affectionate to all.
Om Ravaye Namaha
Prostrations to Him who is the cause for change.
Om Suryaya Namaha
Prostrations to Him who induces activity.
Om Bhanave Namaha
Prostrations to Him who diffuses light.
Om Khagaya Namaha
Prostrations to Him who moves in the sky.
Om Pushne Namaha
Prostrations to Him who nourishes all.
Om Hiranyagarbhaya Namaha
Prostrations to Him who contains all wealth.
Om Marichaye Namaha
Prostrations to Him who possesses rays.
Om Savitre Namaha
Prostrations to Him who is fit to be worshipped.
Om Arkaya Namaha
Prostrations to Him who is the reproducer of everything.
Om Adityaya Namaha
Prostrations to Him who is the son of Aditi.
Om Bhaskaraya Namaha
Prostrations to Him who is the cause of lustre.
80
Shānti Mantras
Shānti Mantras help to create a vibration, of peace. Peace with all physical
beings, with our teacher, with the Devas or angels as well as the different part
of our body.
On the spiritual path guidance is necessary. We invoke the energy of the Guru
who truly is in our own Self. But as long as we are caught in this Maya, we
need to tune to a real person that will guide us through many obstacles.
Oṁ Śaṁ No Mitraḥ Śaṁ Varuṇaḥa
Śaṁ No Bhavatvaryamā
Śaṁ Na Indro Bṛhaspatiḥ
Śaṁ No Viṣṇururukramaḥ
Namo Brahmaṇe Namaste Vāyo
Tvameva Pratyakṣaṁ Brahmāsi
Tvāmeva Pratyakṣaṁ Brahma Vadiṣyāmi
Ṛtaṁ Vadiṣyāmi Satyaṁ Vadiṣyāmi
Tanmāṁ Avatu Tadvaktāraṁ Avatu
Avatu Māṁ Avatu Vaktāraṁ
Oṁ Shānti Shānti Shānti
Om. May the Sun be good to us. May the God of the waters be good to
us. May Aryamà (the head of manes) be good to us, may the King of Gods
and the Preceptors of Gods be good to us. May Viùõu of great strides be
good to us. Prostrations to the Supreme. Prostrations to Thee, O Wind!
You are indeed, the visible Brahman. I shall proclaim Thee as the visible
Brahman. I shall call Thee just. I shall call Thee Truth. May That protect
me. May That protect the teacher.
Om, Peace, Peace, Peace.
Oṁ Āpyāyantu Mamāṅgāni
Vākprāṇaścakṣuḥ Śrotramatho
Balamindriyāṇi Ca Sarvāṇi
Sarvaṁ Brahmaupaniṣadaṁ
Māhaṁ Brahma Nirākuryāṁ
Māmā Brahma Nirākarot
Anirākaraṇamastu Anirākaraṇaṁ Me Astu
Tadātmani Nirate Ya Upaniṣatsu Dharmāḥ
Te Mayi Santu Te Mayi Santu
Oṁ Shānti Shānti Shānti
Om. May my limbs, speech, life-force, eyes, strength and all my senses
grow vigorous. All these are the Brahman of the Upaniùads. May I never
deny Brahman. May Brahman never reject me. May there be no rejection
by the Brahman. Let all virtues cited in the Upaniùads abide in me,
delighting in the Self. May they abide in me.
Om, Peace, Peace, Peace.
Guru Prayers
Brahmānandaṁ Paramasukhadaṁ
Kevalaṁ Jñāna Mūrtiṁ
Dvandvātītaṁ Gaganasadṛśaṁ
Tatvamasyādi Lakṣyaṁ
I prostrate myself before the venerable guru, who is Brahman, who is
Bliss, who is the giver of supreme happiness, who is the Absolute, who
is the form of Knowledge, who is beyond the duality of opposites, who is
(vast) like ether, who is attainable through assertions like “Tat Tvam Asi
- That Thou Art”.
Dhyānamūlaṁ Gurormūrtih
Pūjāmūlaṁ Gurorpadaṁ
Mantra Mūlaṁ Guror Vākyaṁ
Mokṣhamūlaṁ Gurorkṛipā
The form of Guru is the root of meditation. The feet of Guru are the root
of worship. The word of the Guru is the root of all Mantras. The Grace of
Guru is the root of salvation.
Sunday Prayers
Sunday Prayers are very beautiful chants. They seem to be difficult in the
beginning. But are a good exercise in concentration; singing them creates a
lot of joy in the heart.
Prema Mudita
This chant is in praise of Lord Rama, encouraging us to always sing his name.
Prema Mudita Manase Kaho
Rāma Rāma Rām
Sri Rāma Rāma Rām (x3) = Chorus
Repeat the name of God (Rāma) with a mind filled with love and joy.
Ādi Divya
(It may be chanted once slowly and then once faster)
This is a chant in praise of the Divine Mother Kālī, asking for her
protection.
NĀMA RĀMĀYANA
The Ramayana, India’s most ancient and glorious epic poem, is related in this
song. Usually sung on Sunday nights, the story of the Sri Rāma incarnation
contains the essence of all sacred scriptures. It is a reservoir containing the
nectar of immortality, an inspiring story which has loomed large for centuries
over the destinies of millions of people and will continue to do so for ages to
come.
Rama, the jewel of the solar dynasty, was born as the son of King Dasaratha
and his Queen Kausalya. The sage Viswamitra cherished Him as his most
precious wealth. Even as a young boy, Rāma destroyed many demons like
Maricha and Tataka and protected the sacrificial rites of the sages. Rāma
resurrected Ahalya, who had been cursed and turned to stone. Rāma
delighted King Janaka of Videha, broke the bow of Trymbaka (Śiva) and
married Janaka’s daughter Sita, the daughter of Mother Earth. Rāma went
to the forest to obey His father’s words. When His brother Bharata, the son of
Kaikeyi, requested Rāma to return, Rāma bestowed His sandals on Bharata.
Rāma punished the demoness Surpanakha by mutilation, destroyed the
host of demons headed by Khara and Dushana and chased the golden deer
that fascinated Sita. When Sita was abducted by the ten-headed demon
Ravana, Rāma went in search of the Her. He gave salvation to Jatayu, the
king of vultures, ate the fruit offered by the woman sage Sabari and is ever
remembered by the monkey leader Hanuman. Rāma liquidated all obstacles
while searching for Sita and marched forth for the destruction of Ravana. He
gave refuge to Ravana’s brother Vibheeshana. Using great stones, Rama’s
army of monkeys and bears built a bridge across the sea. Rāma decapitated
Kumbhakarna and killed his brother Ravana. Rāma rejoiced to see Sita again
and ascended the aerial vehicle to return to Ayodhya. He fulfilled Bharata’s
expectation (to return at the stipulated time) and became the shining jewel
of Ayodhya.
O Rama, You are the protector of all beings!
O Rama, You are the support of all the worlds!
The esoteric meaning of the Ramayana is this: Ravana represents Ahankara
or egoism. His ten heads represent the ten senses (five organs of knowledge
plus five organs of action). Ravana’s city of Lanka, the nine-gated city,
represents the physical body. Vibhishana corresponds to the intellect. Sita
is peace. Rāma is Jñāna (wisdom). To kill the ten-headed Ravana is to kill
egoism and curb the senses. To recover Sita is to attain that “peace which
passeth all understanding,” which the Jiva (the individual soul) has lost on
account desires. To recover Sita is to attain Jñāna (Knowledge) and have
darshana of Rama, the Supreme Self.
Sunday prayers 87
Nāma Rāmayana
Sri Rām Jai Rām Jai Jai Rām (x8)
Śuddha Brahma Parātpara Rām
Kālātmaka Parameśvara Rām
Śeṣa Talpa Sukha Nidrita Rām
Brahmādyamara Prārthita Rām
Chaṇḍa Kiraṇakula Maṇḍana Rām
Śrīmad Daśaratha Nandana Rām
Kausalyā Sukha Vardhana Rām
Viśvāmitra Priyadhana Rām
Oh Supreme Self! Greater than the great! Rāma!
Nature of Time! Great Lord! Rāma!
Rāma, sleeping happily on Ādiśeṣa bed
Rāma worshipped by Brahma and the other Gods
Rāma, jewel of the solar race
Rāma, son of blessed king Daśaratha
Rāma, enhanced happiness of Kausalyā
Rāma, the treasure of sage Viśvāmitra
Lingāstakam
“The Linga is the outward symbol of the formless being, Lord Śiva, who is the
indivisible, allperading, eternal, auspicious, ever-pure, immortal essence of
this vast universe, who is the undying Soul seated in the chambers of your
heart - the pure, immortal essence of this vast universe, who is the undying
Soul seated in the chambers of your heart, who is your Indweller, innermost
Self or Atman, and who is identical with the Supreme Brahman”.
Swami Sivananda
Brahma Murāri Surārcita Liṅgam
Nirmala Bhāsita Śobhita Liṅgam
Janmaja Dukha Vināśaka Liṅgam
Tat Praṇamāmi Sadāśiva Liṅgam
Liṅgam, the symbol of Lord Śiva, is adored by Brahmā, Viṣṇu and all Gods.
Taintless, shining, beautiful is the Liṅgam. Destroyer of the miseries that
follow birth. I salute the Liṅgam of the eternal Śiva.
He Prabho
This is a very beautiful kirtan, filled with devotion, asking the Lord for His help
on the spiritual path.
He Prabho Ānandadātā Jñāna Hamako Dījiye
Śīghra Sāre Durguṇoṃko Dūra Hamase Kījiye
Lījiye Hamako Śaraṇameṃ Ham Sadācārī Banen
Brahmācarī Dharmarakśaka Vīra Vratadhārī Banen
He Prabho Ānandadātā Jñāna Hamako Dījiye
Premase Hama Guru Janoṃkī Nitya Hī Sevā Kare
Satya Bole Jhūṭha Tyāge Mela Apasameṃ Kare
He Prabho Ānandadātā Jñāna Hamako Dījiye
Nindā Kisīkī Hama Kisīse Bhūla Kara Bhī Nā Kare
Divya Jīvana Ho Hamārā Tere Yaśa Gāyā Kare
He Prabho Ānandadātā Jñāna Hamako Dījiye
O Lord, giver of bliss, give me knowledge.
Quickly take my bad habits very far from me.
Take us into your refuge. Make us virtuous.
May we become brahmacārīs (religious students),
protectors of righteousness, heroic and observers of vows.
O Lord, giver of bliss, give me knowledge.
May we always serve our Gurus (teachers) lovingly.
May we speak the truth, reject untruth and may we live unitedly.
O Lord, giver of bliss, give me knowledge.
May we never hurt or disrespect anyone, even by mistake.
May our life be always divine and let us sing your praises.
O Lord, giver of bliss, give me knowledge.
Concluding Chants 97
Concluding Chants
Concluding Mantras
Om Namo Nārāyanāya Dasoham Tava Kesava
Om Dum Durgāyai Namaha
Om Hrim Mahālakshmyai Namaha
Om Aim Saraswatyai Swahah
Om Namo Bhagavate Sivanandaya
Om Namo Bhagavate Vishnudevanandaya
Sri Rāma Rāma Rāmethi Rāme Rāme Manorame
Sahasranāma Tattulyam Rāmanāma Varānane
Oṁ Pūrṇamada Pūrṇmidaṁ
Pūrṇāt Pūrṇam Udachyate
Pūrṇasya Pūrṇam Ādāya
Pūrṇamevāvaśiṣyate
Oṁ Shānti Shānti Shānti
That Brahman is full. This creation is also full.
From the Brahman this creation has come.
When this creation is merged in the Brahman.
What remains is again full.
Om Peace Peace Peace.
Concluding Chants – Universal prayers 99
Universal Prayer
Written by Swami Sivananda, the Universal Prayer expresses the sentiment
that God is One whatever name we call Him/Her by, whatever form we see
Her/Him in. It is a prayer that may be recited by followers of any religion or
creed.
O adorable Lord of mercy and love,
salutations and prostrations unto Thee.
Thou art omnipresent, omnipotent and omniscient.
Thou art Satchidānanda.
Thou art existence, knowledge and bliss absolute.
Thou art the indweller of all beings.
Grant us an understanding heart, equal vision,
balanced mind, faith, devotion and wisdom.
Grant us inner spiritual strength to resist temptation and to
control the mind.
Free us from egoism, lust, anger, greed, hatred and jealousy.
Fill our hearts with divine virtues.
Let us behold Thee in all these names and forms.
Let us serve Thee in all these names and forms.
Let us ever remember Thee.
Let us ever sing Thy glories.
Let Thy name be ever on our lips,
Let us abide in Thee for ever and ever.
Om Bolo Sadguru Sivananda Maharaja Ki – Jai
Om Bolo Sadguru Vishnudevananda Maharaja Ki – Jai
100
Daj nam srce buno razumjevanja, jednaku viziju, miran um, vjeru,
posvećenost i mudrost.
Daj nam unutašnju duhovnu snagu da odolimū napastim(a) i da
vladamo u mom.
Oslobodi nas egoizma, pohote, ljutnje pohlepe, mržnje i
yubomore.
Ispuni naša srca sa božanskim krepostinia.
Neka vidimo Tebe usvim imenima i oblicima.
Neka služimo Tebe usvim imenima i oblicima.
Neka se uvijek sjedomo Tebe.
Neka uvjek pjevamo Troju slavu.
Neka uvijek bude Troje ime na naśim usnicama.
Neka budemo zauvjek u Tebi.
Ārati
Lights are waved while mantras are chanted. This denotes that the Lord is
Jyoti Swarupa (whose real form is light). The devotee says: “O Lord! Thou art
the Light in the sun, moon and fire. Remove the darkness in me by bestowing
your Divine Light. May my intellect be illumined”.
Lighting of camphor denotes that the individual ego should melt like the
camphor, and the Jivātman (individual soul) should become one with the
Supreme Light of Lights.
Prasad is the sacred offering of the Lord. The devotee offers sweet, rice, fruits,
milk and other such articles. After offering them to the Lord they are shared
among the devotees. The mental Bhava (attitude) is very important.
Don’t neglect outward symbols. They are very beneficial. When viewed from
the right angle of vision you will find that they play an important part in your
material as well as spiritual life.
Jaya Jaya Āratī Vighnavināyaka
Vighnavināyaka Sri Gaṇeśa
We wave the light for victory to Vighnavināyaka (Gaṇeśa) who is the
remover of calamities and who is all-auspiciousness.
Dedication Song
Tvameva Mātā Ca Pitā Tvameva
Tvameva Bandhuśca Sakhā Tvameva
Tvameva Vidyā Draviṇaṃ Tvameva
Tvameva Sarvaṃ Mama Devadeva
O God of Gods, Thou alone art my mother, father, relative, friend, learning,
wealth and everything.
Ganga Ārati
Om Jaya Gange Maiyā Maiyā Jaya Gange Mātā
Jo Nara Tumko Dhyātā (x2)
Mana Vānchita Phala Pātā
Om Jaya Gange Maiyā Maiyā Jaya Gange Mātā
Chandra See Jyoti Tumhāree
Jala Nirmala Ātā Maiyā Jala Nirmala Ātā
Sharana Pade Jo Teree (x2)
So Nara Tara Jātā
Om Jaya Gange Maiyā Maiyā Jaya Gange Mātā
Putra Sagara Ke Tāre Saba Jaga Ko Gyātā
Maiyā Saba Jaga Ko Gyātā
Kripā Drishti Tumhāree (x2)
Tribhuvana Sukha Dātā
Om Jaya Gange Maiyā Maiyā Jaya Gange Mātā
Eka Hee Bāra Jo Teree Sharanāgati Ātā
Maiyā Sharanāgati Ātā
Yama Kee Trāsa Mitākara (x2)
Paramagati Pātā
Om Jaya Gange Maiyā Maiyā Jaya Gange Mātā
Ārthi Māta Tumhāree Jo Nara Nita Gātā
Maiyā Jo Nara Nita Gātā
Arjuna Vahee Sahaja Me (x2)
Mukti Ko Pātā
Om Jaya Gange Maiyā Maiyā Jaya Gange Mātā
122
Index
121st Psalm . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74
A
Achyutastakam . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27
Ādi Divya . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85
Amazing Grace . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68
Amba Amba . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55
Amba Parameshwari . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55
Amme Nārāyana . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56
Ārati . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118
Ātmarāma Ānanda Nāma . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43
Ātmarāma Ānandarāmana . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43
Ayodhyā Vāsi Rām Rām . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43
B
Bansuri . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
Bhaja Mā . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56
Bhajamana Govinda . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
Bhajamana Mā . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56
Bhajo Rādhe Govinda . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
Bhajo Rādhe Krishna . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
Bolo Bolo Sabmil Bolo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
Bolo Śrī Rām . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
Brahmā Murāri . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92
Brahmarpanam . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78
C
Chidānand . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
Concluding Chants . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97
Concluding Mantras . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2, 97
Contents . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
D
Daily Chants . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
Day by Day . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68
Index 123
E
English devotional chants . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68
F
Foreword . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
G
Gajānanam . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76
Ganesha Chants . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
Ganesha Sharanam . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
Ganga Ārati . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121
Gauri Gauri Gange Rājeshwari . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
Gopālā Ganalolā Muralimohana Nandālalā . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
Gopālā Gopālā . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
Govinda Bolo Hari Gopālā Bolo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
Govinda Jaya Jaya . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
Govinda Krishna Jai . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
Govinda Nārāyana . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
Guru Brahma . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61
Guru Chants . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61
Gurudeva . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63
Guru Deva Deva . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62
Guru Hamāre Man Mandir Me . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62
Guru Mahima . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62
Guru Parampara . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78
Guru Prayers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82
124
H
Halelu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74
Hanuman Chalisa . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
Hanuman Chants . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
Happiness runs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69
Hara Hara Mahādeva . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50
Haré Rāma . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
Haré Rāma Gopālā . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
Hari Bol . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25
Hari Hari Bol . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
Hari Nārāyana . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
He Amba . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
Hebrew chants . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74
He-nay Mah Tov . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74
Heavenly Father . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69
He Prabho . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96
He Rādhe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
Hymn to Lord Krishna . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
I
I and my Father are One . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65
Introduction to Kirtan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
Is there not a nobler mission . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
J
Jai Guru Jai Guru Jai Guru Jai . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64
Jai Jai Bolo Ananda Amba Mataki Jai . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
Jaya Durge Kali . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
Jaya Ganesha . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
Jaya Ganesha Deva . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
Jaya Gurudev . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63
Jaya Guru Omkāra . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63
Jaya Ho Mata . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
Jaya Jagadisha Haré . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25
Jaya Jagadisha Haré (Sunday Prayer) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94
Jaya Mā . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
Index 125
K
Kāli Durge Namo Namah . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58
Kāli Mā . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58
Keshava Mādhava Nārāyana . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
Kol Ha'Olam . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74
Krishna Chants . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27
Krishna Govinda Gopālā . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
Krishna Govinda Govinda Gopālā . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
Krishna Keshava Pāhimām . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
Krishna Krishna . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33
Krishna Krishna Govinda Janārdana . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33
Kumbaya my Lord . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69
L
Lingāstakam . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92
Loka Samasta . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78
Love Love Love Love . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70
M
Mahā Mrutyunjaya Mantra . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97
Mee Ha'eesh . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75
Most Blessed Mother . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70
Mukunda Mādhava Hari Hari Bol . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33
N
Nāma Kirtan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64
Nāma Rāmayana . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87
Namostute . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58
Nārāyana . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25
Nārāyana Padmabhavam . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78
Natarāj . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50
Nirvānsatakam . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66
No hand will I hold but Thy hand . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70
126
O
Om Aim Hrim Klim . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58
Om Durga Pāhimām . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58
Om Mata Om Kali Durge Devi Namo Namaha . . . . . . . . . . . . . . . . . . . . . . . . . 58
Om Namah Śivāya . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50
Om Om Om . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59
Om Shakti Om . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59
Om Trayambakam . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97
One fine morning . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70
P
Panduranga Vittalā Hari Nārāyana . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33
Peace Chants . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98
Prayer for Meals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78
Prayer of St. Francis of Assissi . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70
Prema Mudita . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84
R
Radha Krishna . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34
Rādhe Bolo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34
Rādhe Rādhe Govinda . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34
Raghupati Rāghava Rāja Rām . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
Rāma Bolo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
Rāmachandra . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
Rāma Chants . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43
Rāmakrishna Hari Mukhunda Murāri . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34
Rāma Lakshmana Jānaki . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
Rāma Pujari Jaya Hanuman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
Rām Rām Bhajamana . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
Rejoice in the Lord always . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71
Return again . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71
S
Sachara Chara . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65
Sāmba Sadāsiva . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51, 59
Satchidānanda . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63
Index 127
T
Take my Life . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72
Tis a Gift . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73
Tumi Bhaja . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
U
Universal Prayers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99
V
Vande Gurudev . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Vedantic Chants . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65
Veena Pāni Pustaka Dharini . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59
Veena Pustaka . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59
Veera Māruti Gambheera Māruti . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
Vishnu Chants . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25
Vithalā Hari Vithalā . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35
Vithalā Vithalā Hari Vithalā . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35
W
We all come from God . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73
We are One in the Spirit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73
We are walking in the Light . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73
Which chant on which day? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
Y
Yamuna Theera Vihari . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
129
ā car
d (close to) father
dh (close to) breathe hard
ḍ duck
ḍh godhood
ḥ Aspiration of the preceding vowel
ī meet
O ṁ home
ṁ Nasalisation of the preceding vowel
ṅ sing
ñ bunch
ṇ thunder
ṛ rig
ś shove
ṣ bushel
s sir
t (close to) think
th (close to) pathetic
ṭ touch
ṭh ant-hill
ū pool
kṣa worksheet
jñ No English equivalent
“Kirtan is singing the Lord’s Name.
It is the easiest, surest and safest
way for attaining God.”
Swami Sivananda