Principles. Elements. Techniques and Devices of Creative Nonfiction
Principles. Elements. Techniques and Devices of Creative Nonfiction
Principles. Elements. Techniques and Devices of Creative Nonfiction
G11/12CNF-MELC 5.5 7
PRINCIPLES. ELEMENTS. TECHNIQUES and DEVICES of Week
CREATIVE NONFICTION 10-12
I What I Need to Know?
A writer like a carpenter uses the basic principles in writing to wield a perfect
composition. These writing tools help shape the storyline. Brian Kiteley (2005) in The 3
A.M. Ephiphany recollects that while listening to William Gass who believes that each
sentence teaches the next sentence. This means that “each sentence educates the next
sentence, and each paragraph educates the next paragraph.” To achieve perfection is to
craft each sentence until the subsequent one comes along.
D What I Know?
Task 1: PRE-TEST
Direction: Read and analyze each statement and identify what is asked or described in
each statement. Choose your answer from the given choices.
2. It is the highest level of the storyline since it represents the turning point that marks
a change of the main character.
A. Climax C. Denouement
B. Falling Action D. Plot Devices
3. These are problems, issues or situations that the character needs to resolve through
time.
A. Theme C. Climax
B. Plot Outline D. Conflict
4. It pertains to the idea that philosophers deeply think or it is simply the subject of the
story.
A. Theme C. Character Voice
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B. Characterization D. Alternating Person
5. It is where the story happens such as the location, historical period, or social
situations.
A. Dialogue C. Setting
B. Symbol D. Narrative
D What is It?
Nature
Proponents
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Contributions
Basic Elements of
The basic elements of hermeneutical phenomenology are the
Hermeneutical
following: (1) Data: Lifeworld which composed of human
Phenomenology language, lived-experience and social phenomenon, (2)
Hermeneutical Analysis, (3) Phenomenological Description;
and (4) Lived-Experiential Interpretation.
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E What’s More?
Task 2: VENN DIAGRAM
What’s New?
Activity 1: Share-a-Knowledge
Directions: Complete the concept map below by writing at least 4 types of literary
elements that you know.
LITERARY ELEMENTS
Activity 2:
Directions: On the word search box, find the 10 important words that have learned from
the lecture above. Encircle all the words you found on the box.
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E What can I Engage In?
Task 4: PEN-TASTIC KNOWLEDGE
Directions: Write your ideas on the 10 words you found on the word search box.
Example:
Literature- any written works that is written creatively.
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Task 5: WHAT’S IN?
Activity 5: Let’s DEAR! (Drop Everything And Read)
Directions: Read and understand the story entitled “The Witch by Edilberto K. Tiempo”.
See attached reading materials on your activity sheets.
Guide Questions:
1. What is the story all about?
2. Where and when does the story takes place?
3. Who tells the story?
4. What lesson does the story resembles in life?
Activity 6: Structure-It-Out
Based on the story, students will write the appropriate answers by determining the
following:
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Activity 9. “Tagged by Freytag”
Directions: Identify the basic elements of the story All Summer In a Day by filling in
the Freytag pyramid below.
a. Exposition:
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b. Rising action the
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c. Climax
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d. Falling action
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e. Denouement
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What I Can Do.
Activity 10: “Who Says What?”
Directions: Identify the type of point of view used in the following statement.
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1. You will be tasked to tell your own story of “aswang” from your neighborhood or
provinces. You may ask or interview your parents, grandparents, uncle or aunts for any
urban legend they know.
2. If there is no urban legend that your family can tell, you may try to recall a story you
read, heard or watched that is similar with the short story, The Witch.
3. After hearing the story from your family or recalling a story you read, heard or
watched, you will need to rewrite it down making sure that plot, settings, conflict,
theme, characters, and climax are present.
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Day 4
Enrichment Activity
Activity 12: “Mic’s On”
Directions: Interview your parents/guardians about an experience that
caused them to feel great fright, or an experience that changed their belief
in life. Write it down.
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Activity 13. ”Yours VS Mine!”
Directions. You will be tasked to compare the climax of your own
frightening experience and the experience of your parents/guardians by
filling in the table below.
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Assimilation
What have I learned?
Activity 14: “Problem Solving”
Directions: demonstrate your learned concepts by filling in this table of conflict.
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2. KINDS OF NARRATIVE VOICE FLOW CHART
Have you learned so much from this module? Let us check the level of your
understanding through 3-2-1 chart.
Task 6: POST-TEST
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B. ii, iii, iv D. i, iii, iv
3. Lyra wrote a story. She is the narrator of the story, she just acted as a narrator but
not
part of the story. What point of view did she employ?
A. Objective C. Third Person
B. Limited D. Omniscient
4. You want to get the sequence of the story that you read, what elements of fiction you
will consider?
A. Plot C. Theme
B. Setting D. Characters
5. It was raining hard in the movie that you have watched, what setting you can
consider
on the movie?
A. Place C. Time
B. Weather condition D. Social Conditions
6. Rico wants to narrate what happen, but as a writer he wants to alienate himself from
the story. What narrative point of view he can employ?
A. 1st Person C. 2nd Person
B. 3rd Person D. Narrative Voice
7. Ioannie wrote her experiences as a Grade 11 student, her thoughts were revealed
while writing. What narrative voice did she employ?
A. Stream of Consciousness C. Epistolary Voice
B. Narrative Voice D. Unreliable Voice
8. Ma’am Ashly, teacher in Creative Nonfiction, asks her students to write a fictional
story.
She reminded everyone to make the characters known based on the description
present on the story. What type of characterization you can employ?
A. Direct C. Indirect
B. Free D. Alternating
9. Which conflict pertains to the conflict in natural disasters or calamities?
A. Against environment C. Against self
B. Against society D. Against man
10. What element talks about the opposition of forces and essential to the plot?
A. Setting C. Conflict
B. Character D. Climax
_____________7. It refers to the inward sense of the characteristics and features of the
data as captured from the experience of a person.
_____________8. It refers to the outward cognitive expression of the description, meaning
and understanding of the interpreted data.
_____________9. It refers to the characteristics of the data as it appears in the
consciousness / as experience by the person.
_____________10. It refers to the essential features retained in the person out of the
interpretation of the meaning of the data.
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