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Art Styles in Contemporary Art

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Contemporary art refers to works created during the late twentieth

and early twenty-first centuries. This is usually taken to refer to art created
following the Modernist movement. Modern art, on the other hand, does
not refer to work created within a certain time period. There is a specific
style or approach to this genre of art that distinguishes it from others.

1. Abstract Expressionism

Autumn Rhythm (Number 30) (1950)


Artist: Jackson Pollock

Abstract art is inspired by non-natural objects such as


geometric patterns, forms, and formats. This art style is based on
landscapes and figures and depicts simplicity, spirituality, and purity.
Colors, lines, textures, patterns, compositions, and procedures are
central to abstract painting. As a result, abstract art is often known
as nonobjective art or concrete art, and it typically incorporates non-
representational work. Abstract art has been inspiring audiences for
more than a century. One of the most appealing aspects of abstract
painting is its openness to interpretation; all you need is an open,
curious mind willing to investigate the artwork.
2. Kinetic Art

Bicycle Wheel
Artist: Marcel Duchamp

Kinetic art is defined as art created in any medium that


contains perceptible movement or relies on motion for its effect. The
first examples of kinetic art are canvas paintings that broaden the
viewer's viewpoint of the artwork and integrate multidimensional
movement. More specifically, kinetic art is a phrase that today most
commonly refers to three-dimensional sculptures and figures, such as
mobiles, that move spontaneously or are controlled by a machine.

3. Op Art

Vega III
Artist: Victor Vasarely
Op Art is a type of abstract or concrete art that consists of non-
representational geometric shapes that produce various types of
optical illusions. When viewing Op Art paintings, for example, the eye
may detect a sensation of movement on the surface of the painting.
And the patterns, shapes, and colors employed in these images are
usually chosen for their illusionary properties rather than their
substantive or emotional significance. Furthermore, Op artists employ
both positive and negative space to achieve the intended effects.

4. Performance Art

The Anthropometries of the Blue Period (1958)


Artist: Yves Klein

Performance art is a type of artwork or exhibition that is made


through activities performed by the artist or other participants. It
may be witnessed live or through documentation, spontaneously
produced or written, and is traditionally presented to an audience in
a fine art environment in an interdisciplinary mode.[1] Also known as
creative action, it has evolved over time into its own genre in which
art is presented live. It played a significant and crucial part in avant-
garde art in the twentieth century.
5. Environment Art

Wheatfield, a Confrontation (1982)


Artist: Agnes Denes

Environmental artists attempt to study our human relationship


with the environment by incorporating it into their artistic practice.
This shifts our perspective on the location of artistic production;
rather than using the artist's studio as the sole location for creation,
environmental artists engage the natural world in a much more active
and immediate way, either by working in new ways outside, or by
bringing natural materials into new settings. Environmental artists
strive to work in harmony with, rather than against, the natural
environment. This means that they take into account the impact that
they have on nature as individuals and do not sacrifice its health or
wellbeing in order to create work. Furthermore, by collaborating with
organic landscapes, Environmental

6. Feminist Art

Womanhouse (1972)
Artist: Judy Chicago and Miriam Schapiro
Feminist artists frequently used alternative materials associated
with the female gender, such as textiles, or new mediums previously
infrequently used by males, such as performance and video, which
did not have the same traditionally male-dominated precedence that
painting, and sculpture did. Women wanted to broaden the notion of
fine art and integrate a broader range of artistic ideas by expressing
themselves through non-traditional techniques. Feminist art does not
discriminate based on geography, but rather links female voices from
all across the world. Over the movement's decades-long history,
notable Feminist artists have represented a varied range of countries,
including Philippines and others, as women continue to battle for
equal rights and exposure within the arts.

7. Minimalism

Die (1962)
Artist: Tony Smith

Minimalists differentiated themselves from Abstract


Expressionists by erasing all traces of biography or metaphors of any
type from their work. This denial of expression, along with a desire to
create items that did not resemble high art, resulted in the
production of sleek, geometric sculptures that purposely and
profoundly reject conventional aesthetic appeal.
8. Video Art

Sun In Your Head - Television Décollage (1963)


Artist: Wolf Vostell

People got a new all-consuming activity with the emergence of


television in the second half of the twentieth century. Many artists of
the time employed video to create works that highlighted what they
regarded as TV's growing and increasingly pernicious power by
parodying advertisements and television shows. They poked fun at
how society had become (passively) enamored with television or had
succumbed to its alluring illusions. Artists brought their own
perspectives to the table by co-opting the technologies of this
medium, rounding out the brave new world of broadcasting
capabilities to include creative, distinctive, and individualized
contributions.

9. Street and Graffiti Art

Untitled (New York Subway Graffiti) (1982)


Artist: TRAP, DEZ and DAZE

Street Art is frequently viewed as a tool for promoting an


artist's personal agenda concerning contemporary social concerns,
with city facades serving the same function as an old-fashioned
soapbox; a place to extol the artist's opinion on a wide range of
issues ranging from politics and environmentalism to consumerism
and consumption. Many street artists use the public canvas of
buildings, bridges, lampposts, underpasses, ditches, sidewalks, walls,
and benches to ensure that their individual messages are seen by a
broad swath of the population, rather than being filtered by target
demographics or only accessible to art world denizens.

10. Post-modern Art

Untitled
Artist: Ian Quirante

Postmodern art is a collection of art movements that tried to


oppose some characteristics of modernism or aspects that formed or
grew in its aftermath. Postmodern movements include intermedia,
installation art, conceptual art, and multimedia, notably those using
video. The use of text prominently as the central artistic element,
collage, simplification, appropriation, performance art, the recycling
of past styles and themes in a modern-day context, and the breaking
down of the barrier between fine and high arts and low art and
popular culture are all characteristics that lend art to being
postmodern.
11. Body Art

Anthropométrie sans titre (1961)


Artist: Yves Klein

Body art blurred the line between artist and artwork by putting
the body in the spotlight as an actor, medium, performance, and
canvas. Lines were eliminated between the message and the
messenger, or between the creator and the creation, providing new
meaning to and enhancing the concept of authentic first person
perspective. Body art can be viewed as a forerunner to today's
general public acceptance of tattooing, piercing, scarring, or
otherwise beautifying the body as a means of establishing one's
personal identity as well as links to particular forms of community
and likeminded thought.

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