Ajaikapada Bhairava Temple

Ajaikapada Bhairava Temple is dedicated to Bhairava aspect of Rudra present in

Jagatsinghpur district of Orissa, India.

Historical evidence
The archaeological survey has established that the temple was built during early 10th century by
the Somavamsi Keshari Kings.Later it was destroyed due to flood and attacks by non-hindu
rulers.Present temple was rebuilt during 20th century.

Architecture
Current temple is a small Pidha deula reconstructed during early 20th century but the
Garbhagriha houses the image of Bhairava and a Shivalinga.The bhairava is having one feet and
four hands of which lower two are broken.The upper two hold disc shaped structures.The
Ajaikapada Bhairava is the ruling deity of the star Pūrva Bhādrapadā.It is evident that someone
who was expert in Astrology and Tantra established this temple

Location
The temple is located at a distance of 6km from Alanahat,Sathalapada in Jagatsinghpur,near river
Alaka(a branch of Mahanadi).Direct transport is available from Nuagaon too.

Akhandalmani Temple
Akhandalmani temple, at Aradi village, Orissa, India, is dedicated to lord Siva. Aradi is about
thirty seven kilometers away from Bhadrak. The present fifty-foot-tall cement and concrete
temple structure was constructed replacing a wooden temple some time between 1830-1840 AD.
This famous Akhandalamani temple, the abode of “Lord Siva” is nicely located in the bank of
river Baitarani, at Aradi, 37 km away from the district headquarters of Bhadrak towards east by
road via Asurali, Kothara and Dhusuri. This place is also linked with Chandabali by boat through
the river Baitarani. From Chandabali ferry ghat to Aradi it will take hardly two hours by boat.

There is no such conclusive history available either regarding Baba Akhandalamani or the
temple of the lord siva. According to legends around 350 years ago during the rule of Raja Sri
Niladri Samara Singha Mohapatra, once in an early morning the Raja sent a peasant to cultivate
his Paddy field which was located on the bank of the river Baitarani. While cultivating, the blade
of his plough was broken by hitting with some hard material. Then, the peasant was astonished
and searched out and found a black glazed granite stone with full of blood which is flowing
towards the river Baitarani. Afraid by this incident the peasant ran to call the King. Then the king
Niladrisamar Singh hurriedly came to the spot, and found flood of milk in place of blood and a
huge black cobra hooding the stone. On that night the king had a dream regarding the arrival of
the God Akhandalamani on that place. This news spread like wild fire in the locality.

The next day the king Niladri Samara Singha Mohapatra started worshiping the great god and
immediately built a wooden temple on the spot. A large number of devotees from different
villages and area started visiting and worshiping the great God. The king invited five Brahmins
from a village named Naharagrama of Jajapur district to perform seva-puja (worshiping and
taking care) of lord Akhandalamani.

The present main temple of Aradi was built by the King of Konika Shri Harihara Bhanja and his
chief queen Satyabhama Patadei.The height of the temple is around 150 ft. All the stones used in
this temple were brought from the historic hill of Lalitgiri near Chandikhol.

The entrance main Hall was built by a sage named Shri Narasingha Pratap Kumar and the
surrounding wall of the temple was built by a noted sage named Shri Darshan Sekhara Das.

There are many fairs and festivals observed at the temple of Baba Akhandalamani, but the
principal among them is the Mahasivaratri. On this day pilgrims and devotees inside and outside
the state are assembled and worship Akhandalamani at Aradi. BOOL-BOOM devotees come to
Aradi in large number from different areas in the month of Sravana to worship the God and pour
holy water over the Linga. The BOOL-BOOM devotees carry holy water from different rivers of
India like Ganges, Baitarani, Mahanadi, Salandi etc with a bamboo lever. Lord Akhandalamani
is unique and omnipotent.

Ananta Shayana
Sleeping Vishnu statue at Ananta Shayana

The Ananta Shayana murti of Lord Vishnu is situated in Bhimkund, Orissa, India at a distance
of about 28 kilometres from Talcher.

Description
The idol is under the open sky. The sleeping image of Vishnu at Bhimakund is second only to
Gomateswar (Karnataka) in size. It is the largest sleeping image in India. In spite of its
magnanimity, the image contains a natural softness. Recent excavations prove it to be from 8th
century. Many pilgrims come to view the statue of Lord Vishnu on Ekadashi and Purnimas.

Anantashayana,Saranga
Anantasaayi Narayana image is a Rock cut colossal image of Narayana built during early 9th
Century which resides on the left bank of the Brahmani River. It is easily accessible by road
from Saranga in Dhenkanal district. A similar image is found near Bhimkund in Anugul
district.After examination of that statue the statue is assigned to 9th century AD.It was built
during Bhaumakara dynasty ruling central part of Orissa. The image depicts sleeping image of
Vishnu holding Chakra, Shankha, Gada. A lotus sprouting from the navel has sitting Brahma in a
meditation pose. The shrine is regularly worshipped by local people. Due to Archaeological
Survey of India the statue is being renovated and kept in a good condition. Floods in Brahmani
River are the only threat for the image as this is built by Sandstone.

Annakoteshvara Temple
Annakoteshwara Temple or Urnakoteshvara is located in Latadeipur near Gondia tehsil in
Dhenkanal district.The Temple is dedicated to Shiva

Architecture
The temple is a Pancharatha temple having Rekha deula(Vimana) and a Pidha deula.The temple
is decorate with Khakharamundi and Pidhamundis along the main Vimana.Sevaral detached
sculptures are kept in care.On the basis of construction the temple can be said to be built around
16th century during Suryavamsi Gajapati rule.The Garbhagriha houses a circular Yonipeetha
only.The Lingamurthy is displaced by attacks of Kalapahad who was a muslim invader from the
nawabs of Bengal near Murshidabad.The temple can be approached by 22km north of Dhenkanal
township via Joranda Gadhi

Bhadrakali Temple,Aharapada
Bhadrakali Temple is located in the outskirts of the revenue village Aharapada which is at a
distance of 8 km away from Bhadrak town in the south- west direction.The popular belief is that
the name of the Town has been derived from the name of the deity.

The Goddess
The statue of Goddess is of black granite and is seated in lotus posture on a lion. The temple
remains open for visitors and devotees everyday from 6.30 am to 1pm and again from 3pm to
9.30 pm.As per the nomenclature of the goddess one tends to believe that it is the goddess Kali
who is being worshiped in this Bhadrakali Pitha. However, since the deity is seated on a lion, one
school of thought has opined that the goddess can be no other than the goddess Durga.According
to legends originally Bhadrakali was worshiped inside a cave in the Meghasana hill of
Mayurbhanj district by a sage named Tapasa Rushi. After the death of the sage, one of his pupil
namely Bhadranatha brought the goddess to Bhunyamahalla of Bhadrak.To protect the deity
from Kalapahad,she was again transferred to present place by the Dikshits.Mostly during Vijaya
Dashami and Deepavali crowds gather for seeking blessings of benevolent mother.

Bhagabati Temple, Banapur

The temple of the goddess Bhagabati, the presiding deity of the Indian town Banapur has
earned celebrity as a centre of religious activities. Once Banapur was the capital of the
Sailodhvaba dynasty, responsible for the construction of the early group of temples at
Bhubaneswar. The large number of Buddhist images discovered at Banapur relate the place to
the Vajrayana cult of Buddhism.

Animal Sacrifice
On 5 October 2010 the Orissa High Court has directed the state government to make sure that
animal sacrifices are not conducted at the temple during the Dussehra celebration. At the
Banapur Bhagabati temple such strict direction from the Orissa High Court was not admitted.
Due to this the Khurda district administration has imposed Section 144 of the Criminal
Procedure Code on the temple in order to prevent the animal killing and sacrifices in the temple
premise.[1]

It has been a tradition to serve the goddess with animal sacrifices during the Dussehra
celebrations but after the Orissa High Court ruling, eight platoons of police force have been
deployed at the temple in order to maintain law and order.[1] At the same time Maa Bhagbati
Parampara Surakhya Mancha, a local organization supporting the traditional rituals, has decided
to protest against the district administration and declared a bandh, including a hunger strike.[2]

On 22 October 2010 the temple opened again after consecration by a group of Brahmins from
Govardhana matha, Puri.[2]

Biranchinarayan Temple, Palia

Sri Biranchinarayan Temple is in Palia village, which is located 15 km south of Bhadrak, on
the way from Bhadrak to Chandabali. It occupies a significant place in the cultural map of Orissa
state of India. Today, the standing Biranchi Narayan Temple stands as evidence of the heritage
of Surya Upasana in Orissa. Biranchi Narayan is another name for Lord Surya, the Sun God of
light and lustre. The existing temple is dedicated to Biranchi-narayan, who is enshrined as a
roughly four-faced image of the Sun. A square stone slightly tapering towards the top contains
four carved images of the Sun god in relief, on the four sides of a slab. The figures hold two
lotuses in two hands, as usual, and are depicted standing on chariots drawn by seven
horses.Architecturally, the temple can be dated to the 13th century. It was renovated and
reconstructed in the beginning of the 20th century by the generosity of a local zamindar.

Architechture
In general the structure exhibits the Kalingan style of temple architecture.The peculiarities of the
temple include the two door-jambs of the eastern door, which probably originally belonged to a
Saiva temple and were reused in the present temple during a renovation. The sculptures and
carvings of the two door jambs bear a close resemblance to the Siva temples of Bhubaneswar and
Khiching of the 10th or 11th century A.D.

Festivals
 Ratha Saptami or so called Maagha Saptami.
 Samba Dashami

Transport
Bhadrak is the nearest railway station which is between Bhubaneswar and Howrah.Lots of taxies
and bus facilities are there for Paalia.

Chausath Jogini Temple

Chausath Jogini Mandir (64 Joginis Temple) is situated in a hamlet called Hirapur, 20 km
outside Bhubaneswar, the capital of Orissa state of Eastern India.

The temple is believed to be built by the Queen Hiradevi of Bramh dynasty during 9th century.
It's built in a circular fashion, completely put together with blocks of sand stone. The inside of
the circular wall has cavities, each housing the statue of a Goddess. There are almost 56 such
idols, made of black granite, inscribed within the wall cavities, centring on the main idol which
is the Goddess Kali, who stands on a human head representing the triumph of the heart over the
mind. The temple houses a central altar (cuboid) which has the remaining 8 Goddess idols on all
4 sides.

64 Joginis Temple is a tantric temple, and is completely open on the top, as tantric prayer rituals
involve worshipping the bhoomandal (environment consisting all the 5 elements of nature - fire,
water, earth, sky and ether).

The legend behind the temple according to local priests is of the Goddess Durga taking the form
of 64 demi-goddesses in order to defeat a demon. After the fight the 64 goddesses (Joginis)
asked Durga to commemorate them in the form of a temple structure.

The Jogini idols are generally representing a female figurine standing on an animal, a demon or a
human head depicting the victory of Shakti (Feminine power). The Idols express everything from
rage, sadness, pleasure, joy, desire and happiness.

Such temples are also seen at Ranipur-Jharial site of the Balangir district in Orissa and seven
other places in India.

Gupteswar Cave
Gupteswar is a cave shrine dedicated to Lord Shiva. It is located near Jeypore,Odisha state
India, at the top of a limestone hill which is about 500 metres above sea level.

Surrounded by a dense forest of sal trees and flanked by Kolab river, a 2m high lingam stands in
the cave. The shrine is called "Gupteswar" which means the "Hidden God". It is so named
because it was lying hidden in the cave for a very long period. One can reach it by climbing the
1000 steps flanked with rows of champak trees. The entrance of the cave is about 3 m wide and 2
m in height. There are also several other caves nearby. Inside the second cave there is a large
stalactite. People worship it as the udder of God Kamadhenu (the divine cow) and wait under it
with outstretched palms to collect drops of water which fall only at long intervals.

Popularly known as "Gupta Kedar" in the vicinity, this sacred place, endowed with unusual
natural beauty, is associated with Shri Rama of the epic Ramayana. The nearby hill has been
named "Ramagiri". According to mythology, the lingam was first discovered by Lord Rama
when he was roaming in the then Dandakaryana forest with wife Sita and brother Laxman and
later worshipped it calling it "Gupteswar". The poet Kalidas too, described the scenic beauty of
Ramgiri forest where the cave temple is referred to in his famous Meghadutam.

However, with the passing of time, the temple was abandoned. Later, in the last part of the 19th
century, a hunter of the Ramgiri area found the lingam. Since then the lingam has been
worshipped by the tribes of Koraput region. In Shivaratri (a Hindu festival) Gupteswar Temple
draws over 200,000 devotees from Orissa, Andhra Pradesh and Chattisgarh. People suffering
from incurable diseases come here to worship the God and remain here for months in the hope of
getting cured.

Jagannath Temple, Koraput

Sri Jagannath temple (popularly known as "Sabarasrikhetra") is a temple located in Koraput,
Orissa. It is not only built as an altar for worship, but also as a multipurpose area for Jagannath
consciousness. Jagannath consciousness is the main theme of Jagannath which can not be
confined within the limits of a traditional religious theological order, because it is a cult (or even
a philosophical system).

It is originated from the tribal culture, and it has no antagonism towards any religion, caste or
creed, Practice of tolerance in the real life of the individual and the society wedded to this ideal,
is one piece used in the cult. This is practiced at Sabarasrikhetra in letter and spirit. Everybody
has free access to this shrine, which virtually demonstrates the very concept of Jagannath
consciousness having tribal bias.

Jagannath Temple,Nayagarh

Nayagarh jagannath

Jagannath temple at Nayagarh, was erected by Vinayak Singh Mandhata in between 1788 and
1808 AD. It is unfinished, the architect of this temple was the father of the poet Yadumani.
Jagannath temple at Laxmi Prasad area was erected by Jadunath Mangaraja, a king of
Khandapada. It was reconstructed in 1972 by one Sri Nilakantha Sahu. Jagannath temple at
Khandapada was erected by the king of Khandapada. The temple is in pancharatha rekha deula
style, while the Jagamohana and Natamandapa are in pidhi style. The idol of Jagannath called
DadhiVanana was brought from the temple at Tikiripada and installed here. The idols from this
temple were installed there. Jagannath temple at Tikarapada was constructed with the stones of
the tomb of Gosanga Daitya, a demon ruling in this area in the past. The first temple was
constructed in 1850. It was due to the flood of the Mahanadi in that year. The Jagannath temple
at Ranpur was erected by King Udhaba Singh in 1324-1363 AD. The Jagannath temple at
Daspalla is also an old one and Rajapratisthita. Jagannath temple at Sikharpur (Saranakul) is a
unique one where bread (Roti) is offered to the Lord, his queen built the Mukhashala. Main
festival here is Rath Yatra and Snana Yatra.

Images

Jagannath, Balabhadra and Subhadra in Nayagarh temple,another shrine for Jagannath

Joranda Gadhi
Joranda Gadhi is a unique temple built in area of meeting of three villages Joranda,Natima and
Patna.The temple is dedicated to Surya as Shunya Gosain belonging to a sect of Hindus called
ascetics of Mahima Dharma.

Temple Design
The temple was built in early 20th century,but the shrine existed from early 14th century.It is the
Samadhi Peetha of Mahima goswami,who spread the Mahima Dharma.The principles of the sect
includes doctrines of Jainism.They think Bhagavata Purana as very sacred too.They respect all
Gods.The sect belongs to a group of ascetics.As the ascetics of this sect are not supposed to
spend more than two consecutive nights in one village,by staying at the meeting point one can
change the position to other corner of Temple.It is a Rekha deula having some sub shrine and
dedicated to Surya as Ananta,Nirguna Brahman.No image worship is done inside.Currently
ascetics belonging to this sect saty here.Every year Maagha mela attracts lots of ascetics.It is
located just 30km North of Dhenkanal town.

Kalijai
Kalijai Temple is located on an island in Chilika Lake. It is considered to be the abode of the
Goddess Kalijai. Highly revered by the local populace, the deity has been venerated in the local
folklores and legends. The island provides an excellent destination for pilgrims as well as
tourists. Every year in January, a huge gala fair is held during the festival of Makar Sankranti.

Legend
A girl was newly married and was going to her husband in a boat.As her in-law's house was
inside an island in Chilika Lake it took a lot of time to reach.Orissa coast is much prone to
Cyclones and suddenly such a cyclone came and the boat drowned inside the lake.All the
Boatmen with her father were alive except that Girl Jai undiscovered.After the accidental death
of that newly wed girl whose name was Jaai she became goddess of people residing nearby
area.And till now she is worshipped as an Amsa of Kali,hence the name of the place.

Kapilash Temple
Kapilash Temple is situated in the north eastern part of Dhenkanal town, Orissa, India at a
distance of 26 km from the district head quarters.

Location and architechture

The temples are situated at a height of about 2239 feet from sea level. The main tower of the
temple is 60 feet tall. There are two approaches for the temple. One is by climbing 1352 steps
and the other is 'Barabanki' or travelling by the twisting way. Narasinghdeva I constructed the
temple for Sri Chandrasekhar in 1246 A.D as indicated in the Kapilash temple inscription. In the
left side of the temple the 'Payamrta kunda'and in the right side the 'Marichi kunda' exist. The
temple has a wooden Jagamohana. Sri Ganesh, Kartikeya, Gangadevi, etc are found in the
temple. Patita pavana Jagannath is installed in the temple as the 'Parsa deva'. Lord Vishwanath
temple is also situated in Kapilas. According to some scholars this temple is older than the
Chandrasekhar temple, hence it is known as 'Budha linga'. There are many legends about
Kapilash pitha and its significance. Tradition describes it as the ashram of Kapila, to some
scholars it is the second Kailash of Lord Shiva. Shridhar swami who wrote commentary on
Bhagavata Purana stayed there. There are some monasteries in the premises.

Kichakeshwari Temple
Khiching was the ancient capital of the Bhanja rulers, located about 205 km from Balasore and
150 km from Baripada in the Mayurbhanj district of north Orissa.

Architecture
The largest temple of the town is dedicated to Goddess Kichakeswari, the family goddess of the
ruling chiefs of Mayurbhanj. The temple, made of chlorite, is architecturally brilliant and well
carved from its outer surface. This temple is the most impressive temple in Khiching. The
original temple was built somewhere in the 7th or the 8th century and was reconstructed in the
20th century from the ruins of an earlier temple. The shrine contains a large ten-armed skeletal
image of Chamunda with striking veins, ribs and sunken belly, wearing a garland of skulls and
seated over a dead body. The Parasvadevatas, the Chaitya arches, the amorous couples, the scroll
works and the arabesques can still be seen in the original portions of the temple. The style of the
temple is contemporary of the Brahmesvara and the Lingaraj temples of Bhubaneswar.

Museum
There is a museum at Khiching, which is housed in the temple compound. The museum has the
life-size images of Durga, Ganesha, Parsvanatha, Tara, Parvati, Ardhanageswar, Vaishnavi,
Nandi, Kartikeya, Avalokiteswar, Dhyani Buddha, Mahishasuramardini, Uma-Maheswara and
female devotees on display. The museum has exhibits like the copper and iron implements,
terracotta figurines, seals, ornaments, potteries, coins, stone tools and various fragments of the
temples. The courtyard of the museum has several sculpted parts of ancient temples on display in
open.

Ladoo Baba Temple

Ladoo Baba Temple is a Hindu temple dedicated to Lord Shiva worshipped as Ladukeshwar but
affectionately called Ladoo Baba in the town of Sharanakula in Nayagarh District of Orissa,
India. The temple dating back to medieval times shows a fusion of kalinga and dravidian temple
architecture. Unlike most other Hindu temples the prayers have traditionally been conducted by
priests belonging to low caste.The temple is an important pilgrimage for Shaivites in southern
Orissa.Mahashivaratri is the major festival

Maa Tarini
Maa Tarini is one of the embodiments of Shakti and is the chief presiding Goddess in Oriya
culture. Her chief shrine is in Ghatagaon, Keonjhar District, Orissa.

Conceptualisation of Maa Tarini

Maa Tarini is the presiding deity for all Shakti and Tantra peeths or shrines in Orissa. The origin
of Shakti or worship of the Earth as a female embodiment of power is found across many
cultures all over the world. In Orissa which has a high density of tribal population whose
religious practices have been assimilated into the mainstream Hindu faith, the worship of natural
formations such as rocks, tree trunks, rivers is widespread among the tribes.

Maa Tarini is always depicted as a red face with two large eyes and a mark in the middle which
serves as an indication for a nose and also a tilak. This primitive conception is symbolic of the
simplicity of tribal beliefs and ceremonies. The red colour has been attributed to dyes made out
of iron ores or ocher which are quite plentiful in the state and would thus have been used by the
tribes for anointing and decorating the sacred figures of worship. The ornate letters in the
background mean "Maa" or Mother in the Oriya language. They were a much later addition
although the Oriya script did change very slightly over the millennia.

In this form she is very similar to the conception of the Goddess Kali at Kalighat. Although the
two are embodiments of the same divinity, Kali is the Goddess of death and destruction whereas
Maa Tarini is the force of life. Interestingly, two of the names of Kali are Maa Taara and
Taratarini.
Entry into Hinduism
Kalinga, the ancient kingdom whose domain overlaps to a great extent with modern day Orissa,
was initially ruled by Jains. Jainism was the state religion for millennia with occasional breaks
notably the reign of Ashoka who played a major role in propagating Buddhism around the world.

Although the residents of the cities and towns of Kalinga were either Jains or Buddhists, the
tribes who populated the hinterland maintained their primitive religions and do so to this day.
With the advent of Hinduism, a lot of the rites, customs and even Gods of the tribes were
admitted into the Hindu pantheon, chief among them being Lord Jagannath and Maa Tarini.
While Jagannath was pronounced as the incarnation of Lord Vishnu in the Kali Yuga, the
Goddess was decreed as one of the embodiments of Shakti herself.

History of The Shrine at Ghatagaon

The exact sequence of events which led to the installation of the Goddess at her chief shrine in
Ghatagaon are still a matter of debate among historians. The reason is that the events have been
recorded by poets in devotional works dedicated to her which thus also include some
mythological events. Nevertheless the gist is as below:

Near about 1475 A.D. King Purusottam Dev ruled Kalinga. Once on a trip to South India he
chanced upon Princess Padmavati of Kanchi and proposed marriage. The proposal was accepted
and the minister of the king of Kanchi traveled to Puri to finalise the arrangements. The Rath
Yatra was in full swing and he saw the king sweeping the chariots of the deities. Marriage to a
sweeper was unacceptable and hence the marriage was called off. Insulted, the King of Puri
declared war on Kanchi. He was defeated in the first war. He prayed to Lord Jagannath and it is
believed that he was directed to appoint one Govinda Bhanja as his Senapati or General of his
army. Bhanja was in fact the son of the king of Keonjhar and was staying in Puri because of
differences with his father.

Under the command of Bhanja, the army marched towards Kanchi. In the forests near
Vijayanagar, the horse of Bhanja refused to move any further. Whatever may be the real reason it
is here that Bhanja and thus Hindu society as a whole was introduced to Maa Tarini and she was
admitted into the Pantheon.
Mythological origin of the Goddess
In the Ramayana, after Sita was abducted by Ravana, Lord Rama and his brother Lakshmana
started searching for her. When they reached the forest, near which later Vijayanagar was
founded, Rama worshipped Devi Durga and sought her help. The Goddess instructed Rama
while he was meditating that he must not see her when she appears or she will turn to stone.
Rama could not control himself and saw her and the Goddess was embodied as a stone idol. She
told Rama not to worry and call her later when she would definitely aid him.

This second puja was performed by Ravana himself near Rameswaram before the Vanara Sena
could cross over to Lanka. Ravana was deemed fit because this ceremony was performed in
order to achieve victory in the war to follow. In order to defeat a warrior like Ravana, the
performer had to be a Brahmin who performed the ritual of Trisandhya everyday without fail. At
that time, Ravana was the only such Brahmin in all of Creation.

After Lord Rama left, the stone idol was worshiped by the local tribes. Thus the ancient tribal
Goddess was described as a Hindu Goddess.

Continuation of the History

Bhanja thus worshiped the Goddess for her blessings in the war to follow. Bhanja was victorious
and both the princess and the Goddess were brought back to Puri. After the king of Keonjhar
died, Bhanja returned to his state and took the idol of the Goddess with him.

Mythological accounts hold that Maa Tarini agreed to follow Bhanja provided he never looked
backed all the way from Puri to Keonjhar. Bhanja agreed and the two left on horseback. Near the
Baitarini river in modern Keonjhar district, Bhanja could no longer hear the following horse. He
looked back and Maa halted then and there and asked Bhanja to construct her temple and
worship her there.

Rites and rituals

The practice of Tantra is associated with all manifestations of Shakti throughout the Indian
subcontinent. Utkal, a coastal kingdom which was carved out of the former Kalinga is described
to have many important shrines and areas for the practice of Tantra. Maa Tarini is the presiding
deity.

Sacrifices - Human and Animal

Sacrifices have been offered to many deities all over the world and the same is true in India. The
practice however persisted well into the 20th century in many shrines in Assam, Orissa and
Bengal. Although both human sacrifices are banned and criminal, sporadic incidents do occur.
Tribes in many parts of India sometimes sacrifice virgins to the Goddess.
Sacrifice of large animals like buffaloes are banned but goats are still sacrificed in some remote
temples.

Maa Ugra Tara

Ugratara devi worshipped by Angiras and Vashista Rishi

Goddess Ugratara is the tutelary deity of Eastern Ganga dynasty Gajapati kings, who blazed a
trail of light across the temple history of India. Their contribution to spiritual lore is quite
spectacular and praise - worthy. Due to royal patronage, the temple turned out a fine piece of
extra ordinary artistic excellence of Orissan art. Everything seems daubed with regality, and so
imposing in construction. The icon of Mother Tara is Chaturbhuja, holding potent weapons in
her hands. She is very popular as Ugratara due to revealing her fierce aspect, but exceedingly
benevolent to the adorers. The location of the temple amidst Nature's sumptuous growth of green
foliage, together with lovely spectacles of Eastern Ghats and nearby Chilika Lake around is its
additional attraction for frequent visits. As a picnic spot, its inherent charms enthrall the fun
loving youth round the year. White collared gentry and sophisticated elite visit it more often than
not.

Transport
This is a much hallowed ancient temple lying ,a distance of 65 km from Bhubaneswar, accessible
by bus.There is a railway station named Bhushandapur in Khordha district where most passenger
trains stop.It is situated between the Balugaon and Khordha Road railway station.

Mahendragiri, Orissa

Mahendragiri
 Mahendragiri
Location of Mahendragiri, Orissa

Elevation 1,501 m (4,925 ft)

Location

Location Paralakhemundi, Orissa, India

Range Eastern Ghats

Coordinates 18°58′28″N 84°22′05″E18.97444°N

84.36806°ECoordinates: 18°58′28″N
84°22′05″E18.97444°N 84.36806°E
Climbing
Easiest route Hike/scramble

Mahendragiri, is a mountain peak at in the Paralakhemundi (or Parlakhemundi) subdivision of

the district of Gajapati, Orissa, India.[1] It is situated amongst the Eastern Ghats at an elevation of
1,501 metres (4,925 ft).

Mythology
It is associated with mythological stories from the Ramayana as Mahendra Parvata (mountain).It
is the eastern kula parvata along with Malaya,Sahyadri,Parijatra,Shuktiman,Vindhya and
Malyavaan.[2] In the Puranas and Mahabharata that Parashurama practiced penance for a long
time on the Mahendra mountain.[3] The epic mountain Mahendragiri is situated in Gajapati
district, Orissa.Legend says that it is the place where lord Parashurama,a chiranjeevi staying
eternally and doing tapasya.Temples built by Pandavas are seen.Main festival here is
Shivaratri,the worship of Shiva,the guru or percepter of lordParashurama

Geology
Mahendragiri has interesting archaeological remains.[4]

Majhighariani Temple
Majhighariani Temple is an important shrine for Devi in the Rayagada township of Orissa.It is
a famous shrine where many people come from Chhatisgarh, Andhra Pradesh along with people
from Orissa also.The legend says Devi is worshipped from centuries where as the temple is a
new one.Every Sunday,Wednesday,Friday the temple draws a large crowd from nearby
area.Dussehra in October and Chaitra parva is most famous in March–April.Nearest railhead is
Rayagada.People who have unfullfilled wishes come here and stay for many days for worship.

Murga Mahadeva Shrine

Murga Mahadeva Shrine is dedicated to Lord Shiva.It is located in Nuamundi mines area
under Champua subdivision of Kendujhar district.Lakhs of devotees visit this place during the
month of Shraavana, Kartik and during Shivaratri.It is an ancient shrine where both tribal and
Brahminical system of worship are followed.The waterfalls nearby make the place
marvellous.Every winter people come here for recreation and picnic.

Etymology
The word Murga Mahadev originated from two words Murugan and Mahadev,which means
Kartikeya and Shiva respectively in Dravidian languages.Historians opine that it is an ancient
place of worshipping tribal gods which later converted to Hindu place of worship.People of
Jharkhand and Orissa equally give high esteem to Shiva here.

Nilamadhav Temple
Sri Nilamadhava Temple is very old and famous Vishnu temple which is near to the bank of
Mahanadi,in Kantilo. which is present near to the twin hills with a surrounding forests. A
permanent flow of holy water from the feet of Lord Nilamadhava. Lord Siddheswar is also
present which are the highlights of the place.

Lord Nilamadhava occupies a central position in the cult of Lord Jagannath.Even now also Lord
Nilamadhava shrine is present on the right side of Lakshmi temple in Puri Jagannath Temple.
 Location
It is located in a block called Kantilo,in Nayagarh District.Nearest railway station is
Khurda.Roads are connected to Kantilo which offer regular bus services.

History
It all initiated in a small cave in the Brahmadri hills situated on the banks of Mahanadi, which is
known as Kantilo of Nayagarh district today. Here, Biswabasu the local Sabara Chief
worshipped Kitung, as the God was known in the Sabara dialect. According to the Puranas, the
deity was originally worshipped in the form of a Indranila gem image know as “Nilamadhava".
The daru murty came much later.Located near the confluence of three rivers Mahanadi, Kuanria
and Kusumi the temple structure is like the Jagannath temple of Puri. It stands on the right bank
of Mahanadi.It is called triveni sangam of Orissa.As there is Beni-Madhava in Prayag,so as here
Nilamadhava.

Festivals
 Maagha saptami Festival or Ratha Saptami is the best festival over here.
 A fair is held on the Ekadashi of the month of Maagha

 Odogaon Raghunath Temple

 From Wikipedia, the free encyclopedia
 Jump to: navigation, search



 Raghunath temple
 Odogaon Raghunath Temple is a Hindu temple dedicated to Lord Rama in the town of
Odogaon, Nayagarh district of Orissa in India.[1]
 The temple dates from the Middle Ages and is an important pilgrimage centre in Orissa.
It is built in a typical Kalinga style of architecture and is topped by a golden kalasha.
 An important festival occurs here on Rama Navami.[2]

Sarala Temple
Sarala Temple in Orissa

Sarala Temple is a Hindu temple in the district of Jagatsinghpur, Orissa, India. The temple is
accessible by road from Jagatsinghpur, Cuttack and Paradeep. The nearest airport is
Bhubaneshwar, which is approximately 80 km, and is well connected by road. The nearest
railway station is Cuttack, however there is a small Pessenger Halt at Sarala Road, near
Tentulipada. The temple can be reached via Jagatsinghpur, or Tarapur by road, from Cuttack.

Maa Sarala - a Hindu goddess patronizes the cultures of Vaishnav and Saiva. Rarely one finds
the use of Bella Patra and Tulasi patra in any temple, as they are symbols of two distinct Hindu
culture.

There is also some controversy regarding the deity, where it is suspected that the deity may be a
Buddhist tantric figure, as she holds a book,Veena and hand bell – known Mahayana symbols. It
is said that Huen Tsang, the Chinese pilgrim visited Orissa and he had taken a ship from
Chilitolo Port to Sri lanka, which historians attribute to modern day Tirtol. This may be a
possibility as geography shows that Paradip, was an island and the land in and around Kujanga
was under water - Sea/River. There is Geographic evidence to support this. To be at a safer side,
we may conclude that Sarala represents the Shiva-Shakti cult which evolved from an
amalgamation of Shaivism (worship of Shiva), Shaktism (worship of the Mother Goddess) and
the Vajrayana, or Tantric form.

Goddess Sarala, is known as Vak Devi goddess of Knowledge and Wisdom. It is well
documented that [Sarala Das] - a small time farmer and part-time Oriya Paika, was an ardent
follower of the goddess and it was after her blessings that Sidheshwar Parida became Sarala Das,
the author of Oriya Mahabharata.

Folklore goes back to thousands of years, to the age of Parshurama. It is said that it was God
Parashurama who had carved the goddess with the tip of his arrow. Even this temple survived
the ravages of Kala Chand (legendary Kala Pahada). The new temple- 500 years old - was built
by the Raja of Manijanga. The remnants of the old temple is not visible, but folklore goes that it
was at Badasarol, a place where the Ganesha Temple, (generally adorns the south gate of all
Odia temples) (Nanda Deula, now renovated) stands as witness, where the old temple once
stood.
There are so many festivals that are celebrated in the temple. However, the major ones are:
Parbana,Sharadiya Utsav, Pana Sankaranti, Dolo Purnima, Chandan Jatra. The people of
Kendrapara district, Jagatsinghpur and Cuttack district are so attached to the goddess that every
year they make it a point to visit the temple - at least once.

Synopsys
This shrine of Goddess Sarala of Jhankada is one of the most spiritually elevated expression of
Shaktism from time immemorial. The heavenly abode of the Goddess is existent in the village of
Sarola (Kanakapur) of Jagatsinghpur district, located in the eastern coast of India. It is believed
that, the Goddess Sarala is a synthesis of divine figure of Durga and Saraswati. Three idols of
Goddess are there in the sanctum sanctorum of the main temple. The main idol, carved out of
stone is of eight-armed keeping right feet on the lion in Mahisha Mardini posture. As per the
main priest (Puja Panda), the dhruva/main idol of Goddess is stationary (Achalanti Mula
Vigraha) and she holds Sword (Khadga), Trident (Trishul), Manuscript (Pustak) and Lute or
Veena in her right hands and Disk (pattisha), Bow (Karmuka), Bell (Ghanta) and the head of
Buffalo Demon (Mahishasura) left hands.Some scholars associate Devi as Matangi. The second
idol of Maa is four armed holding Shankha ,Chakra,Varada and abhaya mudra and the third idol
is of two armed made out of eight precious metals (Ashtadhatu). These idols of Maa are taken
out of temple in different ceremonial occasions and known as movable idols (Chalanti Bigraha).

The Goddess otherwise known as Jhankad Basini Sharada or ‘Maa Sarola’ is worshipped in
most of the houses of the local districts as well as in the state.

The Culture of the deity result of the amalgamation of three principal Hindu cults Vedic, Tantrik
and Vaishnavite. This place is one among the eight most famous Shakta shrines of Orissa.[1]

Temple
As per the historical evidences it is believed that this famous temple of Sarala Chandiwas
constructed in Sarola Grama during the Bhauma Dynansty in 8th Century. The Goddess “Maa
Sarala” was being worshiped in this temple till the end of Hindu rule in 1568 A.D. History,
tradition, legend and literature remained as the silent witness to the existence of Sarola Chandi in
the Sarola grama (village). In this context one among the great verses of Oriya Mahabharat may
be quoted here.

"Nila sunder giri uttar diga kone. Saraswata bhumi bhrata khanda aisanya, Chandra bhaga
bolikari nadi eka goti, Brudha matanka paruse maho dadhi bheti, Se nadi titare parsuramje
ghatoi, Kanaka bati patana nama prakasai. Ta utare anuja sarol boli grama Bijaya maheswari
sarola chandi nama."

A ruined temple still in existence (renovated in the year of 1982) along with a large tank nearby
and surrounded by residences of all categories priests ( Pujapanda,Niyogi, Roul Sevak, Mali).
Also there was a huge banyan tree (described as Nilakalpabata in Oriya Mahabharat) on the spot
and uprooted out in the Super Cyclone in the year of 1999). Being established in 8th century in
the time of Bhauma dynasty, it was flourishing till the end of Independent Hindu rule 1568 AD.
As legends, supported by historical evidences, in 1568 AD Supreme commander of the Muslim
army Kalapahada of Benagli sultan Sulemankarani raided the original shrine of Sarola Chandi at
Sarola grama and partly destroyed its far famed Shakti temple. Just after hundred years during
the reign of Moghul emperor Aurangzeb the old temple of sarola grama was devastated and a
mosque was built few metres away in the west of the temple.

At present Lord Ganesh is being worshiped in the ruined temple (Newly constructed in the year
of 1982) by the head priest of the Goddess in the patronship of Sarala Trust. Some important
ritualistic ceremonies are still observed in the old shrine thrice in a year. The processional idol
“Chalanti Vigraha” of Sharala is brought in a gorgeous palanquin from the present temple to the
Sarola grama seven times in a year to commemorate the ancient rituals. The idol of the deity
ceremoniously installed on the old throne where she had been worshiped for centuries. A male
goat was traditionally sacrificed through the pancha upachara puja at the place as the last ritual in
the occasion of Dussehra. Mahabisuva Pana Sankranti noon is the great occasion (Jhamu Yatra)
Roul sevaks dance on fire and green coconut offered to Devi by panda pujakas. In the dawn of
Dola Purnima decorated vimans consisting of several deities from adjacent localities congregate
along with the goddess. This interesting occasion is observed with pomp and ceremony. This
particular occasion, when Goddess Sarala is worshipped along with other deities, signifies that
Maa Sarala is an amalgamation of Vedic cult, tantrik rites and vaishnavik efflorescence. The
present temple of Goddess was constructed during the period of Marahatta administration
between 1753 and 1803. Marahatta Subedars took initiatives and helped the local kings
(Gajapati) of Kujanga, Kanika, Benahar and Harishpur to construct the present temple. Present
temple situated in the village of Kanakpur of Jhankada Pragana(Kanankbati patana). It is located
in a specious compound consists of a Deula of Pidha order, a Jagamohan or Mukhasala with
three Pidha-roofs aligned in a north south axis, and a flat roofed Manadap. The walls of Deula
and Jagaamohan is divided into two stored by Madhya Bandhan. The projecting paga is designed
as pidha-mundis on both stored though they are not niches. The Anuraha recess has two super–
imposed figure motifs on each story. They are filled with erotic kanya motifs, lion motifs on
Brahamanical deities. The raha is decorated with a large pidha-mundi that extends up to two
storeys. Its niche is filled with various aspects of Devi. On north and south (Sandhi Sthal)
bonding are two idols of Devi, one superimposed above the other. The sean on the south
represent Parvati and Kali sturts that extend to the height of the barandha support the pidha-roof
of both structures. The sturts are decorated with Mithunas or Alasa Kanyas. The Pidha-roofs
consists of conventional pidha mouldings and crowning mastka. Exterior pilaster supports the
roof of the mandap at the front of the east west axial alignment. The wall openings between the
pilasters are designed as cusped arches. Images of the Dasamaha Vidya are carved at spaced
intervals just below the ceiling within the Mandap. The flat roof has two tires. A large image of
Mahisamardini is at the front edge of the roof. The Devi is eight armed and placed within a
circular medallion decorated with lotus petals. If we go through the annals of history, we find
that the Sarala temple was managed by a single man called “Parichha” and he was the sole
authority (de-facto ruler) of the temple till mid eighties. In the year of 1863 Endowment Act was
promulgated by the British rulers and a no. of religious establishments came under the control of
Endowment for the first time in the history of India.
As per the historical evidences, immediately after the promulgation of endowment act the
administration of religious establishments like Kadam Rasul (Cuttack) Jaganath Ballva Math
(Puri), Sakhi Gopal (Puri District), Lingaraj Temple (Bhubaneswar), Baladev Jew Temple
(Kendrapara), Govinda Jew Temple (Kendrapara), Bhagabati Temple (Banapur) and Sarala
Temple of Jhankad (Cuttack district) came under endowment. According to this act, a three
member trustee will be in charge of the administration of the religious establishments under the
endowment and the District Judge of the concerned districts were empowered to select three
members (normally eminent persons) as Trustees for the concerned religious establishments.

After the endowment took control over the temple administration some of the prominent
personalities were nominated by District Judge of Cuttack for Sarala Temple and they are Dasa
Rathi Dash, Gokulananda Choudhury, Giris Chandra Ray Chaudhuri, Raybahadur Nimain
Charan Mitra, Babu Shyam Sundar Bose, Babu Kapileswar Das, Susil Raj Choudhury, Niranjan
Parija.

Though the endowment act had many good provisions for the temple administration but it had a
serious drawback. Once appointed, a member gets lifetime tenure as a trustee and can only be
succeeded by other nominated members after his death. Because of this provision in the act,
some ineffective members started continuing in different temple administrations for years
together without significant or no contributions. The Sarala temple was not an exception. Most of
the members nominated by District Judge, Cuttack were hesitant to visit the Sarala Temple as
because it was little far away (fifty kilometers) from Cuttack and was not connected with good
roads. So they used run the administration of the temple from Cuttack. Therefore after the
appointment of trustees, there was no change in the administration scenario in Sarala Temple and
it remained as before. After few years, for crisis management the then Trust Board appointed a
local headman named Chintamani Parija of Tentulipada village as manager of the temple and this
man brought some changes in the administration during his tenure as manager. But probably that
was not enough and the villagers of nearby villages were highrunly dissatisfied the way the
temple was administered.

In the year of 1928, the Cuttack District Judge received some complaints regarding
mismanagement in the temple. To streamline the administration, the District Judge nominated
Ray Bahadur Chintamani Acharya and Choudhury Brajanath Mishra of Veda village as members
in the temple trust board and that heralded a new era in the administration of Sarala temple. Ray
Bahadur Chintamani Acharya took very good initiative to make administration more efficient
and effective. He also had brought some changes to the old rules and enforced new rules and
regulations for the long term benefit of the temple. During his tenure, the development of the
Sarala temple reached a new height.

In absence of proper rules and regulations for temple administration the donations of the pilgrims
were taken away either by the Sevayats or by Parichhas (Hereditary administrator of the temple)
and could not be used for the welfare of the temple. But for the first time in the history of the
temple, Chintamani Acharya, had brought changes by making new laws through trust board to
discontinue the above practice. Moreover under the new law, he ensured that donation of the
pilgrims either in cash or kind is accepted by the temple administration. Also to properly account
for the donations, he started the system of providing printed receipts to pilgrims against their
donations. While implementing new rules for the betterment of the temple, there was growing
dissatisfaction among Pujakas or Sevayats. Ray Bahadur Acharya immediately realized this and
to address this issue he proposed a unique model of temple income sharing by the Sevayats. As
per the model, on a particular day, those (the Sevayats) are on duty would get 14 of the temple
income of that day. By enacting these new laws through the trust board and by creating public
awareness, Ray Bahadur Acharya was able attract good amount of donations from the general
public. Later on these public donation money was utilized for the improvement of the temple and
brought a visible change in and around the temple area.

Ray Bahadur Chintamani Acharya will be always remembered for his contributions for the
development of the Sarala temple. Besides development, he was responsible for preparing a by-
law for temple administration, which laid the foundation stone for the proper administration of
Sarala Temple and for which his name will be written in the golden letters in the history of the
temple. As per the by-law an honorarium was fixed (Prapye pauna) for the Panda Sevak for the
first time in the temple history and after the by-law came into force, the old hereditary Parichha
administration was completely abolished.

“The Parichha administration was most corrupt and lethargic because of hereditary in nature. We
don’t have any hesitation to abolish it by preparing a new by-law” said Ray Bahadur Chintamani
Acharya, before discontinuing the Parichha administration in Sarla Temple. From that time
onwards the ritualistic duty of Parichha was handed over to a representative selected from the
panda pujaks. Narasingha Pand, was the first empowered Panda Pujak and performed the
ritualistic duty of Parichha. He was successful to discontinue the age old animal sacrifice system
by mobilizing public and Pujak Sevaks of the temple. In the year of 1946 entry of Harijan people
(Harijan prabesh) into the temple was organised by P.S.P leader Nisamani Khuntia and it was
another important event in the history of the temple. It was a great conflict between sevayat and
administration in the history of temple.

In the year of 1939, Hindu Devotara Endowment act came into force and a commissioner
became the head of the endowment. Trustee appointment power was transferred from District
Judge to Endowment Commissioner. As per the new act, the trust board once constituted will
have five years tenure and it has to be re-constituted after each five years. Under the Hindu
Devotara Commissioner in the first trust board Ray Bahadur Chintamani Acharya was appointed
as managing trustee, Baman Charana Mohanty and Giridhar Das were appointed as two
members. After five years, in the year 1945, the trust board re-constituted and in the place of
Giridhar Das, Sarat Chandra Parija appointed as the trustee.

Location
Communication facilities:

By Road: The temple is well connected with roads network and is accessible by road from
Jagatsinghpur, Cuttack and Paradeep.

At least three buses are plying everyday from Cuttack (Badambadi bus stand) to Sarala peetha
(Kanankpur). One can avail bus facility from Cuttack or Paradeep in every fifteen minutes and
can get down at Sarala Road stoppage to visit Sarala Temple. The Temple is only 10 minutes
away from the bus stoppage by Auto rickshaw.

The temple is only 20 minutes away on road from Jagatsinghpur district head quarters by a cab.
Moreover, one can take some alternative routes to reach the temple from nearby districts like
Kendrapara, Puri, Khurda, Cuttack and Jajpur.The temple can also be reached via Jagatsinghpur,
or Tarapur by road, from Cuttack.

One can also reach the Shrine from Konark via Kakatpur and Jagatsinghpur by travelling a
distance of around 70 km.

By Railway: The nearest railway station is Cuttack, however there is a small Pessenger Halt at
Sarala Road, near Tentulipada.Two trains are plying daily between Cuttack and Paradeep and
one can avail this facility to visit Sarala Temple. One has to get down at Sarala Road railway
station and can get auto rickshaws to reach the temple, which is 3 kilometers away from the
station.

By Air: The nearest airport is Bhubaneshwar, which is approximately 80 km, and is well
connected by road.

Accommodation facilities:

There is a Bungalow of Roads and Building (R&B) department, Govt. of Orissa where one can
stay overnight. The bookings for this can be done at the office of the Asst. Engineer,R&B,Tirtol.

A Rest house of Water Resources dept., Govt. of Orissa is located near the temple. This can be
used for overnight accommodation purpose and the bookings for this can be done at the office of
Asst. Engineer, Drainage Division, Water Resources Department.

Deity
As per history, Tantrik Shakti worshiping was started from 7th. Century onwards in which it is
believed that mother goddess is the source of power (Shakti) and highest spiritual bliss.
Shaktism, in which power of mother goddess (Matrushakti) is depicted as the ultimate form of
power, continued to dominate Buddhism, Shaivisim and Bramhinism after 7th. Century. During
this period mother energy was conceived and expected in various ways and the image of Siva
accompanied by his consort is conceived as Ardhanariswara (half male half female).

During the early Bhaumakar rule 736 A.D the eight armed Mahinsamardini Durga appeared in
the sculptural masterpieces of Orissa. Some eight armed Mahinsamardini idol (Bigraha) seen in
some other part of Orissa in the eighth century had resemblance with Goddess Sarala. As per the
eminent archaeologists and scholars the period of origin of the Goddess Sarala in Jhankad was
during 8th. Century A.D.
Tantrik Culture of the place

Goddess Sarala was popularly known as ‘Sarola Chandi’ till fifteenth century as it is stated in
Oriya Mahabharat.

Chandi or Sapta Sati interpolated in the Makandeya Purana known as one of the Shakta Tantrik
text of brahimincal religion. The entity and culture of the goddess Sarala has been derived from
the Sapta sati Chandi written by great sage Markandeya. As per the description in the text
Goddess has retained Shiva’s trident, Vishnu’s Chakra, Vayu’s bow, Surya’s arrow,
Bishwakarma’s sword. Indra’s thunder, Ayiravata’s bell and Himavan’s Lion. It is considered as
the main source of the idol Goddess Sarala. Chanting of sacred verses of Sri Chandi is one of the
most learned practices inside the temple. Everyday chanting of the sacred text at the Shrine not
only one of the important rituals but it is very portative for devotees.

Tantrik aspects of ritual are still in practice from time immemorial, which is the witness to the
undeniable fact that is a great Shakta Tantrik peetha. The aspect of Pancha “MA” Kara puja by
Panada Pujak is found in the daily rituals where the naivedyas are substituted by Coconut
water,Cakes made up of Blackgram and Different kinds of Rice are offered.These rituals
substitute the Matsya,Mamsa,Mudra,Madya,Maithuna of Tantra .

Ghata Nrutya as it is being performed by the “Roul”, the Shudra Sevak of Goddess is another
aspect of Tantrik worship. Roul is described as a Tantrik (Maha Gunia) in Oriya Mahabharat. A
wooden stand carrying potful of water (Ghata) is decorated in flowers. Roul Sevak wearing
Sarees, Bangles (Khadu), ankle (Pahuda), vermilion (Sindoor), Kajala different types of
ornaments. Decorating himself in a mythological picturesque manner heading the Ghata without
any support gives swinging dances. It is supposed that the will of the Goddess is acted in dance
form of the Roul. The ritual seems to be one of the oldest customs of Shakta tantrism as has been
adopted in different Shakti Peeths.

The practice of animal sacrifice (which has been discontinued since long) on the occasion of
Mahashtami Sandhi Puja, Dussehra is another witness of Shakta tantrik peeths, though the ritual
is not in vogue at present.The attributes which are there in the main Vigraha or Dhruva Vigraha
clearly says that the image is an mixed amalgamation of Matangi and Mahishamardini.

Attribution of entity as Saraswati

The Goddess Sarala known as Vakdevi is conceived as the active and eternal source of all
wisdom, intelligence and inspiration. The deity personifies “Bramha-Vidya” (the mystic
knowledge of the absolute), that is the topmost religious concept in the perspective of
dakshinachara Shakti Cult. She is also known as Utkal Bharati, where Utkal signifies the state of
Orissa and Bharati is one of the epithets of Saraswati and Tantrik Matangi.

It is believed that the substance of life and the power of knowledge are given by the Goddess and
therefore the other name of the Goddess is “Sharada” This belief was authenticated in the 15th.
Century AD. Sidheswara Parida, a devotee belongs to a traditional farmer family adopted his
name “Sarala Dasa”(servant of Maa Sarala) by the name of his beloved Goddess. Later on
Sidheswara was designated as the foremost poet of Oriya literature by his composition of great
epics Oriya Mohabharata, Bilanka Ramayan, Chandipuran and Laxminarayan bachanika. The
great poet Sarala Dasa admitted time and again that he had been an illiterate man and
composition of the great and epoch-making verses in Oriya Mahabharata was the result of the
magic power transferred to him by his beloved Goddess Maa Sarala.

It might have influenced and touched the right chord in the hearts of Oriyas. Any Oriya-speaking
person in the field of acting, drama, song, folk dance, literature and creative art pays his highest
devotion and regards at the beginning of his performance in the respective field and respective
form. The Sarala Thakurani has been the fondest introduction to the artistic excellence, learning
and literary brilliance.

All over Orissa there has been spread Shakta culture and a number of temples have been raised
in different names like Sarala (Jhankada), Vimala (Puri), Ramachandi (Konark), Bhagabati
(Banapur), Kalijai (Chilika), Narayani (Balugaon), Taratarini (Ganjam), Tarini (Ghatagaon),
Bhadrakali (Bhadrak), Viraja (Jajpur), Mangala(Kakatpur), Manikeswari (Kalahandi) and
Samalei (Sambalpur). They are more or less similar invocation incantation and manner of
worship but everywhere through out the state and in the neighbouring states like Jharkhand,
Andhra Pradesh, Chhatisgarh and West Bengal (Medinipur). Folk song dances like Pala,
Daskathia, Ghodanacha and Opera pay their obeisance to Goddess Sarala. Literary activity,
commencement of learning “Vidyarambha”. Her very name invites devotion and protection.

Goddess in Legend

In Tretaya Yuga, Parasurama the Brahmin warrior and sixth incarnation of Lord Vishnu went
round (Tritha Paryatana) sacred places with an aim to establish Goddess Sanctuary (Matru
Tirtha) on his way. While moving from places to place, he came near river Chandrabhaga, took a
dip in the river and took rest under a banyan tree. While meditating, he came to know about a
power (Shakti) kept self-hidden and desired to have self-expression. After that Parasuram
recovered a shining stone (Parasmanisila),a wonderful form of glittering Basalt-stone from
underneath the earth and carved the divine image of goddess with his arrow. As per the legend
the name of the Goddess became Sarada, as the figure of Goddess carved out by arrow (Sara) of
Parasurama. The place still bears the legend as meeting banyan tree (Bheta Bara). The name
“JHANKARA” or “JHANKADA” is lexically related in the magical reverberations of the sound
of Parsurama’s arrow and divine stone.

Another legend relates to the place and the deity to Dakshya Yajna in Devi Puran and other
Puranic text. It is said that Sati (Adimata or Adishakti), the original source of power, the wife of
Lord Shiva, got herself sacrificed in the fire place (Yajna Sthala) because She could not tolerate
humiliation of Her husband by Her father, Dakshya. Out of grief and remorse, Lord Shiva,
holding Her corpse on His shoulder started roaming relentlessly. Apprehending the anger of
Shiva, which might be detrimental for mankind, Lord Vishnu, sliced Her body into pieces by His
great weapon wheel (Sudarsan Chakra) and pieces of Her body scattered over fifty-one places,
and around each there grew up a sacred place of worshipping mother goddess (Shakti Peetha).
As per the legend, the Navy of Sati fell down in Jaipur, where Goddess Viraja is worshipped and
it is known as “Navy Kshetra”, the foot of Sati fell down in Srikshetra, where Goddess Vimala is
worshipped and it is known as Pada Peetha and the Tongue of Sati fell down in Jhankada and it
is known as “Jiwha /Bani Peetha” (As Jiwha/Bani Peetha, Jhankad lacks puranic evidence).

Festivals
Maha Visuba Sankranti: Some ritual performed at the place amalgamation of different influential
cult adapted in the temple over a period of time. Various Tantrik rites are still being observed
today at the place. Maha Visuba Pana Sankranti (Jhamu Yatra), otherwise known as “fire
walking festival” is one of the important festivals of the Goddess. Sudra Sevaks belong to Roul
caste on this occasion wear a picturesque custumes and dance bare footed over burning
charcoals. Some ritual gestures are subsequently go round the nearby villages for nearly one
month in order to campaign and spread magnanimity of Devi mahima. It appears that, this
festival is a tantrik origin.

Durga Puja: In the Autumn season, the Durga Puja is observed from Mulastami to Mahastami
and is considered as one of the greatest festival in the Devi Peetha. Mahinsa Mardini Besa, Suna
Besa and Kalika Nrutya are the main attractions of the festival. Sodasa Upachara puja takes place
twice daily during this period. Traditionally the animal sacrifice of a buffalo is done on the
prescribed day Mahastami (Sandhipuja), a male goat sacrifice is done before the ceremonial idol
of the Goddess on the day of Dussehra at the old shrine of the deity Sarola Grama.

Chandan Yatra: Chandan Yatra begins from Akshaya Tritiya and is observed for twenty-one
days. It is a unique festival of Shakta Shrine as deity is worshiped here as Parama Vaishnavi. In
the text of Oriya Mahabharata Sarala Thakurani is described as Parama Vaishnavi. It is an old
traditional festival from time immemorial.

Nabanna Puja: The Nabanna in consonance with Orissa’s harvesting season is observed here in
the first week of Margasirsha with a great devotion and is also considered as an important
festival. Different types of foods are prepared for the deity, from the newly harvested crops and
offered to the deity through Sodasa Upachara Puja and all the niyogies of the deity eat the Prasad
in a group.

As Jhankad was under the direct administration of Gajapati, influence of Jagannath culture and
Vasihnavism are seen in this Devi peetha. This is quite evident from some of the rituals like
Gamha Avisek, Pausyabhiseka in the full moon day of the month Sraban, Pausa, on account of
Nabanka Bedha, the processional idol of God taken nine times round the temple similar to Sri
Jaganath Temple Puri. Rasa Utsav in the month Kartik, Dola Melana in the month of Phalgun. In
accordance with Jagannath culture Suniya in the month of Bhadrav is observed as coronation
ceremony of Gajapati kings the resembling the rites in the temple of lord, Sarala the consorts is
ornated in gracious ornaments.

Sekhareswar Temple
The Sekhareswar Temple is a Hindu temple situated in Lathanga village in Jagatsinghpur
district of Orissa, India. Sekhareswar in Sanskrit refers to the Godhead. The temple is dedicated
to Lord Shiva. The vāruni yātrā of Sekhareswar is one thousand years old. The Sekhareswar
Sanskrit Tol, the Sekhareswar Sanskrit College and the Sekhareswar Yuva Parishad are named
after the Lord of this temple.

The temple is maintained by a board of trustees headed by Dr. L.N. Acharya, Sri B.D. Acharya,
Pdt. S.N. Acharya, Sri Vasudev Acharya and Sri Dhrutisundar Acharya.

Upper Bagh Devi Temple

Upper Bagh Devi Temple is an ancient shrine at Kulada, Ganjam District in the state of Orissa
in India. The temple is about 8 km from Bhanja Nagar, 102 km from Chhatrapur and 140 km
from Bhubaneswar. The nearest railway station is at Berhampur, 88 km away.

Temple
The presiding deity of the temple is Goddess Bagh Devi. This hilltop temple is accessed by 210
steps. Another shrine of Goddess Bagh Devi has been built at the foot of the hill.

Its people's believe that there were three sisters (including Upper Bagh Devi). One is more upper
of current Upper Bagh Devi Temple is also called as Bada Raula (may be means big sister) and
there is another temple simply called as Bagh Devi (youngest sister) near to Jagannath Temple.
People say that these three sisters always fought each other for Coconut and then once decided
that they can divide the region who will stay where. So they throw three Lotta (type of rounded
drinking container widely used in Orissa for drinking water). One stuck in the same place where
Bada Raula is staying currently, second one stuck in the place where today called as Upper Bagh
Devi and the third one was fallen into a Pond which currently a temple which is below the
ground level. Then Kavi Samrat Upendra Bhanja got indication from devi (through dream) that
he may need to build temple in these places. Gradually the temple were build and renovated but
the Bada Raula's Temple was never built since it is very difficult to go there as there is no steps
to go there till now.

The temple celebrates the Sankranti day of every month. Thakurani Yatra, celebrated every three
years, and Rathyatra are also held in grand manner.

A temple dedicated to Lord Jagannath, Mausimaa Temple, and Ratneswar Mahadev temple are
nearby worship places.

Siddha Bhairavi
Siddha Bhairavi Temple is a Famous Shakti Shrines situated at Mantridi in Ganjam district of
Orissa India. Here the presiding deity is Goddess Bhairavi. Carved in crude fashion, the idol
features one leg and four hands. It is said that this idol was excavated from a ploughed field and
was enshrined as such in a newly adorned temple in the year 1937. All the Sankranti days in
every month of the Hindu Calendar and Tuesdays are considered auspicious here.
The temple is on the National Highway 5, about 18 km from Berhampur. Berhampur Railway
Station is the nearest railhead.

Other Attractions
The temple houses 108 sub shrines dedicated to all Hindu gods present from Kashmir to
Kanyakumari like the 12 jyotirlingas,Vaishno
Devi,Dashavatara,Venkateshwara,Ranganatha,Meenakshi,Badrinath.A big shrine is also present
which houses Lord Jagannath along with his siblings.It is believed that at the end of Kaliyuga
Bhairavi devi will accompany Kalki Avatar in restoring Dharma.

Ramachandi Temple

Ramachandi Temple, is on a beautiful spot on the banks of the Kusabhadra River where it
flows into the Bay of Bengal. It is only 5 km away from Konark in the Puri District of Orissa.

Goddess Ramachandi, the deity of Konark is thought by some to be the presiding deity of this
temple, while others thought it to be the temple of Mayadevi, wife of Surya (Sun god).

Location
The temple of Goddess 'Ramachandi' on the river mouth of Kushabhadra river is a splendid
scenic picnic resort. It is situated 7 km before Konark on the Marine drive road from Puri to
Konark. Ramachandi is popularly believed the presiding deity of Konark, and the most
benevolent Chandi known. It is certainly more ancient than the Sun temple at Konark. From the
architectural point of view, the temple of Ramachandi is not important but from the religious
point of view, it is one of the famous Sakta pithas of Puri.

A graceful Chandi, seated on a lotus in a small temple half hidden by sand mounds, on the river
mouth of 'Kushabhadra' and the endless Bay of Bengal stretched to eternity, and a thick growth
of Casuarina plantation around is the scenic maginificence of the place. Before construction of
the Marine drive road, the place was not accessible to out side visitors. However it attracted large
number of local devotees to offer sacrifices 'Bali' in the month of Ashwna Picnicking at
Ramachandi was then a youthful feat. The romantic sight has always fascinated young lovers,
students and picnicking troups from far wide besides a handful of professional fisherman who
exploit inhabitants. However after the construction of the Marine dive road, the place has
become very easily accessible. We see regular crowd of pleasure seekers both from the
neighbour hood and distant places every day.

History
A legend regarding the deity is ever fresh and popular among the locals. "Kalapahada" the rebel
Hindu Brahmin Youth turned islam, vowed to destroy all the temples of Hindu worship during
17th Contury. After destroying the Sun temple, Kalapahad approached to Ramachandi temple to
destroy it. Then Goddess Ramachandi dressed as a Maluni (maid servant) asked Kalapahad to
wait at the door till she bring water from the river for the Goddess. Kalapahad anxiously waited
for a long time to get some cold water. When it was too late and the Maluni did not return he
exhausted and entered inside the temple and found the throne empty. Then he thought the Maluni
took away the deity with her and with anger he followed the Maluni. When he reached the bank
of the Kushabhadra river he found the goddess Ramachandi floating in the middle of the river.
At that time the river was outpouring, so he came back without able to reach the middle of the
river. Then Goddess Ramachandi came in dream of a panda (priest) and told him to built a
temple on the bank of the Kushabhadra river. This place is now known as Ramachandi. Through
out the year many visitors come here to get the blessing of Goddess Ramachandi and to enjoy the
scenic beauty of river Kushabhadra and Bay of Bengal.

Now the temple has collapsed leaving remains of its broken walls and the empty throne. There is
no historical evidence to conclude about its presiding deity.[1]

Ananta Vasudeva Temple

The Ananta Vasudeva Temple in 1869

Ananta Vasudeva Temple is situated at Bhubaneswar,state capital in Orissa state of India.[1]

The temple was constructed in the thirteenth century, and the complete murties of Krishna,
Balarama and Subhadra are worshipped there. Balarama stands under a seven hooded serpent,
while Krishna holds a mace, chakra and a conch. Krisna being an avatara of Vishnu, this is
basically a Vaishnavite temple, which dates back to the period of Chandrika, the daughter of
Anangabhima III, during the reign of the king Bhanudeva.

Difference From Jagannath Temple,Puri

The idols found in the garbhagruha of temple have complete structure unlike the images of
Puri.Here the shrimurties are made of black granite stone,rather than wood,as seen in Puri.Daily
different kinds of Naivedyas are offered which can be accessed by devotees at reasonable
price.For this temple only the city gains its name as Chakra kshetra,whereas Puri is named
Shankha kshetra.

Images

view of Ananta Vasudeva Temple from Bindusagar

Baladevjew Temple
Sri Sri Baladev Jew Temple is situated in the small town Ichhapur, in Kendrapara District,
Orissa. Baladev Jew Temple is very famous temple in Orissa and Lord Balabhadra is the main
God of this temple. However Lord Jagannath, Devi Subhadra are also worshiped here along with
Lord Balabhadra in the Ratna Sinhasan in the main temple.Idol of Goddess Tulasi in sitting
position is there after the sacred seven steps.[1]

Architecture and Construction of Baladev Jew Temple

Baladev Jew Temple is constructed over an area of 2 acres of land. There are 2 parts in the total
area, in one part, different temples are there and another part is a beautiful garden. There is a big
boundary around the temple, which is 14 meters high.

There are four main parts of Baladev Jew Temple are Sri Mandir, Natya Mandir, Bhoga Mandap
and Mukhashala. The main temple height is 75 feet and width is 40 feet. The main temple has a 7
step construction and heavy baulamalia stone are used in this construction. There are other small
temples inside the premise, where other Gods and Goddesses are worshipped. All the temples
have a beautiful architecture and constructed in traditional way.

The other important parts of the temple are Garuda Stambha, Ratna Bhandar, Snana Mandap,
Mukti Mandap, Jhulan Gruha
Rituals Followed in Baladev Jew Temple
The deities of Lord Baladev Jew, Lord Jagannath and Goddess Subhadra wear different costumes
and are decorated in different ways during different important festivals. This tradition is known
as Besha (alankara).The Rath Yatra here is famous for the Brahma Taladhwaja Rath.[2]

Some Important Alankara are -

1. Sri Raghunatha Besha on Chaitra Purnima Festival.

2. Padma Besha on Kartik Purnima Festival and Tulsi Vivah in Kartik.
3. Gamhabhisheka Besha – From Shraavana Sukla Dashami to Purnima,holy srinakshatra
ceremony of Lord Balarama
4. Pushyabhisheka Besha on Pausha Purnima festival
5. Kanchi Kaveri Besha on Vasant Panchami festival.
6. Suna Besha (Bali Vamana Besha) on Bhadrapad Dwadashi Day
7. Krishna Balarama Besha on Phalguna Purnima festival

Offerings
There are arrangements for 3 main Naivedya offerings ( Dhupa )and 3 minor offerings
(Abakasha) for the deities daily.

1. Morning offering ( Sakala Dhupa)

2. Offering at pre-noon (Madhhyanna Dhupa)
3. Rice offering ( Dwiprahara Dhupa/ Anna Dhupa)
4. Offering at evening ( Sandhya Aarati Dhupa)
5. Rice offering ( Nisankhudi Dhupa)
6. Offering at night ( Badasinghar Dhupa)

Different types of offerings (Prasad) are made with trained traditional families,called as
Supakara and Mekap are engaged solely for deities. Some of the delicacies are highly patronized
in different historic regimes. A comprehensive list of the delicacies is given below.[3]

Baula Gaintha, Upana Pitha, Mithei, Chaurashi Vyanjana(84 vegetable Curry), Makara Chaula,
Bhaja,Ghia Anna ,Dali, Phalamula (fruits), Dry sweets, Ghanavarta, Pura Kakara, Rasabali,
Potali Pitha, Chipa Kakara, Karanji, Khaja, Magaja Ladoo, Dalimba, Khuduma, Nishkudi,
Mutha Gaja, Tala, Chhena Chakata are the famous ones.
Bhattarika Temple

The Bhattarika Temple

Bhattarika Temple located in sasanga village,baramba, Athgarh, Cuttack District, India is

dedicated to the Hindu Goddess Maa Bhattarika worshipped as a manifestation of Shakti. The
temple is situated on the banks of the River Mahanadi. As per Puranic tradition Parasuram facing
certain defeat at the hands of Saharasjuna prayed to Durga who appeared on this spot to impart
her divine power to the aid of Parashuram [1]

Shakta Pitha Bhattarika of Badamba in the district of Cuttack is one of the notable holy place of
Orissa, India. This sacred pitha is associated with Devi Bhattarika. The river Mahanadi the
longest river of Orissa flows in the side of the temple of the Bhattarika. The river is deep here. In
the foot of the Ratnagiri hill temple of Bhattarika is located. River Mahanadi, Ratnagirihill,
temple of Bhattarika, and famous places like Narayana , Nilamadhava ,Vindhyavasini,Simhanath
attract thousands of Pilgrims, devotees and tourists.

Legend
According to a popular legend this pitha is established by Parsuram and also he carved the image
of goddess in the tip of his arrow. In this pitha Parsurama penanced to gain mercy of the deity to
kill Bhattas or Kshetriyas. The Goddess became pleased with him and offered him the desired
boom. So the Pitha is associated to the epic age. According to the Oriya Ramayan, Ram,
Lakshmana and Sita on their way to Panchvati paid prayer to the Goddess Bhattarika. The
Mankadagadia hill on the other side of Mahanadi where the foot mark of Ram, Lakshmana and
Sita are worshipped is also quite significant.

Another local legend says that Krishna and Satyabhama visited Bhattarika and it was revealed to
Arjun during his Agyantavasa. The Demon Gosimha k i d n a p p e d Satyabhama in disguise
during that period. Arjun foughtbravely and killed Gosimha demon.After that
Krishna,Satyabhama and Arjun prayed Goddess Bhattarika;the presiding deity of the Badamba
royal family.

The term Bhattarika has different meaning. According to History and legend of Badambagada,
Gajapati of Orissa ordered Hattakishor and Mallakishor the two brothers to establish two villages
named Sankha and Mahuri. After that they became king in that place. Tribal chief of that area
opposed these two brothers when they tried to construct Fort. A terrible battle was fought and
finallytribal chief and his wife died in the battle.Before death the wife of the tribal chief advised
king Hattakishore to worship the deity Bhattarika. Another name of the deity Bhattarika is
Bruhatamba. The king named his state Bhuhadamba bearing the name of the Goddess. But latter
it is known as Badamba. Devi Bhattarika seated in Lalitasana holding a lotus in one hand and the
other hand in Varadamudra,Another image close to her is in Lalitasana with four hands
Pasha ,Ankusha,Bow and Arrow which is called Para Bhattarika. She is suryopasanatatpara. It is
seen that the sun God is worshiped here. In the Jagamohan of the Bhattarika temple an image of
sun god is kept. Another meaning of the Devi Bhattarika is "respectable lady." Devi Bhattarika
associated with eight small images,five in padmasana and three in Lalitasana. The associated
images are Prabha, Maya, Jaya, Sukshma, Visuddha, Suprabha and Abhaya.According to
Buddhist "Yogachara" system the Devi is seated in the centre of Chakra associated with eight
deties. The priest worships the goddess as Rajarajeswari,Mahamaya,Shodashi, Tripura Sundari,
Para Bhattarika. Some research scholars opine that the place was linked with Buddhism.

At the time of Bhaumakara rule the particular place was associated with tantric Buddhism. The
Somavamsis who were dead enemies of Buddhism might have converted the pitha into the Hindu
fold. The tiny Buddhist image is now placed in the central niche. The present Tara image appears
to be a later insertion. The worshippers of the goddess Bhattarika are non-Brahmin, this brings
about a folk character of the deity. In the daily ritual of the deity the cooked fish is offered. Devi
Bhattarika is considered as the deity of navigation and the Fisherman community. The popular
myths,legends, archaeological evidence prove that Bhattarika Pitha has been Shakta Pitha.

Bhuvaneshwar Temple,Boudh
Bhuvaneshwar Temple is located in Malipara in the Boudh township on the left side of road
leading from Boudh to Sonepur, it is situated on the right bank of Mahanadi. It can be assigned
to 10th Century, duering Somavamsi Kshatriya Kings. Decorated with architectural motifs like –
khakharamundis, divine figures like Ganesa and Jaina Tirthankaras, semi-divine figures, nayikas,
image of Linga puja, human figures both male and female, bharabahaka, decorative motifs like
scroll work, beaded border, lattice pattern, padmaprosta motifs, mohanty design, vajramundi,
animals, mithuna and maithuna etc.Nataraja and Brahma idols are also found. It can be
categorized as Rekha deula of South Kosalan style. Shivaratri, Shitalasasthi and all Purnimas are
important days here.

Biraja Temple
Biraja Temple is one of the ancient Hindu temples located in the Jajpur district of Orissa, India.
This present temple was built in 13th century. It is situated in the Jajpur township which is nearly
125 KM from Bhubaneswar. The main idol is Devi Durga who is worshiped by the name
Viraja.The idol is having two hands(dwibhuja),in one hand she pierces the chest of Mahishasura
with a spear and in other hand she pulls the tail of the Mahishasura.The Durga idol is standing on
Lion in one leg and other leg is on Mahishasura chest.The Mahishasura is depicted as a
Buffalo,not as regular human demon.The crown of Devi has symbol of Ganesha,Crescent moon
and a Shivalinga.The temple covers a large area, and it has several Shiva linga and other deities.
Jajpur is also known as Biraja Kshetra or Biraja Peetha.According to Skanda Purana,utkala
khanda it washes all rajo guna of pilgrims.So called as Viraja or Biraja kshetra.

Nabhi Gaya
It is heard from Puranas that Gaya is having mouth of Gayasura(Shirogaya)& the navel is in
Jajpur inside Biraja Temple.Whereas padagaya(legs of gayasura) is in Pithapuram of Andhra
Pradesh. God Brahma did 10 Ashwamedha yajna here on the bank of Baitarani Or Vaitarani.It is
called as Dakshina(south) Vedi of Brahma.Others being Gaya(east); Kurukshetra,(north);
Pushkar,(west) & Prayag Allahbad,(centre) according toVamana Purana.Many pilgrims gather
here for Shraaddha during Mahalaya.A Holy dip commenses on the day of Chaitra krishna
chaturdasi called as Varuni Snan Yoga.It becomes auspicious if the day is saturday and the star is
Shatabhisha The nearest rail head is Byasanagar or jajpur keonjhar road on chennai-howrah
railway.

Brahma Temple,Bindusagar
The Brahma temple is located in the eastern embankment of Bindusagar, on the left side road
leading from Lingaraj Temple. The temple is surrounded by Bindusagar tank on the west in
Bhubaneswar.

Legend
Lord Brahma came to Bhubaneswar to attend the coronation of Lingaraj Deva.Here he was
requested to stay forever,but he assured that he will come every year on the month of Chaitra for
the Ashokashtami festival.Again he assured that he will be the charioter(Sarathy) of the Rukuna
Rath of Shri Lingaraja.So a temple was erected in honour of him near Bindusagar.

Architechture
The main temple is of late Kalingan style dating back to 15th Century.The present temple was
bulit during the Gajapati Rulers.A four handed black chlorite image of Brahma holding Veda and
Water vessel in upper two hands and rosary,abhaya mudra in lower two hand.A visit to Lingaraj
Temple is incomplete witout visiting this temple and Ananta Vasudeva Temple.Currently the
daily worship is done by Brahmins belonging to Panda family.

Yajna Varaha Temple

Sri Sri Yajna Varahajew Temple is situated in the town named Jajpur,in Odisha and dedicated
to lord Varaha.
 Mythology
Lord Brahma did ten Ashwamedha Yajna near the Baitarani River.After finishing on a holy
moment of Pausha Amavasya Lord Varaha emanated from the holy fire.Lord Brahma first
worshipped him a per Vedas .Again after one month on the same occasion of Amavasya during
Maagha Goddess Viraja emanated.She was worshipped as per Agamas by Brahma.Still the
Brahma kunda is present near Biraja Temple.The place is called Gadaa Kshetra after the Mace
used by Varaha.

Temple At Present
Inside temple Yajnavaraha,Svetavaraha and Aadi Bhumivaraha idols along with Jagannath
are worshipped.Preveously the idol of Lakshmi Varaha was present here,but later lord was
shifted to Aul,a place in Kendrapara District to fulfill the wish of the local king.The temple is
situated on the other side of Biraja Temple with Baitarani River flowing inbetween.

Location
Jajpur is well connected to NH5,and nearest railway station is Byasanagar or Jajpur Keonjhar
Road on Chennai Howrah Railway line.

Yajna Varaha Temple

Sri Sri Yajna Varahajew Temple is situated in the town named Jajpur,in Odisha and dedicated
to lord Varaha.

Mythology
Lord Brahma did ten Ashwamedha Yajna near the Baitarani River.After finishing on a holy
moment of Pausha Amavasya Lord Varaha emanated from the holy fire.Lord Brahma first
worshipped him a per Vedas .Again after one month on the same occasion of Amavasya during
Maagha Goddess Viraja emanated.She was worshipped as per Agamas by Brahma.Still the
Brahma kunda is present near Biraja Temple.The place is called Gadaa Kshetra after the Mace
used by Varaha.

Temple At Present
Inside temple Yajnavaraha,Svetavaraha and Aadi Bhumivaraha idols along with Jagannath
are worshipped.Preveously the idol of Lakshmi Varaha was present here,but later lord was
shifted to Aul,a place in Kendrapara District to fulfill the wish of the local king.The temple is
situated on the other side of Biraja Temple with Baitarani River flowing inbetween.
Location
Jajpur is well connected to NH5,and nearest railway station is Byasanagar or Jajpur Keonjhar
Road on Chennai Howrah Railway line.

 Brahma Temple,Niali
 The temple of Hindu creator God Brahma is located in the north-eastern side of the
village Niali in Cuttack district.The present temple was rebuilt during 12th century.The
central icon of Brahma holds a rosary and Kamandalu,sitting on a Lotus.He is having
four faces.This icon is assigned to the time of Shailodbhava dynasty of Utkal during 7th
century AD.There are two Vishnu images which belong to 12th century AD.The main
vimana is of Pidha deula style.It is very near to Madhava Temple,Niali.A tributary of
Mahanadi called Prachee is flowing near the shrine.Some local Brahmins opine that an
Ashwamedha yajna was done by Brahma here.

 Brahmeswara
 The Temple of Brahmeswara, at Bhubaneswar in Orissa, erected at the end of the 9th
century AD, is richly carved inside and out. This Hindu temple can be dated with fair
accuracy by the use of inscriptions that were originally on the temple. They are now
unfortunately lost, but records of them preserve the information of around 1058 AD.The
temple is built in the 18th regnal year of the Somavamsi king Udyotakesari by his mother
Kolavati Devi. This corresponds to 1058 AD.
 The temple is built with traditional architectural methods of wood carving, but applied on
stone building. The buildings were build in a shape of full volume pyramid, and then the
would be carved inside and outside.
 The basic structure of the Orissan temple has two connecting buildings. The smaller is
the Jagmohana, or assembly hall. Behind it is the Sikhara, the towering sanctuary. Later
temples have two additional halls in front—one for dancing, the other for banquets[1].
 The Brahmeswara shows quite a bit of affinity with the much earlier Mukteswar Temple,
including the carved interior of the 'Jagmohana', and in the sculptural iconography such
as the lion head motif, which appeared for the first time in the 'Mukteswara', and is here
evident in profusion. There are quite a number of innovations, however, including the
introduction of a great number of musicians and dancers, some holding lutes, on the
exterior walls. For the first time in temple architectural history iron beams find their first
use.
 On sandstone walls there are symbolic decorations and the notion of godlike figures that
helps the believer in his meditation. The carvings over the doorframe contain beautiful
flower designs as well as flying figures. Like the Rajarani, there are images of the eight
directional Guardian Deities. There are also quite a number of tantric-related images, and
even 'Chamunda' appears on the western facade, holding a trident and a human head,
standing on a corpse. Shiva and other deities are also depicted in their horrific aspects.
  One of the lost inscriptions stated that a Queen 'Kolavati' presented 'many beautiful
women' to the temple, and it has been suggested that this is an evidence of the 'Devadasi'
tradition, which assumed such importance in later Orissan temple architecture and temple
life.

 Budha Ganesha Temple

 Budha Ganesha Temple or the temple of Ganesha in his old age form is found near the
Dasashwamedh Ghat of Baitarani River in Jajpur.It is very near to Yajna Varaha Temple.

 Archaeology
 The temple is built in a impoverised Kalingan order.Total temple is constructed using
Khanolite stone and recent lime plaster is done too protect the sculpture.Various loose
sculpture of Vishnu, Mahishamardini alongwith Jain Tirthankara Shantinath is also
found.On the basis of all the temple can be said that it was built during 11th Century
AD.The temple also consists of Rekha,Pidha structure like other temples of Sonepur and
Bhubaneswar.Ganesh Chaturthi is the most popular festival here.

Chandaneswar
Chandaneshwar is famous for a Shiva temple dedicated to Lord Shiva. A huge annual fair in the
Pana Sankranti, the first day of the Oriya calendar, is celebrated in the premises of temple. A
large number of pilgrimages from all over the country visit this temple during this period. This
fair is most important for devotees of Lord Shiva from Bengal, Jharkhand and Orissa.

Location
It is situated in Balasore district of Orissa.Regular transport is available from Jaleswar in Orissa
and Digha in West Bengal.

Maha Vishuva Sankranti

The oriya new year Maha Vishuva Sankranti day is very famous around the premises of the
shrine.Locally called as Uda Parva(festival of Oriyas literally) by Bengalis,Nila Parva after
worshipping Nilakanth Shiva,Chadak Yatra after the scorching sun.A half millions of people
gather around the shrine and do Fasting of several days to fulfill their wishes.The temple was
built in Orissa style of archtechture but later after being demolished by attackers from
Murshidabad nawabs,it was re constructed in Navaratna style of Bengal.

Chakra Narasimha Temple

Chakrateertha is an important pilgrimage site near the sea shore of Puri.
The Deities
The presiding deities of this temple are Abhaya Nrisimha,Chakra Nrisimha and Lakshmi
Narasimha.At this temple a big wheel in granaite is worshipped as Sudarshana Chakra along
with an image of Narayana.This is the place where the sacred Daru(wood) for construction of
first idol of Jagannath,Balabhadra,Subhadra and Sudarshana Chakra touched ground after
floating in sea and finally was taken by Indradyumna maharaja.It is also an important site as a
shrine dedicated to Varuna,the father of Lakshmi or the father-in-law of Jagannath as per legends
is constructed.

Charchika Temple

Charchika Temple

Name

Proper name: Charchika Temple

Location

Location: Banki, Orissa

Architecture and culture

Primary deity: Charchika (Chamunda)

History

This is one of the oldest Shakta place in Orissa. The presiding deity is an eight-armed goddess
Chamunda, locally known as Maa Charchika devi. She is seated on a prostrate human body and
wearing a garland of human skulls. She displays khadga, shula, katari and varadamudra in her
four right hands whereas the four left hands represent severed head, blood-cup, ‘’damru’’ and
leaving a finger of the remaining hand soaked in blood. This temple is situated on the top a small
hillock Ruchika Parbat on the bed of the Renuka river in the small town of Banki in Cuttack
district of Orissa.

The present temple was built in the 19th century. But the remarkable point is the enshrining deity
Maa Charchika on iconographical point of view can be assigned to the 9th – 10th centuries A.D.
i.e. Bhaumakara rule in Orissa. It is believed that the Charchika idol was created by
Parashurama. The temple has a pidha vimana, jagamohana and a wooden mandapa known as
"sunyavahini mandapa" of impoverished Kalingan order. Stone is used for the construction of
the temple and the entire surface is thickly lime plastered and white washed. The ceiling of the
mandapa is made of wood whereas the pillars are in stone. The ceiling of the mandapa is
profusely carved and painted. The wooden ceiling of the mandpa is relieved with episodes from
Bhagabata Purana with intervening decoration of animals and birds like - elephant, duck, parrot,
peacock, etc; floral motifs, lotus medallions, scroll and jali works, animal hunting, horse rider,
gaja-vidalas, makaramukha,mithuna and maithuna images. Besides, the parsvadevata niches
enshrine four-armed Chamunda, four-armed Mahisasuramardini Durga and an eight-armed
Chamunda on the north, west and southern side respectively.[1]

The Renuka river was created by the flood of 1982. It's believed that one divotee who worshiped
Maa Charchika after pleasing her took away all ornaments of Maa Charchika and build a house
where River Renuka is currently flowing. As Maa Charchika was not happy so she created this
River Renuka to punish him and to make him home less. This temple is situated in the heart of
Banki. It's good to visit the temple at the time of Dasara, a Hindu festival in the month of
October thousands of divotee used to come to get the blessing. Kumar Purnima a Hindu festival
celebrated 5 days after Dusshera is very famous here.

One more Temple of Maa Charchika is at Mathura Near River Yamuna.

Chateshwar Temple
It is a living temple and the presiding deity is a patalaphuta Shivalinga within a circular
yonipitha.It is located in the Kisahnpur village near Bahugram in Cuttack district.

Architecture
On the basis of a number of detached sculptures of different faiths like Saivite and Sakta, the
original temple can be assigned to the Eastern Ganga dynasty rule during 12th Century AD.A
miniature four- armed Vishnu, broken images of Chamunda , Surya and Buddha, Udyotasimha,
Nandi, miniature temple and other architectural members.The temple is pancharatha on plan and
the bada has multi-segmented horizontal mouldings in elevation.

Festivals
Major ones are Shivaratri,Kartik Purnima and Margashirsha Purnima.Mondays and Sankranti
days one can see a large crowd.It is easily accessed by road from Cuttack via Jagatpur.

Chhatia Batta
Jagannath Temple is located at Chhatia, in Jajpur district. It is associated with Kalki, avatar of
Lord Vishnu

Legend
The sage Hadidas who wrote Maalika has his samadhi here. Legend says that Kalki will come
here to receive the sword Nandaka from Vaikuntha in a secret place inside the sanctum. Lord
Jagannath, Lord Balabhadra, and Devi Subhadra are present in the manner described, not like the
devi Subhadra in the middle.

Dhabaleswar
Dhabaleswar Temple is dedicated to the worship of Lord Shiva. It is situated at a distance of 37
kilometers from the city of Cuttack, in the exotic island of Dhabaleshwar. It is one of the famous
weekend tours from Cuttack. The temple, located in an island on River Mahanadi, is embellished
with stone carvings that date back to the early 10th and 11th century. The serene ambiance, in
which the temple is situated, inspires spiritual feeling among one and all.

Attractions
 A big fair is held on the shukla paksha chaturdashi of the month Kartika called Bada
osha.
 Shivaratri

Dharakote
Dharakote (Oriya: ଧରାକୋଟ), famous for Lord Sri Jagannath temple, is a block in Ganjam
district in the Indian state of Orissa. It is located about 12 km north-west of the river Rishikulya
ASKA, Ganjam. It is just 55 km from Silk City Brahmapur,Orissa . Pincode of Dharakote is
761107

Administratively it consisted of three subdivisions: Jahada with 85 villages, Kunanogada with 37

villages and Sahasrango with 66 villages

Jagannath Temple
Dharakote is famous for Lord Sri Jagannath temple. The jagannath temple looks similar to Puri
Temple and Ekadasi Cart festival is famous in local people.
Jagannath Temple

Jagannath Temple

Geography
Dharakote is located at 19°23′N 84°20′E19.38°N 84.34°E.[1] NH-217 (Gopalpur-Raipur) is
passing through this city

Schools & Colleges

 A.N. Bidyapitha
 A.N Mahavidyalya
 Kishore Ch. Girls High School

Villages of Dharakote
1. Baharpur
 2. Balarampur
3. Baradabili
4. Dharakote
5. Dhaugam
6. Golla Damodarpalli
7. Jaga Mohan
8. Jahada
9. Jhadabandha
10. Jharapari
11. Machhakot
12. Manikyapur
13. Mundamarai
14. Rugumu
15. Salia
16. Saradhapur
17. Sungipur

street of Dharakote Badadanda street kothari street bazar street

List Of Rajas
 Raja HADU SINGH 1476-1540
 Raja RAI SINGH 1540-1602
 Raja NARAYAN SINGH 1602-1647
 Raja PURUSHOTTAM SINGH 1647-1699
 Raja RAM CHANDRA SINGH 1699-1731
 Raja JAI SINGH 1731-1748
 Raja RAJENDRA SINGH 1748-1780
 Raja DAMODAR SINGH 1780
 Raja KRUSHNA SINGH 1780-1788
 Raja JAGANATH SINGH 1788-1830
 Raja RAGHUNATH SINGH 1830-1863
 Raja BRAJA SUNDAR SINGH 1863-1880
 Raja MADAN MOHAN SINGH DEO 1880-1937
 Raja BRAJKISHORE SINGH DEO 1937-1938
 Raja PADMANABH SINGH DEO 1946-1949
 Raja ANANT NARAYAN SINGH Deo 1974/2003
 Raja KISHORE CHANDRA SINGH Deo

 Durga Temple,Baideshwar
 From Wikipedia, the free encyclopedia
 Jump to: navigation, search
 The temple is dedicated to Durga and present in Cuttack district in Baideshwar,near
Kalapathara chowk on the way to Banki.

 Architecture
 The temple has a Khakhara vimana of early Kalingan order during Bhaumakara
rule.The survey has assigned the temple to 8th century AD.It is a living temple,
enshrining an image of eight-armed Mahishamardini Durga.Mahisasuramardini Durga,
Parvati, Aja-ekapada Bhairava and Ganesh images are found.Similar construction are
found in Vaital Deula,and Varahi Temple,Chaurasi.The temple is built with Ochre colour
sandstone is used for the temple and laterite for the compound wall.

 Durga Temple, Motia

 The temple of Durga is located near Krushnaprasad village in a area called Nua Satanga
and Motia in Cuttack district, Orissa, India. The temple is dedicated to Mahishamardini
and Chamunda.
 The central icon which is worshipped is a four-handed goddess slaying Mahishasura. In
her upper two hands she holds Shankha and Chakra, while the lower hands have a trident
and a hand on the buffalo-headed demon. Several suclptures were discovered by the
Archaeological Survey of India here which demonstrated that the shrine belongs to the
era of Somavamsi rule during the 10th century. An image of Surya is worshipped here.

 Location
 It can be approached from Phulnakhara square near Niali in Cuttack district. Regular bus
service runs from Bhubaneswar to Niali, which is 65 kilometres (40 mi) away.
  Gundicha Temple
 The Gundicha Temple in Puri
 Gundicha Temple or the Garden House of the Hindu God Jagannath is situated in the
temple town of Puri in the state of Orissa, India. While it remains vacant most of the year,
it is occupied by idols of the deities Jagannath, Balabhadra, and Subhadra for a 9 days
every year during the annual Rath Yatra in the Hindu month of Ashadh. The temple is
located on an end of the Bada Danda or the Grand Avenue at a distance of exactly
2688.0696 metres(~3km) away from the main shrine of the Jagannath Temple (Puri)[1]
 The temple built in typical Kalingan style is set in a garden. It is said that to honour the
devotion of Queen Gundicha, wife of the legendary King Indradyumna who built the Puri
Jagannath temple that Lord Jagannath, Balabhadra and Subhadra leave their regular
abode in the main temple and spend a few days in this temple built by her in their honour
 Daru (the neem log) which came by the bay of Bengal and the first deities of lord
Jagannath, Balabhadra and Subhadra and Sudarshana was build by that log at the
yagyanvedi at Gundicha temple by lord Vishwakarma (the god of architecture)

Jagannath Temple, Puri

pur--- jagannath

Jagannath Temple, Puri

Name

Proper name: Shri Mandira(ଶ୍ରୀମନ୍ଦିର),Bada Deula(ବଡଦେଉଳ)

Location
 Location: Puri, Orissa, India.

Architecture and culture

Primary deity: Lord Jaganath

History

Date built: 11th century CE

Char Dham Created by Adi Shankara Charya

Badrinath • Rameswaram
Dwarka • Puri

This box: view • talk • edit

The Jagannath Temple in Puri(Oriya:ବଡଦେଉଳ,ଶ୍ରୀମନ୍ଦିର)is a famous Hindu temple dedicated

to Jagannath (Krishna) and located in the coastal town of Puri in the state of Orissa, India. The
name Jagannath (Lord of the Universe) is a combination of the Sanskrit words Jagat (Universe)
and Nath (Lord of).[1][2] The temple is an important pilgrimage destination for many Hindu
traditions, particularly worshippers of Krishna and Vishnu, and part of the Char Dham
pilgrimages that a Hindu has to be visited in one's lifetime .[3]

The temple is famous for its annual Rath Yatra, or chariot festival, in which the three main
temple deities are hauled on huge and elaborately decorated chariots. Since medieval times, it is
also associated with intense religious fervour.[4] The temple is sacred to the Vaishnava traditions
and saint Ramananda who was closely associated with the temple. It is also of particular
significance to the followers of the Gaudiya Vaishnavism whose founder, Chaitanya
Mahaprabhu, was attracted to the deity, Jagannath, and lived in Puri for many years.[5]

Origins of the temple

Ritual chakra and flags at the top shikhara of Puri temple of Jagannatha also related to Sudarsana
chakra. The red flag denotes that Jagannath is within the building.

According to recently discovered copper plates from the Ganga dynasty(reference required), the
construction of the current Jagannath temple was initiated by the ruler of Kalinga, Anantavarman
Chodaganga Dev.[6] The Jagamohana and the Vimana portions of the temple were built during
his reign (1078 - 1148 CE). However it was only in the year 1174 CE that the Orissan ruler
Ananga Bhima Deva rebuilt the temple to give a shape in which it stands today.[7]

Jagannath worship in the temple continued until 1558, when Orissa was attacked by the Afghan
general Kalapahad. Subsequently, when Ramachandra Deb established an independent kingdom
at Khurda in Orissa, the temple was consecrated and the deities reinstalled.[8]

Legend surrounding the temple origin

The traditional story concerning the origins of the temple is that here the original image of
Jagannath (a deity form of Vishnu) at the end of Krita yuga manifested near a banyan tree,near
seashore in the form of an [[Blue Sapphire|Indranila] nilamani] or the Blue Jewel. It was so
dazzling that it could grant instant moksha,so the god Dharma or Yama wanted to hide it in the
earth,and was successful.In Dvapara Yuga King Indradyumna of Malwa wanted to find that
mysterious image and to do so he performed harsh penances to obtain his goal. Vishnu then
instructed him to go to the Puri seashore and find a floating log to make an image from its trunk.

The King found the log of wood.He did a magnum yajna from which god YajnaNrisimha
appeared and instructed that Narayana should be made as four fold expansion,i.e.Paramatma as
Vasudeva,his Vyuha as Samkarshana,Yogamaya as Subhadra,and his Vibhava asSudarsana.
Vishwakarma appeared in the form of artist and prepared images of Jagannath, Balabhadra and
Subhadra from the tree.[9]

Buddhist Origins

Some archaeologists theorize that there existed a Buddhist stupa at the site of the present one,
which may have housed the tooth relic of the Buddha before it was transported to its present
location in Kandy, Sri Lanka.[10] Around that period Buddhism was imbibed within the
Vaishnava fold, whence Jagganath worship gained popularity. This was before the tenth century,
during the reign of the Somavamsi kings of Orissa.[11]

Maharaja Ranjit Singh, the great Sikh emperor, had donated massive amounts of gold to this
temple, (even more than he gave away to the Golden Temple at Amritsar). In his last will, he
also ordered that Kohinoor, the most precious and greatest diamond in the world, to be donated
to this temple, but the diamond could never actually make its way to the temple because the
British, by that time, had annexed the Punjab and all its royal possessions.

Cultural Integrity

Shrikshetra of Puri Jagannath, as is commonly known, can verily be said to be a truthful replica
of Indian culture. To understand this culture, one has to have some idea of the history of this
land, which again is different from that of other countries of the world. Indian history does not
contain accounts of imperialistic aggressions or invasions into the territorial integrity of any
nation.

Starting from Lord Jagannath himself, history has it that he was a tribal deity, adorned by the
Shabaras, as a symbol of Narayan. Another legend claims him to be Nilamadhava, an image of
Narayana made of blue stone and worshipped by the aboriginals. He was brought to Nilagiri
(blue mountain) or Nilachala and installed there as Jagannath in company with
Balaram(Balabhadra) and Subhadra. The images made of wood are also claimed to have their
distant linkage with the aboriginal system of worshipping wooden poles. To cap it all the
Daitapatis, who have a fair share of responsibilities to perform rituals of the Temple, are claimed
to be descendants of the aboriginals or hill tribes of Orissa. So we may safely claim that the
beginning of the cultural history of Shrikshetra is found in the fusion of Hindu and Tribal
Cultures. This has been accepted as a facet of our proud heritage. The three deities came to be
claimed as the symbols of Samyak Darshan, Samyak Jnana and Samyak Charita usually regarded
as Triratha (of the Jain cult), an assimilation of which leads to Moksha (salvation) or the ultimate
bliss.

Lord Jagannath is worshipped as Vishnu or Narayana or Krishna and Lord Balabhadra as

Shesha. Simultaneously, the deities are regarded as the bhairava (Shiva the formidable) with
Vimala (the bhairavi or the consort of Shiva) installed in the campus of the temple. So ultimately
we find a fusion of Saivism, Shaktism and Vaishnavism of the Hindu religion with Jainism and
up to an extent Buddhism in the culture of Jagannath and the cultural tradition so reverently held
together in Shrikshetra.

Acharyas and Jagannatha Puri

All acharyas except Madhvacharya visited this kshetra.Adi Shankara established Govardhana
matha here.A Lots of matha belonging to Ramanujacharya, Nimbarkacharya and Gaudiya
Vaishnavism are seen.Srimad Vallabhacharya has a Mahaprabhuji ki baithak here also,which he
established on his visit to Puri.Even evidence is there that Guru Nanak, Kabir and Tulsidas have
visited this place. [12]

Structure

Ratha Yatra Festival in Puri. Painting by James Fergusson

The huge temple complex covers an area of over 400,000 square feet (37,000 m2), and is
surrounded by a high fortified wall. It contains at least 120 temples and shrines. With its
sculptural richness and fluidity of the Oriya style of temple architecture, it is one of the most
magnificent monuments of India.[13] The main temple is a curvilinear temple and crowning the
top is the 'srichakra' (a eight spoked wheel) of Vishnu. Also known as the "Nilachakra", it is
made out of Ashtadhatu and is considered sacrosanct. Among the existing temples in orissa, the
temple of Shri Jagannath is the highest. The temple tower was built on a raised platform of stone
and, rising to 214 feet (65 m) above the inner sanctum where the deities reside, dominates the
surrounding landscape. The pyramidal roofs of the surrounding temples and adjoining halls, or
mandapas, rise in steps toward the tower like a ridge of mountain peaks.[14]
The main shrine is enclosed by a 20 feet (6.1 m) high wall. Another wall surrounds the main
temple.

The Singhadwara

The Bada Danda or the Grand Avenue

The Singahdwara, which in Sanskrit means The Lion Gate, is one of the four gates to the temple
and forms the Main entrance. The Singhadwara is so named because two huge statues of
crouching lions exist on either side of the entrance. The gate faces east opening on to the Bada
Danda or the Grand Road.The Baisi Pahacha or the flight of twenty two steps leads into the
temple complex. An idol of Jagannath known as Patita Pavana, which in Sanskrit, means the
"Saviour of the downtrodden and the fallen" is painted on the right side of the entrace. In ancient
times when untouchables were not allowed inside the temple, they could pray to Patita Pavana.
The statues of the two guards to the temple Jaya and Vijaya stand on either side of the doorway.
[15]
Just before the commencement of the Rath Yatra the idols of Jagannath, Balabhadra and
Subhadra are taken out of the temple through this gate.On their return from the Gundicha Temple
they have to ceremonially placate Goddess Mahalakshmi, whose statue is carved atop the door,
for neglecting to take her with them on the Yatra. Only then the Goddess allows them permission
to enter the temple. A magnificent sixteen-sided monolithic pillar known as the Arun stambha
stands in front of the main gate. This pillar has an idol of Arun, the charioteer of the Sun God
Surya, on its top. The pillar originally installed in the Sun temple of Konarak was shifted to Puri
by the Raja of Khurda.

Other Entrances
The Singhadwara in 1870 showing the Lion sculptures with the Arun Stambha Pillar in the foreground

Jagannath, Balabhadra and Subhadra in Nayagarh temple,another shrine for Jagannath

Apart from the Singhadwara, which is the main entrance to the temple, there are three other
entrances facing north, south and west. They are named after the sculptures of animals guarding
them. The other entrances are the Hathidwara or the Elephant Gate, the Vyaghradwara or the
Tiger Gate and the Ashwadwara or the Horse Gate.

Deities
The central forms of Jagannath, Balabhadra and the goddess Subhadra constitute the trinity of
deities sitting on the bejewelled platform or the Ratnavedi in the inner sanctum. The Sudarshan
Chakra, idols of Madanmohan, Sridevi and Vishwadhatri are also placed on the Ratnavedi. The
deities of Jagannath, Balabhadra, Subhadra and Sudarshan Chakra are made from sacred Neem
logs known as Daru Bramha.Depending on the season the deities are adorned in different garbs
and jewels. Worship of the deities pre-date the temple structure and may have originated in an
ancient tribal shrine.[16]

Minor Temples
There are numerous smaller temples and shrines within the Temple complex where active
worship is regularly conducted. The temple of Mahalakshmi has an important role in rituals of
the main temple.It is said that preparation of naivedya as offering for Jagannath is supervised by
Goddess Mahalakshmi. The Kanchi Ganesh Temple is dedicated to Ganesh. Tradition says the
King of Kanchipuram in ancient times gifted the idol,when Gajapati Purushottama Deva married
Padmavati,the kanchi princess.There are other shrines namely Muktimandap, Surya, Vimala,
Nrsimha, Ramachandra, Hanuman and Eshaneshwara.
The Mandapas

There are many Mandapas or Pillared halls on raised platforms within the temple complex meant
for religious congregations. The most prominent is the Mukti Mandap the congregation hall of
the holy seat of selected learned brahmins. Here important decisions regarding conduct of daily
worship and festivals are taken. The Dol Mandap is noteworthy for a beautifully carved stone
Torana or arch which is used for constructing a swing for the annual Dol Yatra festival. During
the festival the idol of Dologobindo is placed on the swing. The Snana Bedi is a rectangular
stone platform where idols of Jagannath, Balabhadra and Subhadra are placed for ceremonial
bathing during the annual Snana Yatra

The Temple Kitchen & Mahaprasada

The temple's kitchen is considered as the largest kitchen in India.[17] Tradition maintains that all
food cooked in the temple kitchens are supervised by the Goddess Mahalakshmi,the empress of
Srimandir herself. It is said that if the food prepared has any fault in it a shadow dog appears
near the temple kitchen.The temple cooks or Mahasuaras take this as a sign of displeasure of
Mahalakshmi with the food which is promptly buried and a new batch cooked. All food is
cooked following rules as prescribed by Hindu religious texts. Cooking is done only in earthen
pots with water drawn from two special wells near the kitchen called Ganga and Yamuna.There
are total 56 varieties of naivedhyas offered to the deities,near ratnavedi as well as in bhoga
mandap on five particular muhurtas.The most awaited prasad is kotho bhoga or abadha,offered
at mid-day at around 1PM,depending upon temple rituals. The food after being offered to
Jagannath is distributed at reasonable amount as Mahaprasad,which considered as divine to
devotees in the Ananda Bazar located to the North-east of the Singhadwara inside the temple
complex.

Festivals

Devotees visiting the Jagannath Temple in Puri on the occasion of Snana Yatra

There are elaborate daily worship services. There are many festivals each year attended by
thousands of people. The most important festival is the Rath Yatra or the Chariot festival in June.
This spectacular festival includes a procession of three huge chariots bearing the idols of
Jagannath, Balarama and Subhadra through the Bada Danda meaning the Grand Avenue of Puri
till their final destination the Gundicha Temple.[18]

Early European observers told tales of devotees being crushed under the wheels of these chariots,
whether by accident or even as a form of meritorious suicide akin to suttee. These reports gave
rise to the loan word juggernaut suggesting an immense, unstoppable, threatening entity or
process operated by fanatics.

In a year that has two months of Ashadh which is usually once in twelve to nineteen years the
wooden idols of the deities are replaced during the Nabakalevara ceremony.On Akshaya Tritiya
every year the Chandan Yatra festival marks the commencement of the construction of the
Chariots of the Rath Yatra. On the Purnima of the month of Jyestha the Gods are ceremonially
bathed and decorated every year on the occasion of Snana Yatra. Many other festivals like Dol
Yatra in spring and Jhulan Yatra in monsoon are celebrated by temple every year.Pavitrotsava
and Damanaka utsava are celebrated as per panchanga or panjika.There are special ceremonies
in the month of Kartika and Pausha.

The annual shodasha dinatmaka or 16 day puja beginning 8 days prior to Mahalaya of Ashwin
month for goddess Vimala and ending on Vijayadashami,is of great importance,in which both
the utsava murty of lord Madanmohan and Vimala take part.

Anavasara or Anasara

Literally means vacation.Every year,the main idols of Jagannath, Balabhadra,

Subhadra,&Sudarshan after the holy Snana Yatra on the jyestha purnima,go to a secret altar
named Anavasara Ghar where they remain for the next dark fortnight(krishna paksha).Hence
devotees are not allowed to view them.Instead of this devotees go to nearby place Brahmagiri to
see their beloved lord in the form of four handed form Alvarnath a form of Vishnu.Then people
get the first glimpse of lord on the day before Rath Yatra, which is called 'Navayouvana.It is said
that the gods fall in fever after taking a huge bath and they are treated by the Rajavaidya for 15
days.

The name Purushottama Kshetra and Its Siginificance

Puri Shri Jagannath Temple from a lane near by

Lord Jagannath is the Purushottama as per the scripture, Skanda Purana.In order to teach
humanbeings how to lead life full of virtue he has taken the form of Darubrahman.He is the best
brother to his siblings, Lord Balabhadra and Devi Subhadra.He is the best husband to goddess
Shri.The most noteworthy thing is still in the month of Margashirsha,on three consecutive days
during amavasya he does Shraaddha to his parents(Kashyapa-Aditi,Dasharatha-
Kaushalya,Vasudeva-Devaki,Nanda-Yashoda),along with king Indradyumna and queen
Gundicha.As a master he enjoys every comforts daily and in various festivals.He grants
everything to all his subjects,and those who surrenders before him he takes the utmost care of
them.

Culture and Tradition of Puri

Puri is one of the fascinating littoral district of Odisha. The Cultural heritage of Puri with its long
recorded history beginning from third century B. C till present day, The monuments and
religious sanctity, way of life of the people with their rich tradition possess emphatically to be
the cultural heart of Odisha. In deed Puri is considered cultural capital of Odisha. The culture
here is flourished with its manifold activities.

The District has the happy conglomerate of different religions, sects and faith in course of
history, Hindu, Buddhist, Jaina, Muslim, Christian, Sikh found here in the District.

[Chaitanya Mahaprabhu], an incarnation of Lod Krishna, appeared 500 hundred years ago, in the
mood of a devotee to taste the sublime emotions of ecstacy by chanting the holy name of
Krishna. Stalwart scholars of Puri like Sarvabhauma Bhattacharya (head priest & great sanskrit
pandit) and others followed His teachings. Even kings and ministers of His period became His
disciples. Espicially King Prataparudra became His great admirer and ardent follower.

Temple today
The Rath Yatra in Puri in modern times showing the three chariots of the deities with the Temple in the
background

In modern times the temple is busy and functioning.The temple is selective regarding who is
allowed entry into the grounds. Most non-Hindus are excluded from its premises,[19] as are
Hindus of non-Indian origin. Visitors not allowed entry may view the precincts from the roof of
the nearby Raghunandan Library.[20] There is some evidence that this came into force following a
series of invasions by foreigners into the temple and surrounding area. Buddhist, and Jain groups
are allowed into the temple compound if they are able to prove their Indian ancestry.[21] The
temple has slowly started allowing Hindus of non-Indian origin into the area, after an incident in
which 3 Balinese Hindus were denied entry, even though Bali is 90% Hindu.[22]

Places of interest in Puri

 Puri is considered a holy place of pilgrimage in India.
 The beautiful sea beach with its unique and fantastic views of sunsets and sunrises.

 The world famous Jagannath Temple (Bada Deula).

 Orissa - Akshaya Patra Foundation - A modern Kitchen (located on Grand Road, Puri) provides
mid day meals daily for one lakh children in and around Puri.

 Hare Krishna Movement, Puri - originally started by Sri Chaitanya Mahaprabhu 500 years back &
inspired by His Divine Grace A.C.Bhaktivedanta Swami Prabhupada, preaching the sublime
method of purifying heart & soul by chanting the Lord Krishna's (Jagannath) holy name.

 The gateway to heaven (as per Hindu mythology - Swargadwara). Swargadwara means direct
gateway to Heaven. Here, there is a Burning Ghat for Hindus. Swarga means Heaven and Dwara
means gate.

 One of the four cardinal institutions established by Adi Shankaracharya - Puri matha

 Ratha Jatra.

 Gateway to famous Sun temple (from Puri 36 km.) at Konark from Konark towards north
"Kuruma" is the location of a famous Buddhist place. It is possible to walk along the beach from
Puri all the way to Konark (or Konarak the name it is also known by) in order to see the Konark
Sun Temple.

 Bada Thakura(Lord Jagannath), Bada Danda(Grand Road), Bada Deula(Jagannath temple), Bada
Raja(King of puri), Maha Prasada(cooked food from the temple), Maha Dipa(oil candel) etc. are
notable persons and things in Puri.

 Tota Gopinatha mandira, Alharanatha mandir at Bramhagiri.

 Jayadeba, the famous Oriya poet who has written "Gita Gobinda" in Sanskrit was born in Kenduli
Sasan on the outskirts of Puri.
 Sakhigopala otherwise known as Satyabadi is a very significant religious place and tourist
destination of Puri district. Utkalamani Gopabandhu Dasa with his four friends set up Bakula
Bana Bidyalaya here, an open air school which played pivotal role in building character of
students. Also immensely contributed to the freedom struggle of India.

 Kakatpur Mangala Temple

 The Kakatpur Mangala Temple is a temple in Kakatpur, Puri, Orissa.
 Dedicated to Goddess Mangala a manifestation of the Mother Goddess Durga, the
Temple is located in the town of Kakatpur in the Puri District of Orissa. The temple is
built in typical Kalinga style and is a major pilgrimage for devotees of Shakti cult.
Pilgrims frequent the temple seeking boons from Maa Mangala.There is a bed made of
solid stone on which it is said Maa Mangala rests after touring the entire universe
everyday.As if to attest to this the bed looks worn out in just the same way it would if it
were in use for centuries.

 The Legend of Founding

 There is a famous story behind the evolution of the name of the deity as 'Kakatpur'
Mangala and believed by the local people. Goddess Managla kept herself hidden
under the deep water of river Prachi. Once a boatman was sailing his boat across
river Prachi. At that time the river was outpouring and flodded so he was unable to
sail his boat to the middle of the river. He spent whole day and night but not able to
sail his boat and during early morning, before the dawn, Goddess Mangala came in
his dream and asked him to recover her from the water and to establish her in
nearby Mangalapur village. The boatman dived into the water and able to find the
deity from the bed of the river. Then as per the direction of the Goddess he
established the figure of the deity in a temple in Mangalapur village. After this the
boatman saw a black crow dived into the water and did not come out of the water
for hours and days, the crow detained inside the water of river Prachi exactly in the
same place from where he recovered the figure of Goddess Mangala. In local oriya
language 'Crow' means 'Kaka' and 'Detained' means 'Atka'. So by combining the
two words it becomes 'Kaka-Atka', so during the course of time the Mangalapur
village is know as 'Kakat' (Kaka-Atka) pur and the Goddess is known as Kakatpur
Mangala.

Mr Benudhar Nayak
 The beautiful history of River Prachi with Maa Mangala and Lord Jagannath has taken a
shape into a book Titled " MAA SARBA MANGALA" in 2009. The author Mr.
Raghunandan Panda, is a resident of Kakatpur and Sebak of Maa Mangala. The author
has undergone a vast research on River Prachi since 1983. Finally, the book has taken
shape with very new and relevant information.

 Association with Lord Jagannath

 Every twelve years when the Idols of Lord Jagannath, Balabhadra and Subhadra are
replaced during the Nabakalevara rite , Priests of the temple in Puri pray to Maa Mangala
in the Kakatpur temple to give them divine guidance. The goddess appears in their
dreams and reveals the location of the three divine Daru Bramha trees from which idols
of the deities are made [1]

 Kanaka Durga, Raulapalli

 The Kanaka Durga temple is dedicated to Goddess Mahishamardini and located in
Raulapalli village on a small hillock. On the basis of architechture and local inscriptions
the temple was renovated on the early 19th century after the old one was damaged. The
temple is a Pancharatha temple having all qualities of a Kalingan temple. It consists of a
Rekha deula (vimana), Pidha deula (jagamohana), Pidha deula (natamandapa). The
presiding deity is an image of Durga having six hands slaying Mahishasura. Durga Puja
is celebrated with pomp and joy here. Another major festival is Chaitra utsava which
ends on Vishuva Sankranti.

 Location
 The temple is 6km from Jaugada. One can come from Berhampur via Purushottampur to
Pandia and then come to Raulapalli. Nearest railhead is Berhampur.

 Katak Chandi Temple


 Goddess Katak Chandi
 The Katak Chandi Temple( in Oriya କଟକ ଚଣ୍ଡି ମନ୍ଦିର ) is an ancient temple dedicated to
the Goddess Chandi, the presiding deity of Cuttack, Orissa. The temple is located near
the banks of the River Mahanadi. It is famous for the annual Durga Puja and Kali Puja
festivals. The Durga Puja festivities are prominent in Maa Katak Chandi temple. The
 goddess popularly called as Maa Katak Chandi, sits and rules on the heart of the ancient
city. She is worshiped as Bhubaneswari. Maa Chandi is worshipped in various
incarnations of Durga during the puja. In Cuttack, people strongly believe Maa Katak
Chandi as 'The Living Goddess'.

 Legend behind founding

 According to legend, the land where the temple is located once lay fallow. Hansa Panda,
the Purohit of the then King of Kanika, used to graze his cattle on the land. One day he
felt tired and took rest on a heap of dry soil. While resting, he experienced an unusual
feeling within. The same night, Goddess Chandi appeared in his dream and requested him
to bring her out of the land. The next day he went to the King and told him about the
dream he had. With the help of the king, Hansa Panda dug the land. It is said that forty
bullock carts of red sindoor came out while digging after which emerged the Deity of
Maa Katak Chandi.The present temple marks the spot.[1]

 Kedareswar Temple
 Kedareswar Temple, one of the eight Astasambhu Temples, is situated near the
Mukteswar Temple, in Bhubaneswar, Orissa. The presiding deity here is Lord Shiva,
referred to locally by the name ‘Kedareshwar’.
 It stands near the yard of the Mukteswar Temple.

 Legend
 There lived a lover couple named Kedar(male) and Gouri(female).They loved each other
and decided to marry.The society was against the union,so it led them to flee from
village.During journey Gouri felt hungry,so Kedar went for food and was killed by a
tiger.Later Gouri hearing this at this place jumped into the pond.The king of
Utkal,Lalatendu Keshari knowing this raised a temple named Kedareshawr or
Kedargouri Temple.Still lovers come here to pray for their happy wedlock without any
obstacles.The pond here also said to have some medicinal property.

 Kosaleswara temple
 Kosalesvara temple or Kosaleswara temple located at Baidyanatha of Subarnapur
district, Orissa, India.[1]In the balcony of the brick-built jagamohana hall of this temple a
peculiar Kirtimukha head is carved on brick. From the mouth of this kirtimukha a
bunches of leaves are flowing down. Such arts are found carved on the Laksmanesvara
temple located at Sirpur of the Chhattisgarh state, which was build on 8th century.[2]

Kshirachora Gopinatha Temple

Khirachora Gopinath Temple or Kshirachora Gopinatha Temple(Oriya:କ୍ଷୀରଚୋରା
ଗୋପୀନଥ ମନ୍ଦିର)is situated in Remuna. It is a little town located 9-km east of Balasore, about
halfway between Howrah and Bhubaneswar in Orissa . The name "Remuna" is resulting from the
word "Ramaniya" which means very good-looking.

Vigrahas
Lord Gopinatha, flanked by Sri Govinda and Sri Madana Mohana, is made of black stone. Sri
Gopinatha stands in bas-relief. Govinda and Madan Mohan, who were brought from Vrindavana
in about 1938 by a devotee named "Chaitanya Dasa Babaji", are standing freely.It is said that Sri
Rama carved 'Gopinath' with His arrow and that Sita worshiped this deity in Chitrakuta. During
vanvas to show the next avatar vigraha to Sita. King Langula Narasingha Dev, the king of Utkal,
brought this Deity to Remuna in the 13th century from Chitrakuta. This king also arranged to
have dug the two big tanks, 'Brajapokhari' and 'Kutapokhari'.

History
Over 500 years ago Madhavendra Puri was going to Puri to get some sandalwood for his Sri
Gopal Deity in Vrindavana. When he stopped at Remuna and saw Sri Gopinath, his heart was
filled with devotion and joy. When he saw the delicious 'Khira' offered to the Deity he desired to
taste some so he could offer the same preparation to "Sri Gopal". Madhavendra Puri would only
accept food that was spontaneously offered to him,and he seldom asked anything. Because he
was not offered any of the 'Khira' he left the temple without tasting it.

After finishing the worship to Gopinath the 'Pujari' took rest. In a dream Gopinath told him to get
up and take the pot of 'Khira' that He had hidden under His garments and to give it to
Madhavendra Puri. The 'Pujari' got up and found the sweet and brought it to Madhavendra Puri.
The 'Pujari' told him "For you Sri Gopinath has stolen 'Khira'. There is no other fortunate man
like you." This is how the Deity got the name Khira Chora Gopinath.

Speciality
One can get delicious 'Khira' here called as Amrita Keli. The Gopinatha Khira is a preparation
of Homemade condensed milk, sugar, and cream, with a sprinkling of raisins. It comes in pots of
various sizes, which are personally tasted by Lord Gopinatha himself. Sri Gopinatha is known as
"Kshira Chora Gopinatha" because He stole and hid a pot of 'Khira' out of love for Madhavendra
Puri. 'Chora' means thief.Western ISKCON devotees are also allowed in the temple.

Lakhmi Varaha Temple

Sri Sri Lakhmi Varaha Temple or Lakshmi Varahajew Mandira is an 500-year-old temple
dedicated to the boar incarnation of lord Vishnu, otherwise called Varaha along with his consort
Lakshmi instead of Bhudevi.

Location
It is located in a small Panchayat of Aul(Oriya:ଆଳି), in Kendrapara District. The geographical
coordinates are 20° 41' 0" north, 86° 39' 0" east. The nearest rivers are Brahmani River and
Baitarani River. Aul is situated at about 146 km from state capital Bhubaneswar. Regular bus
services are available from Kendrapara, Cuttack, Bhadrak and Bhubaneswar. The nearest railway
station is Bhadrak situated on the Chennai–Howrah railway route.

Legend of Varahajew
King of Aul was a devotee of Lord Shree Shree Lakshmi Varaha. The Lord was situated in the
Maa Biraja Pitha at the Jajpur District along with Yajna Varaha Temple. The king used to go
there for offering Puja. One day during the month of Shraavana flood came in the Baitarani
River, so the darshan was cancelled. But the Lord couldn't tolerate that. The king dreamed a
dream that the Lord wants to come with him to his place to Aul (locally called Alli). And one
day the Lord came, following the king's path of return, after puja. As the king was returning
through his horse, he was listening the sound of Lords following him. And at Aul at this place
around one km before the king's palace the sound of Lord's walking stopped. And in this place
the then devotee king built the Lord's holy temple. Still the Yajna Varaha Temple is there in
Jajpur. The present temple was renovated by king of Aul Late Sri Brajasundar Dev during the
20th century which was in a ruined state for the last 500 years.

Festivals
 Varaha dwadashi, Avatara divas of Varaha on Maagha shukla dvadashi gathers a lakh of
devotees across nearest area.
 Varaha Dola Yatra, the swing festival during Phalguna or Holi.
 Raja Parva
 Vijaya Dashami
 Kumar Purnima
 Kartik Purnima

Lankeswari Temple
Lankeswari temple is located inside the river Mahanadi at Sonepur town, Subarnapur district,
Orissa, India. Once upon a time Sonepur region was known as Paschima Lanka. Goddess
Lankeswari was the presiding deity of Paschima Lanka.[1] Now Maa Lankeswari is worshiped
by the Kaivarta (fisherman) community of Sonepur and people of Subarnapur district. One can
see this temple while traveling on the road connecting Ulunda, Dharmasala, Sonepur and
Birmaharajpur.

Maa Lankeswari Temple of Sonepur, Orissa

[edit] Legend
It is believed that the King of Lanka, mighty Ravana brought the goddess Lankeswari from
Lanka to Sonepur as he had an army base in Sonepur. Sonepur is often described as Paschima
Lanka or Swarnapuri Lanka or dwitiya Lanka or Subarnapur. This is further evidence that
Sonepur is a strong hold of Tantric and Shakti culture.As this area belonged to Dakshina Kosala
Kingdom,evidences are there in Ramayana that Ravana used to attack this part frequently.

Lingaraj Temple

Lingaraj Temple
 Name

Proper name: Lingaraaj Temple

Location

Location: Bhubaneshwar, Orissa

Architecture and culture

Primary deity: Shiva, Harihara

 History

Date built: 11th century C.E.

Creator: Jajati Keshari

Lingaraj Temple is a temple of the Hindu god Shiva and is one of the oldest temples of the
Temple City Bhubaneswar, a revered pilgrimage center and the capital of the state of Orissa.

The temple of Lingaraja, the biggest of all at Bhubaneswar is located within a spacious
compound wall of latterite measuring 520 feet by 465 feet. The wall is 7 feet 6 inches thick and
surmounted by a plain slant coping. Alongside the inner face of the boundary wall there runs a
terrace probably meant to protect the compound wall against outside aggression.[1]

As observed by Ramesh Prasad Mohapatra, The temple of Lingaraja is by far the most notable
monument of Bhubaneswar. Rising to a height of about one hundred and eighty feet and
dominating the entire landscape it represents the quintessence of the Kalinga type of architecture
and the culminating result of the architectural tradition at Bhubaneswar.[1]
There is also a railway station named after it, called Lingaraj Temple Road.

History
Lingaraaj means 'the king of Lingas', 'Linga' or 'Lingam' being the symbol of Lord Shiva
worship.

The temple is more than 1000 years old, dating back in its present form to the last decade of the
eleventh century, though there is evidence that parts of the temple have been there since sixth
century AD as the temple has been emphasized in some of the seventh century Sanskrit texts.
This is testimony to its sanctity and importance as a Shiva shrine.[2] By the time the Lingaraj
temple was constructed, the Jagannath (form of Vishnu) cult had been growing, which historians
believe is evidenced by the co-existence of Vishnu and Shiva worship at the temple.

The temple is traditionally believed, though without historical authentication, to be built by the
Somavanshi king Jajati Keshari, in 11th century AD. Jajati Keshari had shifted his capital from
Jajpur to Bhubaneswar which was referred to as Ekamra Kshetra in the Brahma Purana, an
ancient scripture.
Sculpture on Lingaraj temple

The Lingaraj temple stands majestically as the largest temple in Bhubaneswar. At 55 metres
high, it dominates the landscape with 150 smaller shrines in its spacious courtyard and is
surrounded by massive walls lavishly decorated with beautiful sculptures.

Temple complex
This temple has actually four parts: the main temple, the Yajna Shala, the Bhoga Mandap and
finally the Natya Shala. This temple has images of both Shiva and Vishnu. Vishnu is actually
present as Shaligram idol. The Shiva idol are surrounding the Vishnu (Shaligram) idol. Even the
temple on the top has got no trishula (trident - the weapon of Shiva) and even Chakra (discus -
weapon of Lord Vishnu). It has only Lord Rama's arrow symbol, probably because Lord Rama
was a worshipper of Lord Shiva.

The temple's main gates have images of Lord Shiva, Trishula on one side and Lord Vishnu,
Chakra on the other side.

Lingaraj Temple

Sculpture and Temple Traditions

the side view

This magnificent temple, dedicated to Shiva, represents the type of Hindu architecture. Along
with the saswat Temple, it is the pinnacle of the architectural exhibition at london It contains a
profusion of sculptural work. It is made up of dimond which gives it one of the darkest colorse
Swayambhu, is worshipped both as Shiva and Vishnu. The harmony of the two sects is seen in
this temple where the deity is worshipped as Hari-Hara, a combined form of Vishnu and Shiva.[2]
The presiding deity, is the Swayambhu Linga. The granite block image of the Linga is said to be
bathed daily with water, milk and bhang (marijuana). Almost all the Hindu Gods and Goddesses
are represented here, reflecting the innate element of harmony within the religion.[3]

Lokanatha Temple
Close to Jagannath temple lays the 11th century Lokanatha temple, dedicated to Lord Shiva.
According to history the lingam in this temple was established by Lord Rama. The unique
feature is that the shivalinga is always under water which substantiates the legend that Goddess
Ganga flows through the top of the shivalinga as a stream. The festival that is celebrated with
great fervor and pomp is the Saranti Somavar Fair while devotees believe that the shivalinga has
powers to cure diseases after seeking the darshan of Lord Shiva. The utsava murti of Lokanatha
is kept inside the Jagannath temple, Puri. He is the guardian deity of all the treasures and
jewellery of Lord Jagannath.

Festivals
Shivaratri, Mondays especially of the month of Vaishakha, Shraavana and Kartika.

Maa Taratarini Temple

Tara Tarini Sthana Peeth is situated on the holy Taratarini hill (Purnagiri) at a distance of
30 km from Berhampur in the state of Orissa, India. The Twin Goddesses Tara and Tarini are
worshiped as manifestations of Adi Shakti. The Taratarini Hill Shrine is one of the oldest
pilgrimage centers of Mother Goddess and is one amongst the four major ancient Shakti Peethas
in India.
The mythological texts recognize four major Shakti Peethas,i.e. Tara Tarini (Stana Khanda)near
Berhampur, Bimala (Pada Khanda) inside the [[Jagannath Temple (Puri),Kamakshi (Yoni
khanda) near Guwahati and Dakhina Kalika (Mukha khanda) in Kolkata among the 4 Adi Shakti
Peeths. Apart from these, there are other 52 other sacred Shakti Peethas, which originated from
the limbs of the corpse of Mata Sati in the Satya Yuga.

] Four Adi Shakti Peethas

The great religious texts like the Shiva Purana, the Kalika Purana, the Devi Bhagabat and the
AstaShakti recognize four major Shakti Peethas (centers), like Bimala (Pada Khanda), Tara
Tarini (Stana Khanda,Breasts)(Near Berhampur, Orissa), Kamakshi (Yoni khanda)(Near
Gowhati, Assam) and Dakhina Kalika (Mukha khanda) (Kolkata, West Bengal) originated from
the limbs of the Corpse of Mata Sati. The Astashakti and Kalika Purana clearly says (IN
SANSKRIT):

Bimala Pada khandancha,

Sthana khandancha Tarini (Tara Tarini),
Kamakshya Yoni khandancha,
Mukha khandancha Kalika (Dakshina Kalika)
Anga pratyanga sanghena
Vishnu Chakra Kshyta nacha

Further explaining the importance of these four Peethas the Brihat Samhita also gives the
geographical location of these Peethas. For Example:

Rushikulya**Tatae Devi,
Tarakashya Mahagiri,
Tashya Srunga Stitha Tara,
Vasishta rajitapara"

(**Rushikulya: A famous River flowing on the foot hill of the Tara Tarini Hill Shrine).

So, there is absolutely no dispute regarding these four famous Adi Peethas. Apart from these four
there are 52 other famous Peethas recognised by religious Texts. According to the Pithanirnaya
Tantra the 52 peethas are scattered all over India, Sri Lanka, Bangladesh, Nepal, Tibet and
Pakistan. The Shivacharita besides listing 52 maha-peethas, speaks about 26 more upa-peethas.
The Bengali almanac, Vishuddha Siddhanta Panjika too describes the 52 peethas.

The Deities
Two stones anthropomorphized by the addition of gold and silver ornaments and shaped as
human faces represent the Goddesses Tara and Tarini as the deities of this temple. Between them
are placed two beautiful brass heads known as their Chalanti Pratima or their Living Image.

The History of Tara Tarini Hill Shrine (Kalyan Dham)

According to the Mythological Puranas the origin of Maa Taratarini is directly attributed to
Daksha Prajapati’s Jagna in Satya Yuga. The famous Shakta Peethas of Bimala, Tara-Tarini,
Dakshina Kalika and Kamakshi originated from the limbs of the divine Corpse of Devi Sati.
Mythological sacred texts like the Shiva Purana, the Kalika Purana, the Devi Bhagabat (a
contemporary text of the Mahabharata written by Shri Vyasa Dev around 6000 years ago) attest
this fact.

It is known from the Mahabharata that before the commencement of the Mahabharata war Lord
Srikrishna had advised Arjuna to offer prayer for victory at Shridevi kupa or Bhadrakali.
Bhadrakali originated from the limbs of Sati like the other four major Shakti Peethas, which
existed during the time of the Mahabharata or around 6000 years ago. This is the oldest
data/information we get till date, regarding the existence of the Shrines originated from the limbs
of the divine Corpse of Devi Sati.

According to available historical sources the fall of Kalingan Empire and its capital Sampa
(Samapa) in the Kalinga war around 2300 years ago by Mauryan Emperor Ashoka, strengthened
the grip of Buddhists in this part of India. The then Sampa was hardly 7 km away from Taratarini
Hill Shrine. So, scholars believe that Taratarini was worshiped as the principal deity (Ista-Devi)
of the mighty Kalinga Empire.After Ashoka conquered Kalinga scholars found it a famous centre
of Buddhism. The region of Ganjam near the bank of river Rushikulya was an active Buddhist
site as shown from the Special Rock Edicts of Ashoka found at Jaugada at a distance of 4 km
from Tara-Tarini Hill Shrine. The name Tara (Buddhism), an important deity of Mahayana
Buddhist Pantheon, is suggestive of Buddhist influence. An image of Buddha in meditation,
present inside the sanctum sanctorum of the temple lends credence to the claim of this site as an
ancient centre of the Buddhist Shakta cult.

According to the texts of Mahayana Buddhists, in the initial days, the Buddhists didn’t believe in
the worship of Goddesses or in Pratimapuja (Idol Worship). But, the ecclesiastical texts of
Mahayana’s reveal that from 1st century AD after the fall of Kalinga, for the first time the
Mahayana Buddhists accepted the worship of Mother Goddess ‘Tara’. So there is seldom any
doubt that the Buddhists have learned the ‘Tara’ Puja concept from this Shrine. The Bouddha
Tantrik texts, texts of Vajrajani sect and Hindu Tantrik texts also attest these facts. Scholars
believe that in the primary days the Buddhists worshiped Taratarini, the principal seat of Tantrik
sect in Hinduism at that time, as Bouddha Tara, and later on included ‘Tara’ as the Tantrik deity
or spouse of bodhisattva Avalokiteshvara in their belief system. Gradually this ‘Tara’ worship
spread to different parts of the world.

Besides the worship of Tara by the Buddhist Tantrikas, the 'Maritime History' of Kalinga also
suggest the worship of Tara by the Sadhavas, merchants and seamen before launching their sea
voyage from the great sea ports like Dantapura (Gopalpur), Pallur near Chilika Lake,
kalingapatna and river Rushikulya . It is important to mention, that all these major Sea ports of
the ancient world were present very near to the Taratarini hill Shrine.

According to folk lore, it is around 8th Century AD when Jagadguru Sankaracharya toured the
whole country, that he discovered this Shrine. But, it did not exist in its present form. After long
try he came to know that this ancient Shakti centre was under the control of Buddhist tantrikas.
Then he released this Peetha from the control of Bouddha tantrikas and handed it over to Hindus.

It is known from the available sources that till 17th century this place was out of the sight of the
common man. But, according to a folk story once Maa Taratarini appeared as two sisters in the
house of Shri Basu Praharaj. He was a learned Brahmin of Kharida Vira Jagannathpur village in
Ganjam District and one of the great devotees of the Mother Goddess but child less. After
staying for some years one day both the sisters disappeared suddenly from the house of Basu
Praharaj and according to the account of the villagers both the sisters traveled up to the Tarini
Parvat/ Ratnagiri and disappeared there.

Basu Praharaj searched these two sisters but did not find their tracings. His heart broke down
with grief and pain. On that night he saw a dream where the Goddesses Tara and Tarini informed
Basu Praharaj that actually they were not his daughters; but they are the Adi Shakti, Goddesses
Tara and Tarini. The Goddesses ordered Basu to come out of the grief and said that the time has
arrived and with full devotion renovate the temple on the Hill Top of Tarini Parvat and establish
the deities according to the Vedic tradition.

After that divine direction Basu discovered the tracings of ancient most presence of Goddesses
Tara -Tarini on the sacred Hill Top and immediately took steps to reconstruct the temple and the
Shrine.

>>Since that time for its magnetism and sanctity this Sthana Peetha (Breast Shrine) of Mata Sati,
became a centre of faith and reverence for countless numbers of people, out in search of peace,
tranquility, guidance and spiritual energy and its fame spread like wild fire to become one of the
popular religious destinations for millions of devotees. (Excerpts from R P Tripathy's Research
article)

Madhava Temple

Madhava temple at Niali

Madhava Temple is the temple dedicated to Vishnu is located in the Niali block of Cuttack
district,Odisha.


 Architechture
The Temple is built in Pancharatha design.Three buildings namely Vimana,Jagamohana and
Natamandapa.The Vimana is of Rekha Deula,Jagamohana is of Pidha deula and the
Natamandapa is flat roofed and recently renovated by Arcaeological survey of India.The motiffs
are of different serpents,naayikas,devatas etc.The temple belongs to 13th Century and was built
by Eastern Ganga dynasty.

The Deity
The central icon Madhava who is a rare image .The upper left arm holds Gada, lower left
Sudarshana Chakra, upper right full blown Lotus and lower right Conch.In the Jagamohana a
rare image of Durga is found.She is worshipped as the sister of Madhava.Many festivals like
Janmashtami,Ekadashi and special festivals in Maagha month are observed here.

Location
It is located in Niali block in Cuttack district.Regular bus services run from Bhubaneswar and
Cuttack to Niali.

Mahavinayak Temple
Mahavinayak temple is a major center of pilgrimage and one of the oldest Ganesha temples in
Orissa. In Orissa there are five different Kshetras or religious centers celebrated for these Pancha
Devata (Five God)viz: Vinayaka or Ganesh kshetra at Mahavinayak hills in the district of Jajpur,
Vishnu or Sankha (the attributes in the hands of Lord Vishnu) Kshetra at Puri, Shiva or Ekamra
Kshetra at Bhubaneswar, Durga or Viraja Kshetra at Jajpur or Yajanapur. Mahavinayak
enshrines the five god heads in one Lingam. It is a place of worship for Ganapati.

Since Ganapati or Vianyak is revered here so its name is 'Mahavianyak'. The speciality of
Mahavinayak temple is that the Pancha Devata [five Gods] 'Shiva','Vishnu','Durga','Sun' and
'Ganapati' are worshipped as a single deity in a single sanctum sanctorum. In no other Hindu
temples such tradition of worship is present.

] Location of the place

There is no revenue village/area as Chandikhole and the place is so named after Goddess
"Chandi" worshipped by late monk Baba Bhairabananda Bramhachari who established the deity
of Maa Chandi in one of the adjoining hills of Barunei full of dense forest and ferrocious animals
in 1932. The revenue village is in Darpani under Darpan ex-estate in Jajpur district, Orissa.
Chandikhole has special position in Orissa and its people and who can forget the line "Manda
pitha gol gol chal jiba Chandikhole" and Chandikhole Peda made out of Khoya (skimmed
thickened milk).
It is 40 km north to Cuttack besides National Highway (NH 5) and South Eastern Railway and
4 km away from NH towards west via Sukinda-Paradip Expressway and also 70 km away from
state capital Bhubaneswar in the same NH 5. The nearest bus stop is at Chandikhole chhak(4 km)
and the nearest railway station is at Dhanmandal and Haridaspur both 6 km distant with auto
rickshaw facility through out.The nearest airport is Biju Patnaik Airport in Bhubaneswar.

One long hill of the Eastern Ghat mountain ranges named Barunei or Baruna or Barunabanta
adjoining 7 hills stretches from southeastern railway line up to Darpanigarh in east-west
direction with beautiful green covering full of perennial source of water(spring) in side it from
botom to the middle of the hill. The mountain looks like a Sleeping Elephant.

This place is also included in connection of "Golden triangle pilgrimage plan" such as Rantagiri-
Lalitgiri (Buddhist Sculpture centers), Chatia Bata and Chandikhole. The Govt of India is
assisting for their improvement. In first adjoining foothill base, there is the temple of Goddess
Chandi and in the second foothill base there is the famous temple of Mahavinayak. In both the
places there are perennial springs(named Golden Spring) with pucca swimming ponds for
bathing. Just at the middle of the hill and just above Mahavinayak temple there is another temple
dedicated to Maa Banadurga with the miracle that the perennial source of water/spring is also
present there at a height of 100 meters. One can go there using the steps(around 120) and the
road facility to the temple is under construction.

Legends
It is a place of both mythological and historical importance. This sculpture (i.e. the Mahavinayak
temple) has been constructed by the kings of Keshari Dynasty of Orissa during 12th Century and
later it became the centre of worship of Darpan King.

Rati Devi, the wife of Kamadev worshipped here for the release of her husband from the curse of
Lord Shiva for which while she was offering her prayer to Lord Ganesh simultaneously five
hands were stretched out towards her to receive her offer and she,being in dilemma, when prayed
to Bramha, Bramha clarified that five Gods named Ganesh,Sun,Vishnu,Shiva and Durga had
been over pleased with her prayer and at a time they had stretched their hand to receive her offer.
So Kamadev was released thereafter and from the very day five Gods unitedly in one granite
stone with huge size had emerged from the earth there.

This place is also related to Mahabharat legends. The Baruna hill area (i.e. The Barunabanta) was
the capital of Yudhistir. From this place he left for the heaven by making royal charges of his
empire to a teli (an oilman whom he saw first before dawn) who later became the king and his
palace was named as Teligarh and the remaining of his palace is still seen just at the opposite
side of the hill and the temple. The rehearsal place of Bhima is still known as "Bhima khala".
During the Mahabharat battle, mother Kunti also offered one lakh swarna Champa flowers
(Golden Champa Flowers) to Lord Shiva from this place for the victory of her sons to fulfill her
wish.

As per another legend the detached head of Lord Ganesha fell at this place and so the place is
named as Vinayak Kshetra.
Moreover, the importance of the place came to light and became popular when a cowherd boy
discovered some strange sight of secretion and flowing of milk from the nipples of a calfless cow
to offer feeding to the undiscovered deity. Then it became famous gradually and it claimed to be
one of the best holy places not only of Orissa but also in the pilgrimage map of India as Five
Gods congregated as one stonic form is unique.

Rituals
Many festivals such as Shiva ratri, Makar Sankranti, Raja are celebrated here. Shiva Ratri is
celebrated for 10 days with Yagna and Homa every year with pomp and glory.Lot of people
come on each Monday and Sankranti to offer their prayers. In the month of Shravana, lot of
Shiva devotees offer the holy river water to fulfill their wishes.

Effect on tourism
This place has a special place in the tourism map of Orissa particularly for Shaivas(worshipper
of Lord Shiva). It is a perfect picnic spot for trekkers and religious people with its densely
wooded hills and sylvan spring that flows perennially through its green glades. One can reach
Chandi temple through forest route from Mahavinayak temple.Its natural beauty attracts many
tourist from near by places and neighbouring states during winter and summer season. Both
lodging and temple boarding facilities are available for pilgrims to stay. It is maintained by The
Endowment Commissioner of Orissa with one Trustee board.

In fine, the panoramic view of the adjoined seven hills Barunei with green natural forest covering
full of wild animals, its perennial springs, serenity and holiness of both Shrines with the morning
and evening hymns full of devotional musical sounds, its herd of naughty monkeys snatching
Bhoga(Prasadam) from the visitors inculcates the sense of devotion, sacredness and enjoyment
for some moment. Their mind being detached from the hurly burly of this terrestrial life tends
towards heaven to acquire heavenly bliss and above all the visit of the place leaves an indelible
impression on the mind canvas of the visitors. May God Mahavinayak and Goddess Chandi bless
all.

Adjacent historical places

Lalitgiri, Ratnagiri & Udayagiri : The three Boudh Vihars are at a distance of 70 km from
Cuttack. The famous Buddhist Complex is said to be ancient seat of Puspagiri, the buddhist
university of 7th century A.D. Recently a statue of emperor Ashok is being discovered form
Langudi hill. These places are within 35 km from mahavinayak.

Gokarneswara Temple: This Shiva temple is situated in Jaraka which is just 20 km away from
Chandikhole on the bank of river Bramhani.

Biraja Temple: This temple was built in 13th century. As per the name of Goddess Biraja this
place is also known as Biraja Peetha. It is situated in the Jajpur town which is nearly 40 KM
from Chandikhole.
Chatia bata Temple: This temple is another famous temple of Lord Jagganath on NH 5. It is
situated around 20 km from chandikhole and 25 km from Cuttack. Lots of pilgrims from Orissa
and near by states visit this place daily.

Mahishamardini Temple,Shergarh
Mahishamardini Temple Complex is located in Shergarh, Balasore district,near 2.5km from
Balasore Phandi chowk.It is dedicated to goddess Mahishamardini.There are several broken
images which are kept under care of Arghaeological survey.

Rituals
The current priests belong to Panda Utkala Brahmins.The temple is patronised by a Senapati
family.Celebrations for Navaratri and Dussehra are the major ones.The Durga is deepicted in
eight armed pose slaying the demon Mahishasura.A Shiva temple is also found in the campus.

Architechture
The temple can be dated back to 11th century AD,during Somavamsi kshatriyas.Later the temple
was renovated during 19th century.It is a Rekha Deula.Laterite is used for the construction of the
temple whereas chlorite, used for the doorjambs and sculptures.The temple is Trirathaa on plan
and Triangabada in elevation.The temple of Mahishamardini faces west.Images of Surya and
other deities like Ganesh,Kartikeya are also found in the complex.

Manikeshwari Temple

Manikeswari Temple

Manikeshwari Temple is located in Kalahandi district of Orissa. The temple is located to the
south of Bhawanipatna. The main deity here is Goddess Manikeshwari. The main devotees are
from the fishermen community. During Dussehra festival, animal sacrifice is offered at this
temple. A film is also documented showing the ritual of animal sacrifice, before Goddess
Manikeshwari. Karlapat, which is famous for its charming wild life, is near the temple.
Chhatar Yatra
Every year chhatar yatra at a particular time is organised and many people who have fulfilled
wishes come and sacrifice animals in the name of goddess.

Images

Manikeshwari Devi temple

Marichi Thakurani,Ajodhya

The Marichi Temple is dedicated to Durga and located in the center of the village Ayodhya,
which is situated 9km north of Sajanagada. It is on the right side of the road leading from
Nilagiri to Mayurbhanj in Balasore district.

Temple & Legends

The temple is a newly built pidha vimana like other temples of Orissa.The temple houses many
Tantra, Jainism and Buddhism related images dating back to late 11th century.It is thought that
during Somavamsi Keshari rule the deityies were built.There are many old icons like four
handed Varahi, Buddha in bhumisparsa mudra, Jain tirthankara, Avalokitesvara are found.The
central icon in the temple is worshipped as Durga,but closely seeing the image is a Mahayana
goddess Marichi.The Marichi image is flanked by two goddesses.Completely the Garbhagriha
houses three icons of late 11th century.Durga Puja is a famous festival in this temple.

Markandeshwar Temple
Markandeshwar Temple is a place where sage Markandeya meditaed on lord Shiva.He saw a
small child on a banyan leaf floating on the sea and wondered upon.Finally lord Vishnu asured
him from the doubt.

Temple at Present
The ancient Markandeswar Shiva Temple is situated in the Markandeswar street by the side of
the Markandeswar tank, to the north of the Jagannath temple,Puri. This place can be approached
on the right side of Markandeswar road leading from Markandeswar chowk to Puri-Brahmagiri
road.Markandeya tank is an open structure and it enclosed within a stone wall made of dressed
laterite blocks.Bathing ghats are provided for the tourists in southern side of the tank. The tank is
presently used for rituals as well as for normal bathing. Rituals like Pinda Dana, Mundan Kriya
etc. are observed on the steps of the tank. Both Markandeswar temple and Markandeswar tank
can be dated back to the 12th century AD. Puri became an important center of pilgrimage by the
12th century. The history in Puri also proves that Sri Ramanuja visited Puri during 1107 and
1117.

Mausimaa Temple
Mausimaa Temple is an ancient shrine in Ganjam District of Orissa. The temple can be
approached by road from Bhubaneswar (140 km) and Chhatrapur (102 km). The nearest railway
station is at Berhampur (88 km). It is about 8 km from Bhanja Nagar.

The presiding deity of the temple is aunty (Mother's Sister) of Lord Jagannath.

The temple celebrates its festival during the Rath Yatra held in the Jagannath Temple (Puri).
Upper Bagh Devi Temple and Ratneswar Mahadev temple are important shrines nearby.

This temple is located in Kullada, a village also famous for its Bagdevi temple in Ganjam
district.

Mukteswar Temple
Mukteswar Temple is in Bhubaneshwar in Orissa, not far from the Parsurameswar Temple. It
was constructed around the 10th century. Compared to the more well-known temples in Orissa,
this is a small one with a height of only 35 feet. However, the sculptured gateway, diamond
shaped latticed windows and decorated interiors and the large number of carvings have made it a
unique monument. So much so that instead of its religious value, it is spoken of more due to its
architecture. Shiva is the presiding deity.

The Entrance

Mukteswar Temple
The temples most striking feature is the arched gateway also called Torana dating back to about
900 A.D. and showing the influence of Buddhist architecture. The Gateway to the Mukteswara
Temple, modeled on the torana (arched gateway) recovered from the field in Bhubaneswar,
bears sculptures that range from elaborate scrolls to pleasant female forms and figures of
monkeys and peacocks etc. This temple is famous for the its this beautiful torana.The arched
gateway has thick pillars that have strings of beads and other ornaments carved on statues of
smiling women in languorous repose.

Architechture
This distinctive 10th century temple is one of the smallest and most compact, decorated with
intricate carvings and is the finest testimonial for the architectural cognizance of Vishwakarma
Moharana sculptors. There is a tank inside the compound that is still in use by devotees.
Women toss coins into the tank, wishing to cure infertility. The local saint, Lakulisa is carved
into the doorway.

The temple's red sandstone is covered with exquisite carvings of lean Sadhus or holy men as well
as voluptuous women encrusted with jewels. In the yard stands the Kedareswar Temple with a
striking 8 foot statue of Ram Bhakt Hanuman (the monkey God).It is said that, taking a dip in the
holy well cures a person of infertility. Mukteshwar temple exudes delicate sculpture. It is a
perfect blend of ancient and modern designing and this is what makes it simply outstanding. This
architecture is one of the basic reasons why Mukteswar temple is also known as the Gem of
Orissa architecture.

Metakani Temple
Maa Metakani temple is located in a forest near to Ulunda, of Subarnapur district, Orissa, India.
There is a very interesting story behind this temple. People of this region say that this goddess is
originated from a lady called "META".

Narayana Gosain Temple,Singapur

Lord Narayan Gosain Temple is situated at Singhapur Village near Rasulpur in Jajpur district
of Orissa which is dedicated to Narayana.

] Rituals
The idol of Lord Narayana Gosain is kept underwater, except for three days in a year. People in
large number gather on these three days to have a glimpse of the God. And the unique annual
ceremony is known as Singhapur yatra. This has been a practice here for more than four
centuries.The main idol of Lord Narayan Gosain remains in a pond near the temple, Madhutirtha
Kshetra, dedicated to Him. The idol is brought out on Pana Sankranti day (March – April) for
three days and on the fourth day the idol is again immersed in the pond.
History
In the 16th century, Kalapahada, a Muslim invader, after destroying numerous temples and
Hindu idols reached the region. The then King of Madhupurgarh, to save the idol from
Kalapahad, hid it in the pond. But people and the King were unhappy as the idol remained
underwater. A few days later, Lord Narayana Gosain appeared in the dream of the King and
asked him to take the idol out of the pond and worship and then to be kept back safely. This
happened during Mahavisuva Sankranti or Pana Sankranti period.Since then annually, the idol
is taken out of the pond on the Pana Sankranti day and worshiped for three days.

Transport
It is just situated within 20km from NH5 running between Chennai and Howrah.Buses running
from Bhubaneswar to Jajpur stop at Jaraka and Kuakhia stoppage,from there one can find
suitable transport.Nearest railhaid is Jajpur Keonjhar Road or Byasanagar.

Narayani Temple
Narayani Temple is dedicated to ten armed goddess Narayani or Durga and is located in
Narayani village situated near Khalikote, Orissa, India. The temple is popular for Durga Puja and
a fair held in the Indian month of Chaitra. The temple was renovated by the zamindars of
Khalikote in the early 18th century. The temple is a Khakhara deula[clarification needed] like Vaital
Deula and is supposed to have existed before 12th Century AD. The temple is known for the
scenic beauty of the surrounding countryside' including Chilika Lake.

Location
It can be approached from Khalikote railway station in Ganjam district, where most of the local
trains stop. The nearest railhead is Balugaon on the Chennai-Howrah railway. Many buses
running from Bhubaneswar and Berhampur also stop at Khalikote.

Nrusinghanath Temple
Sri Nrusinghanath Temple is situated in the slope of Gandhamardhan hills in the district of
Baragarh, Orissa

] Mythology
In the Bargarh district of extreme western Orissa is the ancient temple of Lord Nrusinghnath,
also known as Bidala Nrusingha, Marjara Kesari, and Marjara Nrusingha. (In Oriya language,
bidala and marjara mean “cat”, and kesari means “lion”. Also, Oriyas pronounce “Nrsimha” with
a distinct “u” sound, hence the different spelling.) Situated about 300 kilometers from the famous
temple of Lord Jagannath in Puri, the Nrusinghnath temple is on top of the famous
GandhamadanHill, where ancient rishis are said to have come to meditate. Some literatures say
that Gandhamadan Hill was originally in the Himalayas, but a part of it fell down in this place
when Hanuman was carrying it to Lanka with the herbs required to heal
Lakshman.Gandhamadan Hill is also said to be one of the places where the Pandavas visited
during their exile. The local tradition about this deity was compiled in the middle of the 18th
century by the poet Yuga Das Kondh in his Nrsimha-charita. It is said that in Treta-yuga there
was a rishi named Uttanka who was performing austerities on the bank of the Godavari River.
He had an attractive young daughter named Malati. Oneday, Ravan happened by that place and
saw the beauty of the young girl. Ravan raped her and threw her into the Godavari River.The
Godavari took compassion on her and brought her to the shore. When Malati came to her senses,
she began searching for her father and crying. Indura, the mouse carrier of Ganesh, heard her
cries and offered to help her reach her parents if she would agree to enjoy with him. From
Indura, a demon was born named Mushika Daitya (literally, “mouse demon”). The new-born
baby was so ferocious that as soon as he came from the womb heimmediately devoured his
mother. Then he began to perform austerities to please Lord Shiva. Shiva was pleased with him
and gave him the boon that he would have no cause of fear from anyone except for Lord
Nrisinghadev from Satya-yuga. Seeing his power, the devas became frightened and appealed to
Lord Ramachandra to rescue the universe. Accordingly, Lord Ramachandra manifested the form
ofNrisinghadev to catch the demon. Mushika Daitya became fearful and ran from placeto place
seeking shelter, until finally he appealed to Gandhamadan Hill. The personified Gandhamadan
granted shelter to Mushika Daitya, who then entered within a crack in the hill. When Lord
Ramachandra later arrived, Gandhamadan requested him not to enter inside of the hill to seek out
the demon. Lord Ramachandra then assumed the form of marjara-kesari, with the head of a cat
and the body of a lion, and began guarding the area by the sudanga, or inner door of
Gandhamardan. Just as a cat sits quietly by a hole, waiting for a mouse, similarly,Lord Marjara
Kesari is said to still be sitting and waiting for the demon Mushika to come out.

History
According to Huen Tsang, the Chinese traveler, this place was a centre of Buddhist scriptural
learning. Lord Nrushinghanath is a much-adored deity of Orissa and a great fair is held in his
honour on the 14th day of bright fortnight in the month of Vaisakha. According to Oriya and
Devnagari inscriptions, the temple was built by Baijal Dev in early 15th century AD. The temple
is constructed in Orissan style of architecture.

Tourism
In recent year tourism has been developing in around Gandhamardhan hills. An annual big fair
held on Nrusimha-chatrurdasi day during Vaishakha shukla chaturdashi(in May) attracts
thousands of pilgrims from far and near. Nrusimhanath Temple is about 110 km west of
Baragarh and 64 km from Sambalpur. Khariar Road Railway Station is the nearest railhead.

Panchalingeshwar
Panchalingeshwar Temple is located in Balasore district of Orissa.It so named after the five
Shivalinga that are enshrined inside temple is located on top of a hillock near the Nilagiri hill(not
to be confused with that of Western Ghats). The Shivalingas are said to have been enshrined by
Sita,the wife of Lord Rama during the period of their exile while another story holds that it was
King Banasura himself who worshipped the swayambhu lingas at this place given the beauty of
the place.A perennial stream, which is the main attraction of the area regularly, washes the
Shivalingas as it flows over them. To reach to the temple one has to lie flat on the rock parallel to
the stream in order to touch and worship the lingas as these are inside water stream.

Location
Panchalingeswar is 30 km from Balasore and 85 km from Baripada. There are regular transport
facilities plying from Balasore and Baripada.

Parsurameswar Temple

A Sculpture in Parsurameswar Temple

Parsurameswar Temple, located in Bhubaneshwar, Orissa, India, is the best preserved

specimen of an early Hindu temple datable to the Sailodbhava period of the seventh and eighth
centuries AD.[1] and is the finest testimonial to the architectural work of Vishwakarma
Moharana sculptors[citation needed] Parsurameswar is dedicated to Lord Shiva. It is one of the oldest
temples in Orissa. This temple, built about 650 AD, has all the main features of the pre-10th
century Orissan style of architecture. Such elements such as the pine spire that curves up to a
point over the sanctum housing the presiding deity, and the pyramid-covered hall where people
sit and pray. Though small in size, with its deul rising abruptly to a height of 12.80m, it is one of
the most sumptuously decorated temples of the early period. It is the only temple of the early
period with a surviving Jagamohana.[2]

] Architectural Peculiarities
Another Sculpture in Parsurameswar Temple

The temple shows architectural peculiarities of the early order providing an opportunity to study
the early form of the Jagamohana. Temple has no proper plinth, faces west and comprises a
Vimana and Jagamohana. The vimana of the temple is a triratha with a distant semblance of a
Panchratha as evident from the projecting nichesflanking the central projection. The bada of the
Vimana abruptly starts from the Talapatna or Pavement which consists of three elements only
instead of the usual five and encloses not the usual cubic garbhagriha but one that is
parallelopiped.[3] For more info please refer Decorative Art of Parasuramesvar Temple by
Ramesh Prasad Mohapatra.

Sculptural Arrangement
The sculptures of Parasuramesvar temple have an elegance and chastness rarely to be seen in
purely Orissan style. The temple is not so elaborately carved but the sculptures with the balanced
arrangement have a charm and dignity of their own.As observed by, Dr. Ramesh Prasad
Mohapatra.[4] The lower portion of the bada of the Jagamohana contains with remarkable
catholicity a host of deities of the Brahmanical pantheon, including among others, Siva, Surya,
dancing Ardhanarisvara (composite form of Siva and Parvati), Siva-Parvati, Harihara, Yama,
Varuna, Ganga Yamuna and Matrikas. Lakulisa in his characteristic pose, finds a place among
the deities. The Matrikas seven in number, each with her characteristic attributes are preceded
and followed respectively by the four armed Virabhadra and Ganesa, the latter presenting a
unique feature in his having a human visage with the trunk of an elephant attached to the chin.[5]
For more info see Decorative Art of Parasuramesvar Temple by Dr. R. P. Mohapatra.

Description
The temple is ornamented with a bas-relief of processions of horses and elephant. Latticework
covers the windows. In the temple courtyard there are more exotic carvings of Ganesha, the
elephant God, and other deities.

On a corner of the temple compound is the exotically unique "Lingam of one thousand Lingas"
shiva phallic symbol with 1,000 lingas engraved on it.
Other interesting carvings are those of Shiva throwing down king "Ravana," who is trying to
uproot Mount Kailasa, the resting place of Lord Shiva.

Rajarani Temple
Rajarani Temple is an 11th century shrine in Bhubaneswar. Originally, it was known as
Indreswara, and serves as a shrine to Shiva. It is known for its conspicuous and lively sculptures,
especially the female figures, portrayed dancing and engaged in other activities. Rajarani Temple
stands on a raised platform. Its spire is decorated with clusters of turrets (replication of the spire
itself) emerging form the rib of the spire. The sculptures on the Rajarani Temple have a depth
that was lacking in the Mukteswara Temple sculptures. The Jagamohana (porch) though
demonstrating a pyramidal structure is yet to take on as a complete structure of its own. It bears
signs of repair in 1903 when it collapsed into ruins.Guardians of the Eight Directions'projecting
from the base of the temple in the eight directions, starting from the gateway in a clockwise
direction around the porch and the deul to end back at the torana.

Ramachandi Temple
Ramachandi Temple, is on a beautiful spot on the banks of the Kusabhadra River where it
flows into the Bay of Bengal. It is only 5 km away from Konark in the Puri District of Orissa.

Goddess Ramachandi, the deity of Konark is thought by some to be the presiding deity of this
temple, while others thought it to be the temple of Mayadevi, wife of Surya (Sun god).

] Location
The temple of Goddess 'Ramachandi' on the river mouth of Kushabhadra river is a splendid
scenic picnic resort. It is situated 7 km before Konark on the Marine drive road from Puri to
Konark. Ramachandi is popularly believed the presiding deity of Konark, and the most
benevolent Chandi known. It is certainly more ancient than the Sun temple at Konark. From the
architectural point of view, the temple of Ramachandi is not important but from the religious
point of view, it is one of the famous Sakta pithas of Puri.

A graceful Chandi, seated on a lotus in a small temple half hidden by sand mounds, on the river
mouth of 'Kushabhadra' and the endless Bay of Bengal stretched to eternity, and a thick growth
of Casuarina plantation around is the scenic maginificence of the place. Before construction of
the Marine drive road, the place was not accessible to out side visitors. However it attracted large
number of local devotees to offer sacrifices 'Bali' in the month of Ashwna Picnicking at
Ramachandi was then a youthful feat. The romantic sight has always fascinated young lovers,
students and picnicking troups from far wide besides a handful of professional fisherman who
exploit inhabitants. However after the construction of the Marine dive road, the place has
become very easily accessible. We see regular crowd of pleasure seekers both from the
neighbour hood and distant places every day.
History
A legend regarding the deity is ever fresh and popular among the locals. "Kalapahada" the rebel
Hindu Brahmin Youth turned islam, vowed to destroy all the temples of Hindu worship during
17th Contury. After destroying the Sun temple, Kalapahad approached to Ramachandi temple to
destroy it. Then Goddess Ramachandi dressed as a Maluni (maid servant) asked Kalapahad to
wait at the door till she bring water from the river for the Goddess. Kalapahad anxiously waited
for a long time to get some cold water. When it was too late and the Maluni did not return he
exhausted and entered inside the temple and found the throne empty. Then he thought the Maluni
took away the deity with her and with anger he followed the Maluni. When he reached the bank
of the Kushabhadra river he found the goddess Ramachandi floating in the middle of the river.
At that time the river was outpouring, so he came back without able to reach the middle of the
river. Then Goddess Ramachandi came in dream of a panda (priest) and told him to built a
temple on the bank of the Kushabhadra river. This place is now known as Ramachandi. Through
out the year many visitors come here to get the blessing of Goddess Ramachandi and to enjoy the
scenic beauty of river Kushabhadra and Bay of Bengal.

Now the temple has collapsed leaving remains of its broken walls and the empty throne. There is
no historical evidence to conclude about its presiding deity.[1]

Rameshwar Deula

Rameshwar temple

The Rameshwar temple is very old temple in Bhubaneswar and known as the Mausi
Maa(Oriya:ମାଉସୀ ମା ଦେଉଳ) temple ofLingaraj Temple.It is located from 2km distance from
Lingaraj shrine.

Legend
Legend goes as when Rama was returning from Lanka after victory over Ravana,Goddess Sita
asked to worship Shiva here.So Ramachandra built a Linga for that purpose. Traditionally during
Ashokashtami,which falls one day before to Rama Navami in Chaitra Lord Lingaraja comes to
this temple by a large chariot called Rukuna Rath and stays for four days.Historically the
temple dates back to 9th century.

Images

Ram Mandir,Janpath
Ram Mandir, in the heart of Bhubaneswar,near Kharavel Nagar,Janpath is a temple housing
beautiful images of Lord Ram, Lord Lakshman, and Goddess Sita. The high rising spire of the
main temple visible from many parts of the capital city, is its main attraction. Built and managed
by a private trust, the temple complex also comprises shrines devoted to ochre-painted marble
idols of Lord Hanuman, Lord Shiva and other gods.

Festivals
Almost every festivals of Hindus are celebrated all around the year.Ram Navami,Vivaha
Panchami,Janmashtami,Dussehra,Shivaratri,Pana Sankranti are the major ones.The magnificent
Aarathi during morning and evening draws a lot of devotees.

Sakshigopal Temple
A medieval temple dedicated to Lord Gopal located in the town of Sakshigopal on the Puri
Bhubaneshwar highway in Orissa.The temple is built in the Kalinga style of temple architecture.

Legend of temple founding

It is said that a poor young man of the village now named Sakshigopal fell in love with the
daughter of the village headman. However being of a higher economical status the headman
opposed marriage between this young man and his daughter.The villagers went on a pilgrimage
to Kashi including the headman and the young man. The village headman fell ill and was
abandoned by fellow villagers.The young man tended to him so well that he soon got well and in
gratitude promised his daughter in marriage to the young man. As soon as they returned to the
village the headman went back on his promise asking the young man to produce a witness in
support of his claim.
Lord Gopal impressed by the young man's devotion agreed to come and bear witness to the
promise on one condition that the young man lead the way and he would follow , but the young
man must never look back.He lead the way to the Lord but near the village was a mound of sand
on which as they passed ,the man could not hear the Lord's footsteps and turned back.
Immediately the Lord turned into a statue of stone rooted to the spot. The villegrs were however
so impressed that God himself came to back the young man's claim that the youngsters were
married off and appointed as the first priests of the temple built in honor of Lord Gopal who
came to bear witness known in Sanskrit as Sakshi

Samaleswari Temple
Samaleswari Temple is a Hindu temple in Sambalpur, Western Orissa, India dedicated to the
goddess known as MAA, also known among the natives as samalei maa, meaning Mother
Samaleswari. Shree Shree Samaleswari, the presiding deity of Sambalpur, is a strong religious
force in western part of Orissa and Chhattisgarh state of India. On the bank of the river Mahanadi
the mother goddess Samaleswari is worshipped from ancient times as Jagatjanani, Adishakti,
Mahalaxmi and Mahasaraswati. The region in which the temple is situated has a rich cultural
heritage. Sambalpur region is popularly known as Hirakhanda from ancient times. Ptolemy has
described the place as Sambalak, according to Tavernir, the French traveller, and Edward
Gibbon, the English historian, diamonds were exported to Rome from Sambalpur.

The temple is of Sandhara order. It is built of a kind of stone durable as granite, cemented with
lime mortar, the whole building is plastered, but in the course of time the surface has become
mouldy. The temple comprises two separate structures. The square sanctum sanctorum
enshrining the deity is four step below the 10’ feet wide covered circumbulation, which is
supported by 12 stone pillars. Eleven parswa devis (side Goddness), are embedded on the outer
wall of the sanctum, so that the devotees can worhsip those deities during parikarma thourgh the
vaulted circumbulation. The Idol of Shree Shree Samalai Devi consists of a large block of
Granite rock with an inverted, trunk like projection at the bottom. A shallow cut on her “Baraha”
like face symbolises her mouth. Traditional Sambalpuri nose ornament of pure gold hangs down
from her imaginary nose Beaten gold leave fixed on two disproportionate golden eye like
depression on the face acts as substitute for her eyes in an attempt to define the face of the
mother deity on a mass of self shaped rock, the devi’s idol inspires sublime sentiments of awe,
fear, reverence, devotion, love and affection towards all prevading mother hood.

She is worshiped with a great care and devotion by the natives in her temple, famously known as
the samaleswari temple. Among the varieties of festivals observed before the goddess throughout
the year three festivals are observed prominently. The first two are navaratra puja during the
months of March and April and during the months of September and October. Among these two
navaratra pujas (nine days continuous worship of the goddess) the second one is observed with a
great splendour and devotion. The third festival which is said to be the chief festival of the whole
western Orissa (sambalpur) region is nuakhai. In this festival the farmers offer the first produce
from their lands to the goddess before using it for his personal use.

Saptamatruka Temple
Saptamaruka Temple is dedicated to Hindu Tantric and Puranic goddesses Saptamatrikas
namely, Brahmani, Vaishnavi,Shivaduti or Indrani,Narasimhi, Chamunda,Kaumari and
Varahi.Legend says that these goddesse emanated from the body of devi Durga while killing
Nishumbha and Shumbha.The matrikas represent the inner will power of their respective male
God.The temple was on a state of danger and later renovated by ASI,India.The deities were
installed during Ashwamedha sacrifice of Yajati Keshari for protection.The design of the idols
dates back to 11th Century AD.During the rule of Kala Chand in Murshidabad their armys came
to destroy the Hindu temples in around Jajpur,then the Brahmins have hidden the images of
Saptamatrikas in a tunnel near Baitarani River.Later the images were recovered and worshipped
by Utkala Brahmins of Jajpur.

At Present
The renovated temple of Saptamatrikas lie on the south bank of Baitarani River in Jajpur.The
Budha Ganesha Temple and Dashaswamedha Ghat are also adjacent to this shrine.People take a
holy dip in Chaitra month during the Krishna paksha Chaturdasi with Shatabhisha nakshatra
here.Regularly the goddesses are said to be attendants of goddess Viraja and protecting
inhabitants of Jajpur.

Sasisena Temple
Sasisena Temple or Nimunhi Temple (Temple with no entrance and exit) is found in Sonepur
city of Subarnapur district, Orissa, India. The Sasisena Kavya written by Pratap Rai a well
known poet of 17th century describes the detail story behind this temple.[1],[2]. The present
Sasisena temple was build by Maharaja Vira Mitrodaya Singh (1902-1937 AD). However, it is
reported that the Sasisena memorial was built before the second half of 18th century AD.

Siddha Bhairavi
Siddha Bhairavi Temple is a Famous Shakti Shrines situated at Mantridi in Ganjam district of
Orissa India. Here the presiding deity is Goddess Bhairavi. Carved in crude fashion, the idol
features one leg and four hands. It is said that this idol was excavated from a ploughed field and
was enshrined as such in a newly adorned temple in the year 1937. All the Sankranti days in
every month of the Hindu Calendar and Tuesdays are considered auspicious here.

The temple is on the National Highway 5, about 18 km from Berhampur. Berhampur Railway
Station is the nearest railhead.

Other Attractions
The temple houses 108 sub shrines dedicated to all Hindu gods present from Kashmir to
Kanyakumari like the 12 jyotirlingas,Vaishno
Devi,Dashavatara,Venkateshwara,Ranganatha,Meenakshi,Badrinath.A big shrine is also present
which houses Lord Jagannath along with his siblings.It is believed that at the end of Kaliyuga
Bhairavi devi will accompany Kalki Avatar in restoring Dharma.

Siddha Vinayaka,Panchama
Panchama is a small village famous for the temple of Panchama Ganesh or Siddha Vinayaka as it
is locally known. Legend goes as the Gajapati King Purushottama deva (15 century) of Puri on
the way to his conquest of Kanchi Kingdom recovered the image in the hallow of two trees of
Bara and Ashwattha and paid his homage to the image after its consecration. Since then the place
is sanctified and has become an important centre of Ganapataya worship, preserving the great
tradition of Panchadevata worship of Orissa.The idol still remains inside the trunk of two large
Ficus trees. A temple is constructed around it. Around two lakh devotees from Orissa and
Andhra Pradesh visit this shrine on the day of Ganesh Chaturthi.

Transport
Nearest railway station is Berhampur (12km),on Chennai-Howrah railways.

Simhanath Temple
Simhanath Temple is dedicated to Shiva who is worshipped by Nrisimha, an avatar of Vishnu.
The temple has a rekha deula and terraced roof jagamohana of traditional phase of temple style
of Kalingan order. The temple is unique for its sculptural embellishment of both the Saivaite and
Vaishnava cult. It is located in the Gopinathpur village, Baramba tehsil of Cuttack district. It can
be easily approached by road from Cuttack, Chaudwar and Athgarh.

Archaeology
The garbhagriha has a Shivalinga with yonipatta attached to earth. The temple is of
Panchayatana style practised by Adi Shankara.Temples dedicted to Vishnu, Ganesh, Surya and
Mahishamardini are found around the temple. The temple represents early development of
Pancharatha Deula of Kalingan Architecture. On the basis of survey, the temple can be
assigned to early 9th Century AD.

Festivals
Shivaratri, Makar Sankranti, Dussehra, Kartik Purnima are mostly famous festivals here. People
who do Upanayana and Marriage also preffer this place as a nice option.

Subarnameru Temple
Subarnameru Temple is situated in Sonepur town in Subarnapur district of Orissa.It is a shrine
for the worshipping of Shiva

] Legend
Popular story of Gold coin Rain is associated with this Place, with this Temple when an ardent
devotee asked lord for help,so the name is Sonepur or Subarnapur.The Place attracts thousands
of visitors and Pilgrimages for its scenic beauty as this temple is situated just on the Bank of Tel
River.Major festivals are Shivaratri and Kartik Purnima.

Transport
Sonepur is well connected to nearest railhead Balangir.By road regular bus services are there
from Bhubaneswar.Cuttack,Berhampur,Sambalpur.

Sureswari temple
Sureswari temple or Sursuri temple is located at the left bank of Tel River towards the south-
west of the confluence of Mahanadi and Tel River. This temple is located in the temple town of
Sonepur, Subarnapur district,Orissa, India. The presiding deity is maa Sursuri and well known as
one of the oldest Shakti shrine. The word Sureswari is the sankritised version of Sursuri.
Vaital Deula
Vaital Deula(Oriya:ବୈତାଳ ଦେଉଳ,Devnagari:वैताळ देउळ) or Vaital Temple is one of the oldest
Shakti temples (late 8th century), Vaital Deul Temple’s striking feature is the shape of its
sanctuary tower. The semi-cylindrical shape of its roof a leading example of khakhara order of
temples--bears an affinity to the Dravidian Gopuram of the South India temples. The plan of the
deul is oblong and the jagamohana is a rectangular structure, but embedded in each angle is a
small subsidiary shrine. Vaital Deul boasts some figures, although executed in relief are however
characterized by delicacy of features and perfect equipoise. The outer walls are encrusted with
panels of Hindu deities, mostly Shiva and his consort Parvati in her Shakti form, hunting
processions, capturing of wild elephants and the occasional erotic couples.

The facade of the deul above the left of the jagamohana is dominated by two chaitya windows--
the lower one having a beautifully carved figure of sun god Surya noted for its facial expression,
with Usha (Dawn) and Pratyusha shooting arrows on either side and with Aruna in front driving
a chariot of seven horses.

The medallion in the upper Chaitya-window houses a 10-armed Nataraja or dancing Shiva. In
front of the flat roofed jagamohana is a stone post relieved with two Buddha like figures seated
in dharma-chakra-pravartana mudra.

Another striking feature is temple's tantric associations, marked by eerie carvings in the sanctum
and the image enshrined in the central niche, eight armed Chamunda, locally known as Kapalini,
is the terrifying form of goddess Durga. Thus Vaital Deul is a Shakti shrine.

The Deity
The presiding deity, Chamunda or Charchika sits on a corpse flanked by a jackal and an owl and
decorated with a garland of skulls. She holds a snake, bow, shield, sword, trident, thunderbolt
and an arrow, and is piercing the neck of the demon. The niche is capped by a chaitya window
containing seated figures of Shiva and Parvati. The Chamunda is surrounded by a host of other
smaller size allied deities carved in the lower parts of the walls, each within a niche separate by a
pilaster. The figure on the east wall, to the fight of the door, is a skeleton form of Bhairava
forming the counter part of Chamunda. The other, carved on the north wall, rises from ground,
having filled his skull-cup with the blood of a person whose severed head lies on the right. On
the pedestal is an offering of two more heads on a tray resting on a tripod, flanked by a jackal
feasting on the decapitated body on the right and a woman holding a head on the left. The tantric
character of the temple is also marked by the stone post, to which sacrificial offerings were
tethered, just in front of the jagamohana. You need an artificial light to see in the darkness of the
interior, though early morning sun lights up the interior.

Yameshwar Temple
Yameshwar or Jameshwar Temple is a very old temple dedicated to Shiva being worshiped by
Yama.It is situated in Bhubaneswar near Bharati Math,in Jameshwar Patna.

Yameshwar Temple near Bhubaneswar,Eastern India

Architecture
The main Vimana is of Rekha Deula,Jagamohana is of Pidha Deula.Many portions of the temple
are destroyed by natural calamities as the temple is built by sandstone.The outer Prakara is built
by Laterite.The icons around the temple include many motifs like serpents,amorus
images,animals,Dikpalas etc.The inner Garbhagriha houses Shivalinga.The building time of the
temple is late 12th century during the Eastern Ganga dynasty.

Festivals
The Jiuntia or Puajiutia festival which is also called Dwitvahana osha falling in Ashwin is very
popular with this temple.Others being Shivaratri and Kartik Purnima.All Mondays and
Sankramana days are important in this temple.People who visit this temple during Bharani
nakshatra are said to be free from all miseries.

Yajna Nrisimha Temple

Yajna Nrisimha Templeis situated in Puri, to the western side of Gundicha Temple and to the
east of the sacred Indradyumna Tank.

] Architecture
The temple is facing towards west and the height of the temple is about 60 ft. Local people also
called this temple as Nrusingha Temple and Nrusimha Temple.The presiding deity is Lord
Narasimha. There are two images of Lord Narasimha inside the temple, one behind the other.
The image in front is called Shanta Narasimha. In local language 'Shanta' means 'Calm' or
'Sober'. Anyone who sees this image of Lord Narasimha will have his anger, frustration, and
anxiety will vanish. The Deity in the back is called Ugra Narasimha. In local language 'Ugra'
means 'Angry'.He is the internal mood of Narasimha.

Legend
As depicted in the Skanda Purana once King Indradyumna stayed near Nilakantheswar temple to
make arrangements to perform Ashwamedha Yajna (Horse sacrifice) for one thousand years. On
the advice of Sage Narada, King Indradyumna made a Nrusimha image out of black stone and
placed the image under black sandal wood tree and worshipped Him. It is believed that in front
of this temple the Ashwamedha Yajna took place and hence He known as 'Yajna Narasimha'.
Devotees will earn more punya if they make a darsana of Sri Nilakantheswar, Yagna Narasimha
and Panchamuki Hanuman (Lord Hanuman image with five faced) after the sacred bath in
Indradyumna Tank. Festivals like Narasimha Janma, Satapuri Amavasya etc. are observed in
Nrusingha temple with great devotion.

History
When Kalapahad attacked Puri and was smashing Deities of various temples, he saw Santa
Narasimha image and his anger subsided; hence he could not break the Deity as he had planned.
Santa Narasimha’s features are human-like. He has a sharp human nose, a large curly mustache,
and an outstretched tongue. Non-Hindus are not permitted in the temple, but the Deities are
visible from the door.

Parshwadevatas
As per Pancharatra and Vaikhanasa the central idol of Vishnu should be surrounded by four side
icons,whether be it Purusha,Satya,Achyuta,Aniruddha(Vaikhanasa) or
Vasudeva,Samkarshana,Pradyumna,Aniruddha(Pancharatra).Here also simillar patern is
followed where the main deity Nrisimha faces west direction,and other deities are surrounded as
follows.

The three sides central niches of the side of Vimana house the images of Varaha,
Trivikrama(Vamana) and Vishnu as the Parsvadevatas of the main presiding deity.The image of
Varaha is the Parsvadevata of the southern side.He holds Chakra in his uplifted back right upper
hand while his lower left hand holds a conch above Goddess Prithvi.The Parsvadevata on the
northern side niche is Trivikrama.The four handed image of Trivikrama has been installed on the
double petalled lotus pedestal. He holds gada in right upper hand, lotus flower in right lower
hand, chakra in left upper hand and conch in left lower hand respectively. Figures of Sridevi and
Bhudevi are flanked on either side of deity. The right leg of deity is set firmly on the ground and
another uplifted left foot touches the image of Brahma. Beneath his uplifted leg is a scene of Bali
who is presenting the gift to Vamana while Shukracharya lifts his hands up in dismay.The image
of four handed Vishnu is the Parsvadevata of the eastern or backside central niche of the main
deity.The central deity is the Ugra Nrisimha inside the Garbhagriha and Shanta Nrisimha facing
west is the first expansion of the Ugra Nrisimha.Finally the five images equate as per the
traditional Vaishnava Agama shastra.

Yajna Varaha Temple

Sri Sri Yajna Varahajew Temple is situated in the town named Jajpur,in Odisha and dedicated
to lord Varaha.

] Mythology
Lord Brahma did ten Ashwamedha Yajna near the Baitarani River.After finishing on a holy
moment of Pausha Amavasya Lord Varaha emanated from the holy fire.Lord Brahma first
worshipped him a per Vedas .Again after one month on the same occasion of Amavasya during
Maagha Goddess Viraja emanated.She was worshipped as per Agamas by Brahma.Still the
Brahma kunda is present near Biraja Temple.The place is called Gadaa Kshetra after the Mace
used by Varaha.

Temple At Present
Inside temple Yajnavaraha,Svetavaraha and Aadi Bhumivaraha idols along with Jagannath
are worshipped.Preveously the idol of Lakshmi Varaha was present here,but later lord was
shifted to Aul,a place in Kendrapara District to fulfill the wish of the local king.The temple is
situated on the other side of Biraja Temple with Baitarani River flowing inbetween.

Location
Jajpur is well connected to NH5,and nearest railway station is Byasanagar or Jajpur Keonjhar
Road on Chennai Howrah Railway line.

Konark
Konark (Oriya: କୋଣାର୍କ) (Sanskrit: कोणार्क ) is a small town in Puri district in the state of
Odisha, India, on the Bay of Bengal, sixty-five kilometers from Bhubaneswar. It is the site of the
13th-century Sun Temple (also known as the Black Pagoda), built in black granite by King
Narasimhadeva-I (AD 1236-1264) of the Eastern Ganga Dynasty. The temple is a World
Heritage Site. It takes the form of the chariot of Surya (Arka), the sun god, and is heavily
decorated with stone carving. The entire complex was designed in the form of a huge chariot
drawn by seven spirited horses on twelve pairs of exquisitely decorated wheels. The entrance is
guarded by two lions, which are each shown crushing a war elephant. Each elephant in turn lies
on top of a human body. The temple symbolises the majestic stride of the Sun god. At the
entrance of the temple is a Nata Mandir. This is where the temple dancers used to perform
dances in homage to the Sun god. All around the temple, there are various floral and geometric
patterns. There are also human, divine and semi-divine figures in sensuous poses. The poses
contains couples in various amorous poses, and are derived from the Kama Sutra. The temple is
now partly in ruins, and a collection of its sculptures is housed in the Sun Temple Museum,
which is run by the Archaeological Survey of India. The poet Rabindranath Tagore wrote of
Konark: "Here the language of stone surpasses the language of man." Konark literally means
“Essence of the Corners”.
Konark is also home to an annual dance festival, held every December, devoted to classical
Indian dance forms, including the traditional classical dance of Odisha, odissi.

On 16 February 1980, Konark lay directly on the path of a total solar eclipse.

Konark beach is a popular tourist destination, though the waters are deceptively calm. Its main
attraction lies in its views of the temple.

] Architectural glory of the Sun Temple

Konark Sun Temple

The Sun Temple, built in the thirteenth century, was conceived as a gigantic chariot of the Sun
God, Surya, with twelve pairs of exquisitely ornamented wheels pulled by seven horses. Majestic
in conception, this temple is indeed one of the most sublime monuments of India, famous as
much for its imposing dimensions and faultless proportions as for the harmonious integration of
architectural grandeur with plastic allegiance. It is admittedly the best in Odisha. Its fine traceries
and scrollwork, as well as the beautiful and natural cut of animal and human figures, give it a
superiority over other temples.

Stone Work at Konark

The Sun temple belongs to the Kalinga School of Indian Temples with characteristic curvilinear
towers mounted by cupolas. In shape, the temple did not make any major departure from other
sikhara temples of Odisha. The main sanctum (229 ft. high) which was constructed along with
the audience hall (128 ft. high) having elaborate external projections. The main sanctum which
enshrined the presiding deity has fallen off. The Audience Hall survives in its entirely, but only
small portions of the Dancing Hall (nata Mandir) and the Dining Hall (Bhoga-Mandap) have
survived the vagaries of time. The Temple compound measures 857 ft (261 m) by 540 ft (160 m)
The alignment of the Sun Temple is along the east-west direction. The Temple is located in
natural surroundings, abounding with casuarina plantations and other types of trees, which grow
on sandy soil. The environment is by and large unspoiled. Gentle undulating topography around
the Sun Temple lends some variation to the landscape. Konark is also home to an annual dance
festival, held every December, devoted to classical Indian dance forms, including the traditional
classical dance of Odisha, Odissi.

Besides Konark there is also another sun temple in Odisha called Biranchi khetra (Biranchi
Narayan Temple) in Buguda, Ganjam District.

The stones at Konark are not joined by any limestone or cement. Instead, they are joined in a
unique manner by making the two stone plates so plane like glass plate that just one drop of gum
can join the two stones.

Fall of Konark
Incomplete temple

It is opined by some historians that, due to the early death of the king Langula Narasimha Dev,
builder of the Konarak temple, the construction of the temple had been left in a haphazard state.
As a result of this, the incomplete structure eventually collapsed. But this view is unsupported by
historical data. The records of Madala Panji of Puri Jagannath temple, as well as from some
copper plates dated 1278 A.D., state that the king Langula Narasimha Dev reigned till 1282.
Many historians are of the opinion that the construction of the Konark temple was completed
between 1253 and 1260 A.D. So the argument that the temple collapsed due to non-completion
during construction is not tenable.

Lodestone

Legends describe a lodestone on the top of the Sun temple. Due to its magnetic effects, vessels
passing through the Konark sea were drawn to it, resulting in heavy damage. Other legends state
that magnetic effects of the lodestone disturbed ships' compasses so that they did not function
correctly. To save their shipping, the Portuguese voyagers took away the lodestone, which was
acting as the central stone and keeping all the stones, and the iron columns used to hold them
walls together, of the temple wall in balance. Due to its displacement, the temple walls lost their
balance and eventually fell down. But there is no record of this occurrence in any historical
records, nor is there any record of the existence of such a powerful lodestone at Konark.
Kalapahad

Wheel of Konark Sun Temple

The most popular theory about the root of the fall of Konark temple rests with the Kalapahad.
According to the history of Odisha, Kalapahad invaded Odisha in 1508. He destroyed Konark
temple, as well as a number of Hindu temples in Odisha. The Madala Panji of Puri Jagannath
temple describes how Kalapahad attacked Odisha in 1568. Including Konark temple, he broke
most of the images in most of the Hindu temples in Odisha. Though it was impossible to break
the Sun temple of Konark, the stone walls of which are of 20 to 25 feet (7.6 m) thick, he
somehow managed to displace the Dadhinauti (Arch stone) and thus made a way for the temple
to collapse. He also broke most of the images and other side temples of Konark. Due to
displacement of the Dadhinauti, the temple gradually collapsed and the roof of the Mukasala was
also damaged, due to the stones falling down from the temple top.

Consequently, Odisha came under Muslim control in 1568. There were attempts to destroy the
Hindu temples. The Pandas of Puri, to save the sanctity of the Puri temple, took away the
Jagannath from the temple and kept the image in a secret place. Similarly, it is said that the
Pandas of Konark took away the presiding deity of the Sun temple and buried it under the sand
for years. Latter on the image was said to have been removed to Puri and kept in the temple of
Indra, in the compound of the Puri Jagannath temple. According to others, the Puja image of the
Konark temple is yet to be discovered. But others hold the view that the Sun image now kept in
the National Museum of Delhi was the presiding deity of the Konark Sun temple.

However, the Sun worship in the Konark temple was ended upon the removal of the image from
the temple. This resulted in the end of pilgrimages to Konark. The port at Konark was also
closed, due to pirate attacks. Konark was as glorious a city for Sun worship as it was for
commercial activities, but after the cessation of these activities, Konark became deserted and was
left to develop as a dense forest for years.
In 1626 the then king of Khurda (now a district in Odisha), Raja Narasimha Dev, son of
Purusottam Dev, took away the Sun image to Puri along with two other moving deities - Sun and
Moon. Now they are found in a temple in the compound of Puri Jagannath temple.

It is recorded in the Madala Panji of Puri temple that in 1028, Raja Narasimha Dev ordered
measurements to be taken of all the temples at Konark. At the time of measurement, the Sun
temple was in existence up to its Amalak sila, i.e. about 200 feet (61 m) in height. Kalapahad had
only destroyed its Kalas, the crowning stone and the Padma-dhwaja, the lotus finial and the
upper portions.

As described earlier there was a big block of stone called Navagraha Paata placed in front of the
Mukhasala. The then king of Khurda removed the block. The king had taken away many
sculptured stones from Konark and constructed some portions of Puri temple with them. During
Maratha's time the outer compound wall of the Puri temple was constructed of stones from
Konark temple.

It is reported that among all the temples the Naata Mandir or the Dancing hall of Konark was in
its original form for the longest period, and that it was broken intentionally since it was
considered an unnecessary structure during the Maratha administration.

In the year 1779, a Maratha Sadhu had taken away the Aruna Khumba (Pillar) from Konark and
put it in front of the Lion's Gate of Puri Jagannath temple. Thus by the end of 18th century
Konark lost all its glories and had been turned to a dense forest. In course of time, the temple
area thus became devoid of people, covered with dense forest, full of sand, filled with wild
animals and became the abode of pirates. It is said that even the locals feared to go to Konark in
broad daylight.

Legends
As the legend says that, King Narasimha Deva-I of the Ganga Dynasty had ordered this temple
to be built as a royal proclamation of the political supremacy of his dynasty. A workforce of 12
hundred artisans and architects invested their creative talent, energy and artistic commitment for
an exhausting period of 12 years. The king had already spent an amount equivalent to the state's
revenue receipts of 12 years. However, the completion of the construction was nowhere near
sight. Then the king issued a final command that the work be completed by a stipulated date. The
team of architects headed by Bisu Maharana was at its wit's end. It was then that Dharmapada the
12 year old son of the chief architect Bisu Maharana arrived there as a visiting onlooker. He
became aware of the anxiety looming large among the architects. Although he did not have any
practical experience of temple construction, he was thorough in his study of the theories of
temple architecture. He offered to solve the confounding problem of fixing the last copping stone
at the top of the temple. He surprised everyone by doing that himself. But soon after this
achievement the dead body of this adolescent prodigy was found on the sea beach at the foot of
the temple. Legend says that Dharmapada laid down his life to save his community.

The victorious King of Odisha, Narasimhadeva erected a victory pillar designed as a war chariot.
This temple was dedicated to Surya the Sun god, at a location near the temple town of Puri. He
named this place Konark which means “Essence of the Corners” While the structure
commemorates the victory in the battle against the Muslims, the name Konark commemorates
the science of astronomy of which the King was an avid student.

Tourism
Nearby tourist spots
 Chandrabhaga 3.5 km From Konark Temple
 Ramachandi 8 km From Konark Temple

 Bhagabati Temple, Konark 2 km From Konark Temple

 Kuruma 6 km From Konark Temple

 Puri 35 km From Konark Temple

 Beleswar

 Chilika 70 km From Konark Temple

 Bhubaneswar

 Gopalpur Beach

 Kenduli Sasan

Demographics
As of 2001 India census,[1] Konark had a population of 15,015. Males constitute 52% of the
population and females 48%. Konark has an average literacy rate of 57%, lower than the national
average of 59.5%: male literacy is 64%, and female literacy is 49%. In Konark, 14% of the
population is under 6 years of age.

Biraja Temple
Biraja Temple is one of the ancient Hindu temples located in the Jajpur district of Orissa, India.
This present temple was built in 13th century. It is situated in the Jajpur township which is nearly
125 KM from Bhubaneswar. The main idol is Devi Durga who is worshiped by the name
Viraja.The idol is having two hands(dwibhuja),in one hand she pierces the chest of Mahishasura
with a spear and in other hand she pulls the tail of the Mahishasura.The Durga idol is standing on
Lion in one leg and other leg is on Mahishasura chest.The Mahishasura is depicted as a
Buffalo,not as regular human demon.The crown of Devi has symbol of Ganesha,Crescent moon
and a Shivalinga.The temple covers a large area, and it has several Shiva linga and other deities.
Jajpur is also known as Biraja Kshetra or Biraja Peetha.According to Skanda Purana,utkala
khanda it washes all rajo guna of pilgrims.So called as Viraja or Biraja kshetra.
Nabhi Gaya
It is heard from Puranas that Gaya is having mouth of Gayasura(Shirogaya)& the navel is in
Jajpur inside Biraja Temple.Whereas padagaya(legs of gayasura) is in Pithapuram of Andhra
Pradesh. God Brahma did 10 Ashwamedha yajna here on the bank of Baitarani Or Vaitarani.It is
called as Dakshina(south) Vedi of Brahma.Others being Gaya(east); Kurukshetra,(north);
Pushkar,(west) & Prayag Allahbad,(centre) according toVamana Purana.Many pilgrims gather
here for Shraaddha during Mahalaya.A Holy dip commenses on the day of Chaitra krishna
chaturdasi called as Varuni Snan Yoga.It becomes auspicious if the day is saturday and the star is
Shatabhisha The nearest rail head is Byasanagar or jajpur keonjhar road on chennai-howrah
railway.