Hallelujah

I Love Her So
Arr. A. Mazur Ray Charles

 4     
 4
Bebop Funk = 150
Straight

           
  
Trombone

4
 4     

            
Tenor Saxophone

4
 4       


           
B♭ Trumpet

   44        


Euphonium

   44 
            


 
               
Tuba

4
 4  


   44     
Piano 

Drumset  44     
     

4 Swing

                
Tbn.

    

        
T. Sax.

         
  
3



             
B♭ Tpt.

       
3

Euph.

    
3

         

        
Tba.

                 

      
 
    

Pno. 3

                     
        

Drs.

2
   
       
  
8

  
Tbn.

            
 me tell you 'bout a


1.Let girl I know,

 

   
T. Sax.

        




     
B♭ Tpt.

             


Euph.

        
     


B♭   
Tba.

                 


E7 F7  B♭/D E♭ Edim7

 
                  
 
Pno.

 
                  
         

Drs.



3
        
  
        
  
11

Tbn.

              
She is my ba by and she lives next door. Ev 'ry morn in 'fore the

T. Sax.
 

             

       
B♭ Tpt.

Euph.          

        
       
Tba.

            

B♭ B♭/D E♭ Edim B♭



            

 

Pno.

               
         

Drs.

4
    
  
            

14

Tbn.

         

sun comes up, She brings my cof fee in my fav 'rite cup that's why I

T. Sax.

B♭ Tpt.           

Euph.
            

       
     
Tba.

          

B♭7 B♭7♯5 E♭ Edim7

           
Pno.

             
Drs.
        

5
   
              
    
17

Tbn.

            

know, whoa, I know hal le lu jah, I just love her so.



T. Sax.

           

  
B♭ Tpt.

Euph.
          

    
        C7  F9 B♭
Tba.

                   

B♭ D7 Gm E♭7

 
     
          
Pno.

                 
Drs.          

6
                    
    
20

     
Tbn.

         



T. Sax.

             
 
 When I'm in trou ble and I have no friends,

   
 
            
B♭ Tpt.

Euph.     

           
          
Tba.

                   

 
E♭ E7 F7 B♭ B♭/D E♭ Edim7

  
               
       
Pno.

 
  
                    
         

Drs.

7
    
          


23

        
Tbn.

T. Sax.             

               
I know she'll go with me un til the end. Ev 'ry bod y ask me

 
       
B♭ Tpt.

Euph.          

        
       
Tba.

            

B♭ B♭/D E♭ Edim B♭


         
     
Pno.


               
         

Drs.

8
    
      

26

Tbn.

T. Sax.                    

          
how I know, I smile at them and say she told me so. That's why I

B♭ Tpt.

Euph.
            

Tba.
             

           

B♭7 B♭7♯5 E♭ Edim7

           
Pno.

             
Drs.
        

9
         
     

29

         
    
Tbn.

  
T. Sax.    

   
        
know, woah I know hal le lu jah, I just love her so


  
B♭ Tpt.

          

Euph.

       
      C7  F9
Tba.

                   

B♭ D7 Gm E♭7 B♭

 
   
       
    
Pno.


                 
Drs.          

10
        
 
            
32

      
       
Tbn.

       
3

T. Sax.

             
3


B♭ Tpt.

 
             

     
 Now if I call her on the tel e phone,

Euph.

              
3

       
3
Tba.

                

E♭7 Edim7

    
   3            
    
3

   
Pno.

    
       
                 
  
Drs.
3
3

11
  
      
 

 

35

    
Tbn.

       

    
T. Sax.

B♭ Tpt.             

               
and tell her that I'm all a lone, by the time I count from

Euph.

        
Tba.
  
           

B♭/F B♭ Edim7 E♭7

        
   
Pno.

          
Drs.       

12
 
 
       
38

 
    
Tbn.

       
 
T. Sax.

          
B♭ Tpt.        

             
one to four, I hear her on my door, yeah.

Euph.

         
Tba.
  C9   
         

D♭9

 
         
  
Pno.

  
               
       
4
Drs.

13
      
           
  
41

Tbn.

 
    


 
In the eve ning when the sun goes down, when ther is no bod y

T. Sax.
  

          

  
B♭ Tpt.

        



Euph.

      
      
B♭  B♭ /D B♭  B♭ /D 
Tba.

             

E♭ Edim7


      
      
Pno.

       
                 
       

  
Drs.

14
    
            
   
44

Tbn.

      
        
else a round, she kiss es me and she holds me tight,

T. Sax.

              

    
B♭ Tpt.

     
Euph.         

        
Tba.
      
            

E♭ Edim B♭ B♭7 B♭7♯5


        
      
Pno.

      

 



 

 

  

Drs.

15
             
    

47

Tbn.

     

and tells me, "Ray Charles, ev ry things al right That's why I

T. Sax.

      

  
B♭ Tpt.

    
Euph.

Tba.
         

       

E♭ Edim7

       
Pno.

         
Drs.
     

16
   
             
     
49

   love her so

Tbn.

          
know yes I know hal le lu jah, I just


T. Sax.

           

   
B♭ Tpt.

          

Euph.

             
Tba.
 
                   

B♭ D7 Gm E♭7 C7 F9 B♭

 
          
   
 
Pno.

                 
Drs.          

17
         
   
52


Tbn.

                       


  
T. Sax.

               



         
B♭ Tpt.

       


Euph.

              
           


 
Tba.

  
                   
E♭ E7 F7  
B♭ B♭/D

 
       
 


 
Pno.

  
     
            
 
            
     

Drs.

 

18
        
       

56

   
               
Tbn.

     


T. Sax.

           
   


 
B♭ Tpt.

               
 

Euph.

        
     
 

B♭7 
Tba.

       
          
A7 B♭7 A7 B♭7 
B♭ E♭7

        

 


Pno.


                
            



Drs.

19
             
  
60

     
         
         Lay Back  
Tbn.

    
3


T. Sax.

           
3

 
3

B♭ Tpt.

               

Euph.

    
    
3

      
3
Tba.

                    

   
Edim7

 
3

   
    
     
Pno.

 
3


           
               
Drs.       
3
3

20
        
 
            
64

       
       
Tbn.

      
3

T. Sax.

             
3

B♭ Tpt.

 
             

     
 Now if I call her on the tel e phone,

Euph.

              
3

        
3
Tba.

                 

E♭7 Edim7

    
                
3

    
Pno.

    
         
    
      
Drs.     
3
3

21
  
      
 

 

67

    
Tbn.

       

   
T. Sax.

      

         
B♭ Tpt.


               
and tell her that I'm all a lone, by the time I count from

Euph.

        
Tba.
  
           

B♭/F B♭ Edim7 E♭7

        
  
Pno.

          
Drs.       

22
 
 
       
70

 
    
Tbn.

       

      
T. Sax.

            
B♭ Tpt.


          
3

  
one to for, I hear her on my door,

Euph.

        
Tba.
  C9   
         

D♭9

 
        
  
Pno.

  
               
       
4
Drs.

23
      
           
    
73

Tbn.


     



In the eve ning when the sun goes down, when ther is no bod y

T. Sax.
  

          



      
B♭ Tpt.

   
Euph.  

      
       


  B♭ /D  B♭ /D 
Tba.

             


B♭ E♭ Edim7 B♭


      
      
Pno.

       
                 
          


Drs.



24
     
         
   
76

Tbn.

      
        
else a round, she kiss es me and she holds me tight,

T. Sax.

              

    
B♭ Tpt.

     
Euph.         

        
Tba.
      
            

E♭ Edim B♭ B♭7 B♭7♯5


        
      
Pno.

             
         

Drs.

25
                
  
79

Tbn.

     

and tells me, "Ray Charles, ev ry things al right That's why I

T. Sax.

      

  
B♭ Tpt.

    
Euph.

Tba.
         

       

E♭ Edim7

       
Pno.

         
Drs.
     

26
        

          
    
81

  
Tbn.

      
3

   
know yes I know hal le lu jah, I just love so


T. Sax.

           

   
B♭ Tpt.

Euph.
          

       
Tba.        C7  F9  
                   

B♭ D7 Gm E♭7 B♭

 
        

       
Pno.


                 
Drs.          

27
            
     
84

Tbn.

     
           
 Yeah, Hal le lu jah I just love her so.


  
T. Sax.

              




               
B♭ Tpt.

  


Euph.

          
      



Tba.

              

B♭ E7 F9 
B♭7 G7 C7 F7

 
          
       
Pno.

   
     
    
  
 
  

   
       

Drs.

28
   * 
              
      
87 Improv!

Tbn.

       
    
Yeah hal le lu jah I just love her so. Yeah hal le


T. Sax.

         

    
B♭ Tpt.

       

      
Euph.

  
Tba.            

               
 
B♭7 G7 C7 F7 B♭7 G7

        

            
Pno.


                 
        
  

 
Drs.

29
       
       
 
90

   
Tbn.

          

lu jah I just love her so.


 
     
T. Sax.

     

     
B♭ Tpt.

Euph.            

         
Tba.
       B♭31
                   

C7 F7 E♭ E7 F7

 
         
      
Pno.

   
            
    
Drs.               

30
 Ray Charles Hallelujah I Love Her So

4 4          
         
Arr. A. Mazur Ray Charles

   44     
Bebop Funk = 150
Straight Swing

    
                       
       
 me tell you 'bout a


1.Let girl I know, She is my ba by and she lives next door.
13

                     
     
                        
Ev 'ry morn in 'fore the sun comes up, She brings my cof fee in my fav 'rite cup that's why I know, whoa, I know hal le


 
19

                            2
                          
lu jah, I just love her so. 
29

         
                  
    
3

    
41

                            
          
 In the eve ning when the sun goes down,

 
when ther is no bod y else a round, she kiss es me and she holds me tight,
47

               
             
    
  
and tells me, "Ray Charles, ev ry things al right That's why I know yes I know hal le lu jah, I just love her so

 
53

3 3
  
       2    
 
                      
          
  
65

          
               


 
In the eve ning when the sun goes down,

      
   
75

     

                       
when ther is no bod y else a round, she kiss es me and she holds me tight, and tells me, "Ray Charles, ev ry things al right That's why I

       
 
81

   
             
3

   


   
know yes I know hal le lu jah, I just love so Yeah, Hal le lu jah I just love her so.

         
  
*
87 Improv!

Yeah hal le lu jah I just love her so. Yeah hal le lu jah I just love her so.

2
 Ray Charles Hallelujah I Love Her So

                 
Arr. A. Mazur Ray Charles

4          
4         
Bebop Funk = 150
Swing

            
3

                                


    
 
     

 
9


                                                   


    
21

    
                           
33


          
                              
 Now if I call her on the tel e phone,

 
and tell her that I'm all a lone, by the time I count from one to four, I hear her

  
40

                        
            


     
on my door, yeah.


51
3

 
   
     

                      
  


65

 Now if I call her on the tel e phone, and tell her that I'm all a lone, by the time I count from one to for,
       
 
             
                    
 
71

        
I hear her on my door,

                
   

                            

81




  
92

2
 Ray Charles Hallelujah I Love Her So

                                
Arr. A. Mazur Ray Charles

   44              
Bebop Funk = 150


Swing

   
                                                    
3



9

    
                                                     



21

  
                                       
      
3

    
33

         
                                            
44

                                                        


 3   
55

    
                                        
  3

    
67


                        
                          
    
78

           



      
90

2
 Ray Charles Hallelujah I Love Her So
Arr. A. Mazur Ray Charles

   44    
     
Bebop Funk = 150

                  
Swing


                         


 
  
                               
  
9


              
                  
                    
    
21

  
                            
                
32
3

                                
   
             
41

                            
                            
51


3

                       
  

            
        
61

  
3
    
                          
                     
71

 


          
                              
 
      
82

       
   
91

2
 Cory Hitt Hallelujah I Love Her So

3 
                      
Arr. A. Mazur Ray Charles

 44               

Bebop Funk = 150

   
Swing


                                                   



                          
9

   
  
                                                      



                           
19

 
      
                                                    4      
                       
   
29

 
                                          
3

           
3

                          
41

  
   
                                                      
                       
51

   
      
                                                 
            
3

    
 3

                   
61


4

3
3
 
    
  
  
 
  

                
           
72

 
  
                                        



                     
77


     
                        

                                       
 
85

  

2
 Don Wilkerson Hallelujah I Love Her So

                   
       
Arr. A. Mazur Ray Charles

4
 4          
Bebop Funk = 150
Swing

                              
3

         


  
           
9

            
                   



21

 
     
                     
 When I'm in trou ble and I

 
have no friends, I know she'll go with me un til the end. Ev 'ry bod y ask me


26

   I know,     I          
           
                   
how smile at them and say she told me so. That's why I know, woah I know hal le


31

    
                    
3

      
so 

          
lu jah, I just love her


     
40


      
     
           
            
          
52

  
       
        


       

        
  

            
      
60 Lay Back

3 3

        
         
            
             

68



   
                                        
        
80

   
       
91

2
 Part 2 Hallelujah I Love Her So

4                   
Arr. A. Mazur Ray Charles

                    
 4 
Bebop Funk = 150
Swing

3


                                                 
      
   
9





    
                         
  
21

 
  
 When I'm in trou ble and I


have no friends, I know she'll go with me un til the end. Ev 'ry bod y ask me

           
            
  
26

                                        
how I know, I smile at them and say she told me so. That's why I know, woah I know hal le

      
    
  
31

  
so 


lu jah, I just love her

                            
            
40
    
 
  
                            
 
         
 
52

  


           
                                               
     
  
60 Lay Back

3 3

                            
                  
68



   
                                                
      
80

 
  
       
91

2
 Part 3 Hallelujah I Love Her So

4             
        
      
Arr. A. Mazur Ray Charles


 4 
Bebop Funk = 150


Swing

 
                  


              
   
7 B♭ E7 F7
B♭/D E♭ Edim7 B♭ B♭/D E♭ Edim

            
3

          

B♭ B♭7 B♭7♯5E♭ Edim7 B♭ D7 Gm E♭7 C7 F9 B♭


13

                    
                                
B♭ E7 F9 B♭ B♭/D E♭ Edim7 B♭ B♭/D E♭ Edim B♭ B♭7 B♭7♯5

 
20

                            
    
E♭ Edim7 B♭ D7 Gm E♭7 C7 F9 B♭ B♭m Fm Edim7 E♭7

 
27

2
    
3

                          
Edim7 B♭/F B♭ Edim7
E♭7 D♭9 C9 B♭ B♭/D

     
33

            
                                 
42 E♭ Edim7 B♭ B♭/D E♭ Edim B♭ B♭7 B♭7♯5E♭ Edim7 B♭ D7

                                  

Gm E♭7 C7 F9 B♭ B♭ E7 F9 B♭ B♭/D A7 B♭7 A7 B♭7 B♭ B♭/D

   
50

   
 

                                     
A7 B♭7 A7 B♭7 B♭ B♭7 E♭ Edim7 B♭ D7 Gm E♭7 C7 F9 B♭

 
56

 3
 
                                
B♭m Fm Edim7 E♭7 Edim7 B♭/F B♭ Edim7
E♭7 D♭9 C9

      
64

2
                                 

71 B♭ B♭/D E♭ Edim7 B♭ B♭/D E♭ Edim B♭ B♭7 B♭7♯5E♭

                                    

Edim7 B♭ D7 Gm E♭7 C7 F9 B♭ B♭ E7 F9 B♭7 G7 C7 F7

   
80


                             
B♭7 G7 C7 F7 B♭7 G7 C7 F7 B♭ E7 F9 B♭31

 
87

2
Piano Hallelujah I Love Her So

 4            
    

               
Arr. A. Mazur Ray Charles


 4 
Bebop Funk = 150


Swing


 4        
 4


                  
                 
E7 F7 B♭ B♭/D E♭ Edim7 B♭ B♭/D E♭ Edim

 
7


   


      
                   
3

 


            
            
B♭ B♭7 B♭7♯5E♭ Edim7 B♭ D7 Gm E♭7 C7 F9 B♭

 
13

                            
 

                     
          
E♭ E7 F7 B♭ B♭/D E♭ Edim7 B♭ B♭/D E♭ Edim B♭

 
20

 
       

                          
   

                              
        
B♭7 B♭7♯5E♭ Edim7 B♭ D7 Gm E♭7 C7 F9 B♭ E♭7

 
26


              3 

      
   
       
3


         
                  
Edim7 B♭/F B♭ Edim7E♭7 D♭9 C9

     
33

                          
       

                    

B♭ B♭/D E♭ Edim7 B♭ B♭/D E♭ Edim B♭

 
40

           
                       

     
               
B♭7 B♭7♯5 E♭ Edim7 B♭ D7 Gm E♭7 C7 F9 B♭

 
46

                   
    


               
                    
52 E♭ E7 F7 B♭ B♭/D A7 B♭7 A7 B♭7 B♭ B♭7

 
              

  

  


                              

    
E♭7 Edim7 E♭7

  3
59 3


          
           
  
3

2
         
                  
Edim7 B♭/F B♭ Edim7E♭7 D♭9 C9

     
65

                          
       

                    

B♭ B♭/D E♭ Edim7 B♭ B♭/D E♭ Edim B♭

 
72

           
                       


   
                                 
B♭7 B♭7♯5E♭ Edim7 B♭ D7 Gm E♭7 C7 F9 B♭ B♭ E7 F9

   
78

                
          
       


                      
85 B♭7 G7 C7 F7 B♭7 G7 C7 F7 B♭7 G7

    
                               


           
        
90 C7 F7 E♭ E7 F7 B♭31

 
         
      

3