History of Arts and It's Various Planet

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CHAPTER 6

HISTORY

OF ARTS

AND IT'S

VARIOUS

PLANET
REPORTERS:
Group 6
CHAPTER 6
HISTORY OF ART
AND IT'S
VARIOUS PLANES

01 Various Planes of Arts

02 History of Arts

03 Prevailing Issues Depicted by Arts

04 Abstracts/ Non Objective Arts

05 Ways of Reading Images in Different Art Forms

06 The Different Planes of Art


05

OBJECTIVES
identify the underlying history and philosophy of the era movements.
classify the various art movements by their important
characteristics such as historical background, factors,
influential person, socio-political, and prevalent artists, art
forms and media.

present the history of the movements of the arts through a timeline.

cite important characteristics in artwork based on the era


movements (document and annonated works

identify the various planes in art and

categorize and organize information from different sources.


01

VARIOUS
PLANES OF
ARTS
01

PLANE

refers to any surface area within space.


In dimensional art, the "picture plane" is
the flat surface that the image is
created upon, such as paper, canvas, or
wood.
01

THREE

DIMENSIONAL

FIGURE

may be depicted on the flat picture


plane through the use of the artistic
elements to imply depth and volume.
01

DISTORTION
OF SPACE
and Foreshortening

a method for presenting foreshortened


geometry systematically onto a plane
surface, was unknown for 300 years.
These projectors intersect with an
imaginary plane of projection and an
image is created on the plane by the
points of intersection.
01

COLOR FIELD

is characterized primarily by it's use of


large fields of flat, solid color spread
across or stained into the canvas
creating areas of unbroken surface and
a flat picture plane.
01

CEZANNE

is named after Paul Cezanne, a French


artist and Post- Impressionist painter
whose work laid the foundations in
19th Century.
He used planes of color and small
brushstrokes to form complex fields
and convey intense study of his
subjects.
01

LINEAR

is a technique artist developed during


Renaissance to accurately depict
three-dimensional space of a painting.

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