Index
Index
Index
Abramović, Marina, 6 Tropical Malady, 43, 44, 45, 46fig., 48, 57,
Acosta, Navild, 36 98–99, 101–2, 176; Uncle Boonmee Who Can
Adorno, Theodor, 230n40, 231n49 Recall His Past Lives, 4, 44, 45, 46fig., 49–50,
Afternoon (Tsai), 199 57, 84, 99, 176; Worldly Desires, 48
Akritchalerm Kalayanamitr, 1 Apichatpong Weerasethakul: The Serenity of
The Albertine Workout (Carson), 103 Madness exhibition, 49
alertness-promoting drugs, 23–25, 104 “The Apparatus: Metapsychological Approaches
Althen, Michael, 126 to the Impression of Reality” (Baudry),
amphetamines, 24, 104 138–39, 143
Anderson, Benedict, 105 Arab Spring, 28, 37
animistic ontology, 190 ArcLight Cinemas, Los Angeles, 208
The Anthem (Apichatpong), 48, 239n2 Art Insitute of Chicago, 47, 53
Apichatpong Weerasethakul, 14–15; Ashara Ekundayo Gallery, 20, 21, 37
0116643225059, 47; The Anthem, 48, 239n2; Ashes (Apichatpong), 225n41
Ashes, 225n41; Blissfully Yours, 3–4, 94–98, ASMR videos, 9
176; Blue, 51, 52fig., 53; Bullet, 47; Cemetery of audience behavior, 3, 6, 18, 112, 131–37, 205.
Splendor, 4, 43–45, 46, 50–51, 54–59, 82–94, See also cinema experience; spectatorship
99–102, 109–11; on cinematic transformation, Australia, 27
199–200, 201–2; Dilbar, 32–33, 47, 48fig.,
92; Fever Room, 51–53, 174; Fireworks, 51; Back to the Future (Zemeckis), 81
Haunted Houses, 45, 47fig., 220n5; Invisibility, Badu, Erykah, 11
51, 52; Luminous People, 78–79; Manning on, Baker, Miyuki, 36
17; Mekong Hotel, 44, 45, 46, 48, 51, 176–77, Balsom, Erika, 194, 195, 242n35
178; Memoria, 4; Mysterious Object at Noon, Bangladeshi workers, 32–33
48–49, 220n5; Primitive, 49, 50, 54, 79–81, Banlop Lomnoi, 43
175; Sakda, 48; The Serenity of Madness, Barry, Iris, 134
49, 53, 78; SLEEPCINEMAHOTEL, 1–6, 14, Barthes, Roland, 11, 60, 61, 77, 97, 132, 188.
127, 172–74, 179, 181–86, 190, 199, 203–4; on See also “Upon Leaving the Movie Theater”
sleeping while movie-watching, 172–75, 186; (Barthes)
Syndromes and a Century, 43; Teem, 102–6; Baudry, Jean-Louis, 138–47, 168
259
260 INDEX
devaluation of sleep, 10–11 “The Fiction Film and Its Spectator” (Metz),
de Villiers, Nicholas, 108 138–39, 143–44, 171
Dilbar (Apichatpong), 32–33, 47, 48fig., 92 Film-Makers’ Cinematheque, 204
Divine the Darkness installation, 37 Fireworks (Apichatpong), 51
Donnie Darko (Kelly), 81 Five (Kiarostami), 178
Douglass, Frederick, 35 Fiverr, 24
Dream House (Abramović), 6 Flanagan, Matthew, 177, 178, 179–80
Dream of a Rarebit Fiend (Porter), 62, 63fig. Flatley, Jonathan, 106
Dream of the Red Chamber (play), 6 Flowers of Shanghai (Hou), 175, 176
“Dream-Over” (exhibition), 6 Flowers of Taipei (Chinlin), 173, 174
dreams and dreaming: in Cemetery of Splendor, Fly (Lennon and Ono), 115, 116
83–90; in early cinema, 61–75; Freud on, Foucault, Michel, 28–29, 148
59–60, 119–21, 222n10, 229n8, 234n49; in **** (Four Stars) (Warhol), 205
Inception, 55–56; Lacan on, 121–22; Proust on, Franklin, Benjamin, 24
119. See also consciousness Freud, Sigmund, 11, 59, 119–22, 124–25, 138–40,
drug foods, 10, 23–25, 35–36 222n10, 229n8, 232n21
dysfunctionality, 22 Fried, Michael, 8
Fuhrmann, Arnika, 56–57, 79, 99
Echigo-Tsumari Art Triennale (2000), 6 futurity, 79–82
Edison, Thomas, 24
Edward Hopper and the American Hotel Gaupp, Robert, 137, 233n39
(exhibition), 6 Geil, Abraham, 127–28
8 Hours (Minimum) (Turbo Pascale), 6 Giorno, John, 104–5, 106
Einstein on the Beach (Glass and Wilson), 4, 6 “Girls Watching Movie” (Weegee), 160fig., 161
Eisner, Lotte, 126 Gladstone, John, 35
Elcott, Noam, 148, 236n91 Glasgow Short Film Festival, 175, 179
electroencephalography (EEG), 12 Glass, Philip, 4
El Wardany, Haytham, 37, 38 Goodbye Dragon Inn (Tsai), 131
Emerson, Ralph Waldo, 150–51 Google, 32, 218n65
Empire (Warhol), 204, 205, 243n47 Gorfinkel, Elena, 47, 74–75, 95, 113
encephalitis lethargica, 43, 220n1 Go the Fuck to Sleep (Mansbach), 9
EnergyPod, 32, 218n65 Goudal, Jean, 234n50
The Energy Project, 31 Goya, Francisco, 11
Eniaios (Markopoulos), 202–3 A Grandmother’s Story (Méliès), 64, 65fig.
Epstein, Jean, 163, 192, 207, 232n25 Greek mythology, 8
“Every Exit Is an Entrance (A Praise of Sleep)” Gridthiya Gaweewong, 49
(Carson), 173 Grohmann, Martje, 126
“The Evolution of the Language of Cinema” Grundrisse (Marx), 25
(Bazin), 179 Gvojic, Alex, 200
Experiments in Supine Possibilities event (2020),
36, 220n85 Hallucinations of Baron Munchausen (Méliès),
Exxon Valdez oil spill (1989), 22, 215n8 65–66, 67fig.
Eye Filmmuseum, 1 Hammid, Alexander, 71–74
“An Eyeful at the Movies” (Eyerman), 157, 158fig. Hansen, Miriam, 136, 167, 191, 192, 208
Eyerman, J. R., 157, 158fig., 162 Hartman, Saidiya, 35, 219n76
Haunted Houses (Apichatpong), 45, 47fig., 220n5
Face (Tsai), 199 Heraclitus, 7
fashion, 9 Heyes, Cressida, 28, 114
Federal Drug Administration, 24 The History of Sexuality (Foucault), 28–29
Fellig, Arthur. See Weegee (Arthur Fellig) Hodson, Josie Roland, 34–35
Felski, Rita, 212n27 Höller, Carsten, 6, 7
Festspielhaus, 147–48 Holy Motors (Carax), 130–32, 141–42, 157
Fever Room (Apichatpong), 51–53, 174 Hopper, Edward, 6
262 INDEX
Summers-Bremner, Eluned, 10, 25, 156 “Upon Leaving the Movie Theater” (Barthes),
Swann’s Way (Proust), 78 164, 168–69, 170–71, 181
Swinton, Tilda, 38 US Armed Forces, 30
SXSW Music Festival, 7, 8fig. US Department of Defense, 24
Syndromes and a Century (Apichatpong), 43
Szczepaniak-Gillece, Jocelyn, 134, 147, 148, 158 Van der Pol, Bik, 205, 206fig.
Varda, Agnès, 126
Tabor-Smith, Amara, 20, 34–35 Venice Biennale, 49, 199
Taiwan New Cinema, 173 Venice International Film Festival, 199
Tate Modern, 49, 175, 199, 243n51 Vive L’Amour (Tsai), 106–8
Taylor, Breanna, 39 von Moltke, Johannes, 136
tea, 10, 25, 35 voyeurism, 153, 236n3
Teem (Apichatpong), 102–6
Teh, David, 15, 50 Wagner, Richard, 133, 236n87
Tempur Cinema, 206, 207 Ward, Meredith, 147
Their First Murder (Weegee), 153 Warhol, Andy, 104–5, 106, 204, 205
Theory of Film (Kracauer), 135, 136 Wark, McKenzie, 5
Theravada Buddhism, 56–57, 83, 221n20 waterbed, 28
There’s a word I’m trying to remember The Wayward Cloud (Tsai), 111–14
(Gvojic), 200 Weegee (Arthur Fellig), 151–55, 158–61, 236n5,
Thompson, E. P., 23, 35 237n17, 237n21, 237nn9–10, 238n32
3D film-viewing, 157, 158fig. Weegee’s People (Weegee), 151–57, 161
“Times Square Blue” (Delany), 168 Wehr, Thomas, 13
time travel, 79–82 Weihong Bao, 113
Tong Prakaisad (television show), 45 Western Hotel (Hopper), 6
Trachtenberg, Alan, 155 Whitney Museum of American Art, 204–5
transformation, 199–200 Why We Sleep (Walker), 215n4
Trice, Jasmine, 209, 244n63 Wilson, Robert, 4, 203
Tropical Malady (Apichatpong), 43, 44, 45, 46fig., Windows (Apichatpong), 53
48, 57, 98–99, 101–2, 176 The Wizard of Oz (Fleming), 69–71
Tsai Ming-liang, 106–14, 131, 173, 175, 197–99, 201 Worldly Desires (Apichatpong), 48
Turbo Pascale, 6 Wyler, William, 180, 185–86
24/7: Late Capitalism and the Ends of Sleep Wyss, Beat, 147–48
(McCrary), 23, 24, 26, 29
24 Frames (Kiarostami), 192–93, 241n6 Yang, Edward, 173, 175
24 Hour Psycho (Gordon), 200 Yasunari Kawabata, 116
Your Face (Tsai), 199
Umbrella Movement, 28 Yussof, Kathryn, 36
Uncle Boonmee Who Can Recall His Past Lives
(Apichatpong), 4, 44, 45, 46fig., 49–50, 57, 0116643225059 (Apichatpong), 47
84, 99, 176 Zhuangwei Sand Dune Visitor Center
United Arab Emirates (UAE), 33, 47 (Taiwan), 198
University of Pennsylvania, 31 Zhuangzi, 122–23
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